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I saw this turkey in the theater, but I had a good time. The special effects aren't worthy of a grade school production. A toy boat, representing a freighter, moving at speedboat velocity on flat waters while wind driven fog blows in the opposite direction. The red and blue flood lamps add that extra dramatic touch. Whatever cache Vincent Price was supposed to bring as narrator is completely overshadowed by dreadful production work. Calling this a documentary is like calling Britney Spears a musician. About 20 minutes into this, something struck me as very funny. Maybe it was Price's overly dramatic intonation of the oft-used line "They vanished into the Devil's Triangle! [cut to black; next story] Once I started laughing, my friends joined in. Next time Vinny said the crucial line, someone in the back yelled out: "Good!" After that, it got almost as many laughs as a Marx Brothers film. Nobody stayed for the dreadfully serious second feature "Chariots of the Gods." | 0neg
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i love this show. i hate when it goes to season finale because it feels like forever until the season starts again!! i have followed this show since its pilot then all the way threw from where rusty starts college and see's Casey his sister to now where he's dating Dana.. love this show cant wait until Monday night!! Also i am so glad that cappie and Casey finally got back together that was driving me crazy!!! As for Evan and rebecca i hope they get back together which it just feels like they will by the finale. i just looked it up about the main part of the cast and i am so SHOCKED that Casey Cartwright(Spencer Grammar)is Kelsey Grammar's daughter!!! that just surprises me so much and the other thing that's a huge SHOCKER is that she was born the same year as me and that she was born on my baby brother birth date with my year and i had been watching her the whole entire time and had no clue!! | 1pos
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] |
I enjoyed the movie. Didn't expect a lot and was pleasantly surprised by the storyline, the characters and the development. It is one of the movies that doesn't give enough information about the characters (on purpose) so that it leaves you with questions and wanting more. The inter relation between the characters is extremely light so that normally annoying feature actually added to this film. Some of the features of the movie are a little disturbing but I wouldn't consider them weird enough to prevent most people from enjoying the movie. For me a 7 means I enjoyed it and would definitely watch it again. I just wouldn't be thrilled to have paid $10 to see it. | -1no label
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] |
This movie is best enjoyed amidst a large audience with the giggle-fits. Very frequently the characters in KADOSH are seen staring ahead intensely at nothing. Very intense unhappy faces, very pensive, very serious. During these moments there is very serious sounding music just to make doublely sure the viewer realizes that the scene being watched is not about fun and games. The more entertaining portions of this film come in between the many pensive stares. We learn that the women of the KADOSH community have two duties. One is to breed as many male babies as possible for their husbands. The second is to stay employed so to free their husbands from having to work. What do these men do with their ample free time? They pray. And we learn that at home they pray out loud, "I give you thanks for not creating me as a woman." And at their place of worship they pray to give thanks for possessing functioning male genitalia. Along with the praying there are many scenes of frenzied antics, screaming, and endless head bobbing and bodies rocking back and fourth, and mixed in with everything are many intricate and bizarre (or simple but just as odd) ritualistic activities. The cream of the unintentional comedy comes from the sex. The imagery of an hot and bothered man actively exchanging body fluids with his wife in bed while attempting to keep his beanie from falling off his scalp is unforgettable! Every sex scene is funny, but one that stands out is when a husband rubs his face against his beautiful wife's (Yaël Abecassis) feet. Oh yes, we are finally entering the land of sensuality... but NO! The feet rubbing stops before anything happens and the husband begins his autistic looking head bobbing and body rocking until the scene ends! There are three attractive females in near states of undress, however KADOSH contains absolutely no nudity. Technically, there is some interesting imagery and pleasing uses of light and colors by the director. For a more believable, educational and entertaining treatment of the plight of being an unclean female unworthy of holding a book in a world where respect is measured by the speed by which a man can cite a phrase from ancient writings, I suggest Barbra Streisand's YENTL. | 0neg
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] |
This is a good war film, unusual in that we never get to see the enemy. The cast is small but effective. A couple of minor points grated a little - as Marlonius has already mentioned, Peck really should have picked up Blore's hat for his heroic trek with the injured navigator; early on in the film it was made clear to us how extremely hot the climate was, with the men's tunics soaked in sweat. And after the crash Peck quickly sprouted some impressive bristles, which then all but disappeared. SPOILER: We saw Peck realising he had found water, then there was an immediate switch back to the airfield where the CO explained what happened next.It was almost as if the makers of the film had realised they were running out of time or money and decided to omit a few scenes. But all in all this is a convincing production that merits a highish ranking among war films (say in the second quartile). | -1no label
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] |
THE SECRET OF KELLS may be the most exquisite film I have seen since THE TRIPLETS OF BELLEVILLE. Although stylistically very different, KELLS shares with TRIPLETS and (the jaw-dropping opening 2D sequence of) KUNG FU PANDA, incredible art direction, production design, background/layout and a richness in color that is a feast for one's senses. KELLS is so lavish -- almost Gothic in its layout (somewhat reminiscent of Klimt), wonderfully flat in general overall perspective, ornate in its Celtic & illuminated design, yet the characters are so simplistic and appealing -- AND it all works together beautifully. You fall in love with the characters from the moment you meet them. You are so drawn to every detail of the story and to every stroke of the pencil & brush. What Tomm, Nora, Ross, Paul and all at Cartoon Saloon (& their extended crews) have achieved with this small budget/VERY small crewed film, is absolutely astounding. The groundswell of support amongst our animation community is phenomenal. This film is breathtaking and the buzz amongst our colleagues in recommending this film is spreading like wildfire. Congratulations to KELLS on its many accolades, its Annie nomination as well as its current Oscar qualifying run. They are all very well-deserved nods, indeed... | 1pos
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] |
Jim Jarmusch disappointingly falls short with his latest offering of Coffee and Cigarettes. Although visually attractive and with a great cast to support, the series of shorts unfortunately are let down by the series of poor scripts. On first viewing I found myself fast forwarding through the film, looking for "the good parts", though really I didn't give it a chance .... Then with time to spare, I gave it another go. There were a couple of highlights, fans of Steve Coogan (Alan Partridge, 24 Hour Party People), will enjoy the 'cousins?' conversation with Alfred Molina (Chocolat, Spiderman 2). And Iggy Pop gives an amusing performance playing himself in the company of the intimidating Tom Waits. Maybe this would have worked better as individual shorts, shown over a duration of weeks "Jim Jarmusch Presents", rather than as a complete collection. As a whole it just didn't work as a film ... JJs worst effort to date. You'll need more than Coffee and Cigarettes to stay awake through this one. For more insight into the reasons behind the film, you maybe interested in this article. http://www.msnbc.msn.com/id/4972055/site/newsweek/ | -1no label
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In 1990 Brad Pitt and Juiliette Lewis did a TV Too Young To Die where both played the almost the same kind of parts that they do in Kalifornia. I have no doubt that is what led to their casting in this big screen film. Kalifornia finds aspiring writer David Duchovny and his girl friend, art photographer Michelle Forbes on a rocky relationship of sorts due to Duchovny's obsession with writing a book and getting in the minds and souls of serial killers. In fact he's got a most unusual odyssey planned, he wants to go cross country and visit the sites of several famous serial killers. But he and Forbes are flat broke. Fate intervenes in more ways than financial with the arrival of Brad Pitt and Juliette Lewis a pair of strange southern types who agree to split the cost of gas on this cross country trip. It turns out Pitt is a serial killer himself and he decides to do a little research on his own, delving into the mind of someone who is fascinated with amorality. Kalifornia is not the type of film I usually go for, but in fact the acting ability and charisma of Brad Pitt make it work to a large degree. Pitt is the walking definition of an inbred Gothic refugee from Deliverance. But better than he is is Juliette Lewis who once again is playing these low self esteem types which she seems to do well. Watch her scene with Forbes as she does her hair and Lewis describes her sad and pathetic life. Lewis's dialog and Forbes's reactions ought to be shown in acting classes around the country. For those who like their slasher flicks, they don't come better than Kalifornia. | 1pos
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] |
This was a wonderful film. How these women tried to save their husbands. I thought that the performances of the actors were great. I had to think about the film for a very long time. I think that every student should see this film so that they can think about war, relationships, friendship and love. I liked the film because it told and showed me how strong love can be. I wish I could be so strong as a woman. I really liked it because it told me something about relationships and that is what I like to see in a movie. I think you can compare the film with Der Untergang, The pianist. If you put these three films together, you have a great sight of what happened during the war. We should remember something like the war forever. | 1pos
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If it were possible to distill the heart and soul of the sport--no, the pure lifestyle--of surfing to its perfect form, this documentary has done it. This documentary shows the life isn't just about the waves, but it's more about the people, the pioneers, and the modern day vanguard that are pushing the envelope of big wave further than it's ever been. Stacy Peralta--a virtual legend from my early '80s skateboarding days as a SoCal teen--has edited reams of amazing stock and interview footage down to their essence and created what is not just a documentary, but a masterpiece of the genre. When his heart and soul is in the subject matter--and clearly it is here--his genius is fraught with a pure vision that doesn't glamorize, hype, or sentimentalize his subject. He reveres surfers and the surfing/beach lifestyle, but doesn't whitewash it either. There is a gritty reality to the sport as well. There is so much that could be said about this documentary, about the surfers, the early history of the sport, and the wild big wave surfers it profiles. Greg Noll, the first big wave personality who arguably pioneered the sport; Jeff Carter, an amazing guy who rode virtually alone for 15 years on Northern California's extremely dangerous Maverick's big surf; and, the centerpiece of the documentary, Laird Hamliton, big wave surfing's present day messiah. There is tremendous heart and warmth among all these guys--and a few girls who show up on camera--and a deep and powerful love for surfing and the ocean that comes through in every word. I found the story of how Hamilton's adopted father met him and how Hamilton as a small 4- or 5-year old boy practically forced him to be his dad especially heartwarming (and, again, stripped of syrupy sentimentality). If you like surfing--or even if you don't--this is a wonderful documentary that must be watched, if only because you're a student of the form or someone who simply appreciates incredibly well-done works of art. | 1pos
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] |
The only reason I saw this movie was because it had Giovanni Ribisi and it was supposed to be "Horror". Don't be fooled, this movie has to be the worst "horror" film I have seen. It's about these people who go to a secret location which has a "Monster" in it. The monster is a man with a deformed face running around in blue sweat pants who has a craving for brains. Some people die, some people don't. In the end they throw the monster off of a plane and then fly away happily. BUT OH NO! THE MONSTER IS STILL ALIVE AFTER FALLING OUT OF A PLANE! Go spend 2 hours some other way like watching paint dry on a wall, trust me, it's more entertaining than this crap. | 0neg
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In today's world of digital fabrication, there is no computer than can replace the actor and writer. Alas, this type of "character driven" film is far too rare these days. Duvall's performance as well as James Earl Jones are faithful to their audience's high expectations. I wonder if this movie was made for TV? It has a "close-up" personal quality to the narrative. It is an understatement to say that the performances are all Outstanding. The only thing that keeps it from being a cinema Masterpiece is the lack of a great Cinematographer, but pretty pictures are not everything. How can talent the likes of Jones and Duvall continue to produce such fine work in an age where actors pose for the digitizing? | 1pos
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Disney was busy trying to lift the art of animation to new heights by having his artists do an "under the sea" type of thing, long before anyone would be seeing films like PINOCCHIO or THE LITTLE MERMAID. MERBABIES is thin on plot but the art work is gorgeous and the visual elements are what make it worth watching. A dazzling array of sea creatures are having a circus-like parade that includes a number of sight gags with the creatures taking on the looks of elephants, donkeys, horses and other animals. Finally, just when the atmosphere couldn't be any cheerier, everyone scatters at the approach of a hard breathing whale (as in PINOCCHIO). The merbabies ride to the surface surrounded by a sea of bubbles and emerge atop the water, safe from the monstrous whale. Easy to see that Disney was doing experimental procedures for PINOCCHIO before its release two years later. Visually stunning, if a bit too cute for some tastes. All of the art work is first rate and much more impressive than in the earlier Disney shorts from '33 and onward. | -1no label
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] |
I saw this over 20 years ago and still remember. It was the only movie I walked out of before the end. Horrific acting combined with a pathetic "King Tut as the mummy" plot and dialog from a poorly stocked vending machine, this stunk to high heaven. The only actor that I recognized at the time was a TV actor from a rip-off of Butch Cassidy and the Sundance Kid. His performance seemed forced, like somebody was pointing a shotgun off-camera with a sign that said "act or else." I strongly recommend this to anyone constructing a "worst movie" list. In all fairness to the crew who put this together, I hold no ill will. It takes a lot to make a movie and get it into the theater. For that they deserve some credit. However, it still was a terrible movie. | -1no label
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Thursday March 16, 700pm Metro Cinemas Joyeux Noël opens with a moving prologue of school children from France, Germany, Scotland and America reciting the memorized dogma of war. The story builds effectively as the War To End All Wars begins with tearful farewells and marching troops. Unlike most films dealing with the same material, here is a very balanced approach allowing for sympathetic portrayals of all sides. Cinematography, editing, art direction, costumes and visual narrative are all excellent but the film fails to deliver effectively at the pivotal moment and instead fizzles out into inappropriate attempts at ill-conceived humor. Tiny votive candles on holiday trees perfectly and inexplicably light the night of the country battlefield as opposing sides agree to a cease-fire on Christmas Eve 1914. Joyeux Noël concludes with an overstated condemnation of nationalism and organized religion. Set in the horror that eventually cost millions of lives, this story seems far too lighthearted and superficial. | -1no label
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] |
I thought the first few minutes in 2009 had potential but very soon the story turns in to a cliché filled, below average b-movie. The details that annoys me in this film are so many that i can't count them all. I'll try to give you hints to what kind of film it is without giving away the story. 1: How's this for an alternative time-line... the Germans had the main character of this story on the beach of Normandie with a submachine-gun and one clip... 2: Why would a Japanese national agency have an English name (JBI.. my god..) and a graphic interface on their computers that makes the HUD in any computer-game look like the first version of donkey kong.. (not a big thing but it's just an example... ) 3: When you hear violin music in a gunfight it's OK to stop running and shooting... 4: "OK guys: If someone is about to make an important kill everyone stop shooting so we can hear the empty shell bounce.." I could continue on and on but i think you get the picture.. It is impressive though that they singled out a credible event that could have changed history.. it seemed like a good movie for a few minutes but...... Could have been an OK movie in an alternative time-line.. where pathetic predictable crap isn't allowed. | -1no label
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] |
Since Futurama was made by the guy who created The Simpsons, probably the greatest cult cartoon of our time, it had a lot to live up to. Most people I know enjoy it, but think it fails overall. Their problem is, they're comparing it to The Simpsons, in which case, OF COURSE it's not gonna live up to your expectations. If you let the yellow family go, however, and actually watch the show for what it is, you will love it. Basically about the adventures of Pizza Boy, Fry, who was frozen for 1,000 years and woke up in the year 3000, Futurama is a Sci-Fi spoof. To be honest, I find it funnier than The Simpsons at times, because it really plays on how society isn't much improved 1,000 years later. People have flown to the edge of the universe (literally; there's a billboard and everything), created robots that run on alcohol, and turned the internet into a virtual reality realm, and yet lonely guys still rent porno on Saturday night. The only difference is that the girls have multiple arms and antennae. Futurama is a hilarious program that shows us how stupid we really are, by making us laugh at even stupider people (or aliens, take your pick). If you let yourself go and just watch it without mentally comparing it to The Simpsons, I'm sure you skeptics will enjoy it. Because, really, shows can never be as awesome as other shows, but that doesn't mean they aren't awesome on their own. | -1no label
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] |
What the *bliep* is it with this movie? Couldn't they fiend a better script? All in all a 'nice' movie, but... it has been done more than once... Up till the end I thought it was okay, but... the going back to the past part... *barf* SO corny... Was waiting for the fairy god mother to appear... but wow, that didn't happen... which is good. I loved Big with Tom Hanks, but to see such a movie in a new form with another kid who wished that he/she is older/bigger; that just is so pasé Just watch till it comes out on TV. Don't get me wrong, but it ain't all that | 0neg
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] |
I just rented and watched this movie just to see what's all the fuss about. So here's what my reactions to it are. It's easily seen that this is a low budget film with poor actors. The main plot of this movie is about a woman getting revenge on her rapists. This concept if done right could easily turn out to be a really provocative film. However, the movie doesn't shock or disturb me at all. It just bored me. This movie could be easily shortened to under 45 minutes. All lot of scenes are mainly there to fill in time, like those scenery scenes and some scenes I described below. ************Contains spoiler************ I find the rape scenes quite tame. I don't know if I have watched the cut or uncut version, if there is actually such a version. I also found many plot holes within the already badly written plot. Here's a list on top of my mind. Why don't the rapists rape Jennifer during the night when she walked out her house to find out what those noise are. That would be an excellent time. Why don't they just gang rape her, instead of delaying some of the rapists the pleasure and lengthening Jennifer's ordeal by such a long time. It would probably be more shocking and disturbing that way. I found it really stupid that the rapists left her in the forest and head back to her house. Maybe to show that these rapists are really imbeciles. These rapists should at least know that if you want to do a dirty job right, they shouldn't send a coward imbecile to do the job. Why didn't Jennifer call the police when the rapists finally left? Which should be the first thing that pops up in most people's mind, especially for someone who is a writer. Why didn't these rapists smell danger miles away when they saw Jennifer is alive? I find it really amazing that a slender lady like Camille can pull a man up a tree and hang him. ************************Ends spoiler************ But hey, this movie is not without its merits, Camille Keaton is gorgeous and I get to hear one of the funniest line I have recently heard when Matthew protest of going back into the house and kills Jennifer, `Why me? Why Me, I didn't even c^m!!!' | 0neg
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] |
The gang is back for more! Ron Howard and Cindy Williams are now married! Her brother is demonstrating against the draft and Charles Martin Smith is doing everything he can in Vietnam to get sent home. The issues of the 60's are brought to light here, but it's all over the place, beginning with New Year's Eve 1963, then three minutes later, it's New Year's Eve 1964, then three minutes later, it's New Year's Eve 1965, then three minutes later, it's back to 1963 again. Martin Smith is talking about his friend dying in a drag race a year ago, and a couple of scenes later, this friend is winning his next heat in a drag race and to top it all off, the drug scene and the flower children enter the picture (or pictures, in some cases, as many as three different camera shots are shown on the screen at the same time). If you want to watch this film, you have to WATCH this film, but I'd advise you to stick to the original and leave it there. Wolfman Jack is heard in the beginning of the film before almost every song played in the background, but where'd he go? Maybe HE couldn't keep up with this film, either, and quit! 2 out of 10 stars! | 0neg
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] |
This movie brilliantly captures the atmosphere of a D&D group. While watching, I could not help but notice how vividly characters reminded me of myself and my gaming friends to the point where they acted literally the same as we do. Including the bickering, the fighting, the internal jokes, driving the DM crazy. EVERYTHING. It has it all. Jokes that made me cry, action scenes which, even filmed in low-budget, I found uncannily awesome. The story is pretty straightforward and unsurprising, but that doesn't really matter, since the best part of the movie is to see the characters react and interact with each other and the NPCs. Seriously, if you're playing D&D or any similar RPG, I cannot stress this enough, WATCH THIS MOVIE, it captured beautifully the spirit of D&D. | 1pos
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] |
This animated offering uses similar elements to Schumacher's then fresh-in-the-memory disaster Robin, Mr. Freeze, Batgirl and manages to combine them into a movie that isn't a painfully misconceived travesty. The story is a bit simplistic and falls short of the emotional underpinning of 'Mask of the Phantasm', but the classy design and strong voice cast are in place, and the animation ably mixes the traditional and the CG. The action is really where this movie hits the spot, though. An early chase when Batgirl is abducted is superb, but it's the intense finale an extended sequence on Freeze's oil rig hideout that will blow you away. The music pounds, the animation astounds, fire rages all around it's terrific stuff, really exciting. A comic book corker. | -1no label
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] |
I think this movie is the most misunderstood film in Jerry Lewis career. It's little slow starting, but after it gets going is very funny & Jerry's use of irony like never before in his earlier films..., ie, Who's Minding the Store, The Nutty Professor, etc., the idea, is clear, it's a mock of the Dirty Dozen, instead of getting soldiers on death row to do a suicide mission as in that film, you have 4, 4-f's & 2 tag alongs. Including the Former L.A. Dodgers all-star Centerfielder, Willie Davis as Linc! HILARIOUS! Love that Movie! | 1pos
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] |
Michael Pitt can't act PLEASE make him stop trying! He is absolutely horrible - if his last name weren't Pitt he would have been blessedly out of a job years ago. And what's up with his bizarre diction in this film? What kind of accent is he trying to imitate? He doesn't even look natural simply sitting and for the love of God someone get the boy some lip balm! The book was fabulous - the film is a waste of celluloid and only encourages Pitt to continue seeking work as an actor as opposed to something useful, like a job as a waiter... which I probably wouldn't believe him capable of either! | -1no label
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] |
Ah yet another Seagal movie.In no less than a few mere months arrive to populate the video store shelves.As bad as Submerged?No.But that is not saying much.Like perfume on a pig. Seagal is professional thief who wants to quit,but goes for one last job only to be double-crossed by his boss.He lands in Prison and is befriended by a Gangster who helps him to break out and seek payback. Its good to see Seagal finally not playing an agent,cop,or what he usually plays.We actually get a USA Location in Las Vegas it seems. Then an eastern European territory as usual. There is no wire-Fu either here.Don Fauntleroy does an okay job. However most of the action and fight scenes with Stevie are clearly doubles.Scenes from other movies,a lack of realism and logic in even tiniest situation.Seagal and Treech make a so-so team inspiring(unintentional) laughs one minute.Sighs the rest. Several notable faces turn up to slum it.. sleepy Kevin Tighe is a long way from his emergency days.Nick Mancuso shows up in sleepwalking mode to take a check.No more rappers.Please? At this point the action scenes and plots are more predictable and recycled generically more than ever.Its a stale scene that Seagal needs to get out of or hang it up.He should have gotten out a while ago. | 0neg
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] |
This movie has some depth so if your just into blood,guts, and mindless action and gore(which I love too) it may not be for you. This is a drama/Horror with a little more depth then your average horror..I have seen this movie a few times on cable and saw the screener before it came out. It took me 3 times to fully grasp everything that was going on with Danika. For those who think its only people involved in the production making good reviews, I feel sorry that you couldn't grasp this film. I have absolutely nothing to do with this film and I give it 8 stars. Marissa Tomei is still very Hot and a great actress who gave a stellar performance. Watching her come unglued emotionally on screen is very believable. She carries most of the film, but the rest of the performances are excellent too. An all around great film, good acting, cast, plot, etc for those who don't like spoon fed plots. | -1no label
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] |
WARNING - POSSIBLE SPOILERS! 'Rock Star' is one of the solid rock movies I have ever seen. The original idea of the script focuses on a young singer in the 80s, leading a tribute band of one of the most famous hard rock bands of the period. He is not only playing their music to the note, but also living the life of his idols. When his friends in the tribute band expel him, in search of some originality, the destiny plays him a good turn, and gets hired to replace the lead singer of the idols band. A dream came true? Well, almost. While starting to live the life of the famous, including the drug and sex excesses of the rock scene of the 80s, he will also have to face the problems in relationship with his supportive girlfriend, and will be eventually need to answer questions about creativity and having a saying in the music of the band. I liked the film, one of the reasons being that it is one of the first times that the life and music of the hard metal rock bands is shown in a realistic manner. Fans of the music genre will be satisfied by the soundtrack. The overall idea is original, and the issues of how an artist lives his life and creates his art are being rendered in a sensible and balanced manner. Acting is quite good, with Mark Wahlberg better than in most of the other action flics I saw him lately, and Jennifer Aniston in tune with the nice-girl-who-knows-a-lot-about-life role. More problematic is the ending, which is quite conventional, and may disappoint. It looks like the main character after quiting the big and famous band has found his own creative path. However, in an ironical twist the music he is playing in the club at the end is the worst in the whole movie! 8/10 on my personal scale. Worth seeing - however, expect exposure to a high dose of metal. If you do not like this kind of music, you may chose to avoid this film. | 1pos
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] |
This film is for people who like character and who like to think. Burt Lancaster's Valdez (beautifully underplayed) tries hard to do the right thing, but racism from a cold, cowardly Jon Cypher and practically every other white person forces him to get justice the hard way. I would not want to be the one in Bob Valdez's way or in his gun sites. I would be pretty happy, though, if Valdez had blown off R L Davis's (Richard Jordan) head, because he is one slimy little creep of a coward who richly deserved it. The ending is disappointing if you want to watch the film and forget about it, terrific if you want to keep thinking about it like I did. Got to watch this one again. | -1no label
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] |
The most worthless film of the decade. The responsible parties should never be allowed to film again. I have no words to describe the lack of entertainment this film provides. You couldn't PAY me to watch this film again. Quite honestly, I think I would be a better person had I not seen it. If I called it offensive, I would fall into a category of emotionally frail extremists. I would say this film goes so far as to damage the industry. There are films that I refuse to watch, now that I feel they might be this tasteless. I feel like an idiot that I didn't have the good sense to walk out during any one of MANY moments I was compelled to do so. Yes, I saw the end and am ashamed for it, as should anyone else, including the writer. I am in awe... | 0neg
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] |
This film turned out to be a happy finding. The creators of this Mexican movie seemed well attuned to the modern way of life in the big city. Not having a clue as to what to expect, it turned out to be a good way to spend an evening in which all other film prospects didn't seem interesting enough. Susana and Carlos have been married for a while. They have two children and both work. Carlos, whose job involves long hours, hardly has time for his family. As the film starts, everything comes to a head when he arrives home late one night. No sooner is he in, when his cellular phone rings. It's his boss calling. Susana, who feels Carlos spends too much of his time at home talking to his boss, takes his phone away from him. As things get uglier, Carlos agrees to leave. It appears that as a couple, they have come to a dead end because Carlos believes his job is too important. Carlos, who has taken a small house, realizes he can't do anything on his own. Most of the work at home is done by Susana. Carlos is assigned a new assistant who evidently thinks she can take him to bed. Susana, on the other hand, is encouraged by her colleague at work to see other men. When she agrees to do so, it turns out that the man she has chosen is gay. Both Carlos and Susana come to realize, that in spite of their differences, they were meant for each other. Rafael Montero, the director of "Cilantro y Peregil" did a marvelous job with this quick paced comedy. The writing is by Cecilia Perez Grovas and Carolina Rivera, two women that have an ear for the way people live in these frantic times. Damian Bichir, who we had admired in other Mexican films, does an excellent job as Carlos, the harried executive whose life is altered when Susana asks him to leave their home. Arcelia Ramirez makes a wonderful Susana. She is a resourceful actress with a dark beauty that matches her character. Rodolfo Dehesa appears as a psychiatrist who speaks to the camera about modern relationships with humor and it shows he can't even help himself. Rafael Montero shows a talent for his direction of this sunny comedy. | -1no label
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] |
Gross and ugly does not begin to describe the wretched FEED. If it took itself at all seriously, or had decided to play it "camp," or simply attempted to provide decent thrills and chills, we might forgive it its nastiness and vomit-inducing swill. I rented it because it supposedly starred Australian actor Jack Thompson, a long-time favorite of mine who, it turns out, has almost no role in the movie. (His son Patrick plays the co-lead, along with Alex O'Loughlin, who, as a blond, looks an awfully lot like Owen Wilson, without the noticeable nose.) The movie begins as though it might hold together, but slowly comes apart until, toward the end, director Brett Leonard ("Lawnmower Man," "Virtuosity") leaves logic adrift entirely and has his hero (and us) lamely rolling around in body parts and fluids. For sheer stupidity, nothing equals the moments (several of them) when hero and villain could easily kill or at least maim each other, but simply don't. So, of course, the movie can continue on its vile way for another half hour. The questions supposedly raised here about our consumer culture and over-eating are red herrings, plot-wise, and neither pertinent nor intelligent enough to qualify as "intellect." Yes, unhealthily fat women (and the men who go for them) exist in life and online, but this film--which equals "Hostel" and "Wolf Creek" in sheer ugliness while possessing about one-tenth the movie-making smarts of both put together--has no reason to be. | -1no label
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] |
Jewel Thief is one of those suspense thrillers in which the viewers are left guessing till the end who the villain is. Suspense builds from the very first scene when the jewel thief becomes a national problem and there are cleverly concealed clues in the film so that you can guess who is the jewel thief. The story portrays that Dev Anand (Vinay in the film) and the jewel thief have identical faces. But you get a 1000 watt shock when you finally come to know the villain. There are many surprises and a lot of fishy stuff going on but there is time for romance and six melodious ever lasting songs sung by Lata Mangeshkar, Asha Bhosle, Kishore Kumar and Mohmmad Rafi. This film was also talked about for its song's videos. Consider the teasing and counter teasing in Asman Ke Neeche. Or the blocking of road by Dev Anand when Tanuja was going out with her friends in Yeh Dil Na Hota Bechara. Or the romantic Dil Pukare Are Are in the beautiful Sikkim. Or the wonderful dance by Vyjantimala in Hotho Pe Aisi Baat. Add to it Rulake Gaya Sapna Mera and Raat Akeli Hain and you will never forget this film for any reason. Able acting by Dev Anand, Ashok Kumar, Tanuja and Vyjantimala and direction by Vijay Anand (Dev Anand's younger brother) makes this one of the best loved Hindi films of all times even today. | 1pos
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] |
I have been looking for this mini-series for a very long time. I saw this movie when I was living in back in Russia many years ago. I'm curious if somebody who has the recorded copy of this movie can send me the copy. I'm willing to cover all the expenses and pay for the extra tapes or DVDs. This is one of the best TV series that I have ever watched. I would recommend it to anybody who is somewhat interested in Israel History and World History after WWII. I'm also trying to find a book (I have heard that its even better than the movie)however the new one costs around $50 on amazon and I have never purchased a used copy. my e-mail address is yurets777@hotmail.com Thank you very much for you help. | 1pos
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] |
James Stewart stars in a classic western tale of revenge which ties in with the fate of the films other star the Winchester Rifle. Stewart is it goes without saying excellent adding some cold hard obsession to his usual laid back cowboy. The story follows the fate of a Winchester rifle and its owners after being won in a competition by our hero and stolen by the man he is hunting. We meet a selection of gamblers, gun fighters, Indian traders and bank robers as we follow the rifles path through Indian battles, bank heists etc. The supporting cast are all solid with Dan Durya standing out as Waco Johnny Dean the live-wire gunfighter with an itchy trigger finger. Also as a trivia note a very early appearance from Rock Hudson as an Indian chief. The end showdown is a classic a tense rifle battle fought at long range in and around a rocky outcrop. Throw in some good old western action, fist fights, shootouts and horseback chases it makes for a rollicking western adventure. 8/10 | 1pos
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] |
OK people, I'm not clueless. I love good movies and most of my top ten match the top ten of the majority of "professional" (i.e. they don't pay for their tickets OR their popcorn) critics but we part company in a major way when it comes to this movie. I can't think of one positive thing to say about this mess of a movie...strike that, Ed Harris is excellent as always and provides the only thrills in this flaccid thriller! Everything about this movie is extraordinary, and when I say that I am breaking that word into two parts as in EXTRA ORDINARY. The camera-work is pedestrian, the dialog is stilted and unconvincing and the acting, wooden at every turn. If there was ever a sterling example of gratuitous sex and violence this is it. As I said in the beginning, I am not clueless. I realize the film is called "A History of VIOLENCE" so I'm not surprised that there is violence to be had...what surprises me is that even the violence is pulled off without imagination. By now every six year old knows about exploding squibs and fake spraying blood and brain matter. So just being gross isn't good enough anymore, you have to be gross with flair. Obviously David Cronenberg isn't comfortable with his flair either because he exhibits none of it in this cinematic train wreck. And far as the sex scenes go, they could have been left with the dust bunnies on the editing room floor and the film would have been none the worse for it...and that gra·tu·i·tous - adj. Unnecessary or unwarranted; unjustified. is the dictionary definition of those scenes Wait 'til this comes out on DVD and then DON'T RENT IT! | -1no label
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] |
Whenever I hear a movie being touted because it has no sex, violence, bad language, special effects, and so on, my b.s. detector goes off. Usually, a movie like that is sentimental hogwash which panders to people who don't want anything to surprise them, but to affirm how superior they are to us craven folk. So when David Lynch's THE STRAIGHT STORY began getting those kinds of reviews, I was apprehensive, especially since I was not a fan of his other "uplifting" story, THE ELEPHANT MAN. For all the stunning images and the good acting in that film, it seemed more interested in preaching to us than inspiring us. I needn't have worried. THE STRAIGHT STORY is an honest movie rather than a saccharine one. Most of that is due to the fact that Lynch and writers John Roach and Mary Sweeney tell it straight and simple for the most part. There are a couple of homilies by Straight I could have done without, and the shots of grain being harvested are repeated a little too much, but those are only quibbles. There's no heavy-handed message, no sentimental strings to jerk our emotions, and no condescension towards us and its characters. Instead, they depend on the story to build its own power, and it does, so by the final scene, we are genuinely moved. Of course, casting Richard Farnsworth adds realism to the part. He really is someone who looks like he's lived through a lot but still perseveres, and except for those homilies, the desire he has to get back together with his brother doesn't seem overly sentimental, because you can sense here is someone who's lived too long and seen too much to be driven by anger for long. And he knows his time is running out, so he wants to make some peace, not only with his brother, but with his life. Sissy Spacek also does fine, unmannered work as Straight's daughter. And although I am a city and suburban boy, the Iowa and Wisconsin landscape are beautifully shot, making me want at least to visit some day. | 1pos
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] |
Alas, FOR YOUR CONSIDERATION will elicit sleepy "no thanks'" responses from most audiences. An 86 minute in-joke for the film biz but not the audiences who pay, this skid-mark in CG's career is adequately spelled out in other comments on this site. I was very disappointed and ultimately, bored by this slight joke movie lampooning what should be a sure fire winner comedy. Probably the one really funny gag is Catherine O'Hara's plastic surgery. I also have a complete aversion to Parker Posey. Every role I have endured seeing her including this one is tedious. She cannot act. The 'role of a lifetime' in SUPERMAN RETURNS was another lame result. She might stay home along with Casey Affleck and Denise Richards and spare us moviegoers from more wasted time. FOR YOUR CONSIDERATION needed a proper script and tighter direction and a 75 minute running time. I did consider, and my answer is NO. | -1no label
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] |
The Italian Job is a real blast to watch. It's a genuinely entertaining film, something you watch just for the sheer enjoyment of it. It's not heavy with drama or emotional hand-wringing, it has no cosmic statements about life, and it's not violent or profane. It's just a fun movie. Between watching the little Mini Coopers fly around the crowded streets of L.A. and the great bits by stereotypical computer geek-turned-crook (played gleefully by Seth Greene), I had a lot of fun watching this film. Special kudos to the background music. They truly set a masterful tone for such a movie, so subtle yet keeps you on the edge when needed. Apparently a lot of artists contributed to the music, I found it to be the classiest part of the film. 8 out of 10. Not awe-inspiring but a great film to watch at the end of a lousy day at the office. Barky | 1pos
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] |
I am a big fan of Larkin's works, I believe that he was amid the greatest 20th century poets. The film itself does a great justice to the bard of Hull. Wonderfully portrayed by all the players in their roles. Bonneville does do a service to the sexually repressed Larkin, he avoids an impression and strays from becoming a caricature. The use of his poetry was the highlight of the piece itself. Rather than acting out the massive intensity with which Larkin felt, the use of his words themselves give a better insight into plot and add a much more sombre but altogether more fascinating atmosphere. Most enjoyable. | 1pos
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] |
This is one of the best movie I have ever seen. My parents comes from rural India and to some extend I have seen the life of the villagers. Peoples are really poor and have financial and social problems. The movie just reflects exactly the same. Full credit to the director and the actor. They have done an excellent job. I just wonder how can movies like Lagaan and Paheli can go for Oscar and not Doghi. I don't understand the criteria on which the movies are selected. Is the money that makes the difference or having some big names in the movie makes the difference. Hope to see more movies like this in the future. | 1pos
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] |
I think this could have been a good film, but, as others have mentioned, the split-screen 'style' (?) is incredibly annoying over 100-odd minutes of watching, or, in this case, watching TWICE. That adds up to 200-odd minutes of watching five different stories, all while distracting you with camera gimmickry. In the mid-1960s, a graphic designer from Toronto, Ontario, Canada named Chris Chapman created the split-screen idea for a short film on the Province of Ontario for the provincial government. It was a sensation at Expo '67 in Montreal, and was such a novel idea that Toronto director Norman Jewison (and others) used it in 1960s films. The idea, predictably, went nowhere. It was trendy, had flair, but was not sustainable over the length of an entire film. Jewison used it sparingly in The Thomas Crown Affair (1968), and it annoyed critics even then. And here, almost 40 years later, we have a director who thinks it would be a great idea to try it again, this time (unlike Jewison, who was far more judicious) over the ENTIRE STRETCH of a movie. I was astounded that this was done. It defies basic physical laws. The human eye just cannot catch up with a blizzard of jump cuts (and that's what they really amount to) over a feature-length. Instead of intensifying the drama, it instead made me truly irritated. Repeat: I THINK this could have been a good film. Or is that films, as in plural? | -1no label
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] |
1st watched 11/7/2002 - 2 out of 10(Dir-John Bianco): Pretty lame gangster movie about a Godfather-like family in Brooklyn who like to say four-letter words a lot and kill people. The only thing of interest here was their attempt to show the feds being a lot like the gang. This is the only attempt at good film-making. The rest of the movie was predictable, and cheaply-made. The quality of the photography on some of the scenes inside bars and floozy joints almost made you think there was a problem with your DVD player because of the bad contrasts and some of the actors were hard to hear at times because of the bad sound. The acting was pretty-much characatures of all your favorite gangsters from better movies with corny names like Vinnie `Knuckles' and Jimmie `Tattoos', and the plot pretty much followed those patterns as well. So, go see a better gangster movie before you put your money out for this one. | 0neg
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] |
I first heard of WWHTKB from a friend of mine who appeared in the film. No longer an actor, my friend discouraged me from watching the film (he doesn't think he looks good on film), but my curiosity got the better of me and I ordered a copy from the website. Boy, am I glad I did. WWHTKB is a quirky romp, filled with bizarre characters that are only a step removed from the outlandish slackers that everyone in our generation has encountered/been/hated/hung out with/slept with at some point or another. The strangely Byzantine plot doesn't take itself too seriously, and writer/director John-Paul Nickel takes the opportunity to send up romantic comedies and Indy films alike, while making a movie that is arguably both. The performances are compelling: whiny Gregory Caridi as Eugene holds the thing together with a repellent charm; the dynamic duo of John Yost and Greg Johnstone (as Stanley and Quentin, respectively) always entertain; Kristin Pfeifer as the titular "Bitch" is so outlandishly evil you can't help but laugh; and then there's Jason Steele--his performance as George is something to behold. Is the film perfect? Of course not. It's a bit derivative in style, stealing from (or paying homage to?) Kevin Smith and Christopher Guest, among others. When you get past the clever wordplay and eccentric characters, the plot is rather mundane. There are some technical problems--the sound, particularly, is spotty in places. But it's still more than worth watching. Writer/director John-Paul Nickel does a hell of a job on his first film, and shows that, given some practice (and maybe a budget), he could one day be a force to behold. Kudos to the Five Cent Productions gang. Keep 'em coming! | -1no label
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] |
I was a cinema projectionist at the time of this release and it came out at the end of the 'disaster movie' era in the seventies (in the UK). I ran this at a press screening and it was obvious from the first minute this was a disaster movie of it's own kind. What initially was mildly amusingly bad soon went to so bad it's funny but thereafter, and very quickly and for most of the film, it reached that rare distinction of 'so bad, it really is baaaaaaaaaaaaaaad'. OK, so I've seen lots of rubbish films but what sticks in the mind with this one is the level of money and the cast involved. I had/have no expectations that some cheap budget film with no-name actors in it might be awful but this had a decent cast and money thrown at it and for that simple reason I personally regard it a THE WORST FILM I HAVE EVER SEEN. Avoid like the plague | -1no label
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] |
Ever since seeing it when first released I have waited to find a worse film. The only value in having witnessed this atrocity is the retelling of the experience. It is a good thing to be able to say, "This is the worst movie I have ever seen." Now IMDb is asking me to fill in at least 10 lines of text in order to meet the minimum requirement of review length. Unlike Dead Boyz Can't Fly, however, I know when to leave well enough alone. It's unfortunate that the solution to whatever problem the IMDb people are trying to avoid happens to infringe on the finer qualities of a succinct and pithy piece of writing. | -1no label
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] |
This film is a huge steaming pile. I have no idea why anyone felt that the Garland/Mason version needed to be redone, nor why Striesand would have been a first choice to star. For that matter, I have no idea why our people (Gay Americans) tend largely to regard Striesand as some kind of treasure. At least in my opinion, she had peaked professionally with with Funny Girl, and Bogdanovich's What's Up Doc. Do yourself a favor and rent the Judy classic, or even the original (a fine film in its own right), but please, Please, PLEASE skip this stinkpot! | 0neg
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] |
I think this movie, for what it is and when it was made, is a very good effort. I think it tries to be better than it is, and with a bigger budget and a higher certificate rating (i.e. if it were remade now) would be really good. There were scenes in it that i thought wanted to show the brutality of a post-apocalyptic society but stopped short of fully doing it. The character of the psychopathic Gideon Hayes played by Kevin King was thoroughly unconvincing because he looked like a 12-year old more suited to "Lord of the Flies". This movie is memorable and worth a watch. A good candidate for a remake. | -1no label
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] |
We follow Jodie, a guy, but with a name like that he's exactly the kind of wuss you expect him to be, driving way out to the country to eat his ham sandwich. He then stumbles upon Melissa who lives on the walnut farm (yep, you read that right) he stopped at. Besides a psycho grandma, Melissa has another dark secret that Jodie slowly, and I mean SLOWLY, unravels. Without the help of MST3k this movie would be a total pain in the royal behind. The pacing is slower than flowing tar on the North Pole, the dialog is unbelievably campy and dull and the acting is just plain crap. I'm not going to call this a turkey because the whole thing is not even funny bad, it's just bad bad. If you like boring, long-winded, trying-to-be-scary-but-just-stupid movies from the seventies, go ahead and watch this. If you do, I recommend you watch the MST3k version though. | -1no label
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] |
I enjoy B movies. I think Bruce Campbell is a very watchable actor. I love how he delivers his lines. 'Evil Dead 2 and 'Army of Darkness' were great movies. I liked 'Running Time'. However, I don't know if I'll ever watch this movie again...and I bought it. Now, after saying that, I bet the commentary tracks and special features will be worth watching! This movie just has far too many holes for me to actually enjoy, even as a cheapo movie. First off, Ted Raimi was annoying, just flat out annoying. There was nothing to his badly acted / written character that hasn't been done better a thousand times before. The directing sadly was sub par and the choice of some shots...yikes. I don't expect Woody Allen or James Cameron here, but Campbell did not deliver. I did not purchase this thinking it was going to be an Oscar movie like 'Annie Hall', but still I'm disappointed. I would have been happy with 'Mallrats' or 'The Rhino Brothers'. I got much less. By the end of the movie there were no scenes that popped out to me, no dialogue that resonated within me. Even 'Hostel' had a classic line for petes sake! I do not recommend this movie. | 0neg
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] |
WOW! I just was given this film from a friend of mine, who bought it for 1.98 at Walmart, and he felt that he got taken! It is beyond boring, most of the scenes are filmed in front of a green screen, the acting is somewhat improvised, almost as if they didn't have a script. The Martians are CGI, which look like they were done by a novice, or a Fan produced movie. I cannot stress just how bad this DVD really is! Example: In one of the scenes, the martians are torturing a local female captive. She goes from a woman in front of a green screen, to a CGI copy of that woman. The change is totally noticeable, and when she is killed, you can see that it is a computer figure, looking like something from a game back in 1990! If at all possible, avoid this movie like the plague! You can download two trailers from their site, and see how god-awful it really is! | 0neg
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] |
I'd always wanted David Duchovney to go into the movie business, and finally he did, and he made me proud. This movie lived up to what I had hoped for. Duchovney played his character very well, managing to remain consistent with something new, instead of playing the Agent Molder we are used to. Therefore, I give him extra credit for his role, also because I could not see anyone else playing that particular character. David was great, but nothing compared to the psychotic Timothy Hutton. A brilliant performance that you don't get tired of throughout the movie, because he never fails to surprise you. He has weaknesses, and strengths, making the story all the more believable. I also very much enjoyed the narration, it added to the story a good deal, and had some very memorable quotes that i still use to all the time. This movie also had a wounderfull score. I recomend this for anyone who likes drama, and doesn't mind blood. | 1pos
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] |
A recent post here by a woman claiming a military background, contained the comment "A woman's life is no more valuable than a man's". This mantra of the politically correct is not true as history as well as biology show. Societies have managed to recover from heavy losses of their male population, sometimes with astonishing speed. Germany was ready to fight another war in 1939 despite the 1914- 1918 war in which over two million of her men were killed. In South America's War of the Triple Alliance (1865), Paraguay took on three neighboring countries until virtually her entire male population was wiped out but fought to a stalemate in the 1932 Chaco War against much larger Bolivia. No society, however has or ever could survive the loss of its female population. Only when the very life of the nation is at stake are women sent to fight. Israel faced that situation in 1948 but since then has never considered coed combat units for its Defense Forces despite the popular image of the Israeli girl soldier. "G.I. Jane" is Hollywood fluff. | 0neg
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] |
This movie of 370 minutes was aired by the Italian public television during the early seventies. It tells you the myth attributed to Homer of the Journey home of Odysseus after the Troy war. It is an epic story about the ancient Minoan and Mycenaean civilizations, told at list 500 years after those events toke place, around 1100 BC. This is a 1969 movie, so if you buy the DVD version you would find that the sound is just mono and there is no other language than Italian, even the close caption is in Italian. Pity. Many people would enjoy this masterpiece if it had at list the English subtitles. But if this is not a problem for you, than I would strongly recommend to watch this movie. | 1pos
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] |
I think that that creator(s) of this film's concept deserves a lot more accolades than they probably ever received. It isn't an Oscar caliber film of course, but, at least for me, this film has left a lasting impression since I first saw it back in 1984 (in the theatre). I don't think this is (and hope it isn't) a spoiler, but: imagine acting on your impulses. Doing the first thought that pops into your head, saying the first words on your lips... No restraint, no conscious, nothing holding you back from saying or doing the things that, as intelligent adults, we know we shouldn't actually say or do. If anything, this film only scratches the surface - It doesn't go as far as it could go. In a time when Hollywood seems obsessed with remaking older "classics" to try and cash in on today, wouldn't it be nice to see them remake an older film of modest success, for the sake of taking it to the next level? A bit further, or even to explore what the original crew didn't, wouldn't or couldn't deal with 20 years ago? That's just my opinion anyway. :o) | 1pos
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] |
Power-tools and tits: a classic combination of horror movie ingredients that, as far as I'm concerned, almost always guarantees a good time (I know, I know... I'm easily pleased). However, there are always exceptions to prove the rule, and, despite plenty of bare breasts and much DIY-appliance based violence, The Nail Gun Massacre bored the hell out of me. Ineptly directed, poorly scripted and badly acted, this dreadful slasher-style effort sees a mysterious killer seeking revenge for a gang rape by using the titular tool to commit a series of murders. Looking laughable, rather than menacing, in a fetching camouflage jumpsuit and black motor-cycle helmet, our maniac somehow manages to stalk their prey unseen, before blasting them with a volley of nails. And for some inexplicable reason, the psycho also opts to talk in a strange, electronically modified Darth Vader style voice, making them seem even more absurd. The cast recite their awful dialogue displaying zero acting ability, whilst co-directors Terry Lofton and Bill Leslie display a complete lack of skill behind the camera. Throw in some unconvincing and rather weak gore (let's face it, nails don't make a lot of mess: small puncture wounds with a trickle of blood), and what you have is an amateurish production that completely fails to capitalise on its sensational title. | -1no label
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] |
What a fun and delightful movie... Just wish it was available on DVD. Family Fun... Already a Christmas Classic. Mimi is once again at her best. There is great emotional displays from Happy, sad, love, concern, twists and turns. It is creative and a joy to watch over and over. The characters are normal, wacky and arrogant.... a wide variance. The plot is smooth and fine for any age in my opinion. Humor, drama and a love story. This Movie seems to have increased in showing frequency since it first aired. I continue to check DVD sources to see if it is released. Will buy when it is as I can't say enough about the film. | -1no label
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] |
Sure this movie is not historically accurate but it is great entertainment. Most DeMille pictures especially the later epics are slow and plodding but the action here moves at a clip. The story is basically a series of peaks with very little quiet moments. The action takes us from an Indian raid on a cabin; one of the best parts of the movie with Jean Arthur excellent while attempting to appease the war-painted natives. This is followed by her and Cooper being taken to the war camp and being tortured. Later comes a protracted battle with the Cheyenne. The whole thing is ridiculous but great fun and entertaining from start to finish. Jean Arthur is one of the best actresses of this era and she shines here. | 1pos
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] |
This is a really strange film--and that is NOT a bad thing. It is a combination of a neo-realistic film about the homeless AND a fairy tale. I'm sure that some may find this movie a bit too strange, but I loved it. Once again, this director brings together a wonderful cast of everyday people (not actors) and gets a great ensemble-type performance. Although not nearly as sad as Umberto D, both movies have a very similar point to make--this one just does it in a very absurdist way. Ignore the cheesy special effects--after all, it was made in the early 1950s and special effects aren't terribly important anyway (or at least they shouldn't be in films). Instead, just sit back and enjoy the very strange and silly ride. Unless you are a total curmudgeon, you'll have a ball. By the way, since I first reviewed this film, I have seen another DeSica directed film that is an absolute must-see and that is THE CHILDREN ARE WATCHING US. While not a fantasy or light in spirit like MIRACLE IN MILAN, a great film nevertheless. | 1pos
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] |
My partner and I won tickets to see the Sydney sneak preview so off we went last night (Monday 16th October) Let me begin by saying 'that is 88 minutes of my life that I will never get back" I was set to see a great Aussie flick; instead I found it mind numbingly boring, predictable 'comedy' (and I use that term lightly) It was more of a reflection on a horde of has been 'comedians' (and I use that term lightly also) who have unceremoniously used their names and positions on radio stations around Australia to tout the movie as being the best thing since sliced bread
Suggest you spend 88 minutes watching the grass grow than see this movie
I think I would have enjoyed having my fingernails ripped off one by one followed by an acid bath more than that ghastly piece of 'Australian Film making' | -1no label
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] |
The story is based on a real gossip some years ago in Korea, and focusing on the eternal, condition-less love between a naive peasant and a bereft ex-prostitute whose past is somewhere under the body of many male CLIENTs. Every love has its own silver line and every lover has his/her own attitude; But, the love between this couple is too candid to be understood but to be appreciated. As no scientific paradigm cannot define THE LOVE, this movie just illustrates what love gotta be even under extreme background. Nevertheless, the emotion of love affair and the instinct of affection should be separated. This movie, regrettably, fails in the depiction of love itself but concentrates on the struggle for keeping his/her aficionado toward each other against all social rules and interference. Love will shine when it's against all odds. However, these odds are too exaggerated in the movie to be overcome by love itself, otherwise making the love tattered with uncompromising and painful memories. Director's endeavor to gather every piece of elegiac elements is too evident, and the performances of two actor/actress are very easy going, enough to make audiences lost in the clearly "schematized" sadness. | -1no label
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] |
Well, I'm an Italian horror big fan and I love movies from directors such Argento, Fulci, Bava Sr and Bava Jr, only to quote the most famous. "La villa delle anime maledette" is one of the most unknown movie of this genre, shot when this kind of cinema began its crisis that continues still today, and director Carlo Ausino sounds totally new to my ears (althoug he directed six movies... this is the price Italian directors have to pay to not work in Rome...) . But the film is not so bad. And it's absolutely not correct to talk about "trash". OK, the plot is not so original; it reminds me stuff like the Amytville series (the year is the same of "Amityville Possession" by Damiano Damiani) or "Shock", the last work of Mario Bava. But you have to think that this is the movie of a cinematographer (like Mario Bava movies); so the most important thing is the atmosphere, not the story or the characters; atmosphere very well created by the use of light and by the camera movement. The rest remain in the background. I think the movie works; not so good, but works; it's surely better than a lot of Hollywoodian production like "the Haunting" which have a bigger budget, but not bigger ideas... | 1pos
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] |
After reading a few reviews on some well known film sites i thought this was going to be great...but the totally opposite was true. What a huge disappointment. The plot was going from one place to another and at times just gave you one big headache. Poor red herrings and over the top sub plots were shown to us as believable (I think not!). The film was just one sub plot over another and a zig zag of labyrinthian proportions of where the film should be going. And how about this for corny dialogue...'probability is like gravity...'? er..yeah, like dog crap and cheese are identicial??? It seems Michael Mann is a one (HEAT) hit wonder, and simply adding a 10 minute gunfight lifted straight out of HEAT at the end of the movie is not going to save it. If you want to watch a decent cop thriller check out the little known 'Dirty' a superior film by a lesser known director. Avoid this Miami VICE and buy the TV series instead. | -1no label
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] |
This was the first time David Lynch shot live-action footage. It isn't really a narrative film, like The Grandmother, but its more than a filmed moving painting like Six Men Getting Sick. It is mainly animation, truth be told, but it combines live action with it. This is what a child's nightmare looks like inside David Lynch's head - and let me tell you, its quite disturbing, on a par with Grandmother and Eraserhead. Some of its images, like the girl bleeding from the mouth and reciting the alphabet - i can't get out of my head. I don't know if that's a good thing... Lynch is a very strange man, indeed. And what we get in his films isn't half the story, as members of his website will tell you. There are images there that you wouldn't even know to be wary of, to not think about - images you don't even know to protect yourself from. But as Elephant Man showed us, he is also a master director, who can control himself and a major production to perfection. As Blue Velvet, Twin Peaks and Mulholland Dr showed us, Lynch's world can also be lots of fun. He's one of my favourite filmmakers because he gives me both fun AND haunting in the same frame - a feat not many can do. | -1no label
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] |
Love is overwhelming... In all it's manifestations... Gorgeous, absolutely gorgeous... Tudor Chirila, Maria Popistasu and Ioana Barbu, one truly dramatic story about love in all it's shapes, a story about the undecipherable ways of young hearts, about life and lost innocence all directed by the skillful eye of Tudor Giurgiu. With a magnificent soundtrack featuring Faultline & Chris Martin and Vama Veche it surprises in every way leaving behind the sour taste of misunderstanding love... Truly remarkable... Is it me or is Romanian cinematography slowly but surely advancing and gaining respect? This is a brilliant film... Two thumbs up to everybody involved. | 1pos
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] |
This film is a gritty; low budget title portraying the lives; profits and perils of 5 young youths searching for their way of life. The film follows five outcasts whom have little education (middle school at best) and a tough upbringing. Plot so frequent with Fukasaku's Yakuza films of the 70's and a definite signature blue print for his other films. The film is also a great perspective of hard tough life of working class young men in Japan. They end up in jail early on and decide to form an alliance to acquire a truck. They will use the truck and their skills at building sites for manual labour gain and profit. They have an aid at the site who acts like a semi business man semi control freak hence workers' union coming into play later in the film in vengeance of their workers' rights. The film is a great example of the techniques Fukasaku is a master at. Lots of close up camera angles; excellent drawbacks-pausing and movements mimicking the object-person in question. For instance the last scenes is of one of the young men running on the beach. Fukasaku employs a shaky control of the camera on the man running. Far more realistic impression as someone following from close by instead of the smooth track usage which gets boring in my opinion. For those of you into Yakuza films yet wonder what many mobsters may face from early in life this film is an ideal acquisition to discover a master in his pre film rich era of the 70's. The film is also an early form of Takashi Miike's Young Thugs double bill which is ever so interesting. I can see why Miike got the concept form. The film is a great show of young men coming from the bottom trying in vain with extremes to make a better life. It is an interesting critical analysis of the economic structure of Japan and a thoroughly engaging and entertaining piece at that. The casting is good and the violence is as ever extremely authentic. I recommend this film as a must for anyone eager to see a signature yakuza Fukasaku film or just a great straight up youth gangsta-tough guy life-style document of an unhealthy aspect of Japan's social past. Great watch. | -1no label
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] |
1903 was a terrific year for Méliès, as he created his greatest and most amazing film, Le Voyage Dans le Lune. It is STILL an amazing and cute little film that was longer and more complex than any previous film. Its use of trick cinematography, great sets and innovations make it a truly landmark film. And, while Le Chaudron Infernal is STILL an amazing film, it pales in comparison to some of these other films. Interestingly enough, the film is in color--featuring each individual cel having been hand-painted! This, plus the cool camera tricks make this a standout film. Now as far as plots go, it's pretty weird stuff. Two demons are chucking damned souls into a cauldron and ultimately summon their spirits using incantations! There's really no more plot than that--and that's why it is a tad disappointing. If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software. | -1no label
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] |
Simple story... why say more? It nails it's premise. World War 3 kills all or most of the human race and we're viewing 2 of the survivors. The message is that the 2 warring sides should not have been at odds in the first place. Distilled down to representatives from each side, we see they have everything to come together for: Security... Finding resources... food, shelter, etc... Survival... Love... At the end they've decided to pool their resources, (she finally does), so they will survive. Simple story, expressed in the limited budget of the early 60s television landscape. We see it in 2009 as somewhat old and maybe predictable. In the early 60s, no one had seen such stuff... I give it a 10... | 1pos
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] |
What a piece of junk! I would really like to know how movies this bad are made. Dennis Quade is as bad as Mark Wahlberg in the Happening. The whole plot is a kid becomes a mass murderer because his dad didn't spend enough time with him. That's it! Nice home, school, neighborhood, but dad was working hard, not home, so he is so sad he just has to become a mass murderer. And convince others who are sad to murder also, because people were mean to them. Dennis Quade was horrible in The day after tomorrow, and he stinks this one up also. this could have been good, but they worked over time to ruin this one. There must be a great story behind the making of this bomb. I would love to know what it is. | -1no label
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] |
Happy 25th Birthday to Valley Girl! Great soundtrack, plausible story, wonderful performances...captures the spirit of the 80's; the slang of the mainstreams and the outcasts. A wonderful rendition of high school life and "gritty downtown" from a suburban perspective. The soundtrack contains songs by Modern English, Felony, Josie Cotton, Sparks, Payola$, Josie Cotton, The Plimsouls, The Psychedelic Furs, Men At Work, The Flirts and Bananarama. This movie truly is Romeo and Juliet (minus the double suicide) set in 1980's Los Angeles. Julie's dad, played by Frederic Forrest (Sonny Bono, anyone?) is hysterical as a hippie idealistic dad who wonders how he sprung such a materialistic offspring. Yet, he doesn't judge, ya dig?? | 1pos
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] |
Most of Kieslowski's films seem like puzzles to me, meant to expand mind and soul. The characters are not very believable, are idealized, are schematic. Nevertheless, the way Kieslowski presents their winding ways through life, their complicated interaction with others, with the universe, with chance or destiny, makes me understand faith, makes me (want to) believe in God. That at some point it all has a meaning, if not to me, then certainly to someone. Trois couleurs and especially "Rouge" comes closer to making me touch, feel, experience the "truth", the "meaning" than perhaps any other of his films. The only problem being the paths of the "puzzles" explored are a bit too similar to his other films and at some point they become somewhat predictable. There is still plenty of joy to be had here. It is like a familiar brand of wine - you know what to expect and it delivers, sometimes with a newly found bouquet which might come from aging - either the wine or yourself. | 1pos
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] |
This is one of those films that makes you want the time you spent watching it back, and then some, like the time you spent accidentally picking it out, the time you spent getting to the video store, etc. First off, the look: It's grainy, it's low budget. Now that in itself doesn't make for a bad film. But the way it was filmed makes the action look unnatural, so that's kind of distracting. Then, the story. 3 gals go on a gal's weekend away from guys. Of course, as EVERYONE does when going on a camping trip, they stop on the way to get earrings. When they arrive at the area in which they're going to stay, they get pulled over by Mr. Ranger Sir, who scolds them for throwing a lit cigarette out of the car at fire season, and then drives them where they're going (a remote cabin). Of course, 2 "cute guys" wander into their vicinity, and Bambi (yes, Bambi) and Aubry are immediately smitten, but apparently Bambi is smitten by anything with two legs. Mady is rather disappointed by this development because she was looking forward to a weekend of forgetting about her ex by getting sh**-faced and stoned with her gal-pals. Oh, and I almost forgot, there's a mean old hermit that lives up that way, that's perhaps someone to not tangle with, and the area & cabin in which they're staying have a sort of "reputation". So of course, sooner or later (unfortunately, MUCH later) some of our weekend wood-visitors begin to die, and find various booby traps (although a couple of them actually hit a little lower than that) and of course, the remaining campers are understandably upset. No cell phone reception of course (who would miss out on a chance to check their cell phone for reception in a movie anymore?). Mr. Ranger Sir keeps popping up at odd times & his behavior seems a bit odd but he has said he will get help. There's a fantastic twist to this that you just won't want to miss too, if you're still awake. Pray that you wake up to a blank screen. The acting in this is terrible, the production values are terrible, and the whole undertaking is just lame & I find it amazing this was even released. Avoid at all costs, 1 out of 10. | 0neg
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] |
I've seen a lot of foreign movies and enjoyed them. I rarely comment on any film whatsoever, but this one came so highly praised and so poorly performing that I had to comment on it and warn others. What the &*^$ where the people at Cannes thinking when this was given the Jury Award? I have no idea... Get ready to watch a very slow account of two traveling teachers as they accompany other travels on their way across the Iraq/Iran border. I could not stop watching the movie because I was waiting for something to happen. It didn't. The teachers constantly try to teach people how to read and write, but everyone ignores them. I mean, seriously ignores them. Every time one of them asks a question they have to repeat it about 5 times The others travelers are permanently depressed and silent. Its hard to have any sympathy for them: there is extremely little known about the characters, no development, they show no willingness to accomplish anything except trek across the next mountain and hide from unseen helicopters and soldiers. The one positive comment I could make is that the landscape backdrops are quite amazing and the people are realistically gritty. By far the biggest disappointment. | -1no label
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] |
I despise Goldie Hawn usually, and I found her very funny and touching in this movie as a supportive wife who's sacrificed her career for her children and now hopes to "suck the marrow" out of life. Steve Martin, as always, is hilarious. He is partially reprising his role in the BRILLIANT "Planes, Trains, and Automobiles" with a vengeance in this film. His attempt at controlling his demeanor at the car rental place by keeping a big smile on his face was really funny. "This sign should say 'We have car.' honey!" The homage to "Mrs. Robinson" looking through Goldie Hawns' legs at a sheepish looking Steve Martin took me by surprise as well. And, what more can you say about John Cleese? The man is nothing if not funny in everything he does. He is the anti-Fawlty in this movie, and he has a fairly juicy part as well, so look to him for some great laughs as well. Don't listen to all these people with no sense of humor. This isn't a classic film, but it's MUCH better than people have been saying. A little cheesy, a lot of fun. | -1no label
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] |
Bill and Ted's Bogus Journey is the sequel to Bill and Ted's excellent adventure. Their bogus journey follower almost directly after the first movie, and does just as good of a job if not better to entertain the viewer. The plot is an evil person from the future is trying to kill Bill and Ted using evil robots that look exactly like Bill and Ted. Once the robots kill Bill and Ted, they must compete with the grim reaper (death) and return their lives to normal. The acting in the movie is top notch, and even thought it is a little weird at times, especially Bill and Ted's conversations, it is a great movie. The wannabe rockers sure have made another great movie. Pick this up the next time your at blockbuster! | 1pos
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] |
Empire of the Ants is a very bad film from veteran bad film maker Bert I Gordon. Bert I relied on his usual formula of combining size change with an H.G. Wells story to make a quick buck. I'm sure that at one time these special effects were considered state of the art, but for God's sake he's been using the same damn techniques since 1956. I'm no expert in the world of trick photography, but still there has to have been some advances between "Attack of the Puppet People" and "Empire of the Ants." To boot, all of Bert I's special effects involve making things larger or smaller. What the hell Bert? Didn't you learn how to do anything else in film school? You can only remake the same damn movie so many times. Here's the plot, or lack there of. Joan Collins leads a group of prospective buyers on a cruise to a piece of swamp land that is going to be developed into condos. The group has the typical monster movie stereotypes; the salty sea captain, the unfaithful husband, the old folks who were just along for the ride, etc. They find a group of giant ants who proceed to devour some of the passengers. The survivors find a town where the inhabitants are brainwashed by ant pheromones and feed refined sugar to the ants. Pretty simple huh. The acting was OK, but besides that the movie just kind of sucked. Bert I, I'm glad that you've stopped making films. | -1no label
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] |
I'm not sure quite why I clicked "contains spoiler", because quite honestly there is not enough explanation ever given in the movie to know enough of what is supposed to be going on to spoil it. Visually it mostly delivers. Well, apart from some 80's throwback rubber-mask monsters. I'll say now that before watching this I had never seen the band Lordi, nor knew anything about them bar that they won Eurovision. Apparently the monsters in this are members of the band, pretty much in their stage personas. Whatever. Anyway, I didn't know this while watching. I just thought the monsters/demons were mostly passable. Just about. I'm almost sure there is a semi-coherent explanation behind what we see on-screen, but it may actually be better not to know it. It probably would actually have been incredibly lame come to think on it. The action keeps it rolling along pretty much well enough to keep the viewer mostly entertained, even if half the entertainment factor is joking about wtf is supposed to be happening in this movie exactly. I gave it a four mainly because I got a good laugh out of it, especially out of how it explains pretty much nothing. Must have been the mood I was in, but I found that hella funny for some reason. Then I look up the movie on the internet and find out that NOBODY knows what the hell it's supposed to be about. That amused me further, and raised my score an extra half point to a 4/10. It's not scary, or particularly coherent, but it's pretty nice visually and sonically. Overall, far from essential, but watchable. Don't expect too much and don't expect it to make any sense and it might entertain you if you are in the right mood. | 0neg
| [
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] |
This movie is not based on the bible. It completely leaves Christ out of the movie. They do not show the rapture or the second coming of Christ. Let alone talk about it. It does not quote from scriptures. The end times are called the great tribulation. The movie does not even show bad times. The seven bowls, seven viles and seven trumpets of judgements are boiled down to a 15 second news cast of the sea changing it's structure. The anti-Christ was killed 3 1/2 years into the tribulation and that is how the movie ended. The only part they got correct was there was two prophets. The did not use there names of course because that would be too close to the truth of scriptures. The worst part of it was I really wanted it to be a good movie. I wanted to take unsaved people to it. I feel that the movie is evil. It is a counterfeit just like everything the devil does. I just hope it does not take away from the upcoming movie based on the left behind books. The second problem with the movie is it was just bad. Bad acting, bad special effects, bad plot and poor character development. I have seen better episodes of Miami vice. | 0neg
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] |
Poor battle between Vampires flick. Paycheck job for the names (Tony Todd, Jason Connery and C Thomas Howell) this is one of those movies you look at and wonder if anyone was taking it seriously or whether anyone was doing it for more than the money. Okay Tony Todd maybe took thing a bit too seriously (he's way too intense) and the cinematographer was very serious about America Olivo's breasts, but other then that this seems to be a joke...except its not, or if it is it never signals that it it is. I thought after the opening attack on the feuding couple that we'd have some laughs after that but it never gets funny, at least not intentionally so. Only worth seeing if you have to see every vampire movie ever made. | -1no label
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The original two Hellraiser films are absolute classics, and while I quite liked the boisterous third part - I'd really rather they stopped making sequels after Hellbound. You really can't go into any post-Hellbound sequel expecting anything resembling a good film, and that is truer than ever when it comes to the ones directed by Rick Bota. The first film I saw from him was the eighth part, Hellworld, and I don't rate it too highly - however, it's certainly the best one he's done. Hellseeker sees the return of Ashley Laurence to the series in the role of Kirsty, and the good news is that she still has the charming good looks that made her role in the first two films so good. The good news stops there, however, as just like the rubbish seventh part; Hellseeker sees Rick Bota in dull mystery territory once again. The plot sees Laurence killed in the first few seconds, and we then follow her husband (played by someone called Dean Winters) as the world around him is turned on its head. He's surrounded by slutty women, and the cops think he killed his wife...maybe he's in hell... What's really annoying about this film is that buried somewhere beneath the messy screenplay, is the grounds for a fairly good plot. When the film finally reveals itself in the final ten minutes, the short sequences that put everything together are miles better than the rest of the film, and it makes me wonder why the writers decided to make the film work from the standard hallucination filled plot when there's was a far darker, much more interesting and, most of all, far more relevant to the series, story waiting in the wings. It's obvious that whoever's in charge of these new Hellraiser films doesn't give a damn about the series and the fans...but what doesn't make sense is that, if a good one was made, word of mouth would get round and more profit would eventually be made. It's a massive shame really, as the original Hellraiser deserves better than crap like this. Anyway, the film is boring, features hardly any horror and even the best part of the film - namely the last ten minutes - is dogged by the fact that the film could have been a million times better. Overall, unless you're a real hardcore fan of the series
this really isn't worth ninety minutes of anyone's time. | -1no label
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I really Loved the show, I hope they re-think it and give it another chance. Who was the Designer for those HOT HOT clothes. WOW!! I think the show was fun, The women are business savvy. It was a bit like Sex and the City, but with a different spin. Lucy Lu wore the clothes that we call bringing Sexy Back. The story lines were sometimes slow, but it could have gotten better with a little time. However; Can we see one person on a show where one of the girls relationship works. Even with some ups and downs some relationships do work. Every now and then viewers would like to see a loving relationship, so we can ohhh and ahhh. The concept of the show was good. Overall we Loved the show. | -1no label
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] |
Brian Yuzna, the happily disturbed director of such films like `Society' and the `Re-Animator' sequels, returns here with an ultra-violent movie that goes straight for attacking the viewer's last bit of good taste. John Jaspers makes a pact with the devil
In return for his eternal soul; he's offered the change to avenge the death of his girlfriend. John is satisfied after this, but the devil (referred to as `M') wants John to go on with his killing spree. He refuses and gets buried, only to resurrect as Faust! A typical comic book and cloaked superhero, but slightly more bloodthirsty than the average Bat-, Spider- or Superman. Is `Faust Love of the Damned' a good movie? No
not at all, in fact, but it could have been worse. The basic Faust plot outline (selling your soul to the devil) is as old as cinema itself. The eminent director F.W Murnau (Nosferatu) already made a film with this theme back in 1926. Try and compete with that, Brian Yuzna! The screenplay contains a few slightly ingenious aspects, like the character of the insatiable, sex-addicted sidekick of M, played by the ravishing Monica Van Campen. But the biggest goal of Faust is showing as much gore as humanly possible. Make-up artist Screaming Mad George gets to be his old, filthy self again and inserts grotesque gore such as eye poking and decapitations. There even is a melting-sequence, entirely in the tradition of `Society'. Regretfully, the acting performances are a giant letdown
Mark Frost overacts terribly and Andrew Divoff (who already annoyed the hell out of me in `Wishmaster') is the most undeserved horror lead ever. Jeffrey Combs still is the man, although it hurts to see him being downgraded straight to the supportive cast. Furthermore, there's not the least bit of tension, depth or atmosphere so I wouldn't exactly call this a successful new horror film. Lots of fun guaranteed if you're a gorehound, though
| -1no label
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] |
You can talk about what serbs are and everything, but what people don't understand is that serbians were in almost every single war on the world. WW1 & WW2 Then in 91 with the Croatians and Bosnians. It is true that i am a Serb, but my 2 best friends are Croatian. What the world is telling me (America) is that i want to kill croatians!! But thats not true. There is however people over there. Croatians want to kill serbs, and serbs that want to kill croatians, plus bosnians don't differ. The movie rane, shows how the young generation was growing up when Milosevic was in power. That is what made my country bleed and suffer. Drugs, money,alchocol,weapons communism poisoned my country then milosevic killed it. People have to realise that, how this movie was made...its based on truth. I don't understand, seems as though today everybody hates serbs, but through all this time we are still here...thats why our people have a saying "Samo Sloga Srbina Spasava" which translates - "Only Faith Saves Serbs" | -1no label
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] |
Rarely do i watch a foreign action movie that has the quality of this one. I have never actually posted to this sight before but I found this movie to be so excellent that I thought I would. Some might liken this to other assassin vs assassin movies but i disagree. This movie is so much more in depth in the story line you forget that it has subtitles. Others have commented on how well it flows from one language to another. I didn't notice since I was so involved. Great action - not a Michael Bay action fest but enough to keep you interested and then some. Great plot, nothing unique yet was done with such style and pizazz that you thought you were getting something original. Great ending, not going to give any spoilers but I was very pleased. | -1no label
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] |
*Spoilers and extreme bashing lay ahead* When this show first started, I found it tolerable and fun. Fairly Oddparents was the kind of cartoon that kids and adults liked. It also had high ratings along with Spongebob. But it started to fall because of the following crap that Butch Hartman and his team shoved into the show. First off, toilet humor isn't all that funny. You can easily pull off a fast laugh from a little kiddie with a burp, but that's pretty much the only audience that would laugh at such a cliché joke. Next there are the kiddie jokes. Lol we can see people in their underwear and we can see people cross-dressing. LOLOLOL!!! I just can't stop laughing at such gay bliss! Somebody help me! But of course, this show wouldn't suck that bad if it weren't for stereotypes. Did you see how the team portrayed Australians? They saw them as nothing but kangaroo-loving, boomerang-throwing simpletons who live in a hot desert. But now... Is the coup de grace of WHY this show truly sucks the loudest of them all... OVER-USED JOKES!!! The show constantly pulls up the same jokes (the majority of them being unfunny) thinking it is like the greatest thing ever! Cosmo is mostly the one to blame. I hated how they kept on mentioning "Super Toilet" (which also has a blend of kiddish humor in it just as well) and Cosmo would freak out. And who could forget that dumb battery ram joke that every goddamn parent in Dimmsdale would use in that one e-mail episode? You know, the one in which every single parent (oblivious to other parents saying it) would utter the EXACT same sentence before breaking into their kid's room? Yes, it may be first class humor to some people, but it is pure s*** to others. If I'm not mistaken, I do believe Butch Hartman said something about ending the show. Thank God! Everyone around my area says it's, like, the funniest Nickelodeon show ever. I just can't agree with it
I think it's just another pile of horse dung that we get on our cartoon stations everyday, only worse. | 0neg
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] |
Arthur Bach is decidedly unhappy in his life as a multi-millionaire and is attracted to people 'below him' in social standing - he pays for a hooker in the opening scenes and then is enormously attracted to a shoplifter. He drinks quite a lot too, and sometimes he is driving while drinking, too, which of course is not funny, ever. The movie is great but behind the comedy is some reality, too. John Gielgud wipes the floor with everyone else on screen and created a character for the ages. Talk about deserving an Oscar. Moore and Minnelli have their moments, but its Gielgud as "Hobson" you'll remember the most. | 1pos
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] |
I thought the movie was OK but very disappointed that they didn't capture the true image of his life. I was so anticipating to see his mother being an actual Jamaican, that it's driving me crazy. Just watching the beginning of the movie told me that the movie was not accurate. Which I completely lost interest just a matter of seconds from the beginning of the movie. I'm very disappointed, that's like watching a biography story on Mark Anthony and having Arnold play the part. I don't know what the writer was thinking missing a valuable piece of the movie which I'm sure his mother played a huge role in his life. I will say the movie was OK besides the major Fla!!!!!! | 0neg
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] |
I feel conflicted about this film - it is one of the most beautiful films I've seen, and provides insightful looks into a lost culture. There was an early scene of men in caps and moustaches sitting around a table, with a woman serving, and an accordion playing, that brought tears to my eyes, just because of the way it captured a way of life that must be incomprehensible to many today. It presents the lives of the characters as being inextricably bound up with the life of the village, another lost concept in today's world. Symbolism is always fun but it seemed a little dated. The fatal flaws of the movie to me were the lack of any compelling dramatic drive, and a total lack of humor. I never felt like I knew any of the characters beyond very basic universal things like grieving over the loss of a loved one, etc. The people were stick figures in the director's tableaux involving natural disasters, war, etc. The film was just one beautiful tragic scene after another, with no involving narrative thread and no humanity. As a result, it seemed very abstract, irrelevant to the lives of real people. In the end, I was too bored to finish watching it. | -1no label
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] |
Ummmmmmmmmmm, may I ask why this, THIS "movie" got over the 5 rating? This movie is preachy and laughable bunk! I read reviews on it, it either was good or bad.I got confused,so I watched it late at night one day. GOD,DID THAT MOVIE REEK! They have so much stock-footage from war films or from "National Geographic" specials.Yes, I have also seen the Japanese version too.It's not any better,they too sound like they are reading the scripts STILL. I don't think this is a movie at all.This is a big waste of stock-footage.Nothing more. | -1no label
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] |
I think this programme is a load of rubbish. All they do is argue and slap each other across the face and they call this acting?! These people get paid lots of money for this and most of them can't even act to save their lives. Also, the story lines are awful and after watching it for a few minutes, I am bored with it. I like the way that Harry Hill takes the mickey out of it on his TV show 'TV Burp' e.g. the weak joke "The Princess and the Pea isn't exactly Shakespeare is it?" that had Sonia and Naomi in stitches. I don't see how that is funny. I think this is a waste of everybody's money for their TV licence so this can be shown 4/5 days a week. Isn't there anything better than this? | 0neg
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] |
I wanted my husband to come to the Scottsdale Film festival to see this movie with me, thinking it was going to be a chick flick; hoping he'd see a few images of chauvinistic men seeing the light and then turning themselves around, (I love those gentle reminders). Instead my mother and I went and we rode an emotional roller-coaster during this "enlightening" movie. We Laughed, we cried, we loathed.... the movie was so unpredictable!! (It was a breath of fresh Hollywood air.) Mai Ling was an inspiration. Her performance was beautiful, as was she. It ended up being me who was reminded of compassion and kindness. Patrick Warburton was fantastic... I hated his character so much initially I wanted him to die, and by the end of the movie my heart did a 180!! Well done David Beaird!!! This was definitely one movie worth the price of admission. | -1no label
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] |
I really liked this version of 'Vanishing Point' as opposed to the 1971 version. I found the 1971 version quite boring. If I can get up in the middle of a movie a few times(as I did with the 1971 version) than to me, it is not all that great. Of course, this could be due to the fact that I was only nine at the time the 1971 version was brought out. However, I have seen many remakes, where I have liked the original and older one better. I found that the plot of the 1997 version was more understandable and had basically kept true to the original without undermining the meaning of the 1971 version. In my opinion, I felt the 1997 version had more excitement and wasn't so "blase".(Boring) | 1pos
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] |
I'm a complete romance fluff person and this movie satisfied my taste. You really feel how much Cinderella and Charming love each other, and its so sweet to see that, even if it is only a cartoon. The characters are rather out of character for my taste, but thats only if you're traditional. The plot was decent and the animation, while nothing can compare to the original, is decent and colorful as well.I'm sad to say that the second movie actually had better music than this one. Music is something i really expect from a movie and sadly while slightly entertaining, it did not deliver. The stepmother definitely shows her evil side a little more in this one, a perfect villain. Not to mention you have two sets of comedy reliefs, the stepsisters and jaq and Gus, a great pair. But if your as much of a kid as i am then you will definitely get a kick out of this movie.Buy and watch over and over, trust me you won't be the only one. | -1no label
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] |
wow! i watched the trailer for this one and though 'nah, this one is not for me'. i watched my husband and our friend's faces during the trailer, and knew this was a 'boy movie'. i mean, hallo! a bunch of chick barmaids that dance - another striptease? then, i started watching it, it didn't look all that bad. so i carried on watching. i watched it right to the end. what an awesome movie. if anything, this is a chick-flick. these girls have attitude. it is really a feel-good movie, and a bit of a love story. really leaves you with a nice feeling. basically, the story of a small-town girl making it big in the city, after going through the usual big-city c**p. there have been a couple of these, it is almost a new urban legend. but it also makes you think of your life, and what you have achieved. well, me anyway. i think it is because the whole working in a bar scenario is very familiar, not just for me, but for many people i know. Don't trust the trailers for this one - it is aimed at bringing the men in. | 0neg
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] |
Despite the lavish production numbers and wonderful costumes this film is a chore to watch. The murder-mystery plot is just a vehicle to mount the musical numbers on but it often brings the proceedings to a staggering halt besides not being very involving. Although there has obviously been a lot of money spent on them the numbers are badly staged and poorly photographed. It's obviously a pre-code film because the girls often wear very little clothing and there's even a song singing the praises of marijuana! The performances are all one-note although it's nice to see Carl Brisson in a musical but when Victor McLaglen, as the police Lieutenent, lurches into view for the umpteenth time on the hunt for clues, you may want to throw in the towel or at least fast-forward to the next number. Pity the patrons who were trapped in the cinema on its release though! | 0neg
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] |
This may not be a memorable classic, but it is a touching romance with an important theme that stresses the importance of literacy in modern society and the devastating career and life consequences for any unfortunate individual lacking this vital skill. The story revolves around Iris, a widow who becomes acquainted with a fellow employee at her factory job, an illiterate cafeteria worker named Stanley. Iris discovers that Stanley is unable to read, and after he loses his job, she gives him reading lessons at home in her kitchen. Of course, as you might predict, the two, although initially wary of involvement, develop feelings for each other... Jane Fonda competently plays Iris, a woman with problems of her own, coping with a job lacking prospects, two teenage children (one pregnant), an unemployed sister and her abusive husband. However, Robert DeNiro is of course brilliant in his endearing portrayal of the intelligent and resourceful, but illiterate, Stanley, bringing a dignity to the role that commands respect. They aren't your typical charming young yuppie couple, as generally depicted in on screen romances, but an ordinary working class, middle aged pair with pretty down to earth struggles. I won't give the ending away, but it's a lovely, heartwarming romance and a personal look into the troubling issue of adult illiteracy, albeit from the perspective of a fictional character. | 1pos
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] |
Rated E. I have played Pokemon Snap a couple of times on a Nintendo 64.There isn't much to say about this game but IMDb says I have to make the review 10 lines so I must.The only thing good about this game is the graphics.The graphics of the pokemon and the environment graphics are simply amazing.Great for Nintendo 64.The gameplay however is boring.You are a photographer and Proffesor Oak asks you to go to this island and take pictures of the different pokemon on the island.You must distract the pokemon by throwing fruit and other things at them.Pokemon Snap is a very boring game that's pretty to look at but not so fun to play.If you want a good N64 Pokemon game play Pokemon Stadium. 4/10 | -1no label
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] |
I wanted to see this movie because I love music and movies about music. I also wanted to see it because of the star filled cast. There were a lot of problems I had with this movie, though. First off, it was just plain and endlessly boring. The story revolves around a lot of different characters and their lives in the Nashville country music scene. I found all of these characters to be completely uninteresting and unlikable. I also found practically all of the music to be terrible. The only exception was "Hard Ridin Cowboy Man" which I liked, and for some unknown and confusing reason, that song is not even listed on the soundtrack. The rest of the movie just seemed to be a bunch of scenes scrapped together, with no plot or meaning. Maybe this is the kind of movie you need to watch more than once to appreciate, but I am not willing to give it another 3 hours of my time to find out. | -1no label
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] |
While the first film gained notariety due to it's allegedly real sex scenes, it otherwise was a boring waste of time. the sequel (which has nothing to do with the first film other than the name) offers more of the same. it's slightly improved in that it actually has a plot and the explicit sex scenes are better integrated into the movie. the acting is average with the only benefit being the presence of the extremely pretty and sexy Nina Siemaszko as 'Blue'. her performance is well done and the sex scenes featuring her are the better ones in the film. overall, strictly for fans of writer/producer/director Zalmand King and boring sex flicks. rating:3 | -1no label
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] |
I am a great fan of Nicholas Cage's work but I must honestly say that this movie will remain a scar on his acting portfolio. The film started off very suspenseful and mysterious. The idea was creepy, the evidence more so, the acting not too bad I guess (although it does deteriorate) and the story line was original and creative. However, as soon as the movie turned sci-fi I lost the plot... it should have remained a thriller or an action. I would have given it an 8 or so if the final disaster was a nuclear war, if Cage prevented a large terrorist attack or something along those lines. However, the introduction of 'aliens' and 'angels' completely ruined the entire movie. Knowing was filled with pointless scenes, poor acting and unnecessary symbolism (seriously, wtf was with the stones. I know they are biblically relevant, but you can not expect the greater audience to understand this). I think the director was a bit confused whether he should make the movie a thriller/horror, action, drama or sci-fi; so he decided on all of the above! The only thing that redeems it is the CGI and the few moments of great suspense early in the movie. | -1no label
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] |
Insignificant and low-brained (haha!) 80's horror like there are thirteen in a dozen, yet it can be considered amusing if you watch it in the right state of mind. The special effects are tacky, the acting atrocious and the screenplay seems to miss a couple of essential paragraphs! "The Brain" takes place in a typical quiet-American town setting, where every adolescent works in the same diner and where the cool-kid in high school flushes cherry bombs down the toilet. It is here that a TV-guru named Dr. Blake and his adorable pet-brain begin their quest for nation-wide mind controlling. Under the label of "independent thinkers", a giant cheesy brain sends out waves through television sets and forces innocent viewers to kill! How cool is that? Now, it's up to the Meadowvale teen-rebel to save the world! The funniest thing about the plot is that it never explains where Dr. Blake and his monstrous brain actually come from. There are obvious references towards extraterrestrial life but that's about it. Meh, who needs a background in a movie like this, really? There's not that much bloodshed unfortunately and the "evil" brain looks like an over-sized sock-puppet. The only more or less interesting element for horror buffs is taking a look at the cast and crew who made this movie. Director Ed Hunt and writer Barry Pearson are the same men who made "Bloody Birthday" (guilty pleasure of mine) and "Plague". Both those are much better movies and they wisely decided to resign the film industry. The most familiar face in the cast unquestionably is the great David Gale, whom horror fans will worship forever for his role in Re-Animator. A girl named Christine Kossak provides the nudity-factor and she's obviously a great talent
She has exactly 3 movies on her repertoire of which THIS is her "masterpiece". In her debut, she was credited as 'runaway model' and in "3 men and a baby", her character is referred to as 'one of Jack's girls'. I really wonder how she feels about her career as an actress
| 0neg
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