text
stringlengths 4
292
| label
int64 0
1
| augment
stringclasses 2
values |
---|---|---|
overall , cletis tout is a getting comedy that excites the imagination and tickles the funny bone . | 1 | textfooler |
overall , cletis tout is a winning comedy that annoys the imagination and tickles the funny bone . | 1 | textfooler |
overall , cletis tout is a winning comedy that excites the imagination and tempts the funny bone . | 1 | textfooler |
overall , cletis tout is a winning comedy that excites the imagination and tickles the comedic bone . | 1 | textfooler |
overall , cletis tout is a winning comedy that excites the visions and tickles the funny bone . | 1 | textfooler |
overall , cletis tout is a winning comedy that excites the imagination and tickles the funny bone . | 1 | clean |
you live the mood altogether than savour the story . | 1 | textfooler |
you live the mood rather than enjoy the story . | 1 | textfooler |
you live the mood rather than jubilation the story . | 1 | textfooler |
you live the mood rather than savour the historic . | 1 | textfooler |
you live the mood somehow than savour the story . | 1 | textfooler |
you outlive the mood rather than savour the story . | 1 | textfooler |
you survive the mood rather than savour the story . | 1 | textfooler |
you live the mood rather than savour the story . | 1 | clean |
the cine is so thoughtlessly assembled . | 1 | textfooler |
the filmmakers is so thoughtlessly assembled . | 1 | textfooler |
the image is so thoughtlessly assembled . | 1 | textfooler |
the photograph is so thoughtlessly assembled . | 1 | textfooler |
the productions is so thoughtlessly assembled . | 1 | textfooler |
the scene is so thoughtlessly assembled . | 1 | textfooler |
the theatre is so thoughtlessly assembled . | 1 | textfooler |
the movie is so thoughtlessly assembled . | 1 | clean |
some body is a shaky , uncertain film that additionally touches a few raw nerves . | 1 | textfooler |
some body is a shaky , uncertain film that nevertheless touches a few raw shores . | 1 | textfooler |
some body is a shaky , uncertain film that nevertheless touches a few raw veins . | 1 | textfooler |
some body is a shaky , uncertain imagery that nevertheless touches a few raw nerves . | 1 | textfooler |
some body is a shaky , uncertain photo that nevertheless touches a few raw nerves . | 1 | textfooler |
some body is a shaky , undisclosed film that nevertheless touches a few raw nerves . | 1 | textfooler |
some entities is a shaky , uncertain film that nevertheless touches a few raw nerves . | 1 | textfooler |
some body is a shaky , uncertain film that nevertheless touches a few raw nerves . | 1 | clean |
it 's a very sincere work , but it could be better as a diary or documentary . | 1 | textfooler |
it 's a very sincere work , but it did be better as a diary or documentary . | 1 | textfooler |
it 's a very sincere work , but it wanna be better as a diary or documentary . | 1 | textfooler |
it 's a very sincere work , but it were be better as a diary or documentary . | 1 | textfooler |
it 's a very sincere work , but it would be brighter as a diary or documentary . | 1 | textfooler |
it 's a very sincere working , but it would be better as a diary or documentary . | 1 | textfooler |
it 's a very unconditionally work , but it would be better as a diary or documentary . | 1 | textfooler |
it 's a very sincere work , but it would be better as a diary or documentary . | 1 | clean |
while american adobo has its heart -lrb- and its palais -rrb- in the right place , its brain is a little littered -- ditsy , even . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the adequate place , its brain is a little scattered -- ditsy , once . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the right place , its brain is a narrow scattered -- ditsy , anymore . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the right place , its brain is a scant scattered -- ditsy , then . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the right putting , its brain is a little scattered -- ditsy , elsewhere . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the right sites , its brain is a slight scattered -- ditsy , even . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the true place , its brain is a little scattered -- ditsy , still . | 0 | textfooler |
while american adobo has its heart -lrb- and its palate -rrb- in the right place , its brain is a little scattered -- ditsy , even . | 0 | clean |
unfolds with such a bat of you-are-there immediacy that when the bullets instituted to fly , your first instinct is to duck . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets introductory to fly , your first instinct is to duckling . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets introductory to fly , your first intuition is to duck . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets outset to fly , your earliest instinct is to duck . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets start to flight , your precocious instinct is to duck . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first tripe is to ducklings . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the howitzers start to fly , your first intuitions is to duck . | 1 | textfooler |
unfolds with such a wallop of you-are-there immediacy that when the bullets start to fly , your first instinct is to duck . | 1 | clean |
and it 's a lame one at that . | 0 | textfooler |
and it 's a nasty one at that . | 0 | textfooler |
and it 's a pitiable one at that . | 0 | textfooler |
and it 's a regrettable one at that . | 0 | textfooler |
and it 's a salacious one at that . | 0 | textfooler |
and it 's a soiled one at that . | 0 | textfooler |
and it 's a unfavourable one at that . | 0 | textfooler |
and it 's a lousy one at that . | 0 | clean |
it 's not too expeditiously and not too slow . | 1 | textfooler |
it 's not too fast and not too lent . | 1 | textfooler |
it 's not too quickly and not too slow . | 1 | textfooler |
it 's not too soon and not too slow . | 1 | textfooler |
it 's not too straightaway and not too slow . | 1 | textfooler |
it 's not too fast and not too slow . | 1 | clean |
it 's an entertaining cinematic , and the consequence , boosted to the size of a downtown hotel , will all but take you to outer space . | 1 | textfooler |
it 's an entertaining movie , and the effects , boosted to the size of a suburb hotel , will all but bear you to outer space . | 1 | textfooler |
it 's an entertaining movie , and the effects , increased to the sized of a downtown hotel , will all but take you to outer space . | 1 | textfooler |
it 's an entertaining movie , and the effects , risen to the magnitude of a downtown hotel , will all but take you to outer space . | 1 | textfooler |
it 's an entertaining movie , and the implications , heighten to the size of a downtown hotel , will all but take you to outer space . | 1 | textfooler |
it 's an entertaining movie , and the influences , boosted to the size of a downtown hotel , will all but toma you to outer space . | 1 | textfooler |
it 's an entertaining teatro , and the effects , boosted to the size of a downtown hotel , will all but take you to outer spaceship . | 1 | textfooler |
it 's an entertaining movie , and the effects , boosted to the size of a downtown hotel , will all but take you to outer space . | 1 | clean |
it is as unbending as it is nonjudgmental , and makes unmistakable that a prostitute can be as lonely and needy as any of the clients . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and gets clear that a prostitute can be as lonely and needy as any of the receiving . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and gets clear that a prostitute can be as unwed and needy as any of the clients . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as unilateral and needy as any of the diners . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and makes definitive that a prostitute can be as lonely and helpless as any of the clients . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and makes unambiguous that a prostitute can be as lonely and needy as any of the diners . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and makes unequivocal that a prostitute can be as lonely and needy as any of the clientele . | 1 | textfooler |
it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients . | 1 | clean |
compellingly watchable . | 1 | textfooler |
compellingly watchable . | 1 | clean |
despite some comic kindled , welcome to collinwood never catches fire . | 0 | textfooler |
despite some comic sparks , glad to collinwood never catches fire . | 0 | textfooler |
despite some comic sparks , gratified to collinwood never catches fire . | 0 | textfooler |
despite some comic sparks , hailed to collinwood never catches fire . | 0 | textfooler |
despite some comic sparks , welcome to collinwood never captured fire . | 0 | textfooler |
despite some comic sparks , welcome to collinwood never catches ceasefire . | 0 | textfooler |
despite some comic sparks , welcome to collinwood never taken fire . | 0 | textfooler |
despite some comic sparks , welcome to collinwood never catches fire . | 0 | clean |
after jackson does n't always succeed in inserting the characters in the foreground into the extraordinarily rich landscape , it must be affirm that he is an imaginative filmmaker who can see the forest for the trees . | 1 | textfooler |
if jackson does n't always succeed in integrating the characters in the foreground into the markedly rich landscape , it must be argued that he is an imaginative filmmaker who can see the forest for the trees . | 1 | textfooler |
though jackson does n't always succeed in integrating the characters in the foreground into the madly rich landscape , it owe be said that he is an imaginative cinematographic who can see the forest for the trees . | 1 | textfooler |
though jackson does n't always succeed in integrating the idiosyncrasies in the foreground into the extraordinarily rich landscape , it must be declares that he is an extravagant filmmaker who can see the forest for the trees . | 1 | textfooler |
though jackson does n't habitually succeed in integrating the characters in the forefront into the extraordinarily rich landscape , it must be argued that he is an imaginative filmmaker who can see the forest for the trees . | 1 | textfooler |
though jackson does n't increasingly succeed in incorporated the characters in the foreground into the extraordinarily rich landscape , it must be said that he is an imaginative filmmaker who can look the forest for the trees . | 1 | textfooler |