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fd_Once_Upon_A_Time_03x03

fd_Once_Upon_A_Time_03x03_0

TEXT: SCENE: Neverland. Present day. David, Emma, Hook, and Mary Margaret range the woods searching for Henry as they walk single file. Mary Margaret leads the way. [SCENE_BREAK] David: (Panting) Hey, need a break? Mary Margaret: No, I'm good. David: Are you sure? You shouldn't overtax yourself. Mary Margaret: Sounds like you need a break. David: No, no. I'm good. Mary Margaret: David Nolan let himself go. David: Does he look like he'd let himself go? Regina: How much further? (Looking around) Emma: (Taking a look on the map) We should be getting closer. Pan's there. (They are catching up with David and Mary Margaret.) We are on a straight line course. (Looking on the map and frowning) Son of a bitch! How is it now behind us? Mary Margaret: How can that be? Regina: You got us lost. Hook (Holding a lamp) No, she didn't. It's the camp. Pan's moving it. David: He's got a playing trait on his soul. Emma: If Pan's camp keeps moving how are we ever gonna find Henry? [SCENE_BREAK] SCENE: Neverland. Present day.Henry Mills sleeps under a tree. Someone cuckoos from behind. [SCENE_BREAK] Peter Pan: Wake up. I got you (He throws an apple towards Henry.) Henry: (sitting up) I don't like apples. Peter Pan: Who doesn't like apples? Henry: It's a family thing. Peter Pan: (smiles) Don't worry. (He crouches down to be at eye level with Henry.) They're not for eating. It's for a kind of game. A really fun game. (aiming with a cross bow) I call it target practice. [SCENE_BREAK] SCENE: The Enchanted Forest. Present day. The Dark Castle. Neal is looking for something in a wardrobe. Robin Hood and Mulan are watching him. [SCENE_BREAK] Mulan SUMMARY:<extra_id_0>

<extra_id_0> In their continuing quest to find Peter Pan's hideout and save Henry, Hook suggests tracking down Tinker Bell in the hope that she will lead them straight to his camp. Pan reveals to Henry why he has brought him to Neverland and in the Enchanted Forest, Neal has a plan that could transport him to Emma, but it would involve using one of Robin Hood's most precious possessions. Meanwhile, in the Fairy Tale Land that was, Tinker Bell offers to help Regina improve her life.<extra_id_1>

fd_Doctor_Who_03x01

fd_Doctor_Who_03x01_0

TEXT: EXT. CHANCERY STREET Martha Jones is walking along Chancery Street on her way to the hospital in the morning. She's listening to the radio, and the announcer is saying: "What can happen on an average beautiful day, you never know. Celebrate seasonal changes...On a beautiful sunny day." Her phone rings. MARTHA: You're up early! What's happening? INT. TISH'S BEDROOM TISH: It's a nightmare, because Dad won't listen, and I'm telling you, Mum is going mental. Swear to God, Martha, this is epic. You've got to get in there and stop him. EXT. CHANCERY STREET MARTHA: How do I do that? INT. TISH'S BEDROOM TISH: Tell Dad he can't bring her! EXT. CHANCERY STREET MARTHA (her phone rings again): Hold on, that's Leo. I'll call you back. INT. LEO'S BEDROOM LEO (taking clothes from his cupboard): Martha, if Mum and Dad start to kick off, tell them I don't even want a party. I didn't even ask for one. They can always give me the money instead. EXT. CHANCERY STREET MARTHA: Yeah, but why do I have to tell them? Why can't you? (Her phone rings). Hold on, that's Mum. I'll call you back. INT. LEO'S BEDROOM Leo lowers the phone and sighs, exasperated. INT. FRANCINE'S KITCHEN FRANCINE: I don't mind your father making a fool of himself in private, but this is Leo's 21st, everyone is going to be there, and the entire family is going to look ridiculous. EXT. CHANCERY STREET MARTHA: Mum, it's a party, I can't stop Dad from bringing his girlfriend. (Her phone rings). Hold on, that's Dad, I'll call you back. INT. FRANCINE'S KITCHEN FR SUMMARY:<extra_id_0>

<extra_id_0> The Doctor goes undercover at the Royal Hope Hospital in London, where he meets medical student Martha Jones . The entire hospital is transported to the Moon by the Judoon , a brutal outer-space police force-for-hire, who are searching for the blood-sucking Florence Finnegan . Mrs Finnegan is a Plasmavore and has been assimilating the human blood of hospital workers to avoid detection. The Doctor, an alien, allows her to drink his blood and she is detected as non-human, and executed. Martha revives the Doctor using CPR . The Doctor stops Finnegan's attempt to destroy her Judoon pursuers along with half of Earth with a magnetic pulse from an MRI machine in the hospital when he shuts the machine down. The Doctor invites Martha to join him for a trip in the TARDIS in return for saving his life.<extra_id_1>

fd_Frasier_04x15

fd_Frasier_04x15_0

TEXT: Act One. Scene One - Frasier's BMW He and Niles are driving down a country road, wearing their squash togs. Niles: Oh, did I mention? Two of my "Fear of Commitment" group have announced they're getting married. Frasier: Oh, congratulations. Niles: Thank you. There's a downside though - they're New Age types - the wedding's to be held in the woods. Frasier: So? Niles: I need a date. You know how the women in my crowd tend to droop outdoors. Frasier: Yes, well Niles, there are all sorts of different women in the world. Perhaps if you tiptoed beyond the fringes of your precious circle, cast a wider net... They pass a workgang, clearing the side of the road. Niles: Frasier? That woman by the side of the road, spearing trash! Frasier: Not that wide. Niles: No, no. It's Roz! Frasier: My God, it is! [he stops beside her] Niles: If she realizes we've recognised her, she'll be utterly humiliated. [shouts] OH, ROZ!? Roz turns round, then tries to hide her face. Roz: Oh my God! You're not seeing me! Go away! Frasier: Roz! What on earth are you doing here? Roz: Just let me in. Niles: Wait, I'll spread papers. [does so, all over the back seat] Frasier: Oh, yes. Thank you, Niles. [to Roz] All right. Roz climbs in the back, complete with trash spear. Roz: Okay, let's go. Frasier: What? What do you mean, "Let's go"? I can't do that, I don't even know why you're here. Roz: About a month ago, I got stopped doing sixty in a thirty-mile- an-hour zone. It was either a huge fine or community service. So here I am. It's a nightmare. Breathing exhaust SUMMARY:<extra_id_0>

<extra_id_0> While out driving, Frasier and Niles discover Roz collecting litter from the side of the road with a group of other people. She explains that this is community service for a speeding offence, and she chose this option rather than visiting a retirement home, due to her fear of ageing. Frasier persuades her to confront her fear, but while playing checkers with an elderly gentleman (Mr Krantz), he dies mid-game. Frasier insists she persevere, but then another man (Mr Gouldenstein) dies while she reads to him.<extra_id_1>

fd_The_Big_Bang_Theory_02x17

fd_The_Big_Bang_Theory_02x17_0

TEXT: Scene: The Apartment Howard: Okay, Raj, hand me the number six torque screwdriver. Sheldon: Stop. We can't do this, it's not right. Raj: Sheldon, you have two choices. Either you let him put a bigger hard drive in the TiVo, or you delete stuff before we go out of town. Sheldon: But once you open the box, you've voided the warranty. The warranty is a sacred covenant we've entered into with the manufacturer. He offers to stand by his equipment, and we in return agree not to violate the integrity of the internal hardware. This little orange sticker is all that stands between us and anarchy. Leonard: Okay, then we won't touch the hard drive. We'll just erase the first season of Battlestar. Sheldon (ripping off sticker): There. We're outlaws. Penny (entering with a pink suitcase): Here you go, Leonard. Is this going to be big enough? Leonard: It's perfect. Howard: For taking daffodils to your unicorn. Leonard: It's just for my notebooks. Thanks, Penny. Penny: Oh, I love San Francisco. I wish I was going with you. Sheldon: I understand your envy. This is a can't-miss symposium. There are going to be discussions on bioorganic cellular computer devices, the advancements in multi-threaded task completion, plus a roundtable on the nonequilibrium Green's function approach to the photoionization process in atoms. Penny: When I go, I usually just get hammered and ride the cable cars. Leonard: This conference is kind of a big thing. The keynote address is being delivered by George Smoot. Penny: Oh, my God, the George Smoot? Leonard: You've heard of him? Penny: Of course I haven't. Sheldon: George Smoot is a Nobel Prize-winning physicist, one of the great minds of our time. His work in black body form and anisotropy of the cosmic microwave background radiation cemented our understanding of the origin of the universe. Penn SUMMARY:<extra_id_0>.

<extra_id_0> The guys take a trip to a conference in San Francisco to meet guest speaker and 2006 Nobel Prize laureate Dr. George Smoot. On the train, the guys notice Summer Glau of Terminator: The Sarah Connor Chronicles is on their car. Raj drinks a beer before being the first to approach her, and they get on well until Howard discovers Raj actually drank non-alcoholic beer, which apparently had a placebo effect, and points this out to Raj who thereupon reverts to his usual selective mutism. Howard then takes over, but creeps Summer out with his awkward style. Leonard finally gets his chance, but Summer gets off the train before he can introduce himself. Meanwhile, Sheldon realizes he forgot the USB flash drive with the paper he wants to show to Smoot, and needs extensive help from Penny to find it and email it to him. At the conference, however, Smoot is not impressed by Sheldon, asking "With all due respect, Dr. Cooper, are you on crack?"<extra_id_1>

fd_The_Office_04x01-02

fd_The_Office_04x01-02_0

TEXT: Michael: Ok, well I did not get the job in New York, but I got the real prize, domestic bliss. Jan made me breakfast this morning... well she bought the milk. It's soy. [walks into bedroom, Jan sleeping on bed] This is why I do it, that's what I have to come home to. [sighs] She probably won't be up for a few hours. [SCENE_BREAK] Michael: This is going to be a very good year. Very good. Jan is at home. Jim is back. My protege Ryan is at corporate. Good stuff. Um... Andy and Dwight are rockin' the sales team. I feel very blessed. [slams on breaks, camera turns, Meredith rolls off the hood] [SCENE_BREAK] IT Tech Guy: You know generally it's not a good idea to click on offers that you haven't requested. What was the exact offer? Pam: It was for a video. IT Tech Guy: Yeah, what kind of video? Pam: A celebrity s*x tape. Jim: Really, what kind of celebrity? Pam: Not relevant. Jim: How much did you pay for it? Pam: Not relevant. Jim: You paid for it? Pam: It all happened so fast. [SCENE_BREAK] Jim: I broke up with Karen after the job interview, and uh... it was a little awkward when she came back from the city. She told me, very clearly, just because we were broken up didn't mean she was going anywhere, because she worked really hard for her career. But the next day her desk was empty, and as for me and my current romantic life, I uh... I'm single now and looking, so if you know anybody. [SCENE_BREAK] Pam: Jim and I went to dinner a few times when he got back from New York. I talked him through his break up. It's really nice to be good friends again. [SCENE_BREAK] Kevin: Are you kidding me, Pam and Jim are totally hooking up. All they do is smile; they're just keeping it a secret. Right? [looks at Oscar] Oscar: I don't know, there is SUMMARY:<extra_id_0>

<extra_id_0> After Michael hits Meredith with his car in the carpark of Dunder Mifflin Scranton, she learns she is infected with rabies. Angela asks Dwight to care for her sick cat, but Dwight mercy-kills the animal, leading to relationship problems. After being videoed in public by the camera crew, Pam announces that she and Jim are now dating, but they do not share this with their co-workers. Feeling guilty about the incident with Meredith, Michael decides to host "Michael Scott's Dunder Mifflin Scranton Meredith Palmer Memorial Celebrity Rabies Awareness Pro-Am Fun Run Race For The Cure", although his employees are less than enthused. The donation for the run only amounts to $500, out of which Michael ends up spending around $250 on a big cheque and fake nurse. Toby wins the race, and a depressed and dehydrated Michael is finally forgiven by Meredith.<extra_id_1>

fd_The_Vampire_Diaries_03x18

fd_The_Vampire_Diaries_03x18_0

TEXT: [Alaric's Apartment] (Elena arrives with coffee and something to eat. She knocks on the door. Damon opens) Damon: Morning, sunshine. Elena: Hey. How's Alaric? Damon: Indecent, but fine Elena: So then does that mean there were no issues last night? Damon: Nope. Slept like a baby. Woke up Alaric. No headlines about dead council members Elena: Then why do I feel like you're hiding something from me? Damon: Well, maybe because you're being all paranoid and control freak-y. What'd you bring me? (He takes the bag and looks into it) Damon: Chocolate muffins. You know what they say... the way to a psycho killer's heart is through his stomach (She takes it back) Elena: They're not for you Damon: Fine. Keep convincing yourself you're still mad at me. But sadly, Ric's going to have to pass on Elena time today. You know, lockdown and all Elena: Just take it, give it to him and tell him that I miss him, ok? Damon: With pleasure Elena: Please Damon: Have a great day (He starts closing the door) Elena: Dam... Damon: thanks for coming by (He closes the door. She leaves) Damon: Walking down the stairs. Opening front door and... She's gone (Alaric is sawing the wickery bridge sign. Stefan's here too) (Damon is whittling a stake from the wickery sign. Stefan gives him one back) Stefan: Needs to have a sharper point Damon: Got it Stefan: Finally have our own stakes to kill an original. I'm not going to miss because you can't whittle Damon: I said I got it. Stop micro managing Alaric: Looks like you guys got this under control. I'm going to call the sheriff. I want to turn myself in Damon: No, you don't Alaric: I have a homicidal alter ego. Unlike some people in this room, I would like to take responsibility for the people I've killed Dam SUMMARY:<extra_id_0>

<extra_id_0> Damon and Stefan make plans to destroy Klaus with their new weapon. Klaus and Rebekah convince Finn to cooperate with their plans to break the link when they reunite him with Sage. Rebekah gets carried away with her own plans out of revenge against Damon for using her to steal her memories of the remaining white oak wood. She stakes Damon with a dagger, then takes him to Klaus' mansion, chains him to the ceiling and cuts him to bleed out his protective vervain. Klaus coerces Bonnie into breaking Esther's linking spell. Bonnie is unsure if she can perform the unlinking spell, but Klaus threatens her mother and shows her that he has Kol watching Jeremy. Stefan lures Finn out of the bar where he was having tequila with Sage, and fails to stake him, but Elena and Matt manage to use Matt's stake to kill Finn. As Finn expires, Bonnie successfully breaks the linking spell making Finn the only Original to die. At the mansion, Rebekah manipulates Damon's hallucinations so he believes he and Elena are about to kiss after she saves Damon and urges him to drink her blood to recover. But then Damon realizes how desperate Rebekah is for attention and love, and that she is actually torturing him for violating these feelings rather than for tricking her to access her memories. Stefan is attacked by Sage, who is upset over Finn's demise. Sage is about to end Stefan when she coughs up blood and dies. Stefan, Elena, and Caroline realize that if an Original is killed, their entire vampire bloodline dies. Stefan goes to negotiate with Klaus and finds Damon bloody and half-conscious. To Damon's disappointment he brings eight of the stakes with him in exchange for his brother. Klaus compels Damon to admit there are actually eleven stakes in total. After failing to use his own stake to kill Klaus Stefan hands it over and promises to bring the other two. Tired of revenge, Rebekah releases Damon as a sign of good faith and leaves with the eight stakes. Caroline and Elena puzzle over the vampire bloodlines and realize that Tyler is a part of Klaus', and he would die if Klaus were killed. Stefan and Elena share a conversation about their feelings and Elena admits she does not know how to feel about her love for both Stefan and Damon. Damon goes to retrieve the last white oak stake but finds that Alaric's vampire hating alter ego has hidden it and Alaric can not even guess where.<extra_id_1>

fd_Merlin_04x07

fd_Merlin_04x07_0

TEXT: "In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young man. His name...Merlin." MORGANA'S HOVEL - DAY Agravaine strokes Morgana's cheek as she lies unconscious on her bed. He gets up and walks over to the fire. Just then Morgana stirs, dreaming. We flash into her memory of Old Merlin in her house, stealing the Formorroh. Flash to her standing over him in the woods with the dagger. Morgana: So, Emrys... Old Merlin throws her with magic. Flash to Old Merlin standing over her, hand raised to strike with magic. She wakes, wide eyed and terrified, and sits up. Agravaine looks over and sees her awake. Agravaine: Morgana! He goes to her. Agravaine: When I found you, you were unconscious in the woods. What happened to you? Morgana, who did this to you? Morgana (teeth grited): Emrys. Agravaine: The old man? He was here? Morgana: He took the Formorroh. He destroyed it. Agravaine: He knew of our plans to kill Arthur? Morgana: He knows all our plans. All our secrets. He knows everything. Agravaine: Someone's telling him. Agravaine thinks for a moment, then closes his eyes in realisation. Agravaine: Gaius! When I first asked him if he knew Emrys, he claimed not to know, but he was lying. I knew he was lying! Morgana: Gaius. Agravaine: He's the only one in Camelot who would know of the Formorroh. It has to be him. Morgana gets up from the bed, clearly disturbed by her thoughts. Agravaine: He must be telling Emrys everything. Morgana recovers. Morgana: Good. Then he can lead us straight to him. Agravaine: Gaius is loyal and very stubborn. He won't do that willingly. Morgana: Who said he had to be willing? [SCENE_BREAK] O SUMMARY:<extra_id_0>

<extra_id_0> Morgana joins forces with an enigmatic wizard named Alator to uncover a secret that could change the course of destiny: the identity of Emrys. Meanwhile, Agravaine tries to make Arthur suspect Gaius as the traitor, as Alator kidnaps him to extract Emrys' identity from him. Merlin knows Agravaine is the traitor, but Arthur does not believe him. While Merlin and Gwaine try to find Gaius, Agravaine warns Morgana. Alator manages to extract Merlin's identity from Gaius. When Gwaine finds Agravaine with Gaius, he convinces the knight that he's here to help and they get Gaius back to safety. Convinced by Gaius' words, Alator turns against Morgana, and saves Merlin from her. Agravaine is forced to apologize to Gaius, who afterwards tells Arthur that Dragoon didn't kill Uther.<extra_id_1>

fd_Charmed_04x12

fd_Charmed_04x12_0

TEXT: [Scene: Manor. Phoebe's bedroom. Phoebe's sitting on her bed folding the laundry. Cole walks in.] Cole: Hey. Guess what? Phoebe: You've come to help me fold the laundry. Cole: Uh, no. Phoebe: What good is it being a witch if I can't just twitch my nose and make the laundry fold itself. Cole: Uh, which witch can do that? Phoebe: Samantha Stevens. From Bewitched. Oh, it's only like one of my favourite television shows. Sometimes I forget you've only been human for like a month. Cole: I'm becoming more human by the day. What would you say if I became really human and... got a job. Phoebe: If that's the criteria for being human then I am in big trouble. (laughs) Cole: I'm serious. Paige said that a lawyer at legal aid quit so she kinda recommended me. Phoebe: She did? (Cole sits on the bed.) Cole: Of course, if you don't think that I should then... Phoebe: No, no. Actually, I think that's a great idea. It'll keep you busy and help you find your identity. While I lose mine. (She gets up and puts some clothes on the dressing table.) Cole: I'm sorry? Phoebe: Nothing. Cole: Tell me. Phoebe: It's just, becoming a wife. I mean, I like Samantha but I never actually wanted to become her. See, Samantha, (she sits back on the bed) she was married to a human, Darren. And Darren completely suppressed Samantha's magic, completely denied who she was. And it wasn't because he didn't love her, it was just that's the way it had to be. Cole: And this was one of your favourite shows? Phoebe: Well, not that part. It was just growing up that was my only role model for a typical marriage, so that's all I new. And he was able to meet people and leave the SUMMARY:<extra_id_0>

<extra_id_0> While at work, Paige discovers that a 10 year-old boy in foster care has the ability to magically start fires. Upon learning that his foster parents are actually demons who are attempting to get him to use his powers for evil, she, Piper, and Phoebe try to convince him to use his powers for good. Meanwhile, Cole proposes to Phoebe now that they are no longer possessed by spirits. However, when she puts on Grams' engagement ring, she falls under its magical spell and turns into a 1950's housewife. Also, Cole goes to work with Paige at the social services office.<extra_id_1>

fd_Doctor_Who_1963_13x12

fd_Doctor_Who_1963_13x12_0

TEXT: PYRAMIDS OF MARS BY: "STEPHEN HARRIS" (ROBERT HOLMES AND LEWIS GREIFER) Part Four Running time: 24:52 [SCENE_BREAK] SUTEKH: No, you will not die yet. Identify yourself. DOCTOR: Just destroy me, Sutekh. Nothing else now is left within your power. SUTEKH: Identify yourself. It is within my power to choose the manner of your death. SUTEKH: I can, if I choose, keep you alive for centuries, racked by the most excruciating pain. Since your interference has condemned me for ever to remain a prisoner in the Eye of Horus, it would be a fitting end. You would make an amusing diversion. SUTEKH: Identify yourself, plaything of Sutekh. DOCTOR: I'm a traveller. SUTEKH: From where? DOCTOR: Gallifrey, in the constellation of Kasterborus. SUTEKH: Names mean nothing. What is the binary location from galactic zero centre? DOCTOR: Ten zero eleven, zero zero by zero two. SUTEKH: I know the planet. Data retrieval. SUTEKH: So, you are a Time Lord. DOCTOR: I renounced the society of the Time Lords. Now I'm simply a traveller. SUTEKH: In time and space. In time and space? DOCTOR: (screaming) Yes! Yes! SUTEKH: Ah. Approach closer. What are you called, Time Lord? DOCTOR: Doctor. SUTEKH: I offer you an alliance, Doctor. Serve me truly, and an empire can be yours. DOCTOR: Serve you, Sutekh? Your name is abominated in every civilised world, whether that name be Set, Satan, Sodos SUTEKH: Serve me, Doctor. DOCTOR: Never! Argh! SUTEKH: You pit your puny will against mine? Kneel! DOCTOR: No! SUTEKH: Kneel before the might of Sutekh. SUTEKH: SUMMARY:<extra_id_0>

<extra_id_0> Sutekh forces the Doctor to transport Scarman and a mummy to Mars, where the Doctor and Sarah try to stop them destroying the Eye of Horus.<extra_id_1>

fd_Bones_04x10

fd_Bones_04x10_0

TEXT: "The Passenger in the Oven" [SCENE_BREAK] TEASER (Open: Airplane exterior; night. Interior of airplane. Camera pans through first class; BRENNAN's chair is reclined, and she is sleeping with a smile and wearing an eye mask. Pan through coach shows BOOTH sitting in the middle of the plane between two elderly women, one sleeping with her head on his shoulder. BOOTH looks at the sleeping woman, then to his right; the other woman is reading.) BOOTH: Excuse me- CHARLOTTE: (interrupts) Just a minute. BOOTH: (sighs) Ma'am, this woman is asleep next to me and I really have to get out. CHARLOTTE: (laughs and closes book) It's just that this book is so exciting. Do you like mysteries? BOOTH: Well, I-I'm an FBI agent, so mysteries are sort of my thing. CHARLOTTE: (whispers) I'm an aficionado myself. I'm here with NADINE. (points to sleeping woman) She's plotting the perfect murder. For years now. But just for fun. BOOTH: Right, you can tell me all about it later; I've really got to get out. I gotta go. CHARLOTTE: Oh, right. When you gotta go, you gotta go. BOOTH: Yeah. (eases NADINE's head off of his shoulder and stands, then stands and shuffles toward CHARLOTTE.) Sorry. (steps over her legs quickly and walks toward first class) (Cut to first class; a boy is stealing small bottles of liquor from a serving cart. BOOTH walks through curtain separating classes and, seeing the boy, walks up to his seat.) BOOTH: Hey. How old are you? (shows boy his badge) ELI: (sighs) Come on, we're at thirty-six thousand feet, that's outside the three-mile limit. BOOTH: This is American soil until we touch down in Shanghai, alright? So come on, hand them over. (ELI SUMMARY:<extra_id_0>

<extra_id_0> Booth and Brennan are en route to China where Brennan has been summoned to help identify pre-historic anthropological remains with Booth in tow to watch over her highly sensitive equipment. However, their flight is disrupted when a flight attendant discovers a fully cooked human body in the plane's industrial microwave. Booth and Brennan connect with the team back in the U.S. via internet connection and they use Brennan's high-tech equipment, as well as odds and ends from the airline passengers, to send evidence back to the Jeffersonian for processing. When they identify the victim as a travel writer working on a controversial story about airline pilots, Booth and Brennan must race against the clock and solve the murder before the plane lands in China and they lose their jurisdiction over the case. Meanwhile, back in the states, Angela and Roxie's relationship progresses as Hodgins tries to move on.<extra_id_1>

fd_CSI__Crime_Scene_Investigation_02x09

fd_CSI__Crime_Scene_Investigation_02x09_0

TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [EXT. LAS VEGAS CITY - FIREWORKS (STOCK) - NIGHT] [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [INT. CASINO (STOCK) - NIGHT] [SCENE_BREAK] [INT. CASINO - NIGHT] (The camera gives us various shots inside the casino - of the gaming tables, of the people at the slots, of the craps table.) Craps Player: Five! Baby, go! Craps Player: Seven. Whoo! (A player puts a bill flat on the table and slides it over to the DEALER. The DEALER looks over at the manager who is standing nearby. She calls out to him.) Dealer: Changing $100. (The Manager, MAX DUNCAN, gives his approval.) Max Duncan: Change $100, go ahead. (The DEALER puts the hundred in the table slot. The MANAGER stands off to the side watching the casino proceedings.) (A SECURITY OFFICER pushes the cashbox equipment to the table. They remove the table's cash box and puts it on the metal rack. A cash box is removed and put under the DEALER'S table. The SECURITY OFFICER looks up at the surveillance camera, raises his hand and signals.) [SCENE_BREAK] (Camera POV of the SECURITY OFFICER signaling to the camera.) Security: Section G-3 all clear. On route to H-4. And then soft count. (Cut to: Camera view of the entrance stairs into the casino area.) [SCENE_BREAK] (Three women walk into the casino: One blonde, One brunette, and One red-head. The blonde stops near the entrance. The brunette and red-head continue on into the casino.) (The SECURITY OFFICERS continue to push the metal cart full of cash boxes through the casino.) (The blonde woman pulls out a gun and shoots at the huge chandelier hanging from the SUMMARY:<extra_id_0>

<extra_id_0> Grissom and his team investigate a casino heist during which innocent victims were shot, while Catherine and Sara are called to the scene of a murder in a remote part of the desert. The evidence found at both crime scenes -- the crowded local casino and the isolated desert convenience store where a clerk was murdered -- has the CSI team drawing a correlation between the two crimes.<extra_id_1>

fd_Degrassi_Next_Generation_02x05

fd_Degrassi_Next_Generation_02x05_0

TEXT: At Emma's house. Her, her mom, and Mr. Simpson are eating dinner. Mrs. Nelson: Today was so crazy. Melissa called in sick again. Mr. Simpson: Uh huh. Mrs. Nelson: I forgot poor Mrs. Hursh under the dryer for an hour. Mr. Simpson: It is the time you found a junior stylist. Mrs. Nelson: I know. (They're touching hands. They look at Emma, who doesn't look happy) Mr. Simpson: So, Em, what are your plans for the big weekend? Got any hot dates? Emma: No, Mr. Simpson. (She breaks apart her chopsticks) Mrs. Nelson: Emma's been working really hard on her science fair project. Mr. Simpson: Oh great. What's it on again? Emma: The effect of healthy breakfast on school performance. The better you eat, the better you perform. Mr. Simpson: Sounds very impressive. Emma: Thanks, Mr. Simpson. (They look at each other) Mr. Simpson: Emma, um, Mr. Simpson is fine for school, but when we're here, I'd like it if you called me Archie. Emma: Would you pass the kun pow, Mr. Simpson? Outside Degrassi Emma is going stuff for her experiment. Manny is doing exercises. Emma blows her whistle so Manny stops. Manny: How many? Emma: Uh, 48. That's 14 more than you did last week, when you were eating junk. (She sees Mr. Simpson and she groans) Everytime I turn around, there he is. At home At school. Manny: Can you ever get too much Mr. Simpson? Emma: Uh, yeah. He came over again for dinner last night. And guess what he asked me? Manny: What? Emma: If I had any hot dates this weekend. Manny: Ew, gross. Emma: You want grosser? He wants me to call him by his first name, Archie. Manny: Does that make your mom Betty? Emma: I always thought she was more of a Veronica type. (She turns a blender on) Hallway Jimmy is holding Ellie's hand. Jimmy: We would have fun on a date. Guaranteed. (S SUMMARY:<extra_id_0>

<extra_id_0> Emma doesn't want people to know that Mr. Simpson is dating her mother as she hopes to win first place at the Science Fair. Meanwhile, Spinner is having trouble controlling his erections and starts eating fruit after he begins getting more attention from the girls.<extra_id_1>

fd_Once_Upon_A_Time_04x07

fd_Once_Upon_A_Time_04x07_0

TEXT: [ Aredelle - Past ] [SCENE_BREAK] (Three little girls are playing and laughing in a land. They are running after a kite.) Helga: Ingrid, hurry! It drifted over here! Ingrid: It's ruined. Gerda: No, it's not. The ribbon is still beautiful. It would look lovely in my hair. Helga: No, Gerda. It would look lovely in my hair. Gerda: It was my idea! Helga: I saw the kite first. Ingrid: I should have it. I'm the oldest, after all. Gerda: So? Ingrid: So, one day I shall be Queen. And this is befitting a Queen. A man: I see you've found my kite. Gerda: I'm so sorry. We didn't know. But we didn't break it. We found it this way. A man: That's all right. It wasn't worth much. And besides, I've got my eyes on a much bigger prize. Such pretty Royal Princesses will fetch an equally pretty royal penny! Helga: What are you doing?! Gerda: Help! A man: Don't even try it, little one. Ingrid: Let my sisters go! (Ingrid freezes a branch) Gerda: Aah! A man: You're a monster! (The branch falls on the man.) Helga: Ingrid. What's going on? Ingrid: I don't know. Stay back. I don't want to hurt you. Gerda: You saved us. Ingrid: He called me a monster. Helga: He was trying to take us. He's the monster. Ingrid: But look what I did to him. Helga: Whatever you did, you had no choice. Ingrid: But I had no control over it. What am I supposed to do if it happens again? And how am I supposed to be a queen? What will happen when people find out? Helga: They won't find out SUMMARY:<extra_id_0>

<extra_id_0> The origins of Ingrid, the Snow Queen, are revealed in her past back in Arendelle, where her close relationship with her sisters Helga and Gerda take a tragic turn after they seek out Rumplestiltskin's help to control her magic, leading to Ingrid accidentally killing Helga, and Gerda trapping Ingrid in the urn. Then, Gerda visits the Grand Pabbie and asks him to make Arendelle forget about the existence of Ingrid and Helga. In the present, Ingrid allows Emma to capture her, but uses a ploy to make Emma's family fear her, after she loses control of her magic. This in turn causes Emma to fear that she will start hurting those that she loves, and she runs away as a result. Later, Regina continues to reject Robin Hood's offer to restart their romance, but ends up giving in to her desire. Meanwhile, Sarah makes a deal with Gold to return her ribbons, in return for the secret to the missing ingredient that he needs to free himself from the Dagger of Kris. When Mr. Gold obtains the information, he tells that he will have "great pleasure" in obtaining the final ingredient.<extra_id_1>

fd_Doctor_Who_04x05

fd_Doctor_Who_04x05_0

TEXT: Recap of Episode 4. OPENING CREDITS DONNA: He's gonna choke! Doctor! DOCTOR: It won't open! Sylvia rushes to the car with an axe and smashes the windscreen. SYLVIA: Well, don't just stand there! Get him out! UNIT OFFICER: All soldiers to a door! Make the factory secure and take positions on the ground floor! COLONEL MACE: Wicowsky, take the soldiers into the factory! Make the area secure. Seal off doors and windows. Soldiers are pushing the cars out of the factory. SOLDIER: We've tried everything, it just won't stop! Colonel Mace goes into the UNIT field base. COLONEL MACE: What have we got? CAPTAIN PRICE: ATMOS is running wild, sir. It can't be stopped, it's everywhere. The whole planet. The Martha clone enters the UNIT base and uses Martha's level 1 security clearance to get into the NATO defence system. WILF: Thanks! DONNA: I can't believe you've got an axe! SYLVIA: Burglars! DOCTOR: Get inside the house. Just try and close off the doors and windows. Ross pulls up in a black cab. ROSS: Doctor! This is all I could find that hasn't got ATMOS. The Doctor runs to the cab, shouting back to Donna who is still with Wilf and Sylvia. DOCTOR: Donna, you coming? DONNA: Yeah! SYLVIA: Donna! Don't go! Look what happens every time that Doctor appears! Stay with us, please. WILF: You go my darling! SYLVIA: Dad! WILF: Don't listen to her! You go with the Doctor! That's my girl!... Donna gets into the cab, though feeling guilty to leave her family. WILF: Bye! The Martha clone downloads the security protocols to her PDA. COMMANDER SKORR: Success, the operative has the necessary information. GENERAL STAAL: Good work for a female SUMMARY:<extra_id_0>

<extra_id_0> Sylvia frees Wilfred. The Doctor and Donna return to the ATMOS factory, where the Doctor warns UNIT not to engage the Sontarans. The Doctor tells Donna to stay in the TARDIS, but the Sontarans teleport the TARDIS aboard their ship. The Sontarans defeat UNIT at the factory and take it over. UNIT manages a counterattack. Finding the TARDIS missing, the Doctor tells Donna to re-engage the teleport pods. The Doctor enters the factory and awakens the real Martha. The Doctor learns from Martha's clone that the gas is being used to convert Earth into a breeding world for the Sontarans. The Doctor tells Donna how to use the pods and teleport the TARDIS to Earth. The Doctor constructs an atmospheric converter at Rattigan's academy, which harmlessly ignites the gas and allows the humans to breathe. He calibrates the converter so it can ignite the Sontarans on board their ship, and teleports on board. The Doctor offers Staal the chance to retreat, but Staal encourages him to destroy them. Rattigan switches places with the Doctor, sacrificing himself to destroy the Sontarans. Martha is trapped on the TARDIS when it takes flight on its own.<extra_id_1>

fd_Frasier_03x11

fd_Frasier_03x11_0

TEXT: Act 1 Scene 1 - Frasier's Apartment [Martin comes in with Eddie. Frasier is sitting on the couch reading a newspaper whilst Daphne is doing the cleaning.] Martin: [talking to Eddie first] Slow down! Hey Daphne, guess what Eddie ate in the park today? Daphne: Ooh let's see. A hot dog wrapper? Martin: No. Guess again. Daphne: A cigarette butt? Martin: No. Guess again. Daphne: Apple core? Martin: No. Guess again. Frasier: [becoming increasingly exasperated] Oh really, must you two play this ridiculous game? She makes some feeble stab and you say "No. Guess again." Then she starts flailing away with even more ludicrous answers, all the while you chanting "Guess again", until she's gibbering like some auctioneer with a bad bladder. Then you finally reveal the answer at which point nobody even cares. Daphne: [looking at Martin] I'm not sure which one of us got the worst of that, but I think it was you. Martin: Guess again. [The doorbell rings and Frasier goes to answer. It's Niles.] Frasier: Niles. Niles: There's a half-eaten lizard in your elevator! Martin: And that's the last hint you're getting. Niles: [reaching for his pocket] Oh Frasier, I had a breakthrough today with one of my compulsive gamblers and he gave me two tickets to the racetrack on Saturday. It's a luxury box - I though you might want to go. Frasier: Oh I would love to Niles. Why don't you want to use them? Niles: Well, the jockeys if you must know. Frasier: What? Niles: Diminutive, underweight figures in expensive silks wielding riding crops. It just reminded me too much of Maris. Frasier: Dad, what about you? I've never known you to turn down the horses. Martin: Ah, sorry. I've got poker with SUMMARY:<extra_id_0>

<extra_id_0> Niles has tickets for the race track at the weekend, and offers them to Frasier; he prefers not to go, as something about the jockeys reminds him of Maris. When Martin declines the invitation to join him, Frasier realizes that he has a shortage of friends in Seattle, as most of his old ones are back in Boston. After talking on radio about friendship, he meets up with Bob, a listener who called in, at Café Nervosa. Their initial friendship dwindles as their lack of common interests becomes apparent: Bob, a photographer at a local discount store, likes wearing a tam o'shanter and has an obsessive interest in barbecue. Frasier finds it difficult to break off the friendship when he sees that Bob is in a wheelchair.<extra_id_1>

fd_Gilmore_Girls_07x16

fd_Gilmore_Girls_07x16_0

TEXT: STARS HOLLOW BABY SHOP - EXTERIOR [Lorelai and Rory exit] RORY: Are you sure we got enough plain onesies? LORELAI: Let me see. 40 people have RSVP'ed yes to Lane's shower, and we bought 60 onesies for them to decorate. I don't want to go all "Beautiful Mind" on you, but according to my calculations... RORY: Yes, Mr. Nash, but you are forgetting about the first-pancake phenomenon. LORELAI: Eh? RORY: Yes the first pancake - you know you always throw it out. What if people start decorating their onesies and they hate what they do, so they want to start over and we don't have enough onesies because we only estimated one each? LORELAI: Why do you throw out the first pancake? RORY: Well the griddle's too hot. It gets burned. LORELAI: Oh, my god. Next year, no excuses. We are making you that audition tape for "Top Chef." RORY: This is pretty basic stuff. LORELAI: Do you do it with hamburgers and waffles, too? RORY: No, it's pancake-specific. LORELAI: Oh, my goodness. Well, that's good news, because onesies are the exact opposite of pancakes. They're totally impossible to screw up. You can slap anything on a onesie and it looks cute. RORY: Anything? LORELAI: Yeah. Alligator, fried egg, tools -- these are not generally considered cute items. RORY: "I'll take the adorable Phillips-head --" not something you hear normally. LORELAI: [In a high pitch voice] But you put that on a little onesie... RORY: You're right - it's pretty damn cute. LORELAI: So cute. All right, we got streamers and balloons, and the cake's in the fridge. The chairs are getting delivered later. All we have to do now is go home and decorate. RORY: But did we agree on one table for presents or two? LORELAI: SUMMARY:<extra_id_0>

<extra_id_0> Rory goes to meet with an editor from the New York Times just as she starts to put together Lane's baby shower. Lorelai takes over the production and has to arbitrate a disagreement between Lane and Mrs. Kim about how to raise the unborn children. Meanwhile, Luke decides to change his situation in life and buy a new boat. Logan comes home drunk and reveals to Rory his failed business venture, and then runs off to Las Vegas with his buddies.<extra_id_1>

fd_Dawson_s_Creek_06x16

fd_Dawson_s_Creek_06x16_0

TEXT: [Scene: Pacey's Apartment. Pacey is sitting on the couch sitting in front of his newly repaired large screen TV Channel surfing.] Man: If you're real nice, I might just put the bag up there for you. [Changes Channel] Man: What's goin' on here? Who is this guy, Vicki? [Changes Channel] Man: To collect the necessary<unk> [Changes Channel] Man: Ahh! [Changes Channel] [Pacey gets up and walks over to the window and looks down at Hell's Kitchen across the street] Trouble is you could only marry one of us. [Turns TV off] [He grabs his coat and heads for the door. He opens it and Joey is standing outside it, and was just about to knock on the door] Joey: [Clears throat] Bad timing? You're on your way out. Pacey: Uh, no. It's... cosmic timing. I was on my way to see you. Joey: Really? Pacey: Yeah. Yeah. I was, uh, I was hoping that we could stand awkwardly in the doorway, which, uh, huh, is workin' out perfectly for me. Joey: It's not awkward, Pacey. [Long silence] Joey: [Sighs] How about I come in? Pacey: Great idea. Come in. Uh...can I get you anything? You want somethin' to drink? Joey: Uh, no, I'm ok. Pacey: You, uh, you hungry? Joey: You know what'd be nice? Pacey: Pizza? That's funny. I was actually thinkin' pizza myself. Joey: It would be nice if we could stop being so polite. Pacey: Oh. You know, actually, I'm really glad that you said that, because I've been meaning to emotionally abuse you for weeks. I just wanted to make sure you're up for it. Joey: Pacey. Pacey: Ok, I'll stop. [Chuckles] Joey: Do you regret it? Pacey: SUMMARY:<extra_id_0>

<extra_id_0> Professor Heston orders Joey to baby-sit for Harley to make sure she does her homework. But Joey ends up serving as relationship counselor when she finds Harley's boyfriend, Patrick, hiding in the house. Patrick starts to drool over Joey which makes Harley jealous. Meanwhile, Dawson pays a visit to his past when he's asked to speak to Mr. Gold's class at Capeside High about how it is to be working in L.A. One of the students asks Dawson to watch his film. While watching the film Dawson realizes that he's moved on from the teenager he once was. Pacey also returns to Capeside when his father is admitted to the hospital after suffering a heart attack. Pacey has an argument with his brother, Doug, about the way Pacey's been treating the family by shutting them out.<extra_id_1>

fd_Merlin_03x03

fd_Merlin_03x03_0

TEXT: Kilgharrah : In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name: Merlin. [SCENE_BREAK] [00:12, INT. KING'S PALACE, HALL OF RECORDS - DAY] Geoffrey De Monmouth : Yes? Merlin : Gaius asked me to fetch a book. The er...Bestiary of Phylum of Cambria? Geoffrey De Monmouth :The Bestiary? I haven't seen that for many years. It'll be somewhere in the east wing. No idea where. [Merlin turns to his right and starts walking.] Geoffrey De Monmouth : East is that way. [Geoffrey points in the opposite direction and Merlin turns around to walk that direction.] Merlin : Yeah. [Merlin walks down to a particular row and finds the Bestiary on the top shelf of a very tall bookcase.] Merlin : Great. [Merlin tries to jump for it and climb the bookcase and ends up triggering a secret door. Merlin enters a hidden chamber and finds a magic book. He bumps into an octagonal box and something grumbles and pounds against the insides of it. Merlin sets the box upright.] Merlin : Unluc scrin. [The box unlocks and Merlin opens it. A goblin jumps out and Merlin falls backwards.] Gobelin : Boo! [SCENE_BREAK] [Générique] [SCENE_BREAK] [03:52, INT. KING'S PALACE, HALL OF RECORDS SECRET CHAMBER - DAY] Gobelin : Are you going to say something, or shall I? Merlin : You can speak. Gobelin : You're a sharp one. [The goblin stretches.] Gobelin : Ooh, ah. I can't tell you how good it feels to be able to do that. And that. And this. Merlin : Shh. Gobelin SUMMARY:<extra_id_0>

<extra_id_0> After stumbling into a secret chamber, Merlin releases a mysterious goblin with a penchant for making trouble and a lust for gold. It takes control of Gaius and causes all sorts of mischief. Merlin searches for a way to free Gaius, but finally he has to resort to poisoning Gaius to force the goblin out his body. After giving him the antidote, the captured goblin is presented to the court as the true culprit of all the mischief.<extra_id_1>

fd_One_Tree_Hill_04x11

fd_One_Tree_Hill_04x11_0

TEXT: The episode opens on a message of Sophia and Hilary who are in Lucas' bedroom. Sophia : Hey, guys, it's Sophia Bush. Hilarie : And Hilarie Burton. And we wanna wish you guys a very Happy New Year and thank you for supporting One Tree Hill. Hilarie : It's all start right here, next on the CW. Sophia looks at Hilary. Sophia : Have you notice that Lucas has really weird stuff in his room? Hilarie : Yeah. Sophia takes a horrible green cup. Sophia : I mean, who do think gave him this? Hilarie : Oh, I'd say Brooke. Sophia : No, I'd say Peyton. Hilarie: Really? Sophia: hum. Hilarie: Here we go again. Summary of the previous episodes In the street, Daunte and Bear threatens Nathan with an iron pipe. Daunte : Lose that game. Championship's finale, when Lucas shot for the victory. Mouth's voiceover: Nathan Scott drives to the hoop! He passes to Lucas for a three and the win! The Tree Hill Ravens are champions at last. Daunte turns darker by car at Nathan and Haley pushes him and she's knocked down. Haley : Nathan, look out! Nathan : Haley! Daunte's car turns darker in the parked cars, Nathan catches up him and takes him out, then he knocks Daunte and Dan intervenes. Dan : Nathan! He's dead. Go! Lucas stays meadows of Haley, he speaks to the paramedics. Lucas : She's been hit by a car. You gotta help her. Paramedic : How long has she been pregnant? Lucas collapses, we hear his voice in background. Lucas : I didn't take my pills. Lucas is in Peyton's room with Keith. Keith: You just had a heart attack. Lucas: I'm dead? Keith: Not yet. I'm dead. Return on the scene of Keith's murder in Tree hill's high school. Dan : You are no longer my brother. Lucas is on the place of Keith's SUMMARY:<extra_id_0>

<extra_id_0> The aftermath of the events in Tree Hill begins. Lucas returns to his everyday life and tries to rekindle his relationship with Peyton. However, things are rougher for Haley when she discovers that Nathan was more involved in her accident than she could have ever imagined. This episode is named after a song by Radiohead .<extra_id_1>

fd_Doctor_Who_1963_14x16

fd_Doctor_Who_1963_14x16_0

TEXT: THE FACE OF EVIL BY: CHRIS BOUCHER Part Four Running time: 24:46 [SCENE_BREAK] LEELA: What's happening? Tesh, what is it? You answer while you still have a head to answer with. TESH: The fail-safe. LEELA: What does that mean? TESH: The end of the world. LEELA: Why? Why? TESH: It means death and destruction. It happened before the time of Land. LEELA: Hiding there isn't going to help, then. [SCENE_BREAK] XOANON 4: Who am I? XOANON: Who am I? XOANON 4: Who am I? XOANON: Who am I? XOANON 4: Who am I? XOANON: Who am I? XOANON 4: Who am I? XOANON: Who am I? [SCENE_BREAK] LEELA: Doctor, are you all right? DOCTOR: Leela, are you all right? LEELA: Was that Xoanon, that thing that looked like you? DOCTOR: Yes, part of him. It's just a question, really. Everything beyond that door is Xoanon. You were inside him. The most powerful computer ever built. LEELA: Why was he trying to hurt you? DOCTOR: He's insane. LEELA: What will he do now? DOCTOR: His first impulse will be to kill me. It'll be more important to him than anything else. LEELA: Does he hate you that much? DOCTOR: Yes, because I contradict what he thinks is real. I'm a threat to his world. Red lighting, and the smell. A sort of smell of a smell. DOCTOR: Don't touch that! DOCTOR: Xoanon must have shorted the electrical power circuits in the wall. LEELA: The lights changed while you were in there. DOCTOR: Yes, a precaution in case I got out. As traps go, a bit haphazard SUMMARY:<extra_id_0>

<extra_id_0> As the Saveteem and Tesh finally close in for a fight to the death, the powerful but long-suffering Xoanon ignores their strife to commit its full resources toward killing the Doctor, even to the extent of destroying everyone.<extra_id_1>

fd_Charmed_03x16

fd_Charmed_03x16_0

TEXT: [Scene: At a beach. Prue and Phoebe are there. Prue is taking photos. Phoebe is building a sand castle.] Phoebe: I hereby proclaim this power of sand Kingdom Phoebeville! Yay! (The waves splash on Prue. Phoebe laughs.) Prue: You know, I don't get it. (Prue walks off. Phoebe catches up with her.) Phoebe: Wait, what don't you get? Prue: That you just spent an hour of your life building something that is just gonna be completely, completely destroyed and disappear in about five seconds flat. Phoebe: Ahh, but Phoebeville will live forever in the hearts of the villagers who come to love it. Prue: Mm-hmm. Phoebe: What's with the ba-hum castle attitude there? Prue: What? Phoebe: The whole point of today was to relax and have fun. Prue: See, and I thought the point was to give Piper and Leo some alone married people time since they decided to wait on their honeymoon. Phoebe: Okay. So you're sure nothing's wrong? Prue: You know, the beach isn't exactly my idea of a good time. Phoebe: Prue, how is that possible? Prue: Okay, well, you're too young to remember, but this is where Grams brought us after Mum's funeral to try and cheer us up. Phoebe: Oh, wow. Prue: Yeah. You know, but I know that you love the beach and I didn't wanna ruin it for you but something about the sand and the ocean makes me feel angry. Phoebe: Why does it make you angry? Prue: Doesn't Mums death make you angry? Phoebe: It makes me sad. Prue: Well, I don't really do sad that well, you know. I didn't even cry at her funeral. Phoebe: So seeing Mum at Piper's wedding and now the beach Prue: Yeah. So I'm sorry SUMMARY:<extra_id_0>

<extra_id_0> As the sisters enjoy some free time at the beach, Prue notices a woman with an odd shadow nearby taking pictures of them. Later, Prue discovers the woman is the partner of the investigator looking for Cole. Meanwhile, Cole is being chased by a pair of demons and fears for Phoebe's safety. While this is going on, Prue gets in a battle with the Angel of Death and ultimately has to come to terms with her mother dying so young.<extra_id_1>

fd_Degrassi_Next_Generation_01x15

fd_Degrassi_Next_Generation_01x15_0

TEXT: The Kerwin house - Kitchen Toby: Last Day of school, here I come. When he enters the kitchen, he takes from Ashley the muffin she was eating. Jeff: Ash, we're going to drop you and Toby off on our way, ok? (To Kate) You ready? Kate: I'll be there in a minute. Jeff: Ok. Come on Tobs. Oh, working the muscles I see? You're going to be such a girlie boy. (As they go out the door) Come with me! Let me eat you! Ashley laughs Kate: Here's Mrs. Rehn's number, in case you need anything. Ashley: Stop worrying. Toby and I are going to be fine. You're just going overnight. Kate: I know. I'm a being a mother. Ok, so tonight...? Ashley: I know. One friend over each and no parties. I heard. Kate: Good for you for being so responsible. Degrassi - Ms. Kwan's Class Ms. Kwan: A student I'll never forget. Even after years and years of therapy. Who could that be? (Spinner gets up to get his award) Spinner: I'll never forget you either, Ms. Kwan. Ms. Kwan: Have a good break, Mr. Mason Media Immersion Mr. Simpson: Well what can I say? It's been great teaching all of you. (Emma raises her hand) Emma? Emma: We're gonna miss you too, Mr. Simpson. So, look at the screen. (Everyone crowds around) See the present icon? Click it. (When he does, we hear kids shout "Thank you Mr. Simpson" and the grade 7's heads pop up, saying great things about him) Mr. Simpson: This is incredible. Ms. Kwan's Class Ms. Kwan: This one needs no explanation. The student of all students. Drumroll please. (Jimmy does one on the desk) Ashley Kerwin. (Ashley gets up to get it) Ashley: Thanks, Ms. Kwan. Ms. Kwan: (Hugs Ashley) I'm gonna miss SUMMARY:<extra_id_0>

<extra_id_0> Ashley is tired of being a perfectionist and turns her end-of-the-year slumber party into an out-of-control rager. Meanwhile, J.T. brings an ecstasy pill for Toby, Sean, and himself, but when Ashley consumes it, things go from bad to worse. Also, Sean wants to make up with Emma, but Emma is still angry at Sean for his actions in the previous episode.<extra_id_1>

fd_CSI__Crime_Scene_Investigation_01x19

fd_CSI__Crime_Scene_Investigation_01x19_0

TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT] [EXT. ANDERSON RESIDENCE - NIGHT] WHITE FLASH TO: [SCENE_BREAK] [INT. ANDERSON HOUSE - NIGHT] (Camera starts on the bottom of the first floor at the base of the stairway, then slowly moves upward toward the second floor.) (White flash to: On the second floor, the camera travels slowly down the hallway toward the bedrooms. It rounds the cover into the master bedroom where the ANDERSONS are sleeping.) (Suddenly GWEN ANDERSON gets up. She looks out the doorway into her son's room. She gets out of bed and walks down the hallway to the nursery.) (All the windows are open. There's a ladder set against the window frame. The wind blows the curtains.) (GWEN ANDERSON walks up to the crib and looks inside. She finds nothing. She touches the baby sheets with both hands as if not believing her eyes. She frantically searches the tiny crib, removing the sheets where she finds a sheet of paper.) (She picks it up and gasps as she reads it. The paper slips from her fingers back into the crib.) (She walks over to the open window, looks out side and screams.) Gwen Anderson: No! (The camera pulls back downward to show the ladder leaning against the window frame.) (STEVEN ANDERSON rushes into the nursery. He looks at his wife, then turns to look down into the crib where he finds the typewritten note. He picks it up.) [SCENE_BREAK] [EXT. ANDERSON RESIDENCE -- NIGHT] (OFFICER cars are parked in the driveway. GRISSOM walks up the drive and checks in with the OFFICER at the door before walking inside. He sees The ANDERSONS in the foyer.) Grissom: Excuse me. My name's Gil Grissom. I'm with the Las Vegas Crime Lab. Gwen Anderson: Please help us. Grissom: I SUMMARY:<extra_id_0>

<extra_id_0> Grissom's team investigates the kidnapping of the infant child of a rich family. However, when the evidence shows that the family is hiding something, the case takes a darker turn.<extra_id_1>

fd_Frasier_10x01

fd_Frasier_10x01_0

TEXT: Act 1 Scene 1 - Wedding Chapel [Fade in. Niles and Daphne are preparing to take their vows.] Daphne: I, Daphne Moon, do take thee, Niles Crane, as my husband. I promise you my fidelity and my support, my laughter and my tears, my constant friendship and my unending love as long as we both shall live. Niles: I, Niles Crane, do take thee, Daphne Moon, as my wife. I vow to you my fidelity and my support, my honor and my respect, my honesty and my protection. You are my comfort, my joy, and my one true love. I will cherish you all the days of my life and treasure the journey that has brought us to this most wonderful perfect place. [The scene shifts to show a leisure suited official with a sign behind him saying "Lucky 7"] [N.B. The Officiant is played by writer Sam Johnson.] Officiant: For most folks that's one too many free cocktails, am I right? [They give him looks that are less than enthused.] Officiant: Seriously, do you have the rings? Niles: Oh, no. In my rush to get here, I completely forgot about them. Daphne: Does this mean we can't get married? Officiant: It would, if we didn't offer seven different wedding band packages for you to choose from. [He pulls a tray from beneath the podium.] Now, depending on your budget, we can offer you anything from the "B-Steel My Heart", that's genuine stainless right there, to the "Never Ending Love", which can be returned for up to ninety days, no questions asked. Daphne: They do seem the nicest. [Her cell phone rings.] Daphne: Oh, damn, who could be calling at this hour? [She goes to answer the phone as Niles checks the ring.] Niles: Wow, you certainly don't see six and a half karat gold every day. Daphne: Hello? [Cut to - Roz in her bedroom. The camera switches back and forth to focus on each woman as she speaks.] Ro SUMMARY:<extra_id_0>

<extra_id_0> Unable to wait any longer, Daphne and Niles hasten to a casino in Reno in the middle of the night and get married secretly. Roz finds out when she tries to phone Daphne during the night. On returning to Seattle , Niles and Daphne are eager to break the good news to Frasier and Martin, until they discover that both would be devastated if they had missed the ceremony. To spare their feelings, Niles and Daphne pretend that they are not yet married, and that the wedding is in three days at the courthouse . Unfortunately, on the day Daphne's mother objects to a civil ceremony, and Daphne agrees to wait until they find a church and a minister. However, once Gertrude has gone, she changes her mind again and they proceed with the civil ceremony without her. Later on, Gertrude apologises to Daphne, saying that as long as she is able to attend the wedding, it does not matter where it is held. Niles and Daphne therefore feel obliged to go through the whole process a third time for her benefit, but by this time their personal vows are becoming less significant, and less memorable, with a awkward encounter with Donny to top it off. The excuses all comes out at the third wedding, with everyone furious at the lies except for Martin, who instead tells the newlyweds to go out on their honeymoon. Daphne finally calls him by his first name.<extra_id_1>

fd_Alias_04x13

fd_Alias_04x13_0

TEXT: HA[V]ANA Hot Salsa dancers with only the bottom part of their bodies shown on screen, and at the long shot a very prominent yellow-dressed woman shakes her bottom. The shot moves up and we see it is SYDNEY, with a ridiculous wig that looks like a cat got on top of her head. She turns towards the screen and does a few moves, before the camera pans away to the other dancers again. Camera moves to the people at their tables, and they're chatting and looking at the dancers. Camera focuses towards a particular table. Camera then moves towards the dancers again. A random dancer moves towards another random man to ask to dance, then we see SYDNEY moving towards a man at said table. She puts her leg up on his chair (Camera provides a rather nice shot of her leg) and holds her hand towards him, and he takes it, but not before taking a glance at his companions at his table. SYDNEY smiles and they move towards the dance floor. They danced for a while. Camera pans to his companions, who are watching pretty amused. PHANTOM: (subtitles) You dance like an angel. SYDNEY: (subtitles) Yet my feet touch the ground. Camera now pans over to the table again, then back to the dancing pair. PHANTOM: I betray him; I spend the rest of my life on the run. SYDNEY: We can help you with that. PHANTOM: You brought the payment? She moves her hand down his face, a diamond bracelet clearly evident. SYDNEY: I hope you like diamonds. They continue dancing and the camera pans ominously at the man sitting at the table. PHANTOM: They are planning an attack. Large-scaled, civilian target. SYDNEY: Where? PHANTOM: I'm not sure, but it's on the hard drive. Everything you need. Your man is in Los Angeles? Scene cuts to DIXON walking down a hallway. SYDNEY: (Voiceover) He's ready. PH SUMMARY:<extra_id_0>

<extra_id_0> The episode begins in Havana. Sydney rendezvous an informant by dancing with him. The information he gives is relayed to Dixon and leads to the recovery of a hard drive from a locker. Later, Sydney's taxi driver is shot and she is captured by the informant's boss. The informant is shot in the head and Sydney is subsequently buried alive in a coffin, in the middle of a graveyard. The hard drive turns out to have been booby-trapped by Third Faction. When inspected it detonates and releases cyclosarin. The biological nerve agent infects Dixon as he attempted to aid the technician who was inspecting the hard drive. Due to the release of the nerve agent, APO goes into lockdown mode for thirty-six hours. Marshall, late for work, arrives at the parking lot only to be informed that they're in lockdown mode and that Sydney is trapped in a coffin somewhere in Cuba. Sydney is able to communicate with her cell phone that she still had. Because Marshall is the only one not affected by the lockdown, he is sent to Havana to find the graveyard where Sydney is buried; using a transceiver he rigged to locate her cell phone and retasking a thermal imaging satellite, Marshall finds Sydney unconscious, but alive. Marshall and Sydney's mission is extended to Berlin where the man who gave them the phony hard drive is located. Since the man knows what Sydney looks like, Marshall is sent in to get a copy of the data using a remote scanner. Marshall accidentally shoots and kills him. Over the phone, Jack instructs Marshall on how to remove the man's eyes (using a spork) so that he can access a security station in the basement and deactivate a firewall. After doing so, Sydney and Marshall rendezvous and finally obtain a real copy of the hard drive, which they deliver to APO. In the middle of it all, Marshall must sing his baby to sleep by phone with a song about the Lanthanide series. Though his wife is an NSA employee, he can never tell her where he has been.<extra_id_1>

fd_The_Big_Bang_Theory_06x03

fd_The_Big_Bang_Theory_06x03_0

TEXT: Scene: Webcam conversation between Bernadette's Office and the International Space Station Howard: Hey, Bernie. Bernadette: Hey, how's my little astronautie hottie? Howard: Okay, I guess. It's just, being cooped up in this tin can for weeks on end is starting to get to me. Bernadette: Well, hang in there. You just have a couple more days to go, and then you'll be home. Howard: I know. Bernadette: I got to get back to work. I love you. Howard: Love you too. Hey, Bernie? Before you go, can you do something for me? Bernadette: What do you want me to do? Howard: Okay, here it is. I really miss gravity. Can you drop something so I can watch it fall? Bernadette: Really, you're serious? Okay. (Drops a pencil) Howard: Oh, baby, you're killing me. Scene: The apartment. Penny enters, carrying a box. Penny: Ugh. Hey, Sheldon? Hi. This came for you today. It's from your mom. Sheldon: Oh, thank you, Penny. Penny: M-hmm. Sheldon: Yeah, wait, here. For your troubles. Penny: Oh, boy, a whole dollar. Now, I can quit my paper route. So, what's in it? Leonard: Mmm, doesn't matter. Half the time, he just ends up playing with the box. Sheldon: Yeah, it's journals and research papers I wrote as a child. Penny: Aw, how cute. Is this like a diary? Sheldon: No, that's my potty training journal. Penny: Really, your potty training journal? Sheldon: Yeah. And forgive my crude penmanship. I didn't start typing until I was six. Penny: August 7, 8:42 a.m. This is humiliating. What was wrong with diapers? Sheldon: There are some charts in the back where I kept track of shape, colour and consistency. Penny: Oh, disgusting. Leonard: No SUMMARY:<extra_id_0>

<extra_id_0> Sheldon has his childhood scientific notebooks sent from home, hoping to discover Nobel Prize material in them. Having no time to read the notebooks himself, he hires attractive female grad student Alex Jensen to do so. When Amy finds out about Alex, she is jealous and inspects Sheldon's office despite Penny's insistence that Alex has no interest in him. Amy and Penny later see Alex flirting with Leonard in the Caltech cafeteria, now making Penny jealous. Amy points out that though Penny is unsure of her feelings for Leonard, subconsciously the thought of him with another woman bothers her. Penny gradually realizes Amy may be right. After finding an elementary school project of Sheldon's with Nobel potential, Alex visits him at home where Penny and Leonard are. Penny introduces herself to Alex (with Penny subtly hinting that Leonard is hers) then drags Leonard to her apartment for sex. Meanwhile, a homesick Howard wants to return to Earth as soon as possible. When the return Soyuz capsule is delayed, he suffers anxiety attacks, cabin fever, and "space dementia" (i.e. he talks nonsense). The other astronauts give him a sedative which relaxes him but also makes him remove his pants and windmill in microgravity.<extra_id_1>

fd_Greek_01x03

fd_Greek_01x03_0

TEXT: [PREVIOUSLY_ON] [On campus] Rusty : I want to rush a fraternity. Casey : You're not fraternity material. [In Rusty's room] Dale : I mean, who would choose to hang with a bunch of drunkards whose goal in life is to fornicate on as many vapid sorority girls as possible? Rusty : That's pretty unfair! Dale: I'm gonna pray for you Rusty! [At Kappa Tau's, after rush night] Cappie : Rusty Cartwright? Wade : The spitter? Cappie : I say he's in, does anybody have a problem with that? [At Omega Chi's, rush night] Evan : You're Casey's little brother. Rusty : How do you know? Evan : I'm her boyfriend, I'm Evan. [At ZBZ's] Casey : I found out you had s*x with Evan Chambers. Rebecca : I did, rush night, and it was amazing! Casey : Evan Chambers is my boyfriend... Rebecca : How awkward for you! Casey : So what do I do? Frannie : You do what you need to do to make it right in your mind. [In Cappie's room] Cappie : How about some breakfast! Casey : Later Cap'. Cappie : Oh, we're not gonna cuddle? [In the street] Rusty : You're staying with him Casey : Don't you dare judge me! Rusty : I just wanna be part of your life. [In Calvin's room] Calvin : I'm not gay, we're just drunk! [At ZBZ's] Ashleigh : Who sent it? Casey : I bet it's from Rebecca! Ash : She didn't do this someone else is holding the camera! I'll delete it! Casey : No SUMMARY:<extra_id_0>

<extra_id_0> Rusty panics over finding a date for a fraternity function, when Cappie makes arrangements that guarantee "Spitter" will lose his virginity . Meanwhile, things aren't going great in the bedroom for Evan and Casey, who haven't had sex since Evan's infidelity, due to lingering trust issues. Calvin and Ashleigh bond over planning the Omega Chi/ZBZ mixer, but Ashleigh misinterprets Calvin's motives.<extra_id_1>

fd_Dawson_s_Creek_05x06

fd_Dawson_s_Creek_05x06_0

TEXT: #506 - Use Your Disillusion [Leery Residence <unk> Gale is folding some blankets when Dawson walks in.] Dawson: (Dawson holds a clumpy, spidery looking thing up.) I got it. (Gale screams) It's a hairball. Sorry. Just thought you wanted to know the tub is fixed. Gale: Thanks honey. But for future reference, I do not need to see the offending clogging object. Dawson: Sorry. Um, so the tub is fixed, I paid all the bills for next month Uhh What else? Oh, I could get Lily a new pacifier. She chewed the last one pretty good. Gale: Sweetie, why don't you take a break? Dawson: I don't need a break. Just tell me what needs to get done. Gale: No, nothing needs to get done. That's just it. I don't need you to do anything right now. So, why about taking Joey up on her offer? She's been calling here almost every day asking her to go see her. Dawson: Yeah, but it's just been so hectic around here. There's something else I've been forgetting to do Gale: Honey? I'm okay. You can go away for a couple of days. I will not fall apart. So go to Boston. See your friends. Lily and I will be right here when you come back. (Gale walks out of the room. Dawson stares at the phone with trepidation.) [Boston <unk> Joey and Audrey are jogging through the park. Audrey is jogging quite spastically and completely out of breathe. Joey jogs along quite normally.] Audrey: So, every morning, when you go out for a job, you're actually Joey: Jogging. Yes. Audrey: You're not just ditching me to go have some Iced Cap frappy thing by yourself? Joey: Nope. Audrey: Because you realize, I never would have signed on for this little bonding session if I thought that real exercise was involved. (She collapses into a park bench as Joey continues SUMMARY:<extra_id_0>

<extra_id_0> Dawson is having trouble with anxiety attacks since his father's death, so he tries to escape reality on a night of debauchery with Jack and his fraternity brothers, which ends with Dawson accusing Joey of causing his father's death (by way of being the central cause of his decision to stay in Boston, which in turn was the cause of the argument on the night of Mitch's death). Jen seeks revenge on cheating Charlie. Audrey's critical mother visits. And Pacey makes a discovery about Danny and Karen.<extra_id_1>

fd_Roswell_03x18

fd_Roswell_03x18_0

TEXT: 61st Episode of Roswell Production Code: 3ADA18 [PREVIOUSLY_ON] Fortune Teller: I've never seen the cards fall like this before. Boy. He's different. Flashback of Liz igniting her schoolbook. Max: I didn't do that. Liz: I did. Liz blasting Tess with her powers. Liz: You healed me and now I'm different. Isabel on tape using her powers while her parents watch. Mr. Evans: Can you please just tell us what this means? Who are you? Flash to Kyle on the payphone. Kyle: Tess is back? Flash to Tess handing Max their son. Then to them sitting and talking to their parents. Isabel: Max's baby is an, is an alien. So am I. The FBI searching the Evans', and find the tape of Isabel. Then to Tess in the car with Liz. Liz: You're not going to let them throw you in the white room are you? Tess: No. Tess going through the gate and the compound blowing up. At the Crashdown. Liz: I'm not religious but I've been to church. I know right from wrong. And I know it's wrong to benefit in any way from someone else's passing. But I won't deny that Tess's death has freed me. Like a dark shadow passed Over the sun before the light came flooding back (looking at a paper about the Explosion) It's a brand new day. Full of possibilities and hope. I haven't felt Like that in a long long time. (She looks over at Max sitting at the counter at the Crashdown) It's different for Max. He lost more than his son. He lost the sense of Direction to his life, his sense of purpose. He puts up a brave front but, I know. What are you still doing here? Got it hot for some local waitress? Max: That's the rumor. Have you heard from North Western yet? Liz: Still waiting. Max: You must be nervous. Liz: I'm trying to handle the whole college acceptance thing with grace and aplumb. Max: Aplumb? (smiling SUMMARY:<extra_id_0>

<extra_id_0> In the series-finale episode of the program, as their high school graduation approaches, the Roswell gang must come to terms with their expectations for the future, while joining together to thwart the FBI when they discover that several members of the group are under surveillance. Meanwhile, Liz begins exhibiting even more alien-like powers, that cause her to see visions of their future - including their deaths.<extra_id_1>

fd_Doctor_Who_1963_07x06

fd_Doctor_Who_1963_07x06_0

TEXT: DOCTOR WHO AND THE SILURIANS BY: MALCOLM HULKE 5:15pm - 5:40pm [SCENE_BREAK] 1. INT. CAVES (Searching for the spot where Davis and Spencer had their fateful accident, the DOCTOR climbs between a narrow crevice and upwards into a small cranny, where he discovers several large loops of climbing rope. There is a faint roar from somewhere nearby. (The DOCTOR looks around and notices a small opening, which although quite narrow, appears to lead to a much larger space. He puts aside the rope and cautiously climbs through the opening into a much larger chamber. He looks around the space, seeing nothing. After several moments he turns back to retreat through the opening, when there is a colossal roar behind him. (The DOCTOR turns to stare upwards at a carnivorous dinosaur of the same mould as the Allosaurus or Tyrannosaurus rex. It reaches down at him with it's sharp fore-claws, and trapped in the opening all the DOCTOR can do is raise an arm over his face in self-defence... (As the claw comes down to strike him, there is a signal of three descending notes, and instead of striking him, the claw merely hovers over the DOCTOR. The dinosaur is in a ferocious mood, but the three note signal is repeated over and over again until it leaves the Doctor alone. (The DOCTOR cautiously follows the dinosaur several steps in the direction it had gone, where he finds a giant footprint, easily several hand spans in length.) [SCENE_BREAK] 2. INT. CONFERENCE ROOM (LIZ and the BRIGADIER stand before an board with a caving map pinned to it; the BRIGADIER indicates a gallery of the caves with his swagger stick.) BRIGADIER: You're sure this is where he's making for? LIZ: Pretty sure. He wanted to see the exact place where the accident happened. BRIGADIER: I must say Miss Shaw, if SUMMARY:<extra_id_0>

<extra_id_0> The Doctor attempts to convince people there are monsters in the caves, prompting Major Baker to start shooting at a reptile man.<extra_id_1>

fd_FRIENDS_03x06

fd_FRIENDS_03x06_0

TEXT: <unk>Transcriber's Note: Rachel has two friends that are not named, so I referred to them as Friend No. 1 and Friend No. 2.<unk> [Scene: Central Perk, the whole gang is there including Janice.] Janice: Janice has a question. Who of the six of you has sleep with the six of you? Phoebe: Wow, it's like a dirty math problem. Ross: I'm sorry the answer there would be...none of us. Janice: Come on over the years none of you ever y'know, got drunk and stupid. Joey: Well, that's really a different question. Janice: I'm sorry I find it hard to believe that a group of people who spends as much time together as you guys do has never bumped uglies. Joey: Well, there was that one time that Monica and Rachel got together. Monica and Rachel: What?!! Rachel: Excuse me, there was no time! Joey: Okay, but let's say there was. How might that go? Janice: Okay, okay, well then answer me this. Has any of you ever.... almost? Rachel: Does anybody need more coffee? Ross: Yeah, I'll take some. Joey: Hey, there's a dog out there! Opening Credits [Scene: Monica and Phoebe's, three years earlier, Phoebe, Monica, and Ross are there] Phoebe: Oh, that is so unfortunate. Ross: What? Phoebe: Cute naked guy is really starting to put on weight. Monica: (entering from bedroom) Okay, I'll be back in just a minute. Oh, Phoebe I'm sorry that I left lipstick marks on the phone. Phoebe: You didn't leave lipstick marks on the phone. Monica: Oh, then it must've been you. Bye. (leaves) Phoebe: (angrily) Bye-bye! (to Ross) That's why I moved out. Ross: Hey, y'know while we're on that, when are you gonna tell my sister that you don't live here anymore. SUMMARY:<extra_id_0>

<extra_id_0> When Janice playfully asks the gang if any of them (other than Ross and Rachel) have ever slept together, the friends flash back to the time when the coffee shop was a bar and their secrets are revealed: Ross and Phoebe nearly had sex on a pool table; Joey after first meeting Monica, came on to her by getting naked; before Chandler and Rachel knew each other, he tried coming on to her sexually when she and her girlfriends were having a drink at the bar. Rachel, engaged to Barry, brushed off Chandler, but later fantasized about having sex with him.<extra_id_1>

fd_One_Tree_Hill_07x01

fd_One_Tree_Hill_07x01_0

TEXT: [PREVIOUSLY_ON] Nathan : I'm not on the Chiefs anymore. Haley : What? Nathan : I'm the point guard for the Charlotte Bobcats. Haley : You're in the NBA? Nathan : I'm in the NBA. Brooke : You told me that someday I'd be ready to let someone in. I think today might be someday. I love you. Dan : I used to wonder why I was still alive. I'm not. And this is my hell. Pull the trigger. Take the pain away! Withey : Maybe you're still here for redemption. AT TV BROADCAST Dan : So, I guess... This means he's gonna die. I sat there in the dark -- alone, broken. On the eve of my son's first game in the NBA, I sat alone on a playground basketball court and waited for death. I'd been given only days to live. That was 14 months ago. Haley : * I like to say * * I make good use of my time while you've been away * * and it's true * * I've been at my piano every day * * thinking of you * * they talk around * * I hear them whisper * * it's the funniest thing, really * * they think you're gone forever * * I know the truth * * it's just getting hard to believe it * * and they all tell me it's over * * even stars are lining up * * I follow the signs so clearly * * Still I've fallen * * the quicksand's pulling me down * * I follow the signs so clearly * * Still they catch me * * the quicksand's pulling me down * AT THE OFFICE Clay : Bill, I want you to listen to me because we have a history of helping each other and because I'm the best damn sports agent that you deal with. Now, listen -- You guys turned it around last season in a very big way. But Pennington needs receivers, and you know it. Hackett's big. He's fast. And you throw that ball anywhere near him, he gets up and gets it SUMMARY:<extra_id_0>

<extra_id_0> Nathan learns of a shocking accusation that could threaten his career, much to the chagrin of his sports agent Clay. Brooke prepares to launch a new fashion line, and Julian decides to produce a big movie. Haley's sister Quinn makes a surprise visit. Mouth wants Skills to move out, though Skills refuses which leads to a naked standoff. Meanwhile, Jamie celebrates his 7th birthday. This episode is named after a song by Roger Waters .<extra_id_1>

fd_Doctor_Who_1963_09x18

fd_Doctor_Who_1963_09x18_0

TEXT: THE MUTANTS BY: BOB BAKER AND DAVE MARTIN 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. SOLOS. CAVE (STUBBS comes running back up to them.) STUBBS: Gas! They've started the attack already. COTTON: Come on, we've got to get out. STUBBS: We can't get out. The Marshal's sealed us in. COTTON: What are we going to do? (JO suddenly points.) JO: Look! (From one side of the cave a figure walks forward - the radiation suited being. It waves to the five to follow him.) JO: That's it - the thing I saw. (STUBBS reaches for his gun but JO stops him.) JO: No, don't shoot - look. (The figure's gestures to follow continue. At the same time, the cave itself starts to rumble and shake.) DOCTOR: Whatever it is, I think we'd better follow it. Go on. (They walk towards the figure who turns and walks off, the others following and coughing within the encroaching gas.) [SCENE_BREAK] 2: INT. SOLOS. CAVE PASSAGE (As they follow the figure down a passage, they hear more distant explosions.) STUBBS: Making sure of it this time. COTTON: Huh? STUBBS: The Marshal. (There is another louder explosion.) STUBBS: That's the exits. COTTON: Was the exits. STUBBS: Yeah. (KY pushes past them.) KY: (Bitterly.) The Overlords are very thorough. STUBBS: If it goes on like this, the whole lot'll come down on top of us. COTTON: Hurry up, Stubbs! STUBBS: Alright, alright. COTTON: Where's he talking us anyway? [SCENE_BREAK] 3: INT. SOLOS. DOORWAY IN PASSAGE (The figure reaches a metal wall which cuts across the rock SUMMARY:<extra_id_0>

<extra_id_0> The Doctor and his friends are led to safety by Professor Sondergaard, who tries to help the Doctor translate the tablets.<extra_id_1>

fd_Doctor_Who_1963_17x06

fd_Doctor_Who_1963_17x06_0

TEXT: THE CITY OF DEATH By David Agnew (alias Douglas Adams with Graham Williams) (From a story line by David Fisher) First shown 6th October, 1979 5:50pm - 6:15pm [SCENE_BREAK] HERMANN: Excuse me, my lady. The people you wished to speak to are here. COUNTESS: Good, Hermann. Show them in. HERMANN: Yes, my lady. DOCTOR: I say, what a wonderful butler. He's so violent. Hello, I'm called the Doctor. That's Romana, that's Duggan. You must be the Countess Scarlioni and this is clearly a delightful Louis Quinze chair. May I sit in it? I say, haven't they worn well? Thank you, Hermann, that'll be all. COUNTESS: Doctor, you're being very pleasant with me. DOCTOR: Well, I'm a very pleasant fellow. COUNTESS: But I didn't invite you here for social reasons. DOCTOR: Yes, I could see that the moment you didn't invite me to have a drink. Well, I will have a drink now you come to mention it. Yes, do come in, everybody. DOCTOR: Romana, sit down over there. Duggan. Now, Duggan, you sit there. Do sit down if you want to, Count. Oh, all right. Now, isn't this nice? COUNTESS: The only reason you were brought here was to explain exactly why you stole my bracelet. DOCTOR: Ah, well, it's my job, you see. I'm a thief. And this is Romana, she's my accomplice. And this is Duggan. He's the detective who's been kind enough to catch me. That's his job. You see, our two lines of work dovetail beautifully. COUNTESS: Very interesting. DOCTOR: Yes. COUNTESS: I was rather under the impression that Mister Duggan was following me. DOCTOR: Ah. Well, you're a beautiful woman, probably, and Duggan was trying to summon SUMMARY:<extra_id_0>

<extra_id_0> The Doctor, Romana and Duggan are taken prisoner by the Count and questioned about why the Doctor was so interested in the Countess's bracelet.<extra_id_1>

fd_Salem_01x05

fd_Salem_01x05_0

TEXT: [PREVIOUSLY_ON] Gloriana: Do you ever wonder? Cotton: What? Gloriana: If we could leave this place? [Laughs] Cotton: Gloriana, you mustn't be here. Gloriana: What will you do here... in the House of the Lord? [Groans] John: What the hell are you doing here, Hooke? William: Now, careful, Captain... unless you do not mind me telling the good people of Salem just who John Alden really is. The package shall be yours by midnight. [Gasps] Mary: The familiar has been cut from her. Tituba: How? Mary: An exorcism... performed by her dolt of a father, no doubt. So we must replace it. Cotton: My God. Mary: The girl has been rendered frail by her circumstance. She needs but a moment of rest. After which, she will again be strong enough to point the finger. Mary: Open your mouth. George: [Groans] Mercy: [Screaming] I know what you are. [Up-tempo music plays] [Women moaning] Mab: Get 'em into a room, will ya? I'll be back in two shakes. Gloriana: You're leaving? Mab: [Sighs] Are you deaf, girl? Get 'em into a room! Gloriana: Yes, mum. [Moaning continues] [Laughter in distance] [Insects chirping, dog barks] [Branch snaps] [SCENE_BREAK] Mr. Hale: I do not. Ancient witch <unk>1: Yo'a'nes John Alden. Ancient witch <unk>2: John Alden. Mr. Hale: Yes? Yes. Yes. Yet, you say the man who holds the secret is dead. Are we certain we can trust her? I'm not so sure the servant is loyal. Tituba: I used to think your stubbornness a virtue. Mary: And you don't any longer? Tituba: Why go alone when there is influence in numbers? Mary: The girl has shown her color. We are well beyond the SUMMARY:<extra_id_0>

<extra_id_0> Following the discovery of The Malum, John acquires the help of Cotton to find out more about the Grand Rite. Mary tries to regain control of Mercy, and Tituba is tasked by the hive to finally discover the secret of John Alden that he has killed to keep.<extra_id_1>

fd_Angel_03x11

fd_Angel_03x11_0

TEXT: [PREVIOUSLY_ON] Angel: "I'm gonna have a son." Darla stakes herself leaving the baby behind in the rain. Cordy: "I have a room mate. It's cool I never see him. He's a ghost." Fred: "When I see you and Cordelia sparring... It's only natural that you and she should be drawn to one another." Cordy clocks Angel on the nose, and he turns his head to hide the pain from her. Gunn: "Cordelia, she doesn't choose to have a vision. The Powers send them to her when they got info to share." Cordy: "I look forward to my next vision." Series of highlights of some of the worst vision pains Cordy's gotten over the years. Angel: "Easy. Are you gonna be alright?" Cordy is taking pills in the bathroom: "These visions are killing me." Cordy to Angel: "If I lose the visions, I wouldn't be able to help you anymore. You wouldn't need me." Close up on a bedraggled and shaken looking Cordy. Cordy: "I'd - just like to say thank you. (Deep breath) You believed in me when no one else would. Even in my darkest hours you were there for me (almost starts crying) and that means more to me that you'll ever know. (sniffs) I guess what I'm really trying to say is - I love you. - To all my fans: (Holds up a scrub brush in plastic gloved hand) this is for you!" Shot widens to show that Cordy is sitting on the floor of the Hyperion lobby. Fred is sitting a little ways away, wearing yellow plastic gloves and applauding wildly. Fred: "Wow! That was just - wow. 'cause... oh, and with the tears! I-I got chill bumps all up my arms." Cordy: "Yup. That's the famous speech. Not that I'll ever use it of course - unless they start handing out awards for best slime and grime. - Oh, SUMMARY:<extra_id_0>

<extra_id_0> It's Cordy's birthday and a particularly intense vision knocks her out of her body. As Team Angel tries to help her, Cordy is stuck in an astral plane unable to communicate. When a guide shows up and offers Cordy a deal, she has to choose between getting everything she thought she wanted and her life with Angel.<extra_id_1>

fd_The_Vampire_Diaries_01x05

fd_The_Vampire_Diaries_01x05_0

TEXT: [Salvatore's cellar.] DAMON: Where is my ring? STEFAN: Won't be needing it anymore. DAMON: How long have I been here? STEFAN: Three days. DAMON: What are you doing? STEFAN: During the dark ages when a vampire's actions threatened to expose or bring harm upon the entire race, they would face judgment. They sought to reeducate them rather than to punish them. DAMON: You know what will happen if i don't... Feed on blood. STEFAN: You'll grow weaker and weaker. Eventually you won't be able to move or speak. In a week your skin will desiccate, and you'll mummify. A living corpse. Unable to hurt anyone. Ever. DAMON: So what, you're just going to leave me in the basement, forever? STEFAN: I've injected you with enough vervain to keep you weak. Once your circulation stops, I'll move you to the family crypt, and then in 50 years, we can reevaluate. DAMON: I'm stronger than you think. STEFAN: You always have been. But you're not stronger than the vervain. And we both know it. I'm sorry. Didn't have to be this way. [Elena's house.] Elena is waking up and going to the bathroom. She meets Vicki. VICKI: I--i'm sorry, i'm almost done. ELENA: It's--it's ok. Take your time. VICKI: I think you might be in trouble. JEREMY: What did you do? VICKI: Oh, she saw me. JEREMY: I'm a drug-using delinquent. A girl in bed doesn't really rank. ELENA: Jenna! Are you aware of what's going on upstairs? JENNA: Uh-huh. ELENA: And you have no objection? JENNA: He could be craftier about it, at least make an effort SUMMARY:<extra_id_0>

<extra_id_0> While Damon grows weaker from being locked up in the Salvatore basement, Jeremy's and Vicki's relationship grows stronger. At the school organized car wash, Bonnie discovers more about her powers and decides to face with them. Meanwhile, Logan's charm leads to having dinner in the Gilberts' house to charm Jenna, which leads to his stealing the pocket watch. Elena finds out from a stranger that Stefan eerily resembles somebody named Stefan Salvatore he knew in 1953. This leads to Elena questioning who Stefan really is. Elsewhere, Damon uses his connection with Caroline to free himself, kill Zach, and later feeds on Vicki.<extra_id_1>

fd_One_Tree_Hill_01x08

fd_One_Tree_Hill_01x08_0

TEXT: [PEYTON'S ROOM. There's a horror movie on the TV and BROOKE wakes up as someone screams] PEYTON: [About something that happened in the movie] That's gonna leave a mark. BROOKE: So what am I doing here? PEYTON: Brooke, that's two weekends in a row you don't remember what happened the night before. BROOKE: Oh, please tell me I didn't make a fool of myself with Lucas. PEYTON: Nope, that would be me. BROOKE: Wait. You two were totally hot for each other. PEYTON: Were. Until about halfway through ripping each other's clothes off I bailed. BROOKE: Because? PEYTON: Because he got all serious. He was talking about this intense commitment or I don't know. BROOKE: Uh. I don't want to live in a world where two fine and willing girls like ourselves can have such a lame Friday night. [Pause] I gotta change my karma. Maybe you should make some changes too. PEYTON: I didn't wake up with a foggy memory. BROOKE: Well, you didn't wake up with Lucas, either. [PEYTON punches her playfully] [MUSIC STORE. HALEY and LUCAS are looking through CDs] HALEY: Luke, did you ever hear of a UHF or their SARA? LUCAS: Yeah, UHF. They're from Portland, right? They're good. Um, but with SARA, they're great. HALEY: Cool [NATHAN walks in] LUCAS: You okay? HALEY: Yeah, I can handle it. [LUCAS steps away] NATHAN: I called your house. Your mom said I was here. HALEY: Crap. I should lie to her next time. NATHAN: Look, I didn't know until Brooke read that note, okay? I didn't even know there was a note until later. I wouldn't do that to you. HALEY: Okay. SUMMARY:<extra_id_0>

<extra_id_0> Looking for some fun, Brooke and Peyton crash a college party, but things turn ugly when one of the guys in the dorm drugs Peyton. After Brooke calls Lucas for help, the two bond while caring for a sleeping Peyton, prompting Lucas to look at Brooke in a new light. Meanwhile, Haley gives Nathan another chance and the two go on their first date. This episode is named after a song by Antifreeze .<extra_id_1>

fd_Doctor_Who_1963_03x32

fd_Doctor_Who_1963_03x32_0

TEXT: THE CELESTIAL TOYMAKER by BRIAN HAYLES and GERRY DAVIS first broadcast - 16th April 1966 running time - 24mins 10secs [SCENE_BREAK] 1. THE SECOND THRONE ROOM (STEVEN and DODO succeeded in finding the safe throne. Now the second throne room darkens and a light comes on from the cupboard that wouldn't open earlier. It slides out as they watch until finally it stands almost clear of the wall - an unmistakable police box! To STEVEN and DODO's dismay, it is not the real TARDIS. DODO tries to solve the last riddle - call the servants without voice - by calling out to the dolls. Nothing seems to happen. Next, the telephone inside the police box rings, and STEVEN answers it. It's THE TOYMAKER.) CELESTIAL TOYMAKER: You're doing better than I thought. But don't rest on your laurels. The Doctor is succeeding even faster than you. Time and luck are running out. Here is the next clue: hunt the key to fit the door that leads out on the dancing floor; then escape the rhythmic beat, or you'll forever tap your feet. (There is a clicking sound over the telephone. THE CELESTIAL TOYMAKER hung up the phone.) STEVEN: But... DODO: He's gone. (STEVEN hangs up the phone. As he does so, the entire back wall of the police box opens and reveals a dark passageway.) DODO: Steven, look. (STEVEN and DODO look back at the chairs where the KING and QUEEN became entangled. Lying on the seat of the mangled throne are two playing cards -- the King and Queen of Hearts.) STEVEN: I said that's all they were. Never mind that now. The next game -- come. (STEVEN enters the dark passage, but DODO remains behind for just a moment.) DODO: (Shouting.) Dolls, dolls, wherever you are, come SUMMARY:<extra_id_0>

<extra_id_0> Missing episode The travellers arrive in a strange domain presided over by the Celestial Toymaker - an enigmatic, immortal entity who forces them to play a series of games, failure at which will render them his playthings for all eternity.<extra_id_1>

fd_Charmed_08x11

fd_Charmed_08x11_0

TEXT: Piper: We're gonna beat this, Leo, just like we always do. Leo: You've always been a bad liar. [PREVIOUSLY_ON] Paige: This could very well not be an accident after all. Piper: How does that help Leo? Paige: Maybe something magical can fix it. Leo: Where am I? Piper: It's just our screwed-up destiny, and I have to lose you to save you. Paige: You're a parole officer? Henry: Let me guess, missionary, social worker? Do-gooder. Paige: Are you trying to charm me? Paige: How did you get my number? Henry: Oh, you're not the only one with connections. Paige: I see. Billie: The night my sister was taken, it was raining outside. That was the last time I ever saw her. Piper: What did your parents do? Billie: They thought I made the whole thing up. [SCENE_BREAK] Billie: Here's the thing. I have powers, which means my sister has powers, too. So if the demon that took her wanted to use her powers for evil, the only place he could do that would be corporate America. So... Phoebe: So you think this is some kind of demonic conspiracy? Billie: Exactly. What do you think? Phoebe: Well, I think if it is, it'll still be there tomorrow. Today you're supposed to pick up your parents. Billie: No, wait. Phoebe: No. No waiting. They traveled a very long way to see you, Billie. Billie: Your idea, not mine. Phoebe: Yeah, and I think it was a very good idea, thank you. Billie: Well, you haven't met them yet. Phoebe: Oh, come on. They can't be that bad. Billie: No? My father is a robot, my mother is a wallflower, and they haven't talked about my sister in years. Phoebe: And that's why we invited them to dinner. Trust SUMMARY:<extra_id_0>

<extra_id_0> Billie is less than happy when her emotionally-distant parents arrive in town during her search for her sister. Things get trickier for her when she learns she now has the power of projection and accidentally turns her parents into demonic assassins who were sent to kill the CEO of a high profile business. As Phoebe contemplates a major life choice, Piper is having a hard time adjusting to Leo being gone, and Paige gets closer to Henry.<extra_id_1>

fd_Glee_01x03

fd_Glee_01x03_0

TEXT: SCENE 1 : In the apartment of Will - Terri, Will and parents of Will Will and Terri to dinner Will's parents. Mrs Schuester : When did you start cooking,Terri? Terri : Oh, it's just hamburger casserole. Look out for bones. Will : I'm sorry. I, um... (Laughing.) I can't hold it in any longer. Um... Will rising with his glass Will : Mom, dad. Terri's pregnant. Terri : Will. Mrs Schuester : What? Will : It's a boy. Mrs Schuester : Oh! Our first grandbaby! Will's mother hugged him while his father kisses Terri. Mr Schuester : Oh, that's fantastic. Terri : Thank you, yeah. sweetheart. honey? Will : Yeah? Terri :... I thought we weren't going to tell anybody yet. Mr Schuester : Oh your secret is safe with me. I spent six months In the Hanoi Hilton, never said a word. Am I right, doodle? Mrs Schuester : That's right, honey. Everyone smiled. Terri : Oh! Yeah, we're going to turn the craft room into the nursery. Mrs Schuester : Oh! Show me! Terri : Okay. The two women left the room while the men toast. Mr Schuester : I'm really happy for you, son. Will : Tell you the truth, i'm terrified. I don't know how to do this. Mr Schuester : No one does. Look at me. I was a mess. I worked all the time, traveling. I was too strict. Will : Okay, you're not instilling With a great deal of confidence here, dad. (Sighs) I mean, i'm already up all night thinking about this. Mr Schuester : That's my fault!...The confidence thing. Boys learn that... Will : No. Mr Schuester :....from their fathers. I started at zuckerman and zuckerman in college. I needed some extra cash. I was saving up...for law school. But i never went SUMMARY:<extra_id_0>

<extra_id_0> Will forms an all-male a cappella group called the "Acafellas", neglecting the glee club in favor of dedicating his time to the new endeavor. After two of its members quit, glee club member Finn and his best friend Puck ( Mark Salling ) join. The group records an album and performs at the school PTA meeting in front of celebrity guest Josh Groban , but Will ultimately recommits to New Directions. In his absence, the club members struggle with choreography, and resist attempts at sabotage by members of the cheer squad. They briefly hire well-known choreographer Dakota Stanley, but fire him when he belittles their appearances and abilities. Mercedes harbors romantic feelings for Kurt, who comes out to her as gay .<extra_id_1>

fd_Trailer_Park_Boys_07x03

fd_Trailer_Park_Boys_07x03_0

TEXT: Man's Voice yelling: Who in the f*ck stole my good clothes? [crow cawing] Phil Collins: Hey Rand! Randy: Hey Phil. Phil Collins: Don't know if I ever introduced you, but this is my son Jacob. Randy: He's your son? Jacob: Randy, it's good to meet you. Randy: Good to meet ya. Phil Collins: Go see Ray man and get the water and the power hooked up. Aren't ya glad to be here? Jacob: Yeah, is Julian around? Phil Collins: Don't worry about that now. Get going. Kids. Come on, I want to show you something. Have I got a business proposition for you buddy. Randy: Nice. Phil Collins: And this baby is going to do it for us. It'll make us a fortune. Let me show you inside. Randy: Nice camper, Phil. Phil Collins: Man, this is what I'm talking about. I'm going to open my own chip wagon. We're going to be partners. Burgers, cheeseburgers. Randy: What the frig's going on in there? [yelling] Phil Collins: Why are they busting Lahey's cock? Randy: What the frig's going on here, Ted? Ted: Randy. It's okay, Lahey just had a few drinks. It's not what it looks like. Randy: A few drinks? George: It's okay Randy. We just want to talk for a minute, okay? [sound of groaning] George: Geez, the stink of barbeque sauce in this Phil Collins: [burping loudly] George: Shut your, shut up Randy! Randy: Mr. Lahey! Mr. Lahey! Phil Collins: Cocksuckers. George: Awful fat now, isn't it? Ted: George, what the f*ck are we doing? George: Taking care of business Ted. Phone books don't leave any marks. Ted: sh1t. Ted: George, what are you doing? Haven't we done enough? George: You want to do some time, Ted? Come on, we're ending this, right now. Ted: I don SUMMARY:<extra_id_0>.

<extra_id_0> Angered when Mr. Lahey doesn't finish their paperwork for search warrants against Julian and J-Roc, officers George Green and Ted Johnston attempt to kill him, Randy, and Phil Collins. Lahey hatches a scheme to have Green and Johnston arrested, but will Ray go along with it?<extra_id_1>

fd_Grey_s_Anatomy_02x01

fd_Grey_s_Anatomy_02x01_0

TEXT: (Meredith is at a bar, doing shots) MVO: To be a good surgeon, you have to think like a surgeon. Emotions are messy. Tuck them neatly away and step into a clean, sterile room where the procedure is simple. Cut, suture and close. Joe: You look familiar. You been here before? Meredith: Once. That worked out really well. Joe: I know that look. It'll be one of two things. Either your boss is giving you hell or your boyfriend is. Which is it? Meredith: Both. MVO: But sometimes, you're faced with a cut that won't heal. Meredith: My boyfriend is my boss, which was a problem. But not as big a problem as the fact that my boyfriend has a wife. Joe: Tell you what, this one, it's on the house. MVO: A cut that rips it's stitches wide open. (Derek and Addison in the lobby of the hospital) Derek: Addison, what are you doing here? Addison: Your hair's different. Derek: A lot of things are different. Addison: It's longer. I like it. It's very Russell Crowe. (She tries to run her fingers through his hair but he moves back) Derek: What are you doing here? Addison: What are you doing here? You just pick up and leave everything? Your house, your practice, your friends? You had a life in Manhattan. Derek: Had. Addison: And now you have a girlfriend in Seattle. She seems sweet. Derek: The ice you're on. Thin. Addison: She's young. That whole wide-eyed, ooh he's-a-brain-surgeon thing happening, but still sweet. Which was what you were going for, right? The anti-Addison? Derek: If you came out here to try and win me back, forget about it. Addison: I did. I flew all the way across the country to reminisce over wedding photos, get drunk, fall into bed, and make you realize you can't live without me. Relax. SUMMARY:<extra_id_0>

<extra_id_0> Joe the bartender collapses in the bar and finds himself in the need of a very expensive standstill surgery that there is no way he'll be able to afford. Much to Meredith's discomfort, Addison requests her as her intern for the day. Still recovering from surgery, Dr. Webber asks George to be his "eyes and ears", but George finds it difficult to pass on any information. Cristina tells Meredith that she is pregnant without revealing the father. When Burke breaks off their relationship, she decides not to tell him either. Izzie and Alex's personal bond grows closer as he shows a more emotional side of himself.<extra_id_1>

fd_Bones_01x09

fd_Bones_01x09_0

TEXT: "The Man in the Fallout Shelter" [SCENE_BREAK] [Fade in: Stock footage of the White House at Christmastime fades to the Jefferesonain lab, decorated for Christmas. Angela enters the lab, dressed as an elf, chasing after Brennan. Text on the screen reads: DECEMBER 23RD 6 PM] ANGELA: Sweetie! BRENNAN: Angela, I don't want to. ANGELA: Sweetie, could you stop galloping for, like, two seconds? BRENNAN: Better able to withstand peer pressure when you can't catch me. ANGELA: Call it a favor, okay? BRENNAN: How is me going to a company Christmas party doing you a favor? ANGELA: Remember what happened last year? BRENNAN: I didn't go last year. ANGELA: Yeah, exactly. And it took me weeks to collect all those photocopies. I need you. Friends don't let friends photocopy their butts at company Christmas parties. Hey, there's a Secret Santa. BRENNAN: I don't like Secret Santa. The idea that we are forced by convention to exchange meaningless gifts is... ANGELA: Yeah, yeah, I know. If you rearrange Secret Santa, though, you get Secret Satan. [Angela continues to follow Brennan around the platform, standing by as Brennan begins to examine a skull.] BRENNAN: What possible meaning could that have? ANGELA: I've already had an eggnog, if you can't tell. Now, how am I gonna enjoy this party knowing that my best friend in the whole world is in the lab, eyeball to eyeball with... Skeletor? BRENNAN: Who? ANGELA: He's a cartoon villain who looks like a... You know, his name is self explanatory. Would you please just come to this party? [Brennan exhales.] BRENNAN: Twenty minutes. OS: BOOTH: Bones! All right. [Booth enters the lab, carrying a suitcase SUMMARY:<extra_id_0>

<extra_id_0> Construction workers find a skeleton in an old fallout shelter from the 1950s and the Jeffersonian is brought in to help identify the remains. When Zack cuts into the bone, he accidentally releases spores of the deadly fungus Valley Fever, causing the team to be quarantined in the lab over Christmas. While everyone tries to maintain the holiday spirit, Brennan buckles down to solve the mystery of the fallout shelter. Booth and Brennan's team are reminded that this is a rough time of year for Brennan, since her parents went missing right before Christmas when she was a kid. As Brennan works to bring closure to the family of the missing man - something she has yet to receive about her own parents - the time spent together in the lab provides the catalyst for revealing information about all of them.<extra_id_1>

fd_Teen_Wolf_01x07

fd_Teen_Wolf_01x07_0

TEXT: Scott: Lock it, lock it! Stiles: Do I look like I have a key? Scott: Grab something! Stiles: What? Scott: Anything! Scott: No. Stiles: Yes. Scott: Stiles, no, don't. Scott: Run! Stiles! Stiles! Scott: Where is it? Where did it go? That won't hold, will it? Stiles: Probably not. Stiles: The desk. Stop, stop. The door's not gonna keep it out. Scott: I know. Stiles: It's your boss. Scott: What? Stiles: Deaton, the alpha? Your boss. Scott: No. Stiles: Yes, murdering psycho werewolf. Scott: That can't be. Stiles: Oh come on. He disappears, and that thing shows up ten seconds later to toss Derek 20 feet through the air? That's not convenient timing? Scott: It's not him. Stiles: He killed Derek. Scott: No, Derek's not dead. He can't be dead. Stiles: Blood spurted out of his mouth, okay? That doesn't exactly qualify as a minor injury. He's dead, and we're next. Scott: Okay, just - What do we do? Stiles: We get to my jeep, we get out of here, you seriously think about quitting your job, good? Stiles: No, they don't open. The school's climate - controlled. Scott: Then we break it. Stiles: Which will make a lot of noise. Scott: Then, uh, then we run really fast. Really fast. Stiles, what's wrong with the hood of your jeep? Stiles: What do you mean? Nothing's wrong. Scott: It's bent. Stiles: What, like, dented? Scott: No, I mean bent. Stiles: What the hell - Stiles: That's my battery. Scott: Don't. Stiles: We have to move. Scott: He could be right outside. Stiles: He is right outside. Scott: SUMMARY:<extra_id_0>

<extra_id_0> Responding to Scott's howl, the alpha savages Derek and traps Scott and Stiles in their high school. Events escalate even further when Allison, Jackson and Lydia are lured to the school as well with a phony text message. At the end of the night, Allison breaks up with Scott after saying she cannot trust him.<extra_id_1>

fd_Doctor_Who_1963_21x06

fd_Doctor_Who_1963_21x06_0

TEXT: THE AWAKENING BY: ERIC PRINGLE Part Two First Air Date: 20 January 1984 Running time: 24:47 [SCENE_BREAK] JANE: Doctor, are you all right? JANE: Are you sure you're all right? DOCTOR: Yes. JANE: It's a face. DOCTOR: Look at it. Does it look familiar? JANE: Yes, I, I've seen it before. DOCTOR: Behind you. JANE: But that's a representation of the devil! DOCTOR: Yes. It's interesting, isn't it? DOCTOR: So there you are. JANE: What's that? DOCTOR: Psychic projection. Over here, Will. JANE: It looks so real. DOCTOR: Well, to all intents and purposes he is. CHANDLER: It were like that before. Battle's coming. DOCTOR: No, Will, come back. CHANDLER: I'm not going to war again. [SCENE_BREAK] TURLOUGH: All right, all right. You've made your point. HUTCHINSON: One by one, you and your companions will return to my fold, and you will never get out again. It is a pity you've seen this. Lock him up. [SCENE_BREAK] DOCTOR: Stand perfectly still. JANE: What is it? DOCTOR: I told you. It's a psychic projection. JANE: It pains me to say it, but I'm sorry I ever doubted you. DOCTOR: We all learn by our mistakes. JANE: Now what? DOCTOR: More psychic disturbance. DOCTOR: Ah. It seems he intends to kill us. Make for the underground passage. Run! [SCENE_BREAK] VERNEY: Don't be afraid. My name's Andrew Verney. [SCENE_BREAK] JANE: Doctor, slow down. That thing isn't following us. DOCTOR: I need to speak to Sir George. JANE: Haven't you got enough SUMMARY:<extra_id_0>

<extra_id_0> The Malus is forcing the towns people to preform the re-enactment for real as it needs the psychic forces created by the suffering of war to feed off of and recharge it's energies. It is up to the Doctor to prevent the Malus plans from reaching fruition.<extra_id_1>

fd_Frasier_08x16

fd_Frasier_08x16_0

TEXT: ACT ONE Scene One - KACL Frasier is wrapping up the show. Frasier: And sadly, no one was able to answer today's psychological mind-teaser, so once again the prize goes unclaimed. By the way, today's answer was "anhedonia." Anhedonia. [chuckles] This is Dr. Frasier Crane, saying good day Seattle, and good mental health. He goes off the air. Kenny comes in. Kenny: [low whistle] That was a real brain-bender, Doc. You know, the idea is to let people win once in a while. Frasier: Oh please, Kenny, I will not pander. When some lucky individual looks at his prize, I want him to be able to say, "I earned this." Kenny: It's an antenna ball! Frasier: Well... Kenny: [as Roz comes in] Oh Roz, I got some good news! Your documentary is a go! Roz: Oh, that's great! Thank you, Kenny! [hugs him] Kenny: Congratulations! Frasier: Roz, you're doing a documentary? Roz: Yeah well, I've been wanting to do something on my own, so I thought I'd do a special on space - what with it being 2001 and all. We're gonna do the Cassini mission to Saturn, and telerobotics, that kind of stuff. Kenny: [re: Frasier] You got a show, [re: Roz] you got a show - I don't know who to kiss up to anymore! Roz: You don't have to kiss up to anyone. Kenny: Ho-ho-ho! I wish I didn't. Kenny leaves the booth. Frasier: So Roz, you're a space nerd! Roz: I wouldn't go that far. There is just something about rockets, though. Frasier: Ah, indeed. [Orson Welles voice] Roz, sounds like your show could be a portal from which we can glimpse the promise of the future SUMMARY:<extra_id_0>

<extra_id_0> Roz has the chance to create her own documentary, and she has decided to use the theme of outer space. Frasier persuades her to let him act as narrator, assuring her that he has no problem working for her for a change. However, at the first meeting they have with the scriptwriters, Frasier makes many suggestions and Roz dismisses them all. This leads to an argument, in which she accuses him of being overbearing and he quits the program. The atmosphere between them is tense for a while afterwards, with neither agreeing to apologize or back down. Then Roz announces that she has replaced Frasier with former astronaut John Glenn . Frasier is furious, but determined to prove that she was shutting him out deliberately. Meanwhile, Martin and Niles decide to build a kite together for the recently reinstated spring kite festival. They are extremely proud of their dragon, but Martin forbids Niles from testing it outdoors. Niles, however, cannot resist the temptation of the balcony.<extra_id_1>

fd_The_Office_07x19

fd_The_Office_07x19_0

TEXT: Pam: Hey Oscar, big Will and Grace fan huh? Oscar: No. Everybody assumes I am. I always get them as gifts. Pam: Oh. [SCENE_BREAK] Pam: Dunder Mifflin is having our first own garage sale. Like many Americans, we realized we had a lot of things that we really didn't need. And 10 cents of every dollar is going into the party fund so we can throw parties for ourselves. [SCENE_BREAK] Dwight: People! Look alive. It's showtime. Doors open in 3...2...1. Jim: Oh, yikes. Pam: It's cold Dwight. Just shut the door and let people come in the front. Dwight: It's good that its cold it will drive business inside. Pam: The signs will drive people inside. Dwight: The warmth will lure people inside. Andy: Close it. Dwight: This is how business... Andy: Close it. Dwight: I'm not closing the door. Andy: Close it. [starts wrestling Dwight] Dwight: Stop it. Andy: Just close it. [SCENE_BREAK] Dwight: Uh oh, looks like someone's sign is a little crooked. Uh, looks awful. Need a thumb tack? Meredith: Sure. Dwight: Not so fast. [SCENE_BREAK] Dwight: Schrute's are farmers by hobby, and traders by trade. Through the art of the swap, I will walk out of this garage sale with the finest item here. [SCENE_BREAK] Dwight: I will trade you for the used candle. Meredith: Forget you. Dwight: Come on, its trash, like your sign, unless you have this. Meredith: Fine, just give it. Dwight: That's how it's done. [SCENE_BREAK] Kevin: Woah, I love her. How much for that? Michael: I uh... I actually don't know why I brought that because It's kind of priceless. Holly: 10 dollars. Michael: Mhmm, no I paid 500 dollars for that. SUMMARY:<extra_id_0>

<extra_id_0> Michael decides to propose to Holly with his expensive diamond ring, thinking about outrageous ideas to carry out the proposal. When Pam notices, she makes him consult Oscar, Ryan, Jim, and herself for advice, and their opinions on his ideas. Meanwhile, Dunder Mifflin Scranton's warehouse and crew hosts a public garage sale. Jim dupes Dwight by selling him "magic beans". The episode ends with Michael and Holly getting engaged.<extra_id_1>

fd_Queer_As_Folk_01x20

fd_Queer_As_Folk_01x20_0

TEXT: [We open with some oiled-up,musclebound, quite naked young man at a photo shoot,wearing a crown and a velvet-and-ermine cape, and holdinga royal orb over the family jewels. The last shot finallyshows him on a poster, announcing the "King ofBabylon" contest. Cut to the poster on the frontdoor of the Liberty Diner, as two patrons enter. In thebackground, Debbie moves toward another poster in theback -- past The Boys sitting at the counter -- and slapsa big "Tonight" sticker on it.] Debbie: Can you believe is a year already? Justin: Since when? Emmett: "King of Babylon Contest". Michael: As always seems so a big deal. But a week laterno-one can remember one. Ted: Angel Ascobar - 5' 10''. 175'', 28' waist, 9 inchcock and a birthmark in a shape of Placido Domingo in hisright eye. Emmett: Wow, we give him attention. Blake: Should I be jealous? [Ted grins and gives him a sweet kiss. Mike and Emmettexchange a skeptical look.] Emmett: I think I skip the desert. Brian: Who cares about a bunch of steroid gym bunniesdancing around in their shorts, anyway? Debbie: Considering you f*cked all last year contestants- you? Justin: God, who did that? Michael: Who wouldn't f*ck Brian? Justin: No, I meant stripping in front of all of thosepeople? Ted: For a $1000 bucks and a trip to the Bahamas? A lotof guys. Emmett: Especially if they're on drugs -- please, they'lldo anything. [Ted glares at Emmett. Emmett smiles tightly at Blake.] Emmett: Ups, sorry. [Later, The Boys -- plus Blakebut minus Justin -- walk to their respective homes/cars.] Ted: Blake acknowledges his addiction, and he's workingon it. Blake: I've been going to meetings at SUMMARY:<extra_id_0>

<extra_id_0> Who will be crowned King of Babylon? An innocent trip to the mall lands Vic in jail; Brian is beaten at his own game.<extra_id_1>

fd_Frasier_06x08

fd_Frasier_06x08_0

TEXT: Act 1 Scene 1 - Cafe Nervosa Fade in. Roz is sitting at the table by the bookshelves, Frasier comes up and joins her. Frasier: What a glorious day! Can't help but put a bounce in one's step, can it? Roz: [trying to open some aspirin] If you're gonna be cheerful, sit somewhere else. Damn it! I broke a nail. Frasier: Here. Frasier takes the bottle as Niles comes up. Frasier: Oh, hello, Niles. Niles: If my life gets any worse, I'm phoning Hell to ask about their exchange program. [He sits.] Frasier: Well, lucky me, I stumbled in at happy hour. He opens the aspirin and gives it to Roz. Frasier: Here. So, Niles, Maris at it again? Niles: Oh, worse. It's so depressing I can barely talk about it. My gourmet club is holding elections to see who will win this year's Golden Apron... Roz: Wait. I can see I'm gonna need a hanky for this. Niles: [to waiter] Latte, please, to go. Normally, the finalists compete by giving lectures. I'd written mine, a waggish look at food fads of yesteryear entitled "Fondue: What Were We Thinking?" Frasier chuckles and nods approval. Niles: Suddenly last night, disaster. Someone proposed that instead of giving lectures, this year's finalists compete by hosting dinner parties in their homes. Roz: So? Why don't you invite 'em all over and cook 'em a meal? Niles: At the Shangri-La? I can't tell the cream of Seattle's gourmet set that I've moved out of the Montana and into that gulag with a game room. I'll just have to drop out of the race. Frasier: Let's not be hasty. Let's give this some thought. Every problem has a solution. Roz: Do you call that a problem SUMMARY:<extra_id_0>

<extra_id_0> Niles' gourmet club will soon be awarding the annual Golden Apron Award, and the final phase of the contest requires each contender to host a dinner party at their home. Niles is too ashamed to allow the club into his apartment at the Shangri-La, but remembers that Maris has a beach house that would present a perfect setting, and she is out of the country. On first inspection of the house, everything seems fine, until they discover a dead seal lying on the beach outside. Desperate that this evening should go well, Niles and Frasier must then hurry to dispose of the creature before the party starts.<extra_id_1>

fd_The_Office_09x07

fd_The_Office_09x07_0

TEXT: Andy: [on computer screen] Ah, what else? I've seen Dirty Dancing like, ten times. Breaks my heart every time, you know? Everyone: Whoa! Pam: Andy. Andy: That Swayze sure can dance dirty. Phyllis: Don't you have any sunblock? Andy: No, Walter J has been hoarding it. You want to worry about a part of my body, worry about my eyes. They're like two flaming meatballs in my skull. [SCENE_BREAK] Erin: Last week Andy set sail for the Bahamas to sell his family's boat, and he took his brother, but not me. I was kind of sad at first, but then I remembered that Bob Marley song -- No, woman. No cry. [SCENE_BREAK] Andy: [on computer] Check this out. Keeps my hair out of my stare, also helps me combat the glare bear. That's what I call the sun now. Darryl: Andy, it's Darryl. Take your drawers off your head. Andy: What else can I show you? Oh, damn it! Erin: Oh, Andy, was.. was that your drinking water? Andy: Yeah, it was. That's okay though. I got this cool desalinator device. It sucks up sea water through this hose and pumps out fresh water. See, check it out. Ow! Everyone: Oh! Andy: Ah! That's not good. I better sign off. I hate to get going. I mean these skype sessions are, like, the only thing that keep me sane out here, you know? [laughs crazily] [SCENE_BREAK] Darryl: He's been sailing for two days. [SCENE_BREAK] Andy: [on computer] I will leave you with this. The image of a man and his boat. Burn this into your brains. Erin: [laughing] Yeah. Andy: No. No! Nooo! [computer falls into ocean] Erin: Andy? Andy! Andy! Andy. Oh. [SCENE_BREAK] Dwight: [answering phone] Dwight Schrut SUMMARY:<extra_id_0>

<extra_id_0> Dwight is tasked with selling paper to an unknown woman-revealed to be Jan Levinson ( Melora Hardin )-from the Scranton White Pages and Pam and the women of the office teach him how to interact with women. Angela fears that her husband, Robert ( Jack Coleman ), is cheating on her and enlists Oscar to help her spy on him at his yoga class. Meanwhile, Andy skypes into the office from his boat and Toby ( Paul Lieberstein ) convinces several of the men in the office to grow mustaches for " Movember ".<extra_id_1>

fd_Dawson_s_Creek_02x22

fd_Dawson_s_Creek_02x22_0

TEXT: "PARENTAL DISCRETION ADVISED" CAST James Van Der Beek: Dawson Leery Kaite Holmes: Joey Potter Joshua Jackson: Pacey Witter Michelle Williams: Jen Lindley Meredith Monroe: Andie McPhee Kerr Smith: Jack McPhee Mary Beth Peil: Evelyn "Grams" Ryan Gareth Williams: Mike Potter Mary-Margaret Humes: Gail Leery John Wesely Shipp: Mitch Leery John Finn: Chief Witter Written by Greg Berlanti Directed by Greg Prange (Cut to Dawson's room, onscreen a black-and-white film is playing. Dawson shuts it off.) Joey: Hey there, abrupt? Dawson: I've had enough unrequited love for one evening, okay? It's...it's too torturous. Joey: I wonder what sick part of me thrives on movies with these kinds of love stories. Dawson: The ones that end unhappily? Joey: No. The kinds that never really end. I mean, think about it. To continue loving somebody even though there's no chance of that love ever thriving...that's romance. Dawson: That is tragedy. Joey: Not all love stories have a built in happy ending, Dawson. Dawson: But why revel in the ones that don't? Joey: I'm sorry...sad stories are just more powerful...I prefer them. Dawson: Well, then do you think that.... (Dawson thinks. Joey looks at him.) Joey: Speak. Dawson: Do you think that that kind of a preference has an affect on your own love story? Joey: It absolutely does. Dawson: And that doesn't worry you? Joey: No. Because the effect is positive. It's movies like these that remind me of how unmovable and powerful love can be. Dawson: But they don't end happily. I mean, Daniel Day Lewis never gets Michelle Pfeiffer. Joey: It's not their fault! It's just the circumstances. Dawson: But what good is their love if it's not strong enough to overcome those circumstances? Joey: Because in spite SUMMARY:<extra_id_0>

<extra_id_0> Dawson is unsure about whether to tell Joey about her father's drug dealing. Sheriff Witter stakes out the Ice House, believing that Mr. Potter is back to his old tricks. When the gang is studying in the restaurant, one of Mr. Potter's unruly competitors sets it on fire with everyone still inside, making Dawson's conflict greater. Gail tells Mitch about her new job offer in Philadelphia. Pacey becomes depressed now that Andie is gone and his father mocks his pain, which results in a physical confrontation between Pacey and the Sheriff. As a result, Sheriff Witter comes to understand Andie's importance in Pacey's life and that he has been a bad father. Jack becomes worried that Jen is suicidal when she doesn't immediately leave the burning Ice House. Later, Grams and Jen reconcile, causing Jen to move back in, taking Jack with her as well. Joey aids the police in arresting her father, having been forced to do so by Dawson. Afterwards, she tells Dawson she will never forgive him and wants him out of her life, bringing their romance to a second grinding halt.<extra_id_1>

fd_The_4400_01x04

fd_The_4400_01x04_0

TEXT: Modus Operandi (1x04 : Becoming) Written by CRAIG SWEENY Directed by DAVID STRAITON **Previously on 'The 4400'** Flashbacks to the ball of light approaching Earth, and the 4400 appearing on Mount Rainer. Danny and Shawn discussing Nikki. Diana agreeing to take Maia home to live with her. Tom accusing Shawn of having something to do with Kyle's condition and Kyle having to undergo surgery. **Present** A Sherriff Conrad receives a printed letter. "The time I lost is gone. I'll never get it back, but my years in the dark didn't kill me. And my work remains. And even though l might not understand what's happening to me, I have faith in the final outcome. After all, l'm doing what l was intended to do, becoming what I was meant to be. I look forward to corresponding with you again, I know it's been a long time.I tell you this as a courtesy - you can observe my work, but there's no point in trying to interfere with it. I'm now in full command of my talents. I hope the world is read." A picture of a young woman has been enclosed. The womans eyes are crossed out. There are riots in the street as people panic over the 4400. The Barbara Yates Tv Show is on. Diana watches while Maia get's breakfast. Yates: Despite protests, Homeland Security refuses to divulge the names or whereabouts of the 4400 living here in the US.Confirmed reports of unusual abilities have the public panicked. And yet this man sitting beside me says we have nothing to worry about. I'm sure most of you recognise him even though he's been away for the past 28 months. I'm talking about Mr Jordan Collier, who recently breached the government's wall of silence and chose to out himself as one of the notorious 4400. Jordan... Why? Why now? Why here? What's your agenda? Collier: I have no agenda. But someone had to put a human face on the 4400. We've been demonised enoughby people like you. Yates: SUMMARY:<extra_id_0>

<extra_id_0> Several 4400s are killed during anti-4400 terrorist bombings, Tom and Diana must race to stop the perpetrators. Kyle begins to exhibit strange behavior and begins to understand what is wrong with him.<extra_id_1>

fd_Gilmore_Girls_03x22

fd_Gilmore_Girls_03x22_0

TEXT: 3.22 - Those are Strings, Pinocchio OPEN IN TOWN SQUARE [The troubadour starts playing a song. Lorelai and Rory push past him with large backpacks on their backs] RORY: Coming through! Heavy packs. LORELAI: Out of our way, peace boy! No offense, love the song. Carry on. Go. [Lorelai and Rory walk into Luke's Diner] LORELAI: Ugh. And wuss patrol, halt. [they drop their backpacks on the floor] RORY: I've never known such pain. LORELAI: We are so not walking around Europe with those annoying things on our backs. RORY: But we're backpacking through Europe. How're we gonna do this without backpacks? LORELAI: But all the time we've talked about backpacking, I never actually pictured us with backpacks. RORY: Well, what were you picturing? LORELAI: Spry, accommodating European men with neat mustaches trailing after us, carrying our luggage, hailing taxi cabs, constantly reminding us how beautiful we are. RORY: No, it's just the two of us humping our backpacks around. LORELAI: Well, at least my new walking shoes are all broken in. If you count broken skin, broken toes. [Luke walks over] LUKE: Don't do that. LORELAI: Don't do what? LUKE: Don't take your shoes off. This is a restaurant. LORELAI: I don't see a "No shirt, no shoes, no service" sign. LUKE: It's right here, don't do that. RORY: We're in pain, Luke. LUKE: But it's great that you guys are bearing it so nobly. And can you move these? RORY: Can? No. LORELAI: Would if we could? Debatable. [Luke moves the backpacks out of the way] LORELAI: Look at that. RORY: Spry and accommodating. LORELAI: Hey, would SUMMARY:<extra_id_0>

<extra_id_0> Rory finally learns her mother can't afford to buy the Dragonfly Inn since financial aid for Yale didn't come through. She decides to take matters into her own hands with a quick visit to her grandparents right before graduation. Luke has second thoughts about a trip with Nicole after something Lorelai tells him. Jess makes silent contact with Rory after her graduation ceremony from Chilton.<extra_id_1>

fd_The_100_01x04

fd_The_100_01x04_0

TEXT: Clarke: I was born in space. I've never felt the sun on my face, or breathed real air, or floated in the water. None of us have. For three generations, The Ark has kept what's left of the human race alive, but now our home is dying, and we are the last hope of mankind. A hundred prisoners sent on a desperate mission to the ground. Each of us is here because we broke the law. On the ground, there is no law. All we have to do is survive. But we will be tested, by the Earth, by the secrets it hides, and most of all, by each other. [PREVIOUSLY_ON] Abby: The Ark is dying, Raven. I have to prove that earth is survivable. We have nine days to get this ready, so I can survive a drop. Murphy: You know, my father, he begged for mercy, when your father floated him. This is for my father. Clarke: You're Charlotte, right? It's okay to be scared. Do you want to talk about it? Charlotte: It's my parents. They were floated, and I see it in my dreams. Bellamy: No! Wake up, Charlotte. Does it happen often? Slay your demons, kid. Then you'll be able to sleep. You shouldn't be out here alone. What if I was a Grounder? Finn: They got Wells just outside the wall. Clarke: Says the guy who just spent another night exploring the woods all by himself. Finn: But I'm reckless. And irresponsible. I got you something. Clarke: Where did you get this? finn: The art supply store. Clarke: I know when we were kids... Wells was always giving me ink, charcoal, just anything I could draw with, really. I found out later that he was trading his own stuff to give it to me. He didn't want me to know that, either. He let me hate him so that I wouldn't hate my mother. Finn: I know. Clarke: My mother killed my father. Just wish there was something I could do. To tell her I know. Make her feel what I'm... Finn: Where are SUMMARY:<extra_id_0>

<extra_id_0> Monty attempts to use the wristbands to contact The Ark. Octavia and Jasper discover Murphy's knife outside the wall with two fingers, which are Wells'. Clarke publicly accuses Murphy, inciting a mob that begins hanging him. Overwhelmed, Charlotte confesses and Murphy is cut down. Charlotte flees camp with Clarke and Finn, and they take refuge in a bunker, pursued by a revenge-seeking Murphy. Feeling guilty, Charlotte attempts to turn herself in, but Bellamy intercepts her. The whole group ends up at a dead-end cliff where Charlotte jumps off and commits suicide, and Bellamy banishes Murphy; the incident brings the formerly feuding Clarke and Bellamy together as a strong leadership front for the 100. Monty accidentally fries all of the wristbands. Finn runs to the bunker in frustration, Clarke follows, and they have sex. On The Ark, Abby and Raven go to great lengths to acquire a pressure regulator , but Kane finds out and has Abby arrested. Raven launches off The Ark alone and prepares to enter the atmosphere.<extra_id_1>

fd_FRIENDS_04x22

fd_FRIENDS_04x22_0

TEXT: Teleplay by: Michael Curtis Story by: Seth Kurland [Scene: Central Perk, the gang is there, Phoebe is returning from the bathroom.] Phoebe: (angrily) That's like the tenth time I've peed since I've been here! Monica: That's also like the tenth time you told us. Phoebe: Yeah, oh I'm sorry, it must be really hard to hear! I tell ya, it's a lot easier having three babies play Bringing in the Noise, Bringing in da Funk on your bladder! I'm so sick of being pregnant! The only happiness I get is from a cup of coffee, which of course is decaf, 'cause-Oh! I'm pregnant! Ross: Pheebs, did...you want a cookie? Phoebe: (starting to cry) Thank you so much. Rachel: So uh, Pheebs, honey, how are those mood swings coming? Phoebe: I haven't really had any yet. (Monica, Joey, and Chandler all shake their heads.) OPENING CREDITS [Scene: Chandler and Joey's, Joey and Chandler are there as Ross enters.] Ross: Hey guys! Chandler: Hey. Joey: Hey! Ross: All right, here's the ring. (Shows Chandler the wedding ring he plans on giving Emily) Chandler: (shocked) Yes! Yes! A thousand times, yes! Ross: So uh, any ideas for the bachelor party yet? Joey: Whoa-whoa-whoa! Before you start handing out wedding rings and planning bachelor parties, don't you have to decide who your best man is gonna be? Chandler: Oh, it's awkward. It's awkward. It's awkward. Ross: I sort've already asked Chandler. Joey: What?! He got to do it at your first wedding! Ross: Joey, I figured you'd understand. I mean, I-I've known him a lot longer. Joey: Come on Ross! Look, SUMMARY:<extra_id_0>

<extra_id_0> Rachel and Monica have a baby shower for Phoebe who is experiencing extreme mood swings and growing depressed about giving up the babies. Ross chooses Joey over Chandler to be his best man, but Joey loses the wedding ring after throwing a bachelor party featuring a stripper. They discover the duck ate the ring and take it to the vet, who retrieves it. Ross decides to make both Chandler and Joey his best men.<extra_id_1>

fd_The_Vampire_Diaries_02x15

fd_The_Vampire_Diaries_02x15_0

TEXT: [Gilbert's lake house] (Elena is reading Jonathan Gilbert's journal) [SCENE_BREAK] [Gilbert's house] (Jonathan is eating with Honoria Fell and a man) Jonathan: With the dying embers of the fire at Fell's church, the scourge of the vampires had passed. And though war raged all around us, our town was safe from the demons of the night... Or so we thought. For the monsters we drove to their fiery deaths had begat new monsters. (They hear a noise) Honoria: Did you hear that? (Thomas looks trough the window and takes a knife) Thomas: Stay here Honoria: No, Thomas Thomas: It's all right, dear, the vampires are all dead Jonathan: Yes, Honoria... they burned in the church. We're safe now (Thomas leaves) Honoria: Please, Jonathan. I'm worried Jonathan: Very well. I shall go too (He rejoins Thomas outside) (Thomas is outside looking around him. Jonathan rejoins him) Jonathan: I can prove there are no vampires (He takes the magical compass but he doesn't react) Jonathan: See? (Suddenly the compass works showing that there is a vampire. When he turns himself, Thomas is gone) Jonathan: Thomas? Thomas?! (Thomas body falls on the floor. Honoria gets out of the house) Honoria: Thomas! Jonathan: No, stay inside! Get back in the house! (The vampires kills her and goes toward Jonathan) Jonathan: I knew I was about to die. You can not run from a vampire. I saw the vampire who killed me. I recognized him. Stefan Salvatore Nowadays [Gilbert's lake house] (Elena is surprised. And look at Stefan through the window) [Gilbert's lake house] (Stefan is outside, looking at the lake. His phone rings. He answers) Stefan: What's going on? Damon: Well, I showered. I shaved. Had breakfast. Very relaxed Stefan: That makes one of us Damon: I did hear one piece of SUMMARY:<extra_id_0>

<extra_id_0> Elena reads one of Jonathan Gilbert's journals about a night when Stefan attacked him and killed two of the Fells. Stefan admits that he had been brutal and inhuman until Lexi showed him the path of love and humanity. Damon invites Elijah to the boarding house for a dinner party, intending to kill him. Jonathan Gilbert's journal reveals that if a vampire uses the dagger to kill an Original, both will die. After Stefan sends a warning, Alaric stabs and kills Elijah, but the body later disappears. Elena reads in the journal that if the dagger is removed, the Original will come back to life. John blackmails Alaric into returning his ring. Elijah shows up at the lake house telling Elena that the deal is off, but Elena threatens to kill herself and become a vampire so that she will no longer be useful to him. Elijah calls her out on a bluff, but Elena stabs herself. Elijah begs Elena to let him heal her, and she agrees, but then stabs him with the dagger, killing him again. Damon returns home to find Katherine there. Elijah's compulsion on her has worn off with his death, and she says she intends to help them.<extra_id_1>

fd_How_I_Met_Your_Mother_04x02

fd_How_I_Met_Your_Mother_04x02_0

TEXT: Ted from 2030: When I first moved to New York, it was dingy, disgusting, ugly, flea-ridden, stinky and altogether terrifying, but then, sadly. The whole city started to go uphill. The streets got a little cleaner, the rents got a little higher, and one by one, the crappy old places we loved began to disappear. The Elbow Room, an old punk rock club, became a drugstore. McHale's, a working-class watering hole, became a fast-food place. And Fez, a Moroccan-themed lounge, became a bank. And not just any bank. At Ted and Marshall's apartment Barney: Goliath National Bank. The world leader in credit and banking. God, I love Goliath National Bank! Ted: Okay, first of all, you look like the last pick in the draft. And, second, why are you so excited about some bank? Barney: Our company just bought them out in a ruthless takeover. Took two months. Cost 2,000 jobs. It was brutal. Who wants a T-shirt? (He throws one to Ted.) Hey, Marshall, they're hiring in the legal department. I could get you a job. Lily: Barney, Marshall didn't quit his last soul-sucking corporate job just to go work at a bank. He's gonna be an environmental lawyer. Ted from 2030: That was the plan, anyway. (We can see Marshall in front of the mirror of the bathroom.) Over the next few weeks, Marshall went on a lot of interviews. Marshall (to the mirror): You are confident, you are energetic, you are focused! Ted from 2030: A lot of interviews. Marshall(to the mirror): You are flexible on salary, you're willing to compromise, you're not gonna cry this time. Ted from 2030: Too many interviews. Marshall(to the mirror): You are sad, you are beaten down, you will get through this, come home, get in your big underpants and take a nap. Ted from 2030: Which brings us to September 29, the night of the burger. At McLaren's Ted: So, what do SUMMARY:<extra_id_0>

<extra_id_0> Barney, Lily, Regis Philbin , Robin, Marshall and Ted set out on a mission to find the restaurant in which Marshall ate his first New York burger.<extra_id_1>

fd_Doctor_Who_1963_10x22

fd_Doctor_Who_1963_10x22_0

TEXT: THE GREEN DEATH BY: ROBERT SLOMAN 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. LLANFAIRFACH COLLIERY. LIFT AREA (The cage descends into the ground.) [SCENE_BREAK] 2: EXT. LLANFAIRFACH COLLIERY (As it does so, the wheels of the lifting gear at the top of the shaft turn. The occupants of Bessie see this as they draw up.) BRIGADIER LETHBRIDGE STEWART: Someone's going down! (The DOCTOR brakes the car.) DOCTOR: We must stop them! (They run into the pit head.) [SCENE_BREAK] 3: INT. LLANFAIRFACH COLLIERY. ENGINE ROOM (They see DAVE at the gear levers in the engine room and run up to him.) DOCTOR: (Urgently.) Who's in the cage? DAVE: Oh...it...it's Bert Pritchard and the young lady from UNIT. DOCTOR: Well, stop winding! DAVE: No, I can't do that. They've gone down below to help Dai Evans. DOCTOR: Stop winding, I said! (DAVE looks at the DOCTOR and pulls the brake lever. There is no response except a scraping noise from the machinery.) DOCTOR: Quickly, man, quickly! DAVE: (Horrified.) I can't! The brake won't work! [SCENE_BREAK] 4: INT. LLANFAIRFACH COLLIERY. LIFT SHAFT (BERT and JO are thrown across the cage as it drops like a stone down the shaft.) BERT: (Shouts.)...! Hang on! Try and hang on! (BERT grabs JO and they fall to the floor of the cage.) [SCENE_BREAK] 5: INT. LLANFAIRFACH COLLIERY. ENGINE ROOM (A huge flywheel on one side of the engine SUMMARY:<extra_id_0>

<extra_id_0> The Doctor and the Brigadier attempt to rescue Jo and Bert from the mine but Global Chemicals prove distinctly uncooperative.<extra_id_1>

fd_Charmed_07x22

fd_Charmed_07x22_0

TEXT: (Paige, Phoebe and Piper orb into Magic School.) Phoebe: Okay, how do we know Zankou's not here waiting for us? Paige: Because Magic School's protected from him, that's how. (Piper turns around and heads out the door.) Piper: (shouts) Leo?! (Phoebe and Paige follow.) [INT. MAGIC SCHOOL - HALLWAY-- NIGHT] (They rush through the hallway and head for the Great Hall as they look for Leo.) Phoebe: Still, now that Zankou's got the Book of Shadows Piper: He can't use all of its powers, not without ours. (shouts) Leo! Phoebe: No, but he could use it to get our powers. I mean, it's been done before, right? Paige: Look, as long as we're here, we're safe. (Leo finds them in the hallway.) Leo: What's wrong? Piper: How are the boys? Leo: They're fine. They're sleeping. Why? Phoebe: Uh, Zankou's got the Book of Shadows. Leo: What? How? Paige: Well, as soon as we figure that out, we'll let you know. Phoebe: He broke us down. Paige: Okay, but how does that explain - Phoebe: (interrupts) Because our powers are tied to the Book and our emotions are tied to our powers, so by making us vulnerable, he -- Leo: He made the Book vulnerable, too. Piper: I guess he knew us a little better than we thought. Phoebe: The question is, what is he really after? (Leo looks at Paige.) Paige: What he's always after... power. (Piper knows.) Piper: The Nexus. [SCENE_BREAK] [EXT. HALLIWELL MANOR (STOCK) - NIGHT] [INT. MANOR - MAIN HALL -- NIGHT] SUMMARY:<extra_id_0>

<extra_id_0> Now that Zankou has stolen the Book of Shadows, he learns he has to steal the powers from the sisters in order to be able to access all the spells and powers inside. Realizing what he has done, Piper, Phoebe, and Paige set out for one final showdown with the demon where their lives are at stake. Things get trickier for them when Inspector Sheridan leads a team of police officers to the manor, looking to take the sisters in for questioning.<extra_id_1>

fd_FRIENDS_08x01

fd_FRIENDS_08x01_0

TEXT: [Scene: The Wedding Hall, Monica and Chandler have just said "I do," and the photographer is taking the required pictures. First of Monica, Chandler, Ross and Joey.] Photographer: Great. (Takes a picture.) Great! Just give me a sec to change film. Monica: Okay. Ross: (To Monica) Okay, I know I'm not supposed to know, but I do. And I'm so excited for you! Joey: What? What's going on? Ross: Monica's pregnant! Joey: Oh my God! Is that why you guys had to get married?! Monica: Guys! I'm not pregnant. Joey: Ah. (To Chandler) Slow swimmers? (Chandler looks at him.) Ross: What?! What do you mean? You-you-you're not pregnant? Monica: You didn't tell anybody I was did you?! Ross: No! (Pause) I'll be right back. (Exits.) Photographer: Now why don't we get a shot of just Monica and the bloody soldier. Monica: (To Joey) Oh, about that. Joey, you have to change before the party. Joey: I can't! I-I don't have any other clothes here. Monica: Find some! Please! Anything that doesn't say I-I died tragically in France. (Joey leaves to find clothes.) Photographer: Well then why don't we see the bride and the groom and the bridemaids. Phoebe: Okay. (Phoebe and Rachel join Monica and Chandler on the altar.) Hey Mon, why did you tell the guys you weren't pregnant? Monica: Because I'm not. Phoebe: We found your test in the trash, if you're not pregnant-(She sees Rachel shaking her head)-It's because I am. (Flash, the photographer takes a picture of Monica and Chandler's stunned faces.) Chandler: What?! What are you talking about? Monica: What are you talking about? Phoebe: Yes, I...I am with child. (Flash) And I didn't want to say anything because it's your day SUMMARY:<extra_id_0>

<extra_id_0> Everybody thinks Monica is pregnant, but her denial quickly shifts the focus to Phoebe, who claims she is pregnant to cover for Rachel, the one who is expecting. When Monica realizes it is Rachel, she and Phoebe have her take an additional test to confirm it. Phoebe initially says the new test is "negative" causing Rachel to be sad and disappointed by the different result. Phoebe then says it is positive and that Rachel now knows how she truly feels about having a baby. Chandler surprises Monica by having taken dance lessons for their wedding reception, but his slippery shoes leave him with two left feet. Joey tries to impress Mrs. Bing's date, a Broadway director. Ross meets a beautiful woman named Mona at the reception. He switches his seating number to her table, but mixing up the number, he ends up at the children's, then has to dance with the little girls, which impresses Mona.<extra_id_1>

fd_Veronica_Mars_03x14

fd_Veronica_Mars_03x14_0

TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Weevil walks into the dean's office to find Cyrus O'Dell slumped over his keyboard in 309 "Spit and Eggs." KEITH: [offscreen] A man of good taste. Cut to Keith and Veronica in Keith's office in 313 "Postgame Mortem." KEITH: Well, let's honour him by putting his killer behind bars. Veronica nods. Cut to later in the office. MINDY: You're off the case, Mr. Mars. KEITH: You can fire me, Mrs. O'Dell, but I'm afraid you can't take me off the case. Cut to Coach Barry getting ready to yell at the basketball team. KEITH: [offscreen] Coach Barry was found... Cut to Keith in his office, explaining to Veronica. KEITH:...murdered last night beside the PCH. The sheriff suspects Josh. Cut to Veronica visiting Josh in a jail cell. JOSH: It's Mason. Why else would he lie? It makes sense. Cut to Veronica and Mason outside Hepner Hall. MASON: You really think that I would kill my coach...because he wasn't starting me? Cut back to the jail cell as Veronica arrives, bearing gifts. VERONICA: Here you go. There are cookies inside one of the books. VERONICA: Sheriff-approved reading material. Cut to Lamb taking his pleasure in Landry's classroom. LAMB: Miss Mars. You are under arrest for the aiding and abetting of the escape of Josh Barry. He cuffs her and pulls her out of her seat. End previously. INT - SHERIFF'S DEPARTMENT - DAY. The interrogation room is lit from Venetian blind covered windows, casting strips on the shadows of the walls and on the watching Deputy Sacks. Lamb is doing his best to intimidate Veronica... LAMB: Where is he, Veronica? Where's Josh?...without success. She and Lamb sit on opposite sides of the table in the room. VERONICA: Think back SUMMARY:<extra_id_0>

<extra_id_0> Without any evidence to hold her, Sheriff Lamb releases Veronica from jail. Keith learns that the coach's wife hired Vinnie Van Lowe to find out if her husband was having an affair, while Josh makes contact with Veronica and insists that he is being framed for his father's murder. Logan joins Mac and Parker on a Valentine's Day scavenger hunt, and draws closer to Parker. Lamb attempts to apprehend a suspect without waiting for backup, and is killed.<extra_id_1>

fd_Bones_02x19

fd_Bones_02x19_0

TEXT: "Spaceman in a Crater" [SCENE_BREAK] TEASER (Open: A blue sky. From the left an object comes hurdling down and lands heavily in an open field with two cows milling about. The cows moo.) (Cut to: a view of the crater through binoculars.) BOOTH: (V.O) Can you make anything out? BRENNAN: (V.O) Yes. It's a crater. (Cut to: Brennan looking through the binoculars then a shot of Booth, Brennan and a farmer standing atop an FBI truck looking over the crater.) BOOTH: We know it's a crater, Bones. The question is, what caused it? BRENNAN: You should ask a geologist. FARMER: I can tell you for sure it's not a meteor. BOOTH: You got a look at what's inside? FARMER: Not for long. State troopers didn't want anyone getting near it until you people got here. BOOTH: That's very nice of them. BRENNAN: But what did it look like? FARMER: Uh, I'm pretty sure it was meat...Meat wearin' clothes. BOOTH: What do you wanna do? BRENNAN: Let's take a look. (Brennan and Booth approach the crater which contains an array of splattered body parts.) BOOTH: Mmm. So what do you think? Dead? I'm just saying, if he fell out of a plane, that plane is long gone by now. BRENNAN: No sign of a parachute. What do those shoes look like to you? BOOTH: Loafers. BRENNAN: He hit the ground at approximately 200 kilometers per hour. BOOTH: How can you tell that by his shoes? BRENNAN: A hundred and twenty-four miles per hour is terminal velocity for a falling human. BOOTH: So we're gonna go with the theory that this was once human? BRE SUMMARY:<extra_id_0>

<extra_id_0> The team investigates the death of an astronaut who appears to have fallen to Earth from a high altitude. While Brennan and Booth question his associates at the Space Agency, Hodgins theorizes about a conspiracy involving extraterrestrials. Hodgins asks Angela to marry him but she refuses, asking him to keep trying.<extra_id_1>

fd_The_L_Word_01x10

fd_The_L_Word_01x10_0

TEXT: INT. - HIGH SCHOOL GIRL'S BATHROOM - DAY [A couple of teenaged girls in private school outfits, China and Amber, stand in front of a school bathroom mirror, putting makeup on.] [title card: San Fernando Valley, Last Year] [The camera pulls back to reveal, in the mirror, a few men standing on the other side of the bathroom with movie cameras and microphones. One of them, the director, stands with them.] Director: Bring in the pussy light! [Another man walks in and sets down a lamp on a tripod. China and Amber start to unbutton their shirts and position themselves up against the sinks, for filming.] Director: You good? [Amber leans back against the sink. China faces her, against her. The guy who brought the lamp exits.] Director: And... action. [The girls start kissing.] Director: China, get started, there. [China starts to kiss down Amber's body.] Director: Amber, get into it. [Amber starts to moan.] Director: Now, in walks the Principal. [The Principal - a guy about the same age as China and Amber - walks in.] Director: You ready man, you got wood? [The Principal nods.] Director: Okay. So, at first, first you're mad. [The Principal glares at the girls. The girls stop and turn toward him.] Director: Get in there. [The Principal approaches the girls.] Director: Girls, you're embarrased, and surprised. [The girls feign surprise.] Director: Now you're hot. [The girls feign arousal.] Director: China, blow him. [China unzips the Principals' pants and starts to give him a blowjob.] Director: (to Principal) Pop on her face, give her a facial, and uh... (to China) When he's done that, China? [China stops and looks over at the director.] Director: Look up and say, "That was great." China: (nodding) "That was great." Director: "That was great." [main titles] SUMMARY:<extra_id_0>

<extra_id_0> Tina's grief from her sudden miscarriage is eased when an unexpected opportunity arrives; a member of her and Bette's therapy group asks her to volunteer at a social insurance office. There, she and her colleagues find some dirt on Fae Buckley (guest star Helen Shaver ), the fanatical leader of a religious group that's hell-bent on shutting down Bette's art gallery. Meanwhile, Shane's relationship with Cherie becomes complicated when Cherie's unsuspecting husband, Steve, wants to help Shane open up her own hair salon and asks her to spend time with his emotionally distant daughter, Clea, who also makes a pass at Shane. Marina and Francesca have an argument over Francesca wanting to leave town again for a job back in Italy. Jenny tries to help the distraught Tim, who begins to date Trish, one of his swim team students. Dana gets a new hairstyle and attempts to have a fling with Jenny. Alice worries that she might be pregnant after her trysts with Lisa and Andrew. Also, Kit makes her return to the stage during a club party with Slim Daddy.<extra_id_1>

fd_Frasier_05x18

fd_Frasier_05x18_0

TEXT: ACT ONE Scene One - Int. Cafe Nervosa Frasier is in a long line behind Bulldog to get coffee. Bulldog is reading the paper. Frasier: What's going on, anyway? [glances at watch] My God, I've got an appointment in twenty minutes. Bulldog: Ah, some weenie made a big stink so they've gotta clean the milk steamer every time they use it. Frasier: Oh. Bulldog: [turning back] Is was you, wasn't it? Frasier: [haughtily] Well, if requesting basic sanitary procedures makes me a weenie, then a weenie be I. Roz enters with a dress bag in her arms. Roz: Hi, guys. Frasier/Bulldog: Hey, Roz. Roz: [glances at line] Oh, God, Frasier, what stupid suggestion did you make this time? Frasier: Nice to see you, too, Roz. Roz: Sorry. I just spent two hours trying on jumbo formal wear for the SeaBea awards. Roz holds up a garish, sequin-covered silver dress with a monstrous silver bow on the back. Roz: [smirk] The best part was when the size two sales girl said I could use this again after my pregnancy. Frasier: Well, perhaps you could... [gestures] cut off the bow, remove the sleeves, and, uh... Bulldog: Stick a pole in it and go camping. Roz: You know, if I'm gonna stick a pole some place.... Frasier: Children! Bulldog: [reaching the counter] Coffee to go. Black. Frasier: I, for one, am looking forward to the SeaBeas. Bulldog: Why? You're not gonna win. They never give it to the emcee! Now me? I'm a lock. Frasier: Well, you're awfully cocky. Bulldog: Hey, if knowing I'm the best thing on the air makes me cocky, then cocky be I. Frasier: Ah SUMMARY:<extra_id_0>

<extra_id_0> While waiting in a long line at Café Nervosa , Frasier spots a man who has a gun. In the chaos that follows, it appears that Bulldog acts heroically when he pulls Roz out of the way and causes the gunman to flee. The other patrons of the café proclaim him a hero, and the story appears later on the news. Frasier, however, saw that rather than bravely pushing Roz out of the way, Bulldog attempted to use her as a human shield, defusing the robbery attempt entirely by accident. Frasier tells Bulldog to own up to the deception, but Bulldog refuses, and learns (on-air) that he will receive a special Man of the Year award for his actions. At the award ceremony, Martin shouts that he sees a man with a gun. Bulldog uses his own mother as a human shield in his panic, revealing his dishonesty.<extra_id_1>

fd_The_O.C._03x03

fd_The_O.C._03x03_0

TEXT: Opening scene - The Diner in the morning - the first thing we see are gorgeous shots of the ocean and the pier. then we are inside the diner. Ryan, Marissa, Summer and Seth are sitting in a booth together opposite each other Summer: this is so wrong, like epically tragic, end'a the world locusts an horned beasts bummer (pouts) Ryan: ahhh its fine (raises eyebrows) it's really not that bad guys Marissa: yeah, I mean Ryan an I don't go to Harbor anymore but (looks at Ryan, Ryan looks at her) it'll be fine Seth: not for me (shakes head) Summer: (looks at Seth) yeah without Ryan it'll be like freshmen year for Cohen, slammed into lockers, shoes peed in (Seth frowns) ridiculed as death-breath-Seth Marissa: (thinks) didn't you use'ta call him that (Summer smiles and then it quickly goes. Seth looks at Summer, frowning) Summer: this was spose'ta be the best year ever Ryan: kay, really not...cheerin us up here Seth: why'do you need cheering up, I'm the one who's gonna get his ass cheeks duct taped together Summer: whoa yeah you guys should be psyched, no mean Dean, no annoying (raises eyebrows) Taylor Townsend Seth: (looks at Ryan) urine free foot wear Summer: freedom to do whatever you want Marissa: except what I want is to go to school...(Ryan closes his eyes then looks at her) Summer: well at least you guys have each other, if you stick together everything'll be ok (Marissa and Ryan look at each other) Ryan: deal (raises eyebrows) Marissa: deal (half smiles) (Marissa's cell phone rings, she looks at who is calling) Marissa: (answers) hi mom (Summer looks at her)...ok (hangs up) she wants me home right away to discuss my future SUMMARY:<extra_id_0>

<extra_id_0> Sandy and Julie begin to interfere in Ryan and Marissa's relationship. Dean Hess threatens Seth and Summer with their lack of school spirit. Meanwhile, Caleb's will leaves the family in shock and Jimmy in trouble. This episode is named after an album by Don Henley .<extra_id_1>

fd_Roswell_01x05

fd_Roswell_01x05_0

TEXT: "285 South" 6th Episode of Roswell Production Code: 1ADA05 [SCENE_BREAK] (Michael is searching the UFO Center after hours looking for any info about his vision. He looks up James Atherton on the computer, prints out 2 pages, and notices Max's Boss sleeping at a desk nearby. The printer whirs to life, waking Max's Boss.) Max's Boss: What? Who's there? Hey! What do you want, you two-bit punk? Michael: Nothing. This is all just a mistake. Max's Boss: Huh? Michael: It was all just one big mistake. Owen (Deputy):You're right about that. (Opening Credits) Teacher: Everybody has their secrets. There isn't a person alive today who's what they appear to be. Exposing these secrets is the job of the...historian. Even the most normal of us has extraordinary qualities just waiting to be uncovered. Voice-Over: Listening to Mr. Sommers, I realized how strange it must be for Max, Isabel, and Michael not to even know their own history. And how scary it would be if anyone discovered it before they did. Teacher: For tonight's assignment, I've paired you together. It is your job as...historians, to find out as much as you can about your partner by asking these specific questions, and then writing up an oral history report for tomorrow. Maria: Uh, excuse me, but these are kinda personal, don't you think? Teacher: Exactly. Personal is the goal of the professional biographer. And who knows? You just might make a new friend. Ok, so the partners are as follows: Daskal with Hausman, Kalinowski with Nell. Parker with Evans...that's I. Evans. M. Evans is with...Valenti. Papas with Cooney, De Luca with...Guerin. Maria: Wait, did you just say Guerin? Teacher: Yes, Michael Guerin. Maria: No, no, I'm sorry. That's unacceptable. Teacher: I beg your pardon? Maria: I mean, the guy's not even here SUMMARY:<extra_id_0>

<extra_id_0> Liz discovers her personal journal, which contains all she knows about the aliens, is missing and she fears it has fallen into the hands of someone who could expose the aliens.<extra_id_1>

fd_The_Vampire_Diaries_05x11

fd_The_Vampire_Diaries_05x11_0

TEXT: [PREVIOUSLY_ON] Maybe that was you. That was all me. I'm bad, Elena. I am bad for you, and I'm choosing to let you go. You think I'm gonna judge you after I find out that you've been tortured for 5 years? Stop defending me! Tyler: Do you know the reason we're together? Because Klaus granted us permission to be together. I can't live like that. You take one more step, we are done! Katherine, voice-over: I'm dying of old age. Good-bye. You're Katherine Pierce. Suck it up. I may have an idea that will keep you alive longer. [SCENE_BREAK] Bulgaria, 1490 (Katherine is alone and pregnant. Suddenly, she's hurting) Present Day [Mystic Falls Hospital] (Katherine is unconscious and the doctors try to revive her) Doctor: Clear! Give me 200 joules. Charged. Clear! (Stefan is in the hallway. Nadia rejoins him) Nadia: It doesn't make sense. I was just speaking with her. She sounded fine Stefan: Doctors think it was a, um, heart attack Nadia: Trust me. Katherine Pierce is not going to die from a heart attack. We both know my mother. She will fight this Stefan: She's dying. Every single organ in her body is failing. Vampire blood can't save her. I compelled the doctors to let me take her home so she's more comfortable, but she's dying. They don't think she'll survive the rest of the day [Whitmore College] (Elena wakes up in her dorm) [Mystic Grill] (Jeremy et Matt find Damon at the bar) [Whitmore College] (Caroline and Bonnie rejoin Elena) Caroline: Ok. Time to wake up, sleepyhead Elena: No! I'm not leaving this bed Bonnie: Which is why we brought breakfast to you Elena: What's all this? Caroline: This is your breakup breakfast! Elena: My what? [Mystic Grill] Jeremy: Damon dumped Elena Matt: Why? Jeremy: I have no idea Matt SUMMARY:<extra_id_0>

<extra_id_0> Nadia is trying to save her dying mother, Katherine, and comes up with a frightening plan. Elena and Stefan are forced to help Nadia to enact her plan after Nadia threw Matt in the safe which Stefan spent the summer locked in. Bonnie, Caroline and Jeremy search for Matt's location, but the returning Rebekah saves him. Katherine, who continues to fight for her life, remembers her time in Bulgaria back in 1492. Klaus also returns and confronts Caroline to admit her feelings for him; this later results in them sleeping together. After Nadia leads them, Elena and Stefan are trapped in a house full of travelers who are doing an unknown ritual. However, Elena and Stefan are able to escape, and later Elena goes to Katherine to forgive her for all the bad things that she did to her. Tyler returns as well and he catches up with the group. Upon her speech, Katherine attacks Elena and finish the ritual, officially becoming a traveler in Elena's body.<extra_id_1>

fd_One_Tree_Hill_07x21

fd_One_Tree_Hill_07x21_0

TEXT: [PREVIOUSLY_ON] ALEX: You and me, we are officially together. JOSH: What are you talking about? ALEX: The s*x tape. I don't look as bad as if I made it with my boyfriend. MIRANDA: I'm being deported. GRUBBS: Marrying me fixes everything. MIRANDA: I can't marry you. CLAY: Remember the tennis player that wouldn't take no for an answer? QUINN: That Katie girl? Why do you have a photo with her? CLAY: Because it's not her. It's Sara. KATIE: You'll never be Sara. QUINN: Neither will you. KATIE: We'll see about that. TANESHA: Her behavior gets a little unpredictable. CLAY: How unpredictable? TANESHA: Let's just say you should be careful. JAMIE: Oh, cool! HALEY: Jamie! JAMIE: I didn't mean to! HALEY: Look what you did! Go to your room! NATHAN: Even though she doesn't show it all the time, deep down inside, your mom is still very sad that your grandma died. JAMIE: Mom's gonna be okay, right? NALEY'S HOUSE Haley is at the edge of the swimming pool. She thinks jumping inside. But Jamie comes to see her and removes her her thoughts. HALEY (voice-over): Someone once said that death is not the greatest loss in life. The greatest loss is what dies inside of us while we live. I could tell you who said it, but who the hell really cares? JAMIE: Mama? Mama? Mama? I made my own breakfast and cleaned everything up. HALEY: What do you want, a gold star? CLINN'S HOUSE Clay opens the refrigerator and finds a juice of grapes. DRILL Quinn digs a hole. CINEMA Julian shows in Brooke the first assembly of film. APARTMENT OF GRUBBS Grubbs is still laid down, Miranda prepares her business to leave. CINEMA The film is finished, Julian asks SUMMARY:<extra_id_0>

<extra_id_0> Nathan struggles to reach an increasingly depressed Haley, while Quinn leads Jamie on a Tree Hill treasure hunt. Julian shows his finished film to Brooke, and Clay is forced to deal with Katie. This episode is named after a song by If These Trees Could Talk .<extra_id_1>

fd_How_I_Met_Your_Mother_03x06

fd_How_I_Met_Your_Mother_03x06_0

TEXT: [Title: The Year 2007] Narrator: It was a quiet november afternoon in 2007. [The Apartment - Ted] Narrator: I was working from home, because, you know, no distractions. (Baney get into the apartment, and Marshall get out of his bedroom, at the same time) Barney: This is incredible! Marshall: (At the same time) Oh my God! I can't believe it! Barney: I have big news! Marshall: (At the same time) Oh my God! Barney: Okay. My thing's pretty huge. But fine, you can go first. Marshall: Okay, I just found out... Barney: I just find a porno starring Ted Mosby! Ted: What are you... What you're talking about? Barney: I'm talking about welcome to the s*x plane, and look who plays the navigator, Ted Mosby (He shows a porno dvd) Ted: Oh, it's the same exact spelling as my name. Marshall: Okay, you know, cute coincidence, Barney. Whatever. I just got on the phone with the NR... Ted: Oh my God. This totally explains the thing at my doctor's the other day. [Flashback - At the doctor's - Ted/Ted doctor's]The doctor: Open wide. I guess you're more used to saying that hearing it, huh, Ted Mosby? [End Flashback]Ted: Who is this guy? And why my doctor watching p0rn? Barney: All right. Let's meet your new doppelganger. Or should I say doppel banger. Marshall: Guys, guys, guys! Can I tell my news? It's pretty... Ted: This is really bizarre. The only other famous Mosby I know was a confederate general during the civil war. Barney: Probably not the same guy. Marshall (yelling): I got the job at the NRDC. Ted: You got the job! Oh, yeah! [Pictures and vid of the Environment] Narrator: The NRDC, or natural ressources defense council, fought for preserve american clean water, fresh SUMMARY:<extra_id_0>

<extra_id_0> When a law firm tries to recruit Marshall, executive Jefferson Coatsworth ( John Cho ) is able to win him over, forcing Marshall to stray from his dream to save the Earth. Meanwhile, the gang finds out that a porn star is named after one of them.<extra_id_1>

fd_The_Originals_02x05

fd_The_Originals_02x05_0

TEXT: [PREVIOUSLY_ON] Klaus: This town was my home once. I want it back. You mean, you don't recognize me? It's been a long time, Finn. I'm Kaleb. Davina. Esther. I have come to heal our family. What could possibly be more important than the return of our mother? Our father. I saw him. He was enslaved with some spell cast by Davina. Aah! Release me. [Kaleb chanting] Let's finish this. Aagh! Elijah: Perhaps your next body will last a little longer than this one, brother. Ugh... Ohh... What do you want? I only want us to be a family, Elijah. [SCENE_BREAK] [ ELIJAH'S NIGHTMARE ] ( A girl with long, wavy brown hair and wearing a long, white dress frantically runs for safety toward a red door at the end of a hall. Elijah, shirtless and covered in blood from head to toe, slowly stalks her as she whimpers in fear and desperately tries to open the door. When the girl turns around, it is revealed that she is Hayley, who looks back at Elijah in sheer terror and continues pounding on the door to no avail. Elijah finally grabs her by the arm and turns her toward him, but it's no longer Hayley, it's Tatia. He grabs her by the hair and turns her neck toward him before vamping-out and feeding on her as she cries in protest ) [SCENE_BREAK] [ LAFAYETTE CEMETERY ] ( Elijah awakens, still chained by his wrists in a crypt, and is confused as to what has just happened. He musters up all of his strength and yanks on his chains as hard as he can, but they won't break. Lenore/Esther calmly walks in, drinking a cup of tea ) Esther: Have you forgotten where you are, son? Save your strength. My chains don't break so easily. ( She points above his SUMMARY:<extra_id_0>

<extra_id_0> In order to show Elijah that her plan is what's best for him, Esther forces him to relive a time long ago when he loved a young woman named Tatia, Amara's doppelganger. With the help of Marcel and Gia, Hayley is determined to find Elijah, who has gone missing but is torn when she discovers that Klaus is also in trouble. Elsewhere, Cami finds herself in a dangerous situation when Mikael takes her hostage as a way to lure Klaus to him, and Davina finds out who Kaleb really is. Lastly, a violent confrontation ensues when Klaus comes face-to-face with his father.<extra_id_1>

fd_Degrassi_Next_Generation_03x08

fd_Degrassi_Next_Generation_03x08_0

TEXT: Mr. Nash: Hey. Saying goodbye is the worst part. Ellie: Seriously Mr. Nash: I'm going to be fine, it's just a peace keeping mission Ellie: I know, but... (Looks over at her mom) Mr. Nash: Your mother's fine, she's under control. There's my girl, come on. (Starts walking towards Mrs. Nash) It'll be fine. (Kisses Mrs. Nash.) Mrs. Nash: Okay. Mr. Nash (to Ellie): You just got to keep that smile on, ok? Ellie: Bye Dad. Mr. Nash: Bye. Ellie: Mom, you okay? Mrs. Nash: Don't make a scene Eleanor, just shut up, smile and wave. (Pause) Oh, there he is! (Waves) Walking towards school Ashley: Ellie, hey, how are you? Ellie: What are you, my counselor? Ashley: Sorry, it's just that your dad left yesterday and... Ellie: He's in the army, he leaves, it happens. Ashley: So, you want to go to a movie after school? Ellie: Sweet. And I would, but I got my co-op interview. Ashley: Right. You nervous? Ellie: Interviewing for my dream job. Why would that make me nervous? Not that it matters, Paige is going to get it. Ashley: Well, Caitlin's TV show is about social issues right? Paige probably thinks it's about social life. (Imitating Paige) Hi, I'm Paige and I'm reporting for style factor. You'll get it, just be yourself. Ellie: Like that is gonna get me the job. (See hand put a rose on a locker.) Hazel: By the time Scott calls me back, I'm on the other line with Paige. Secret Admirer struck again. Terri: That's the fourth one. Hazel: And you have no idea who it is? Can't you just ask your tarot cards? Terri: Tarot doesn't work like that. But with my luck, it's SUMMARY:<extra_id_0>

<extra_id_0> Ellie is under a lot of pressure. Her dad is fighting overseas, her mother has started drinking again, and she is given a chance to work for Caitlin. The stress causes Ellie to start cutting herself. Meanwhile, Terri receives roses from a secret admirer and worries that it may be Toby.<extra_id_1>

fd_Buffy_the_Vampire_Slayer_06x09

fd_Buffy_the_Vampire_Slayer_06x09_0

TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... People setting books on fire. Amy tied to the stake in "Gingerbread." AMY: All right! You wanna fry a witch? I'll give you a witch! Before thee let the unclean thing crawl! Amy turning into a rat. The rat running around the floor. WILLOW: She's a perfectly normal girl. Then, she's a rat. BUFFY: Maybe we should get her one of those wheel thingies. Tara and Willow in Joyce's bedroom. TARA: Can, can we not do this now? WILLOW: Forget it ever happened. Willow doing the forget spell. WILLOW: Forget. Tara and Willow arguing. TARA: What is wrong with you? I know you used that spell on me. WILLOW: I'll go a month without doing any magic. Willow taking the bag of herbs out of the cabinet. TARA: Go a week. WILLOW: Fine, that's easy! Willow putting the crystal in the fire. WILLOW: When the fire goes out, when the crystal turns black, the spell will be cast. Willow sitting and crying. TARA: I don't think this is gonna work. Tara packing her things. WILLOW SUMMARY:<extra_id_0>

<extra_id_0> When they return home from their nights out, Buffy is ashamed of having slept with Spike and Willow is exhausted from casting spells all night. Amy takes Willow to a sorcerer named Rack whose particular brand of magic quickly has Willow hooked. Later, Willow and Dawn decide to go out for a movie, but Willow's recklessness with magic puts Dawn's life in danger.<extra_id_1>

fd_Frasier_10x21

fd_Frasier_10x21_0

TEXT: Act 1 Scene 1 - Frasier's Apartment [Fade in. Martin comes out of his room in a robe. Frasier and Daphne are at the table.] Frasier: Dad, why aren't you dressed? It's four in the afternoon. Martin: Oh, I've been workin' nights. My body clock's off. I'm eating bacon and eggs at night and drinking beer in the morning. [He pours himself a cup of coffee.] Frasier: That's what you always do. Martin: Yeah, but now I'm tired all the time. [He takes his coffee and sits in his chair.] Daphne: There must be some way to end this fight with your boss. Frasier: What's the problem? Martin: Oh, he wants me to date his sister and I won't do it so he's put me on graveyard 'til I cave. Frasier: Well, he can't do that. Why don't you file a complaint? Martin: I'd just as soon keep it just between the two of us. Frasier: I see. Is this woman really so repulsive that you're willing to sacrifice all your nights just to avoid a date with her? Martin: Well, let me put it this way: years of chewing tobacco have discolored her tooth. [He breaks out laughing.] Martin: Someone left a book of one-liners in the lost and found. [pointing to the television] Hey, Fraizh, there's your friend again. Daphne: Dr. Phil? Announcer:: [from the TV]...Dr. Phil McGraw, in person. [The scene shifts to show the television. Dr. Phil is on.] Phil: I'll be talking about life strategies at the State Theater Friday through Sunday. Come join us, it might just change your life. [Cut to - the living room.] Martin: Now there's a doctor. [Frasier looks put out by this.] Daphne: I never knew you were friends with Dr. Phil. Frasier: Some years back we found ourselves running into each other at seminars and conferences. He SUMMARY:<extra_id_0>

<extra_id_0> Frasier encounters Dr. Phil McGraw , whom he used to know years previously. Unfortunately, Frasier's one enduring memory is that Dr. Phil won $200 from him in a card game. Everyone else, especially Roz, admires him greatly for his television broadcasts. Frasier also makes the astonishing discovery that his former agent, Bebe Glazer, is now working for Dr. Phil. She, however, now has plans for persuading Frasier to return as her client, and will use any methods at her disposal to achieve her aim.<extra_id_1>

fd_Justified_06x02

fd_Justified_06x02_0

TEXT: [PREVIOUSLY_ON] Carl: Lick the floor! I said now! [All scream] Walker: What do you say, friend? Isn't it time to sell? Raylan: It is time to sell, but not to you. Walker: You have second thoughts, you'll have no trouble finding me. Boyd: If I were to come into a good sum, would you come away with me? Ava: No. I don't want to hear this. How much money you comin' into, Boyd? Boyd: Looks like a ledger, some deeds. Carl: Where's all the money?! The pig: We got the wrong box. Boyd: No, we got the right box. Dewey: I just want back in, Boyd. I just want you to trust me again. Carl: You think he was a rat for the federals? Boyd: I think I couldn't trust him anymore. Raylan: We're talking about the bank job Boyd pulled off this afternoon. Ava: First I heard of it. Raylan: That's gonna be your line? Ava: It's the truth. Raylan: The problem is, if you didn't know about it, then you're of no use to us, in which case, you're going back to prison. [sniffs] [Indistinct talking on radio] [Door hinges creak] [Dog barking in distance] [Gasps] Boyd: Whoa! Whoa. [grunts] Boyd: Ava... [sighs] Boyd: Easy, girl. It's just me. Jesus Christ, what are you doing?! Boyd: Uh, well, I... I couldn't sleep and ought I'd come and finish up those railings, but I... I couldn't find any paint. Dewey was supposed to drop some off. You ain't seen him around, have you? Ava: Dewey? No. And what I mean is, what are you doing here, Boyd? I mean, you can't just show up unannounced. Well, SUMMARY:<extra_id_0>

<extra_id_0> Raylan and Tim work the bank robbery, meeting with those who rented the safety deposit boxes to discover what was stolen. Among their first stops is prominent realtor Calhoun Schreier who claims he'd emptied his box the day before the robbery. Calhoun takes the opportunity to attempt to broker the sale of Arlo's property to Ty Walker, who is apprehensive of the Feds and has his cohort Choo-Choo follow the Marshals. In an improvised scheme the Marshals get Choo-Choo to lead them back to the Pizza Portal restaurant which is owned by their boss. Katherine Hale is pursuing a relationship with Avery Markham, a big-time criminal recently back from Colorado with a small fortune from legalized cannabis. Katherine is quietly suspicious of Avery, who left Kentucky when her then-husband and his partner Grady Hale were ratted out to the Feds fifteen years earlier. Ty Walker tries to buy another old family farm; the owners are adamant in their refusal to sell so he returns at night with Sean. Ty also intimidates the bank manager and learns that the Marshals top suspect in the robbery is Boyd Crowder. Ava finds the ledger and deeds Boyd hid in the barn and shows them to Raylan. The ledger is actually a list of details and accounts Calhoun has been keeping for his own protection, feeling he'd gotten in over his head. Boyd, frustrated with Katherine Hale and Wynn Duffy about their claim that Calhoun has a $3M cash stash to rob, tries to sell the ledger back to Calhoun. However when Boyd brings the ledger to Calhoun's office, he finds Raylan waiting and hands over the stolen documents. Ava, who had feigned anger with Boyd for leaving stolen property at her home, later tries to repair their relationship and reveals that among the deeds one stood out: that of The Pizza Portal, which used to be a bank, and Boyd realizes where the money is hidden.<extra_id_1>

fd_The_O.C._04x07

fd_The_O.C._04x07_0

TEXT: At Cohen's Kirsten: Oh, hey, I thought you were hanging Christmas lights. Ryan: Oh, I took a coffee break, union rules. Kirsten: Well, you better hurry up, it's going to startraining any minute, and you know how Seth loves his rooftop reindeer. Ryan: Yeah, don't worry, it'll be up by dinner. Kirsten: Oh, speaking of dinner, are you going to bring a guest? Ryan: That's pretty subtle, Kirsten. Kirsten: I'm not saying you'd bring Taylor, I'm just letting you know that she's welcome. Ryan: Uh-huh. Well, I don't know. I don't know, it's, uh, it's just... Kirsten: Oh, you think that if you invite her, she's your girlfriend. Boy, so predictable. Ryan: Hey, now, inviting a girl over for Christmas Eve, that's like making some sort of announcement. Kirsten: It's Chrismukkah. We make our own rules. Ryan: Fine. Set a place for her. I'll invite her today. Kirsten: Great. Kirsten: Okay. Oh, my ham guy. At Roberts' Kaitlin: Can't believe we're spending Christmas in the ghetto. Julie: It's not the ghetto. It's Riverside, and it's where our family is from. Kaitlin: I thought we were in denial about that. Julie: Kaitlin, in case you hadn't noticed, we're a little short on family these days. I think we should take all we can get. Taylor: Happy holidays. Julie: Hello. Kaitlin: Is that a gift for me? 'Cause I forgot to get you one. Taylor: No, this is for Ryan. I got him a George Foreman grill because he likes lean meat, obviously. Julie: Lovely. So, Taylor, uh, Summer's having dinner with the Cohens, but you're welcome to come with us to Riverside, unless of course you're doing something with your mother. Taylor: Oh, SUMMARY:<extra_id_0>

<extra_id_0> Sandy is married to Julie. Kirsten is Mrs. Jimmy Cooper. Summer is engaged to Winchester. Seth is in full geek mode. It's a parallel Newport. And Ryan, stuck there after a conk to the head, must change it.<extra_id_1>

fd_Doctor_Who_05x08

fd_Doctor_Who_05x08_0

TEXT: EXT. CWMTAFF, SOUTH WALES, 2020, DAY The village is nestled in a small valley, a large drill dominating the landscape. MAN: (V.O.) But who is this creature with terrible claws, We close in on a group of row houses. In front, a father, MO, is reading a book with his son, ELLIOT. In the background, a woman, AMBROSE, is walking towards them. MO: (continued) terrible teeth in his terrible jaws? Go on, your bit... He, he has... Go on! ELLIOT: I can't do it, Dad. (motions to headphones around his neck) I can listen to books, anyway. MO: I know it doesn't come easy, son, but you've got to keep at it, all right? You're not on your own with this. AMBROSE: Mo, you'll be late for your shift! (gives him a packaged meal) MO: Oh, you're right! (takes meal and puts it in his pack) Sorry, El, got to go. Now, who loves you more than me? ELLIOT: (smiles) No-one. AMBROSE: Stop saying that! MO laughs and kisses ELLIOT on the head before riding his bile through the valley to the drill. INT. DRILL MONITORING STATION, DAY Screens on a number of computers show the drill's progress through the earth. There are workers in safety vests but there are two-NASREEN and TONY-who are watching the screens intently and listening to a countdown. MAN: (V.O.) Approaching stage four, target drilling depth. Stage four target drill depth scheduled in five, four, three, two, one. Stage four target drill depth achieved. Drill depth now 21 kilometres. NASREEN and TONY hug in celebration. NASREEN: (into phone) Hi. Nasreen here, just to let you know we have just hit our new target! TONY: (over intercom) 21 kilometres, folks! EXT. DRILL MONITOR SUMMARY:<extra_id_0>

<extra_id_0> The Doctor, Amy and Rory arrive in Wales in 2020, where Dr. Nasreen Chaudhry ( Meera Syal ) and Tony Mack ( Robert Pugh ) are drilling into the ground for a mining experiment. Mack's son-in-law Mo (Alun Raglan) had been dragged underground, and the same fate befalls Amy. The Doctor discovers that the reptilian humanoid Silurians , disturbed by the drilling project, reach the surface and kidnap Mo's son Elliot (Samuel Davies). Rory and the Doctor capture Alaya ( Neve McIntosh ), a Silurian which has infected Tony with her venomous tongue. As a Silurian is about to vivisect Amy (as he had done to Mo), the Doctor takes Nasreen underground on the TARDIS and they discover an immense Silurian civilisation.<extra_id_1>

fd_The_Big_Bang_Theory_06x23

fd_The_Big_Bang_Theory_06x23_0

TEXT: Scene: A taxi Bernadette: Burbank Airport, please. Penny: Vegas, here we come. Bernadette: No husbands, no boyfriends, no rules. Amy: No rules? We're not gonna get drunk and have a six-way with the Blue Man Group, are we? Penny: No. Amy: So there are some rules. Bernadette: Fine. No husbands, no boyfriends, some rules. Amy: Thank you. Vegas! Scene: The apartment. Howard: The ladies are away, the boys will play. Raj: Anything can happen. Leonard: It's gonna get crazy. Sheldon: Dungeons & Dragons. Scene: The taxi. Penny: I got a brand-new bikini, so drinks at the pool are on these. Bernadette: I got a sexy new tube top that says come hither, and a can of pepper spray that says close enough, Jack. Amy: I got some old underwear I'm gonna throw on stage at the Garth Brooks concert. Penny: I'm sorry, why old? Amy: 'Cause last time I saw him, I threw new ones and it got me nothing. Scene: The apartment. Sheldon: I've got a brand-new seven piece set of polyhedral dice. Hello, new dice smell. Leonard: I've got my helm of lordly might, my boots of speed, and if things get too exciting, my inhaler of asthma. Raj: I got my new bloodthirsty savage warrior who will lay waste to all who stand before him. And I had a sensible salad for lunch, so I can eat all the pizza I want. Howard: Come on, are we gonna sit around chatting like a bunch of teenage girls, or are we gonna play D&D like a bunch of teenage boys who are never gonna have s*x with those teenage girls? Scene: The taxi. Girls: Vegas! Vegas! Vegas! Scene: The apartment. Boys: The Dungeon of Mofooskay-Heeko! The Dungeon of Mofooskay-Heeko! The Dun SUMMARY:<extra_id_0>

<extra_id_0> The women head to Las Vegas for the weekend and Lucy is busy, so the men play Dungeons and Dragons with Howard as a new dungeon master - adding voice impressions of popular Hollywood celebrities along the way, to the amusement of the others. When Lucy texts Raj that she is free, he kills his own character to leave the game, and joins her for a date, where she admits she is trying to force herself to do things that scare her. The date goes well until he tries to force Lucy to reject her crab cakes. She heads for the washroom and climbs out of the window, but is trapped behind a chain link fence and calls Raj for help. He confronts her for always walking out of their dates but says he really likes her for having even more emotional problems than he does. They kiss through the fence. Meanwhile, at Leonard and Sheldon's apartment, the men's game is interrupted by the women, who could not board their Vegas flight as Amy assaulted a TSA officer who "groped" her. They join the game. All is fine until Penny suggests that the characters of Sheldon and Amy to have sex in the game, upsetting Amy, who feels the others are mocking her non-sexual relationship with Sheldon. She locks herself in Sheldon's room. He joins Amy to console her, explaining that he finds their relationship "intimate" despite not having sex. He has also not ruled out having sex with her one day. They then simulate a sex scene with their game characters.<extra_id_1>

fd_Roswell_02x15

fd_Roswell_02x15_0

TEXT: "Viva Las Vegas" 37th Episode of Roswell Production Code: 2ADA15 [SCENE_BREAK] Maria (in front of chalkboard): So there's been some confusion... okay a lot of confusion. And uh, the only person who's gonna get you there is me, so let's review, okay? Fantastic. She picks up a piece of chalk and draws a circle on the blackboard. Maria: This is their planet, off in the middle of the universe somewhere. She draws another circle Maria: This is our planet, Earth. Their planet (points to first circle); Earth (points to second circle). With me so far? Fantastic. All right, the aliens. Max (picture), Michael or Spaceboy (picture) as I like to call him, Isabel (picture) and Tess (picture). They landed here in 1947. They gestated in these really gross pods for 40 years. And then they, uh, sort of hatched. Now there's only a few of us humans who know about them - Liz (picture), Alex (picture), Kyle (picture), Kyle's dad (picture), and me (picture with short hair) I hate that picture (change of picture with long hair) better. All right, what you need to know about them. They have special powers, of course. They use Tabasco sauce by the crate. And trying to have a relationship with them, it's like suicide. I mean it... it's like typical bad relationship stuff, but even weirder. For instance there's this one time when future Max told Liz that she needed to break up with the present Max, or else the world would end. So she did. But she ended up missing out all this romance stuff that they would've done, like eventually eloping and getting married in Las Vegas. (pause) Speaking of Las Vegas... [SCENE_BREAK] Max and Michael are running in the dark, through the halls at school. They hide behind some lockers. Max: I think we lost them. Michael: Are you sure? (Nervous) Max: Not really Michael: Where's Isabel? Max: She's gone, Michael. Now pull it together or we SUMMARY:<extra_id_0>

<extra_id_0> When the gang makes a spur-of-the-moment trip to Las Vegas, in order to spend the DuPree money, the event-filled excursion ends in a face off between Max and Michael over leadership; Tess and Liz can't pass for being over-21-year-olds; Maria recruits Alex to help her audition for a role that ends up to be for a stripper; Isabel meets a man.<extra_id_1>

fd_The_Vampire_Diaries_06x01

fd_The_Vampire_Diaries_06x01_0

TEXT: [PREVIOUSLY_ON] The spell the Travelers cast across Mystic Falls eliminates spirit magic. Aah! Uhh! Uhh! The other side is collapsing and everyone in it is going away. What about you? What happens? Jeremy, I'll be fine. When the Travelers die, Liv will do the spell, and her magic will allow the people on the other side to push their way through. Damon... I know. [Screaming] My God. Alaric, what are you... Come on. You gotta go. What about Damon? You need to go home to your brother. I'll find Damon. I can't find Damon. I'm not leaving without him. I won't let you die for them. Phasmatos fumas extas. We need to start the spell again. We can't. That was our one shot. But Damon's on the other side. Elena. You can say good-bye. Damon finally had everything he wanted. He was happy. He should be here. It was all a lie. You told me you could come back. I love you. Bonnie, don't you dare... Elena: Please don't leave me. I love you, Elena. Bye. Bonnie! Bonnie! Do you think it'll hurt? I don't know. [SCENE_BREAK] [ OUTSIDE OF MYSTIC FALLS ] (On the outskirts of town, a young couple is laying inside of a tent, making out, while the latern outside flickers on and off. Suddenly, they are startled by a loud noise in the woods) Jessie (whispering): What the hell was that? Male Camper: I have no idea. Jessie: Go outside and check it out. Male Camper: You go outside and check it out! Jessie (rolling her eyes): Okay... (She unzips the tent, slowly peeks her head out and eventually approaches the latern, which has gone off completely. After tapping it a few times, it finally comes back on) Jessie (slowly turning around): Hey... SUMMARY:<extra_id_0>

<extra_id_0> Four months later, Elena is having a horrible time coping with Damon's death as she returns to Whitmore College for her sophomore year. She is taking drugs that Luke has given her in order to see Damon, but she soon develops side effects that make her violent. Caroline has dropped out of college to find a way to reverse the spell that the Travellers had put on the Mystic Falls border. Tyler adjusts to being human as he begins attending Whitmore while his feelings for Liv grow. Matt gets really worried after Jeremy continues to cope with Bonnie's death by having sex with random girls and drinking. Alaric, after returning, is adjusting to his life as a vampire and works as a professor at Whitmore. Stefan has decided to live a normal life and started working as a mechanic after giving up on finding a way to get Bonnie and Damon back. Elena asks Alaric how he copes with being a vampire and asks him to compel her into forgetting about Damon.<extra_id_1>

fd_Doctor_Who_1963_04x36

fd_Doctor_Who_1963_04x36_0

TEXT: THE FACELESS ONES by DAVID ELLIS and MALCOLM HULKE first broadcast - 13th May 1967 running time - 23mins 08secs [SCENE_BREAK] 1. SPACE STATION'S CORRIDOR (As the little group of passengers moves along the corridor, THE DOCTOR and NURSE PINTO deliberately allow themselves to fall behind.) PINTO: What do we do now? DOCTOR: We slip away and see if we can find all these young people. Come on. (THE DOCTOR turns a corner and finds himself facing BLADE. He tries to get passed him.) DOCTOR: (Cheerfully.) Ah, Captain Blade, we're following your instructions, trying to find the accommodation centre. (BLADE gives him one of his unpleasant smiles.) BLADE: My instructions don't apply to you. You two won't be needing living space. (THE DOCTOR and NURSE PINTO, seeing that they have been found out, turn to run, but suddenly they are surrounded by the shambling featureless forms of unprocessed Chameleons... Since escape is clearly impossible, THE DOCTOR decides to fall back on indignation.) DOCTOR: Captain Blade, what is this? I don't understand. We're here to stay, aren't we? BLADE: Oh yes, you're here to stay - but not in your present state. DOCTOR: I'm very sorry, I simply don't understand what you mean. BLADE: I checked with the Medical Centre. You're both human. We want you intact. That's why I allowed you to come here. I want your brain. (BLADE gestures to the Chameleon guards, and THE DOCTOR and NURSE PINTO are marched away.) [SCENE_BREAK] 2. AIR TRAFFIC CONTROL ROOM (The CHAMELEON-MEADOWS sits in a chair with the burly form of Superintendent REYNOLDS looming over him.) CHAMELEON-MEADOWS: I've told you SUMMARY:<extra_id_0>

<extra_id_0> The Doctor and Pinto are captured by the Chameleons but the Doctor manages to use their dependence on their human originals to create dissent in their ranks.<extra_id_1>

fd_One_Tree_Hill_08x12

fd_One_Tree_Hill_08x12_0

TEXT: [PREVIOUSLY_ON] JULIAN: Marry me, Brooke Davis. BROOKE: Yes. Okay. BROOKE: Now I'm redoing everything, and the more that I think about it, the more frustrated I get. HALEY: Okay, you know what? Out of sight, out of mind. This book is only confusing you. SYLVIA: Oh, no, no, no. What if it rains? No, my son and beautiful daughter-in-law will not be married in a tent like circus folk. SYLVIA: I booked the banquet room at The Oaks. BROOKE: I said I can't afford it. SYLVIA: I told you, I'm taking care of it. BROOKE: I don't want to take your input. I don't like The Oaks. I don't really like any of it. SYLVIA: Good luck with the backyard hootenanny. KELLERMAN: Taking this class is like entering into a contract. Mr. Scott? KELLERMAN: I've been required to pass marquee athletes for years. But I don't have to pass you. NATHAN: I intend to hold up my end of the contract. KELLERMAN: I won't hold my breath. BIG HOUSE Brooke enters the bathroom and occurs a little water on the face. BROOKE: Oh. Ahh. Please, God, get me through this. I promise I will never drink again. SYLVIA: Shut up. (Sylvia is lying in the bath-tub) BROOKE: Sylvia! 12 HOURS EARLIER, BRULIAN'S HOUSE Julian gets dressed, Brooke is always with the bed. BROOKE: Just try not to get so drunk that you end up puking. JULIAN: Oh, I can't guarantee anything. You know, what happens at a bachelor party... BROOKE: That stupid rule never applies. JULIAN: Well, you have nothing to worry about, especially since you already helped me fill my misbehaving quota for the day. Twi SUMMARY:<extra_id_0>

<extra_id_0> After a wild night out on the town for her bachelorette party, Brooke and the girls try to piece together the night before amidst the wreckage of the day after. This episode is a tribute to The Hangover. This episode is named after a song by Azure Ray . Opening theme song performed by Tegan and Sara .<extra_id_1>

fd_Doctor_Who_1963_08x15

fd_Doctor_Who_1963_08x15_0

TEXT: COLONY IN SPACE BY: MALCOLM HULKE 6:10pm - 6:35pm [SCENE_BREAK] 1: SPACE (A multitude of planets and stars hang in the blackness of space...) [SCENE_BREAK] 2: INT. TIME LORD PLANET. CHAMBER (Three TIME LORDS confer in a small chamber. The image of space appears on a screen that dominates one wall. The image focuses in on one grey planet.) FIRST TIME LORD: You are sure the Master knows? SECOND TIME LORD: The report on the Doomsday weapon is missing from our files. Only he could have taken it. FIRST TIME LORD: Then we can use the Doctor to deal with this problem. THIRD TIME LORD: The Doctor resents his exile bitterly. Do you think he'll co-operate with us? SECOND TIME LORD: I doubt it. We immobilized his TARDIS, took away his freedom to move in space and time. FIRST TIME LORD: Then we must restore his freedom... (An image of the DOCTOR now appears on the screen.) FIRST TIME LORD:...as long as it serves our purpose. (He walks off...) [SCENE_BREAK] 3: INT. UNIT HQ. LABORATORY (At a lab bench, the DOCTOR picks up the dematerialization circuit from the TARDIS and, wearing a jewelers eyeglass, starts to make adjustments to it. A bored JO watches.) JO: Doctor, why don't you give up? You've been working on that thing for simply ages. DOCTOR: You know I can't give up, Jo. It's far too important. (The door to the lab opens and the BRIGADIER walks in, carrying a clipboard.) BRIGADIER LETHBRIDGE STEWART: Still at it, Doctor? (The DOCTOR looks up.) DOCTOR: Now don't you start! BRIGADIER LETHBRIDGE STEWART: The latest field reports are in. Still no trace of SUMMARY:<extra_id_0>

<extra_id_0> The Time Lords takes control of the TARDIS and the Doctor and Jo arrive on a Earth Colony in the 25th Century, where a ruthless mining company are using a dinosaur-like creature to force the colonists to leave the planet. Where the Doctor and Jo learn that The Master is on the planet and is in search of a doomsday weapon that is hidden somewhere on the planet.<extra_id_1>

fd_The_Originals_01x15

fd_The_Originals_01x15_0

TEXT: Flashback - Jazz Club, 1919 [A Jazz number plays at a local club everyone is united enjoying themselves as people dance, sing, laugh, mingle and drink. At the bar Elijah, Lana, and Klaus turn to observe the scene before them] Klaus: Well this is a first. Werewolves, vampires, witches and dirty cops. [glances at a group of cops toasting their glasses together and drinking to the occasion] All happy as clams and drunk as stoats. [Klaus smiles as Elijah orders three shots] Lana: You gotta love this city. Elijah: To a new era! Collaboration in the face of Prohibition. Lana: To your docks, their booze, and our theatres to hide it under. You're welcome, boys. [They happily toast their glasses together and drink] Klaus: [smirks] Now, I shall have to think of a way to thank you personally, in a manner befitting a werewolf queen. Lana: [strokes Klaus' face affectionately] Catch you on the dance floor. [She walks past him and heads into the crowd] Elijah: Who would have thought it possible, the unification of New Orleans? [Klaus playfully grips Elijah's shoulders] Klaus: We did it, brother. [Elijah puts his arm around his brother's shoulder and whirls him around to overlook the scene before him] Elijah: Oh, certainly, we worked together, Niklaus. But this vision? This was all you. END FLASHBACK Present Day - Compound, Klaus' Bedroom [Klaus lies in bed shirtless; his eyes closed and gasping as Elijah watches] Elijah: [to Klaus] This was all you. [Cami rushes into the compound in a hurry. The other vampires glance at her, confused by her presence] Vampire: What's she doing here? Elijah: [calls out to Cami] Camille! [gestures for her to enter the room] Please. Cami: Why did you call me? Have you found a way to help my uncle? Eli SUMMARY:<extra_id_0>

<extra_id_0> In a series of flashbacks to 1919, Klaus opens up to Cami and reveals details of the devastating secret Rebekah and Marcel were trying to keep from him. Elijah forms an unlikely alliance with Monique and asks for her help in locating Sabine Elsewhere, Thierry is reluctant to get involved when Marcel and Rebekah approach him with a plan to take down the witches. Meanwhile, in the bayou, Hayley is at her wits' end and holds Sabine hostage in an attempt to get information that will reverse the curse on Phoebe's werewolf clan.<extra_id_1>

fd_Buffy_the_Vampire_Slayer_05x19

fd_Buffy_the_Vampire_Slayer_05x19_0

TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Monks running in fear. Glory smashing through the warehouse. BUFFY VOICEOVER: Tell me what kind of demon I'm fighting. QUENTIN TRAVERS VOICEOVER: Glory isn't a demon, she's a god. The dying monk talking to Buffy. MONK: We had to hide the key... made it human... Monks chanting. MONK:...and sent it to you. BUFFY VOICEOVER: Dawn. Dawn in the hospital talking to Ben. DAWN: I'm not real. BEN: You're the key. Go. Before she finds you, she's here! Ben morphing into Glory. Ben talking to Jinx. BEN: I won't help her find the key. I would never do that to an innocent- JINX: An innocent? BEN: It's not a person. Ben stabbing Jinx. Glory in her apartment. GLORY: What about the key? JINX: He indicated that it was a person. Spike tied up in Glory's apartment. SPIKE: I'll tell you who the sodding key is. SUMMARY:<extra_id_0>

<extra_id_0> Willow and Tara get into an argument, leaving Tara vulnerable to be attacked by Glory, who thinks she is the Key. After discovering her error, Tara's mind is partially sucked out and Willow swears revenge.<extra_id_1>

fd_Doctor_Who_08x06

fd_Doctor_Who_08x06_0

TEXT: [ Planet ] Clara: There's no way out of this. We're going to die here. The Doctor: Pass me the vibro-cutters. Clara: They're in my pocket. The Doctor: Come on then, pass them to me. Clara: In my other jacket. At home. The Doctor: Why have you got two jackets? Is one of them faulty? Clara: Look, I don't have the vibro-cutters. If I had the vibro-cutters, I wouldn't be able to pass you the vibro-cutters. We're going to starve to death out here. The Doctor: Of course we won't starve. The sand piranhas will get us long before that. [SCENE_BREAK] [ Pub ] Clara: Hiya. Sorry I'm late. Danny: You're not, but you are brown; you're very brown. You weren't that brown this morning. Clara: Sunbed. I'll get 'em in. Usual? [SCENE_BREAK] [ Clara's place ] The Doctor: Fish people. Clara: What are they like? The Doctor: Fish. And people. Come and see. [SCENE_BREAK] [ Taxi ] Clara: How's you? Danny: Evening. Nice frock. It's a bit wet. Clara: Freak shower. Danny: Is that seaweed? Clara: I said freak. [SCENE_BREAK] [ Corridor ] Clara: How much further? The Doctor: TARDIS has got to be round this corner. I hate soldiers. Don't you hate soldiers? Clara: Yeah. The Doctor: Just keep running! [SCENE_BREAK] [ Clara's place ] Clara: Oh, yeah. Danny. Hiya. Danny: Morning. Ready to run? [ OUT OF BREATH ] [SCENE_BREAK] [ Clara's bedroom ] Clara: I can't keep doing this. I can't do it. Yes, I can, I can do it, of course I can do it. I've got it SUMMARY:<extra_id_0>

<extra_id_0> Clara is trying to maintain two separate lives: one as the Doctor's companion, and the other as a school teacher in a relationship with Danny. The Doctor goes into deep cover as the caretaker at Coal Hill. Tracking the Skovox Blitzer, one of the deadliest machines created, he plans to displace it a billion years into the future where nothing else can be harmed. Danny accidentally tampers with the Doctor's trap, and the Skovox Blitzer is only sent 74 hours into the future. The Doctor learns of Danny's relationship with Clara, and Danny about Clara's double life. The Doctor believes that Clara made an error in dating a soldier. When the Skovox Blitzer rematerialises earlier than expected, the three work together to trick it into deactivating. Danny warns Clara about the Doctor pushing her into dangerous actions. A disintegrated community support officer awakens in the promised land, also known as the Nethersphere, being greeted Missy's assistant Seb.<extra_id_1>

fd_The_Office_02x20

fd_The_Office_02x20_0

TEXT: Dwight: Kevin Malone, you're next. Spit that out. [Kevin shoves the rest of the donut he's eating into his mouth] Spit... Okay, come on, let's go. [SCENE_BREAK] Jim: You look cute today, Dwight. Dwight: Thanks, girl. [SCENE_BREAK] Jim: So, yesterday Dwight found half a joint in the parking lot. Which is unfortunate because as it turns out, Dwight finding drugs is more dangerous than most people using drugs. [SCENE_BREAK] Dwight: Let's go over some of the symptoms of marijuana use, shall we? You tell me who this sounds like: slow moving, inattentive, dull, constantly snacking, shows a lack of motivation. Kevin: [nods] Hey... [SCENE_BREAK] Dwight: I like the people I work with generally, with four exceptions. But someone committed a crime and I did not become a Lackawanna County Volunteer Sheriff's deputy to make friends. And by the way, I haven't. [SCENE_BREAK] Jim: [mimicking Stanley] I enjoy the tangy zip of Miracle Whip. Pam: [laughs] Jim does the best impressions. Sometimes he'll look up at me from his desk and he'll just be someone else. Like he'll go um, [makes mournful face, giggles] that's supposed to be Phyllis. I can't do it as good as he can. [SCENE_BREAK] Kelly: And the guys are saying, chug, chug, chug, but I'm so small and all I'd eaten that day was one of those Auntie Anne pretzels from the food court so I said "Is it okay if I sip it?" and they said no, but Ryan seemed cool either way. Dwight: Stop! This is not Kelly Kapoor story hour. Illegal drugs were consumed on company property, okay? Your ass is on the line, mister! My ass is is on the line! Now I'm going to ask you SUMMARY:<extra_id_0>

<extra_id_0> Dwight finds a leftover joint in the parking lot, and begins an investigation to find the owner. After no one confesses, he schedules a drug test. Michael, worried that he will not pass, pressures Dwight for a cup of clean urine. Dwight is conflicted, but gives in to Michael's demand, and afterward resigns as a volunteer sheriff's deputy for breaking his oath.<extra_id_1>

fd_Justified_05x12

fd_Justified_05x12_0

TEXT: Wynn: You just missed him. He was here? Wynn: He was in my hotel suite. Why aren't you in your hotel suite? Wynn: He was murdered there. It's a mess. My guy Mikey's cleaning up now. Boyd Crowder is dead? Wynn: Very dead, indeed. I did it myself. How did you do it? Wynn: Two in the chest, one in the brain. Was rote but effective. Where is Mr. Picker? Wynn: Crowder blew him up. It's a long story. Anyway... Mikey's working double duty. I don't believe you. Wynn: Alberto, was it? Alberto, I'm not one to niggle over management styles, but let's say you would let me know you were coming, I could have preserved some proof for you. A head, say, or... a set of teeth. We'll take the skin. Wynn: The skin? Mr. Yoon prefers the skin. Wynn: Like... the scalp or... just everything? You understand that Mr. Yoon will be satisfied with your skin. Wynn: Alberto, fellas... I understand Mr. Yoon is hungry for revenge, if that's not too arch a phrasing, but I'm not the one that he wants. I'm not the one that made promises in the desert and then broke them. That was Crowder. Now Crowder's dead. I helped you. Maybe you did. Maybe not. Wynn: When Crowder set off that redneck I.E.D. and blew a hole in Mr. Picker, I killed him. I'm glad to be rid of him. He was nothing but trouble all along. Go to the car. Get the machete. Si. Mm. Wynn: But that's the past. You want help present tense? I can help present tense. The other one. The bird. Cuervo. The crow. Wynn: Darryl Crowe? Si. Wynn: I know him. I don't like him. You want him? I'll find him. Do that SUMMARY:<extra_id_0>

<extra_id_0> Raylan puts pressure on every criminal in town as a ploy to arrest Darryl Crowe Jr., while Boyd and Duffy enlist an unlikely ally to fight off cartel killers.<extra_id_1>

fd_The_Originals_02x13

fd_The_Originals_02x13_0

TEXT: [PREVIOUSLY_ON] Aiden: So I got to ask, when's this wedding? Jackson: Ten days. After that, Hayley's power is your power. The full moon won't control you anymore. Klaus: (impressed) You truly believe that he is worthy of your trust? Hayley: Yes. Hayley (whispering): I want to tell you a story about a beautiful baby girl. Klaus: Elijah will remain here with you. He's been experiencing some side effects since his ordeal as our mother's captive. Finn: I curse you to this body, a meaningless, lonely death. Freya: You know who I am. Rebekah: Freya. Freya: Tell our brothers I'll be coming to see them soon. Finn: How does it feel, hunger so intense, like shards of glass creeping through your veins? Finn: How, exactly, did baby die? She's still alive. You and your vampires are gonna help me find her. [SCENE_BREAK] [ BELL TOWER - ST. LOUIS CATHEDRAL ] (Finn is in the middle of casting a locator spell to find Hope, using a map of the United States, many herbs, a jar full of caterpillars, and a small poppet. He holds the poppet in his hands and flicks the doll with his middle finger while he chants the incantation) Finn: De volle es numerus puerum. De volle es numerus puerum. (As he chants, his voice grows louder, and veins in his forehead starts to pop out as he focuses all of his energy and attention on the spell, desperate to complete it. Suddenly, the table holding the map and materials, another table nearby, and all of the lit candles burst into flames around him. Angry and frustrated, Finn smashes the candle holders on the table and knocks the materials onto the floor. As he huffs and puffs in anger, Freya walks into the bell tower and smiles knowingly at him, and he glares at her SUMMARY:<extra_id_0>

<extra_id_0> Alpha werewolves have come to join Jackson's pack, so that the power from the marriage to Hayley will also spread to them and their packs. Freya finds Finn, who has sent Marcel and Kol to collect the blood of Hayley and Klaus which will help him locate the "miracle baby" which he believes is still alive and is the big secret Klaus is keeping. However, Marcel is busy trying to keep his vampires from feeding on the Alphas and once again, Kol changes sides and helps Klaus in hope that he and his other siblings will trust him. Meanwhile Finn has arrived at the house where Elijah, Cami and Hope have been staying. He stumbles upon Elijah and stakes him before searching for the baby. Kol and Rebekah channel Klaus, to overload Finn with magic. Elijah wakes up moments later and goes after Finn, determined to save Hope. Finn is overloaded with magic and loses his extra power before Elijah makes the house (which is filled with gas) explode. The episode ends with a glimpse at baby Hope, alluding to her possible powers.<extra_id_1>

fd_The_Vampire_Diaries_05x07

fd_The_Vampire_Diaries_05x07_0

TEXT: [A Bus Stop] (Silas is sitting next to a couple) Silas: You ever been in love? Love. Hello, you two Woman: Yeah. We're together, in love Silas: Aw, that's so adorable. I love love. I do. Yeah. I have a soul mate, too, you know, that love at first sight, want to live forever, love is eternal kind of love? Amara. That's her name.See, the problem is when I first met Amara, I was with another woman, so I kind of cheated on her, which to be honest with you, it really wouldn't have been that big of a deal except it turned out that the other woman was a raging lunatic, so when she found out that I cheated on her, she freaked out, turned Amara into stone, like, literally, Medusa style Man: Dude, are you, like, ok? Silas: What do you mean? You think I'm crazy? Why do you think I'm crazy?All I've wanted for the last 2,000 years. Is to be reunited with the love of my life. How's that crazy? Woman: Maybe the turned her to stone part Man: Or the 2,000 years part Silas: No. Guys, we were both immortal, and now we're not. Hello? Look. The point is I finally had the chance to hold Amara in my arms, and what does she do? She jams a chunk of glass into my carotid artery. Look, look Man: No thanks Silas: Listen, you two. Here's my advice. Live it up. You know, enjoy this love while it lasts because let me tell you something. Just a couple days ago, I was psychic, I was immortal, I was in love. Now my neck hurts, my soul is crushed, I'm sitting in a bus stop in frigging Delaware Woman: You're in Philly Silas: I'm in Philly? Ohh! God, it's even worse (Suddenly, the man is hurting and coughing) Woman: What's going on, babe? Hey. What's SUMMARY:<extra_id_0>

<extra_id_0> Now that he got his memories back Stefan is on a mission to kill Silas so he could get his revenge. Katherine realizes she is dying from having the cure taken from her. When Bonnie meets Amara, Amara shows that she can both see and touch her which she explains is because she is the anchor to the other side. Damon and Elena realize that the only way they could get Bonnie back is by turning her as the anchor to the other side. That's why Damon goes to Qetsiyah and ask if she can do the spell. Qetsiyah reveals that the only way the spell can be done is by getting Amara with Elena and Katherine together and getting a drop of their blood. Katherine tells Qetsiyah that she will give her blood only if Qetsiyah helps her stop Katherine from aging, which Qetsiyah agrees. When Qetsiyah starts the spell, Silas shows up. Qetsiyah is wounded and Amara is taken by Stefan to lure Silas. Before Silas can kill her, Stefan stops him and kills him. Amara stabs and kills herself. Qetsiyah is able to return Bonnie and make her the anchor and then decides to kill herself. As she passes over to the Other Side, she reveals to Bonnie that by being the anchor, she will feel every death of every supernatural. Meanwhile, Nadia tries to get on with Katherine who doesn't want to have anything to do with her.<extra_id_1>

fd_Roswell_01x13

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TEXT: "Blind Date" 14th Episode of Roswell Production Code: 1ADA13 [SCENE_BREAK] (Episode opens at the Crashdown where Alex is playing his guitar) Alex: Oh, man, am I gonna kick some ass at these auditions. Liz: Do they sound this good plugged in? Alex: Oh, just you wait, little ladies, until you see my band open up at the, you know, the blind date concert this Friday. Liz: You know, you need a better name. Alex: Oh, come on. What's wrong with "the Whits"? Maria: Just an "s" away from what you really are. Alex: That's funny. Radio: Goin' north on downtown main street, headed with my entourage... Alex: Ooh! Shush. Radio: Toward the winner of the KROZ blind dream date. An evening of fantasy and romance for one lucky listener that ends in the most exciting concert of the year. An intimate club date with a surprise mystery band that'll put this town on the map for more than just the crash. Liz: No, this is so stupid. Like anyone would want to go out with someone a radio station picks out for you. Maria: No, I thought it was romantic. Liz: You would. Radio: Right here at one of our finer local establishments, the Crashdown Cafe! Looking for our new Queen of Hearts, Miss Liz Parker. Maria: Oh, my God! Oh, my God! Oh, my God! Oh, my God! Oh, my God, you won! Liz: No, I didn't even enter, Maria. Maria: I entered for us. This is so exciting. DJ: Congratulations, Liz Parker, your life is about to change because we're gonna find you that dream man you've been searching for. Hey, what's running through your mind right now, Liz? Liz: Oh, um...heh...yeah...yeah, nothing I can say on live radio. (Opening credits) (At school, Maria is walking through a hallway with Liz, who is dressed as inconspicuously as she possibly can) Liz: Ok, maybe nobody's even heard about it. Maria: I don't SUMMARY:<extra_id_0>

<extra_id_0> Max plays host to actor Jonathan Frakes at the annual UFO Convention while trying to avoid the meddlesome couple who witnessed Max's life-saving abilities on Liz at the Crashdown Cafe.<extra_id_1>

fd_The_O.C._04x11

fd_The_O.C._04x11_0

TEXT: At Cohen's Seth: Dude, I asked the girl to marry me. Ryan: Yeah, and she said no. It's not like she broke up with you. Seth: That would have been better. Someone says they don't want to marry you, you're supposed to break up. Now we got to keep on dating like everything is normal, when there's this gi-normous... Elephant in the room. Ryan: Yeah, there's an elephant? Seth: Yeah, the "I don't want to marry you" elephant. Ryan: All right, look. There's no elephant, and there's no breakup. At Roberts' Taylor: It's a breakup. How else do you explain, 17 unreturned phone calls? Summer: Seventeen? Taylor: The first 12 were apologies for that stupid lie I told Henri about Ryan. And after that, it was just kind of a blur. Sooner or later, he has to call me back, right? At Cohen's Ryan: I'll call her when I'm ready. Seth: What? Ryan: She lied to me about, her French ex-husband. Seth: And she also apologized. Taylor doesn't respond well to neglect, man. You should call her. Ryan: Yeah? Maybe you should call Summer. At Robert's Taylor: Is that Seth? Summer: Che. I'll call him back. He's flying here. He was feeling weird Seth vibes. Taylor: All the way from Rhode Island? Summer; Che transcends space and time. Ryan? Taylor: No, Henri-Michel. Summer: God, Frenchie's really putting on the full-court press,huh? Taylor: Yeah. Nothing's happened yet, though. I keep telling him I've got a boyfriend. Even though, technically, I guess I don't anymore. Summer: You know, I think Ryan's just waiting for Henri to go back to the motherland. At Cohen's Ryan: She said in her message he's still in town. Until he leaves, we can't have a real conversation. Seth: I don't SUMMARY:<extra_id_0>.

<extra_id_0> Take her, I want her. Ryan overcomes his indecision and competes with Henri-Michel for Taylor's affections. Che leads Seth on a trek of spiritual renewal. Embrace your inner otter, Seth!<extra_id_1>

fd_Doctor_Who_1963_25x04

fd_Doctor_Who_1963_25x04_0

TEXT: REMEMBRANCE OF THE DALEKS PART FOUR Run time: 24:36 [SCENE_BREAK] School science lab [SCENE_BREAK] Rachel: Doctor, we've had a report of a radar contact. The Doctor: On a re-entry curve from low orbit? Rachel: Yes. The Doctor: That'll be the Imperial Dalek shuttlecraft. Gilmore: What? They're not landing a spaceship here. The Doctor: Here? No. We're much too far from the main action. Rachel: You're sure? Ace: Cor! The Doctor: Ace, get away from the window! Down! [SCENE_BREAK] School playground [SCENE_BREAK] Dalek: Advance. We must capture the Hand of Omega from renegade Dalek faction. Proceed to area two five zero six immediately. [SCENE_BREAK] School science lab [SCENE_BREAK] Gilmore: Right, out of here. Everybody downstairs. Gilmore: Is that the mothership? The Doctor: No, that's a shuttle. The mothership's much larger. Are you willing to cooperate with me now? Gilmore: Do I have a choice? The Doctor: Well, you could go down there and make a gloriously futile gesture, yes. Gilmore: What do we do? The Doctor: A little bit of piracy. [SCENE_BREAK] School corridor [SCENE_BREAK] Mike: Ace. Ace: Go away. Mike: Ace, I didn't know it was the Daleks. I was just doing Mister Ratcliffe a favour. Ace: Do me a favour and drown yourself. Mike: I thought it was the right thing. Mister Ratcliffe had such great plans. Ace, I never really wanted to hurt anybody. It's just you have to protect your own, keep the outsiders out just that your own people can have a fair chance. Ace: I said shut up! You've betrayed the Doctor, you betrayed me. I trusted you. I even liked you, and all you... Gilmore: Sergeant Smith. Mike: Sir. Gilmore: Attention! I'm placing you under close arrest under suspicion of SUMMARY:<extra_id_0>

<extra_id_0> The Doctor has his final encounter with the Daleks involving 'The Hand of Omega'.<extra_id_1>

fd_CSI__Crime_Scene_Investigation_03x12

fd_CSI__Crime_Scene_Investigation_03x12_0

TEXT: [EXT. LAS VEGAS CITY (STOCK) - EVENING] (A dark colored large bird flies across the bottom of the screen.) [EXT. LAS VEGAS DESERT (STOCK) - EVENING] (The shadow of the large bird travels along the rocks below. The bird caws.) [EXT. LAS VEGAS MOUNTAINS (STOCK) - EVENING] (Camera travels birds-eye above the mountains.) [EXT. FLOYD LAMB STATE PARK -- GROUND -- EVENING] (A frog sits and croaks under the fallen leaves. A man walks across the screen disturbing the leaves and making the frog jump aside.) (Cut to: A group of three men walk along the path.) (Cut to: The bird flies overhead.) (Cut to: The men continue to walk along the path.) (Cut to: The bird flies down low along the path and settles on a nest in a tree.) [SCENE_BREAK] [EXT. FLOYD LAMB STATE PARK - EVENING -- CONTINUOUS] (The men approach the bird and quietly. They stop.) Lead Man 1: I don't think I can get a clear shot. (Each of the three men pick up their cameras to take pictures.) Man 2 (on right): It's a peregrine falcon. Man 3 (on left): No, it's not. It's a hawk. Lead Man 1: You can't see anything this time of day. We should come back at dawn. Man 2 (on right): But I'm so behind on my life list. I still don't have a western wood-pewee or a solitary sandpiper. Lead Man: What, do you think they're going to kick you out of the club? Man 2 (on right): John saw a dickcissel earlier today. It could be gone tomorrow. Lead Man: John's SUMMARY:<extra_id_0>

<extra_id_0> When a raven is spotted with a human eyeball in its beak, it is up to Catherine, Sara and Nick to find the rest of the body and the killer. Meanwhile a normal autopsy turns into a special one when the victim is not dead. David and Dr. Robbins manage to save his life, only to have him die later. Grissom and Warrick then try to find out who wanted the man dead.<extra_id_1>

fd_Buffy_the_Vampire_Slayer_04x22

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TEXT: Note: This episode was unusual in that they showed "Previously on Buffy..." and then went directly into the opening credits, then began the episode without a commercial break. So the "teaser" came after the opening credits instead of before. Shot of Adam. Buffy: The Initiative created this thing and they can't stop it, but we will. Giles Voiceover: Previously on Buffy the Vampire Slayer... Overhead shot of Willow, Giles, and Xander doing the spell in "Primeval." Willow Voiceover: Power of the slayer and all who wield it, last to ancient first, we invoke thee. Giles lighting a candle. Willow: Make us mind and heart and spirit join. Shot of Willow's hand laying down a Tarot-sized card. Willow: Spiritus, the spirit. Shot of Xander laying down another card. Xander: Animus, heart. Shot of Giles laying down another card. Giles: Sophus, mind. Shot of Willow holding the last card. Buffy: And Manus, the hand. Shot of Buffy with bullets dissolving in front of her. Buffy: You could never hope to grasp the source of our power. Buffy reaching into Adam's chest and pulling out his power supply. Adam falling over dead. Wolf howl. Opening credits. (No commercial) Guest starring Kristine Sutherland, Amber Benson, Mercedes McNab, David Wells, Michael Harney, George Hertzberg, Emma Caulfield as Anya, Seth Green as Oz, and Armin Shimerman as Principal Snyder. Written and directed by Joss Whedon. BUFFY: Are you sure you'll be all right? Cause I can be there in the morning. RILEY: (shakes head) It's just a debriefing. (We see they're at Joyce's house, standing by the door. Giles is in the dining room. Willow sitting on the stairs.) RILEY: They're not gonna make me disappear, and they're not pinning anything on me. I got Graham and a lot of the guys testifying I'm the reason they're alive. I might actually get out of this SUMMARY:<extra_id_0>

<extra_id_0> A primordial spirit haunts Buffy, Giles, Willow, and Xander in their individual, cryptic nightmares involving the First Slayer (Sharon Ferguson) as a result of the magic done in the previous episode.<extra_id_1>

fd_The_Originals_01x03

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TEXT: (Hayley is sitting on the floor, holding a thick book in her hands, reading. Klaus and Rebekah are standing nearby.) Elijah: (voiceover) August 1359. I have noticed a difference in my siblings. Our bond strains beneath the pressure of our life as vampires. Each day removes them further from the humanity we once possessed. My sweet sister, Rebekah, has grown quite indifferent to brutality. (In a flashback Rebekah can be seen, killing the vampires who attacked Hayley in the previous episode.) Elijah: (voiceover) However, the true problem remains my brother, Niklaus. (In a flashback Klaus can be seen pouring petrol over the dead vampires and burning them.) Elijah: (voiceover) He continues to hide his loneliness with cruelty. Still, I cling to the hope that I, as their eldest brother, can lead them down the correct path, a path charged with the power of a family united. For if I fail, our family's legacy will end in darkness. Rebekah: I cannot believe you disposed of those vampires without me. You know how I love to set things on fire. Klaus: Was I supposed to leave them in the front yard to rot? Besides, they were my responsibility. They attacked the helpless pregnant girl who's carrying my child. Rebekah: Oh, I am so moved by your newfound sense of fatherly duties towards the werewolf carrying your hybrid bun in her oven. (Hayley enters the room) Hayley: The werewolf would like to know what the plan is. Klaus: Well, that depends what plan you mean, love: My plan for global domination, or Rebekah's plan to find love in a cruel, cruel world. (Rebekah takes a pencil from the desk beside her and throws it in Klaus' direction. Klaus catches it easily before it can impale his face.) Hayley: The plan to rescue Elijah. You know, the good brother. The one who is now in the possession of your mortal enemy after you stabbed him in the back. Klaus: In the front, if we're being specific SUMMARY:<extra_id_0>

<extra_id_0> After discovering interesting news about someone in Marcel's inner circle, Klaus and Rebekah come together to attempt to unravel Marcel's empire and save Elijah in the process, but Klaus soon develops his own plan. They enlist help from Sophie, who is reluctant to get involved for fear of the wrath of Marcel's secret weapon, Davina. Rebekah sneakily invites an oblivious Camille to a huge vampire party thrown by Marcel, managing to anger Marcel in the process. Elsewhere, Hayley learns from the witch Sabine that the supernatural creatures of New Orleans are reacting to the potential existence of a hybrid baby.<extra_id_1>

fd_Doctor_Who_1963_08x03

fd_Doctor_Who_1963_08x03_0

TEXT: TERROR OF THE AUTONS BY: ROBERT HOLMES 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. POLICE CAR (As the journey continues, the DOCTOR continues to examine the circuit. JO rubs her bruises and then looks out of the window. She jogs the DOCTOR'S arm.) JO: Doctor! DOCTOR: Careful. JO: Where are they taking us? (He too looks out of the window.) DOCTOR: Well it certainly isn't Tarminster. JO: It's some sort of a quarry. (He puts the circuit back into his pocket.) DOCTOR: Excuse me officer, could I see your warrant card? (One of the Policemen slowly turns round and looks at them in silence. The DOCTOR looks suspicious and leans forward. JO gasps out as the DOCTOR pulls the Policeman's "face" away. Behind it is the blank face of an AUTON. The DOCTOR lunges forward, chops the AUTON on the neck and grabs the steering wheel from the other "policeman".) [SCENE_BREAK] 2: EXT. QUARRY (The car swerves from side to side and finally crashes into some rocks. The DOCTOR dashes out of the car quickly followed by JO. The unmasked AUTON POLICEMAN tries to push open his door against the rocks as the other driver Auton gets out of his side of the car. The DOCTOR and JO run as fast as they can for cover, JO tripping over a rock at one point. The unmasked POLICEMAN'S fingers drop away and an AUTON gun extends. A blast from it devastates some rocks near to the escapees. The two of them dive for cover in amongst some undergrowth in a ditch as the two pursuers, both with their guns ready, walk into view. They scan the area and then go off in different directions. The Policeman whose human mask is still intact is the one who nears the hiding place of the DOCTOR and JO and it almost SUMMARY:<extra_id_0>

<extra_id_0> The Doctor and the Brigadier head to Farrel's factory but the Master and the Autons have already left and are distributing plastic daffodils around the country.<extra_id_1>

fd_Doctor_Who_1963_14x20

fd_Doctor_Who_1963_14x20_0

TEXT: THE ROBOTS OF DEATH by: CHRIS BOUCHER PART FOUR Running time: 23:42 [SCENE_BREAK] 1. INT. corridor outside MODIFICATION ROOM (UVANOV, a nasty red welt on his forehead, sneaks down a staircase and crosses the corridor into the Modification Room.) [SCENE_BREAK] 2. INT. MODIFICATION ROOM UVANOV: What are you doing here? (The DOCTOR stands up from examining the work bench.) DOCTOR: Why? Does it upset you? UVANOV: The penalty for what you have done is death! DOCTOR: That's far enough! What are you doing here? UVANOV: I followed you. (V4 appears in the corridor behind UVANOV.) DOCTOR: Ah. I'd come over here if I were you. Slowly. (UVANOV turns to see V4, which is holding up a corpse marker. He backs away towards the DOCTOR.) DOCTOR: Now either it followed you or else it homed in on this. It depends which of us it's going to kill first. (V4, red eyed, charges towards the DOCTOR with arms outstretched.) V4: Kill the Doctor! Kill the Doctor! (It grabs the DOCTOR's throat and begins to strangle him...) V4: Kill the Doctor! (UVANOV grabs a Laserson Probe from the rack.) V4: Kill the Doctor! (UVANOV stabs V4 in the head with the probe.) V4: Kill! Kill! Kill! Kill! (V4's vision is damaged, as seen from its POV. It lets go of the DOCTOR's throat and grasps the probe, which remains stuck in its head. It dances around, out of control.) V4: Kill! Kill! Kill! (UVANOV goes to the DOCTOR, who groggily recovers.) UVANOV: Doctor, are you all right? DOCTOR: Finish it off before it's too late. (The lights in the room fluctuate dim them bright.) UVANOV: There's a power failure SUMMARY:<extra_id_0>

<extra_id_0> With secrecy no longer necessary for the robot revolution, Controller Taren Capel shuts down all friendly robots and gives the remaining humans an ultimatum, or else their deaths will be slow and painful. With no conventional weaponry aboard their commercial vessel, the humans do what they can to resist while giving the Doctor time to work out a permanent solution.<extra_id_1>

fd_One_Tree_Hill_08x04

fd_One_Tree_Hill_08x04_0

TEXT: [PREVIOUSLY_ON] MIA: Can I help you? ALEX: I know you have a history with Chase, and I hope that there's no hard feelings. MIA: It's what you do, right? Break up couples? ALEX: But not this time. You screwed this up all by yourself, didn't you? BROOKE: Is it true? Are you going to prison? VICTORIA: It's more like a country club. BROOKE: It's prison, mother. How could you do this? VICTORIA: Because you're my daughter, and I love you. CLAY: You look pretty. QUINN: Oh, my God. God, I missed you. RIVERCOURT Nathan is involved under the glance of Julian. HALEY(Voice-over): Dear Lucas... Every time I write that, it sounds so strange. How did our lives drift so far apart? And how, without even trying, did we make our lives so complicated? I guess what I mean to say is... It all seemed so much easier when we faced the future together. CRISIS INTERVENTION Haley starts her new job. HALEY: Crisis intervention. How can I help you? MAN: Hey. Yeah. I feel...So lost. I can't get a girlfriend to save my life. I've never had a real job, and I'm like 15 minutes away from having to live on my mom's couch. HALEY: Junk? JUNK: Haley? HALEY: Hey, buddy. JUNK: I... (He hangs up again and Haley takes another line) HALEY: Crisis intervention. How can I help? OTHER MAN: What are you wearing right now? Haley: Ew! (She hangs up again and Haley takes another line) HALEY: Crisis interven... WOMAN: I'm in the middle of a crisis. Can you please help me? HALEY: Yes. What's the matter? WOMAN: I just took my chocolate souffle out of the oven, and it fell. My guests get here in 20 minutes. HALEY: I'm sorry. This is SUMMARY:<extra_id_0>

<extra_id_0> Brooke and Nathan make big decisions regarding their careers. Brooke sells her entire company to pay back investors while Nathan decides to stay in Tree Hill for good because of his back problems. Meanwhile, Quinn deals with recovering from the shooting while wanting to be by Clay's side. This episode is named after a song by All Time Low . Opening theme song performed by Susie Suh .<extra_id_1>

fd_Doctor_Who_1963_04x20

fd_Doctor_Who_1963_04x20_0

TEXT: THE UNDERWATER MENACE by GEOFFREY ORME first broadcast - 21st January 1967 [SCENE_BREAK] 1. OPERATING ROOM (POLLY struggles as two assistants hold her on the table.) DAMON: One tiny jab, and you'll know nothing more about it until it's all over. (He prepares the injection.) [SCENE_BREAK] 2. ZAROFF'S LAB ZAROFF: And so you see my friend it is all so simple. When Atlantis was submerged, at the time of the flood, some life continued in air pockets in the mountain's caves, thanks to the natural air shaft provided by the extinct volcano. You, ah, like my laboratory, yes? You find all this very impressive, No? DOCTOR: No, not a bit, not a bit. ZAROFF: What do you mean? DOCTOR: I expected nothing less from the great Professor Zaroff. [SCENE_BREAK] 3. OPERATING ROOM (POLLY struggles.) DAMON: The lights are playing up again. Go and see what's wrong. No wait. I'd better go myself. Zaroff might listen to me. Look after the girl. [SCENE_BREAK] 4. ZAROFF'S LAB ZAROFF: Yes, we haff come a long way in our research, and luckily the riches of Atlantis haff provided ample means. (He goes over to the octopus tank.) ZAROFF: Ah! So you are hungry today? Did I forget to feed you? Is beautiful, no? (DAMON enters.) DAMON: Zaroff! ZAROFF: Not now, Damon, can't you see I am talking with my friend here. DAMON: This won't wait. If I am to operate on the girl, I must have light. ZAROFF: One operation, one girl, you are making an unnecessary fuss. DAMON: I know what's going on. You're using so much voltage on the project that all civil use is curtailed. ZAROFF: Ridiculous. I will show you. You follow me. SUMMARY:<extra_id_0>

<extra_id_0> While Ara tries to save Polly from being turned into a Fish Person and Ben and Jamie try to escape from the mines, the Doctor discovers the full extent of Zaroff's plans.<extra_id_1>