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I'm certain that people from USA don't know anything about the rest of the world, but I think they mustn't talk about what they don't know. And they must remember that the rest of the world is not as hypocrite as the USA. The only places where consented sex between teenagers are illegal are the USA and Islamic nations. In France, for instance, the age of consent is 15. In Brazil it's 14. In Spain it's 12. So the teenagers actors, 16 and 17 years old by the time of production, aren't doing anything illegal. Nudity isn't considered big deal in almost all civilized countries. And only a freak could consider a teenagers' love as child molestation. | 1pos
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Amu is definitely one of the best recent Indian films. I can't stop myself admiring the point the way the story has been told. The planning seemed to be very mature. Hats off to Sonali Bose for her outstanding maiden effort with writing, directing and producing such a film that has got voice and certain mark of difference. In short, this is called something doing courageous and different. I still can't believe that it was a director's first film. The last scene where the protagonist character Kajol walks with Kabir on rail lines and a train comes in the scene, was really hard to believe that the train was made stopped and this train scene was out of the script! It was Sonali's distinctive endeavor that made it possible. We are waiting Sonali for more of your such definite challenging works and would like to see your mark in film making. Best of wishes. | -1no label
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This is an Emperor's New Clothes situation. Someone needs to say "That's not a funny and original, (etc., etc.) film; that is an inferior film. Don't waste your money on it." The film is trashy, and the people in it are embarrassingly inferior trailer trash. They are all-too-realistically only themselves. They have no lines, they don't act. The American Dream is not to create shoddy no-quality films or anything else shoddy and of no-quality; it is to achieve something of quality and, thereby, success. Only people who are desperate to praise any film not made in Hollywood (it can't have been made in Hollywood, can it?) would try to impute any kind of quality to this film. It's worse than "Ed Woods," another film about a film-maker without standards. These films shouldn't have been made, and you shouldn't go see "American Movie." | 0neg
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It may (or may not) be considered interesting that the only reason I really checked out this movie in the first place was because I wanted to see the performance of the man who beat out Humphrey Bogart in his CASABLANCA (10/10 role for the Best Actor Oscar. (I still would have given the Oscar to Bogie, but Paul Lukas did do a great job and deserved the nomination, at least.) Well, I'm glad I did check this movie out, because I enjoyed it immensely. I think the movie did preach a little, but not only did I not mind, I enjoyed the speeches and was never bored with them. The acting was outstanding in this movie. I especially enjoyed Paul Lukas, Lucile Watson (rightfully nominated for an Oscar), Bette Davis (wrongfully not nominated), George Coulouris and, oddly, Eric Roberts, who plays the middle child. I really enjoyed his character: an odd-looking boy who talks like some sort of philosopher. He just cracks me up. Even the characters name (Bodo) is funny. The ending, in which Lukas's character was forced to do something he considered wrong even though he was doing it for all the right reasons, worked for me as well. I agreed with why he felt he had to what he did, and I understood why he couldn't quite explain it. The message this movie makes is a good and noble one, the scenery (meaning the house) is beautiful, and the acting is the excellent. Watch this movie if you ever get a chance. 9/10 | 1pos
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This is a great story and was just the beginning of equality in the United States. (We are still working on it too.) However despite the fact this is true, it's still a movie and this is a movie site. I realize independent films have a hard time getting good actors, but wow. The only one even mediocre is the excellent Ossie Davis. But even he couldn't make up for all the actors (including the one playing him as a young man) absolutely atrocious acting. Granted the script was terribly cliché, but even then you have got to get some decent actors! I wouldn't recommend this to anybody because it is so poorly done in every category. Read some books about the true story of the U.S.S Mason, because they give these men the respect they deserve. | 0neg
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A lengthy biopic about Wyatt Earp, this splendid film tackles the problem of telling the story of an actual man's life, and does it well. People do not live like Hollywood films in that our lives have no plot. Wyatt Earp does have a plot, but it is not the glamorous rocket ride of an action film. We get to see Wyatt Earp not so much as a hero, but as a man. He had virtues. But he had flaws and shortcomings, and they led to pain for himself and others. Earp's life was not limited to his time in Tombstone and the movie reflects that. He was around for quite some time before and after that famous gunfight at the OK Corrall. The makers of this movie appreciate that. And though today we associate him most strongly with that event, it did not define him. Rather, he helped to define it. And his life kept right on trucking after that. Good performances all around, although I did not believe anyone gave the performance of their career. Often this movie is compared to another film, Tombstone. But Wyatt Earp is aptly titled, because it is not only about Tombstone. It covers decades and brings a sweeping sense of time to the picture. It is also quite lovely. Shot with a sense of honesty, sometimes the characters appear quite unfashionable. They appear real, nonetheless, and don't look like they just stepped out of a Vidal Sasson commercial. Overall, a good biography about a man of the times. | -1no label
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I have seen the movie Holes and say that it has to be the best movie all year long. It brings out the child in everyone. I mean who would come up with the idea of having troublesome boys dig holes as their punishment? Louis Sachar thats who. Although the movie was different from the book it was still very good. For example Caveman/Stanley was supposed to be the biggest one there. Weight wise and height wise but ZigZag/Ricky was taller and Armpit/Theodore was bigger. Also X-Ray/Rex was supposed to be one of the smallest boys but wasn't. The only thing that I didn't like about the movie was that the flashbacks were rather persuasive and long. I would have rather seen more of the present than past but thats just my opinion. I especially like the work of the boys though. Like Squid/Alan who was played by Jake M.Smith was supposed to be a moody and tough kid. Jake M.Smith performed just that and did a great job at it as did almost all of the actors in Holes. So I would say if you havent seen Holes yet then you should definatly see it when it comes out again or you'll be missing out on a whole lotta fun. | 1pos
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] |
Having watched this film at the Genesis Mile End cinema, I can honestly say that this is the worst film I have ever had to pay money to see. An atrocious mess of a production, with even worse direction, it's a real pity because its story could have been something quite interesting, but this is a clear example of some idiotic filmmakers trying to maximise sales by casting B list American actors. Jeff Fahey, plays Richard Murray a pathologist who really just does paperwork rather than examine bodies, and is haunted by the death of his wife, begins to receive messages from the dead of murder victims of a serial killer. With an added excuse to bring in another American name, Marty Kove of Karate Kid fame, a wannabe tough talking American cop to investigate these murders because obviously the English don't have the correct qualifications for investigating murders, the film becomes a comical example of a bunch of filmmakers who don't know how to tell a story. Over the top lighting, ridiculous characters, laughable special effects, and preposterous twist can't aid or at least make this film entertaining even for the avid B movie fan. This film made for £2 million
it doesn't look it
£500,000 would be my guess. DON'T WASTE YOUR MONEY. | -1no label
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] |
Sometime in the late 1960s or early 1970s, Lon Chaney Jr. made an appearance on the Tonight Show with Johnny Carson. During the interview, Johnny asked about the accuracy of this flick. Lon replied, (agreeing with Johnny),'close enough'. Johnny also asked about Lon Jrs. favorite film role. Lon asked,'what do you think'? Johnny replied,'I would think, Of Mice and Men'. Lon Jr. replied,'thank you'. He was getting along in years at this time. I would like to think that Of Mice and Men was his favorite role. My late father, who didn't particularly care for actors, loved movies. He said that Lon Jr. was FANTASTIC in the role of Lenny. My dad saw it as a first run, back in the days. | -1no label
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] |
This was a shockingly bad movie and I literally gasped the first time seeing the Blue Screen puppets. Imagine the worst Blue Screen special effects you ever saw, make it somehow far worse, and then combine this with poorly made, rubber and Play-doh puppets that look like something from a semi-retarded pre-school art class. Then add some screeching, Yngwie Malmstein-esquire, melodic-metal guitar solos stuff that is way too loud and lasts way too long. The overall film is absolutely awful and makes "Feeders" look like "Rashomon." Its one of the worst movies I've ever seen, with every quantifiable metric spiraling dismally downward, much like a waterlogged turd in the perpetual, slow whirlpool of a broken Rest Stop toilet. Still, though, a film like "Actium Maximus" is not to be missed by the bad movie conesseuirs out there, even if only by looking up clips on YouTube or someplace. This movie is a bit of an eye opener, if you can stomach the ride. I think this director may be mentally ill, though, which is a bit debasing. Watching him discuss the project, you get the sense that he truly believes that he's created something wonderful. I guess he's the "Star Wars kid" of gonzo filmmakers. What a mess. :-) | 0neg
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] |
So, we already have a summary of the show. I suppose it is a good thing that we are learning about different lifestyles. ???Maybe? However, I just do not understand how any self respecting woman would allow this. I am almost able to stomach this family, they do seem normal besides the whole multiple wives thing, however, a third wife? How "hot" does this guy think he is? (By the way, he's not). It is a confusing show because all of the adults are claiming "true love", and that Brian is all of their "soulmates", but I find it hard to grasp how a woman can settle for only a part of that man's love, and part of his attention. This show doesn't seem like it is supposed to educate the world about polygamy, but more about Brian's "stresses", and how he's going to "handle" all these women that are "so desperate" for him. All of the women in the show seem very nurturing and kind, yet brainwashed by Brian. Basically, it totally blows. | -1no label
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] |
I've seen this movie twice with my teenagers who love it. This one ought to be a cult fave! The best line, "Your dress is deeply cool!" says the Prince to Cinderella. Kathleen Turner shines as the stepmother. I also like the 1950's era cars and motorcycles. The melancholy prince is a great departure from the typical swashbuckler. He tries to stay cool, but fails to hide his love for the fairy-tale princess-to-be. Her slipper is not glass (truer to the original story), but Cinderella loses is nonetheless but gets it back from the heir to the throne. My only complaint is that it is not shown more and seems to be almost impossible to get. Hopefully Blockbuster or Amazon will start stocking this one sometime soon. | 1pos
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] |
A pale shadow of a great musical, this movie suffers from the fact that the director, Richard Attenborough, completely misses the point of the musical, needlessly "opens" it up, and muddies the thrust of the play. The show is about a group of dancers auditioning for a job in a B'way musical and examines their drive & desire to work in this demanding and not-always-rewarding line of work. Attenborough gives us a fresh-faced cast of hopefuls, assuming that they are trying to get their "big break" in show business, rather than presenting the grittier mix of characters created on stage as a group of working "gypsies" living show to show, along with a couple of newcomers. The film has one advantage over the play and that is the opening scene, showing the size of the original audition and the true scale of shrinkage down to the 16/17 on the line (depending on how you count Cassie, who is stupidly kept out of the line in the movie). Anyone who can catch a local civic light opera production of the play will have a much richer experience than seeing this poorly-conceived film. | 0neg
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] |
I didn't get a chance to watch the whole thing, as I had missed the beginning when it was being shown on SBS. However, the parts that I did see, I was quite impressed with. The most striking aspect, was that it seemed like a poem which had been adapted to the screen. I got this impression from the strongly rhythmic nature of the dialog. Also, the dialog did not exactly match the scenario - it was more of an expression of feelings, and of unravelling a story. The scenes of the wedding party looking for the bride seemed incidental to the dialog, and was more of a device to indicate the passing of time and to give more of an urgency for the dialog to unravel. I found it very intriguing and couldn't stop watching. And it was not just because it was an "EROTIC TALE"! | -1no label
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] |
One of the worst films ever. Not funny, poor TV style cinematography, bad acting. Sad to see so many famous old actors barely able to walk, let alone act. Lead female Nancy Young can't act. Terrible direction. Sub-par with bad TV movies. Occasional weak jokes fall flat. Even the basic premise of the movie makes no sense. Somehow they are supposed to stop a wedding from happening but there's no logic behind their actions. Slow pacing made my wife stop watching but I suffered through it. The old men are supposed to be acting like they are young and horny, but it comes off as pathetic instead of funny. How did they even get the money to make this? | 0neg
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] |
It puzzles me that people hates this movie so much, it's a fun and enjoyable Alien / Predator rip-off with no intentions of being a masterpiece. Look, if you want to see Predator, go and see Predator and not Xtro III. It's as stupid as renting Battle Beyond The Stars and expecting Star Wars! Anyway, a group of marines is stranded on a remote island together with a mean and nasty 2-foot tall alien whose favourite pastime is dissecting humans. The little sneaky alien has some kind of slime that he traps unknowingly B-actors in and he gets invisible as well. OK, it isn't much of a story but Xtro III has nice effects and is surprisingly gory at times. | -1no label
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] |
I rented this film because I enjoy watching things with Lauren Graham in them. Well, she was the highlight. Everyone else seemed complete separated from the picture. You kept looking around you at those watching the film with you going, what? However she provided some clarity, as she was the only normal character in the picture, which actually isn't saying much for the film. Personally it was too far fetched for me. However, I am glad I rented despite the fact I would never want to own it. I still feel that Lauren Graham proved to be a strong actress and even thought she was not the main character, she seemed to steal the movie. My husband and I were happier and cared more about her character ending up with Josh's character than we were about the two main characters. | 0neg
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] |
While I've read many a comment saying how "boring" this HBO film was, I'm happy to say that I disagree. In this day and age, when communicating to young people just how important voting is, it's important that media like Iron Jawed Angels is made available. For those out there that are either too young to remember or have not had the privilege of learning these stories in history classes, knowing how hard some people fought and how much they struggled to achieve a right that many current citizens take for granted is tantamount. These stories are just as important as any other story in American history that details struggle, suffering, and a fight against obstacles to overcome. Kudos, also, to Hillary Swank and company for all-around superb performances! Most importantly, thanks to those responsible for bringing this film to the public. Thank You!!! | -1no label
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] |
As a long-time fan of Superman from the comics, through the 1950s series, the first two of the Chris Reeves films and Lois & Clark, and finally Smallville, I was *really* hoping for something clever with "Superman Returns". Instead we got Lex Luthor making *another* attempt at real-estate conversion, another Superman-beaten-up-while-wearing-kryptonite sequence, and internal inconsistencies: he couldn't stop himself falling into the ocean when stuck with 6" of kryptonite, but when Lois breaks off 3" of it, *leaving the rest embedded in him*, he can lift *a continent* into space?? Really, the only hero in the story was Lois' partner - I can't remember his name off-hand. He did all kinds of life-saving, heroic things with nothing but guts and skill - no superpowers, no invulnerability...just a normal human. They keep making Superman so small. Why can't we have Superman battling Brainiac or fighting to save the universe from General Zod instead of Lex's petty schemes. Oh, I forgot...they're doing that in Smallville. Yeah...I think I'll stick to Smallville... You probably should, too... | 0neg
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] |
When i went to see the original Hellboy i did not have very high expectations and was pleasantly surprised when it turned out to be extremely enjoyable, i was therefore looking forward to a similarly enjoyable experience when viewing this film. My expectations were most certainly not met. Aside from the visuals, which as you would expect from guillermo del toro were excellent, and Ron Pearlman's turn as hellboy, the film stank. Following the cringeworthy opening scene with young Hellboy (surely just an excuse to get John Hurt in the film) i was hoping the film would pick up with the introduction to our villain, yet the almost immediate revelation of his fatal weakness ensured that we already knew how he would ultimately be defeated. The plot was so utterly unengaging and dull that even the fantastical creatures could not reignite my interest in what was going on. On a side note, not being aware that Seth Macfarlane had voiced the character when i first viewed the film i spent half the time wondering why Krauss sounded exactly like Klaus the fish in American Dad. | -1no label
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] |
I usually enjoy Sam Peckinpah films, but this slow paced, meandering meditation on the decline of the West just never sparked my interest. There's an excellent cast, great music, stunning cinematography, terrific production design ... all the ingredients are there, but it never came alive for me. The performances are so understated that the characters have no definition. Kristofferson plays Billy the Kid and James Coburn his friend turned nemesis, Sheriff Pat Garrett. It takes two hours for Garrett and Billy to have their final showdown; in the process they drift languidly through one laconic scene after another. There's a fair amount of gunplay, with the by now banal slow motion deaths, but even the action sequences lack fire. This is ultimately a meditative, brooding film, which is probably the idea; but it's just too plodding for my taste. One trivial gripe: whatever they used for blood in this picture struck me as some of the fakiest I've ever seen. It looks exactly like plain red paint. It's actually a distraction, detracting from the impact of the action scenes. It's the one aspect of the production design that rings a false note. | -1no label
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] |
I feel that, even though I really don't want to, I should maybe watch this film again - to maybe see if I missed out any important details or something because from my experience this film has very little to redeem its creation. Frankly, I'd rather the film didn't make any money so that would teach Michael Keaton a lesson. Kelly McDonald's in it - and her character doesn't do any favours to get the audience to empathise or sympathise in any way with her. Likewise, Michael Keaton the retired hit-man love interest out to do one last job is unengaging and wooden. The only portions of the film I enjoyed were most of the scenes involving the fat cop (who fancies Kelly) because he actually manages to act unlike the rest of the cast. In addition, the first twenty minutes of the film where Keaton sneaks about town doing 'hitmanny stuff' is all very well arranged and is admittedly kind of cool - yet this twenty minutes does not in any way reflect the tone nor the level of quality you should expect from the rest of the film following it. I didn't get it. | -1no label
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] |
It's hard to believe people actually LIKE this dreck! I do think kids can enjoy it, but to me it's the kind of kid film parents can't bear to sit through. Predictable plot, boring Belushi, and possibly the worst kid actor of all time. I will give the director some of the responsibility for the kid, but she was truly painful to watch. I feel embarrassed for her now, having people know it was her. When she sang the Star Spangled Banner I had to turn the sound off--then I came here and discovered they did that because she won Star Search. I've always felt Jim Belushi should be ashamed to trade on the name of his wonderful, sadly missed brother, and this crap shows why. Zero stars. | 0neg
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Oh boy...this has got to be one of the biggest turkeys I've seen lately. Apparently, this is supposed to be a serious thriller, but I found it hard to take it seriously for a single moment. First, the entire cast is acting extremely poorly (the accents of the main characters are incredibly fake, and just about every single performance is over the top). Characters act in totally unbelievable ways (the famous nazi hunter isn't the least bit interested when somebody tells him about a serious nazi plot, the apparently calm and sophisticated Dr. Mengele nearly strangles somebody to death for no reason) and just about everything else, up to the overly dramatic score, is exaggerated. Secondly, there simply isn't enough plot to fill a two hour movie with (it can be summed up in a single sentence), resulting in a very slow movie with gives you plently of time to reflect on how utterly silly and far-fetched the story is. To make matters even worse, the flimsy plot is over-explained to the last detail, ruining any mystery there might have been. "The Boys From Brazil" is an overblown, exaggerated thriller that I really couldn't take seriously for one moment. Slow moving, poorly acted and silly in the extreme, I think it can only be enjoyed as camp. *1/2 out of ***** | -1no label
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] |
Looking at the ratings you would assume this is a classic, but yet again its just another example of poor independent film makers trying to drum up interest in their movie. They aren't even being smart about it 10/10 in the votes? I guess that to buck the curve and offset all the 1/10's it will get. Is this better than any decent zombie movie? No. Acting, corny and rubbish. Sound effects, cheap and nasty, if it wasn't for where the actors looked you wouldn't know where it was coming from. Cinematography. These people act like they have borrowed their dads camera right after watching the matrix. Less is more, but more from this team is absolutely pap. Zombies are rubbish as well. I don't doubt most of these people will never be heard from again, and it will be for good reason. I hope zombies eat their eyes as this was 90 minutes of pap that I wont get back. And falsifying ratings just makes it a million times worse. One reviewer said it was one of the best horror movies he has seen in the last 30 years? I can only assume that his recent cornea transplant was a success then. Watch the trailer as thats a warning as to how bad this film is. | 0neg
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] |
This movie deserves more than a 1. But I'm giving it a one because so many fricken fan boys have given it a 10 resulting in it getting a rating that'll take it into the top 100 list. Seriously it's not that great its not that bad. Its a stupid cult classic with so many fricken fan boys it's ridiculous. These are the types who probably still laugh at Chuck Norris jokes and still say "I'm rick james b!tch" No matter how old or annoying it gets. I dread having to hear "I'm tired of MFn snakes on this MFn plane" months from now from idiots trying to be funny. Its crappy plot crap acting etc. Its Okay to love a bad movie, but you still gotta admit its a bad movie. Wait for the Marine starring John Cena if you wanna see a real movie | 0neg
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] |
Love Jones is one of the best movies I've experienced. The main element that sticks out to me is the fact that it is very well-directed. I have studied this film in it's entirety - with watching movies more than once, certain things dawn on you subconsciously - the direction of this movie, as well as the writing, is chic, hip, and artful! I am in love with the direction. The scene where Larenz Tate and Nia Long are riding the motorcycle through north Chicago at night is astonishing. The director of this movie DESERVED awards for his great job. Love Jones is a classy and sexy film. It highlights the fact that we can be people who love, who have flaws, who love living, learning, and just being us without the hype. Being our Natural selves. The poetry is wonderful, but the story line, the dialog, and the scenes really make this movie. This movie deserves to be seen. It is a great movie for lovers and friends to sit back and watch, or, the hopeless romantic (like myself) to sit back and enjoy alone on a Friday or Saturday night. Any day of the week where peace, solitude, and a little entertainment is needed, Love Jones is what I recommend. | 1pos
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] |
Tried to talk the kids out of this one but got stuck seeing it anyway. This is another in a trend of kids movies where morals go right out the window. Now, I like cute dog tricks as much as the next person, but this movie takes the cake. A building is broken into, stuff is stolen, numerous laws are broken, a work truck is repeatedly used without permission, adults are physically assaulted...but hey, they saved some dogs so all that stuff is cool and the kids "did the right thing" in the end. The acting is cardboard grade. And how on earth could a movie mess up pee pee and poop jokes in a movie aimed at children? I don't know, but this one sure did. In a crowded theater full of children, only a couple of them actually laughed at the toilet humor. That's a sad commentary on the movie itself...when even the poop jokes aren't funny to little kids. As numerous comments have already pointed out, the only thing this movie had going for it was the dogs. I will give it three out of ten stars out of respect for the dogs. If the dogs were gone, the only thing stopping this movie from getting negative ratings would be the fact that you can't do that on IMDb. Parents, if your kids love dogs, I'm sure there are better ways to let them see a movie about them than this movie. | -1no label
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] |
I've seen a slew of "80s rocker horrors" over the years, from rubbish like "Terror on Tour" to ridiculously fun gems like "Slumber Party Massacre 2." Somehow I managed to keep putting this one off, which is strange because it's probably the most popular and well received one. Well, I finally caught up with it and it's easily the best of this mostly awful (but almost always endearing!) subgenre. The plot (which was pretty much lifted in the film "Black Roses") concerns a mulleted misfit named Eddie, whose ridiculed by all in his high school for his taste in music. He loves 80s metal, especially his idol Sammi Curr (played by the late great Tony Fields.) After Sammi is killed, Eddie favorite radio DJ gives him Sammi's final recording. Once Eddie plays the record backwards, he discovers he's a bit tougher, and bad things start happening to those who taunt him. Is Sammi's music possessed? "Trick or Treat" is well-made and a total hoot. The special effects are awesome, even though it does feature the typical 80s laser beams. I grew up in the 80s, and while I wasn't a fan of heavy metal, I do remember the urban legend about playing a record backwards hearing the sounds of Satan worshipping. Haha! I also remember being told by my older siblings and neighbors that both KISS and Ozzy worshipped Satan, so it's very amusing to see them both make cameos as a harmless radio DJ and a anti-rock priest. If only I had seen this film as a kid! While the film seems to poke fun at the popular connection in the 80s between alleged devil worship and heavy metal, the viewer never really finds out why Sammi Curr is back from the dead creating havoc and killing whoever gets in his way. This is movie's weakest point, but if you can overlook that, it's loads of fun. | 1pos
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] |
I admire the effort of trying to reach out to the rest of the world with this tragic story. However, the movie is done SO BADLY that most people I know couldn't sit through it. The movie was relevant to me since I lived in Estonia when these events took place, but it is written horribly and fails to capture the attention of someone who knows nothing on the matter. The music choices do not flow well with the movie, it seems as if someone just turned a CD player on in the background to put the actors "in the mood". The acting... well, what acting? The only people acting are Jürgen Prochnow and Donald Sutherland, even though Prochnow seems uncomfortable in this role. As far as the relationship development goes between Erik Westermark (Jürgen Prochnow) and Julia Reuter (Greta Scacchi), it is like watching a train wreck. There is absolutely no chemistry and it is painful to witness their "sincere moments." This is not a good movie. There is a difference between trying to get a message out (could've been a documentary!) and trying to make a good movie. This is a failure and anyone here who says otherwise makes me wonder if they are trying to promote it. As a matter of fact, as a native of Estonia I am offended by this miserable effort. This tragedy deserves more than just a homemade low-budget ghost chase excuse of a movie. This could have been much more! | 0neg
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] |
...star that is. This movie was festering ape feces. We would have given an additional star because we had a good laugh, we just didn't have it in us. By the way, did anybody else play SoulCalibur? I think the bad guy is Voldo. They do it the source, and their prize is they get a baby? We don't know how much money grubbing and glue sniffing was involved in the production of this film but no amount of scrubbing can undo the cinematic rape we have just experienced. Three more lines without using profanity? We don't think we can accomplish this. Instead let these periods represent the tears we shed watching it. .............................................................. ............................................................. .............................................................. ............................................................. | -1no label
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For the most part, I considered this movie unworthy of a comment, but the last 10 minutes prompted me to write one. You see, right then we learn (SPOILERS...if they can be called that) that the Devil's emissary has no chance of properly preparing the domination of the world by his master, because he is not skilled at martial arts! "Prosatanos" has been lying in a hole for centuries, waiting for "human greed" to release him, only to be defeated in a simple one-on-one match against 54-year-old former karate champion Chuck Norris! Imagine what would have happened to him if he had taken on Jackie Chan... (*1/2) | 0neg
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] |
I liked this movie. It was pretty cool. It has it all: cars, gun shooting, fighting, and even a token girl. It does not excel in any of this things, with the exception of the cars. A bit of shooting, a bit of fighting, a bit of smooching around, and LOT´s of car, with a great chase near the end. The jump, you may say, is impractical, but according to our good friends here at the IMDB it is possible, so the movie ain´t as bad as people are painting it. It has some quality, and I liked to watch it. In fact, I loved the film. And I didn´t need to turn off my brains to watch it. I wasn´t always thinking "Is this possible?" or tramp like that. 9 in 10. | 1pos
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] |
The action in this film is extremely implausible and unexciting, the film is formulaic, and the plot is thin as a thrice brewed tea bag. While the acting is fine, the plot is ludicrous. A man walking down the middle of a busy street in Italy with a gun in his hand, and no one says/does anything. Full automatic fire in the Guggenheim Museum with no security or cops appearing until conveniently after the "action" -- and 10 minutes after the 1st bullets flew.... The idea that law enforcement would be unable or unwilling to follow this neon-sign lit-up obvious yet laughable string of events.... Well, I'm just going to log my rating as very poor and suggest people do not pay to watch this film. | -1no label
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] |
Writer-director Patrice Leconte takes a universal and potentially bottomless subject - friendship - and turns it into a flat and meaningless farce, despite A-list actors, fine cinematography and elegant production design. It's all in the plot, and the plot is laughable. "Teach me how to be likable", art dealer François Coste (Daniel Auteuil) tells a random stranger (Dany Boon), and that about sums it up. We learn next to nothing about friendship, and Daniel Auteuil may be a fine actor, but not one minute do we believe he could be the cut-throat egoist the script depends on him to be. Just as we hope the travesty is over, Leconte pulls one of his usual cathartic third acts, fast-forwarding from damage to disaster. Like François's treasured Greek vase, everyone and everything in this movie is a fake. Leconte's only asset is Julie Gayet in the part of Coste's business partner Catherine, looking swell and sexy despite a major mishap of a haircut. | 0neg
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] |
I do think Tom Hanks is a good actor. I enjoyed reading this book to my children when they were little. I was very disappointed in the movie. One character is totally annoying with a voice that gives me the feeling of fingernails on a chalkboard. There is a totally unnecessary train/roller coaster scene. There are some characters and scenes that seem scary for little children for whom this movie was made. The North Pole scenes with Santa and the elves could have been cute and charming. There was absolutely no warmth or charm to these scenes or characters. It usually doesn't work to make a short children's book into a feature film. This movie totally grates on my nerves. | 0neg
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] |
I notice that five of the six people who commented before me on "I Wonder Who's Kissing Her Now" spoke of the lasting impression it made on them. In 1947, when it came out, I was 13; I didn't see it again until 1975 or '76, when it was shown on TV, and I watched it with a young woman in her early 20's. In 1975-'76 I was eager to see if it would give me the pleasure it had as a teenager. It did, and it has stuck with that young woman, too, who has been my wife for more than 25 years. Both of us regard it as second only to "Singin' In the Rain." The music IS wonderful, as others have said, and the stars are at least adequate, but I remember best the color and the nostalgic mood, a sweetly innocent and beautiful aura. I looked it up on IMDb hoping that it might still be available on video. I see that others before me had the same hope, only to be blighted. Pity. It should be reissued and treasured. | -1no label
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] |
My Take: Even splendid underwater photography can salvage a familiar script and paper-thin characters. For those who haven't already got enough of the FREE WILLY pictures, FLIPPER might serve up a decent rental. Others are (heavily) suggested to stay away. Although FLIPPER is harmless affair, it hardly showcases anything for the adult audience (unless it's your first time to see a dolphin). A remake of a 1960's TV show and film, FLIPPER may have sound like a good idea back then: A dolphin charms the life of boy and a girl, they help ave the environment by first getting rid of toxic wastes thrown in on the sparkling waters of the Florida Keys, and at the same time, battle a shark and a salty sea baddie who happens to be the one responsible for the toxic dumping and also happens to hate dolphins. But even for the 90's, especially if an eerily similar film like FREE WILLY was a recent hit, FLIPPER is just another harmless yet occasionally empty summer splash movie for the kids. Although the animals (this, in case, is the main dolphin, a clumsy pelican and a realistic-looking hammerhead shark, typecast as the villain) and the pristine underwater cinematography steal the show, there's nothing much in FLIPPER to steal from anyway. The story is completely predictable, something than nowadays even a 6-year old may find evident. The (Human) cast, led by a pre-LORD OF THE RINGS Elijah Wood and an out-of-work Paul Hogan, have rarely anything to do but stand around and look pretty. Their acting skills, whatever they may be to this movie, is rarely revealed on screen, unless you consider the "acting" talents of cheerful Bottlenose Dolphin. I guess not trying to recommend FLIPPER as mindless family entertainment won't be fair, but anyone over the age of 10 (No, make that 8), are better off renting or buying something else. Besides, the film is about 95 minutes tops. That might just give you enough time to something elsewhere without worrying about your kids. That alone might be worth the rental. Rating: ** out of 5. | 0neg
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] |
Now look, I won't lie to you, but I only got this movie for $3.99 from a friend because it had Danni Filth, the lead singer of the ever popular death metal band "Cradle Of Filth" in it. I expected of course violence and gore at its finest, as that is what Mr Filth can be portrayed as, amongst a plot line. But dear god, I was oh so wrong. This movie seriously bites, big time. Being a low budget film (haha, wait, make that ZERO BUDGET), this obviously lacks the beautiful Howard Stern orchestra musical scores and the Spielberg special effects. Nope, it's all one camera, bad angles, and bad blood scenes. Take for example when our star and violent fiend, Mr Filth, violently kills a mugger. A grab at the throat, and blood spits out, but oh my, it looks like there's a juice packet filled with fake blood in the man's shirt. To you Cradle Of Filth fans: You'll hear two songs throughout the movie, but with the camera angles and shoddy filming, they drag the overall pleasure of the song DOWN. My final comment: Steer well away from it. It's blood, gore, breasts, and hey, even a shoddy story to go with it. So if you like appalling violence, near no voices (yes, there's hardly any words in this movie), then by all means, buy it. But if shoddy movies isn't your thing, then avoid it. Don't waste your money. | 0neg
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] |
I love Monte Carlo and thoroughly enjoyed this movie. I thought everyone was very good. I was not familiar with Richard Lewis, I thought he made his character (Julian Peters) very personable, funny and attractive. Sean Young was very good as the befuddled rejected girl with a heart of gold. George Hamilton was charming and the perfect Italian gigolo. John Candy has a field day as the bon vivant. James Belushi is hysterical as a total jerk. Cybill Shepard gave a very sweet performance as a nice vulnerable ignored housewife. Delightful ensemble cast. Lots of talent, clever script, lots going on and beautiful locations. Just a nice pick me up for a dreary day. Especially in the winter when a trip to Europe is not anywhere on your horizon. | 1pos
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] |
In reading some of the other comments on this movie people are talking about plot holes, bad accents, and lack of direction. To those who feel that way shame on you. If we were talking about The Godfather, The Shawshank Redemption, Or even Lord of The Rings those types of comments and thoughts would be justified, not that I feel that way about any of those movies, but not for a movie like Reign Of Fire. Some movies are made to be thought about and others to just watch and have fun. Reign Of Fire is one of the ones to just watch and have fun. Does it deserve any awards, no. Does it take itself to seriously, no. Can you watch it and just enjoy the special effects, sound, and premise, yes. So the bottom line go to Blockbuster, rent it, sit down and don't think just watch and you will have an enjoyable 90 minutes. | -1no label
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] |
This wasn't what I expected out of a WWII film. The whole film seemed like a total insult to what people had to go through during WW2 and the only thing that this film shows is how a stupid love triangle got broken up. At the beginning when the 80 yr old man dropped dead after hearing "the famous song" and people saying that it's cursed, I already had impatience for it. I don't like superstitious themes in any kind of film genre except horror; any other kind of genre seems totally out of place. Pet peeve. The worse part of the film were the characters who I couldn't identify with or hold sympathy for any of them. They were at best self-indulgent, debauched, selfish, had lack of humanity and uncaring for the world around them. I thought the most despicable character was Ilona who expects the world to revolve around her fingers, self-absorbed, manipulative, depraved, and unadaptable. At least Andre had some sort of conscience and killed himself knowing that his music caused suffering instead of getting rich off dead people unlike Laslo. It was war, people (Jews, Poles, Gypsies, etc.) where being hauled off in cattle trains by the minute, Nazis shoot people as sport and seize control of government, homes, businesses and yet a menage a trois was living a happy dissolute life because they have each other... that's suppose to be touching?! Give me a freakin' break!!! | -1no label
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] |
It's hard to describe Elfen Lied to someone who hasn't heard of it; the closest I can think of is a strange mix of extreme violence, romance and drama. To those of you who haven't witnessed it, you're probably wondering how these are all incorporated into the one piece coherently. Those that have though, are instead pondering why they haven't been put together sooner. Such is the quality and flow of this odd hybrid of an anime. The real area that Elfen Lied shines is it's narrative - its hard not to be enthralled by its weaving course and diversity. A Violent and gory encounter will perhaps gives way to another with a contrasting lighter moment. Emotive drama gives way to bloodshed and then back again, only this time bring you close to tears as it does so. It's a strange combination, where you as the viewer are thrown about and manipulated like those in the story line itself, but one that works surprisingly well. It does this all the while without feeling disjointed, it has an elegance and clever subtly when it makes these strong transitions that makes it all the more mesmorising. This is carefully finished with a truly memorable musical score, which in my opinion is another great strength. The opening 'Lilium' is particularly powerful, and differing versions feature prominently throughout - lending its intensity to emotive scenes. However, regarding music there's an off kilter over-happy pop song that plays over the credits after each episode. It feels out of place, but never the less is adequate enough, and it could be argued adds a good contrast to what is at times quite a depressing anime. I must reiterate however, that the violence is somewhat extreme, and I advise you to be prepared for it if you are faint hearted. However by no means avoid this because of it, there's a lot more to it than the violence, and you will be denying yourself a truly wondrous experience by not watching it. It is to any fan of the medium unmissable; a weird cocktail of conflicting ideas - that on paper shouldn't work, but some how is pulled off in spectacular fashion, gripping you from the start to it's brutal conclusion. Still not convinced? Well ask yourself this; Is there anything else out there that can lay claim to being disturbing and yet at the same time profoundly beautiful? It's worth watching on that premise alone. | -1no label
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] |
This movie did NOT portray the real Selena nor her family. They are very inconsiderate people. Very money hungry. They will literally "hurt" someone for it as well. Being in the tejano business, you know every band (since it is such a small market). I know bands that were involved with the Q Productions, and every band has been burned in one way or another. They did not get any royalties what so ever, contracts were breached, and the list goes on. At a show in Amarillo, Selena refused to sign autographs and her 1 1/2 hour concert turned into 25 mins because the concert hall was only half full. She was not dedicated to her fans, (it was even written in the Amarillo Globe News the day after). The movie really makes her and her family out to be generous and tight-knit. In actuality, A.B and his father do not get along. Lots of curse words thrown at each other(I witnessed it first hand). Poorly made. Made only for the money that would generate. | -1no label
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] |
I've seen Lonesome Dove, Dead Man's Walk, and The Streets of Laredo, and now The Return to Lonesome Dove. If you are hungry for more after watching Lonesome Dove, this'll fill yer belly. Great cast, great story. Most definitely a close second to Lonesome Dove. I will be purchasing this movie to add to my collection. This is the best, or at least my favorite performance by Jon Voight. He is Captain Call. Lou Gossett Jr. playing Isom Pickett is not somebody I'd mess with, he is a bad ass with perspective. William Peterson does a great job as well. Rick Schroder is back as Newt with an angst filled performance that reminds me of his stint on NYPD Blue. My only problem with this film (and it's really picking nits) is that I had the impression that Call wanted to be "the first man to graze cattle in Montana", and it's obvious that Dunnigan had already been there a while. A little inconsistent, but easily overlooked as you lose yourself in the fantastic tale. I especially love the apparent character growth of Jasper Fant and July Johnson. I've watched this movie several times and am ready for another sequel. | 1pos
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] |
Hello Moviegoers, The Palm Theatre hardly ever disappoints, but nobody bats a thousand, eh? I was looking forward to Confederate States of America. The concept, what if the south had won the civil war, what would popular culture be like, is an intriguing notion, no? Well, I thought so, but what a soggy leaden thing this movie was. It's framed as a British documentary of American History airing in America with Confederacy styled commercials. The documentary part is stiff, uninspired and dull. The commercials, which promote a racist condescending slave owning economy, were, well, flat. I loved the Shaw quote at the beginning, "If you're going to tell people the truth, you'd better make them laugh or they'll kill you." Fortunately for the filmmaker he was nowhere to be found at the end of the screening. This project desperately needed a Dave Chappelle or Chris Rock to breathe some life into it. Oh Well, Confederate States of America, stay away in droves. This is K-Pig This is 1030 KYNS | -1no label
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] |
This may not be the most exiting or incredible episode they've made, but in my opinion it remains as one of Star Trek and the Sci-Fi genre's most original episodes. Most ideas from retro Sci-Fi series especially including Star Trek has been reused several times, this one the other hand remains mostly as a one time triumph. This among the episodes that impressed me the most towards the end. Another thing I like with this episode is how it has accomplished to create such and exiting and captivating story with such few special affects. Now without criticizing the episode I must admit the effects are very dated, but then again what can you expect from a TV show from 1967? But still the creature ("Horta") in this episode is basically just a carpet with some coloured rubber on it. Yet you forget this after about 1 minute and you only start thinking about it as what it's supposed to be. Also the caves don't exactly look like rock, but again you forget it after a few minutes. This episode is a living proof on how good acting and a good story, can make you ignore the visual effects. The acting from the main cast is as usual great. This episode features the series second mind meld by Spock and is one of my favourites. So to say it simple Leonard Nimoy is definitely a scene stealer here, and his acting is excellent. Not that Kirk or Bones don't get their share of the episode but Spock is the most intriguing in this one. i like the fact that the episode is not about one specific character but evolves around the trio handling an alien problem. Also it's nice to see an episode who doesn't only happen on the Enterprise. Like most Star Trek episodes this episode tells us to have an open mind. I won't spoil the story, but evolves around what in the start seems like a typical monster story. It has killed several humans and therefore must be killed. But is that really all there is to it? I can assure you that the explanation in the end, will not disappoint you. This is still my favourite Star Trek TOS episode and i give it a 10/10. | 1pos
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] |
TCM:B is not bad compared to conventional crappy horror. It shows the "beginning" and birth of our favorite horror star Leatherface, and his mad family. (read plot summary for details). So here's the wrap-up: The good: Better gore, better use of the chainsaw by Leatherface, nice cinematography, nice story which underlays the first one. The bad: more or less the same story, nothing original out of the ordinary. Ermey stole most of the madness, with less leatherface on screen The ugly: plot holes/gaps, bad editing, shaky camera at the end Now, the trivia in the IMDb says there were even more gorier scenes that was cut. This was sad. 'cos basically, the golden rule of a sequel to any horror is that it should be scarier/gorier/bloodier than the first one. Though there were some nice gore scenes, it wasn't enough to surpass the first one. Anyways, wait for the unrated DVD if you want to see the gore. Otherwise give it a pass. | -1no label
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] |
The parallels between this film and "Captain Walrus" (an independant film shown at the Team Projection Film Festival in 1994) are so blindingly obvious that any praise for "Sally Marshall Is Not An Alien" must be viewed with the knowledge that it is riding on the success of another work. In Captain Walrus, two young boys (Geoff and Roger, played by Dean Turner and Brett Allen respectively) examine the bizarre behaviour of their new neighbour Britney (played by Louise Farley). As the two boys watch through their telescope, they observe the repeated visits of a man in uniform who they call Captain Walrus (played by Peter Sargent). However, the emphasis in Captain Walrus is on the pointless and somewhat power-hungry actions of the neighbour Britney, and less on the friendship between the two boys. A critical success at the film festival, the plot of Captain Walrus has obviously been appropriated and rehashed in order to give the Australian Film Community another notch on the belt with regards to children's product. Although Sally Marshall is not an Alien is a fine film, and a credit to its producers, its inauthenticity leaves something to be deserved. | 0neg
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] |
Let it Be is a look at how a great band can disintergrate before your eyes. It is almost impossible not to view this film without a knowing nod of oh yes I can see how it happened. The truth is the making of this documentary makes far more better reading than actually viewing it. In November 1968 The Beatles released over thirty new songs recorded between bouts of hostility and anger at the presence of Yoko in the studio. With Ringo set to make the film Magic Christian in February 1969 it is hard to see how the group could have got back together after six months apart. Paul came up with the idea to make a TV show around the Beatles recording and rehearsing new material from scratch at Twickenham with a second show that would see the group performing at the Roundhouse, London.All this completed in January 1969. All the problems that acompany this idea are seen in the film. The main problem is the group just do not have enough new material, John's heavy drug use make him just a passenger.However his ego will not allow George to take a more central role and this is why George walks out of the group and not the argument that is so often referred to by everyone who has seen the film. When he rejoins the band at their Saville Row studio along with Billy Preston the group seem more relaxed. However it obvious that all the superior compositions like 'Let it Be', 'Thr Long and Winding Road' and 'Get Back' are all Paul's and it is he who's presence dominates their rooftop performance. When all the recordings were completed their were no TV shows just enough footage to make a rough cut of a film 120 minutes long with John and Yoko equally to the fore with Paul. Allegedly rejected by the remaining Beatles his footage was taken out and what is left is a group dominated by Paul, who comes across as the leader pushing and bullying the band into a cohesive unit. But ultimatly isn't that what everybody wants The Beatles just playing music. | -1no label
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] |
If you seen Rodney Dangerfield's previous movies and performances, you'll recognise several of the jokes made in this odd piece of dreck. Written like a sitcom, this movie fails to strike any sort of likeable chord throughout, from the self-help doctor played by the aways sexy-as-chopped liver Molly Shannon to the 'I'm fat, and therefore funny' John Linette. The 5 wives themselves are likeable enough, and if this had been done as a pilot for an action-adventure series, it might have worked. Instead, it comes off like a male fantasy that's trying hard not to be politically incorrect. | 0neg
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] |
Liam Neeson portrays the Scottish legend Robert Roy Macgregor from the early 18th century. He is a true actor. He captivates the audience with his charisma as he does in all his roles. Jessica Lange is excellent as his wife Mary. Mary is such a beautiful woman. It's her love that makes Rob Roy the legend, but it's his passion that makes her love undying. They need each other. Tim Roth as the evil Cunningham is perfect; in one way or another, upon watching the movie, you will find Cunningham disgusting. The Scotland scenery is beautiful. The environment and conditions of the times are depicted quite well. If you like history, romance, passion and love, you'll enjoy Rob Roy. There is violence and blood, but it's unavoidable in telling this story as it should be told; no gratuitous violence. And you do have to listen carefully if you're not used to a Scottish accent. One important point that makes this movie so good is that no one actor or actress is glamorized; they get dirty and actually look unattractive in various scenes. It's their skill as actors that attracts you, they don't rely on marquee names, popularity or sex symbol appeal. This is something special. | 1pos
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] |
Or anyone else have noticed the fact that first bunch of episodes are inspired too much by 90's flicks? I mean seriously wife who is trying get someone else to murder his rich husband so she can claim his assets. Med students who are temporarily stopping their hearts to reach memories that are lost; Flatliners. Bunch of college bodies getting together again to reminisce on the old days but are not fully comfortable because they did something in the past, Very Bad Things? Groundhog day is one of my all time favorite movies. Sadly enough the writing staff behind his turd is bunch of lazy bastards who can not come up with their original scripts. Noble idea totally fubarred in it's execution. | 0neg
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] |
(spoilers) Horrifyingly enough, I have actually SEEN the film that this horrid film was a sequel to. It was called Ator the Fighting Eagle, and I saw it when I was just 8 years old. It made such an awful impression on me that i never forgot it. I've been an MST3K fan for a long time, so when Cavedwellers came out on tape I bought it. I was horrified to realize that it was a sequel to the wretched Ator movie that i'd seen so long ago! Ator's costume has, somehow, gotten ever skimpier than the last time i saw him. How can he wear that tiny little bikini? Doesn't he care that it shows off the fact that he has no...errr...package? And poor Thong...he gets no lines and no girl, and has to follow that frizzy haired girly doofus Ator around all the time. Has anyone else noticed that Miles O'Keefe walks like a woman? No wonder he's not interested in the pretty if somewhat lackluster Meela. The evil but prancy bad guy Zor is more to his taste, I'm sure. I loved Zor's cardboard spray painted swan helmet, and the way he spent all his time trying to touch some part of Ator. The fight scenes are so badly choreographed that its a wonder that the swords ever manage to connect. The dull old guy spends all of his time standing around looking depressed. Ator drinks from a cup given to him by a guy who hates him, and then looks surprised that they drugged him. He must be pretty smart though-he invented a hang glider in the space pf five minutes ,then flew it into a rift in the space/time continuum so that he travelled briefly into 17th century Bulgaria. That was after he stabbed the giant snake puppet, of course, and saved the post coital Meela while she sat around doing absolutely nothing. The real hero of the movie was Thong, who saved Ator several times from his boundless stupiditiy, and killed the evil Zor in the bargain. Kudos to Thong, the only competent person in the whole film. | 0neg
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I love cheesy horror movies, I think dead alive and bad taste are great and I think slumber party massacre II (not even related to this movie) are hilarious. But this movie absolutely stank, I didn't laugh, I didn't even enjoy it.. you can see all kinds of mistakes that aren't even campy. The best take of the scene where the woman leans out the window is the one where she smacks her head on the sill? Give me a break. Don't rent this thinking it's related to the slumber party massacre series. It's awful and I don't even have a clue how it got any distribution. Rent it with a fake name and burn it, do everyone else the favor. | 0neg
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There's nothing special or significant about Glass Trap that hasn't been done about a thousand times before in these types of B-grade Sci-Fi movies. A large metropolitan office building is gradually overcome by gigantic radioactive ants who trap the helpless maintenance workers and office staff. Things get really bizarre when a SWAT team is called in to blow up the over-sized bugs. The project seems to play out like a funny RAID bug-spray commercial from the 70's! However, the corny situations and stupid dialog make this movie mildly entertaining. I am a fan of B-grade movies that bring back 1950's-1960's low budget special effects. Glass Trap makes an honest effort at doing that. It's not a good film by any means, and certainly the talented Stella Stevens is completely wasted in this. You will recognize some actors such as C. Thomas Howell as the janitor, and Martin Kove as a law enforcement official. Howell, best known for his role in The Hitcher, and for Kove, playing the sadistic karate school instructor in The Karate Kid. There is just enough amusement in Glass Trap to keep it from being a bomb. The pacing is faster than you might expect. One mild spoiler, is that I thought the photo shoot scenes were completely stupid and unnecessary. As another reviewer commented, it appears that these scenes were almost part of another movie, because they didn't fit at all! With the acting as bad as it is in this film, viewers might just want to cheer for the ants! Go into this film with the mindset of it being a B-grade horror flick and you'll find it an acceptable late late show movie. However, Glass Trap is certainly nothing more than that. | -1no label
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] |
John Heder was absolutely horrendous in this movie. I felt like I was watching a bad college kid act for the first time in a student film. Anna Farris was par for the course, not good, but not horrible (plus she's cute). Dianne Keaton should have known better. Jeff Daniels was the only saving grace in this movie (even though it was poor judgement on his part as well). All in all, I would avoid this at all costs. I'm just glad I didn't pay to see it! John Heder will forever be stuck in the typecast role of' the dorky kid,' unless he does some SERIOUS work on his acting chops. | 0neg
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If you are a die-hard Andrew Lloyd Webber fan like myself, this is an absolute must-have for the permanent collection. I loved every minute of it. Sir Andrew Lloyd Webber's 50th Birthday Celebration was the night to remember. Sarah Brightman sang beautifully, as she soared into the stratosphere in the "Phantom of the Opera" duet with Antonio Banderas. Donny Osmond offered clean phrasing and vocalism in his selection from "Joseph and the Technicolored Amazing Dreamcoat." Glenn Close brought Hollywood style and charisma to her selections from "Sunset Boulevard." Julian Lloyd Webber brought technical mastery and pitch-perfect intonation to the "Varations for Cello and Orchestra" piece. And then, almost towards the very end, Sir Andrew Lloyd Webber himself came out and personally introduced Dame Kiri Te Kanawa to the audience. Dame Kiri, a few moments later, sang the world premiere of his new song, "The Heart is Slow to Learn," intended for the sequel to his magnum opus, "The Phantom of the Opera." Well, it was in a word, stunning. Te Kanawa sang passionately, and with the sincerity a famous classical performer would bring to Wagner or Puccini. Absolutely breathtaking. And then, the entire cast came out to sing "Happy Birthday" to Sir Andrew, with Kiri Te Kanawa and Sarah Brightman soaring above the entire orchestra and chorus. There was no dry eye in the audience. An absolutely wonderful performance! | -1no label
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] |
Okay, I'll admit the casting in the film is REALLY strange--part of this is due to the plot, but I still had a bit of trouble believing Pierce Brosnan playing this lead (though he really did a pretty good job). It's based on a true story of an Englishman who went to live with the Canadian Indians in the early 20th century. He claimed to be a mixed blood Indian. He was, in fact, so successful and well thought of that people came from all over to hear his lectures and be taken on his wilderness treks--even though he was not a mixed blood Indian and all his knowledge was from books or faked! The movie centers on this and what occurred when the hoax was uncovered. The acting and settings were great and I really liked the film (once I suspended disbelief about Brosnan). It didn't get widespread distribution--probably because it was pretty cerebral--not a Bond film nor a romance--just a really odd film about a remarkable man. | 1pos
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] |
It would be overestimating this movie to pretend it's the breath of fresh air that horror needed. However, in the saturated universe of slasher films, it is. It's not perfect like many enthusiastic fans claimed it was, but it sure doesn't suck and it's definitely worth a look for everyone who enjoyed the series involving Freddy, Jason and Michael. I personally thought it was a very clever, refreshing and surprisingly inventive slasher film. It makes fun of the genre like Scream did back in the 90s, with all due respect. Overall it's a very entertaining horror movie that can be viewed and appreciated more than once just for the fun of it. In my opinion, there are three underdeveloped aspects that made it fail to be a true masterpiece. First, I wish Robert Englund's character had a bigger part in the movie. Second I'd like to hear more about the mask and its symbolic. Finally the ''slasher act'' should have lasted at least 15 minutes more. Everything else is just perfect. I still strongly recommend Behind The Mask and I hope you enjoy it as much as I did. If Scott Glosserman even plans to make a sequel, I'm ready to rock!! | -1no label
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] |
This is, ostensibly, a movie about multiple grief. As such, it ought to move viewers and make them empathetic with the plight of the main characters. However, its irritatingly postmodern style makes it almost incomprehensible. The camera continually switches from one scene to another, from one personal crisis to the next, creating a choppy, disjointed effect. Most characters appear to live aimless, unstructured lives, held together by their professional commitments. (It also stretches credibility that a man who has just been given what amounts to a likely death sentence, would cheerfully indulge in a sex romp with a woman he has just met). The storyline (if there is a storyline) is difficult to follow. In sum, the overall effect is rather disappointing. In spite of all that, the acting is generally good and some of the scenes are quite powerful. | 0neg
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I had to watch this movie for a film class, I suffered the whole time through. I am not Asian but was still greatly offended by this film. The film's basis is racialism, overall minorities (Rex Harrison isn't even Asian!) are depicted in narrow-minded manner. The banning of the film in Thailand illustrates the degree inaccuracy and subjective portrayal of Asians. In addition, there has been critical attention given to Biography of Anna. Many critics argue that Anna added many fictitious events to her story to project herself in a good manner. Some critics of the film and biography have even stated that Anna made up the whole story. An awful film but good for discussion of BioPics as form of meta-narrative fiction rather than a work of non-fiction. | 0neg
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"I Am Curious: Yellow" is a risible and pretentious steaming pile. It doesn't matter what one's political views are because this film can hardly be taken seriously on any level. As for the claim that frontal male nudity is an automatic NC-17, that isn't true. I've seen R-rated films with male nudity. Granted, they only offer some fleeting views, but where are the R-rated films with gaping vulvas and flapping labia? Nowhere, because they don't exist. The same goes for those crappy cable shows: schlongs swinging in the breeze but not a clitoris in sight. And those pretentious indie movies like The Brown Bunny, in which we're treated to the site of Vincent Gallo's throbbing johnson, but not a trace of pink visible on Chloe Sevigny. Before crying (or implying) "double-standard" in matters of nudity, the mentally obtuse should take into account one unavoidably obvious anatomical difference between men and women: there are no genitals on display when actresses appears nude, and the same cannot be said for a man. In fact, you generally won't see female genitals in an American film in anything short of porn or explicit erotica. This alleged double-standard is less a double standard than an admittedly depressing ability to come to terms culturally with the insides of women's bodies. | 0neg
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] |
Well. Where can one begin? This film is not a film in the conventional sense. By estimate anywhere up to 1/3 or a half of this film is made up of stock footage and sequences from other films. Okay so it was a cheap 1980's crappy action flick but even so! Ed Wood may have gotten away with that sort of thing, but I call shenanigans! The result is a "movie" (in as much as, yes, the pictures on the screen move, but you'll wish they wouldn't!) that seems to be the result of the director/editors throwing random sections of fight scene footage at the screen in much the same way a simian slings it's faeces at its cage wall. The good thing is it is just as amusing to watch as that! It is totally devoid of plot, lacks even vestigal artistic merit, and due to the confusing and totally random nature of how it skips from scene to scene I daresay there are some people out there who think it contains some sort of message or is doing something subtle and Lynch-ian. It isn't. It's a garbled, confusing mess that barely qualifies as a film. This doesn't stop it being utterly hilarious and perfect for watching with a few drinks and mates to rip it to pieces. The above score is the rating for it as a film. It gets 2 stars because a) it didn't let me put in half marks and b) Nothing is as bad as "The Killing Edge". If you want a rating based on sheer (if unintentional) hilarity then go and tack another 3 stars on the end! | -1no label
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] |
The greatest shortcoming of this series is perhaps the lack of an in-depth story and associated cinematics that were in the past, part and parcel of all Command and Conquer games. The interface is also annoying and very slow. The load times are pathetic even on faster computers. But the game itself is excellent and includes not two, but 3 sides. The levels are however, a tad repetitive and not very creative. There are plenty of units and associated gib effects to make up for that though. The America and China campaigns are too easy on normal skill and only during multiplayer is there a real challenge that will force you to think more strategically. I think this game could have been much better if Westwood had more time on their hands. | -1no label
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] |
Near-wonderful mixture of comedy, romance, and medical chaos has a 50-ish swinging-single doctor, tired of going to rock concerts with nubile airheads, dating a patient his own age whom he met on his rounds. Screenplay by Julius Epstein shows a fair amount of sophistication, though he doesn't have enough material to fill out the picture's last third, and one can almost feel the movie slipping. The subplot about the hospital being investigated for its shoddy business affairs isn't worked out satisfactorily, and it feels highly concocted anyway. Still, Walter Matthau and Glenda Jackson are a terrific team, Richard Benjamin and Art Carney very funny in support. Director Howard Zieff keeps it all popping, and even when Epstein's one-liners feel like Neil Simon rejects, Zieff zips right along happily. The results are dryly engaging and occasionally quite sweet. Followed by a failed TV series. *** from **** | 1pos
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] |
You could call Mr. Woodcock the latest version of The Billy Bob Thornton Movie. You know, that movie where he plays ornery elder to assorted subordinates, each insult or physical assault a sign of his arrogance and superiority, even as he's waiting to be revealed as a decent guy who only needs to be appreciated. He is, of course, always smarter and faster than all his opponents. Whether you see him as the bully of your own childhood or the payback that bully so richly deserves, you tend not to see the Billy Bob Thornton character as you. In the new version of the BBTM, Thornton plays a gym teacher with a tedious name, introduced as he's pummeling little boys with basketballs, tormenting the ones who are overweight, stutter, or have asthma, infusing all of them with lifelong insecurities and nightmares. Johnny, a cute, freckle-faced boy, described by Woodcock as "fat and gelatinous," grows up to be Seann William Scott. In so doing, he appears to have escaped his fellow victims' pattern. In fact, John has written a best-selling self-help book, Letting Go, all about forgetting the past in order to move on. | -1no label
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] |
I don't even understand what they tried to accomplish with this movie, i mean really. You got this guy running from a bunch of cats, because he's dead, but in order to be really dead this girl has to shoot them? And they leave a corpse even though normal people can't see them because their dead? The script already has a hole in it the size of Nebraska, then you have the main character played by Susan Paterno who just drones up her lines in a monotone, boring voice and with so little emotion on her face she might as well have starred as a female terminator robot. It's absolutely horrendous and I don't even understand how I managed to see it all the way to the end of the movie. The end being just as stupid as the entire movie mind you, and with absolutely no reward in it for the viewer what so ever. They might as well have called this movie "the little movie that could choo-choo ka-choo." | 0neg
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] |
Shows we see on regular TV lack so much compared to their cable counter parts. Finally we have a show that leaves me dying to see the next episode. The entire cast does a phenomenal job. Out of all of them though, Tyler Labine is going to blow up in a big bad way. He amazingly hysterical. With how much he has done before this, it's a shame it didn't happen sooner. Excellent delivery and great acting show this man will be an excellent career to watch. So far this show has had Kevin Smith back a few times to be a consultant which I think is genius. You can definitely feel his presence whenever he gets in there. This (despite the naysayers) adds a lot to the comedy. Hopefully this show receives the treatment it deserves and becomes a cult classic. | -1no label
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] |
The amount of hype and the huge success this film has encountered is evidence how desperate our people are towards a good independent Saudi film. In fact the huge success of "Tash ma Tash" is also an evidence. I'm not going to start of how important film making is, as it is obvious to those with half a brain how films have changed the world. And I'm not going to say how much our society needs a bunch of films to clear out a lot of issues we have in our country. Religion, politics, women's rights, education, general health, terrorism, Law and many many more. Along came news about the fist Saudi movie which should've been a remedy to some of the issues we have, especially towards the youth. Instead we experienced a bald movie for that matter. The ignorance and naivety of the script was obvious. It was as if a 13 year old had written it. Now I've heard that the budget for this film was huge. I would like to know where the money went, huh? The effects were really ugly, the editing was poor. The script was "kharabeet". You really don't know what the story is and what the director aims at from this film. A note on the actor who played the religious brother, his performance was good but with bad direction. Another thing with the role of the religious friends he had, that is not how religious guys act here in Saudi Arabia! They are not "Evil" as this film intends. In fact they are some of the nicest people you'll ever meet with some really uncommon way of living, and that is what should've appeared in the film. The youth are following the religious here because of a reason, and that is the youngsters are the most passionate and sentimental. And with the well formed principles the religious live on, the youngsters follow them. Again, this is what should've appeared. We need another "First Film" with a Saudi Writer, actor, director, composer, even cameraman. So that they all work with passion towards their experiment, not just for the money! And we should do what Shakespeare did hundreds of years ago, we should include phrases from the Qur'an in the script of the movie. As the people in our society still see art as a form of sin, the challenge a Saudi movie maker is facing is changing the mentality in that angle. | 0neg
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Warner Brothers produced this 3D extravaganza that was the biggest commercial success for westerns in 1953. Guy Madison leads a band of guardhouse soldiers and misfits to rescue two white women being held by Indians, which essentially all there is to this film. The 3D format was in its early stages as a Hollywood gimmick to compete with the growing popularity of home television, and the effects work very well here. The rescuers make off with the ladies and are pursued by the Indians until the white men make their stand at an island in a creek bed. The Indian weaponry comes at the audience non-stop throughout, and a spray of tobacco juice aimed at a rattler is thrown in for good measure. Madison was quite popular as television's Wild Bill Hickock and is good as a displaced cattle rancher who is given his thankless task by the army. For all the film's polish and presentation, the movie was made in just three days. | 1pos
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When I went to see Bon Voyage, I expected a good, skillful multidrama on the order of Grand Hotel (1932) and Les Enfants de Paradis (1944). It was better than that. With few exceptions, none of the characters were totally good or totally evil--just as in real life. The acting was wonderful, especially those who played Frédéric, Raoul, and Camille. The photography was amazing, as it recreated the period perfectly and managed to be shot in/around Bordeaux during a time of new public works but managed the "look" of June 1940. Costumes and make-up were accurate. There is so much in this movie that it's worth a second viewing. It's exciting, funny, and, ultimately, touching. N.B.--Be sure to see it in a theatre with good quality projection. It's in wide-screen, and in the theater where I saw it (the Clairmont in Montclair) the first 30 minutes had the subtitles at the bottom in focus but the actors' faces slightly fuzzy! This was ultimately corrected but detracted from the pleasure of the film. | 1pos
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] |
I honestly have to say that A CAT IN THE BRAIN is one of the most fun and unintentionally hilarious films I've ever seen. This film is packed with stupid dialog, ridiculous scenes, and a self-involving plot, starring legendary horror director Lucio Fulci himself. The threadbare story-line is about an aging director (Fulci, who is also named Lucio Fulci in the film...)who is starting to go nuts and hallucinate because of all the vicious things he's put down in film over the past many years. He goes to a shrink who hypnotizes Fulci, and tells him that he will believe himself to be a killer, but that the shrink will actually be the one doing the killing. The rest of the film is made up of shots from the "film" that Fulci is directing during all this action, scenes of the shrink killing people all-the-while grinning like a f!cking moron, and some of Fulci's hallucination sequences. Oh, and a few tits thrown in for good measure as well... A CAT IN THE BRAIN is completely over-top-and ridiculous in every sense. The gore is classic Fulci - nasty and strong with some really decent scenes. The chainsaw sectioning of a female corpse is pretty cool, as is the chainsaw beheading of a small boy. Lots of stabbings, gougings and other cool kill-scenes make this one a pretty non-stop bloodbath. The ridiculous dialog (LICK IT!!!!LICK IT!!!), as well as some of the insanely goofy scenes (the Nazi orgy, the opera singing slap-fest and the running down of an innocent hippy come easily to mind...) make this one fun as hell. Not nearly as dark as some of Fulci's other films - CAT is more of a self-indulgent horror/comedy that if it wasn't meant to be funny, is actually kind of sad. I say to grab a fifth of cheap bourbon and settle in to this one. I watched CAT with a few friends and we laughed the entire time. THIS is the feel-good movie of the summer...Recommended 8/10 | 1pos
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] |
Writer/Director/Co-Star Adam Jones is headed for great things. That is the thought I had after seeing his feature film "Cross Eyed". Rarely does an independent film leave me feeling as good as his did. Cleverly written and masterfully directed, "Cross Eyed" keeps you involved from beginning to end. Adam Jones may not be a well known name yet, but he will be. If this movie had one or two "Named Actors" it would be a Box Office sensation. I think it still has a chance to get seen by a main stream audience if just one film distributor takes the time to work this movie. Regardless of where it ends up, if you get a chance to see it you won't be disappointed. | 1pos
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] |
Child death and horror movies will always remain a sensitive & controversial combination and therefore it is my personal opinion that every movie that shows the courage to revolve on this topic should receive some extra attention from horror fans. Of course, like in the case of "Wicked Little Things", controversial themes don't always guarantee a good film. Despite the potentially interesting plot, the atmospheric setting and the involvement of video-nasty director J.S. Cardone ("The Slayer"), this is an uninspired and cliché-ridden film that couldn't offer a single fright or shock. After losing their husband and father, the remaining Tunny women (mother Karen and her daughters Sarah and Emma) move to a small and remote Pennsylvanian mountain town where they inherited an old, ramshackle mansion. Their new home is dangerously close to the old mine ruins where dozens of innocent children tragically lost their lives in 1913. Strange things start to happen, like young Emma befriending an (imaginary?) girl who used to live in their house, and the eerie locals seem to keep secrets from Karen and her daughters. Quickly turns out that the undead children still leave their mine-graves at night to seek vengeance on the descendants of the mine's owner Mr. Carlton, who was responsible for their deaths. "Wicked Little Things" is rather tame and extremely predictable. The script shamelessly serves one dreadful cliché after the other, like car wheels stuck in the mud at crucial times, malfunctioning flashlights and horridly broken dolls. There's very little suspense, even less gore and the make-up effects are disappointingly weak. The zombified children don't look menacing at all. Actually, they all look like miniature versions of Marilyn Manson, with their black outfits, pale faces and dark eyes. The excitement-free finale is stupid and just as derivative as the rest of this pointless production. Lori Heuring is thoroughly unimpressive in her leading role as the mother, but Scout Taylor-Compton (currently a big star thanks to the "Halloween" remake) and young Chloe Moretz are adequate as the daughters. | 0neg
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] |
For some reason, so-called `honest' films are quite popular with young Hungarians these days. However, this movie mistakenly suggests that drifting young people have no choice but to drift in life and always choose the wrong way, so no honesty here. This is the type of movie that would be financed by the Hungarian state these days, because you can sell it partly as artsy, partly as `a movie that explores the boundaries of human life and concerns deep social and moral issues'. Well, if the director's intention was to shock (`let us all face reality' and all), he definitely failed, unless he thinks that in the era of hardcore porn and Hollywood B-movies nudity and superfluous violence are shocking. Sorry, I simply do not feel sympathy, sorrow or pain for stupid characters (involved in a stupid narrative), especially if they are sketchy, shallow, or more like empty. The dialogues are crap - believe me, nobody talks like that, ever. This language was invented specifically for this film (not a new phenomenon in Hungary), so it cannot be honest in this sense either. With a little malice, I might add that the amateur acting was so artificial that it drove me crazy after twenty minutes. There was nothing in this film that grasped my attention image-, story-, character- or otherwise. This movie has nothing to it, nothing at all. As I come to think of it, if this is Mundruczó's profound reality, he should probably have made a film about nature and animals. | -1no label
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] |
Last time I ever walked out of movie disgusted and ashamed of being an American was after watching "Freddy Got Fingered", but at least that movie was trying to be a bottom of the barrel movie. First off, I don't know about you all, but I'm tired of seeing this tired format of "Girl growing up crap". Going out on a date on your birthday. Oh but honey we always have dinner together on your birthday. Puuuleeease. Maybe the rest of the movie became better afterwards, but I'm sorry, not even a "Schindler's List" plot could make up for the rest of the movie. This is one of those type of movies you watch, and when you leave you get pissed at the movie theater employees, even though they relatively had nothing to do with why you're mad. Trust me, save your money and rent a movie. | -1no label
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] |
This is a tour de force for Charlotte Rampling - her performance alone makes this worth watching. Things begin with Marie (Rampling) and her husband Jean (Bruno Cremer) heading out of Paris to their summer home in the country. In following the mundane activities of their trip and first night away we learn quite a bit about them. The rhythms of their married life have long since been grooved. Marie's attachment to Jean is apparent, but Jean's feelings for Marie are less well established and this becomes a relevant plot element. On the day after their arrival at the summer home the couple go to the beach. While Marie suns herself, Jean goes for a swim and he does not come back. Marie goes through all of the expected reactions - waiting anxiously, calling the police, witnessing the search, and finally giving up. It is here that we move into the deeper waters of the story, as it were. The expressions on Jean's face just prior to his going on the swim sets the tone of ambiguity as to the cause of his vanishing. Was his disappearance an accident, suicide, or willful? Marie deals with this bewildering situation by entering into a state of denial and this is where Rampling and Ozon boost this movie beyond the ordinary as they subtly trace the gradual chipping away of Marie's illusions. The reaction shots of Marie's seeing an older man swimming in a pool, or receiving a recorded message that a body has been found, are powerful in their understatement. The use of lighting to accentuate Marie's moods is quite effective, like the use of harsh white light when she is in obvious agony. Rampling is at the top of her form and she completely puts to rest any idea that a woman in her 50s cannot be sexy. The subtext of how Marie's friends try to deal with her reactions is engaging, making you wonder about the best way to deal with a friend in a state of denial. You want to be supportive, but also want to encourage them to face what you think are the realities of the situation. Relationships are always more complicated than the participants understand and, as is the case here, a traumatic event can unleash emotions and thoughts previously unexplored. I took the ambiguous ending to personify the hopes, fears, and unknowables in Marie's relationship with Jean, and maybe in all significant relationships. | -1no label
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] |
I loved this film! Finally a movie with gay characters that's thought provoking and funny without featuring vapid pretty boys coming out of the closet and finding true love. These characters are crazy and so deeply unsettling that I couldn't take my eyes off them. They're enchanting and flawed and I just wanted to give each one of them a hug! The dialogue is witty and brutally honest. The movie is like a warped after school special. It's sentimental but at the same time totally bizarre and crass. It reminded me of the TV show Strangers With Candy. This movie is unlike anything I've ever seen before. It's surprising, heartwarming, disturbing, twisted and utterly original. I can't wait to see what this director can do when he has a bigger budget. | -1no label
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] |
This story of a French couple, middle class business people leading a life that they only find boring when they encounter a young, free spirited and unisexual man, takes some weird turns but does it with excellent performances and direction. Though the ending was a bit abrupt, as well as shocking, getting there was the fun - well, pleasure, maybe. The young man has an affair with the woman, and is clearly drawn toward the man as while. The husband's reaction is the key to the drama, and the actor's subtle signs of being tempted, against his nature and resisting all the way , are truly fine acting. The whole cast is excellent, and the sensual , open tone of the movie, mixing the fairly straight-laced couple, their young child, middle class friends and family, and the worldly young man and depicting them, ultimately, as not really all that different, is almost comforting...until that ending, which came rather fast and furious after a more slow moving development, shattering the mood. Still, this is a really fine job of direction, and development of characters who all seem far more common than we would think if merely being told about them. | -1no label
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] |
11 years after this film was released only 5 people have reviewed it here on IMDb. There is a reason for this utter lack of interest in Across the Moon. It is coherent, but lacks all cinematic virtue. See this film for examples of terrible production in all respects. The opening credits for instance are white letters rising mechanically from a red background. The ending features Michael McKean staring out a prison window saying "There's lots of mysteries out there." followed by a clip montage/music video of all the uplifting moments in the tragically bad movie. Julinana Hatfield. Everything in between is awful. I struggled to find any value in this movie and have come up empty. Though it is hard to believe, even a cameo role from Burgess Meridith (always a crowd pleaser) only disappointed me further. This movie is like a mockery of what is special about movies. On paper the movie is below average. Women living together in a trailer. But what actually was produced was nearly unwatchable. The movie attempts to branch off in many directions but never follows through on any. The unappealing conflict of having their boyfriends in jail is never resolved. No conflict is ever resolved. There really is no conflict. The women attempt to become hookers, but that never happens. Instead they get jobs as a bartender and a shelf stocker. Sound exciting? IT wasn't. IT was stupid. And the bulk of the movie is the two women talking and generating contrived conflict. The women are capable actresses, but the script was beyond poor. Useless. This was a terrible movie, but it is even worst that they borough Burgess Meridith out of his retirement home to make it. Bad from start to finish. Like the lion without teeth, this film has no bite. | 0neg
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] |
I just love Malle's documentaries. They are so effortless and simple but still so fascinating. I have no idea why this documentary works. It is about Glencoe, Minnesota. 5000 people live there and nothing happens, really. But still Malle manages to make it fascinating and interesting. His love for humanity, even racist or homophobic people, is so overwhelming that you just can't help but also to fall in love with them too. Malle filmed most of it in 1979. He came back 6 years later to see what had changed. This would have been a good film without the material 6 years later but this small addition makes it great. It may sound like Malle was just doing what has been done in the Up series but in fact it is not. The Up series are about people. Malle's emphasis is not so much on what happened to each person but what has happened to this community. And the change is great. 1985 is the Reagan era and the farmers are suffering. Once a proud community, now no one sees much future at all and parents hope their children will educate them self and do something else than farming. This documentary is quite relevant today. Our financial crises today started because of what was happening then. Just take a look to these final words in the film, spoken by an older lawyer from the town (in 1985): "Well I have high hopes for this country because the things that are going on right now can only be characterized in my mind as an obsession with greed. And a nation doesn't live long with that obsession. And particularly a democracy that... There's good - there's good - a lot of good in this country and a lot of good people and they aren't gonna - they aren't gonna subscribe to this philosophy of greed that's going on now. It's horrible." Unfortunately it took more than 20 years and a hell of a headache before that happened. | 1pos
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] |
On the surface the idea of Omen 4 was good. It's nice to see that the devil child could be a girl. In fact, sometimes, as in the Exorcist, when girls are possessed or are devilry it's very effective. But in Omen 4, it stunk. Delia does not make me think that she could be a devil child, rather she is a child with issues. Issues that maybe only a therapist, rather then a priest could help. She does not look scary or devilish. Rather, she looks sulky and moody. This film had potential and if it was made by the same people who had made the previous three films it could of worked. But it's rather insulting really to make a sequel to one of the most favoured horror trilogies, as a made for TV movie special. On so many levels it lets down. It's cheap looking, the acting is hammish and the effects are typical of a TV drama. The characters do not bring any sympathy, and you do not route for them. I recently re-watched it after someone brought it for me for Christmas, and it has dated appalling. If your thinking of watching this, then I would suggest that you don't. Watch one of the others, or watch the Exorcist, or watch The Good Son. Just don't waste your time on this drivel! | 0neg
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] |
Total Garbage!!! No reflection to Washington heights what so ever. If I had four arms, I'll give it four dumbs way down. Acting performance worst than storyline. Truly over rated. Hour and a half of visual torture.Rather watch Ben Aflec movies for the rest of my life. Feel bad for the films that lost to this crap. What were the judges at the film festival watching? Total Garbage!!! No reflection to Washington heights what so ever. If I had four arms, I'll give it four dumbs way down. Acting performance worst than storyline. Truly over rated. Hour and a half of visual torture.Rather watch Ben Aflec movies for the rest of my life. Feel bad for the films that lost to this crap. What were the judges at the film festival watching? | 0neg
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] |
Well everybody knows what we are expecting when we see a Miike film. He is one of the very few surrealist horror director in the world. This movie is everything El Topo,Terminator, Judge Dread, Rambo,Gothic & Roman Epics put into one. The story is supposed to be of a warrior who has returned to earth for revenge. The torture scenes will make you flinch, the various episodes will make you scratch your head and with all those crazy things you will still appreciate Miike's effort. The characters, the crazy ways they kill him, Izo's flawless performance, the music, the editing, the camera angle's everything is special. Its more like Miike has donned the cap of a psychotic philosopher who goes to preach the world with blood. Its really difficult to get a DVD version, but I think if you are a Miike fan you should definitely give this movie a shot. Having seen more weird things in his movies than in my whole life I can safely say you will not be disappointed. I rate this one 7/10 | -1no label
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] |
To sum this story up in a few sentences: A teenage girl (Amy) uses her hot body and "supposed" virginity to entice a young troubled guy (Matt) with a potential football scholarship to provide her a "Full Ride" out of town. Come to find out she has quite the reputation & has slept with many football players in the past hoping they would offer her the same deal. Both of these kids have come from troubled & dysfunctional homes. Matt's mothers a alcoholic who repeatedly embarrasses him in front of his friends & Amy's mother had a bad reputation herself & got pregnant with Amy at a a young age. Matt falls in love with Amy & tries to straighten out his life for her. Very predictable ending. The actress that plays "Amy" is actually 33 years old trying to play a teenager! | 1pos
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] |
This is one of those film's that you just have to laugh at. The filmmakers' intentions are in the right place. They really do try to make the proceedings terrifying. It's just that there's not a lot to work with here. The dogs are supposed to be scary and while the scenes where they are on the attack have an urgency to them, its just hard picturing these pups as anything but cute and cuddly. Throw in some glowing eyes and really bad fangs and you have the recipe for disaster. The story revolves around some soldiers who accidentally uncover the tomb of Dracula and unleash his servant and dog upon the world. The pair travel to America to find his last living descendant and serve him. Unlike Salem's Lot, Reggie Nalder plays the servant this time instead of the master. All in all this is just one dog of a film. | -1no label
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] |
It's really too bad that they only made a few Hildegarde Withers mysteries and that only a few of these starred Edna May Oliver. The bottom line is that in the 1930s, no woman in Hollywood was more fun to watch in colorful supporting roles than Miss Oliver, so it was a real treat to see her in a starring role--and one that allowed her cool screen persona to shine! Instead of the usual somewhat insipid detective series films, her Miss Withers was a smart-aleck and tough lady--not some pampered playboy or Chinese detective. Plus, it was a great casting decision to have her work with police detective James Gleason and give him better than usual writing for such a role. In practically every B-detective series, the police are complete morons--so much so that the films lack any suspense or chemistry at times. Usually you KNOW the cops are all idiots and the amateur sleuth knows everything, but here she is assisted by a reasonably capable cop and they work on the case together. Because of this, it was cute to see that through the course of the film, Gleason's character fell for Miss Withers--he grew to love and respect her just like the audience did throughout the film. For the genre, this is about as good a film as you'll find--plus, it has cute penguins and Edna May Oliver!! What more could you ask for in a movie?!?! | -1no label
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] |
That's what you get with this movie. That's about all you get with this movie. I am not kidding when I say that two damsels in distress get harassed at a dive bar by a gang (leather jackets, motor-huckle boots, you name it) that has driven up to the bar. On dirt bikes! A hahahahahahahaha! Oh man, I have to give credit where it's due, because when this scene unfolded before my eyes, it was the equivalent of cinemtic masturbatory bliss! I have never laughed so hard in my life! Oh, you also get ATV chases, more dirt bikes, rock climbing, and some escaped ape of a dude who goes around "axing" people. Seriously, if you have somehow stumbled upon the hell which is this movie, watch it just for that scene alone. You'll dig it, man! Hahahahahahahaha!!!!!! | -1no label
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] |
Special effects? Good. Script? Terrible. No plot. No depth. No meaning. This film rendered Superman as a meaningless hero, a hero with no archetype. In the original film, he represented America in the Cold War. Here, he represented nothing but a Hulk. Sure, the actors were fine. Kevin Spacey was a fine choice, among others. This still does not resolve the problem that this film had no depth whatsoever. I cannot see how anyone can come away with anything meaningful from this film, when Superman was, and is, daily created to be a meaningful hero in not only comics but also in people's minds. This was a real waste of money considering how many directions this film could have taken. Just a few instances: Lex Luthor could have been a villain of global corporatism, political domination, totalitarianism, and on and on and on. He was just another goofball Hackman incarnation. And Superman? For what did he stand in this film? Nothing but another hack "savior" figure. Wait until it comes to the dollar theater if you see it at all. | 0neg
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] |
This movie is really quite a feast. It shows two German brothers on a trip to Japan to visit a Zen monastery. Both brothers face personal questions: one has just been left by his wife, and the other, well, that comes too late in the film for me to discuss here. Upon arriving in Tokyo, they settle in a comfortable hotel and go out for a night on the town. Problem: where is the hotel? At first this seems comical, but it quickly becomes a serious crisis. They sleep in cardboard boxes on the street. The brothers' ability to deal with these problems and their other problems are examined in the light of the daily mundane tasks they take upon themselves when they arrive at the monastery. The movie handles religion very well. It shows the value of their meditation without getting overly preachy. It shows the brothers, especially Uwe, the one whose wife left him, trying very hard to find a meaning in what they do. The movie is about people and the deep problems people have. Some viewers might find this boring, but I found it compelling. There is no one thing I can point to, but the whole feel of the movie and the characters seemed right. | -1no label
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] |
"Tears of the black Tiger" is a one of a kind western from Thailand. In fact it's the only other film I have seen from Thailand besides "Last life in the Universe. Miramax owns the U.S rights to the film, but for some odd reason it was never released and continues to collect dust on their shelf. The film has a bright Technicolor style similar to "the Wizard of Oz" and Guy Maddin's "Careful". O.K., so take these bright surreal elements and add over the top Peckinpah / Pete Jackson style shoot outs, a romantic story and musical interludes. In other words, you're prepared for an experience that is out of this world.The best way to describe it is ... a hilarious and romantic candy colored spaghetti western with Asian cowboys and bloody shootouts. If you are searching for something completely different and original, you came to the right place. | -1no label
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] |
A seven-year-old boy, Omi is sent from India to live with an Uncle in Ottawa. Nobody is told that his mother is dying. The teenage daughter of the family, Safia is given the task of watching over Omi. On one of their outings, Amy meets a black man, Roland, who is a tour guide in his thirties, and they become romantically involved. Omi is convinced that Roland is a superhero, who will save his mother and bring her to Ottawa, so he assists with their clandestine meetings. The acting is in the low-key, naturalistic, Canadian style, which keeps a very light mood to the drama. The characters are interesting and endearing but are not fully developed. The film is quite enjoyable but not memorable. | -1no label
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I have never seen a Barbara Steele movie that I haven't liked, and have always been a sucker for a good haunted-house story (especially for such wonderful pictures as "The Legend of Hell House" and the original versions of "The Haunting" and "House on Haunted Hill"), so I had a feeling that "Castle of Blood" would be right up my alley. And boy, was it ever! This French-Italian coproduction, while perhaps not the classic that Steele's first horror film, "Black Sunday," remains to this day, is nevertheless an extremely atmospheric, chilling entry in the spook genre. Filmed in black and white, it manages to convey a genuinely creepy miasma. The film concerns a journalist who bets one Lord Blackwood and an author named Edgar Allen Poe that he can spend the night in Blackwood's castle on the night of All Saints Day, when the spirits of those killed in the castle reenact their fate. The viewer gets to see these deaths, and they ARE pretty horrible, for the most part. The film does indeed send shivers up the viewer's spine, and in the uncut DVD that I just watched--thanks to the fine folks at Synapse--even features a surprising topless scene and some mild lesbianism! And Barbara is wonderful in this movie; her otherworldly beauty is put to good advantage playing a sympathetic spectre. Her mere presence turns a creepy ghost story into something truly memorable. Not for nothing has she been called "The Queen of Horror." | 1pos
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This is one of the better comedies that has ever been on television. Season one was hilarious as were most of the following seasons. The only reason that I give this show a 9/10 is because of the unfortunate final season. The only good part of the final season was the finale. My favorite part of this show was the scenes that cut to people's imaginations, often depicting the characters in famous TV shows or movies from the 70's. It is a rare show in that i liked every character (with the exception of the final season...too late to try to develop a new character and fez wasn't nearly as funny). Red's foot in your ass comments never got old, nor did Kelso's stupidity. Bravo to fox for keeping such a good show so long, too long even. | 1pos
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I've finally seen THE INCUBUS after waiting 20 something odd years to see it and well, it surely wasn't worth waiting all this time to see it. THE INCUBUS is strictly by-the-number horror film: unseen killer/monster is raping and murdering women in a small town. The film goes like this: movie opens with killing; then blah blah blah; more blah blah blah; then another killing; even more blah blah blah; continuing with blah blah blah; yet another killing (surprising, huh?); blah blah blah, etc... The film is totally predictable from beginning to end. Even the stupid "big" red-herring used throughout the movie wouldn't convince a 5 year old. And I figured out the secret identity of the incubus the moment I saw the character, so when the "shocking" surprise ending arrived, I wasn't shocked or surprised. In fact, it was so funny that I kept on chuckling days after I saw the movie. It's so silly! Anyway, the film is so by-the-number that the "rock band" sequence is one of the few stand-out moments in this dreary flick. It's a stand-out scene not necessarily because it's good but because it's so funny and pointless: the movie playing on the big screen shows a rock video-like moment with a guy in red leather pants getting his obviously fake long hair cut, all of this edited with scenes of a girl who is being attacked in the movie theater's washroom by the incubus. The best thing I could say about this film is the cinematography, which I actually liked. But aside from that, there's almost nothing worth mentioning about THE INCUBUS, except that it's unintentionally hilarious. | 0neg
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] |
The Underground Comedy movie is perhaps one of the worst comedies I've ever seen. I should have known it was going to be bad when the box had the phrase "guaranteed to offend" written on it... meaning that the filmmakers were going to focus more on grossing you out than making you laugh. This movie is an amateurish jumble of childish skits, bad characters, and worse jokes... from the pathetic Bat-Man sketch to the painfully unfunny Arnold Shvollenpecker skit, they just aren't funny. The few skits that are a little funny are few and far between - watching Micheal Clark Duncan play a gay virgin, for example - but even they go on too long and get ruined from Vince Offer's ineptness at comedy. Keep The Underground Comedy Movie underground... bury it! | 0neg
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] |
I risked this movie after reading comments here and elsewhere. Lets say that though Megalodon has a cool idea (prehistoric shark comes out of a fissure that gets opened up leading to a deeper underwater prehistoric ocean), the movie blows big time. Take the plot, and throw would could have been interesting and suspenseful right into the toilet and replace it with a story that plods along accompanied by actors who come from the "high, I just got into acting and am having fun trying to do this part" school of thought. There are a few interesting characters, and a few people show that they have acting potential, and if you get into the frame of mind where you can deal with all the large amounts of shiny computer game cgi, then there is still the problem that the movie just sucks anyways. It has that awful filmed, ultra low budge cinematography look to it, with lots of things extremely scrunched up real close in the frame (probably to hide the cheap backgrounds, but clearly the cinematography just sucks). The editing is also terrible, with places where you feel like saying yourself "ok, you can cut now, the moment is over, cut already." Do yourself a favor, if your looking for a decent shark movie outside of the jaws series, try Deep Blue Sea, or Red Water. Otherwise, here's to the day when the movie Megalodon becomes extinct. | -1no label
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"After the Sunset" - Pierce Bros- nan, Salma Hayek, Woody Harrelson, Naomi Harris, Don Cheadle. Master thief Max (Brosnan) and his lovely accomplice Lola (Hayek) are retired on a paradise island. Or so they say. FBI agent Stan (Harrelson), whose tracked them there and isn't buying that for a minute, reckons that MaxÕs sights are on a fabulous diamond about to arrive on a touring cruise ship exhibition. But a local gangster (Cheadle), who also has plans for the diamond, befriends Max and now the twists and double-crosses begin. Compared to Brosnan's Õ99 "The Thomas Crown Affair," this is heist film-lite, having less-than-satisfying details and various lapses in logic. Brosnan, however, is just so cool, and Hayek breathes sexuality nonstop | -1no label
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] |
The fight scenes were great. Loved the old and newer cylons and how they painted the ones on their side. It was the ending that I hated. I was disappointed that it was earth but 150k years back. But to travel all that way just to start over? Are you kidding me? 38k people that fought for their very existence and once they get to paradise, they abandon technology? No way. Sure they were eating paper and rationing food, but that is over. They can live like humans again. They only have one good doctor. What are they going to do when someone has a tooth ache never mind giving birth... yea right. No one would have made that choice. | 0neg
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1,
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1,
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1,
1,
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1,
1,
1,
1,
1,
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1,
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1,
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1,
1,
1,
1,
1,
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1,
1,
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1,
1,
1,
1,
1,
1,
1,
1,
1,
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1,
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1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
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