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Sadsentinelwings , I enjoyed your review. Anyone reading your review who are not consumers of metal, will learn that this topic could easily be discussed and debated on any of those Sunday morning political round-table television shows. That being said, I'm surprised you didn't identify prog metal as a non-metal sub genre. Personally, I love prog metal, especially many of the bands that have emerged from Europe. I hear metal fans (mostly American fans) all the time lament that prog metal isn't true metal. A dark metal fan or power metal fan would claim that prog metal really can't be considered as metal, due to each band member's perspective, motivation, fashion sense and musically elitist attitude; similar to the way that the 70's punks viewed Emerson, Lake & Palmer and Pink Floyd. Personally, I really don't care if its metal or not. Still an interesting discussion. I would have love to see the prog scene explored. Certainly Mike Portnoy or Daniel Gildenlow would have much more to contribute to the discussion than Rob Zombie or Dee Snyder ever could. Besides, all the footage of the concert audience got old. Some of it could have been trimmed and replaced with a discussion of prog metal and how it differs in both positive and negative ways. Though I do agree with you on every criticism, I agree that it is one of the best documentaries I've seen. Certainly far better than any of those metal documentaries on VH1, which are truly horrible. | -1no label
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I was really looking forward to seeing this one: the trailer I'd seen promised much. Even the music sounded good. Sigh. With the exception(s) of two very lyrical dream sequences, there's absolutely nothing to recommend here. HAKAIDER calls to mind the American version of the GUYVER manganime, by way of ROBOCOP (which was itself nothing more than a thinly-veiled rip-off of the 2000 A.D. strip, JUDGE DREDD). Unlike ZEIRAM (or ZEIRAM 2) or TETSUO or any of a number of other well-done live-action anime, HAKAIDER offers nothing more than the aforementioned dream sequences; the rest is sound and fury signifying absolutely nothing. A major disappointment. | -1no label
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I've watched this film a few times and I never really liked it. I'm not a fan so termed "nu horror", so I can't be dismissed on that account. I found it a little sleazy, I think the thing that irks me about Hammers is the sexploitation aspect, not sex mind you, but Sexploitation. I'm surprised at how many people have rated this film so highly, so I'll have another look at it. But for me, it wasn't creepy, it had no atmosphere, just a bit of "omigod, look at those bad/stupid London prostitute women and that little innocent Anna about to get raped by yet another nasty man, ooherh!" I suppose ultimately for me, the film had no depth whatsoever, just a bunch of nasty priggish men and women only there for the titillation value. This no doubt was to some degree what Victorian England was like, but the sets are even too clunky and dull impart a sense of Victorian menace. Roger Corman's horrors on the other hand, now that's style, atmosphere and elegant horror. For me, this was just exploitative, flat footed trash. | 0neg
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] |
I have 2 words for you. Sean Bean. He is the only worthwhile presence in this film. But even so, don't see this movie. Even though he is good as the main villain, you don't want to waste your time. I didn't care about the characters (except the little boy) and in fact, I didn't really care if the star crossed lovers ended up together or died. The movie did not make me care or BELIEVE that these people cared about each other at all. I have read a lot of "classic" novels after seeing the movies and this movie made me not even want to read the book. The story seems so boring. But I may go ahead and read it to try to redeem the story in my head. Stay away from Lorna Doone. The actress who played Lorna was also in Sense and Sensibility and she was much better in that. Watch Sharpe, Horatio Hornblower, A & E has great movies of novels like Pride and Prejudice. Or miniseries like the Forsyte Saga. Check them out, don't bother with Lorna Doone. | 0neg
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] |
This film seems to be completely pointless. There is no reason why anything that happens in it happens, as if it was written by a small child who got bored halfway through and thought "how can I wrap this up?". And what were Jared Harris and Christopher Walken thinking? Did they do it for a bet? I couldn't tell you the plot, I'm not entirely sure there is one to be quite frank, but if there is it didn't register. Jared and his bird go to Ireland after she falls down the stairs while lashed up, as you do. They go to a house with a very annoying small girl in it, meet Christopher Walken who has dug up some ancient woman preserved in peat. He brings her back to life for no other reason than it continues the story and she shows her gratitude by immediately icing him. From then on it all gets a bit silly. A couple of hours of my life that I'd like back! | -1no label
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] |
This was one of the few Norwegian movies I actually looked forward too see. It started of as a few commercials with a motley bunch at football matches. Then they made a movie out of it. The leads are not pros (and you can see that) but they still do a very good job and the movie all in all blew me away. Norway is known for making crappy movies (no offense)but I had a good feeling about this one. Even thou I'm not interested in football I wanted 2 see it. the story is a lot better than expected and the laughs just keep piling up. there are loads of cameos from Norwegian celebrities and players. the characters are well portrayed and you feel for them. IF You're EVER GONNA SEE A NORWEGIAN MOVIE. LET IT BE THIS ONE!!!! | 1pos
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] |
Kenny Doughty as Jed Willis is sexier in this role than any male porn star, even though he keeps his pants on. The movie tore at my heart reminding me of the intensity of the big explosive love of my life. I don't think I can think of another movie, except perhaps Zeffirelli's Romeo and Juliet that captures that giddy joy that well. The other draw of the movie is the very English eccentric characters enjoying the scandal vicariously. In that sense it is much the same appeal as Midsomer Murder or a Miss Marple mystery, without the mayhem. This is a great antidote to the mock horror currently popular in the USA an any relationships between people of different ages. | 1pos
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] |
Tenderness is contagious. Looking for love and ways to give it? Are movies more to you than entertainment? Without dreams, ambition and inspiration, life is harder than it has to be. Who says only the very young are hungry for knowledge. This good movie has taught me something about foreign relations, love and families, crime and punishment, truth, imagination, diligence, experience...the list goes on. And the commentary by Minghella -a bonus offered in the DVD features- is simply a joy. See the movie, enjoy the collaborative efforts of several true artists and then learn a bit about what it all meant to this successful writer/director. Or just see it because it's entertaining. | -1no label
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] |
Below average movie with poor music considering a movie based on music??? Ordinary Script & Direction with full of blunders. Salman Khan was at his usual acting. Ajay's performance deteriorating with time as his looks,especially his styles as a Rock Star were pathetic. Asin was just a showpiece only. Overall I felt like wasting my money in cinema. Salman Khan remains as immature as 10 years ago compared to Aamir Khan. There were many songs in the movie all boring except "Man Ko Ati". The Most Important Song to impress the UK Music Sponsor was most unimpressive. "Khanabadosh" can be very easily understood by an English Music Sponsor. The other movie I saw last week was "Wake Up Sid" which was simple slow love story with good direction & acting despite average music | 0neg
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] |
A good cast and they do their best with what they're given, but the story makes no sense, the characters' actions are inexplicable, and there are too many moments of unintentional humor, as when a man is killed by being pierced with pieces of a phonograph record or when they get the witch drunk to a hip hop beat and then hit her over the head with a bottle and she grabs her hostage and pouts off. The scene when the two witch and her victim (played by the same actress) are in the house together sets up like a 3 Stooges routine, and the plot begs the question: if the witch wants to possess this other woman's soul, why doesn't she just do it instead of leading these people on this elaborate chase? Not to be missed is Christopher Walkin's eyeglasses and his automotive explanation of the afterlife (paraphrased): "The ancient Egyptianas - they wee materialists. They expected the body to last through eternity, like a used car that you souped up. But the Druids, they knew you couldn't drive in the afterlife. You had to get out and walk." Huh? The ending is absolutely indecipherable. Seems like they just ran out of film. | 0neg
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] |
This show drives me crazy. It goes against everything a family should be, even if it is intended to be a comedy. The show is suppose to follow Dave and Vicky Gold (Michael Rapaport and Anita Barone) as they raise their three teenage children: Hilary, Larry, and Mike. A good premises for a comedy yes but it does not mean it will be a good show. I don't think I've ever heard cruder talk from parents to children and vice versa. The only talk that seems to be in the show is control of children by the parents and sex. I know that sexual intercourse is usually a subject talked about by teenagers often but it is brought up in nearly every episode with no point to it. The one episode I was just watching involved the parents giving their daughter, Hilary a car, not once do you think they are related in anyway by the way they talk to each other and how the parents talk about how Hilary is like "their slave." The show fails on the comedy level the most. I haven't laughed at this show once in the numerous times I have attempted to watch it, and I'm a person who gave such films as Animal House and Dumb and Dumber very high marks. Michael Rapaport is a very good actor and why he choose to ruin his career by making this piece of filth show is beyond me. Parents, make sure your children never and I mean never watch this. Teenagers, you'll probably get a laugh out of this just for the blatant sexual references but nothing comes out of it and afterwards you feel rather empty. 1 1/2/ 5 Stars. | 0neg
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] |
Seriously, can you imagine such a spread of talent in one film without a huge budget: Daniel Day-Lewis, Ray McAnally, Brenda Fricker, Hugh O'Conor AND Fiona Shaw? There's no doubting that Fricker and Day-Lewis deserved their awards: but it would have been entirely justifiable to have seen O'Conor (as Young Christie) and McAnally awarded: the cliché is true here: they don't perform the roles, they inhabit them. Day-Lewis' performance is a tour de force - such a transformation that it is awe-inducing, but it was truly a mark of the Academy's intelligence that alongside this performance, they also honoured Brenda Fricker's beautifully restrained, still and heart-wrenching work as Christie's mother. By the way, if you haven't seen this magnificent actress in "Swann", that's another film well worth checking out for her contribution (and the sublime Miranda Richardson). | 1pos
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] |
I rate movies 1 when I feel like turning it off, which was many times during this film. I didn't, though it seemed to get worse... He wins a grand, decides to get a date with Drew, the whole movie follows him throughout a very long 90mins and thats it. There were some entertaining moments, but a movie about a guy getting a date with a celbrity is all you're going to see and how knowing someone who knows someone else might know Drew. Eventually a website is made, which catches Drew's business partners attention, and Drew herself. Don't watch unless you want to see this excuse for a movie. | -1no label
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] |
Please Sajid Khan, stick to what you do better (which is a tough question to answer). This movie started out with vulgar humor and continued throughout. Vulgarity that Sajid Khan is always full of. He tried to follow the typical 'masala film' guidelines. Thus, squeezing in an 'all-star cast' song and guest-appearances by the other left over actors in the film industry. But, this movie needed a lot more than just this masala and a xerox copy of a well known Hollywood movie. Akshay Kumar was natural as usual and he brought some humor to the movie but that was forced as well. Maybe the next time around Sajid, you should put some real efforts into making a movie and stop PLAGIARIZING!! | -1no label
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] |
*MAYBE POSSIBLE SPOILER* Sorry, but I'm afraid to say I disliked this movie. I've seen Dragonheart many, many times (which isn't really a children's movie), but when I saw this one, was surprised to see that's what it is. A children's movie, I mean. No appearance by Pete Postlethwaite doesn't help, either. And since when did dragons breathe ice? You'd think the fire and ice would cancel out or explode or something, but anyway, If you liked Draco in Dragonheart, see this one because Drake (The young dragon) is the only similarity to the first film. And even then, only marginally. 1.5 out of 5. | -1no label
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] |
Errol Flynn is "Gentleman Jim" in this 1942 film about boxer Jim Corbett, known as the man who beat John L. Sullivan. Directed with a light hand by Flynn's good friend, Raoul Walsh, the film also stars Alexis Smith, Jack Carson, Alan Hale Sr., William Frawley and Ward Bond. Flynn plays an ambitious, egotistical young man who has a natural talent for boxing and is sponsored by the exclusive Olympic Club in San Francisco in the late 1800s. Though good-natured, the fact that he is a "shanty Irishman" and a social climber builds resentment in Olympic Club members; most of them can't wait to see him lose a fight, and they bet against him. Despite this, he rises to fame, even working as an actor. Finally he gets the chance he's been waiting for, a match with the world champion, John L. Sullivan (Ward Bond). Sullivan demands a $10,000 deposit to insure that Corbett will appear to fight for the $25,000 purse. Corbett and his manager (Frawley) despair of getting the money. However, help comes in the form of a very unlikely individual. This is a very entertaining film, and Jim Corbett is an excellent role for Flynn, who himself was a professional fighter at one time. He has the requisite charm, good looks and athleticism for the role. Alexis Smith plays Victoria Ware, his romantic interest who insists that she hates him. In real life, she doesn't seem to have existed; Corbett was married to Olive Lake Morris from 1886 to 1895. The focus of the film is on Corbett and his career rather than the history of boxing. Corbett used scientific techniques and innovation and is thought of as the man who made prizefighting an art form. In the film, Corbett is fleet of foot and avoids being hit by his opponents; it is believed that he wore down John L. Sullivan this way. Good film to catch Flynn at the height of his too-short time as a superstar. | 1pos
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] |
This movie was absolutely terrible. The only explanation I can think of for the good reviews it received from some here is that they were written by people in the cast. It was actually painful to watch this movie. Even my grandchildren (ages 6-13) could not bear to watch it. As far as I know, this movie never made it to theaters and for good reason. It's as if some people were sitting around having a beer and said, "Hey! Let's make a movie. Who wants to be in it?" It's that bad. Besides Luke Perry, who is only in a small part of the movie, I did not recognize a single other actor. That's not necessarily a bad thing but it is in this case. I liked Sandlot (I) and I generally like stupid and silly movies but this movie doesn't have a single redeeming quality. The people who wrote it don't have the slightest clue as to how children think, talk, or act and the movie is a disjointed mess of terribly corny lines and stupid jokes. I rarely write negative reviews but this is the worst movie I have seen since Man's Best Friend and it's definitely one of the ten worst movies I have ever seen in my life. If you rent it, remember that I warned you. The fact that some people actually rated this movie as being good is a sad commentary on their taste and intelligence. I'm not exaggerating. | 0neg
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It has been so many years since I saw this but I do feel compelled to defend this gem against those who lambast it. It is interesting and unusual to observe the diversity of opinion here. That is what humour does I suppose. It is subjective. It either charges through your funny bone at 60,000 volts or it leaves you cold and wondering why you gave it the time. This show has some of Britain's best comic actors put together in a story that is silly and irreverent and the outcome is hilarious. The dialogue and visual comedy is beautifully delivered and the two leads (Cleese and Lowe) are superb together. This was made for them. I can't really say anymore other than to implore you to find this and watch it. You won't be disappointed and in a world devoid of genteel humour, this is a classic inane and harmless piece of comedic brilliance. | 1pos
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When my own child is begging me to leave the opening show of this film, I know it is bad. I wanted to claw my eyes out. I wanted to reach through the screen and slap Mike Myers for sacrificing the last shred of dignity he had. This is one of the few films in my life I have watched and immediately wished to "unwatch", if only it were possible. The other films being 'Troll 2' and 'Fast and Furious', both which are better than this crap in the hat. I may drink myself to sleep tonight in a vain attempt to forget I ever witnessed this blasphemy on the good Seuss name. To Mike Myers, I say stick with Austin or even resurrect Waynes World. Just because it worked for Jim Carrey, doesn't mean Seuss is a success for all Canadians. | 0neg
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] |
My Santa Lucia Choir was chosen to be in this movie. All 100 plus. When it came time to film the movie I was asked to chose just 10. Oh my goodness. We had a little gal who went early to have her tonsils out because she wanted to be in the movie. The choices were hard to make. The people of Georgetown are just a lovely as the people that they show in the movie. Gracious, kind, believers. The town sponsors an annual Christmas Market the first two weekend in December every year. I was there this year and it was wonderful. The town is lovely and the people work hard to make it magical. The town appears today as it did when the movie was made. Much credit goes to the Historical Society there that work hard to maintain the historical value. The principal of the school that has been turned into a Charter School was given an award by the Governor of Colorado for Volunteers. | 1pos
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] |
Any coincidence between this apocalyptic version of Puccini's "La Boheme" and the original is purely a stratagem of the producers, attempting to bootstrap an agonizingly bad production on the fame of a classic. Puccini wrote music; Jonathan Larson wrote screams. Puccini's librettists conceived an actual story that has transcended generational and societal boundaries; Larson's book will appeal principally to cross-dressing, drug-addicted failures on the lower east side of Manhattan who believe that having rent-free accommodations in one of the world's most expensive cities is a matter of right. What should have been, and what is promoted as being, a synthesis of "Angels in America" and "Hair" sadly turns out to be little more than an overly long, boring story of some wingless, bald, sexually-confused people. And they yell a lot. For a long, long time. | -1no label
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I was lucky to discover Kitano's famous style in the release of Sonatine and Hana-bi in a small movie theater in Paris. Well, I must say both movies convinced me Kitano is one of the greatest current movie directors. Sonatine is outstanding in various aspects. Its minimalism, either by the dialog scarcity, the remarkable ellipses, or the protagonist's blank face, convert the movie into a nearly pure cinematographic work, rather than a theater work adapted for the screen. The photography and camera motions can feel somewhat disturbing at the beginning, but this is only because they are unusual. Actually, they serve very well the movie, and the beach scenes are gorgeous. The music is another great score of the movie, it is original and perfectly fits the movie atmosphere when it is cast. Now, about the plot: I wish there were more movies with such a sense of humanity. The violence-calls-violence topic is not new, but here it is treated a very appealing way. Kitano managed to develop each character enough to make all of them interesting -- and the actors serve this purpose pretty well. The plot shows how human we are all, whatever we do or have done and even when we lately discover the whole value of life. This is an exemplary statement, far far away from high box-office movie standards. The redemption topic was then told again in Hana-bi, which managed to be an even greater movie. This is possibly the only reason I don't rate Sonatine a 10/10. | -1no label
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] |
Even a awful 1 is to much for this film, everything form start to finish made you cringe. I don't think it would be possible to cram more overly clichéd moments, into one piece of mind numbingly numbingly waste of film. Prisoner cell block H meets Thunderbirds, hell even Virgil's expressions were more life like than his son. I haven't even finished watching this and I'm on here now.... Oh no, the cheesy clapping of 3 actors and a backdrop done by a child with adobe premiere. This truly is the end of my "I've started so I'll finish watching it" phase. Oh joy, the credits have come to rescue me. (and relax) | 0neg
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I work at a movie store, and as such, I am always on the look-out for an excellent movie. I decided to check out Nothing as it sat in our Canadian section, and I've been trying to support my country's movie industry. I was in for a surprise. The film features David Hewlett and Andrew Miller in a highly entertaining story that seems to delve into so much of our minds and relationships...without working that hard. It is consistently comedic through the interaction of the two characters, as well as some funny exchanges ("We can't be dead, we have cable!"). What more can I say without noting that it is worth a shot, even if you abandon it within the first half an hour. | 1pos
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I had the pleasure of joining a near capacity audience for the North American Premier of "That Man: Peter Berlin" at the Miami Gay & Lesbian Film Festival. The film provides a provocative and entertaining look at the life of this 70's gay sex icon who has for years shunned any camera but his own. Containing hundreds of Berlin's pictures of himself (every inch of himself), his vain, self absorbed persona drew me in much as it apparently drew in thousands when he was a 30 year old exhibitionist hunk cruising the streets of San Francisco in his white, skin tight, pants (with a bushel sized basket) and blonde page-boy haircut in the 70's. Armistead Maupin, John Waters and porn legend Jack Wrangler, together with Producer Lawrence Helman provide insight and commentary into this extraordinary life. Robert Maplethorpe and Andy Warhol provided a glowing peer review from the grave of this interesting photographer cum street performance artist. Possibly most remarkable was the on camera interaction between the Director and the painfully shy Armin (Berlin's real name) about his life experience and his unique take on sex and sexuality. Director, Jim Tushinski, did a remarkable job of introducing us to both the persona "Peter Berlin" and the reclusive 62 year old from San Francisco who created this iconic persona during his youth. This is Tushinski's first documentary. While the 80 minutes passed quickly with so much eye candy, the film could benefit from some additional editing and deletion of some stock footage of seemingly irrelevant gay pride parades and such improving both the pace and the length of the film. | -1no label
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Isaac Florentine has made some of the best western Martial Arts action movies ever produced. In particular US Seals 2, Cold Harvest, Special Forces and Undisputed 2 are all action classics. You can tell Isaac has a real passion for the genre and his films are always eventful, creative and sharp affairs, with some of the best fight sequences an action fan could hope for. In particular he has found a muse with Scott Adkins, as talented an actor and action performer as you could hope for. This is borne out with Special Forces and Undisputed 2, but unfortunately The Shepherd just doesn't live up to their abilities. There is no doubt that JCVD looks better here fight-wise than he has done in years, especially in the fight he has (for pretty much no reason) in a prison cell, and in the final showdown with Scott, but look in his eyes. JCVD seems to be dead inside. There's nothing in his eyes at all. It's like he just doesn't care about anything throughout the whole film. And this is the leading man. There are other dodgy aspects to the film, script-wise and visually, but the main problem is that you are utterly unable to empathise with the hero of the film. A genuine shame as I know we all wanted this film to be as special as it genuinely could have been. There are some good bits, mostly the action scenes themselves. This film had a terrific director and action choreographer, and an awesome opponent for JCVD to face down. This could have been the one to bring the veteran action star back up to scratch in the balls-out action movie stakes. Sincerely a shame that this didn't happen. | 0neg
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] |
this was an awesome movie the chemistry between Karishma Kapoor and Salman Khan is always amazing...hope to see them two again...the story starts with Karishma being the ditsy girl who does everything wrong the two brothers Sanjay and Salman of course start to hate her but after a few mistakes Karishma saves Sanjay's life and slowly the two brothers begin to fall in love with her but Karishma only falls back in love with Salman but keep their relationship a secret things turn when Sanjay's grandma and dad want to marry him with Karishma after hearing this Salman and Karishma break up and Karishma agrees to marry Sanjay but at the night of the engagement Sanjay reveals the one night when Salman was drunk and started to sleep-talks spilled about him and Kairshma and Sanjay says that Salman and Krishma should be together so Karishma and Salman marry instead | -1no label
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] |
It may have not been up for academy awards and admittedly, it's pretty cheesy, but it's just so much fun! Nothing makes me smile like Bill and Ted. Lovable, optimistic, and hilarious, Bill and Ted are a great way to unwind. Although I love Excellent Adventure, Bogus Journey is funnier to me. Death is flippin hilarious and Bill and Ted are even more endearing. People give me grief about loving this movie, but only really pretentious movie-watchers will say it's not even a bit entertaining. If you like this, you'll probably also be a fan of Wayne's World, Dude Where's My Car, and Dumb and Dumber. Admit it, though foolish, they make you grin and turn your tickle box over. So watch them just for kicks and giggles!! | 1pos
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] |
I was so looking forward to seeing this film that I can't really understand how I got the impression I would enjoy it. I'm afraid it really is a yawn fest - every single patron in the cinema I attended yawned and fidgeted frequently during the whole film. This is a shame because it is a fantastic story - I'm inclined to think that it would make a better read. It is not helped by the principle character only showing his teeth once - and that was as a result of the camera angle. As the story unfolds it becomes easier to understand the main character's dilemmas. However, the suspense and drama that could have made this a really top rated film have been completely spoilt by the dull treatment. Dull as a half-baked documentary! | 0neg
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I really disliked this movie....mainly because of the main characters! They are both immature, selfish, and self-centered people. They hurt EVERYBODY around them playing their silly game. The visual effects were good but what good are they if there are no characters that you connect with or a story line that is interesting. Am I supposed to be happy when these two psycho people FINALLY consummate their love for each other? After watching this movie I was thinking "This is supposed be the #1 smash from France?"........ *spoiler* As for the end: GOOD RIDDANCE! They both deserve each other! | 0neg
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She may have an Oscar and a Golden Globe, but this film shows why she also is a perennial Razzie nominee. To do a film that is so bad must be an indication that she needs money. She could do ads on why you shouldn't talk on a cell phone while driving, especially at night on the way to a crowded mall. Susan Montford should stick to producing (Shoot 'Em Up ) as she is not very good as a writer/director. She is accosted by four thugs in the mall parking lot, and the first thing they do is tell her they have a gun. What does she do? She starts pushing and cursing them like she knows martial arts or something. She manages to get away, but gets lost in the forest after crashing. Why didn't she run to someones house? We get four thugs with guns chasing a lady with a toolbox. Of course, their guns are no match for her wrench. Ha! Of course, she also has a tire iron and a screwdriver. Those poor thugs. Now, she's home for Christmas - and she brought a gun! | 0neg
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] |
What "Noise" fails to do is get us to understand its character. Tim Robbins plays an obsessive New Yorker who can't deal with the obtrusive noises of the city any longer, particularly car alarms. It's an odd idea for a film, which has about as much creative credibility as "Death Wish." It is clever at points; particularly a scene in which our hero is trying to read through Hagel, "I'm too stupid to be understanding this." He reads and rereads a paragraph in confusion, we read it and don't get it either.Just then a car alarm goes off. Throughout the movie is constant interference of alarms and city noises. Though, all in all it does little to help us understand our hero, who allows this all to ruin his marriage and gets distracted with side plots instead of digging deeper-into his persona. The film-making itself is too oblivious to notice its own sound problems, shoddy editing, and visible boom mikes. No, "Noise" isn't all-bad. William Hurt is at least colorful. At least the ending doesn't fall flat. Overall it drives home a logistical point, one you haven't probably thought of. At least I hadn't. Though all in all, ninety minutes long, it couldn't have ended sooner. The story dragged on and seemed to be lost as soon as it started. This is another one of those movies that you might see at a film festival, but probably won't get picked up for distribution. Check it out on DVD if you're really partial to someone involved in the project. Otherwise skip it. | 0neg
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] |
Sometimes reading the user comments on IMDB fills me with despair for the species. For anybody to dismiss 2001: A Space Odyssey as "boring" they must have no interest in science, technology, philosophy, history or the art of film-making. Finally I understand why most Hollywood productions are so shallow and vacuous - they understand their audience. Thankfully, those that cannot appreciate Kubrick's accomplishment are still a minority. Most viewers are able to see the intelligence and sheer virtuosity that went into the making of this epic. This is the film that put the science in "science fiction", and its depiction of space travel and mankind's future remains unsurpassed to this day. It was so far ahead of its time that humanity still hasn't caught up. 2001 is primarily a technical film. The reason it is slow, and filled with minutae is because the aim was to realistically envision the future of technology (and the past, in the awe inspiring opening scenes). The film's greatest strength is in the details. Remember that when this film was made, man still hadn't made it out to the moon... but there it is in 2001, and that's just the start of the journey. To create such an incredibly detailed vision of the future that 35 years later it is still the best we have is beyond belief - I still can't work out how some of the shots were done. The film's only notable mistake was the optimism with which it predicted mankind's technological (and social) development. It is our shame that the year 2001 did not look like the film 2001, not Kubrick's. Besides the incredible special effects, camera work and set design, Kubrick also presents the viewer with a lot of food for thought about what it means to be human, and where the human race is going. Yes, the ending is weird and hard to comprehend - but that's the nature of the future. Kubrick and Clarke have started the task of envisioning it, now it's up to the audience to continue. There's no neat resolution, no definitive full stop, because then the audience could stop thinking after the final reel. I know that's what most audiences seem to want these days, but Kubrick isn't going to let us off so lightly. I'm glad to see that this film is in the IMDB top 100 films, and only wish that it were even higher. Stanley Kubrick is one of the very finest film-makers the world has known, and 2001 his finest accomplishment. 10/10. | 1pos
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] |
i went into this hoping it would be the "thought provoking" little gem people have reviewed this as. i love indy films and expected to dig this too. knowing what a hot button this topics is i expected to be really entertained, maybe even see an outsiders perspective. all i can say is wow....if your into self torture, or mutilation then maybe you'll like this. personally i don't like the idea of being pee'd on or cutting myself so i thought it was garbage. bad script, bad acting, bad story, bad directing, bad editing....i could go on. i have no clue why a reviewer claimed he or she was making a political point by giving this movie a 10. that's misleading and ignorant. voting for a movie on IMDb isn't setting a precedent! it just lets other people think that a garbage bomb like this is OK to watch as long as it's controversial (this film is not, it tries VERY HARD to be but fails). you know the movie is bad when 15 minutes into it your praying that all main characters die horrifically. unfortunately they do die, but not in the painful manners that would have given the viewer some justice or vindication for having watched the 2 hours of crap they just endured. do yourself a favor, just don't even bother. i got this movie in a bargain bin at my local video store for .50 and feel ripped off! | 0neg
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] |
I saw the Messiah:- The First Killings and I thought it was absolutely one of the best programmes I have seen, ever. It was one of those programmes that you think that oh, no, I cannot watch the rest of this but you feel compelled to watch it just to see who done it. Jamie Draven was an absolutely amazing actor in it, to be able to switch between two totally, totally different characters one of which is the evil, nasty person that did it and the other person who is Jez Clifton, the cop. To be able to do that, well, I certainly wouldn't be able to do it, well not without cracking anyway. I really do love and care for Jamie Draven with all of my heart and I always will, until the end of time, I think that Jamie is the sweetest, cutest, sexiest guy in the world. I absolutely love Jamie in Ultimate Force also because he looks god damn sexy in the blacks that he wore. I love Jamie Love Paula Draven -X- | 1pos
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Literally the worst piece of crap movie I have ever seen, and I have seen Glitter. That is the only valid thing that I have to say but I have to reach ten lines to post this comment considering no one has anything but nice things to say about this axe wound of a movie. In summation, some chick gets kidnapped by some crazy idiot with a bad haircut and is made to clean pans. Apparently she also has some kind of a daughter who she is trying to find. Anyhow, its not even worth my time to attempt to retell the rest of the story, so in brief, rocks fall and everybody dies. Highlight of the movie: you get to half see some chicks boobs while captor guy whacks off. | -1no label
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When i noticed this movie had not yet even been reviewed by its release date, I knew it was going to flop. I decided to see it anyways on its first showing at the local theatre with my friend. There was a total of 4 people (including us) in the theatre. Oh geez, I thought. A fan of SNL and Norm MacDonald, I figured it can't be THAT bad. Well, I'll just say as soon as the movie started, I was laughing. I never stopped laughing, honestly. It was one of the funniest movies I had seen in the theatres since The Whole Nine Yards. I could definately see that some of the immature humor would turn off some people, but if you like goofy, slapstick comedy, or are a fan of Saturday Night Live, you will probably find this movie entertaining. If not, so sue me. | -1no label
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] |
Daniel Percival's "Dirty War", a BBC production made for television was shown recently on cable. The film has a documentary style in the way it goes after the people that caused the near holocaust in one of the big metropolis of the world, London. In fact, this film, produced in 2004 is almost a cautionary tale of the events of the following year, in which terrorists set explosive devices in the public transport that killed innocent people that were in the wrong place, at the wrong time. The film impresses for the pace the director and the production team gave to the project. There are no dull moments in the movie as we watch the preparation by the terrorists and the people that are following their dirty work. Although the inevitable happens, it's amazing just to think what would be the consequences if a real 'dirty bomb' was planted in such a densely populated area. The last images of the film have a chilling effect. The mob scenes and the way the whole area is contaminated send shivers of fear, thinking how it could possible happen anywhere. | 1pos
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] |
The film-makers went well out of their way to find ONLY the following demographics: Palestinians that have the appearance of peace-loving, solution-seeking good will, Palestinians (particularly older women and families with children) who are especially inconvenienced by the security fence, and Israelis that don't believe in the security fence, sympathize heavily with its alleged effect on Palestinians, and consider it unnecessarily divisive and/or a waste of money. Oh yes, they do put in one member of the Israeli government that does support the fence, but they do what they can to portray him as inhumane and uncaring, and ask him very leading questions that are really statements (e.g. "The wall is bad for the environment...it is destroying everything"). I have no problem with any (well, most) of this being presented in the movie. However much I may disagree with the people they interview, their opinions are valid enough for a documentary. HOWEVER: there are at least two sides to the issue of Israel's security fence, and despite the fact that an overwhelming majority of Israelis (and many others) support the construction of the fence and believe it is having an overall positive influence, this "documentary" does not present the opinion of even ONE such person. They even go so far as to interview an Israeli Jew who claims that "all Israelis support the fence" and are thus insane, and then stubbornly refuse to interview even one such "crazy" Israeli. Oh, and to top all this off, they set the tone for the film by interviewing a couple of young Israeli children (truly exceptions to the rule -- I've been there) that are laughing at/about their Arab neighbors from across the fence. A "documentary" is a film that explores an issue and presents a full array of facts, opinions, and perspectives. Unfortunately, this is not a documentary. This is an unabashed PROPAGANDA FILM that very clearly, very pointedly offers a battery of support for only one side of a heavily disputed, emotionally and politically charged issue. It is no more of a documentary than, say, Fahrenheit 9/11. | 0neg
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] |
Poor Joan has been turned into a freakish cartoon in recent years, but every now and then you stumble upon a movie that only Joan could play, and play well. In "Possessed," she even dares to wear very little make up in the opening scene. She must have taken a page from Bette's book while at Warner's. The only problem I have with the movie is that it's rather long. I kept looking at my watch and wondering when is this going to be over? You have to accept the bubblegum psychology this movie spews out but it might have been something of a groundbreaking film when it came out. Despite some of these flaws, this movie is still fun to watch as Joan becomes more delusional in each scene. And what's a Joan Crawford movie without her packing heat in her purse? | -1no label
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] |
When I saw this turkey in 1970, there were no rewind buttons for it was in a theater. So I could not go back and check this. . . But I am sure that in the final seconds, as Grieg is running up the street to his home and Nina, his arms swinging as one's arms do when running, he passes a young girl traveling in the opposite direction - and his hand smacks her rump sending her sprawling off camera . . . I have often wanted to see the end of this film again to see if my memory is correct. Or was it finally edited out? Did anyone else catch this best moment of the film? It rather ruined the 'return to his true love, to make up for all the wrong he'd done her' ending for me. | -1no label
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] |
One of John Candy's better films, playing disguise-laden private eye investigating the kidnapping of a young heiress. Ostensibly conceptualized as a live-action cartoon, the movie, unevenly directed by Paul Flaherty, is curiously mean-spirited at times, with ugly humor and situations nearly taking the steam out of Candy's good-natured lead. Candy, performing in a joshing low-key, is aided very nimbly by teen cohort Shawnee Smith, and theirs is a dryly appealing rapport. Annie Potts, as one of the villains, is stuck in a one-note role, but she gets her share of wild lines and her energy is commendable. The picture is sort of an underachiever, with a tired wrap-up and final tag, but parts of it are winning and Candy shows a lot of heart. ** from **** | -1no label
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] |
Call me a glutton for punishment. I've now seen this wretched rock fantasy three times, and think I can safely call it a day after this. Bluntly, there is nothing remotely believable about Satisfaction. For starters, why would a group of rockin', freshly graduated from high school in 1988 girls spend their day playing old R&B numbers? I can buy them performing the titular Stones number, and C'mon Everybody is virtually impossible to ruin, but the cowbell-driven take on Knock on Wood is awful and the reggae-rific version of Mr. Big Stuff is a joke (and that joke just isn't funny anymore). Only some very powerful psychotropics could possibly convince anyone that Justine Bateman's Liam Neeson accompanied rendition of Dedicated to the One I Love is the future of rock and roll. And please--when was the last time an all-covers band was mooted for a European tour? Has that ever happened? I guess it's nice that Elvis Costello collects a royalty check every time Satisfaction plays on TV (the girls butcher Mystery Dance mid-movie), but that's not much compensation for what is otherwise a thoroughly awful film. Awful, awful, awful! | -1no label
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] |
The Lack of content in this movie amazed me the most. First i though that people was going to compare this to Rock On! but i'm really surprised myself to say that this was worst than Rock On! So-so story Horrible cast Ajay Devgan Jamming with Salman Khan and Asin you gotta be kidding me. The music was Okay Khanabadosh was the track of the movie the rest was bad! Vipul Shah hasn't still learn from Singh is King's critically bashed comedy. Now Asin.. where do she come from sorry for Asin's fan out there but she suck*d big time in this movie seriously bad acting she didn't look good at all overdose of make-up! My final verdict go watch Aladin with your family instead wasting your time here. | 0neg
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] |
The name of this film alone made me want to see just what it was all about, so I taped this film during the early hours of the AM. If you ever wanted to see what miners had to go through during the early days and actually see a dramatic scene when the mine crumbles in on the men. This film clearly wants to show that Germany and France can work together and be friends after WW I and how the Germans came to the aid of the French miners much to the unbelief of the French townsfolk. The actors were all outstanding, with unusual scenes in the mine with a horse and a small young boy who worked in the mine. There is an old old retired miner who manges to go down the mine by ladder when the elevator breaks down. If you are a real film buff, this is a film you will not want to miss. | 1pos
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] |
Wow!I am quite disappointed that this could not compete with his recent sh*t called 'Kaalai'(The Bull-It was even more pathetic) Vallavan-has no story,screenplay and direction.It only has a good original score by Yuvan Shankar Raja.If he hadn't been there,the movie would have fallen flat.Even when he is there the movie still falls flat. A youngster falls in love with a girl 3 years older than him,and thinks its no mistake.He even has sex with her.After knowing that he is a young boy the girl gets annoyed and refuses to marry him.Now another female who had a crush on this guy in high school enters and kidnaps a friend of this guy.How he convinces the older girl and marries her,deceiving the crush is the story.Okay,we can't call this a story but unfortunately this is what we have as a story.Now there is cheap and vulgar scenes which is more or less pornography,comedy which makes you weep,acting which makes you puke and horrifying punch dialogues to stab you over and over.Simbu is there to give you goosebumps!I wish I could rate this movie in minus infinity,sadly IMDb allows me rate 1 star as the lowest. Are you nuts?Are you a dumbo?Are you a bozo?Watch this movie.(I did because some nutcases recommended me this movie) Watch a tom and jerry episode,funny videos or even old photo albums.Try to miss this movie by all means.Otherwise you will repent on doing a life-time mistake. | -1no label
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] |
I remember seeing this film when I was 13 years old and I fell in love with it and I was a big fan of the film and the characters I adored. My favorite character was Stacey (Heidi Holicker), because she made me laugh when she showed no interest in Fred (Cameron Dye) who really liked her and I was hoping that in the end that they would get together then her boring boyfriend, Ralphie (Christopher Murray)because he ignored her and hung out with his friends. I love the cast and the story. I always love the part when Fred try to get together with Stacey, and I always remember when he chased her around the car. But it was so good. I'll always remember cherish that in my teen years. Now that I am 33 years old and I picked up my copy on DVD and will look forward seeing it. | 1pos
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] |
This is a textbook on how not to get away with a crime. All the people in this movie are preposterous. The efforts made by the bad guys are so over the top and convoluted and use so much energy to get what they want, things fizzle and go out long before the end of the movie. Then there's that stupid dream. Why did he have that dream? Did he have real mental problems? Lydon is so calculating. Why can't he give people a straight answer. This is really Oedipul as well. He does have fixation on his mother (the call her the Princess). The crook has a big face and a pencil thin mustache. Anyone could have told the widow that this is a bad combination. Finally, there's that stupid malt shop talk and the way the kids interact with one another. The funniest scene in the movie is when Jimmy is talking to his friend, the Doc, and his buddy is trying to tell him something. They didn't say anything about him being deaf in his right ear. Don't get me going. | -1no label
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] |
In a posh apartment building there seems to be more to a bizarre murder/suicide than first apparent. When this proves to be the case a scheme by an eccentric biology researcher to fund his project come to light and we see what led to the initial grisly murder. The resulting aftermath is even more horrifying. David Cronenberg's first feature film has all the visceral themes of his early works and they are executed with a vengeance. Venturing far into dark and unsettling horror territory Cronenberg crafts a spiraling nightmare of zombie outbreak and promiscuous sex. The film is almost a prelude to the much revered "Dawn of the Dead" by George Romero as it shows the beginning of a zombie outbreak. It is also better and much richer in its story and horror metaphor though the characterizations are slightly more shallow than in "Dawn of the Dead." But the presentation of the irrational horror and unsettling gore is at least on par with "Dawn," despite this film's many obvious limitations. That makes for a must see for horror fans and this is a great first film from a great director. 9/10 Rated R for graphic violence and gore | -1no label
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] |
Although the wonderful soda counter in the local drugstore no longer exists, and the clothes are definitely l946 immediate post-war vintage, and good and evil are easy to understand, and those old planes are really dated, this movie will never be dated. The human adjustments and problems post-war, the beautiful love stories, the wonderful acting (especially Harold Russell and Dana Andrews) are as moving today in 2002 as they were in l946. I was one of the young women who welcomed our marvelous veterans home from World War II. Like so many, my memories of the war years and the homecomings are as fresh today as if they took place yesterday - this movie is very relevant for our times. | 1pos
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] |
Oh, wow, this is simply amazing cinema...Energetic...Playful...Rousing...Engaging...There are not enough superlatives to throw at Corbucci's masterwork. I like it a little more than "The Great Silence" because of its eccentric style and storyline. It is never less than enthralling and manages to be extremely moving. Morricone's score? Just brilliant. What a genius he is! May he live to compose forever... and always assisted by the great Bruno Nicolai, an accomplished composer in his own right. Franco Nero is wonderful, as always, as The Swede, Jack Palance is charisma-plus as John, Tomas Milian is rough-edged and likable despite his total lack of morals as El Vasco. Too many great thespian turns to single out, but you get the point. Terrific location work, stupendously good shoot-outs, stunts, explosions, poetic action... all lathered in baked, painfully evocative cinematography. And that final image to red freeze frame...Bella! Corbucci was as worthy a Western director as Leone, but he never got the same recognition. One day he will. | -1no label
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] |
i was a little uncertain when i was first introduced to this film...my friend had bought it and it really didn't seem interesting, i mean come on...another nazi v. jew film but i was surprised... this story is origional following a little boy who is left alone and is being hunted by the nazi's. his courage comes from a book and his best friend is a little mouse named snow... the story follows the boy as he decides to wait in dangerous territory for his father, whom although was taken away, promised to return... this is a touching story and a great chapter for anyone iterested in this tragic time period... | -1no label
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] |
I've been wanting to see this movie for ages because I love tongue in cheek musicals and Christopher Lee is good. Unfortunatly I got the dvd recently and watched it, it's just not entertaining or funny. The singing is rather bad, even if it's comedy singing you want to have people who can sing to a certain degree, the plot is full of holes and some places makes no sense at all. But all that isn't important if it's funny and entertaining, but it isn't. I said The Fantastic Four was more entertaining, and it is (The unreleased Corman movie that is). This film was lacking that spark, the songs were poorly constructed and the actors uninspiring, if you liked Rocky Horror & Little Shop of Horrors then avoid this, the values those films had aren't here. There was one point where he was being attacked by vacume cleaners where he said "This really sucks!" my sentiments exactly. 3/10 | -1no label
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] |
Man am I stoked I can leave feedback for this 10 minutes romp. I love it. After not seeing it in years, I happened upon it the other day and watched it over and over. 'Stop shaking your eyes' and 'shake a rock and roll band' and 'stop sawing the table' are freaking classic lines. The art is delightfully raw. The dialog sparse and wonderful. Just find it and love it. Cannot recommend this enough. Thank you high school art teacher Mrs. Kogan for showing us this over and over. Thank you NFB for letting it be made. Thank you MTS for showing it (for free at the moment at least). I want a Big Snit t-shirt now. I'd love an animation cell, but at 440.00 a pop, that won't happen. Find this flick, and watch it. | 1pos
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] |
You think Plan 9 from Outer Space is bad. It can not hold a candle to this one. A stupid, mind numbing, poorly acted, badly shot film that never should have been made. The story makes no sense and has bad pacing. The fight scenes are slow, infrequent, and poorly done. I can not believe Sean Connary agreed to appear in the movie. His part is about 6 minutes and he did die in the first one, not that the writers payed any attention to that little fact. It may have been explained but the movie is so dull I was probably asleep. Please spare yourself and avoid the movie. | -1no label
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] |
I had never heard of the film To End all Wars when I picked it up at my local library because it looked like a good popcorn kinda war movie and had one of my favorite actors in Robert Carlyle. I must say how wrong I was, do not see this movie as a popcorn film, it is as far from that as something like Schindlers List. It is a very disturbing and powerful film about men mostly Scottish who are taken prisoner by the Japs in World War 2, and are tortured and forced to build a railroad to India on very little food. The movie is filled with great little things as well as all the great big things, my favorite is that one of the characters in called. He is called Yanker, as they say its because he's American and he's kinda a w_anker. The film is filled with wonderful little touches like this making what would have just been a very good film into a truly great picture and one of the best war films ever made. | -1no label
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] |
The senior Dumas' novel is turned into a knockoff of THE PRISONER OF ZENDA -- although as I have never read this Dumas novel, it may simply be returning the compliment. Director Karlson is not able to raise much of a performance from anyone except from Anthony Quinn, who plays his slimily villainous role with the appropriate cool aplomb. Still and all, besides the pleasures of Anthony-Quinn-watching, Karlson does manage to shoot the entire procedure with a goodly amount of visual beauty, with an MGM-style sumptuousness well displayed. Aside from these two point, however, this one is pretty much a washout. | -1no label
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] |
Well, FOR A START, i have to say I've seen quite many horror films so far. and u know, i can tell it by first 30 minutes. when u cant see any dead bodies at the first 30 minutes in the movie, then, its a non-watchable film, dare! i say. this movie, lake dead, well, it should have been much more entertaining and gory. but it took a chance to be just normal as its title implies. JUST DEAD. the movie contains nudity and some gruesome scenes. but thats not all. I'm telling the method of death and the chase of the victim. also some thrilling moments that u can expect from horror movies. 5 girls. yeah...not that small number, but they are too plain. not likable...just i didn't like them. and the secret, huh...its worse than the girls. i cant get it...just a family tradition? gosh, its so typical and not believable. how many times i have to be astonished by that? once at wrong turn, twice at kindred!! if u just want some plain typical horror movies, whereupon its the gem that you've been searching for. my overall : 3/10 | -1no label
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] |
WOAH what a stinker. It's embarrassing to see Jet Li and Jackie Chan in so many pandering scenes with a dumb worthless white kid in order to try and get suburban drones to watch their movie. This is really pathetic usage of the stupid kid as comic relief for a really lame story about returning a magical staff to save the world and all that good stuff. There's the hot Asian girl that has absolutely no chemistry with our male lead- and his martial arts ability is a big fat zero and any fight scenes with him in it are just miserable to watch. It would have been a good movie if they could have just edited out the stupid worthless white kid and made an interesting story instead of this trash. The kung fu is wire fu for the most part, with not a lot of realism, just a lot of crap. Jackie and Jet should be ashamed of themselves for starring in this disgusting dog. PLOT: 95 pound weakling gets a hold of a magic staff and needs to return it to it's rightful owner - a martial arts master, along the way he befriends people that magically speak English even though they are Chinese that have never seen a white guy.. and that's just one of a long list of groaners that will make you go.. please kill me I can't stand this anymore. Better title- Crouching White Kid Hidden Pandering. If you must watch this- just fast forward through any scene with the kid in it or risk throwing up- some of the fight scenes are OK, but there's so many more movies out there that are better- like Iron Monkey, the Fong Sai Yuk series, House of Flying Daggers, Prodgial Son, Kiss of The Dragon, Ong Bak, etc... | -1no label
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] |
Have you ever sat and wondered why popular music has become plasticized and oh-so formulaic in the last ten years? This film answers that question and more. Rosanna Arquette does a magnificent job of presenting a fantastic cross-section of musical artists from every genre. From Sting, to Don Henley, to Mary J. Blige to Willie Nelson and Burt Bacharach. Rosanna sits back with her hand-held camera and allows the artist the opportunity to speak freely about their art, life and the music business. An open and honest commentary that is sorely missed in this day and age. A must see for those who appreciate music or for those who are just getting started. Thank you Rosanna! | -1no label
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] |
Does anyone happen to know where this film was shot? The aviation scene on the cliff is beautiful. It appears to be England. However, Ivy's apartment building certainly looks like the Brill Building, with its fascinating elevators. Charles Mendl is listed as playing "Sir Charles Gage". Maybe I blinked, but I never saw him. Perhaps he was the husband's lawyer, but, again, I don't recall that character being in the film, other than being mentioned as having made a phone call. Perhaps he was in the aviation scene? Or the ballroom scene? Did anyone spot him? Herbert Marshall was 57 years old when he shot this film. | 1pos
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] |
Gotta say, I, too, used to think it was "preachy." But not anymore. Like Star Trek's "Let That Be Your Last Battlefield," which I also used to think was obvious and beneath me, this one now wows me. Perhaps it's because what was once so obvious about what "might be," to a young person (oh the evils that await us in the near future, yawn), now virtually IS. What was once totalitarianism in other places is now happening in the United States of America. God and the Bible: banned. Prayer: banned. Dissent: banned. Wrong thinking: banned. Why not ban all books? Most people don't read anymore anyway. No books? No need for librarians. The Khmer Rouge would find this show a positive portrayal of their "right" thinking. It's not just about Fascism, Communism, or Islam, it's about the state, any state, that can call all of the shots. I'm sure the State in The Obsolete Man would be making some changes, like not letting the condemned choose their method of execution anymore (too much choice is not a good thing). Effective set design, lighting that plays a part in the narrative, excellent acting. I personally like the way Fritz Weaver' Chancellor is dealt with, almost like they're feeding on one of their own at the end. Creeps! | -1no label
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] |
Batman: Mystery of the Batwoman is the latest animated Batman straight to video/DVD movie to be released. (Minor Spoilers Ahead) The plot revolves around a new crimefighter, the Batwoman, who seems to be personally involved, for whatever reason, in stopping a major arms shipment. Although the movie is interesting enough, it's not as good as 'Mask of the Phantasm,' 'Sub-Zero,' or 'Return of the Joker.' The main reason being is that it doesn't give off the emotional appeal the other movies did. At the end of this movie, we don't really feel sorry for anyone as we did in the others, especially, 'Sub-Zero.' There is no real tragedy that made the other animated movies special for us. Even the Batwoman is not really a 'tragic' character (as Mr. Freeze or Phantasm were). Not only that, but Batwoman's alter ego seems so incredibly 'stiff' and dull that the viewer doesn't really care what happened to her that caused her to put on the mask or what happens to her at the end and therein lies the main reason we don't get this special emotional appeal. Don't get me wrong, I did find the movie enjoyable. It does have its moments, such as, when the audience finds out who Batwoman really is and seeing an old villain return who was last seen in the original 'Batman: The Animated Series.' The action is also very enjoyable with some very suspenseful moments. If the Batwoman's background was more interesting, this movie would have been better than 'Return of the Joker' in my book, but as it is now, it's in 4th (out of 4). As for the animation, it's the same as The New Batman Adventures' cartoon from the mid to late 1990's. The score is not as memorable as the previous 3 animated Batman films, but it's still good nonetheless. I do recommend buying this DVD because, despite its flaws, it is enjoyable. But just remember, it's not as good as the other Batman animated movies. 7/10 | 1pos
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] |
This has got to be the WORSE move I've EVER seen!!!!! It was not only boring, it was "gag me with a spoon" dumb. Where'd ya find the actors ... on a street corner? Who did the special effects...Maaco? For God's sakes I could have made a better movie with my CELL PHONE. And if that wasn't bad enough, you even had extras at the end of the movie so we could see just how stupid the actors are in real life. Who ever did the makeup for the aliens...must have spent $5 at your local used costume store and called it a day. And who in the world wrote up the movie description on the back of the DVD case should be shot. PUHLEEZ!! It's not even 1/8 % of what it is described as. That description is just to suck people in to buying, renting or paying a ticket to see it. No wonder there was never a trailer to it....ya would have drove them all away!!!!!!! Bad Actors...$5 Special Effects...$5.50 Fake Fire....$1.89 (cigarette lighter) Time Spent Watching This Movie....total waste! (I should sue ya for my time watching it) | 0neg
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] |
This movie is a rather quaint combination of a very thin plot idea stretched way too far and the seldomly successful occurrence of the writer, the producer, the director and one of the main characters being the same person, in this case Gregory Christian. Now sometimes people get away with doing that, but through watching "Cowboy Junction" I think it is obvious that Gregory Christian would have more than just a hard time getting the opportunity to do any of those four jobs in anything but a very low budgeted indie for the simple reason that he does not show mentionable talent in any of the four fields of work! To be fair Gregory Christian was not the only bad thing that happened to this movie (all though he happened a lot) the other two principal actors are not much better although James Michael Bobby compensates greatly for lack of acting skills by his very good looks and sexy/charming smile! The plot in it self is so thin that it didn't take too long to figure out the "big secret" that "turns out" to be pivotal to the plot towards the end! Another disappointment to me was that the sex scenes weren't even that good for a movie that tries to play the sexual notes. I would actually go as far as to say that the best thing about this movie was the music, and the music wasn't even that good!!! | -1no label
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] |
Charlotte SOmetimes really hit the mark in terms of defining the relationship dynamics of this generation with honesty and realism. I was very impressed with the maturity and depth the cast and director brought into this film. It seems to me that with the sparse dialogue and emphasis on body langauge and position and cast and director really had to give a personal performance drawing from experience and so on. I loved the simple sets and uncomplicated camera work because it reminded me a lot of the recent Taiwanese movies I liked. There have been comparisons to In The Mood For Love, but I think the most apt comparison is to the New Wave Taiwanese auteurs and especially Tsai Ming-Liang. Just that and a personal resonance made me love this film. I don'tknow if being Asian has to do with anything, but I definately will recommend this to my crew. | -1no label
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"You were on your way up and you tripped on a skirt !" Gilligan says to Jim Leonard. That sums up the plot of this story of up and coming Leonard (a YOUNG Humphrey Bogart) when his dream gets sidetracked by the bombshell heiress Carol, played by Dorothy Mackaill. Leonard has been working on a new and improved motor, but now his love life and motor company both have their ups and downs in this 68 minute shortie. Bogart hadn't developed the quiet, brooding style yet. Good performances by most of the supporting characters - her butler, his co-workers, a sister, interlopers along the way. Some adult themes, since it was done just before they really enforced the film code, but it's still tame compared to what is on TV today. Directed by Thornton Freeland, a year before Freeland directed the incredible "Flying Down to Rio". | 1pos
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] |
ANY GUN CAN PLAY (2 outta 5 stars) Totally routine "spaghetti western" starring that guy who used to play "Kookie" on "77 Sunset Strip". The plot is some convoluted nonsense about some stolen gold coins and various gunmen of dubious motivation trying to track it down. This is one of those "lighthearted" westerns... which means lots of labored attempts at "comedy"... and some really atrocious music during most of the action sequences (you can tell this isn't Ennio Morricone's work). George Hilton plays a bounty hunter called "Stranger"... but he doesn't leave much of an impression... he just doesn't have the style of Clint Eastwood or Franco Nero, who are able to do a lot with a sparsely-written character. The ending is a complete homage/parody of the ending of "The Good, The Bad and the Ugly"... though it's barely amusing enough to be considered a "parody". The highlight of the movie is the first 5 minutes... which features actors patterned after Clint Eastwood, Lee Van Cleef and someone else (Is he supposed to be Eli Wallach? Franco Nero? It's not very clear...) who are confronted by Stranger. It's an amusing in-joke for fans of Sergio Leone fans and spaghetti western aficionados... but I imagine no one else would see the point. | 0neg
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] |
'How to Lose Friends and Alienate People' is an entertaining, if loose, adaptation of Toby Young's memoir of the same name. It's also a great title for helping to fill up the line requirement in IMDb reviews! The basic gist is the same as the book with certain incidents dramatised, but a romantic plot is added and the ending is certainly Hollywoodised. Simon Pegg, despite playing an essentially irritating person, is his usual likable and funny self and pretty much carries the film. Strange to think only a few years ago he was just a TV sitcom guy and now he's rubbing shoulders with Hollywood names. There's a good supporting cast and it's an amusing, easy watch - kind of a male 'Ugly Betty', but funnier. | 1pos
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] |
...which makes me wonder about myself! This film is horrible...no question about it. The only question is does it belong on IMDb's Bottom 100 list?. Well, I'd say no...but its inclusion doesn't bother me as it is a terrible film with very little to recommend it and it is so incredibly irritating. One one hand, the stunts took considerable talent but on the other hand this is mindless trash through and through. For the most part, the biggest problem was NOT its star Dennis Rodman. He wasn't particularly good, but he wasn't terrible. Yes, he had practically the personality of sawdust, but in this film that's a relatively good thing! That's because at least he wasn't an irritant--like his co-stars. Dane Cook, on the other hand, was about as welcome as cancer in this film. This annoying troll managed to be more obnoxious and unfunny than folks like Chris Tucker or Uncle Joey from "Full House"--now THAT'S bad! Nearly every second Cook was in the film I hated him and wanted his character to die. He was loud, he was unfunny and he made goofy sounds and acted like a dinosaur at one point for no reason whatsoever. The only good thing about this is that his obnoxiousness overshadowed the few times that the normally funny John Pinette was also obnoxious and unfunny. I have never seen a cast of sidekicks less funny or welcome than these trolls! In addition to totally unfunny comic relief, the film suffers from the notion that the only way to hide the fact that Rodman is no actor is to throw over the top stunt after over the top stunt into the film--sort of like 4 or 5 James Bond movies' worth all shoved into one film. Believe it or not, the stunts here are even more ridiculous than those in "Mission: Impossible"--another movie designed for brain-dead audiences who hate plots and only want non-stop action. Normally, I would try to explain the plot and tell you more about the film but I'd rather not and just scream loudly "THIS FILM IS HORRIBLE--AVOID IT LIKE EBOLA!!!!". Dumb, poorly written and childish--there isn't anything (other than a likable villain) to recommend this steaming pile of .....movie. Yuck! | -1no label
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] |
i enjoyed the movie, i thought it was fun, entertaining and interesting. what bothers me about all these flamingly mean reviews is that these people seem to forget that this is a FIRST MOVIE FOR MOST OF THESE PEOPLE! David cross, his actors and crew did a great job and show a whole lot of potential even if they didn't get it ALL perfect first time around. I don't know ANYONE who ever got everything right on their first try. show me any of these vehement haters that did, and i will take their criticism. until then, enjoy this movie for what it is, a fun, low budget, horror movie! Keep an eye out for the sequel, and best of luck to all who worked on this film! | -1no label
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] |
[Warning contains spoilers] I felt no sympathy for any of the characters, incl the main one, who gets over the death of his girl friend v.quickly, (but it's OK as he shacks up with an ex prostitute from the casino he works at). The main character is portrayed as this wonderful intelligent writer who gets drawn into a web of deception, all the while there is running his monologue of the book he is writing. I can't say I would buy the book, a much better premise perhaps would have been if the voice-over (which annoyingly cuts in to narrate any bit of the film that you might not have understood, via his book) would've had 52 different personailties... to represent each card in the deck, but I digress. In the end there was a twist, whereby the main character has been setup by someone close to him, but as I disliked his character so much by this point (I found it impossible to like anyone in this film, the characters are all one dimensional zombies) that I really didn't care, and was glad the film was over. Plus points: The English actress from ER doing a dodgy south african accent Minus points: An irritating film | 0neg
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] |
Sometimes it's hard to judge how bad a film made in Italy or Spain really is, because they all seem to use the same stable of 9-10 ESL trained voice actors to supply the English voices for release in the US. And things are always lost in translation anyway -dialog, character shtick and plot elements written for the expectations of European audiences may not go too well with our American ideas of what is funny, hip, or dramatic. I imagine that the team responsible for making the translation for the sound track of this movie to English had about 3 days to do it from start to finish, and they probably each earned the equivalent of an installment payment on their used Fiat to do it. In other words, pure hackwork, tossed off in one or two takes and never reviewed or redone by someone with a real ear for the American language. Watching "Devil Fish", I can imagine that if you were an Italian watching this presented in your native language, you might find it a mildly amusing little piece of fluff. You'd laugh at the 'in jokes' and the amusing drunk, you'd gasp at the monster and the villainy of the bad guys, and you'd ogle at the attractive pair of Peter and not-quite-Daryll Hannah as they couple on the beach for no apparent reason in the middle of a search for clues about a man-eating monster who has already killed one of their friends. But since the jarring voice acting and tin-eared dialog keep yanking we Americans out of the film experience, we can't help but notice that the editors had serious Attention Deficit Disorder, that no one on screen can really act so much as project an Attitude, that the stated reason for the creation of the monster makes absolutely no sense, that the action sequences have all the impact of a cereal bowl full of cooked oatmeal and that the director, screenwriters and producers really hate women. Don't even THINK about buying or renting this movie - watch only on cable TV on Saturday afternoon with one of several beers in your fist, or with the help and protection of Mike and the Bots on MST3K. | 0neg
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] |
I remember seeing the previews for this and really looking forward to seeing it. I thought it was going to be an honest look at the way a family changes when something like this happens to a parent, my family went through something similar when I was growing up, so to see someone like Harrison Ford take on this topic was something I really wanted to see. After I saw it, I was so disgusted. When something like this happens, the spouse and children have to adjust to a new life, and it isn't easy, and there's always a part of you that misses the kind of life you had envisioned. But in this awful movie, the wife is just pleased as punch that she gets to spend the rest of her life with a mentally challenged man, because he was kind of a jerk before he was shot, so you see, he and everybody else is better off because he was shot in the head and made retarded, the wife gets faithful husband, and the kids get the little brother they always wanted. They could have made an honest and interesting movie about what some families have to face.If the movie had been about what families really face in a situation like this, it might have worked. As it is, I am offended by this movie to the Nth degree. | -1no label
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] |
I am NOT a sap for sad movies...maybe I will cry a tear or two. I didn't even lose ONE tear during Titanic that so many raved about as a "great love story". THIS movie? I cried for 45 minutes straight! It is like an Indian soap opera...but better. Shah Rukh Khan portrayed the sacrifice of this man with a certain nobility that really got to me. I know he is often said to be "overacting" but his portrayal of this character and the pain and sacrifices he went through really swept me up into an emotional state. There may be times when you are in the mood for a story about someone without the modern "I,Me,Mine" attitude, about someone who knows that the real meaning of love often carries with it the need for making sacrifices and may mean caring more about the other person's needs than your own. | -1no label
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] |
I liked most of the dialogue, I liked the cast, I thought it was well acted. I particularly enjoyed Ellen DeGeneres' perfect deadpan performance. What didn't work for me was: (1) the drawn-out affair with the younger man (too long, too seemingly out of character for Helen), (2) the seemingly endless cinematic cliches, mostly visual but including interminable voiced over re-readings of the love letter itself (its contents should have a mystery); (3) a young woman feminist-scholar and, ironically, a fireworks scene (no wonder this reminded me of that horrid How to Make an American Quilt movie); (4) the bumbling "gotcha" cop who smells "dope" everywhere (no cliche there either!); and (5) a nauseatingly romanticized small town setting. I would have preferred the film to more persuasively explore the source of (or even glorify) Helen's bitterness, to have included much more of DeGeneres' character, to have eliminated or reduced the various intergenerational artifices, and to be a little less uncritical of small town life. Had it been developed as a play first, those criticisms might have been addressed before committing the material to this film, which unfortunately is decidedly mediocre. | 0neg
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] |
All good movies "inspire" some direct to video copycat flick. I was afraid that "Gladiator" wasn't really that good a film, because I hadn't seen any movie that had anything remotely resembling anything Roman on the new releases shelf for months. Then I spotted Full Moon's latest offering, Demonicus. I'm a fan of Full Moon's Puppetmaster series, and Blood Dolls, but had never seen one of their non-killer puppet films. Anyway... Demonicus chronicles what happens to a group of campers in the mountains of the Alps. One of the campers, James, finds a cave with old gladiator artifacts, and feels impelled to remove a helmet from a corpse and try it on. He becomes possessed, and, as the demonic gladiator Tyrannus, is impelled to kill his friends to revive the corpse, who is the real Tyrannus. Granted, like many Full Moon films, this has little or no budget. At times, the editing and direction was so amateurish I'd swear I was watching the Blair Witch Project. The attempts at chopping off of limbs and heads reminds me of a Monty Python skit. The weapons, although apparently real, look really plastic-y. It literally looks like this was filmed by a group of friends with a digital camcorder on a weekend. Granted, there's nothing wrong with such film-making, just don't rent this expecting a technical masterpiece. It looks like there were attempts at research for the script too, because, even though Tyrannus really doesn't act much like a gladiator until the end, at least he speaks Latin. All trashing aside, I actually enjoyed this film. Not as much as a killer puppet film, perhaps, but Full Moon still delivers! The only thing that disappointed me was there was no Full Moon Videozone at the end! | 1pos
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] |
'Anne Christie' was Garbo's 14th film and the first in which her husky Swedish voice was heard. She plays the lead character, Anna, who has struggled with being abandoned by her father Chris (a drunken barge owner played by George F Marion), and with the misfortune of the life she has has to lead to keep her head above water. Meeting Irish Matt (Charles Bickford) may mark the turning point for her ... or does it? Garbo looks and sounds great in this drama which, although looking rather clunky and moving at a slow pace, still manages to interest and engage an audience nearly 80 years later. Marie Dressler makes an impact in the role which gave her a second flush of movie success in films such as Min and Bill, Dinner at Eight, and Emma; while Marion and Bickford are more than adequate. An interesting slice of movie history. Garbo would do better talkies in the years following, but 'Anna Christie' will always be remembered for the first time she talked on screen. | 1pos
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] |
Every episode I saw when I was an innocent child was stupid. There were some funny looking puppets called "The Mitts" who would always discuss childhood things. They would play this song before "The Mitts" part of the show that goes like this "Let's join the Mitts..." There was a Groucho Marx puppet that told jokes. Before the session, this man would sing "Hot Fudge! Right On!" There was a green puppet with teeth that was called Seymore. We would always see more Seymore. He would crack jokes and sing every episode. There was always a moral in every episode. One episode, a man sang "Liars are losers!" Another episode he was singing about sharing and caring. Seymore said tell me about those two little girls "Sharon and Karen." The Hot Fudge Holey Moley part has this man doing weird stuff and they played weird music. | 1pos
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] |
I first read Jane Eyre the novel many years ago and have since watched various adaptations of it but never really found one that I thought captured the essence of the book and portrayed the characters as I imagined them. That was until I was lucky enough to see the 1973 version. This one is perfect, exactly what I had been looking for. The 2 main characters are wonderful, Michael Jayston and Sorcha Cusack simply are Rochester and Jane. They bring the novel alive and every scene they are in sizzles! There is so much to enjoy in every scene, you never tire of watching it. This is far, far superior to the 1983 version with Timothy Dalton, it goes to show that newer versions are not always better. It's simply a classic! | -1no label
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] |
Yeah That Summarises What I Have To Say. The Plot If any is (now please don't hate me for revealing it) At the end of mankind on Earth, the scientists build a self-sufficient underground city for a few people in order to preserve the human race for two hundred years. They leave also instructions for the future generations to return to the surface of the planet in a steel box that should be kept by the mayors through the generations. However, the instructions are lost and the inhabitants stay in the city that is completely deteriorated. The power generator has problems and the blackouts are longer and more frequent and the city is running out of food that needs to be rationed. On the Assignment Day, the teenagers Lina Mayfleet and Doon Harrow are assigned to work with the pipework and as messenger, but they swap their job positions. Lina, who is the descendant of the seventh mayor, finds the box of instructions in the house of her grandmother and shows it to her friend Doon. They decide to explore the way out of the city and they discover that the corrupt major and his henchmen are stealing food from the population. When they are hunted by the major's hoodlums, they have to find the way out of Ember to survive and save the populations from the imminent darkness and the end of the city. Now a city built underground wouldn't last for 200 years. what kind of government tells kids to pick jobs out of a hat? a ####ing horrible one if you ask me. To all people who like The Shawshank Redemption and people thinking that Tim Robbins actually saved his career with Shawshank Redemption (even though I've never seen the film): Tim Robbins ####ed up his career with this movie The Only Reason I Gave It A 2 Is Because Unlike Most Book Movies It Didn't Spawn 8 Sequels (I'm Talking To You Harry Potter) | -1no label
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] |
Fellow noir devotees, be not deceived, this is a stinker...poorly filmed, poorly acted and there is nothing...nothing here for the film buff looking for yet another solid B-movie from the goldmine of the 40's & 50's era of classics. I gave it a try based on the relatively high rating on IMDb. There's no accounting for taste, but I found nothing in this movie to recommend to other IMDb members. This is a classic example of having watched a movie and feeling like you have been cheated out of x number of minutes that it took the movie to get to its thankful demise. To have Alan Ladd on the cover of the DVD/tape is nearly fraud, he is on camera less than two minutes and has almost no dialogue! This isn't This Gun For HIre folks...it is a classic in the lousy sense of the studios cranking out fodder on no budget...We all search for the great ones... save your time on Gangs, Inc./Paper Bullets...it is lousy! | 0neg
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] |
Disney's truly bad side is their habit of churning out cheaply made straight-to-video sequels and spin-offs. And this is no exception to that rule. This short and lifeless offering is an extension to the original Aladdin with the original's charisma and energy sucked right out - the good jokes and interesting moments are almost non-existent in this very obviously hastily put-together film. The film's most obvious loss is Robin William's genie. Dan Castellaneta does his very best, but he just can't whip up the energy which was so wonderful in the original. He doesn't do motor-mouthed wisecracks and another of his weaknesses is at the heart of the film's biggest downfall: he can't carry off a song. The songs in The Return of Jafar are basically abysmal. The Genie's song - "There's Nothing in the World (Quite Like a Friend)" - completely pales in comparison to the original film's "Friend Like Me". Also, this time, even Jafar - rather tragically - joins in the singing and dancing and the originally great but now tortuously irritating Iago gets not one but two songs. Both of them are dreadful. Whilst any of the film's sparse good points are drowned amongst the embarrassing dialogue and plot, the animation is always distracting. That is, because it is hideous! The vivid animation and fluid movement in the original two years previously seems to be a world away from The Return of Jafar's clumsy and simple production. Action sequences, song routines and the Genie's whirlwind magic are limp and the film suffers terribly from jerky movement and screaming continuity errors. One of the saddest results of this is The Return of Jafar's Magic Carpet. The Magic Carpet in Aladdin is its own character, moving with genuine life and comedy. This time round it is reduced to being an inelegant purple rectangle. 4/10 | -1no label
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] |
This is like Rudy for the birds. In this movie Ewan McGregor plays Valiant, a young pigeon during WWII hoping to join the Royal Homing Pigeon Service (RHPS). Valiant is younger and smaller than his fellow recruits, but has high spirits. The RHPS has suffered great losses during the war. Squadrons A thru E have all perished to Von Talon's (Tim Curry) falcons. It is up to Valiant and the rest of squadron F to get the correspondence back to England. This film was cute and maybe kids will like it, however, I was disappointed. There is not a lot to the story. Bird joins service, bird save the day, and that is about it. The movie is a little more than an hour long. In it's defense, the animation was good. There are a few laughs from John Cleese who plays Mercury (a pigeon who gets captured) but not enough for the whole movie. Most of the other characters really lack personality. Unless the kids really want to see this, I would not recommend it. | -1no label
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] |
what is wrong with you people, if you weren't blown away by the action car sequences and jessica Simpsons hot body then you are majorly screwed in the head. Of course the film isn't a masterpiece, i don't think it was aiming to be. It was fun and funny, i never watched the show when i was younger, i only recently saw one episode, and when i watched the movie, i felt it had the same kind of atmosphere. The movie seats were practically shaking, and the car sequences were good because it didn't bore me and drag out like some of the scenes in 2fast 2furious. and jessica Simpson is plain hot, i just wish they had used her more in the action sequences. All in all, i had a hell of a time watching this and i would go and see it again soon and i will buy it on DVD. People, enjoy it for what it is. | 1pos
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] |
Personally, I find Foyle's War very well done for a war time series and a police series for that matter. I also like the characters' personalities. Foyle does not use foul language nor does he raise his voice along with other main characters. Sam's character is actually uplifting as a chauffeur and her being helpful to Foyle. For most police series I rather watch British series such as Foyle's War, Midsomer Murders, New Tricks, Rosemary & Thyme, A Touch Of Frost, etc. rather than those hyper tension ones that American networks are bringing out. I watch it with my wife on either TV Ontario or WPBS from the US. we like it very much. | -1no label
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] |
This is an extraordinary film which portrays the intense experience that victims of 'alien abduction' go through. This is a well documented phenomenon and the descriptions from people who believe they have undergone them have much in common. The subject was even researched by a professor at Harvard, the late Dr. John E. Mack, which ended up putting his career on the line. Dr Mack believed he was near to the truth about what was happening and this film may also be a step in the right direction towards a definitive explanation. Christopher Walken is superb in the role of Whitley Streiber, a rather wacky and annoying New York writer, who encounters alien beings at his country house. The first sight he has of the creature in his bedroom is one of the most intensely frightening scenes ever filmed and is the beginning of the real life nightmare Strieber and his family are then plunged into. Their further experiences are in turn scary, comic and disturbing and the film offers no easy answers as to exactly what this all means. There is however a lot of food for thought and anyone with the slightest interest in the subject of alien abductions should watch it. | -1no label
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] |
Shirley MacLaine in another tailor-made role. As the aunt to a single mom in a 1962 working-class Chicago neighborhood, the veteran character actress gets another work-out as a gutsy woman who won't let any set-backs defeat her spirit of success. The children, a pre-teen boy and girl, are drawn to their spirited Aunt Zoe, although the many magic tricks and practical jokes learned from her, and applied at all the wrong opportunities eventually get them expelled from school. The plot is cleverly enveloped in the Cuban Missile Crisis, with all of the social implications. Men building bomb shelters, people watching news programs on what seemed to be the only TV set, at a diner, and a general mist of uneasiness and fear in the air. When a "harmless" miracle is blown out of proportions, the climactic conclusion nonetheless makes the viewer feel good. Yes, Virginia, the sun will come up tomorrow! Clearly a small-budget production, this is still a sweet little film, filled with the magic that Sunday Matinees were made of. With a few choice "Oldies" thrown into an effective Sound Track, the whole family is sure to enjoy this one.**** | 1pos
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] |
Elaborate caper movie which, while nothing special, is redeemed by its unusual Israeli setting. Robert Shaw has a dual role as an industrialist and his security device-maker twin (the karate match between the two Shaws constitutes perhaps the film's low-point!). Ex-con and thief Richard Roundtree (often clad in conspicuously outlandish costumes) and lover Barbara Hershey (billed Barbara Seagull) are industrialist Shaw's unwilling accomplices in a diamond robbery whose security system was devised by none other than his brother (whom he admits to not liking!). Shelley Winters turns up in irrelevant bits as an annoying American tourist; GET CARTER (1971)'s Roy Budd provides the score. Caper movies are among my favorites (maybe, it's because I work in a bank) but this is a very mild addition to that exciting thriller subgenre chiefly because of an unconvincing plot also involving child kidnapping, a counter robbery from a church to mislead the Israeli police, the gang donning a series of silly disguises and, ultimately, a burglary which remains unfulfilled (again, a fashionable twist in the cynical 1970s but rather ludicrous in this context!). | -1no label
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] |
Paul Muni and Bette Davis overact monstrously while lacklustre studio hack Archie Mayo seems distracted and oblivious in this racially provocative film that derives its "bittersweet ending" by condoning segregationist attitudes. Heavy handed and poorly constructed the film collapses under its own weight within the first fifteen minutes with an out of control courtroom scene that it never recovers from as Mr. Muni begins to chew up scenery by the yard hollering and howling away in an almost incoherent fashion. Johnny Ramirez is a Mexican American from the other side of the tracks who through determination and grit attains a law degree from a store front night school. In his first big case involving an auto accident he displays only ineptitude and is quickly made to look the fool by his well heeled opponents and an impatient judge who recommends he be disbarred. Devastated by the setback an angry Johnny takes on a job at a gambling joint where he is befriended by the owner Charlie Roark (Eugene Palette) who likes his style. The owner cuts him in on the place but problems arise with Mrs. Roark (Davis) who also wants a piece of Johnny. She kills Charlie, implicates Johnny and slowly goes mad before he is acquitted and free to be with a high society Wasp who coldly explains to him that they are from "different tribes, savage" and it will never work. When she flees to escape his rage she is run over and killed by a car. Ramirez sells the casino and moves back to his poor neighborhood rationalizing that its best to stay with your own. In addition to this appalling denouement Bordertown has a series of bad performances to compliment the overall ugliness of the story. Unfair as his plight might be, Muni's Ramirez is so abrasive and arrogant it becomes hard to show sympathy for such a bull headed blunderer. Davis is no better as the less than loyal wife matching the same adolescent emotions of Muni. Her Lady Macbeth mad scenes give no indication that she was about to become the best film actress of her era. Margaret Lindsay as Muni's American Dream is cold, remote and flat. Bad as Bordertown is (and it is very) it remains an interesting indicator of the times and acceptable attitudes. The rest is just a mishmash of bad acting and uninspired direction. | 0neg
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] |
This movie was great the first time I saw it, when it was called "Lost in Translation." But somehow Bill Murray turned into an eccentric black man played by Morgan Freeman, Scarlett Johansson turned into a cranky Latino woman played by Paz Vega, and Tokyo, Japan turned into Carson, California. Instead of meaningful conversations and silence we enjoyed in Translation, we get meaningless blabbering in 10 Items that verges on annoying. Instead of characters that were pensive and introspective as in Translation, we get characters that spew pointless advice on topics they have no clue about. How can a character that wears hundred dollar T-shirts and has never been inside a Target department store expect to give advice to a working-class woman on how to prepare for a job interview as an administrative assistant? Don't think that stops him. If he isn't giving her clothing advice, he's telling her what she should eat. The most annoying part of the movie for me was how supposedly they were in a hurry to make an appointment, and yet the characters keep finding time to run another errand, be it washing the car, stopping at Arby's, or just laying around to list off their 10 Items or Less lists of things they love and hate. I kept wanting to yell at them saying, "Didn't you say you had somewhere to be? What the heck are doing? A minute ago you were practically late, now you're eating roast beef and pondering your lives!" Until I saw this movie, I never truly understood how something could "insist upon itself," but I think this movie does exactly that, and undeservedly so. The dialogue makes the characters cheesy and unsympathetic
with the exception that I felt sorry for both of the actors for having signed onto this project. | 0neg
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] |
I would highly recommend Under The Same Moon aka La Misma Luna, at first I was not sure whether this movie would be a movie I would watch but after watching it, I had a different perspective. I think this movie did not get as much credit as it should have for the simple fact that it was filmed by a Mexican production company even though it was released by 20th Century Fox. The majority of the film is in Spanish with some English dialog. Under The Same Moon deals with the sensitive issue of illegal immigration, whether for it or against this film will have you thinking. There are many Mexican actors as well as known actors in the United States such as America Ferrara. The little boy who plays Carlitos does an excellent job at portraying his character. The movie is about a mom who is working hard in the United States and her son is back in Mexico. The child than decides he will cross the border illegally facing many dangers. As I said before this film will open your mind and will be enjoyed that is why I recommend it. | -1no label
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What do you expect when there is no script to begin with, and therefore nothing that the director can work with. Hayek and Farrell, and Donaldson and Kirkin are good actors, they just don't have anything to say or anything to react to. Even the earthquake was pretty poor. And I don't know how closely the movie follows the novel, but two have the Jewish girl show up out of nowhere just so show that Arturo has a nice, warm heart, but some stereotypes don't amount to anything. And he even buries Camilla out in the desert, instead of bringing her back to L.A. for a nice Catholic burial where he could at least bring her flowers once in a while. Pathetic. And the L.A. set was ridiculously graphically created. Anything good? The window to his apartment felt real, the curtains, the sounds, the wind. And Donaldson is always great. Has been since the Body Snatchers or Night of the Living Dead, whichever it was. | 0neg
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] |
What a crappy movie. Can't understand how Meg Ryan accepted to participate on it. Haven't seen Meg Ryan and Antonio Banderas in good movies for the past...4 years I think. Fell asleep 15 minutes after it started. I thought it was going to be funny, a good comedy but it turned out to be excessively dumb. No plot, no script, no sense. By the way Meg Ryan's makeover went really bad. That angel face is gone, her face is so inexpressive now. The botox doesn't allow her to move her lips anymore. How sad. Avoid this movie at all cost, it's an awful waste of money and time. | -1no label
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] |
This movie has the feel of a first year college want to be director. The cover art on the box makes it out to be a horror film and if you go to rent it, it will be found in the horror section. Let me tell you, it is NOT a horror film! I'm not really sure how to rate this one because it is so bad. This movie wouldn't even make a good COMIC BOOK and I've seen some really bad ones of those as well. Not that I will give anything away by saying this, but the story has so many holes you could drive a truck through them. The acting is so dry that I found my self falling asleep in my chair when I should have been jumping out of it. Unless you want to waste almost two hours of your life I would stay as far away from this movie as you can. | -1no label
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] |
I can't think of much to say about this film. This was an awful movie...I can't even tell you what made me decide to view it. It had SO few redeeming qualities that I don't even know where to begin. The plot moved from implausible to downright absurd. My entire body was tense throughout the duration of the movie because I could not wait for the awful thing to be over and done. By the end of the movie, I found myself feeling beyond relieved. The editing was poor, the acting was sub-par, and the storyline was weak. Francoise Robinson was cast as a Native American, even though she does not even closely resemble someone of Native American heritage. If a movie is going to be this idiotic, it should be laughably stupid -- at the very least. It wasn't. It was just pathetic. | 0neg
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] |
One of the best of the 'kitchen-sinks'. Fantastic views of London and invaluable snippets of working class life of the 60's. Loach's eye seems to capture everything, yet makes no judgment - a taste of things to come. As with 'Kes', 'Riff-raff' and 'Sweet Sixteen', it serves as a cinematic social history of Britain. Carol White is completely convincing, you love her, fancy her, want to take care of her, but hold your head at her self-destructive decisions and still follow her in some vain hope. Well backed up by Terence Stamp, ( fresh off 'The collector', also catch 'The Hit' ) and a plethora of English faces ( all looking very young ). Pefectly set to Donovan's dulcet tones. Stamp sings 'Yellow is the color', in a lovely scene, ending with him saying, " Getting better, ain't I " ( song also used in 'The rules of Attraction' - I think ) Watch Carol Whites screen mum getting ready to 'go out and get a bloke', putting on her false eye-lashes to the sound of 'Rosie' on the radio - priceless. A treasure for anyone who was around at the time and a reminder of how good life is now in England. Incidentally Soderburgh used clips from 'Poor cow' in 'The Limey'. | 1pos
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] |
The writers and producers of this little outing have plummeted new depths of depravity. Did writer's block set in so badly, OR had ideas dried up so much, that they were forced to include a disgusting scene where a young woman defecates in the back seat of a van, and then promptly throws the excrement at the car behind (mind you at least this summarises what this film is worth). We had already been treated to one of the other women urinating over one of her friends at gunpoint, as well as numerous episodes of graphic vomiting; once would have sufficed... we got the message! This really is taking toilet humour to another level! Had the script and acting been better then I could have easily forgotten that I was watching a film shot entirely on low budget video. This was a fairly original storyline, with a clever (the only) piece of direction in that we only ever got to take the viewpoint from inside of the van; thus making it feel much more real. We never got to see inside any other locations, such as the store or the field where several of the women disappeared, and this could have added much needed tension. The script was dire. Lines like: 'I don't feel too good... I want to go home' after one of the girls has been pursued by a psychopath; subjected to rape by a screwdriver and shot at, seem a little undercooked. The acting was diabolical (apart from the maniac). Did all the main 5 actresses in this learn acting by taking a correspondence course during a long postal strike! The sound was so bad that I had to watch the entire film with the subtitles on. The director seemed to have an easy job in this. It seems that the only direction he must have given was: 'Scream girls'. AND AS FOR THE SCREAMING...... If you watch this please be sure to have some paracetamol at the ready! | 0neg
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] |
Two years ago at Sundance I loved Josh Kornbluth's directing debut-Haiku Tunnel. So I was looking forward to his brother (and frequent collaborator) Jacob's, The Best Thief in the World. This is a drama about a seemingly good kid growing up in a lower-class area of New York. The movie is not without its poignant moments. But at times it is as if Kornbluth is working way too hard to state the obvious: Life can be very difficult for some people. And life isn't fair. More subtle, and more important, is our understanding that despite all of these somewhat abhorrent cultural underpinnings and the anti-social behavior they may spawn, these characters have no shortage of goodness and humanity. We can recoil at their language and their living conditions, but we are cannot discount their intent. And in fact, their struggles to maintain a family under such adversity has a certain nobility that most of us can barely appreciate. Kornbluth grew up in this neighborhood, and his compassion for the people is evident throughout. Having said all this, The Best Thief in the World suffers from many painful flaws (including the title). The characters aren't very believable. The writing is uneven. And the plot-line is barely discernible. And for many the most disturbing is that Kornbluth uses two young black boys mimicking gangsta rap between scenes. To each his own: But while I don't question the potential realism of this phenomenon, it pains me to see 5-year-old children mf'ing and talking about having sex with a line-up of women. It's unnecessary shock value and is a forced bit of borrowed interest. | 0neg
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] |
The acting by Russo wasn't bad, but that's the best I can say about it. This is the worst movie that I have seen since The Thin Red Line and Lost in Translation. There are too many unanswered questions: How did the cops get involved? Who's money was it? Where did it come from? (Maybe the Greek Gods like in Clash of the Titans?) Why didn't the guy know about bullet proof vests? Why did Dora (Russell) have to say "They raped me"? It is terrible. Seeing Steve Railsback who looked worse with his lip gloss than my 93 y.o. grandmother when she misses with red lipstick. Russells' character was a stripper? Good thing they didn't show it. Maybe in the fifties? | -1no label
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