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51699_RWJ8X7FI_5

51699_RWJ8X7FI_5_0

Text: THE GOD NEXT DOOR By BILL DOEDE Illustrated by IVIE The sand-thing was powerful, lonely and strange. No doubt it was a god—but who wasn't? Stinson lay still in the sand where he fell, gloating over the success of his arrival. He touched the pencil-line scar behind his ear where the cylinder was buried, marveling at the power stored there, power to fling him from earth to this fourth planet of the Centaurian system in an instant. It had happened so fast that he could almost feel the warm, humid Missouri air, though he was light years from Missouri. He got up. A gray, funnel-shaped cloud of dust stood off to his left. This became disturbing, since there was scarcely enough wind to move his hair. He watched it, trying to recall what he might know about cyclones. But he knew little. Weather control made cyclones and other climatic phenomena on earth practically non-existent. The cloud did not move, though, except to spin on its axis rapidly, emitting a high-pitched, scarcely audible whine, like a high speed motor. He judged it harmless. He stood on a wide valley floor between two mountain ranges. Dark clouds capped one peak of the mountains on his left. The sky was deep blue. He tested the gravity by jumping up and down. Same as Earth gravity. The sun—no, not the sun. Not Sol. What should he call it, Alpha or Centaurus? Well, perhaps neither. He was here and Earth was somewhere up there. This was the sun of this particular solar system. He was right the first time. The sun burned fiercely, although he would have said it was about four o'clock in Question: Why do the webfoots only wear skirts? (A) Skirts are traditionally worn by prisoners. The webfoots on this planet are all criminals or descendants of criminals. (B) The people from the sixth planet only sent skirts, when it was communicated that the Sand God had burned everything else. (C) The Sand God burned everything, except for the skirts. (D) Skirts are the traditional dress for the webfoots culture. Answer:<extra_id_0>

<extra_id_0> The Sand God burned everything, except for the skirts.<extra_id_1>

51699_RWJ8X7FI_6

51699_RWJ8X7FI_6_0

Text: THE GOD NEXT DOOR By BILL DOEDE Illustrated by IVIE The sand-thing was powerful, lonely and strange. No doubt it was a god—but who wasn't? Stinson lay still in the sand where he fell, gloating over the success of his arrival. He touched the pencil-line scar behind his ear where the cylinder was buried, marveling at the power stored there, power to fling him from earth to this fourth planet of the Centaurian system in an instant. It had happened so fast that he could almost feel the warm, humid Missouri air, though he was light years from Missouri. He got up. A gray, funnel-shaped cloud of dust stood off to his left. This became disturbing, since there was scarcely enough wind to move his hair. He watched it, trying to recall what he might know about cyclones. But he knew little. Weather control made cyclones and other climatic phenomena on earth practically non-existent. The cloud did not move, though, except to spin on its axis rapidly, emitting a high-pitched, scarcely audible whine, like a high speed motor. He judged it harmless. He stood on a wide valley floor between two mountain ranges. Dark clouds capped one peak of the mountains on his left. The sky was deep blue. He tested the gravity by jumping up and down. Same as Earth gravity. The sun—no, not the sun. Not Sol. What should he call it, Alpha or Centaurus? Well, perhaps neither. He was here and Earth was somewhere up there. This was the sun of this particular solar system. He was right the first time. The sun burned fiercely, although he would have said it was about four o'clock in the afternoon, if this had been Earth. Not a tree, nor Question: Why does the Sand God keep the webfoots around? (A) It amuses the Sand God to watch the webfoots evolution. (B) It amuses the Sand God to play with the webfoots. (C) The webfoots worship him like a God even though he is not one. (D) The webfoots fear of the Sand God amuses him. Answer:<extra_id_0>

<extra_id_0> It amuses the Sand God to watch the webfoots evolution.<extra_id_1>

51699_RWJ8X7FI_7

51699_RWJ8X7FI_7_0

Text: THE GOD NEXT DOOR By BILL DOEDE Illustrated by IVIE The sand-thing was powerful, lonely and strange. No doubt it was a god—but who wasn't? Stinson lay still in the sand where he fell, gloating over the success of his arrival. He touched the pencil-line scar behind his ear where the cylinder was buried, marveling at the power stored there, power to fling him from earth to this fourth planet of the Centaurian system in an instant. It had happened so fast that he could almost feel the warm, humid Missouri air, though he was light years from Missouri. He got up. A gray, funnel-shaped cloud of dust stood off to his left. This became disturbing, since there was scarcely enough wind to move his hair. He watched it, trying to recall what he might know about cyclones. But he knew little. Weather control made cyclones and other climatic phenomena on earth practically non-existent. The cloud did not move, though, except to spin on its axis rapidly, emitting a high-pitched, scarcely audible whine, like a high speed motor. He judged it harmless. He stood on a wide valley floor between two mountain ranges. Dark clouds capped one peak of the mountains on his left. The sky was deep blue. He tested the gravity by jumping up and down. Same as Earth gravity. The sun—no, not the sun. Not Sol. What should he call it, Alpha or Centaurus? Well, perhaps neither. He was here and Earth was somewhere up there. This was the sun of this particular solar system. He was right the first time. The sun burned fiercely, although he would have said it was about four o'clock in the afternoon, if this had been Earth. Not a tree, nor a bush, nor even a wisp of dry grass was in sight. Everywhere was desert. The funnel of sand had moved closer and while he watched it, it seemed to drift in the wind—although there was no wind. Stinson backed away. It Question: Where is Stinson from? (A) Montana (B) Missouri (C) Mississippi (D) Michigan Answer:<extra_id_0>.

<extra_id_0> Missouri<extra_id_1>

51699_RWJ8X7FI_8

51699_RWJ8X7FI_8_0

Text: THE GOD NEXT DOOR By BILL DOEDE Illustrated by IVIE The sand-thing was powerful, lonely and strange. No doubt it was a god—but who wasn't? Stinson lay still in the sand where he fell, gloating over the success of his arrival. He touched the pencil-line scar behind his ear where the cylinder was buried, marveling at the power stored there, power to fling him from earth to this fourth planet of the Centaurian system in an instant. It had happened so fast that he could almost feel the warm, humid Missouri air, though he was light years from Missouri. He got up. A gray, funnel-shaped cloud of dust stood off to his left. This became disturbing, since there was scarcely enough wind to move his hair. He watched it, trying to recall what he might know about cyclones. But he knew little. Weather control made cyclones and other climatic phenomena on earth practically non-existent. The cloud did not move, though, except to spin on its axis rapidly, emitting a high-pitched, scarcely audible whine, like a high speed motor. He judged it harmless. He stood on a wide valley floor between two mountain ranges. Dark clouds capped one peak of the mountains on his left. The sky was deep blue. He tested the gravity by jumping up and down. Same as Earth gravity. The sun—no, not the sun. Not Sol. What should he call it, Alpha or Centaurus? Well, perhaps neither. He was here and Earth was somewhere up there. This was the sun of this particular solar system. He was right the first time. The sun burned fiercely, although he would have said it was about four o'clock in the afternoon, if this had been Earth. Not a tree, nor Question: Why is the Sand God causing a terrible storm? (A) He knows he can't control Stinson. (B) He is angry because Stinson figured out he is a child. (C) He is angry Stinson took Sybtl away from the webfoots. (D) He is angry because he doesn't understand Stinson. Answer:<extra_id_0>

<extra_id_0> He is angry because he doesn't understand Stinson.<extra_id_1>

58733_KCSVZ198_1

58733_KCSVZ198_1_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Alice Britton closed her eyes. Major Banes was all smiles and cheer now, but he hadn't been that way five months ago. She chuckled softly to herself as she thought of his blistering speech. "Lie Question: Why didn't the Lieutenant know she was pregnant? (A) She has an irregular cycle. (B) She had her tubes tied before going into space. (C) She wasn't keeping track of her cycle. (D) Women don't have periods in space. Answer:<extra_id_0>

<extra_id_0> She has an irregular cycle.<extra_id_1>

58733_KCSVZ198_2

58733_KCSVZ198_2_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Question: Why can't Lieutenant Britton go back to Earth? (A) There are no ships available to go to Earth at this time. (B) There is no one else trained to replace her as Chief Radar Technician on the space station. (C) The replacement Radar Technician was killed in a car wreck on his way to White Sands. A new technician will have to be trained. (D) The G-forces the body is subjected to during space travel would affect the fetus. Answer:<extra_id_0>

<extra_id_0> The G-forces the body is subjected to during space travel would affect the fetus.<extra_id_1>

58733_KCSVZ198_3

58733_KCSVZ198_3_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Alice Britton closed her eyes. Major Banes Question: Why did the Lieutenant go into labor early? (A) A slight depressurization in the space station shocked her body into labor. (B) Major Banes induced labor early because the baby was unusually large. (C) The stress of living in outer space caused her body to go into pre-term labor. (D) An asteroid crashed into the space station causing it to jerk unexpectedly. The Lieutenant fell and her water broke. Answer:<extra_id_0>

<extra_id_0> A slight depressurization in the space station shocked her body into labor.<extra_id_1>

58733_KCSVZ198_4

58733_KCSVZ198_4_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Alice Britton closed her eyes. Major Banes was all smiles and cheer now, but he hadn't been that way five months ago. She chuckled softly to herself as she thought of his blistering speech. "Lieutenant Britton, you're either Question: Why do they need an incubator? (A) The baby is one month early. (B) The baby is three months early. (C) The baby is two months early. (D) The baby is four months early. Answer:<extra_id_0>

<extra_id_0> The baby is two months early.<extra_id_1>

58733_KCSVZ198_5

58733_KCSVZ198_5_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Alice Britton closed her eyes. Major Banes was all smiles and cheer now, but he hadn't been that way five months ago. Question: Why can't they build an incubator? (A) They don't have the right kind of lights aboard the space station. (B) It does not occur to them to build an incubator. (C) None of them no how to build an incubator and the asteroid knocked out communications. (D) There are no spare parts aboard the space station. Answer:<extra_id_0>

<extra_id_0> There are no spare parts aboard the space station.<extra_id_1>

58733_KCSVZ198_6

58733_KCSVZ198_6_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of the room. Alice Britton closed her eyes. Major Banes was all smiles and cheer now, but he hadn't been that way five months ago. She chuckled softly to herself as she thought of his blistering speech. "Lieutenant Britton, you Question: What is White Sands? (A) A city in New Mexico. (B) A rocket base in New Mexico. (C) An obstetrics facility in New Mexico. (D) A mission control base in New Mexico. Answer:<extra_id_0>

<extra_id_0> A rocket base in New Mexico.<extra_id_1>

58733_KCSVZ198_7

58733_KCSVZ198_7_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused Question: Why is Alice so relaxed when she finds out there is no incubator aboard the space station? (A) Alice knows any room in the space station can be made into a giant incubator with minor adjustments. (B) Alice is feeling delirious due to the pains of natural childbirth and is only concerned with getting the baby out, and getting the pain to stop at the moment. (C) Alice is feeling the effects of the morphine they gave her for the contractions and is not concerned with much of anything right now. (D) Alice is feeling the effects of the Demerol they gave her for the contractions and is not concerned with much of anything right now. Answer:<extra_id_0>

<extra_id_0> Alice knows any room in the space station can be made into a giant incubator with minor adjustments.<extra_id_1>

58733_KCSVZ198_8

58733_KCSVZ198_8_0

Text: SPATIAL DELIVERY BY RANDALL GARRETT Women on space station assignments shouldn't get pregnant. But there's a first time for everything. Here's the story of such a time——and an historic situation. One thousand seventy-five miles above the wrinkled surface of Earth, a woman was in pain. There, high in the emptiness of space, Space Station One swung in its orbit. Once every two hours, the artificial satellite looped completely around the planet, watching what went on below. Outside its bright steel hull was the silence of the interplanetary vacuum; inside, in the hospital ward, Lieutenant Alice Britton clutched at the sheets of her bed in pain, then relaxed as it faded away. Major Banes looked at her and smiled a little. "How do you feel, Lieutenant?" She smiled back; she knew the pain wouldn't return for a few minutes yet. "Fine, doctor. It's no worse than I was expecting. How long will it before we can contact White Sands?" The major looked nervously at his wristwatch. "Nearly an hour. You'll be all right." "Certainly," she agreed, running a hand through her brown hair, "I'll be okay. Just you be on tap when I call." The major's grin broadened. "You don't think I'd miss a historical event like this, do you? You take it easy. We're over Eastern Europe now, but as soon as we get within radio range of New Mexico, I'll beam a call in." He paused, then repeated, "You just take it easy. Call the nurse if anything happens." Then he turned and walked out of Question: How does Alice feel about delivering the baby on the space station? (A) She is confident in Major Barnes. She feels he's perfectly competent, though obstetrics is not his field. (B) She is excited. She's going to be famous. No one has ever had a baby in space before. (C) She is terrified. No one has ever had a baby in space before. (D) She is scared because the baby is so early and there is no incubator onboard the space station. Answer:<extra_id_0>

<extra_id_0> She is confident in Major Barnes. She feels he's perfectly competent, though obstetrics is not his field.<extra_id_1>

60291_XQ25ASO2_1

60291_XQ25ASO2_1_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with Question: What is the Farm? (A) The Farm is Dr. Lessing's home in the country. (B) The Farm is a compound where they research the psionic abilities of children. (C) The Farm is where they train CIA agents with telekinetic abilities. (D) The Farm is where they do genetic testing on children to give them psychic abilities. Answer:<extra_id_0>

<extra_id_0> The Farm is a compound where they research the psionic abilities of children.<extra_id_1>

60291_XQ25ASO2_2

60291_XQ25ASO2_2_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, Question: Why will adult psi contact hurt the children? (A) Adult psi contact increases a child's psionic ability so much it can cause a psychotic break. (B) Adult psi contact overwhelms the children's brains. It gives them migraines. (C) Adult psi contact overwhelms the children's nervous systems. It gives them nose bleeds. (D) Adult psi contact dampens the children's natural psionic abilities. Eventually, adult psi contact will snuff out a child's abilities altogether. Answer:<extra_id_0>

<extra_id_0> Adult psi contact dampens the children's natural psionic abilities. Eventually, adult psi contact will snuff out a child's abilities altogether.<extra_id_1>

60291_XQ25ASO2_3

60291_XQ25ASO2_3_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with a mute appeal in his large grey eyes as Les Question: Why doesn't Tommy want to go back to the Farm? (A) Tommy misses his family and he wants to go home. (B) Tommy is tired of being experimented on. (C) Tommy is slowly going insane at the farm. (D) He doesn't feel good at the farm. Answer:<extra_id_0>

<extra_id_0> He doesn't feel good at the farm.<extra_id_1>

60291_XQ25ASO2_4

60291_XQ25ASO2_4_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with a mute appeal in his large grey eyes as Lessing flipped the reader-switch and blinked in alarm at the wildly thrashing pattern on the tape. The boy was terrorized. He was literally pul Question: Where is the Hoffman Medical Center? (A) Newark (B) Westchester (C) Philadelphia (D) Trenton Answer:<extra_id_0>.

<extra_id_0> Philadelphia<extra_id_1>

60291_XQ25ASO2_5

60291_XQ25ASO2_5_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with a mute appeal in his large grey eyes as Lessing flipped the reader-switch and blinked in alarm at the wildly thrashing pattern on the tape. The boy was terrorized. He was literally pulsating with fear Question: Where is the Farm? (A) New Jersey (B) Illinois (C) Pennsylvania (D) Connecticut Answer:<extra_id_0>.

<extra_id_0> Connecticut<extra_id_1>

60291_XQ25ASO2_6

60291_XQ25ASO2_6_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with a mute appeal in his large grey eyes as Lessing flipped the reader-switch and blinked in alarm at the wildly thrashing pattern on the tape. The boy was terrorized. He was literally pulsating Question: Where is the conference next month? (A) Illinois (B) New Jersey (C) Connecticut (D) Pennsylvania Answer:<extra_id_0>.

<extra_id_0> Illinois<extra_id_1>

60291_XQ25ASO2_7

60291_XQ25ASO2_7_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with Question: Why are the grey helmets necessary? (A) The helmets block external psionic forces. (B) The helmets improve the reception of external psionic forces. (C) The helmets are for safety, as the children are heavily medicated and at high risk for falling. (D) The helmets amplify the childrens' psychic abilities. Answer:<extra_id_0>

<extra_id_0> The helmets block external psionic forces.<extra_id_1>

60291_XQ25ASO2_8

60291_XQ25ASO2_8_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the Question: Why is Melrose so opposed to Lessing publishing his book? (A) The field of psionics is new. If Lessing turns out to be wrong, the whole field of study could be discredited. (B) Lessing is Melrose's closest friend. He doesn't want to see Lessing embarrassed if his theory is proved wrong. (C) Melrose runs a task force against the publishing of junk science. (D) Melrose is also studying psionics and wants to delay Lessing by any means so that he can publish first. Answer:<extra_id_0>

<extra_id_0> The field of psionics is new. If Lessing turns out to be wrong, the whole field of study could be discredited.<extra_id_1>

60291_XQ25ASO2_9

60291_XQ25ASO2_9_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He s Question: How did the children come to be at the Farm? (A) Dr. Lessing bought them from their parents. (B) Some children are sent to the Farm by their parents for boarding school. Others are orphans and runaways. (C) The children come from migrant and refugee camps. (D) Dr. Lessing bought them from human traffickers. Answer:<extra_id_0>

<extra_id_0> Some children are sent to the Farm by their parents for boarding school. Others are orphans and runaways.<extra_id_1>

60291_XQ25ASO2_10

60291_XQ25ASO2_10_0

Text: BRAMBLE BUSH BY ALAN E. NOURSE There was a man in our town, and he was wondrous wise; He jumped into a bramble bush and scratched out both his eyes. And when he saw what he had done, with all his might and main He jumped into another bush and scratched them in again. MOTHER GOOSE Dr. David Lessing found Jack Dorffman and the boy waiting in his office when he arrived at the Hoffman Center that morning. Dorffman looked as though he'd been running all night. There were dark pouches under his eyes; his heavy unshaven face seemed to sag at every crease. Lessing glanced sharply at his Field Director and sank down behind his desk with a sigh. "All right, Jack—what's wrong?" "This kid is driving me nuts," said Dorffman through clenched teeth. "He's gone completely hay-wire. Nobody's been able to get near him for three weeks, and now at six o'clock this morning he decides he's leaving the Farm. I talk to him, I sweat him down, I do everything but tie him to the bed, and I waste my time. He's leaving the Farm. Period." "So you bring him down here," said Lessing sourly. "The worst place he could be, if something's really wrong." He looked across at the boy. "Tommy? Come over and sit down." There was nothing singular about the boy's appearance. He was thin, with a pale freckled face and the guileless expression of any normal eight-year-old as he blinked across the desk at Lessing. The awkward grey monitor-helmet concealed a shock of sandy hair. He sat with a mute Question: Why does the block tower fall down? (A) Lessing removed his helmet. (B) The children used their psi powers to influence Lessing into removing his helmet. (C) The children removed their helmets. (D) Unknown. It is too early in the field of psi research to accurately determine the answer. Answer:<extra_id_0>

<extra_id_0> Unknown. It is too early in the field of psi research to accurately determine the answer.<extra_id_1>

29196_O6U0UM5D_1

29196_O6U0UM5D_1_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was behind one of those thousands of windows. Old cybrain, a gift from the Trooper surgeons, compliments of the city, would have to figure out which one. Blood churned Question: How is Lane able to hover over the buildings? (A) He has anti-gravity boots. (B) He is in a helicopter. (C) He has a jet pack. (D) He has anti-gravity devices implanted in his body. Answer:<extra_id_0>

<extra_id_0> He has anti-gravity devices implanted in his body.<extra_id_1>

29196_O6U0UM5D_2

29196_O6U0UM5D_2_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was behind one of those thousands of windows. Old c Question: Why are the police willing to risk the life of Gerri to kill Lane? (A) Lane is too dangerous to be left alive. They can't risk him escaping just so they can rescue Gerri. (B) They think Lane may be infected with a biological weapon. (C) The police don't care if they kill Martians. (D) They don't believe that Gerri is in the room with Lane. Answer:<extra_id_0>

<extra_id_0> Lane is too dangerous to be left alive. They can't risk him escaping just so they can rescue Gerri.<extra_id_1>

29196_O6U0UM5D_3

29196_O6U0UM5D_3_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was behind one of those thousands of windows. Old cybrain, a gift from the Troo Question: How does Gerri feel about Earth? (A) Gerri does not like the Earth. The climate is terrible. (B) She does not like Earth. She thinks the people are uncivilized. (C) She loves Earth. She is going to move to Earth permanently. (D) Gerri likes the Earth, it's the Earthlings she's not sure about. Answer:<extra_id_0>

<extra_id_0> She does not like Earth. She thinks the people are uncivilized.<extra_id_1>

29196_O6U0UM5D_4

29196_O6U0UM5D_4_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was behind one of those thousands of windows. Old cybrain, a gift from the Trooper surgeons, compliments of the Question: Why is Lane so child-like? (A) All men are child-like. (B) Lane was never given a proper education, only fighting instruction. (C) Lane is controlled by the Cybrain. His own brain never had the chance to develop properly. (D) Lane has been a Trooper since he was seven years old. Answer:<extra_id_0>

<extra_id_0> Lane was never given a proper education, only fighting instruction.<extra_id_1>

29196_O6U0UM5D_5

29196_O6U0UM5D_5_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers Question: What is a cybrain? (A) A cybrain is a cybernetic brain. The cybrain is in control of the Newyork Special Troops, like a hive mind. (B) A cybrain is a dispatch system that sends the Newyork Special Troops on their assignments. (C) A cybrain is a cybernetic brain. Cybrains are implanted in soldiers to make them the ultimate weapons. (D) A cybrain is an AI handler. Each of the Newyork Specail Troops has a cybrain which is their only contact to the command center. Answer:<extra_id_0>

<extra_id_0> A cybrain is a cybernetic brain. Cybrains are implanted in soldiers to make them the ultimate weapons.<extra_id_1>

29196_O6U0UM5D_6

29196_O6U0UM5D_6_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn Question: Why can't Lane read or write? (A) When the cybrain was installed, Lane's own brain was wiped clean. (B) Lane is dyslexic. He got frustrated trying to learn and gave up. (C) Teaching the soldiers how to read and write would only lead to rational thinking. The soldiers might start to question orders. Therefore, they are only taught fighting. (D) Lane has only been schooled in soldiering since he was seven. He was taught to fight, nothing else. Answer:<extra_id_0>

<extra_id_0> Lane has only been schooled in soldiering since he was seven. He was taught to fight, nothing else.<extra_id_1>

29196_O6U0UM5D_7

29196_O6U0UM5D_7_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was behind one of those thousands of windows. Old cybrain, a gift from the Trooper surgeons, compliments of the city, would have to figure out which one. Blood churned in his veins, Question: Why does Gerri kiss Lane? (A) She pities him. (B) She is terrified he'll kill her if she doesn't. (C) She likes Lane. (D) He is trying to save her life. Answer:<extra_id_0>

<extra_id_0> She pities him.<extra_id_1>

29196_O6U0UM5D_8

29196_O6U0UM5D_8_0

Text: MUTINEER By ROBERT J. SHEA For every weapon there was a defense, but not against the deadliest weapon—man himself! Raging, Trooper Lane hovered three thousand feet above Tammany Square. The cool cybrain surgically implanted in him was working on the problem. But Lane had no more patience. They'd sweat, he thought, hating the chill air-currents that threw his hovering body this way and that. He glared down at the three towers bordering on the Square. He spat, and watched the little white speck fall, fall. Lock me up in barracks. All I wanted was a little time off. Did I fight in Chi for them? Damn right I did. Just a little time off, so I shouldn't blow my top. Now the lid's gone. He was going over all their heads. He'd bowled those city cops over like paper dolls, back at the Armory. The black dog was on Lane's back. Old Mayor himself was going to hear about it. Why not? Ain't old Mayor the CinC of the Newyork Troopers? The humming paragrav-paks embedded beneath his shoulder blades held him motionless above Newyork's three administrative towers. Tammany Hall. Mayor's Palace. Court House. Lane cursed his stupidity. He hadn't found out which one was which ahead of time. They keep Troopers in the Armory and teach them how to fight. They don't teach them about their own city, that they'll be fighting for. There's no time. From seven years old up, Troopers have too much to learn about fighting. The Mayor was Question: Why do the police believe the analogue computer can defeat Lane? (A) The police are fooling themselves. The analogue computer cannot hope to compete with the cybrain. (B) The analogue computer is much larger and more powerful than the cybrain. (C) The cybrains are an extension of the analogue computer. (D) The cybrains do not have the advanced processor the analogue computer does. Answer:<extra_id_0>

<extra_id_0> The analogue computer is much larger and more powerful than the cybrain.<extra_id_1>

99920_U7PIXLPN_1

99920_U7PIXLPN_1_0

Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen many more systems take on a loose, human centric model in the last decade and Question: What was the solution for increased complexity in the late 19th, early 20th century? (A) Assembly lines (B) The increased role of structure and improved design (C) Complex managed systems (D) Child labor laws Answer:<extra_id_0>.

<extra_id_0> The increased role of structure and improved design<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen many more systems take on a loose, human centric model in the last decade and a half: from the Question: What state bureaucracy development saved Europe after WWII? (A) Frederick Taylor's Scientific Management (B) The New Deal (C) The Marshall Plan (D) The Tennessee Valley Authority Answer:<extra_id_0>.

<extra_id_0> The Marshall Plan<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen Question: What does Google do for their employees to foster innovation? (A) They use Segways on the Google campus and in the buildings. (B) They have a relaxed dress code. (C) One day a week, they can pursue whatever ideas they like. (D) They have a culture of play. Answer:<extra_id_0>

<extra_id_0> One day a week, they can pursue whatever ideas they like.<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen Question: How did Wikipedia eclipse all commercial encyclopedias except Britannica? (A) They engaged the human and social. (B) They built an open and inviting system that lets people learn together. (C) They hired the smartest guys in the room. (D) They issued a large IPO. Answer:<extra_id_0>

<extra_id_0> They built an open and inviting system that lets people learn together.<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and Question: What typified Taylorism? (A) Identifying opportunities and challenges to action and acting upon them. (B) Location of authority and practical capacity to act at the edges of the system. (C) Loosely-coupled systems. (D) The ambition to measure and specify all human and material elements of the production system. Answer:<extra_id_0>

<extra_id_0> The ambition to measure and specify all human and material elements of the production system.<extra_id_1>

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99920_U7PIXLPN_6_0

Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is Question: Why did AT&amp;T originally retain ownership of the phones at the endpoints? (A) To prohibit customers from connecting unlicensed phones at the endpoints. (B) To exclude competitors. (C) To ensure the proper functioning of the networking and monitoring of customer behavior. (D) To make the most profit. Answer:<extra_id_0>

<extra_id_0> To ensure the proper functioning of the networking and monitoring of customer behavior.<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen many more systems take Question: How did the Internet allow for a breathtaking rate of innovation? (A) By re-engineering the entire network. (B) By building security into the technical system. (C) By being a fully managed system. (D) It was designed to be as general as possible. Answer:<extra_id_0>

<extra_id_0> It was designed to be as general as possible.<extra_id_1>

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Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it un Question: What is a "trusted computer"? (A) A computer system that implements the belief that machines are trustworthy, while human users are malevolent and or incompetent. (B) A computer system that is well-designed and tightly bound. (C) A computer that will not run a program without authorization from some other locus, such as a copyright owner. (D) A computer system where human beings are located and can make decisions about what is worthwhile. Answer:<extra_id_0>

<extra_id_0> A computer that will not run a program without authorization from some other locus, such as a copyright owner.<extra_id_1>

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99920_U7PIXLPN_9_0

Text: COMPLEXITY AND HUMANITY We have all seen the images. Volunteers pitching in. People working day and night; coming up with the most ingenious, improvised solutions to everything from food and shelter to communications and security. Working together; patching up the fabric that is rent. Disaster, natural or otherwise, is a breakdown of systems. For a time, chaos reigns. For a time, what will happen in the next five minutes, five hours, and five days is unknown. All we have to rely on are our wits, fortitude, and common humanity Contemporary life is not chaotic, in the colloquial sense we apply to disaster zones. It is, however, complex and rapidly changing; much more so than life was in the past; even the very near past. Life, of course, was never simple. But the fact that day-to-day behaviors in Shenzhen and Bangalore have direct and immediate effects on people from Wichita to Strasbourg, from Rio de Janeiro to Sydney, or that unscrupulous lenders and careless borrowers in the United States can upend economic expectations everywhere else in the world, no matter how carefully others have planned, means that there are many more moving parts that affect each other. And from this scale of practical effects, complexity emerges. New things too were ever under the sun; but the systematic application of knowledge to the creation of new knowledge, innovation to innovation, and information to making more information has become pervasive; and with it the knowledge that next year will be very different than this. The Web, after all, is less than a generation old. These two features<unk>the global scale of interdependence of human action, and the systematic acceleration of innovation, make contemporary life a bit like a slow motion disaster, in one important respect. Its very unpredictability makes it unwise to build systems that take too much away from what human beings do best: look, think, innovate, adapt, discuss, learn, and repeat. That is why we have seen many more systems take on a loose, human centric model in the last decade and a half: from the radical divergence Question: What is something that gives us real proof that human-centric systems can thrive? (A) Taylorism (B) Google (C) Wikipedia (D) The New Deal Answer:<extra_id_0>.

<extra_id_0> Wikipedia<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they Question: What is the access revolution? (A) Globally more homes than ever before have access to the internet. (B) Free global sharing. (C) Authors are giving away their work for free. (D) Authors can share their work with a worldwide audience at essentially no cost. Answer:<extra_id_0>

<extra_id_0> Authors can share their work with a worldwide audience at essentially no cost.<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the Question: How could selling their work actually harm some authors' interests? (A) It could steer them toward writing about popular topics rather than writing about their expertise. (B) Libraries may decide not to purchase the work because of the cost involved for multiple copies. (C) They may never reach a global audience. (D) The cost to read the work could result in a smaller audience. Answer:<extra_id_0>

<extra_id_0> The cost to read the work could result in a smaller audience.<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like Question: What does removing price barriers mean for readers? (A) Readers are not limited by the budgets of libraries. (B) Readers can translate and redistribute work. (C) Readers can reuse literature for scholarly purposes. (D) Readers are not limited by their own ability to pay. Answer:<extra_id_0>

<extra_id_0> Readers are not limited by their own ability to pay.<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like Question: What does removing permission barriers mean for readers? (A) Readers can reuse literature for scholarly purposes. (B) Readers can translate and redistribute work. (C) Readers are not limited by their own ability to pay. (D) Readers are not limited by the budgets of libraries. Answer:<extra_id_0>

<extra_id_0> Readers can reuse literature for scholarly purposes.<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they should take advantage of the access revolution. The dream of global free access can be a reality Question: What is the open-access delivered by repositories called? (A) Green OA (B) Libre OA (C) Gold OA (D) Gratis OA Answer:<extra_id_0>.

<extra_id_0> Green OA<extra_id_1>

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Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they should take Question: What is one limit all kinds of OA put on user freedom? (A) A constraint on library privileges. (B) A limit on text mining. (C) A constraint on reproduction and distribution. (D) There is an obligation to credit the work to the author. Answer:<extra_id_0>

<extra_id_0> There is an obligation to credit the work to the author.<extra_id_1>

99924_YN01YWI7_7

99924_YN01YWI7_7_0

Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at Question: What is the main premise of OA? (A) To make research literature available online without price barriers or without most permission barriers. (B) To allow researchers to reuse literature for scholarly purposes. (C) To allow reproduction and distribution by readers. (D) To allow readers to write derivative works. Answer:<extra_id_0>

<extra_id_0> To make research literature available online without price barriers or without most permission barriers.<extra_id_1>

99924_YN01YWI7_8

99924_YN01YWI7_8_0

Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they should take advantage of the access revolution. The dream of global free access can be a reality for them, even if most other authors Question: In which chapter can we find more on OA policies? (A) Chapter 4 (B) Chapter 5 (C) Chapter 9 (D) Chapter 2 Answer:<extra_id_0>.

<extra_id_0> Chapter 4<extra_id_1>

99924_YN01YWI7_9

99924_YN01YWI7_9_0

Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they should take advantage of the access revolution. The dream of global free access can be a reality for them, even if Question: In which section can we find more about peer review? (A) Section 5.1 (B) Section 5.3 (C) Section 5.7 (D) Section 5.5 Answer:<extra_id_0>.

<extra_id_0> Section 5.1<extra_id_1>

99924_YN01YWI7_10

99924_YN01YWI7_10_0

Text: What Is Open Access? Shifting from ink on paper to digital text suddenly allows us to make perfect copies of our work. Shifting from isolated computers to a globe-spanning network of connected computers suddenly allows us to share perfect copies of our work with a worldwide audience at essentially no cost. About thirty years ago this kind of free global sharing became something new under the sun. Before that, it would have sounded like a quixotic dream. Digital technologies have created more than one revolution. Let’s call this one the access revolution. Why don’t more authors take advantage of the access revolution to reach more readers? The answer is pretty clear. Authors who share their works in this way aren’t selling them, and even authors with purposes higher than money depend on sales to make a living. Or at least they appreciate sales. Let’s sharpen the question, then, by putting to one side authors who want to sell their work. We can even acknowledge that we’re putting aside the vast majority of authors. Imagine a tribe of authors who write serious and useful work, and who follow a centuries-old custom of giving it away without charge. I don’t mean a group of rich authors who don’t need money. I mean a group of authors defined by their topics, genres, purposes, incentives, and institutional circumstances, not by their wealth. In fact, very few are wealthy. For now, it doesn’t matter who these authors are, how rare they are, what they write, or why they follow this peculiar custom. It’s enough to know that their employers pay them salaries, freeing them to give away their work, that they write for impact rather than money, and that they score career points when they make the kind of impact they hoped to make. Suppose that selling their work would actually harm their interests by shrinking their audience, reducing their impact, and distorting their professional goals by steering them toward popular topics and away from the specialized questions on which they are experts. If authors like that exist, at least they should take advantage of the access revolution. The dream of global free access can be a reality for them, even if most Question: In which chapter can we find out more about OA economics? (A) Chapter 7 (B) Chapter 5 (C) Chapter 9 (D) Chapter 3 Answer:<extra_id_0>.

<extra_id_0> Chapter 7<extra_id_1>

99910_IUMXEL62_1

99910_IUMXEL62_1_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those Question: What is a working example of a complementary currency? (A) The Brixton Pound (B) The Eko Pound (C) The Liverpool Pound (D) The Glasgow Pound Answer:<extra_id_0>.

<extra_id_0> The Brixton Pound<extra_id_1>

99910_IUMXEL62_2

99910_IUMXEL62_2_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in Question: Which complementary currency didn't work out? (A) The Stroud Pound (B) The Totnes Pound (C) The Liverpool Pound (D) The Brixton Pound Answer:<extra_id_0>.

<extra_id_0> The Stroud Pound<extra_id_1>

99910_IUMXEL62_3

99910_IUMXEL62_3_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in Question: What percent goes toward a Brixton Fund when a Brixton Pound is spent? (A) 2.0 percent (B) 0.5 percent (C) 1.0 percent (D) 1.5 percent Answer:<extra_id_0>.

<extra_id_0> 1.5 percent<extra_id_1>

99910_IUMXEL62_4

99910_IUMXEL62_4_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in Question: Who came up with the Stroud Pound? (A) Ciaran Mundy (B) Duncan McCann (C) Stephen Clarke (D) Molly Scott Cato Answer:<extra_id_0>.

<extra_id_0> Molly Scott Cato<extra_id_1>

99910_IUMXEL62_5

99910_IUMXEL62_5_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in a Question: Who is the CFO of the Bristol Pound (A) Stephen Clarke (B) Molly Scott Cato (C) Duncan McCann (D) Ciaran Mundy Answer:<extra_id_0>.

<extra_id_0> Stephen Clarke<extra_id_1>

99910_IUMXEL62_6

99910_IUMXEL62_6_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in a gilded room at Glasgow Chambers to discuss the Question: When did people start using the Bristol Pound? (A) 2012 (B) 2015 (C) 2016 (D) 2010 Answer:<extra_id_0>.

<extra_id_0> 2012<extra_id_1>

99910_IUMXEL62_7

99910_IUMXEL62_7_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency Question: What is a big obstacle for the Glasgow Pound? (A) There is a ten-year life expectancy gap between different parts of the city. (B) More than a third of the families grow up in poverty. A local currency makes shopping a little more expensive. (C) They must be used at independent shops, instead of big supermarket chains. (D) In deprived areas, people cannot afford time and money to put into their communities. Answer:<extra_id_0>

<extra_id_0> More than a third of the families grow up in poverty. A local currency makes shopping a little more expensive.<extra_id_1>

99910_IUMXEL62_8

99910_IUMXEL62_8_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in a g Question: Who is the CEO of the Bristol Pound? (A) Ciaran Mundy (B) Stephen Clarke (C) Peter Ferry (D) Duncan McCann Answer:<extra_id_0>.

<extra_id_0> Ciaran Mundy<extra_id_1>

99910_IUMXEL62_9

99910_IUMXEL62_9_0

Text: New money: Do local currencies actually work? It's lunchtime at Glasgow Chambers in late November, and Councillor George Redmond is getting worked up at the prospect a Glasgow Pound. "We would be Glasgow-centric about it," he says conspiratorially, as though there is any other way to be. "Can you imagine having the face of Billy Connolly on our local currency? Or Alex Ferguson, or Kenny Dalglish?" Inventing an alternative to sterling might sound far-fetched, even illegal. But it's not that strange. In the UK we think of the pound like fish think about water, which is to say not at all. It might never have occurred to many of us that there are other types of exchange that can stand in for ragged bank notes tucked away in pockets, or other objects that can stand in for those notes. Not every country is so lucky. In crisis-hit Greece, where the euro can be hard to come by, businesses and citizens have turned to bartering using a points system where goods like pianos, pot and pans can be exchanged for security services or loaned farming equipment. In India last year, desperate people burned sacks of illegal cash after the government withdrew two high-denomination notes as part of a crackdown on corruption. Hoarders woke up to discover the banknotes under their mattresses were suddenly worthless. The pound has been trading at its lowest level since 1985 since the UK voted to leave the European Union and there are fears that it could dip further as Brexit ensues. Timebanks, local exchange trading systems (LETS) and digital inventions like bitcoin can provide alternative ways for people to pay for goods and services when mainstream currencies hit crises. But they will only work if Britons are ready to accept that they have the power to invent their own currency. "At the moment, if the pound stops working for us, the whole economy grinds to a halt because there aren't alternatives," Duncan McCann, a researcher at the New Economics Foundation, tells those gathered in a Question: Who would look great on a Glasgow Pound? (A) Karen Gillian (B) Billy Connolly (C) Gerard Butler (D) Sean Connery Answer:<extra_id_0>.

<extra_id_0> Billy Connolly<extra_id_1>

51597_L4VT5NLR_1

51597_L4VT5NLR_1_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Geneva would prove heavy reading for a man condemned to snack on the Chlorella- Question: The Captain is characterized in all of the following ways EXCEPT: (A) melodramatic (B) sardonic (C) exasperating (D) acrimonious Answer:<extra_id_0>.

<extra_id_0> acrimonious<extra_id_1>

51597_L4VT5NLR_2

51597_L4VT5NLR_2_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Geneva would prove heavy reading for a man condemned to snack on the Chlorella-spawn of cis-Martian space. The Pequod Question: What is the narrator's profession? (A) astronaut (B) doctor (C) sailor (D) cook Answer:<extra_id_0>.

<extra_id_0> doctor<extra_id_1>

51597_L4VT5NLR_3

51597_L4VT5NLR_3_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Question: The Pequod, Nimitz, and Triton are all references to? (A) crewmen aboard the Charles Partlow Sale (B) seafaring men or ships from literature (C) names of scientists who invented food recycling techniques (D) the most palatable strains of algae Answer:<extra_id_0>.

<extra_id_0> seafaring men or ships from literature<extra_id_1>

51597_L4VT5NLR_4

51597_L4VT5NLR_4_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Geneva would prove heavy reading for a man condemned to snack on the Ch Question: According to the narrator, who is the most important figure onboard a spacecraft? (A) the Captain (B) the chef (C) the waste manager (D) the 'doctor' Answer:<extra_id_0>.

<extra_id_0> the chef<extra_id_1>

51597_L4VT5NLR_5

51597_L4VT5NLR_5_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Geneva would prove heavy reading for a man condemned to snack on the Chlorella-spawn of cis- Question: All of the following is 'recycled' to create extra 'food' EXCEPT for: (A) urine (B) hair (C) algae (D) bones Answer:<extra_id_0>.

<extra_id_0> bones<extra_id_1>

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51597_L4VT5NLR_6_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review Question: How do the crewmen view the tension between Winkelmann and Bailey? (A) They are repulsed by the Captain's condescending remarks (B) They are thankful that the Captain's cruelty influences Bailey to create more palatable food (C) They are determined to stay out of the conflict, for fear of being punished by the Captain (D) They are concerned that Bailey will mutiny by refusing to fulfill his job responsibilities Answer:<extra_id_0>.

<extra_id_0> They are thankful that the Captain's cruelty influences Bailey to create more palatable food<extra_id_1>

51597_L4VT5NLR_7

51597_L4VT5NLR_7_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and Question: How does Winkelmann justify his critical stance towards Bailey's cooking? (A) It motivates Bailey to seek the approval of his shipmates (B) It prevents Bailey from becoming apathetic in the kitchen (C) It compels Bailey to be more creative with his resources (D) It builds Bailey's character and makes him more resilient Answer:<extra_id_0>.

<extra_id_0> It compels Bailey to be more creative with his resources<extra_id_1>

51597_L4VT5NLR_8

51597_L4VT5NLR_8_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue Question: What was Winkelmann's greatest insult to Bailey? (A) Slathering ketchup on Bailey's most proud concoction (B) Reducing his compensation (C) Refusing to eat the steaks that Bailey innovated (D) Remarking that the food in which he invested the least effort in making was the most delicious Answer:<extra_id_0>.

<extra_id_0> Slathering ketchup on Bailey's most proud concoction<extra_id_1>

51597_L4VT5NLR_9

51597_L4VT5NLR_9_0

Text: GOURMET By ALLEN KIM LANG This was the endless problem of all spaceship cooks: He had to feed the men tomorrow on what they had eaten today! Unable to get out to the ballgame and a long way off from the girls, men on ships think about, talk about, bitch about their food. It's true that Woman remains a topic of thoughtful study, but discussion can never replace practice in an art. Food, on the other hand, is a challenge shipmen face three times a day, so central to their thoughts that a history of sea-faring can be read from a commissary list. In the days when salt-sea sailors were charting islands and spearing seals, for example, the fo'c's'le hands called themselves Lobscousers, celebrating the liquid hash then prominent in the marine menu. The Limey sailor got the name of the anti-scorbutic citrus squeezed into his diet, a fruit known to us mariners of a more sophisticated age only as garnish for our groundside gin-and-tonic. And today we Marsmen are called Slimeheads, honoring in our title the Chlorella and Scenedesmus algae that, by filling up the spaces within, open the road to the larger Space without. Should any groundsman dispute the importance of belly-furniture in history—whether it be exterminating whales, or introducing syphilis to the Fiji Islanders, or settling the Australian littoral with cross-coves from Middlesex and Hampshire—he is referred to the hundred-and-first chapter of Moby Dick, a book spooled in the amusement tanks of all but the smallest spacers. I trust, however, that no Marsman will undertake to review this inventory of refreshment more than a week from groundfall. A catalogue of sides of beef and heads of Leyden cheese and ankers of good Geneva would prove heavy reading for a man Question: How did Bailey achieve the meal that tasted like barbeque? (A) He added the Captain's entrails (B) He allowed the chlorella to ferment longer (C) He used actual pork products (D) He added his own refuse Answer:<extra_id_0>.

<extra_id_0> He added the Captain's entrails<extra_id_1>

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60995_B2JLL3Y9_1_0

Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were Question: What is the central theme of February Strawberries? (A) Death, while tragic, should be permanent (B) Just because technology has the means to accomplish great feats does not mean it should cross certain lines (C) It is better to have all the details before making a life-changing and costly decision (D) The value of a human life cannot transfer once one is resurrected Answer:<extra_id_0>.

<extra_id_0> Just because technology has the means to accomplish great feats does not mean it should cross certain lines<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have Question: Why does Howell not want Linton to approach Snead in the restaurant? (A) Howell imagines that Snead has likely been resurrected and will try to go after Linton (B) Howell knows that Linton has been resurrected and does not want him to be embarrassed if Linton commits a social faux pas (C) Howell does not want Linton to learn about resurrection after what he did to become institutionalized (D) Howell knows that Linton attempted to murder Snead before he suffered from a nervous breakdown Answer:<extra_id_0>.

<extra_id_0> Howell does not want Linton to learn about resurrection after what he did to become institutionalized<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell breathed in deeply and sucked back Linton's attention. "Now Question: Howell offers all of the following reasons why resurrection is problematic EXCEPT: (A) It is illegal (B) It conflicts with many people's religious beliefs (C) It compromises the death industry (D) It is extremely costly Answer:<extra_id_0>.

<extra_id_0> It is extremely costly<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell breathed in deeply and sucked back Linton's attention. "Now you Question: According to Howell, all of the following issues might arise from resurrecting people EXCEPT for? (A) overpopulation (B) unskilled practitioners (C) insurance fraud (D) android takeover Answer:<extra_id_0>.

<extra_id_0> android takeover<extra_id_1>

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60995_B2JLL3Y9_5_0

Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell breathed in deeply and sucked back Linton's attention. "Now you' Question: Why did Linton spend time in an asylum? (A) he invested in bad stocks (B) he committed murder (C) suffers from delusions and hallucinations (D) his wife died from cancer Answer:<extra_id_0>.

<extra_id_0> he committed murder<extra_id_1>

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60995_B2JLL3Y9_6_0

Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out Question: Which of the following risks are explicitly associated with bringing someone back to life? (A) They may desire to seek revenge on the person who killed them (B) They may not recognize the person who resurrected them (C) The person who received their insurance settlement will have to return it (D) They may suffer from cell deterioration Answer:<extra_id_0>.

<extra_id_0> They may desire to seek revenge on the person who killed them<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell Question: Why does Linton murder Greta after just resurrecting her? (A) Greta wants him to relieve her of her suffering (B) He desires the rest of her insurance money (C) He realized he resurrected the wrong person (D) Greta attempted to kill him Answer:<extra_id_0>.

<extra_id_0> Greta attempted to kill him<extra_id_1>

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60995_B2JLL3Y9_8_0

Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell breathed in deeply and s Question: What will likely happen after Mr. Linton killed Greta? (A) He will attempt to resurrect her again (B) He will be re-institutionalized (C) No one will ever find out what happened (D) He will lose all of his money Answer:<extra_id_0>.

<extra_id_0> He will be re-institutionalized<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell Question: What is the most likely identity of the man Linton believes to be Mr. Snead? (A) Snead's twin brother (B) A complete stranger (C) Snead (who never died) (D) A resurrected Snead Answer:<extra_id_0>.

<extra_id_0> A resurrected Snead<extra_id_1>

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Text: FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? Linton lay down his steel fork beside the massively solid transparency of the restaurant water glass. "Isn't that Rogers Snead at that table?" he heard himself say stupidly. Howell, the man across the table from him, looked embarrassed without looking. "Not at all. Somebody who looks like him. Twin brother. You know how it is. Snead's dead, don't you remember?" Linton remembered. Howell had to know that he would remember. What were they trying to pull on him? "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. "If that's Snead's brother, I might catch him to pay my respects." "No," Howell said, "I wouldn't do that." "Snead came to Greta's funeral. It's the least I could do." "I wouldn't. Probably no relation to Snead at all. Somebody who looks like him." "He's practically running," Linton said. "He almost ran out of the restaurant." "Who? Oh, the man who looked like Snead, you mean." "Yes," Linton said. A thick-bodied man at the next table leaned his groaning chair back intimately against Linton's own chair. "That fellow who just left looked like a friend of yours, huh?" the thick man said. "Couldn't have been him, though," Linton answered automatically. "My friend's dead." The thick man rocked forward and came down on all six feet. He threw paper money on the table as if he were disgusted with it. He plodded out of the place quickly. Howell breathe Question: Why does Linton initially believe that Greta attempted to murder him after he resurrected her? (A) She wants the rest of his fortune (B) She had a brain malfunction (C) She is suffering from hallucinations (D) She is part of an android cult Answer:<extra_id_0>.

<extra_id_0> She had a brain malfunction<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, ahead nothing but the mazes and gullies of this dead world. He was a cripple in a wheelchair—helpless as a rattlesnake. Question: Val and Ron's geiger is programmed to identify: (A) The Sandcat (B) The Dome (C) Uranium (D) humans Answer:<extra_id_0>.

<extra_id_0> Uranium<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, ahead nothing but the mazes and gullies of Question: Why have Val and Ron joined a mission on Mars? (A) to locate a new source of fuel (B) to restore Earth's depleted fuel reserves (C) to determine if the planet can be colonized (D) to identify the source of recent astronaut murders Answer:<extra_id_0>.

<extra_id_0> to restore Earth's depleted fuel reserves<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, ahead nothing but the mazes and gullies of this dead world. He Question: According to Ron, what motivated him and Val to join the Geigs? (A) desire to maintain their present way of life (B) monetary compensation (C) opportunity for a new life on Mars (D) heroic reputational status upon returning to Earth Answer:<extra_id_0>.

<extra_id_0> desire to maintain their present way of life<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, ahead nothing but the mazes and gullies of this dead world. He was a cripple in a wheelchair—helpless as a rattlesnake. "Try to keep going, Question: Which term best describes Mars' population? (A) congested (B) meager (C) sustainable (D) uninhabited Answer:<extra_id_0>.

<extra_id_0> meager<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape Question: How will finding uranium on Mars aid the problem on Earth? (A) In combination with the underwater project, it will give Earth at least 300 more years of fuel (B) It will cause more problems, because neighboring countries will fight over the small amount of fuel (C) It will render the underwater project unnecessary (D) It can hopefully sustain Earth's industries until the underwater project yields results Answer:<extra_id_0>.

<extra_id_0> It can hopefully sustain Earth's industries until the underwater project yields results<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, Question: What is Ledman's relation to UranCo? (A) He was a civilian injured by them in the Sadlerville blast (B) He was their CEO prior to the Sadlerville blast (C) He was the CEO of a competing company, Ledman Atomics (D) He was a member of the Board Answer:<extra_id_0>.

<extra_id_0> He was their CEO prior to the Sadlerville blast<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's Question: What is ironic about Ledman's quick departure to Mars? (A) Victims of the Sadlerville blast received a large settlement and were culturally recognized as heroes (B) Inventors discovered a way to create prosthetics using atomic power (C) In hunting Geigs, Ledman is killing the only people with the power to help him walk again (D) He needs uranium in order to survive and went to a place where there is scant uranium Answer:<extra_id_0>.

<extra_id_0> Inventors discovered a way to create prosthetics using atomic power<extra_id_1>

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Text: THE HUNTED HEROES By ROBERT SILVERBERG The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! "Let's keep moving," I told Val. "The surest way to die out here on Mars is to give up." I reached over and turned up the pressure on her oxymask to make things a little easier for her. Through the glassite of the mask, I could see her face contorted in an agony of fatigue. And she probably thought the failure of the sandcat was all my fault, too. Val's usually about the best wife a guy could ask for, but when she wants to be she can be a real flying bother. It was beyond her to see that some grease monkey back at the Dome was at fault—whoever it was who had failed to fasten down the engine hood. Nothing but what had stopped us could stop a sandcat: sand in the delicate mechanism of the atomic engine. But no; she blamed it all on me somehow: So we were out walking on the spongy sand of the Martian desert. We'd been walking a good eight hours. "Can't we turn back now, Ron?" Val pleaded. "Maybe there isn't any uranium in this sector at all. I think we're crazy to keep on searching out here!" I started to tell her that the UranCo chief had assured me we'd hit something out this way, but changed my mind. When Val's tired and overwrought there's no sense in arguing with her. I stared ahead at the bleak, desolate wastes of the Martian landscape. Behind us somewhere was the comfort of the Dome, ahead nothing Question: Why did Val become so tired during her trek across the desert? (A) She did not have the technology that enabled Ron to persist (B) She became consumed with resentment for having traveled to Mars (C) She had trouble adjusting to the Martian climate and terrain (D) Uranium was seeping through her space suit Answer:<extra_id_0>.

<extra_id_0> She did not have the technology that enabled Ron to persist<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was Question: What is ironic about Sias' view of those who 'cling tenaciously, and ignorantly to the old religion'? (A) Sias' reactions to Rocsates' ideas suggest that he is ignorant in a similar way (B) Sias' refusal to adhere to any set of principles will get him imprisoned (C) Sias subscribes to an iteration of the same religion many of the elders do (D) Sias does not realize that the Conclave is ruled by that same religion Answer:<extra_id_0>.

<extra_id_0> Sias' reactions to Rocsates' ideas suggest that he is ignorant in a similar way<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen today. Indeed, Melia was on this account made the butt of many Question: What is the significance of the Maternite? (A) It determines how many children will be born in the span of a year (B) It reduces the prevalence of female biological sex organs (C) It produces enough breastmilk to sustain newborn infants (D) It decides which of the elders will be sacrificed to the gods Answer:<extra_id_0>.

<extra_id_0> It determines how many children will be born in the span of a year<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen today. Indeed, Melia was on this account made the butt of many jokes and Question: Since humans stopped reproducing among themselves, what has been the greatest impact on human biology? (A) significant reduction of the appearance and function of sex organs (B) more predictable measures for increasing the global population (C) gradual decrease in the overall intellectual quotient of a society (D) a lower prevalence of birth defects and learning disabilities Answer:<extra_id_0>.

<extra_id_0> significant reduction of the appearance and function of sex organs<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen today. Indeed, Melia was on this account made the butt of many jokes and, I fear, would have had a lonely life of it had it not been for the friendship of Xeon Question: All of the following terms describe the people's reaction to the destruction of the Maternite EXCEPT for: (A) perplexed (B) panicked (C) obtuse (D) accusatory Answer:<extra_id_0>.

<extra_id_0> accusatory<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen Question: Which sentence describes the central theme of this story? (A) History is doomed to repeat itself because humans fail to learn from their mistakes. (B) A society that does not include younger generations in its governing bodies will fail to evolve. (C) The death of curiosity, combined with overreliance on technology, will lead to an ignorant society. (D) Too much emphasis on masculine ways of thinking and innovating will ruin a society. Answer:<extra_id_0>

<extra_id_0> The death of curiosity, combined with overreliance on technology, will lead to an ignorant society.<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen today. Indeed, Melia was on this account made the butt of many jokes and, I fear, would have had a lonely life of it had it not been for the friendship of Xeon. "Si Question: The overall reaction to Rocsates' suggestions is symbolic of: (A) Inefficiency of government (B) Resistance to intellectualism (C) Potential of innovation (D) Overzealousness for power Answer:<extra_id_0>.

<extra_id_0> Resistance to intellectualism<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of Question: In describing the Conclave's reaction to the Maternite emergency, the author is making a comparison to: (A) how authoritarian governments, though less humane, are often more effective in executing policies (B) how modern leaders revert to ceremony and argument instead of problem-solving (C) how the filibuster prevents governments from making real progress for its people (D) how young members and elder members of governments typically reach an impasse Answer:<extra_id_0>.

<extra_id_0> how modern leaders revert to ceremony and argument instead of problem-solving<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago Question: What is ironic about keeping their books stored away in an airtight compartment? (A) There is nothing in the books that can help Melopolis repair the Maternite or save its population (B) The books were already designed with technology that would keep them intact forever (C) There is little use in preserving something if the meaning is lost upon those preserving it (D) The books contain antiquated knowledge that will only set Melopolis back further Answer:<extra_id_0>.

<extra_id_0> There is little use in preserving something if the meaning is lost upon those preserving it<extra_id_1>

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Text: The Birds and the Bees BY DAVE E. FISHER Which goes to prove that, in some instances, being heroic is easy! I was wandering among the tall grass of the slopes, listening to the soft whistling of the wind; allowing the grass to caress my toga and thighs. It was a day soft and clear; a day accepted by the young, cherished by we old. Across the gently undulating hills stood the magnificent Melopolis, encradling the Oracle of Delni. I do not, of course, believe in the gods per se; still there is a grandeur in the very stones that transcends their human sculptors, and it is no wonder to me that many cling tenaciously, and ignorantly, to the old religion. Cling to the gods of old, who drew man upward from wherever he began. In whose names Man killed and plundered, while struggling up. In whose names Man finally left this earth, to seek his cousins among the stars. But of course there were no cousins. There was nothing. And Man returned, and settled down to live. Saddened, but resigned and content to live in peace with his knowledge and his power. Gone now are all the ancient evils, wars, emergencies. "Sias! Sias—" And they were upon me. That is, Xeon was upon me. But I knew that where Xeon is, Melia must soon appear. And indeed it was but a moment before Melia slipped through the high grass to stand at his side. Their youthful voices were babbling in excitement. Melia was a She, with the swelling breasts that were, so tradition states, quite prevalent among members of the race long ago, and are seldom seen today. Indeed, Question: Why does Sias believe that the ancients declared 70 as the minimum age for a member of the Conclave? (A) They are the ones who remember things from previous generations that get lost to time (B) They do not have the energy to riot amongst themselves (C) They are closest in lineage to the predecessors that generated the machines (D) They have had sufficient life experience at that point Answer:<extra_id_0>.

<extra_id_0> They do not have the energy to riot amongst themselves<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz. That thought was powerful, and heavy with vengeance. "Hurry," said Neena. "They're closer than they were an hour ago." She was beautiful and defiant, facing the red sunset and the black Question: Var and Neena most likely belong to which group: (A) A mutated strain between the slaves and masters of the Ryzgas (B) Descendants of the slaves of the Ryzgas (C) Members of an alien group that destroyed the Ryzgas (D) Descendants of the Ryzga masters Answer:<extra_id_0>.

<extra_id_0> Descendants of the slaves of the Ryzgas<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz. That thought was powerful, and heavy with vengeance. "Hurry," said Neena. "They're closer than they were an hour ago." She was beautiful and defiant, facing the red sunset and the black mountain. Var sensed her fear, and the love that had conquered it. He felt a wave of tenderness and bitterness. Question: What power does Var possess? (A) the ability to change his appearance (B) the ability to travel through air (C) the ability to communicate telepathically (D) the ability to change the form of physical objects Answer:<extra_id_0>.

<extra_id_0> the ability to communicate telepathically<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz. That thought was powerful, and heavy with vengeance. "Hurry," said Neena. Question: What message for humanity does the author wish to communicate, regarding the fate of the Ryzgas? (A) While social stratification may benefit one group temporarily, eventually it will shatter social institutions (B) Humans are doomed to repeat history until they wipe out their entire race (C) We should be grateful for natural gifts bestowed by the Earth, and not try to seek more beyond life's simple pleasures (D) Actions and decisions made in the name of love can breed destructive hatred Answer:<extra_id_0>.

<extra_id_0> We should be grateful for natural gifts bestowed by the Earth, and not try to seek more beyond life's simple pleasures<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz Question: Which lingering effect of the Ryzgas' downfall makes life challenging for people like Var and Neena? (A) The Ryzgas littered the planet with wreckage of their old creations, which renders it inhabitable (B) The Ryzgas destroyed or used up all of their materials, so Var and Neena's people can only construct things with their dreams (C) The Ryzgas manipulate the entire planet through their Control Center, so all outcomes are predestined (D) The Ryzgas toxified the environment, which has caused a genetic mutation among their descendants Answer:<extra_id_0>.

<extra_id_0> The Ryzgas destroyed or used up all of their materials, so Var and Neena's people can only construct things with their dreams<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz. That Question: What is the Watcher's purpose in spinning the vision of when the Ryzgas fell? (A) To tell a story of human selfishness and evil in order to arm Var and Neena against the Ryzgas (B) To instill a sensible amount of fear in Var and Neena before they sacrifice the world for their romance (C) To persuade Var and Neena not to go further in their journey without understanding the potential consequences (D) To convey a neutral account of history in order to inform Var and Neena of what they're up against Answer:<extra_id_0>.

<extra_id_0> To persuade Var and Neena not to go further in their journey without understanding the potential consequences<extra_id_1>

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Text: <unk>!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ --> WHEN THE MOUNTAIN SHOOK By Robert Abernathy Illustrated by Kelly Freas [Transcriber Note: This etext was produced from IF Worlds of Science Fiction March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Dark was the Ryzga mountain and forbidding; steep were its cliffs and sheer its crevasses. But its outward perils could not compare with the Ryzgas themselves, who slept within, ready to wake and conquer.... At sunset they were in sight of the Ryzga mountain. Strangely it towered among the cliffs and snow-slopes of the surrounding ranges: an immense and repellently geometric cone, black, its sides blood-tinted by the dying sun. Neena shivered, even though the surrounding cold could not reach her. The ice-wind blew from the glacier, but Var's love was round her as a warming cloak, a cloak that glowed softly golden in the deepening twilight, even as her love was about him. Var said, "The Watcher's cave should be three miles beyond this pass." He stood rigid, trying to catch an echo of the Watcher's thoughts, but there was nothing. Perhaps the old man was resting. From the other direction, the long way that they two had come, it was not difficult to sense the thought of Groz. That thought was powerful, and heavy with vengeance. "Hurry," said Ne Question: What is ironic about the conclusion of the story? (A) The slave masters of the Ryzgas were ultimately eradicated by their own slaves (B) Humans seem to feel they have no other alternative than to kill and cause suffering before they can establish peace (C) Var will likely be killed or imprisoned for life, and Neena will bear the mark of shame for eternity (D) Despite the Watcher's message, Var continued his journey to the mountain in pursuit of personal gain Answer:<extra_id_0>.

<extra_id_0> The slave masters of the Ryzgas were ultimately eradicated by their own slaves<extra_id_1>