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The family in this TV movie consists of a mother, father, and two boys. The older boy, Bryan, is having a lot of issues and this worthless claptrap would have us believe it is mostly the father's fault. What does Dad do that's so awful? Well, for starters he wants to teach Bryan to be a better baseball player and show him how to get in front of ground balls. He also wants Bryan to stop lying to him and once in a while actually show some responsibility. The father also has the nerve to get angry when poor, misunderstood Bryan decides to kill a pet rabbit. What a monster that IL' Pops is!! Does the father abuse Bryan? No. Does he ignore Bryan or spend all his time berating his sensitive son? Um...no. Jill Eikenberry's portrayal of the mother makes you want to shake some sense into her. To dear Mom, no matter what Bryan does it's okay and what is truly haunting is just how many parents feel this way in the real world. All you have to do is support your kids and everything will be great. Sorry, but if that were true and kids were that wise then they would never need any adults around. They could take care of themselves. Of course, the fact that the parents refuse to get any help for spoiled Bryan leads to an even greater tragedy than a slaughtered bunny. In the end, "Family Sins" lets us know that kids just need lots of love and they will grow up just fine. The funny thing is that this philosophy flies in the face of everything else that occurs in the movie. Letting Bryan get away with worse and worse behavior without intervening brought about a sickening turn of events. The only reason I don't give this pop psychology vehicle a rating of 1 is that I hope at least a few people out there have watched it and can see beyond the bleeding heart nonsense this promotes. Hopefully they can see that ignoring serious family issues may bring about some horrible ends. 2/10 | -1no label
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Basic structure of a story: Beginning, Middle, End. Sometimes this structure is played with, and we get Memento or Irreversible and the story plays backwards. Sometimes it's just not linear, a la Pulp Fiction. Regardless, they all have a beginning, middle and end. This is the first film I have ever seen that doesn't have an end. Beginning: Girl's best friend is expelled. Middle: Girl needs to cope without best friend. End: Non existent. Not that having an end would've saved this film, but at least it would have been complete. It's an exercise in apathy; we get a party-mix of characters, and they all turn out to be duds. Boring, vain, vapid and pallid imitations of people. And here's the action within this film: NOTHING HAPPENS. Nothing at all happens. Mischa Barton tries to talk with a plummy English accent, Dominique Swain whines a lot and Brad Renfro receives a blow job from some old guy. End of movie. By the time the credits rolled, I had a horrible feeling that many prisoners must feel: periods of time, those precious minutes of our life, have just been wasted. The only passable point (and that is a very emphatic ONLY) is Brad Renfro. He acts well. Lacey Chabert I tend to like, but no luck here. Due to good work in other films, I will forgive Mischa Barton this travesty, but I hope all cast members were slapped in the face for their involvement. Please, I implore you. Avoid. Don't fool yourself into thinking "I'll make up my own mind". My sister told me to never see this, and I ignored her, wanting to make up my own mind. That was a bad decision. I have never hated a film. There are many I don't like, but I have never hated a film. Until I saw this. | 0neg
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] |
I am a Romanian guy (although I do not live in Transilvania or near Bran :)) and I live in Bucharest. Even if living in my country is not like living in Germany or UK or USA, we are not beggars... this movie is nothing but bad taste: bad directing (if you look close you will see the same old car filmed twice - for example), bad script and above all... bad acting. I do not even know what is the most disgusting thing: the offense brought to Romania and to its people or the stupidity of the story. Of course, they go hand in hand, but what can we expect from this kind of movie/actors/stuff. And for who wonders: I found the movie on a friend's DVD containing other important stuff and only curiosity led me to the end of this movie. As I said, a strong 1, because I can not note it bellow... | -1no label
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] |
Nobody could like this movie for its merit but, if you have a sense of humor and enjoy schlock movies for their MST3 quality, then this is for you. It ranks up there with "Road House" for its preposterous characters, sets and story line. The bad writing really cracked me up: "I want you to dust those guys off" instead of ". . . dust those guys." F-14s take off from the carrier but, when they get into formation, they're F-16s! Without a hint of anger or skepticism, Segal goes back to work for the general who, only minutes before, was overseeing a covert "mind wipe" on Seagal. Segal runs out of bullets and resorts to a knife to kill the guards. So naturally, the guards all drop their guns and fight with knives too! The hand grenade is a dud but explodes anyway. The little stealth fighter can fly all the way from California to Afganistan without refueling. Then Segal flies it back to California - the long way, i.e., by way of Europe - even though there's a carrier giving him air support 20 minutes away in the Arabian Sea. The CIC in the carrier consists of 3 black PCs, 2 flat screen TVs and pictures of gauges and maps on the walls. What a hoot! | 0neg
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] |
This small John Ford western with no 'stars' but a cast of character actors is one of his masterpieces. It has a documentary-like feel to it as it traces the journey West of a party of Mormons and it may be the most authentic looking of all Ford's films, (it's on par with "The Sun Shines Bright" which he made a couple of years later). There is a plot of sorts, (a group of bank robbers join the wagon train at one point), but the film's dramatic highlights are almost incidental. The splendid performances of Ford's stock company, (Ben Johnson, Harry Carey Jr, Ward Bond, Jane Darwell etc), adds considerably to the film's authenticity while the nearest the film gets to a full-bodied star performance is Joanne Dru's Denver. Dru was a much finer actress than she was ever given credit for as were Bond and Johnson, who at least was finally awarded with the recognition of an Oscar for his work in "The Last Picture Show". As he said himself, 'It couldn't have happened to a nicer fella'. Add Bert Glennon's superb location photography and you have a genuine piece of Americana that couldn't have some from anyone other than Ford. This is a film that truly honors America's pioneers and is full of sentiment and feeling. | 1pos
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] |
I'm sorry guys, all who thought this film could be something great, I'm afraid you would be disappointed. The standard, the movie wanted to set is completely ruined by some very simple plot. So simple, that the movie is not evolving until the end. I asked myself if the plot wasn't about the action but about the main character (played by Mickey Rourke), but I found that the character was inconsistent - either he is a professional killer or some guilt haunted brother. But both don't go together, because the kid he tries to guide poses him in dangerous situations where no professional killer would put himself. Now, Joseph Gordon-Levitt, is a good looking actor, but he played his character a little unnatural. I didn't believe his acting, it looked like the director tried to pull out of him some personality he couldn't provide. And he didn't have to, because his less crazy behavior was creepy enough. The only one whose acting was great, was Diane Lane. If not her, i would give this movie 1 star. In conclusion, I expected to see some well played movie and some interesting plot. And I completely blew it with my high expectations. | 0neg
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] |
IT WAITS is a horribly disappointing creature movie about a young female forest ranger, still grieving over the accidental death of her friend, due to a car crash. While on-duty and at her post, she is visited by her boyfriend who tries to help her get past her guilt. One night they are awoken by something on the roof. When they investigate the noise, they find that their satellite has been ripped apart and their jeep rolled over. It turns out that they are up against a mythological, bloodthirsty demon that was released by a group of unsuspecting cave explorers who were torn apart by it. The movie has a nice look as well as a cool looking creature, sort of looking like the Creeper from Jeepers Creepers combined with Pumpkinhead, but it still seemed to be lacking in suspense and action. Very forgettable film... | -1no label
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] |
This might have been an excellent flick. However, as many other people think so do I. It is poorly done due to the languages transfer. If the entire movie must be read then it kind of takes away from the movie and becomes something else. It does have an excellent rating as far as I am concerned and I couldn't wait to rent it. But, once I did it was a real let down. Out here in Boardman, Ohio I could not find an English version to anything similar. This movie was also compared to Dark Hours and this we will not get to watch in Boardman, Ohio. It is not available. So I guess we will never know how good the movie actually was. | 0neg
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] |
I just wanna say this was an excellent movie to finish the series of the hockey mask killer, i can tell it was excellent because i am the greatest fan of Friday the 13th!!!. I was really anxious when i was going to watch is buy the first time, it really surprised me with things the others movie didn't have like Jason going body by body. The part i really enjoyed was when Jason got into the police station and defeated all the cops, then when he got into the restaurant and everybody was shooting him. Ja JA JA!! But no bullet can stop him. I really liked it, now i can wait for the new movie of Friday the 13th: "I hope it to come this year". I also i am the biggest fun of nightmare on elm street and if this new movie is a sequel between Jason and Freddy much better!!!! | -1no label
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] |
The Emerald Forest is a racist, oversimplification of a more complex issue. The portrayal of Native Americans is a joke and perpetuates stereotype after stereotype of native "innocence" vs. Western "intelligence". The portrayal of the Fierce People as cannibalistic baboons is ridiculous and highly offensive - especially under the claim that the film is based on true events. Equally as unfortunate is the display of the Invisible People as a tribe of purity and peace - their "beautiful" innocence makes them the pathetic victim of Western expansion. Obviously, this movie addresses an important topic, but their are better ways to make the argument against deforestation and genocide. This movie is best used as a metaphor for understanding of the story of Adam and Eve and Christian morality. Outrageously bad acting to top it off - it's good for a laugh. | -1no label
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] |
Let me start off by saying I love Japanese cinema, literature and culture generally. I've seen many Japanese movies and enjoyed them, but "Portrait of Hell" (aka Jigokuhen) makes itself ridiculous. The two characters who dominate the action -- the "evil lord" in his privileged bubble and the "stubborn, crazy artist" are pure types with zero subtlety or nuance, and all their actions emanate from cartoonish extremes. The film wants to show horrible scenes of violence and raw emotion but many of these scenes are so over the top they actually become laughable and the overall feeling is that of a made-for-TV movie that went off the rails. If this rarely screened movie falls in your hands or comes to your town, spare yourself and give it a pass. | 0neg
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] |
At least the under ten year old set will stay interested. Eleanor(Geena Davis)and Fred(Hugh Laurie)Little, a nice well-to-do couple set out to bring home from the orphanage a new little brother for their son George(Johnathan Lipnicki). They come home with quite the odd new sibling...a sharp dressed little mouse named Stuart(voiced by Michael J. Fox). Yes, mouse. Stuart is happy to have found the sense of belonging even if it is in a super sized world that contains his new family's pet cat Snowbell(voiced by Nathan Lane). Stuart embarks on the experience of family loyalty and overall friendship. George will finally accept his tiny new brother when the dapper dressed Stuart saves embarrassment at a model boat race. Also in the cast: Julia Sweeney, Harold Gould, Estelle Getty and Jeffery Jones. And the voices of: Chaz Palminteri, Bruno Kirby and Jennifer Tilly. | 0neg
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] |
INTO GREAT SILENCE is more a sleep aid than a documentary. I think a more appropriate title would've been Into Great Boredom. Not for the men that chose to go to the Grand Chartreuse Monastery, but for how long, how slow, and how incredibly uninteresting this film was. The only positives are some beautiful shots of the monastery with the French Alps as a backdrop, and how completely immersed the camera gets the viewer into the life of solitude and silence that these men purposely confine themselves. But that's it. Running well over two-and-a-half hours, the film could've easily been cut by half and still held the same level of immersion. Too many lingering shots on monks kneeling in prayer, monks praying in the dark (with the red candle of God ever-present), monks walking through hallways, monks sitting near windows, and just an otherwise tremendous amount of overly indulgent quiet (from the production standpoint). I know that the title has the word "silence" in it, and that these men take a vow as such when they enter the monastery, but I think a bit of interaction, explanation, or some sort of definitive purpose would've made the film much more enjoyable. Before I get plowed asunder by those that enjoyed this film, let me make it clear that I understood the nature of it. The silence. The length of the film in order to show the dedication one must have to go into the monastery. The unquestioning loyalty you must have in "the divine spirit." I get it. It's just that it's not that interesting on film. | -1no label
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] |
Una giornata particolare is a film which has made brilliant use of closed spaces.It is in these dull,empty spaces that the audience sees the emotional turmoil and boisterous outbursts of Ettore Scola's two leading characters.Marcello Mastroianni and Sophia Loren play two frustrated individuals who decide to come together for some brief moments of their listless lives.It is the element of sadness associated with the narrative that makes us believe that people will take sides with characters close to them.All men would really feel sorry for Sophia Loren's character.All women would surely cry their hearts out at Marcello Mastroianni's existential plight.Disguised sexualities are also one of the key issues of this somber,poignant film.Most of the characters grapple with issues related to their own sexualities.Una giornata particolare cannot be termed as a pro gay film although it has been nicely depicted that a homosexual chap mixes well with women.This is a film for which Italian director Ettore Scola has crafted a fairly good mix of fact and fiction.His idea is to show how the arrival of Hitler changed destinies of ordinary Italian folks.A word about the courageous personnage played magnificently by great Marcello Mastroianni.He acts as a real man who does not beg for pity.He happily accepts his fate and readies himself to face the worst time of his short yet meaningful life.A true masterpiece of cinema !!! | 1pos
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] |
Plot Synopsis: Hong Kong, 1966. Paul Wagner, the man who built the Victoria Tunnel, is murdered along with his wife by his associates. His twin sons, Chad & Alex, are split apart. 25 years later, Chad, a karate instructor in Los Angeles, & Alex, a smuggler living in Hong Kong, join forces to avenge their parents' murder & rightfully claim the tunnel. This is the second time that Jean-Claude Van Damme & Sheldon Lettich have worked together, having previously done "Lionheart". This is also the first of three films to feature Van Damme playing dual roles ("Maximum Risk" & "Replicant" are the others). The plot is a very simplistic take on the revenge story, the film's sole redeeming feature being Van Damme's performance as two very different people the prissy rich kid & the rough-&-tumble, cigar chomping tough guy. As it goes, Van Damme doesn't do a very good job in either role, although his take on Alex is mildly amusing. It is puzzling as to have the brothers mistaken for each other, with them wearing different clothes & having different hairstyles. Bolo Yeung makes a very worthy henchman for the baddies. | 0neg
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] |
Avoid this movie like the plague! This stinks so bad it's like the worst thing ever put on film. It ranks "up" there with an Ed Wood flick. However there is something that may make you watch it - it "stars" Keanu Reeves! Holy maceral! I wondered if there was another actor similar to Jack Nicholson who was completely untalented at the start of their career and later developed into a star... it's Keanu Reeves. (But his performance in "Bill and Ted's Adventures" was cool.) Burn the master... they don't allow negative scores on IMDb.com... 1/10 -Zafoid PS: Some real good music. -Z | -1no label
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] |
I consider myself a fan of Jess Franco and his trash movies, but nearly every time I see one of them, I just see missed opportunities and plots that don't play out well. This film is, unfortunately, no different. The film certainly had a lot of potential, as Franco has fused the intriguing theme of the classic film 'The Most Dangerous Game' with his usual brand of trashy sleaze, but the plot here gets lost too often, and it takes an eternity for Franco to get round to the main point of the movie. With this being a later Franco film, you might be forgiven for thinking that the director would have got better, but actually I've found that the opposite is true; as this and the terrible 'Killer Barbys' are two of his very worst films. The plot focuses on a stripper and her sleazy boyfriend. The pair is invited to a private island by a rich woman and her lover. However, they soon find that they haven't been invited there for social reasons as they are 'released' on the island so that the wealthy woman and her friends can hunt them down for sport! What attracted me to this film was the front cover and the fact that it was directed by the king of sleaze flicks. You'd think, then, that I'd be pleased that the movie features a plethora of sex scenes and general sleaze; but I'm not. The reason for this is mostly that the sex and sleaze in the film is really boring and most of the time served only in giving me the condition known as 'itchy fast forward finger'. However, my inclination to see everything through to the end ensured that I had to lump it. There was a time when I didn't think girl-on-girl could possibly be boring, but I have since been proved wrong. The only positive I can pluck out the movie really is that the soundtrack is quite catchy, and despite it being silly foreign pop music; actually blends quite well with the sex scenes. I did enjoy the last ten minutes; as that's when the plot finally got going, but it was a case of too little too late and unfortunately, this is a severely lacklustre film. On the whole, I only recommend this film to those who feel they must see all 180+ Franco movies...everyone else should watch Vampyros Lesbos, Faceless or She Killed in Ecstasy instead. | 0neg
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] |
Murder By Television is one of Bela Lugosi's more obscure movies but at least it is available on video and DVD. I quite liked this. While doing a worldwide broadcast promoting that new invention called television, a man suddenly collapses and looks as if he could have had a heart attack. His death was certainly not caused by his heart, it seems he was murdered by a death ray. The police are put on the case and there are plenty of suspects... This is a nice little horror/mystery, even though a little short at under an hour. Watch it if you get the chance. Rating: 3 stars out of 5. | -1no label
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] |
After viewing this film and trying to understand why a family would try to welcome a Nazi Youth into their family, who had all kinds of hatred for all people and was brain washed by monster's who killed Thousands upon Thousands of Jews and many other races. I realized this is only a Hollywood dream works during 1944, which was probably quite amazing to the public who viewed this film. Fredric March(Mike Frame),"The Iceman Cometh",'73, and Joan Carroll,(Pat Frame),"Tower of London",'39, did their very best to help their adopted Hitler Youth, Skip Homerier,(Emil Bruckner),"Halls of Montezuma",'51, try to adjust to the American way of living. Emil was a devil on wheels who did everything horrible you can even think about doing. Betty Field,(Leona Richards),"Birdman of Alcatraz",'62 and Agnes Moorehead,(Jessie),"Dragon Seed",'44, gave great supporting roles to this twisted story. Just imagine if we tried to adopt Usama Bin Laden's son into our homes today, I doubt very much if this film would win an Academy Award. I am happy to say that Skip Homerier did play a fantastic role in "Halls of Montezuma",'51 as Pvt (Pretty Boy) Riley. | -1no label
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] |
Looked forward to viewing this film and seeing these great actors perform. However, I was sadly disappointed in the script and the entire plot of the story. David Duchovny,(Dr. Eugene Sands),"Connie & Carla",'04, was the doctor in the story who uses drugs and losses his license to practice medicine. Dr. Sands was visiting a night club and was able to use his medical experience to help a wounded customer and was assisted by Angelina Jolie,(Claire),"Taking Lives",'04, who immediately becomes attracted to Dr. David Sands. Timothy Hutton,(Raymond Blossom),"Kinsey",'04, plays the Big Shot Gangster and a man with all kinds of money and connections. Timothy Hutton seems to over act in most of the scenes and goes completely out of his mind trying to keep his gang members from being killed. Gary Dourdan,(Yates),"CSI-Vegas TV Series", plays a great supporting role and portrays a real COOL DUDE who is a so-called body guard for Raymond Blossom. Angelina Jolie looks beautiful and sexy with her ruby red lips which draws a great deal of attention from all the men. This film is not the greatest, but it does entertain. | 0neg
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] |
Unlike other early adult movies such as DEEP THROAT and BEHIND THE GREEN DOOR, this fine combination of explicit sex and shoot 'em up thrills gets little respect even from genre fans. This is largely due to the brutal nature of the film's numerous rape sequences, commendably NOT of the 'they may protest at first' variety. The story's well detailed in the other comment you'll find here, so I won't go into that. Most of the performers here made very few films (save for Levi Richards who made tons) and even beautiful blonde Barbara Bourbon, who turns in some effective acting as well as the proud, resilient farmer's wife fighting to protect her daughters from 'a fate worse than death', only made a handful of X-rated appearances, most memorably of course in Radley Metzger's timeless PRIVATE AFTERNOONS OF PAMELA MANN. Director "David Fleetwood" is actually sixties schlock producer Joe Robertson (THE CRAWLING HAND, THE SLIME PEOPLE, THE AGENT FOR H.A.R.M.), so the flick's inconspicuous professionalism in just about every aspect of production as well as narrative drive should come as no surprise. He went on to carve a niche for himself as 'female' (for the face value crowd) porn director "Adele Robbins" with movies like SWEET ALICE and INNOCENT SEDUCTION. You may think that this early rape 'n' revenge movie stands diametrically opposed to his later couples friendly numbers. Anyone taking the effort to sit down and watch the film in its entirety will come to realize however that the female characters (Bourbon's in particular) are well drawn, not whining victims at all, perfectly capable of righting the wrongs inflicted upon them. So give this classic its due and allow it to take its rightful place in the pantheon alongside its more renowned genre brethren. | -1no label
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] |
This film is hilarious. Not only does it have the completely bizarre factor of a dog barking at black bears, cougars and birds and then legging it, but one of the funniest scenes I have ever seen. I was literally crying. Some of the more passionate Benji fans on this page will recall immediately the heart-stopping scene where our hero, Benji, is being chased by the terrifying wolf. Thankfully, the wolf meets his demise by tossing himself off a cliff, and then falling stiff as a board down into the canyon below as if the production crew had thrown a stuffed wolf out of a plane. On the way down the wolf goes... awoooooooooooooooooooooooooooo.... | -1no label
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] |
I have no clue as to what the people are thinking that call this the best Alien rip off. First off, it is similar to Alien in atmosphere but it is really closer to Forbidden Planet in plot although nowhere near as good. I remember seeing in the theater as a 13 old around 1981-82 whenever it came out. The only memory I had of the movie was the poster for it in a the theater and the fact is had Jonie (Erin Moran) from Happy Days in it. I saw the movie last week for the first time in theaters and I see why I have no memory of it. There is nothing worth remembering. I expect a Roger Corman movie to be cheesy and suspension of disbelief is a requirement. However this movies sets where so cheap and the plot line was so bad that you honestly will have trouble remembering what happened in the movie the next day after seeing it. I have seen many comments about the rape scene and I personally don't find maggot rape to be a form on entertainment but that scene that was shown in the R-rated cut was cheesy and not going to disturb anyone. The movie had more violence than I remembered and tried to be mean spirited but really amounted to not much of anything. The movie just ends in a hurry with not much of an explanation. I would suggest searching for another creature feature if you are in the mood for B-Movie entertainment. The cast for this B flick looks pretty good on paper but it is executed horribly. This movie was obviously made in a hurry with no money for reshooting scenes. Avoid at all costs. | -1no label
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] |
Recap: Based on the true story of Charlie Wilson, an American Congressman, who (according to this movie) was instrumental in USA's covert war in Afghanistan against the Soviet Union. Comments: A rather funny movie about not so funny things, especially since they were real. But focusing on the movie, Hanks performs very well as a mischievous womanizing Congressman with a good heart that becomes the champion for the covert war in Afghanistan. Hanks, and the entire movie, Philip Seymor Hoffman especially, has a rather humorous tone. So much that adding comedy to the genre would be appropriate. But, the story that it tell, and maybe the ending the most, are serious indeed. A story of what happened with some questions about what might have been. So the movie works as a comedy if you want one, and a much more serious one if you want that. Something for everybody? 7/10 | 1pos
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] |
From start to finish, the most boring film imaginable. You keep waiting for something to happen, but nothing ever does. Michele leads a very boring life, he is the kind of person I would never wish to make the acquaintance of. The film is a typical product of a certain left-wing so-called culture rampant in Italy in the Seventies, of which Nanni Moretti is a leading exponent. One thing puzzles me: why does Moretti so often cast himself as a person named Michele? Take a look at the list of his films! There must be a Michele in his past who left a lasting impression on him, After all, there is no lack of male first names in Italian; why not Mario, Alberto or even Dante? | -1no label
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] |
...who love the campier aspects of this movie, I must beg to differ. More than most of my friends and relatives, I admire a movie that's so bad it's good (please see my Comment re: "Killdozer") but in this case The Green Slime is so bad it's JUST BAD! I can watch a good bad movie (i.e. A Boy And His Dog) every few years and enjoy laughing at it. Green Slime I simply cannot watch for more than 10 minutes, tops. And yet I find that this despicable little piece of slime :-) ISN'T AMONG THE BOTTOM 100!!! It takes an average of 2.6 or below to make it into the Bottom 100. Amazingly, Slime has an average over 4. So I have dutifully cast my IMDb vote of 1 (the worst) today. I URGE THE MOVIEGOING PUBLIC TO JOIN WITH ME IN THIS HEROIC ENDEAVOR TO DEMOTE THIS MOVIE TO THE STATUS IT DESERVES!!! CAST YOUR VOTES WITH ME, FOLKS!!! VOTE 1. DRIVE THE AVERAGE DOWN!!! BOTTOM 100! BOTTOM 100! BOTTOM 100! BOTTOM 100! | -1no label
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] |
Just what is the point of this film? It starts off as one film, then changes track, cheating us of a resolution to that film and ends as another movie which is nothing but a pale, pale imitation of so many other schlock-horror flicks you've ever seen. The overall impression is confusion in every respect and a great deal of hubris. Screenplay by Tarantino, direction by Rodriguez, two guys who have previously shown talent, but who now seem to believe their own hype and assume that whatever they do must be good merely because THEY did it. But it doesn't quite work that way. You're only good while you continue doing good things. There are so many questions to ask: Just what are George Clooney and Harvey Keitel doing getting involved in such pointless dreck? Clooney initially makes an intriguing bad guy utterly ruthless and efficient and it would have been interesting to see where that was going. But, of course, we never do. And the Clooney of the vampire film changes into a completely different character. That's not clever or witty, that's just bad, bad work. Keitel looks thoroughly ill at ease throughout, and no wonder. Did no one in the studio take a look at the script before this project was given the go-ahead? Tarantino is utterly unpleasant as a murderous sexual deviant (and why did he, as writer, assume we would find the rape, gruesome murder and butchering of an inoffensive hostage funny). On every level except the technical this film stinks. Avoid. | 0neg
| [
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] |
My nose is bent slightly out of shape as I write this. I had sent a previous comment on this film some weeks ago that has not yet appeared, so I assume it was rejected, even though it met all the usual guidelines. I found this film interesting for the first thirty minutes, particularly the performance of Jordi Mollà, a veteran actor who has appeared in such major productions as "Blow" and "The Alamo." Leonor Watling is also quite good. Unfortunately, everything sinks eventually under the weight of a truly awful, melodramatic script. There is also an abundance of gratuitous nudity that does nothing to advance the narrative or lend even an impressionistic nuance to what is otherwise a beautifully filmed piece of art. An actual day trip to the beach at Valencia would be much less arduous than having to encounter these fictional characters again anywhere, anytime. | 0neg
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] |
Because the original, with Caine as Carter, was so good, I thought that this would be an interesting update. Change the country to the U.S. and Seattle becomes the city "up north." Stallone mumbles his way through the movie. Plot is impossible to follow. No need for the teen-age daughter to have her dark secrets. Evidently the story is supposed to lead us to a Bill Gates type. Not good. Good to see Michael Caine though. I own the original. Would never watch this again. In the original Caine was shot for his troubles. Stallone should be shot for botching up a terrific idea. | -1no label
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] |
This was truly a deeply moving movie in every sense of the word. I myself was a Mormon missionary and I know first hand the wanting to complete my mission but at the same time hiding the fact that I was gay. Like the character Aaron, I was sent home for being found out and excommunicated, but being the only Mormon in a family of Catholics wasn't as big a shame as it was for the lead character. This movie really took me back to those days and helped me to realize, years later, how fortunate I was to have a family that accepted me and understood what I was going through. I found myself applauding the end of a movie when Aaron and Christian find each other again by shear chance at Lila's Restaurant. I was truly moved to tears. I highly recommend this movie to all who read this review and also declare it a must buy. | 1pos
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] |
I love this show. Period. I haven't been watching very long, probably only about six months or so, actually, but it is now my favorite show and probably will be for quite a while. I love all of the characters, except I don't really care for Donna. I'm not completely sure why. I just..don't find her funny, and I don't think Laura Prepon is a very good actress. Other than her, I find the rest of the cast pretty good. Kurtwood Smith and Debra Joe Rupp, who played Erics parents, were extremely funny. Topher Grace is also a great actor. Unlike a lot of fans, I did not completely hate the 8th season. I still watch it, and it does make me laugh. But, if you compare it to the shows earlier seasons, its..not good. Randy is horrible. The finale was decent, nothing amazing, but good. =] I do think it would have been better to cancel the show after Ashton and Topher decided to leave, but oh well. I have the fourth season on DVD, and someday I hope to have all eight seasons on DVD. Some of its most hilarious episodes, in my opinion, were 'Dine&Dash', 'Grandmas Dead', 'Red&Stacey', and 'Streaking', but I love every episode I've seen so far, which is most of them, I think. =] 9/10 stars, I would definitely recommend it. =] | 1pos
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] |
This opens with the company credits informing us it`s by World International Network . I knew I`d seen this company credit before but couldn`t remember where , but knew it was at the start of a really bad movie I`d seen so I seriously thought about changing channels , only thing was I`d seen every film on the other channels which is one of the problems of being an IMDB reviewer . What the hell I thought it won`t really matter if WANTED is good or bad because I`ll still be able to review it for this site. As I expected WANTED wasn`t all that good . It`s a plot I`d seen so many times ( Too many times ) before involving a fugitive on the run , a bit like THE INCREDIBLE HULK TV series without the shirt ripping . Jimmy crosses the mob in an entirely contrived way and goes on the run and in an entirely contrived manner finds himself working at a catholic reform school . Have you noticed an oft used description in the last sentence ? " Entirely contrived " is the answer . Let me repeat for the hard of thinking that this is an entirely contrived film where everything relies on coincidence . Another problem I had was the reform school run by the church - it`s far too compassionate and kind , I`m led to believe these type of establishments make Alcatraz look like a country club , I`m saying this is a fact but when the head priest looks like the spitting image of Donald Rumsfeld you do feel there`s a large amount of sugar coating going on . To be honest despite the ridiculous plot twists etc WANTED isn`t really a bad thriller though it`s a terribly good one either . I never really had the urge to switch it off no matter how contrived it became which is an under hand compliment to the movie | 0neg
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] |
Stephen King movies are a funny thing with me. I either really love them or I loathe them. Some of the fancier productions (such as Desperation and Storm of the Century) I didn't enjoy. Some of the smaller ones, I really loved. Sleepwalkers is one that I really do enjoy and watch it regularly. The story revolves around Charles Brady and his mother Mary. They are Sleepwalkers, shape shifting creatures who although human like in appearance shift into a feline like creature. They are immune to the scratch of cats and whenever they move to a new town, lay out traps to catch and kill the animals. When they move to their latest town, they need to seek out a virgin and when Charles finds one, he actually falls for her,but his mother needs to feed from her to keep up her strength. The story revolves around what will happen with the girl. Will Charles spare her or use her to save his mother. Although this story has overtones of incest which some may find unappealing it does actually play a part in the story and is therefore not just plonked in the movie for scandal's sake. Like most Stephen King stories it's based in a small town with lots of interesting characters. The acting isn't the best, nor are the special effects, however, somehow, the whole thing tends to 'gel' and is very watchable and enjoyable adaption. For UK readers: This production has most recently been shown on BBC1, Sci-Fi and Sky Thriller/Horror channels. | 1pos
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] |
Picked this up for 50 cents at the flea market, was pretty excited. I found it fascinating for about 15 min, then just repetitive and dull. It is neat seeing Mick and the gang in their prime, i wish there was not so much over dubbing of dialog so I could hear what there are saying and playing. The skits are politically dated and incredibly naive and simple, sort of poorly written Monty Python on acid. I spent more time looking at the late 60's England back drops rather then what was actually happening in the silly skits. This movie is a good reminder that times really change,and what was important quickly becomes just plain silly. Good song, but it has now been played to death by this DVD. | 0neg
| [
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] |
I thought this movie was definitely original, funny, sad, and emotional in many ways...I didn't expect much and was simply curious about the film due to having been the number 2 movie of 2005 in Korea...I'd definitely recommend it - it really reminds us about what's important in life...I found it quite heartwarming how such adversarial parties could learn to enjoy a genuine fellowship sans the rigid, conformist partisanship that was indoctrinated by their respective countries. This symbolic "shedding" of their former identities was demonstrated quite poignantly when each of them adopted the traditional garments of the town...the fact that each of them voluntarily assumed such physical transformations evinced a willing preference and readiness for unity. It was quite moving to see the progressive dissolution of their contempt and distrust for each other evolve into such a powerful, familial bond... In many ways, this transient, new life within the village represented a form of "utopia" which seemed far more preferable than their former ways of life *spoiler* The only thing I didn't like was the tragic ending --and I do agree with the arguments made by a few on this board concerning the illogical nature of opting for a futile, suicidal standoff as opposed to a more practical evacuation of the village--even if that would entail some sacrifice on the part of the villagers...there was definitely an alternative to avoiding the unnecessary deaths...Just because the villagers would be losing their way of life doesn't seem to justify their deaths...on the other hand, I guess it's arguable that their deaths were heroic and almost "redemptive" for them...especially for the NK leader and the suicidal SK solider...nevertheless, it was a great film. | -1no label
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] |
My spouse and I went to see this on opening night. We were expecting to see an extremely bad and costly film, and we were not really disappointed. It is a testament to John Travolta's genius that his career survived this disaster at all. As they say, garbage-in, garbage out. Start with an L Ron Hubbard novel (your first mistake) featuring a completely plagiarized dark-skinned, war-like and hairy alien culture with wrinkly foreheads (if this sounds like Klingons to you, I thought so too!), and add unfortunate Barry "can't get a break" (or maybe it should be 'cant pick a script') Pepper and all you need is Travolta himself - playing the arrogant, merciless, slightly effeminate and quite under-sized leader of the alien colonists. Remove any hint of character development from the script and use the worst of the worst black box technobabble explanations for plot devices. Finally, stay true to the idiotic gibberish you based the film on in the first place, and you've got the makings of a rolling-on-the-floor comedy. In fact, opening night, in a packed theater, people started laughing out loud about 20 minutes into the film and never really stopped. We had a great time that night. Halfway through the film more than half the crowd was actually interacting with the film, asking "Mr Worf, where's Commander Riker?" and asking troublesome questions about how many hundreds of years gas would remain viable in the gas-tank of a Harrier. If you need to know about the plot - it's this simple - Earth has been conquered by an amazingly stupid group of Klingon-like aliens, and the remaining humans live in a large domed slave labor camp where they are taught that their sole purpose is servitude because they are stupid, weak, etc. Barry Pepper somehow becomes convinced that he's not born to be a slave, and learns to fly a harrier, etc. It's really not worth the effort of typing. There are a few not-so-subtle and not very original but good messages about ethnocentrism to be found here, but not much else. Some day when you need a good laugh, rent this or borrow it from your local bad film collector. | -1no label
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] |
I rented this movie under the impression that it was "Scarecrow 3:Dark Harvest", thinking it was a continuation in the Scarecrow Slayer series (another extremely laughable and all together awful series of movies). I wasn't disappointed though. It was just as awful, if not worse, than what I expected. I was laughing throughout the entire movie. Every piece of bad acting, poorly shot and cut footage, and terrible special effects is what makes this movie worth renting. The special features include a pathetic view into the cast and crew's six months of filming. Favorite line, "The sins of my forefathers! They've trickled down to this very moment of time!" | 0neg
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] |
Absurd adaptation of a dinner-theater perennial by Alec Coppel has television-writer Glenn Ford attempting to cover up a murder by burying the corpse underneath wife Debbie Reynolds' garden gazebo. This type of sitcom nonsense--featuring totally unreal supporting characters bursting into the scenario at just the wrong moment (such as the pushy real-estate agent)--doesn't usually work on film; the would-be eccentricities stick out as phony artifices. Comedy shows from television have since put a stamp on this kind of bungling silliness...but were over-the-top, frazzled-nerves-slapstick ever really fresh? Ford and Reynolds are actually a good screen match, but not when paired with this leaden script. Awkward, talky, and mercilessly unfunny. * from **** | -1no label
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] |
One of the most enjoyable films I have watched this year. Strong acting and direction with constant suspense almost to the very end. Juliet Binoche is outstanding , and Ray Winstone plays a strong support role as a sympathetic detective. Not every one rates Jude Law , but he is well cast in this , and I could not help think that there might be something semi autobiographical in the role that he plays. The views of London are good and there is plenty to think about in this movie as well , overcrowding , poverty , lack of opportunity for the young , personal relationships in the busy lives that we lead. to sum up , a movie that we all should go and see , relevant to our modern lives. | -1no label
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] |
The Bernie Mac Show is one of the most hilarious live-action sitcoms on FOX! The show is about Bernie and his wife and they never wanted to rise kids until Bernie's sister is sent to jail and her kids move in with Uncle Bernie. Bernie believes in tough love and as long as the kids follow the rules, he'll always try to do the right thing, but sometimes Bernie's right thing is the wrong thing. Bernie's hilarious rules in the show were It's his house. Second rule: All the stuff in the house is his and no one touches anything without permission. That goes for the TV, the VCR, the DVD and especially Bernie's James Brown CD collection. The idea of the show was originally pitched to NBC, ABC, CBS and The WB put FOX got the show of course. Bernie Mac does a great job playing a TV uncle! Great! | -1no label
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] |
***Contains SPOILERS**** This episode left an indelible impression on me as a child. I remembered many details from it and was amazed when I saw it years later. IT'S WONDERFUL!!!! This Ray Bradbury story is extremely chilling and beautifully executed (pun intended). It's superbly acted--Pat Buttram gracefully heads a remarkable cast of actors. George Lindsey's portrayal of a mentally challenged man is sensitive and heart wrenching. William Marshall (Blackula, Dr. Daystrom from Star Trek) is deep and visceral. Each character is given a chance to say what they "see" in The Jar and it's an actor's playground and a audience delight. One of the reason I enjoy shows like this so much is that actors who were relegated to bread and butter roles that they could phone in (like George Lindsey as Goober Pyle in Mayberry RFD) got to show their tremendous range and versatility. These are NOT one note actors so give 'em more than one note to sing. If you see no other Alfred Hitchcock episode ever, see this one! They you'll be remembering it 40 years later! | -1no label
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] |
I went to the cinema in 1973 when the film was released, I was 11 at the time. I remember how much I enjoyed it and wanted to live in Shangri-la, that's how naive and young I was. I recently came across a video of the film I had recorded off television some years ago. I watched it again and am not ashamed to admit I still enjoy it as much now as I did 29 years ago. I also enjoy listening to the words of the songs, because it makes me think that one day we could live in a place where the sound of guns don't pound in our ears and if we look at our reflection - we should be happy with what we see. This is what I call a "feel good" film because I feel happy after watching it. Maybe I am still naive but it makes me happy and I'm sure it will make you happy if you watch it with an open mind and enjoy it for what it is - a good, family film. I must be one of the few people who has this film on VHS PAL video - and DVD (self-made). I recorded it on DVD as the videotape recording from TV was starting to wear thin. I still watch it from time to time. | 1pos
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] |
I actually didn't mind the Geico commercials the first 50 of so times I saw them and even found them to be a bit wry and amusing, BUT SERIOUSLY! This is the BEST thing that these people could come up with?!? This show sucks! It is bland and feels like watching an episode of "The Office" with the characters disguised as cavemen (I know a lot of you will hate me for saying that but "The Office" just does not do it for me). Okay, I get it: we have the poor slob just trying to keep his nose clean and he has a crappy boss who hates him; the pseudo-intellectual who really just has a barely-functioning intellect; and the dopey one who just wants to be accepted, but SO WHAT!!! I have worked with these people and found them just as annoying in real life as I do on TV...why would I want to waste another 1/336th of my week watching more of those type nominates?!? Please call your parents and ask them if they dropped you on your head if after thinking about it, you still delude yourself into believing that this is entertainment. | 0neg
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] |
This is not a great movie. It was never nominated for an Oscar. But that wasn't the intent. It is amusement, clear and simple. The interactions among the three main characters is typical of many dramas and sci-fi movies. The alien invaders are phony looking, to say the least. But this movie is part of a genre that endeared itself to Americans for nearly a decade. Lump it in with Earth vs. the Flying Saucers and Them. None of the movies of that genre were ever headed for Oscar fame. They were there for pure amusement. And this is what Robert Horton, Richard Jaekel, and Luciana Paluzzi provided. It's a fun movie, but professional critics would argue otherwise. | -1no label
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] |
I'm writing this review from Italy where i've rented this video just to see something new with Mickey Rourke in it (i'm a big fan of the man!). So i was looking around at the video covers in the videostore when suddenly my attention get caught by the cover of 'Invasion X' (the italian choosen name for this movie). Well, in the high corner on the left of the videotape the first name written was Mickey Rourke. I was glad, finally something new with Mickey was available. Ok, now i've read the other review on imdb where a guy tell us that Mickey is in the movie just once and for about five minutes but it's not true; believe it or not Mickey is in the movie just once but for three minutes!!! If this isn't enough this movie is also boring and not scaring at all. What i really can't understand is why a director (in this case Allardice) that can have Mickey Rourke in a movie use him so few and just in a scene (it's unbelievable and no-one can understand a choice like this). For the italian distributors of the movie there are no right words: to all of you just a sincere f*** off! | -1no label
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] |
It takes a rare movie to get better each time you see it. O Brother does that and then some. The first time I saw it, I have to admit I had never seen anything like it. Then I wanted to see it again, and now I'm up to double digits with this great movie, the Coen brothers' finest movie they've ever done, with Fargo and Hudsucker Proxy coming in a tight second and third for me. George Clooney gives the performance of his career playing Ulysses Everett McGee, a fast-talking know-it-all escaped convict who really doesn't know that much at all. Tim Blake Nelson and John Turturro are the perfect sidekicks for Clooney, particularly Nelson and his portrayal of Delmar, a loyal albeit uneducated fellow escapee. John Goodman is my favorite bit character as Big Dan, perfect. It reminds me of his part in Raising Arizona, he's just a perfect actor for this role. Coen brothers' favorites Holly Hunter and Charles Durning also provide memorable performances. Joel and Ethan Coen are masters of their trade. It's not like they try to win Academy Awards every time they make a film, they just try and tell a story that they want to tell, and it's entertaining. It's a loose adaptation of the Odyssey, and I mean loose for all of you Homer fanatics. It's just great. The most amazing part of this movie though is the coloring. I've watched how they got the dusty feel to the movie and I am still in awe just thinking about it. The coloring does become an important part of the movie. Great great movie. | 1pos
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] |
This is a movie about a man everybody thinks is Jewish.This is a movie about Lawrence Newman, who lives in Brooklyn in the 1940's, at the time of WWII.One day, when he gets himself glasses, people start thinking he's a Jew.And that only, because he looks like one.And he lives in a very antisemitic neighborhood.So some people start treating him like dirt.They make that judgment, being a Jew, of Larry's fresh wife, Gertrude Hart, too.That makes their lives unbearable.Neal Slavin's Focus (2001) is a fairly good look at the antisemitism.That's a problem that won't go away.The movie is based on Athur Miller's novel, which, I admit, I haven't read.But the movie is really good, so I'm sure the book would also.The actors do good job.William H.Macy is always good, and his work as Larry Newman is brilliant.Laura Dern is Gert Hart and she's magnificent.Meat Loaf is almost scary as the neighbor who wants to keep Jews out by any means necessary.David Paymer's character as the Jewish shop-owner Mr. Finkelstein is the most sympathetic in the movie.Paymer is the perfect choice for the role.One of the greatest scenes is in the end when Mr.Finkelstein and Newman fight against those Nazi-like people with baseball bats.They join together to fight the evil.The Christian and the Jew. | 1pos
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] |
One previous reviewer called this film "pure visual joy" I am wondering if s/he saw the same film that I did. "High Art" had to have the most relentlessly depressing interiors since "Seven". One can almost forgive Sheedy and Mitchell for the cliché of going to a B&B for their First Time. Of course, before they do that, one has to watch opium-den parties inhabited by people who are not apparently gainfully employed but can somehow support a flourishing drug habit. Not to mention the icy stares from those familiar movie types, the Girlfriend/Boyfriend At Start, who are well aware they're going to be thrown over sometime in the next 100 minutes or so. The movie also states that the Sheedy character has retired from professional photography for ten years now. What did she do, retire at age twenty? | 0neg
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The lurid title may suggest vacationing teens getting massacred, but the truth is very different. The cast is almost entirely middle-aged and mad scientists, ruthless businessmen and corrupt officials all play a far greater part in the proceedings than any shark, whether stock footage or rubber. Casper Van Dien gives a sold, hard-working performance, while Jennifer McShane manages to sidestep as many clichés as she can and make palatable the ones she simply can't avoid hitting head-on. Bob Misiorowski captures and conveys the desperation that clings to coastal communities from Port Albert to Skegness, but is far less sure of himself with the attack scenes, all of which lack the tension and otherworldly fear they should be full of. Shark Attack is a decent film that - with a little more darkness - could have been a very good one. | -1no label
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A small-town schoolteacher (Geena Davis) slowly begins to realize that she has suffered amnesia and really use to be a secret government assassin! Soon, there are men after her and a small-time private detective (Samuel L. Jackson). This was action-packed, with some great special effects and really funny one-liners (especially from Jackson). Although the action may get a little silly at times, who cares? After all, aren't movies meant to be a good time? Craig Bierko is fun as a ruthless villain. The movie itself was an all-around good time. Just don't expect to have to think too much about it because then, if you take it too seriously, then the movie actually won't be fun but stupid instead. This movie doesn't deserve to be called stupid or any other bad name. | 1pos
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] |
I was shocked there were 18 pages of good reviews. This has to be one of the worst movies especially considering it was recommended. Must admit that comedies are not my favorite genre, but this movie made it worst in that it tried so hard to be clever that it made me squirm to watch it. The concept of the movie is comparable to audition week on American Idol. You watch because people are so blind to their shortcomings. But we knew this movie didn't have bad actors. So how funny would it be to have good singers try to convince they shouldn't get anywhere near an American Idol tryout? It would be pointless as this movie was. The use of improv is over-rated. We've all been in that setting where a group of friends get on a roll and everyone is cracking up with tears in the their eyes. I feel that is improv. Improv can't be turned on just because the camera is rolling as this film proves. If you like that Drew Carey hosted show of improv, you'll probably like this film. Overall the jokes were poor, the improv was sophomoric, and the over-acting by Guest and company was campy...and those are my compliments of this drivel. If a guy playing a trumpet AND the kettle drum at the same time is funny to you, fine. For me, I prefer more heady stuff like "I Love Lucy" or "Hee-Haw". But remember, I think SNL lost its humor in the 1980's, so maybe you'll like this G-rated humor. I kept waiting for a person to identify himself as the zoo keeper and then tell us there was no zoo in town. That's the humor you can expect. My only wish was that I could give this a minus rating. | 0neg
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] |
Ineffectual, molly-coddled, self-pitying, lousy provider Jimmy Stewart is having a bad marriage to Carole Lombard. After falling on hard times, he endures a demeaning job, a fault-finding, passive-aggressive, over-bearing live-in mother who is in dire need of an epic smackdown, and an endlessly-crying baby. The movie trowels on failure and squalor to no discernible end. Do you want to watch a couple bicker with his mom for ninety minutes? Many scenes feature a shrieking baby. The movie fails to elucidate why we would want to endure the mother from hell, or why Jimmy Stewart can't grow a pair. Who wanted to see this? Who wanted to see Stewart and Lombard without laughs or charm? It's absolutely depressing and unendurable. | 0neg
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There are few movies that have the massive amount of non stop ninja action as Ninja III: the Domination. This is a story of love, redemption and revenge, however, this is mainly a story about flipping out and killing people for no reason at all. If you've been searching for a movie where a ninja goes absolutely nuts and takes all kinds of people to their graves just because he's a ninja and he can do it, this is the movie for you. I can't think of any movies to compare this to, because no movie is this awesome. Wait, oh, have you ever seen the thing with two heads? There is a part in that where the titular thing is riding around on a motorcycle and about a million cop cars are chasing it/them around, but they keep crashing and what not BECAUSE YOU CAN'T CATCH THE THING WITH TWO HEADS!!! Well, that is kind of what Ninja III is like. I highly recommend this film especially if you like the following things: Ninjas, swords, Lucinda Dickie from Breakin' and Breakin' 2: Electric Boogaloo, video games about being a bouncer in a bar, ambiguous and underdeveloped love stories or "good" ninjas. | 1pos
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] |
Reeves plays Haji Murad, a hero in 1850's Russia. This is a badly dubbed movie, with June Foray doing some of the voices. Unfortunately who ever was suppose to sync the voices to the lips was blind since the words never match the lip flaps. Anyone who says that Japanese films are bad have never watched this film. The film's plot is instantly forgettable and so I've forgotten it in the time its taken the movie to end and for me to sit and write this down. Perhaps it has more to do with the fact that the film is one of the many that Reeves made in hopes of moving away from action to more plot driven sort of films. It may have been a good thing for Reeves, but its deadly for the audience who have to slug through nooze fests such as this, where its all court intrigue with very little action. In Reeves defense, he was a good actor, he just had no real luck in picking films that were any good. They all looked great, but very few of them didn't put the those watching them into a coma for the film's running time. This film will put you in a coma. Watch it only if you have the need for sleep and all other gentler means have failed. | 0neg
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] |
I know that the movie isn't "realistic," but it's fiction after all. The concept is unique, and I don't know of any other movie that uses this plot. The whole idea of Indians still living in the U.S. as they did 130 years ago is fascinating. Some of the shots - especially the one where the Indians first "materialize" to Barbara Hershey and Tom Berenger - are really awesome. Also, I love Steve Reevis, so anything he EVER does is a draw to me. Also, I don't care that much that it's not shot where the movie is supposed to take place - they do that all the time now, although I've never been able to figure out why. Was there no place in Montana they could've filmed this? Is it cheaper to film in Canada? Look at the movie "The Edge' - it's supposed to take place in Alaska, but they used Canada also. That's the only thing that irks me, and, I'm sure, other viewers. Why can't we just film movies in the places they are supposed to take place in? | -1no label
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] |
Before "Play Misty For Me" (1971) and "Fatal Attraction" (1987), comes this story of a nurse (Joan Crawford) who's attached to a man (Van Heflin), who eventually finds her too possessive and breaks it off, but she can not let him go. When they meet again at her employer's (Raymond Massey) residence, she wants to resume the relationship, saying its awful for a woman to lie down at night and not be able to sleep, but he still won't take her back. She eventually accepts widower Massey's marriage proposal, explaining that it's terrible for a woman to be unwanted, although she's not in love with him. Eventually, Massey's daughter Geraldine Brooks starts to date Heflin, further complicating matters, and putting Crawford over the edge. Script, photography, direction, music are exemplary, the 4 leads are memorable, but Crawford is particularly riveting. Her first breakdown (at Massey's waterfront mansion) with Heflin might be considered over-the-top 40s style acting (pre-Method), but she delivers it beautifully, her face and expressions a towering display of emotion and angst. It's a performance that Crawford must have pulled from her own life experiences to achieve such rising momentum. No wonder actor Cliff Robertson (her co-star in "Autumn Leaves - 1956) once stated in a documentary that she's "a damned good actress." | -1no label
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] |
Lion King 1 1/2 is a very fun and addictive sequel. Don't expect the production values of a theatrical release, but do expect the highest quality of direct to video release. It is set up as Timon & Pumba begin watching the original Lion King in a darkened theater and abruptly switch tracks and begin narrating their own story. This is done with frequent comedic interruptions. For example, during one particular tense moment a home shopping commercial pops on and a chagrined Pumba realizes he has sat on the remote. These little moments pepper the movie, and whether you find them entertaining or not will greatly depend on your sense of humor. If you are particularly bothered by movies that deliberately remind the viewer is watching a movie, than this may not be your cup of tea. Animation is the best they've invested in the Disney DTV line, and is integrated almost seamlessly with the original material. The newer, independent material uses a lot of the artistic style of the original. The voice talents are all well performed, though I couldn't help thinking of Marge Simpson every time I heard Julie Kavner. Many of the jokes in the movie will be well recognized by viewers as recycled over the generations, but are presented more with the familiarity of comfortable quirks of old friends than annoyingly repetitive. The music has made me realize how much I enjoyed and miss a good musical integrated with a Disney feature. The toe-tapping opening feature of 'Dig A Tunnel' is well choreographed and hilarious. Timon and Pumba's take on the Lion King's opening sequence and their introduction to paradise are also amusing. The only problem was the reprise of the 'Dig A Tunnel' at the end of the movie, switching its lyrics and tune from defeatist to uplifting. Story line is pretty well done, and the integration of new plot elements is done almost perfectly, though the final bit during the hyena chased stretched the storyline credibility a little. The new story doesn't seem to handle saccharine or emotionally charged moments to well, and does better when it is resorting to full comedy. Overall, worth purchasing. If you like all the bonus features that come with a typical 2-disc set, then go for it. For the penny pincher who still is willing to invest on a good flick, wait until it drops four or more dollars and go rent it right away. Damion Crowley. | 1pos
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] |
I can give you four reasons to see this movie: 1. Four of the best filmmakers in the contemporary Mexican cinema. 2. Four good stories, related into a big scheme. 3. A surprisingly good cast. 4. A bitter reflexion about the biggest trouble in this country (and many others). (POSSIBLE SPOILERS) Alejandro Gamboa opens this movie with a good story in a comedic mood about the authority practicing the extortion against regular people and still expecting to be appreciated by its efforts. Then Antonio Serrano gets more dramatic in the second piece with a story heir to the Italian neorealism with a "Peter and the wolf"-like anecdote. In the third story, the one that seems more independent from this series even in the context, Carlos Carrera tells us the story of a man being at the wrong place in the wrong moment. But after the recent lynching at Tlahuac and the tradition in this awful matter at the State of Mexico, this story couldn't be more updated. And at the end, Fernando Sariñana returns to the dark humor in the "grand finale" in which he puts together the most of the characters from the past sequences in one of the better comedy pieces ever filmed. Reprising the center scene from one of his previous films "Todo el poder", Sariñana gives the final lesson of the theme. And by the way, give us the scene that steals the movie with Anna Ciochetti making a brief striptease. Once the movie has ended, you get a bittersweet feeling about having looked at a good movie (and maybe enjoyed it) with a very painful subject. They say that in Mexico people laugh at their own disgrace and this is the best example. This film is a testimony of how Mexicans have learn to live in the middle of a crime state(and perhaps accepted it), between two fires: The criminals and the so-called authorities full of corruption. Even this movie is a wishful thinking because almost all the good people have been a victim of crime and they don't get this unhurt. If you had an assault without a scratch then you're lucky. Meanwhile, don't lose the chance to see this movie, highly recommended. And it's a beautiful life in Mexico... | 1pos
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] |
I am speechless. Matty Simmons has managed to do something I thought impossible. He has made "The Harlem Globetrotters on Gilligan's Island" look like "Citizen Kane." Painful cannot even begin to describe this piece of... I don't know. Mind you, the premise sounded funny, but now that I've seen it, it's funny in the way that dropping an anvil on your scrotum is funny. I won't bother to describe the premise, as the title says it all, if only to say I don't think there was literally one funny thing in this film, not one, not even the monkey bite. How could one of the funniest characters in the "Vacation" franchise, the sleazy white trash Eddie (Randy Quaid), be made so horrifically unfunny ? I never felt so much sympathy for an actor in my life. I equally pitied the other actors participating in this "comedic" atrocity, Miriam Flynn (Catherine, Eddie's long suffering, but sunny-dispositioned wife), Dana Barron (the original Audrey Griswold), Fred Willard, and the stunning Sung Hi Lee (perhaps the only reason to watch the film, if only with the sound off), save for that old Commie, Ed Asner (Uncle Nick), he had it coming. Alas, the audience didn't. I only say "thank heavens" that Chevy Chase, who has been in a slump for years, steered clear of this diarrhea splatter, it's the smartest career move he ever made. I don't know if you folks are religious like I am, but I know I'll be praying to the Lord tonight to add 2 hours (if not 2 years) to my life to make up for the time I spent in front of the television that I'll never get back otherwise. Hot Water Burn Baby says ZERO out of 10 Stars (If you take a few hits off the bong AND drink the water, maybe 1/10th of a star out of 10) | 0neg
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] |
Blind Date (Columbia Pictures, 1934), was a decent film, but I have a few issues with this film. First of all, I don't fault the actors in this film at all, but more or less, I have a problem with the script. Also, I understand that this film was made in the 1930's and people were looking to escape reality, but the script made Ann Sothern's character look weak. She kept going back and forth between suitors and I felt as though she should have stayed with Paul Kelly's character in the end. He truly did care about her and her family and would have done anything for her and he did by giving her up in the end to fickle Neil Hamilton who in my opinion was only out for a good time. Paul Kelly's character, although a workaholic was a man of integrity and truly loved Kitty (Ann Sothern) as opposed to Neil Hamilton, while he did like her a lot, I didn't see the depth of love that he had for her character. The production values were great, but the script could have used a little work. | 0neg
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] |
The material is poor....the script's dreadful....the acting mediocre at best and the music telegraphs what the scene is supposed to be communicating like a kick in the head. Give this one a miss....even Yancy Butlers not hot enough even in the semi nude scenes to save this tripe. I'm amazed people rave about Yancy Butler.....given what I've seen here and in the couple of other things I've seen her in she hasn't got the depth or presence to be a star...and her off screen behaviour would tend to indicate she knows that as well. Last thing is where was this shot? I don't recognise the externals. | 0neg
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] |
Italian horror/suspense film about a wealthy English lord who cruises pubs and taverns for girls with red hair just like his recently deceased wife Evelyn. You know he must have really loved his wife, because he brings them to his home - a huge, rotting castle - and makes them disrobe and then tortures them, whips them, and kills them. The most bizarre aspect of this film for me was that somehow by the film's end, we see this guy played by Antonio De Teffe as the HERO of the film. Anyway, soon, under the advice of his playboy uncle Roberto Maldera, De Teffe settles down with a girl he meets at his uncle's party. She moves in and strange things begin to happen to De Teffe's fragile state of mind. He begins to see and hear his dead wife and finally, well, just look at the title if you are still curious. Also, family members and friends begin to die in the most brutal fashions. Poor Aunt Agatha(she looks like she might even be younger than De Teffe and they have her in a wheelchair and trying to look old) meets her fate in a foxy fashion. Another man is injected and then buried alive. And of course, there is a whole explanation as to why/how Evelyn did what she did. Director Emilio Miraglia does do some things fairly well: the settings in the film are well-suited for this film though trying to make us believe it is England is ludicrous at best. None of the actors look English. Many having dark black hair and Mediterranean complexions and wearing clothes an Englishman wouldn't be caught dead in. The cars drive on their wrong side of the road. But all that notwithstanding, the crypt scene was effectively shot and I liked the cheesy resolution too. And of course any film with the sultry, red-headed Erika Blanc is always a plus. There is a streak of sexual perversion; however, which I found somewhat appalling with the idea that torturing women was quite alright and healthy in order to relieve one of his mental demons. C'mon. | 0neg
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] |
Octavio Paz, Mexican poet, writer, and diplomat, who received the Nobel Prize for Literature in 1990, said about "Nazarin": "Nazarin follows the great tradition of mad Spaniards originated by Cervantes. His madness consists in taking seriously great ideas and trying to live accordingly". A humble and spiritual priest (Francisco Rabal in a wonderful performance) attempts to live by the principles of Christianity but is cast out of his church for helping a local prostitute by giving her a shelter after she had committed a murder. Nazarin wanders the country roads of the turn of the 20th-century Mexico, offering help to poor and begging for food. His two followers, a murderous prostitute Andara and her sister Beatriz who is a failed suicide desperately searching for love, consider him saint but it does not prevent him from hatred and humiliation from both the church and the people he meets on the road. He ends up beaten in prison and begins to question his faith for not be able to forgive his attacker. Bunuel tells the story in a manner of a Christian parable masterfully and uniquely combining admiration and irony for the main character and strong criticism of formal religion and hypocrisy. The film is simple and profound as well as beautiful, ironic, and heartbreaking. I consider Bunuel one of the best filmmakers ever. I've seen twenty of his films and they all belong to the different periods of his life but they have in common his magic touch, the masterful combination of gritty realism and surrealism, his curiosity, his inquisitive mind, his sense of humor, and his dark and shining fantasies. With great pleasure I am adding little seen and almost unknown but amazingly candid and touching surrealistic tragic-comedy "Nazarin" to the list of my favorite films. | 1pos
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] |
The Petrified Forest was the movie that made Humphery Bogart a star. He plays a gangster in this. An English tourist calls for refreshments at a remote café in the middle of the desert and falls in love with the waitress who works there. A group of three then come in and they take the tourist with them to their destination, which they never reach. Their car is hijacked by a gang of four crooks, including murderer Duke Mantee (Bogart), who is wanted all over the States. The tourist makes his own way back to the café and the crooks are not far behind and then they go into the café and hold everyone hostage in there to be joined by the group of three later on. Duke shoots the tourist at the end, escapes and is finally caught by the police just after. The Petrified Forest has very little, if any background music but it doesn't need it as it is gripping enough. Joning Bogie in the cast are Leslie Howard as the tourist, a young Bette Daivs as the waitress, Dick Foran and Joe Sawyer. All play excellent parts, especially Bogie. I enjoyed watching The Petrified Forest and have seen it a couple of times now. Excellent. Rating: 4 stars out of 5. | -1no label
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] |
This film is about the encounters of 7 couples on Hampstead heath in one sunny Wednesday afternoon. It shows 7 different types of couples: married, divorced, breaking up a relationship, homosexual, elderly, blind date and escort service. They are not connected to each other apart from the geographical location, so that is a disappointment. The film is a collage of conversations, without any discernible plot. The film jumps from a pair to another without any logic. I find this film boring and purposeless. The only redeeming feature is the great weather throughout the film. It is sad that talents like Ewan McGregor and Sophie Okonedo get wasted by this film. | 0neg
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] |
Fabulous actors, beautiful scenery, stark reality. I won't elaborate on all of the other reviewers' comments because you get the picture! However, the movie isn't for the squeamish. Reality is slaughtering pigs and other livestock in order to survive. I also have Elinore Randall Stewart's homestead book. I read it several years ago, I have to reread it, since I just watched the newly-released, remastered DVD of the movie. I tried to buy the video for several years, finally bought it used from a video store that went out of business. But Yippee! The DVD is now for sale, I purchased it on amazon.com. Not cheap, but well worth it to me. This is a movie I will be watching until the end of my days! | 1pos
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] |
I can't say enough about how wonderful I think this film, and the TV series is. It is just so incredibly FUNNY! All your fave characters are in it - Hedges, played by John Alderton is as gorgeous as ever (yes, I do like him!), Potter the caretaker is played by the hilarious Deryck Guyler and the hopeless headmaster Cromwell is played by Noel Howlett. Not forgetting the pupils of 5C of course! This is a must for all fans of the show, and it explains how Bernard met Penny for the first time. All teachers must watch this film! EVERYONE must watch this film! | -1no label
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] |
I saw this film when it premiered in LA. I think I laughed 2 or three times. The rest of the time I was in shock at how ridiculous/poorly shot and poorly written it was. Kirby is in fact the only saving grace in the film. I was disappointed at the performance of Larry Bagby , whom I usually find entertaining. If you enjoy watching your friend's crappy homemade short films that they shot on their mom's 8mm video camera then there's a slight chance you might enjoy this film. Then again part of what makes those movies enjoyable is that it's your buddies playing all the parts. You don't know these people so you'll probably find it as dull and stupid as I did. Dear Mr. Nelson, go back to film school, intern for a while as a PA or a grip or some low level job so you can see how things are properly done in film . Then look for as long as you must to find a Director of Photography who knows what f. stop means, make sure he has ND filter on hand. Then try again. Repeat as many times as needed. | 0neg
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] |
Two kid are in love with each other and like any relationship you have to go through the ups and downs just like everyone else. But the moral of the story is True Love and thats what you see in this movie so everyone stop making such a big deal jeez. I thought Verney mac treated everyone the same he was rude. It was wrong when her grandfather talked about his grandma like that cause i wouldn't let no one talk about my granny i would have to cut them. but anyway i love Ashton hes so funny. and Verney i love him too but since Ashton is more in my age range i like him more he attractive too uh oh i think i have a crush anyway they say i have to write ten line so I'm just killing words. but my point was true love has no shade. | -1no label
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] |
This is a really dumb movie, with a very low budget, and because of that, this is a very entertaining film. Nick is a nerdy, bike riding teacher, who has built a little plane into a time machine. He sells his idea to JK, an evil guy from the government. Meanwhile, Nick is falling in love with his old friend from school, now reporter Lisa. The movie's low budgetness might be what makes it enjoyable. You actually get an intimate feel of the characters and their cheap surroundings. With that said, this is a terribly written and directed film. Whenever Nick goes back in time, it looks like he's going into television static. The acting is just terrible, and everyone seems like they're reading off of cue cards. The ending of the movie takes place in 1777, and leads to one of the dumbest climaxes ever. This is a genuinely bad movie, but it's not without it's charm. My rating: * 1/2 out of ****. | -1no label
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] |
Because Disney more often than not, ignores the animation quality and a need for a good plot in their sequels, this was actually a nice surprise. I don't know why Disney does not pay more attention to their sequels. The graphics quality is always inferior; no backgrounds worthy of the name Disney, inane plots, and worse dialog, with little or no attention given to the actual story, and the caricature drawings are almost always worse than Saturday morning cartoons in detail and quality. The animation quality is still poor when compared to Disney originals, and the dialog is quite trite, the story line and overall execution was really quite enjoyable. While it is not as captivating, it does not completely fail to capture the charm and/or mystery from the first. There is some hint of it, tucked away here and there. The children will like it, at any rate. It rates a 4.5/10 from... the Fiend :. | 0neg
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This contains some spoiler information, but the movie is not worth watching anyway... Why Ellen Barkin and Peta Wilson agreed to be a part of this debacle by writer-director Damian Harris is beyond me. The story is full of unrealistic police investigating techniques, which includes going to a party with a suspect and inviting that suspect over to your house and getting intimate with them. The tale also features a male psychiatrist who seems to have nothing but female clients - and he sleeps with them all. Even more over-the-top is the notion that the female victims to a horrendous S/M crime belong to a large, yet secret, group of S/M lesbian executives. Full of bad editing and continuity errors, the film is sterile in all of its ritzy locations - including Barkin's detective salary apartment. And the lame dialogue is fit to put one to sleep. Damian is a bad writer and a bad director. He tried and failed miserably to create a noiresque atmosphere at times. Furthermore, he couldn't get Ellen Barkin to give 110%. I firmly believe she realized the film was pathetic and gave up trying. Standouts were Peta Wilson, who wasted time studying with a Dominatrix for the part. The highly under-rated character actor, Marshall Bell gave his absolute best as always. And since Damian couldn't deliver on any level, it was hard to feel emotion for any of the characters. Most importantly, he doesn't know much about the real world of BDSM and chose to create the typical "Hollywood Reality" of gorgeous men and women who are perverted and dangerous. Save your time, money and braincells and pass this one by. | 0neg
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I found this to be a very entertaining musical with some decent mixture of songs, comedy and romance. There are no less than three leading ladies and they all look good. Two of them are big names: Irene Dunne and Ginger Rogers. There's Fred Astaire in here, too, so I guess we can call this another "Astaire- Rogers film." If so, I think it's one of their best and certainly one of their most underrated. You don't hear much about this movie, and that's unfair. Rogers and Astaire both have some funny lines in this film and I wish Ginger's role had been bigger. She and Astaire do a couple of tap dance numbers that are excellent - some of their best work together. Dunne's first two songs aren't bad but you have the rest. Her soprano voice almost broke my eardrums, especially with "Smoke Gets In Your Eyes." Randolph Scott, Helen Westley and Claire Dodd also star in this dated-but-generally fun movie. | -1no label
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] |
1930's comedy mystery about "The Crooked Circle" a band of hooded crooks who set about plotting the murder of some one who swore to oppose them. Enjoyable but really unremarkable little film, the movie works simply because the cast headed by Zazu Pitts and James Gleason (both of whom would later appear together in a couple of Hildegarde Withers films after Edna Mae Oliver dropped out of that series) and supported by a great cast of actors and actresses you know but may not know the name of (I don't hence the lack naming). A breezy hour long romp, the movie doesn't make a great deal of sense with mistaken identity, secret passages, ghostly music and people not being who they seem. Its the perfect thing for a dark and stormy night or a late night viewing when one is nostalgic for the late late show. | 1pos
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] |
No kind words come to mind looking back on whatever it was I just fast-forwarded. And I just can't believe anyone would write kindly about it which was the reason I gave this flick a shot. Silly me ey? And just to counter the obvious statements in the "worth a watch" section; it being low budget doesn't give it merit by default. Sewage is sewage and a 100$ turd reeks just as much as one in the lower pricerange. But...something that is worth a watch is also worth a telling, right? so allow me to just sum up this movie for u then: (spoiler, but please be spoiled) -Guy goes to a mountain shed in the snow to undergo an experiment with a doctor, guy gets killed, guy gets revived but now his eyes look exactly like those of master Poo in Kung Fu, guy gets killed another 9 times, gets revived 9 more times and then he walks back down the mountain. Oh..and the dead guy in the snow turned out to be the real doctor.- Honestly folks:..thazzall... Now if this brilliance of a story would have had some cunning dialog or sublime wit in it, it might have been passable. But to top the cake; it had none of it. U will find the dialog between two amoeba more entertaining. Anyone rating this more than a 3 or even having the nerve to find this worth watching, has either been paid to say so or has been paid to say so. This's not even a stinker! 0/10 | -1no label
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] |
This charmingly pleasant and tenderhearted sequel to the hugely successful "The Legend of Boggy Creek" is a follow-up in name only. Stories abound in a sleepy, self-contained fishing community of a supposedly vicious Bigfoot creature called "Big Bay Ty" that resides deep in the uninviting swamplands of Boggy Creek. Two bratty brothers and their older, more sensible tomboy sister (a sweetly feisty performance by cute, pigtailed future "Different Strokes" sitcom star Dana Plato) go venturing into the treacherous marsh to check out if the creature of local legend may be in fact a real live being. The trio get hopelessly lost in a fierce storm and the furry, bear-like, humongous, but very gentle and benevolent Sasquatch comes to the kids' rescue. Tom Moore's casual, no-frills direction relates this simple story at a leisurely pace, astutely capturing the workaday minutiae of the rural town in compellingly exact detail, drawing the assorted country characters with great warmth and affection, and thankfully developing the sentiment in an organic, restrained, unforced manner that never degenerates into sticky-sappy mush. The adorable Dawn Wells (Mary Ann on "Gilligan's Island") gives an engagingly plucky portrayal of the kids' loving working class single mom while Jim Wilson and John Hofeus offer enjoyably irascible support as a couple of squabbling ol' hayseed curmudgeonly coots. Robert Bethard's capable, sunny cinematography displays the woodsy setting in all its sumptuously tranquil, achingly pure and fragile untouched by civilization splendor. Darrell Deck's score adeptly blends flesh-crawling synthesizer shudders and jubilant banjo-pluckin' country bluegrass into a tuneful sonic brew. In addition, this picture warrants special praise for the way it uncannily predicts the 90's kiddie feature Bigfoot vogue by a good 15-odd years in advance. | 1pos
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] |
My girlfriend and I picked this movie up at the video store thinking to ourselves "This should be funny, National Lampoon is genuinely funny for those boring afternoons". We were sorely disappointed. From the get-go, this movie looks like it could have potential. No. Stop thinking that. The acting is horrid, the jokes are not funny (I can't even think of a moment where I laughed, nor my girlfriend). We sat in disbelief as we waited for a joke to come, or possibly this movie to even get better - but no. The "National Lampoon" name was obviously tagged on so someone would actually watch this. Well that worked. To sum this up, I watched the rest of this movie hoping for something funny (my girlfriend walked off and did something more constructive), something to justify the $5 I wasted on this. In the end, this one found its way back to the video store and I insisted that the movie was scratched so I could get another movie that would redeem that $5. Don't watch this movie, unless you're looking at how "not" to make a movie. | -1no label
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] |
The Five Deadly Venoms is a great kung-fu action movie wrapped in a whodunnit mystery. There are all the usual telltale signs of a kung-fu flick: great choreography, awful dubbing, different "styles" of fighting, and a wide range of greatly exaggerated, often cheesey human emotions. However the plot certainly is better than average. It's interesting and holds your attention throughout the non-fight scenes. Occasionally it's even able to fire up the audience, such as when X character receives horrible injustice. Another thing I love about the Five Deadly Venoms is the beautiful simplicity of the movie's morals and themes. Just about everyone gets what's coming to them. The cowardly, greedy, and corrupt lose out. The bad guys, consumed by selfish greed are ultimately destroyed by their own treachery and backstabbing. The good guys use teamwork, planning, and integrity to overcome the odds and come out on top. Poison Clan rocks! | 1pos
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] |
My son is 8 and he enjoyed it. At three hours it was a too long for me, but I remember watching Tarzan movies for hours on Saturday mornings when I was his age, including those awful Mike Henry in South America Tarzan movies. This was better than those. So, even though I didn't like it much, I'm glad movies are still being made that a kid can watch and get lost in. One thing I thought was puzzling, they kept introducing characters that they never really did anything with. Steven Waddington was the only supporting character that managed to shine. The history was of course pretty silly, but they "fixed" that at the end. It made my son want to know more, so we went on the web and looked up what really happened. Definitely a "B" movie, with limited special effects and wooden acting, but still fun for kids. | -1no label
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] |
This must rate with the worst films I have ever seen. It just wasn't funny. My wife fell asleep. I suppose if you are the sort of person who goes all gooey eyed at the sight of a dog then it may do something for you. If you expect a comedy film to have some humour in it then you will be disappointed unless you find an English radio announcer saying the f word a lot hilarious. The strippers in the club kept their underwear on so there wasn't even a bit of nudity to relieve the boredom. What did happen in the strip club made no sense at all. There was a great deal of mumbling by the lead character with whom I developed no sympathy at all. Mena Suvari was hardly in the film, presumably just there to make people think it was a serious attempt at producing a film. The bad guys were unconvincing and carried as much menace as a dead sheep. | 0neg
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] |
George C. Scott gives his finest and funniest with wonderful drama as well in this Paddy Chayefsky screenplay. Diana Rigg is attractive and quite the complicated young woman. This film veers between tragedy and chaos in a New York hospital of the late 60's with staggering consequences. Barnard Hughes is delightful as always (great stage actor as well). An 8 out of 10. Best performance = George C. Scott. Chayesfsky was a big blow-hard when he put down Vanessa Redgrave at the 1978 Oscar ceremony, but he's a good writer. A truly ensemble cast that works wonders, down to the smallest role. This won best script at Oscars and Scott was nominated. He should have won for this instead of PATTON the year before (which he was also brilliant in). Seek this out! | 1pos
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] |
THE PLOT: A trucker (Kristofferson) battles a corrupt sheriff (Borgnine) by getting his fellow truckers to band together and form an unstoppable convoy that stretches for miles and soon creates a national media frenzy. THE NEGATIVE: The film's setup is weak and the ending even weaker. It has all the good-ole-boy/trucker clichés without adding anything new in the process. It ends up making SMOKEY AND THE BANDIT look brilliant and inspired. Kristofferson is much too laid back for a leading man role and cannot carry the picture. Borgnine's character is portrayed awkwardly. At the start he is made to look like a real jerk of a sheriff who overacts to a minor contrivance that starts the whole thing rolling. Then at the end he is made out to be a little more sympathetic and even secretly siding with Kristofferson, which doesn't work at all. In either case Jackie Gleason is a much better actor for this type of role. The worst part about the movie though is director Peckinpah's attempts to throw in a 'serious message' into this silly action flick that does nothing but slow it down and bomb in the process. THE POSITIVE: The only good scene in the whole film is the fight sequence inside the truck stop restaurant. Director Peckinpah puts a funny spin to his trademark 'slow motion' violence and the result is amusing. Unfortunately he starts putting all the action into slow motion during the rest of the picture until it eventually becomes tiring. McGraw is always a pleasure to look at, but unfortunately she is given very little to say or do. THE LOWDOWN: If you've read the synopsis than you have essentially 'seen' the movie. The song that this movie is based on is pretty good, but the movie adds nothing to it and should never have been made. This is all very uninspired stuff for such a maverick director. THE RATING: 3 out of 10. | 0neg
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] |
The buzz for this film has always been about the fabulous graphics that make Kevin Bacon disappear. Sadly, they stopped there. They should have continued to make the script disappear, then the silly set, and finally every visible element of this film. Because, there's nothing else there to show. Gary Thompson and Andrew Marlowe are listed as the writing credits for this film. I don't really think they exist. I think they bought this script at "Scripts-R-Us", where you buy a standard blank "Monster Movie" script and just fill in the blanks. There's a monster stalking us. Let's split up. (They actually "let's split up" in this movie). Hit Alien/Giant-bug/Monster/Invisible-man with crowbar. Not dead yet. Burn Huge-rabbit/Shark/Invisible-man in unsurvivable fire. Not dead yet. You know, the standard stuff. Even the minimum number of elements that were specific to an invisible man movie (IR glasses, spraying with something like paint) were handled badly. What is sad is that there were lots of possibilities for this to be a fascinating movie. They psychological issues for the subject, the deterioration of the mind due to the process, treating an invisible subject, and many other ideas were touched on for usually less than 2 seconds and would have been far more interesting. Had there been any desire to save Kevin Bacon in the end, it would have been a much better movie. All in all, it stunk. I would mention some of the incredibly stupid elements of the ending of the movie, but I don't want to do any spoilers. Suffice it to say that these characters are so stupid they don't think about pulling the plug on a machine rather than... | 0neg
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] |
If you're watching this movie, you're either a Fred Olen Ray fan, you found it on the $4.99 shelf at Suncoast and thought "what do I have to lose?", or you spun around the video store with your eyes closed and rented the first movie your finger touched. This movie is hysterically bad. It's got everything a terrible movie needs: a screenplay featuring jaw-dropping dialogue and baffling detours in the plot, wacky science involving psychics and other dimensions, continuity that seems to travel through wormholes in time and space, actors that are not only wooden, but seems to border on befuddled, gratuitous nudity (not all of it is what you necessarily would ask for), and of course, a 5' monster played by what I assume is Fred Olen Ray's kid. Underneath it all, however, there is something resembling heart -- as if Mickey & Judy decided to get together all the kids in the neighborhood and make a monster movie (hey! my dad can direct it! yeah! We can use red paint from my johnny's dad's hardware store, and I know this ex-stripper who can act in it!). Watch for the blooper reel over the credits -- you get to find out why the final cut of the movie was so crappy. Incidentally, Biohazard II...the Alien Force is also worth a look, but doesn't have the same enjoyably crappy veneer this one does. | 0neg
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] |
I'm sorry, it may seem like a cute idea, but there are a numerous amount of things that bother me about the show. First of all, I have to agree with one of the earlier comments that the show is just a lame a rip off of Jim Henson's "Muppet Babies" (without the funny fantasy segments). This especially goes for Granny, who I used to admire before this show. She had quite a personality in the old Looney Tunes cartoons, but here, they've turned her into a bland care-giver. If that isn't bothersome enough, all the characters are friends in this show. It really makes you wonder what caused them all to be enemies when they grew up, and it had to be more than just animal instinct. And above all...WHERE'S PORKY PIG?! I see Petunia on a few occasions, but no Porky. This show is just a crying shame. | -1no label
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] |
A Few years ago I saw the Snow Queen on Hallmark, I was absolutely blown away with the story and magic of that adaptation. Thinking that it was the same movie I was disappointed to find I had gotten another telling of the story. Yet I was willing to give it a chance, as I usually love anything made by the BBC. I have to say though I agree that the score of this movie was beautiful, I may have to find a copy somewhere. I was terribly unhappy with the CG animation and acting, you could just tell that the actors were filmed on a blue screen. It felt extremely fake.It was just horrible, it hesitated and you knew from the moment you began that it wasn't real snow. It just felt cheep. The BBC didn't have a winner with this film. It felt rushed as well, even though it was quit close to the original story. If you want to really experience the Snow Queen, please by all means read the story. If your interested in seeing a film that is well made and acted, I recommend the one done on Hallmark,which can be found on Amazon. Steer clear of this film, unless you feel the need to waste an hour. However, if you like classical music do get a CD of this movie the music it's self is really the only good thing in this movie. | -1no label
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] |
As the hype was brewing prior to its initial airing on NBC, I was really looking forward to watching Merlin and what seemed a promising addition to an almost non-existent collection of "good quality" Arthurian films available. High expectations can often lead to big disappointments, and such was the case here. The acting was horrible, the dialogue ridden with cliches/nonsense drivel, and the plot full of holes leaving the viewer with more questions than answers. Even an all-star cast of such legends as Sir John Gielgud, Helena Bonham-Carter, Rutger Hauer, and Isabella Rosellini couldn't save Merlin from becoming yet another casualty of the TV junkpile (`Journey To The Center of the Earth' should ring a bell). I blame this soley on the poor direction of Steve Barron, who blew a golden opportunity to right the ongoing injustice of one bad Arthurian film after another. Rather than taking time out to do the research, it appears that most of the screenplay was borrowed and put together from various Arthurian films, most notably Disney's animated `The Sword in the Stone,', `Knights of the Round Table', and `First Knight'. Sam Neill and Martin Short were both also mis-cast for the title role and sidekick respectively, and it shows throughout the annoying banter between the two. It's like a nightmare of watching a bad Abbott & Costello film, only worse. The only bright spots were Paul Curran, whose portrayal of a weak King Arthur was more an afterthought than anything else, and the talking horse whose voice I could've sworn was the reincarnate of Mr. Ed. The special effects and Jim Henson Muppet Shop also deserve mention, but weren't nearly enough to offset the absence of a plausible storyline and great acting as can be found in `Excalibur' and `Dragonslayer'. Chalk up another in a long line of mediocre outings from Hallmark Entertainment. 1/10 stars | -1no label
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] |
"Back in the Day" is an interesting, but flawed effort. Ja Rule stars as Reggie Cooper, a honest but sad man trying to cope with the death of his father. He meets his old friend J-Bone (Ving Rhames) who tries to force Reggie into a life of crime. Reggie also falls in love with Alica (Tatyana Ali) who is the preacher's daughter. Now he has to choose: Love Or Crime. Ja Rule does a competent job as Reggie. At least he's trying to act. Ving Rhames is perfect as J-Bone. He brings a lot of energy and menace into the role. Joe Morton as the preacher is his usual excellent self, but he doesn't do much. The same problem for Giancarlo Esposito as Reggie's Dad. He needed more screen time. I don't want to say this, but Pam Grier is pretty awful as Mrs. Cooper. She overacts every scene and brings the movie down. Tia Carrere and Frank Langella are in it but don't do anything substantial for the plot. In the end: You should see it for the skilled performances of Ving Rhames and Joe Morton and the grittiness of the writing and directing. | 1pos
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] |
I'm somewhat surprised to see such high praise for this film in other reviews here. In a nutshell, while I feel that the movie is decent, it didn't blow me away and it's not something I'll really recommend to friends. I took a certain delight in many of the scenes in the movie: the opening scene where the title character fights through Asian stereotypes while trying to audition for a commercial, the awe and wonder he feels seeing Shanghai for the first time, and his helplessness with the Chinese language as he tries to get back to his hotel. There are a few good laughs in the movie, and sure enough an emotional edge to it which some people will relate to -- in a way, you can call the title character an Asian American "Holden Caufield," if you will, as we watch him feeling empty and going through the motions, struggling with a difficult emotional past and present. However, I felt no love at all for Hayden's character or frankly any interest in their relationship. She sure is nice to look at, but the whole premise of a hot blonde sixteen year old Beverly Hills chick flirting with a much older Asian man on the bus seemed a wee bit implausible, if not outright painful once you throw in her baby talking and bizarre instantaneous attachment and clinginess. Overall, the laughs were a bit too few and far between and the story was a bit lackluster, feeling to me like an awkward and somewhat mediocre mixture of "Garden State" and "Lost in Translation." As an Asian American, I really wanted to love the film -- but I just didn't find it entertaining or profound. | -1no label
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] |
Something many people don't know is that the theatrical version of the film ended differently than the current prints. WARNING SPOILERS: When they say "This plane is going to Havana" at the end, all current prints end with Sandy Dennis saying "Oh my God!". But in the real version of the film at the theaters, she said "Oh my God...we're being hijacked (or "skyjacked"). Hijacking planes (or "skyjacking" as it was called) was in the news a lot at the time as there seemed to be a rash of them going on. When some people complained that this film "glorified" or "made light" of this serious issue, this final line of the film was cut when the film first was shown on television. So now she just says "oh my God...." Unfortunately, it seems like all prints of the film which remain are now altered like this. Would love to know if the original theatrical version still exists somewhere. Things were much more uptight in 1970 I suppose.... | -1no label
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] |
Great horror comedy from Michael Davis.Iwas laughing so hard i almost peed! Great acting from Eric Jungman as the good guy who saves the day & great performance by the Jack Black-esquire like performance from Justin Urich. He was just divine in this film. This guy deserves to be a big star. Also,Aimee Brooks was good in the film as well as the girl in danger along with the guys from a killer reminiscent of Jeepers Creepers. The gore to was given in copious amounts & i loved it.I just hope they release a not rated version. Great low-budget Horror Comedy. The dead cat in the hotel sex scene is just gruesomely funny! ***** out of ***** | 1pos
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] |
this movie sucks and is in no mean entertaining. the only cool thing is the killer puppets!! and the creepy music. i hardly know the names of the characters because they were barely mentioned. the horrible plot: a country boy working at a gas station starts working for a puppet master while Toulon(the puppet master) plans to turn the boy into a puppet. the acting is outrageously pitiful. the boy seems half asleep throughout the movie. it is not scary! spare yourself the 90 minutes and watch a good movie. avoid at all costs. this movie is so boring too. i don't know how/why i finished it. it looks so good on the DVD cover but it is so bad. i hated it.1/10. i haven't seen any other movies in this series but i'm sure they are somewhat better. at least waist your time on those or good horror movies like Clownhouse by Victor Salva. Rated R for Some Strong Violence/Gore and for Some Language | -1no label
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] |
The visual wit and warm wrap-up that Blake Edwards' brings to one of the finest comedic series of film history (and, apart from the couple produced in the eighties, they were consistently original and inventive - and changed with each one) is sadly misunderstood and no longer appreciated by our audiences. The manner in which Edwards' uses the entire screen instead of just cutting for quick effects requires a little more patience, and can result in quite a payoff - witness the side-splitting scene with Dreyfus and colleague in hospital beds (but, of course, you need a widescreen version to see it). This movie made me laugh, and laugh, and laugh, but, as I said before, if Edwards' "The Pink Panther Strikes Again" (probably the best in the series) were released today, it wouldn't have gotten the time of day either. It's too bad, because this film, which displays a tenderness to these characters and Edwards' creation as a whole, was never allowed a chance to really be seen without generally jaded eyes. | -1no label
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] |
I went into The Straight Story expecting a sad/happy type drama with nice direction and some good acting. These I got. What I wasn't expecting was an allegory for the trials of human existence. Leave it to Lynch to take a simple story about a 300 mile trip on a lawnmower and turn it into a microcosm for the human condition. If you didn't notice, watch it again, paying attention to the ages of the people Alvin meets, the terrain he's driving through, the reactions people give him, the kinds of discussions he has (one of the first is about pregnancy and children, one of the last is outside of a cemetery). The last road he drives down is particulary haunting in this context, as it narrows and his fear and nervousness mount. The last mechanical failure could be seen as a death, and the miraculous rebirth of his engine relating to an afterlife, in which he achieves the desired reunion. I only hope some of the people who branded this as a slow sappy melodrama take the time to watch with a more holistic attention. | 1pos
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] |
In Lexington, Kentucky, the horse barn of the family Crane has been empty for years, without any horses, due to the financial difficulties of the family. When the female horse Sonya, a.k.a. Sonador (Dreamer, in Spanish) breaks one foreleg in a race, the owner Palmer (David Morse) decides to sacrifice the animal, but the trainer Ben Crane (Kurt Russell) accepts the injured horse as part of three months salaries owed by Palmer. His daughter Cale (Dakota Fanning) becomes very connected with Sonya, and while the horse is rehabilitated, the wounds in the ties of the Crane family are also healed. "Dreamer: Inspired by a True Story" is one of those beautiful, positive, optimistic movies, with a magnificent message for families. First, you must never give up your dream; following your dream, no matter how impossible it seems to be, magic may happen. The other one is that families shall always stay united, no matter how difficult the situation seems to be: the union makes the strength. My vote is seven. Title (Brazil): "Sonhadora" ("Dreamer") | -1no label
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] |
First I must say that I am a big Paul Verhoeven fan and when I heard that he was directing Hollow Man with Kevin Bacon (who I am also a big fan of) I was really excited. I do not need to remind people of how terrible Hollow Man turned out to be. But this direct-to-video sequel, Hollow Man II, directed by Claudio Faeh and executive produced by Verhoeven, is actually really good. So good in fact that I am looking forward to the third installment of the franchise. The special effects, production value, performances and storyline are just as good if not better than most high-budget theatrical studio films. Christian Slater makes a great bad guy but what I enjoyed most was Peter Facinelli as the hero. Who knew -- Peter is a great action hero. This is by far the best direct-to-video horror/thriller film that I have seen in a long time. It makes me think that maybe Paul Verhoeven should hang up his hat as a director and oversee the sequels to his better films, Robocop, Total Recall, Basic Instinct, Starship Troopers. There is no argument that those franchises need as much help as they can get. | -1no label
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i'm 15 years old-Alright, I was a part of the test screening of "The Last Mimzy" and i thought it was dreadful! The characters seemed very inconsistent. Near the end of the movie, when the Noah character has to gather the spinners he seems to know exactly what hes talking about. then gets confused until reminded by Emma. And the science teachers wife.. My goodness. She just starts going on about how its his DESTINY to do this just because he had seen it all in dream. It sort of fit in the story but i was like "...where did THAT come from" My brother is twelve and he said it was rubbish as well. though he couldn't think of reason why because hes like that.. My mother who is 40 didn't understand it and my father (born on the same day and year as my mother) though it was really really weird. And he loves science fiction. Said it reminded him of this book "diamond age" which I'm not sure if it is. I think the points on DNA and how the pollutants are killing our genes and mutating us was quite interesting. it really makes you think. Other than that i found it a wasted evening. | -1no label
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] |
Simply horrible. Very low-budget pseudo-sequel to the previous film with none of the same actors except one. It almost makes the first one look like a masterpiece. From the few extras, it seems that the creators actually wanted to do well and take this seriously but it certainly doesn't show in the final product except for a lack of b-movie fun that might have actually made this palatable. The fight choreography was lame, the dialogs were cliché, the special effects were pathetic (except perhaps for the first dragon but even there...), the actors were either mediocre or stunningly uncharismatic and the story... well I don't remember what the story was nor did I care much about what was happening. Actually, I saw this not so long ago and I remember very little of it. I'm giving an extra half star for the effort and genuinely noble intentions of the filmmakers who did try to make it closer to the rpg and because I've seen worse. Dungeons & Dragons deserves a much better movie. Why not one based on some of the Forgotten Realms or Dragonlance novels? Rating: 3 out of 10 | -1no label
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] |
I started watching this movie expecting some barely tolerable Hammer horror film wannabe... and I wasn't far off. There's a fair amount of glimpsed gore, and they threw in lots of nudity, but the latter half of the movie presents a few ironic twists. Holy cow, they actually put a little thought into the story, and didn't completely fall into the predictable stuff one expected at the outset. And dare I say it, some of the "gratuitous" nudity wasn't so gratuitous after all, because it fit in with the story and setting. Don't get me wrong, it's still overall a bad movie, but as bad movies go, it's a shade more intelligent than the REALLY horrible tripe like Mesa of Lost Women and Robot Monster. | 0neg
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] |
If you have not heard of this film, it follows two Sudanese refugees from a refugee camp in Africa to America, where they convince themselves they will find success and riches. Life is harder than expected in the states, and this film beautifully captures the frustration felt when things are not going right. The lives are captured so well many moments seem scripted because they're so perfect. Whether it be on the job, at school, or the time in between, the two boys, Peter and Santino, are very honest with the filmmakers, and make some very thought-provoking comments about life in the states. It's one of the only documentaries I can recall that, when it ended, I wanted it to go on for another two hours. It might be difficult to find this movie cause it didn't get great distribution, but check your local "art house" or independent theater and give this one a go (side note, if you're reading this when it's already on video then definitely it's worth a rent). Rating: 28/40 | 1pos
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