text
stringlengths 0
3.86k
|
|---|
After recording Sex and Religion , Townsend accompanied Vai on a world tour in support of the album . He played live with the band throughout half of 1994 in Europe , and appeared as a guest musician on their single Urge . Townsend recorded a Noisescapes demo and sent copies to various record labels . Townsend soon landed a second touring gig , this time with the opening band of Vai 's tour , the Wildhearts . Ginger , the band 's frontman , remained close friends with Townsend , later co @-@ writing several songs on Infinity and the Christeen + 4 Demos EP . Impressed with Townsend 's vocal work , Vai offered him the role of the lead vocalist on his new album Sex and Religion . Relativity Records responded to Townsend with a record deal and Townsend began work on what was to be the first Noisescapes album , Promise . Shortly afterward , the label introduced him to musician Steve Vai . |
A demo tape was put together , but the material was not released until 2002 , when Newsted published the IR8 vs. Sexoturica compilation . The band , known as IR8 , featured Newsted on vocals and bass , Townsend on guitar , and Tom Hunting of Exodus on drums . While on tour with the Wildhearts , Townsend formed a short @-@ lived thrash metal project with Metallica 's then @-@ bassist Jason Newsted . People heard about it and thought we wanted to put out a CD , which is absolutely not true , " he explains . " People took this project way too seriously . " The group recorded a few songs together , although Townsend says that they never intended to go further than that . " |
I have a hunch they only offered me a deal to get me to sing with Steve , " he mused . The offer was ultimately rescinded by the head of Roadrunner , who regarded Townsend 's recordings as " just noise " . Relativity Records dropped Noisescapes from their label shortly after Townsend accepted Vai 's offer , seeing no commercial appeal in Townsend 's music . " While touring with the Wildhearts , Townsend received a phone call from an A & R representative for Roadrunner Records , expressing an interest in his demos and an intention to sign him . Though Townsend was proud of what he had accomplished so early in his career , he was discouraged by his experience with the music industry . " I was becoming a product of somebody else 's imagination , and it was mixing with my own personality , " he later reflected . " This combination was appalling . " Despite getting notable touring gigs with other musicians , however , Townsend continued to face rejection of his own music . He pushed to get his own projects off the ground . |
= = = Heavy as a Really Heavy Thing through Infinity ( 1994 – 1998 ) = = = |
In 1994 , Century Media Records offered Townsend a contract to make " some extreme albums " . He agreed to a five @-@ album deal with the record label , and also provided much of the guitar work on the 1994 album Millennium and the 1995 album Hard Wired by Vancouver industrial band Front Line Assembly . Townsend produced and performed nearly all the instruments on the debut studio album , Heavy as a Really Heavy Thing , which was released in April 1995 . He avoided using his real name at this point in career , looking for a fresh start after his high @-@ profile Vai gig . " Townsend began to record material under the pseudonym Strapping Young Lad . At the beginning , I wanted to avoid at all cost to use my name because I was known as the singer for Steve Vai and it wasn 't the best publicity to have , " he later explained . " I was playing somebody else 's music and I was judged in respect to that music . " |
Townsend himself considers it the band 's " ultimate " album . Later that year , Townsend released his second solo album , Ocean Machine : Biomech . Following the release of the record , Townsend and several other musician friends he knew in Vancouver recorded his first solo album in 1996 entitled Punky Brüster – Cooked on Phonics . The industrial @-@ influenced album was released in 1997 . Townsend assembled a permanent lineup of Strapping Young Lad to record City , including prolific metal drummer Gene Hoglan , along with Townsend 's former bandmates Jed Simon on guitar and Byron Stroud on bass . Written and recorded in under a month , the album was produced as a parody of punk rock bands and documents the act of selling out for mainstream success . Townsend founded his own independent record label , HevyDevy Records , to release the album . To this day , the album is widely considered Strapping Young Lad 's best work , with Metal Maniacs calling it " groundbreaking " and Revolver naming it " one of the greatest metal albums of all time " . The album featured a mix of hard rock , ambient , and progressive rock . |
Later in his career , Townsend has cited Infinity as his favorite solo record . After the completion of City and Ocean Machine : Biomech , Townsend began to approach a mental breakdown . " Townsend returned to the studio , accompanied by Hoglan , to work on the album , on which Townsend played most of the instruments . After being discharged from the hospital , Townsend found that " everything just clicked " and he was able to write his third solo album , Infinity , which he described as " the parent project " of City and Ocean Machine : Biomech , with music influenced by Broadway . Infinity was released in October 1998 . I started to see human beings as little lonesome , water based , pink meat , " he explained , " life forms pushing air through themselves and making noises that the other little pieces of meat seemed to understand . " The diagnosis helped him understand where the two sides of his music were coming from ; he felt his disorder " gave birth to the two extremes that are Strapping 's City record and Ocean Machine : Biomech . " In 1997 , he checked himself into a mental @-@ health hospital , where he was diagnosed with bipolar disorder . |
The album Biomech was relabeled and redistributed as Ocean Machine : Biomech , under Townsend 's name , to reflect the new arrangement . With Infinity , Townsend began to label all albums outside of Strapping Young Lad under his own name , dropping the Ocean Machine moniker , to reduce confusion . Townsend 's bandmates began to play two sets at their shows , one as Strapping Young Lad , and one as the Devin Townsend Band , playing songs from Townsend 's solo albums . He wanted to show that despite the highly varied nature of his projects , they are all simply aspects of his identity . |
= = = Physicist and Terria ( 1999 – 2001 ) = = = |
Townsend 's next project took several years to come to fruition . Townsend assembled his Strapping Young Lad bandmates to record it , the only time this lineup was featured on a Devin Townsend album . After the creation of the IR8 demo tape , Townsend and Jason Newsted had begun work on a new project called Fizzicist , which they described as " heavier than Strapping Young Lad " . With the project stalled , Townsend instead wrote the album himself , entitling it Physicist . When the IR8 tape was leaked , Newsted 's Metallica bandmates James Hetfield and Lars Ulrich learned of the project . The thrash @-@ influenced Physicist was released in June 2000 , and is generally considered a low point in Townsend 's career . Hetfield was " fucking pissed " that Newsted was playing outside the band , and Newsted was prevented by his bandmates from working on any more side projects . Hoglan and the rest of the band were dissatisfied with the way the sound was mixed , and Townsend considers it his worst album to date . |
Terria was released in November 2001 . Townsend cited Ween 's White Pepper as an inspiration for the album . Feeling he had " ostracized a bunch of fans " with Physicist , Townsend felt he had the chance to make a more personal and honest record . Townsend was inspired one morning while driving across Canada with his band , and looked to write an " introspective " album dedicated to his homeland . He produced and recorded Terria , a " highly illustrated stream @-@ of @-@ consciousness " album , with Gene Hoglan on drums , Craig McFarland on bass and Jamie Meyer on keyboards . |
= = = Strapping Young Lad through Synchestra ( 2003 – 2006 ) = = = |
Townsend credits the album , Strapping Young Lad , as an emotional response to the attacks of September 11 , 2001 , in the United States . " The album 's lyrics were based more around fear and insecurity than the " hostile " lyrics of City . Townsend 's solo run lasted until 2002 . The self @-@ titled album was released in February 2003 . Townsend cited Front Line Assembly , Grotus , and Samael 's Passage as influences . It received lukewarm reviews , with critics finding it inferior to City , but it was the band 's first charting album , entering at 97th place on Billboard 's Top Heatseekers chart . After a five @-@ year break from recording , Strapping Young Lad reunited to record a new album . Musically , Strapping Young Lad was less industrial than City , and more reminiscent of death metal , with a " larger @-@ than @-@ life " rock production style . If the world 's about to blow up , " said Townsend , " let 's write the soundtrack for it . " |
Townsend performed guitar , vocals , and production , as he did in Strapping Young Lad . Townsend worked on the band 's first album , Accelerated Evolution , at the same time he was working on Strapping Young Lad , spending half the week on one and half on the other . While Strapping Young Lad was being reunited , Townsend formed a new , permanent band " on par with Strapping " to record and tour for his solo releases . Accelerated Evolution , named for the pace of putting a new band together in under a year , was released a month after Strapping Young Lad . Prior to the formation of the Devin Townsend Band , Townsend had represented his solo releases live with the Strapping Young Lad lineup ; the band would play one set of Strapping Young Lad songs and one set of Devin Townsend songs . The Devin Townsend Band consisted of Brian " Beav " Waddell on guitar , Mike Young on bass , Ryan Van Poederooyen on drums , and Dave Young on keyboards . After the release of Accelerated Evolution , Townsend 's two bands toured separately for their separate albums . Mike G. of Metal Maniacs called it " the album of the year " , praising it for " the hard @-@ to @-@ accomplish trick of being extreme yet accessible , simultaneously heavy ' n ' rockin ' yet majestic and beautiful . " |
Feeling that the band 's previous album did not live up to expectations , Townsend decided to take his music to a new extreme . Although Townsend considered the album an " impenetrable mass of technicality " , it was well received on its release , selling 3 @,@ 697 copies in its first week and appearing on several Billboard charts . And Alien was no exception with that . " To prepare for the new album , Townsend stopped taking the medication prescribed to treat his bipolar disorder . " I think that as an artist , in order for me to get to the next plateau , I kind of feel the need to explore things and sometimes that exploration leads you to places that are a little crazy , " he explains . " Strapping Young Lad began working on their next album , Alien , in March 2004 . Around this time , Townsend also contributed to the soundtrack of the video game Fallout : Brotherhood of Steel . |
Shortly thereafter Townsend began putting together the next Devin Townsend Band record , with the working title Human . Townsend intended the album as the more " pleasant " counterpart to Alien . " The album ended up being renamed Synchestra and was released in January 2006 . The final Strapping Young Lad album , The New Black , was released later in 2006 . Townsend showcased a wide variety of musical styles in Synchestra , blending his trademark " pop metal " with influences from folk , polka , and Middle Eastern music . It 's basically a record about coming back down to earth after being in space with Alien for a while . " |
= = = Ziltoid the Omniscient and hiatus ( 2006 – 2008 ) = = = |
From home , Townsend completed his second solo ambient album , The Hummer , releasing it exclusively on his website in November 2006 . Townsend withdrew from touring to spend time with his family . |
He explained that he was " burnt out on travelling , touring , and self promotion " and wished to do production work , write albums , and spend time with his family without the stress of interviews or touring . This was truly a solo album ; he programmed the drums using Drumkit from Hell , a software drum machine that uses samples recorded by Tomas Haake of Meshuggah and played all other instruments himself . Shortly after the album 's release , Townsend announced that he no longer planned to tour or make albums with Strapping Young Lad or the Devin Townsend Band . In May 2007 , Townsend released Ziltoid the Omniscient , a tongue @-@ in @-@ cheek rock opera about the eponymous fictional alien . |
We made sure he didn 't look like Devin Townsend . The original character design for Pickles the Drummer , one of the series ' main characters , bore a striking resemblance to Townsend . We gave him the goatee and the dreadover so he wouldn 't look like that . " In 2008 , Townsend lent his voice to characters in several episodes of the Adult Swim cartoon Metalocalypse ( see Musician cameos in Metalocalypse for more ) . The series ' co @-@ creator Brendon Small acknowledged the similarity , and altered the design before the series began . " |
= = = Devin Townsend Project ( 2008 – 2012 ) = = = |
This began a period of " self discovery " where he learned " how to create without drugs " . Townsend found it " disconcerting " that he had difficulty writing music without drugs , and that he had trouble identifying his purpose as a musician . He spent a year producing albums in absence of writing , but found it unrewarding and decided to " pick up the guitar and just write " . After removing himself from the music industry , Townsend cut his trademark hair off and gave up drinking and smoking . |
Over two years , Townsend wrote over 60 songs , and found that they fit into " four distinct styles " . In March 2009 , Townsend announced his plans for a four @-@ album series called Devin Townsend Project , with the goal of clarifying his musical identity and being " accountable " for the persona he projects to the public . The project 's concept includes a different " theme " and a different group of musicians on each album . |
Townsend channelled his new @-@ found control and sobriety into Ki , a " tense , quiet " album , which contrasts with much of the music he had been known for . Additional female vocals were provided by Ché Aimee Dorval ( Casualties of Cool ) . Ki , the first album of the Devin Townsend Project tetralogy was written to " set the stage " for the subsequent albums . Ki was released in May 2009 . |
Brian " Beav " Waddell was recruited from the Devin Townsend Band to play bass . The second entry , a " commercial , yet heavy " album called Addicted , was released in November 2009 and features lead vocals from Townsend and Dutch singer Anneke van Giersbergen . |
Townsend returned to the stage in January 2010 , touring North America with headliner Between the Buried and Me as well as Cynic and Scale the Summit . He headlined a North American tour with UK label mates TesseracT supporting , which began in October 2010 , and toured in Europe with support from Aeon Zen and Anneke van Giersbergen . This was followed by a headlining tour in Australia and a series of high @-@ profile shows in Europe ( for example co @-@ headlining the Brutal Assault festival in Czech Republic ) . |
Townsend performed all four of Devin Townsend Project albums in London and recorded them for a DVD box set called By a Thread : Live in London 2011 that was released on June 18 , 2012 . Ki , Addicted , and Deconstruction were each performed on one night , respectively . In December 2011 all four Devin Townsend Project albums with additional material were released as the Contain Us box set . The third and fourth albums in the Devin Townsend Project series , Deconstruction and Ghost , were released simultaneously on June 21 , 2011 . The first three shows were held at the University of London Union , November 10 – 12 , 2011 . The show for Ghost was held at the Union Chapel , Islington on November 13 , 2011 . These four shows were each entitled " An Evening with the Devin Townsend Project " . |
On October 27 , 2012 , Devin Townsend performed a one @-@ off show covering his musical career called The Retinal Circus at Roundhouse in London . Despite the Devin Townsend Project being originally a four @-@ album series , Townsend decided to continue working under the moniker and released the fifth album , Epicloud on September 18 , 2012 . Also in 2012 , Townsend played bass on the debut Bent Sea album Noistalgia . He also produced the record . The 3 @-@ hour performance was recorded in high definition and released on DVD and Blu @-@ ray on September 30 , 2013 . Again featuring Anneke van Giersbergen on vocals , Epicloud appeared on several European charts , peaking at number 8 in Finland . |
Another project Townsend has mentioned several times between 2009 and 2012 is Obviouser , an album featuring " creepy , bass driven apocalyptic music " created with an " Ampeg rig " and an " Icelandic choir " . Working with many projects simultaneously at that time , Townsend stated in 2012 the Obviouser project is vying for pole position until " he wakes up and says ' he wants to do it ' " . |
= = = Casualties of Cool and Z2 ( 2012 – present ) = = = |
The album features Ché Aimee Dorval ( from Ki ) on vocals and Morgan Ågren on drums . After Deconstruction and Ghost , Townsend announced a new album , Casualties of Cool , with which he started to work after the release of Epicloud . Townsend referred the music of the album to be " closest to his heart " at this point of his life , and that it is an important and satisfying project he doesn 't want to rush . Townsend described the album sounds like " haunted Johnny Cash songs " and " late night music " , highlighting it will be different than anything he has done before . |
Townsend also started a crowdfunding campaign through PledgeMusic to support the release of the album . The funding quickly reached its goal , and all additional funds were put directly to Townsend 's upcoming projects . Originally in 2012 , Townsend stated that this album will be the sixth and the last album in the Devin Townsend Project series , but he ultimately confirmed that Casualties of Cool is its own project . The album was re @-@ issued worldwide on January 15 , 2016 containing an additional DVD with live footage from the 2014 concert at the Union Chapel in London . Casualties of Cool was released on May 14 , 2014 . The album was completed on November 2013 , and a bonus disc was also made for the album , containing the leftover material from the main album as well as songs from Ghost 2 , the unreleased compilation of leftover tracks from Ghost . |
From 2009 , Townsend worked on a long @-@ running album project called Z ² , a sequel to the album Ziltoid the Omniscient ( 2007 ) . However , in August 2013 , a London @-@ based radio station TeamRock Radio aired the first episode of Ziltoid Radio , a satirical radio show hosted solely by Ziltoid , this being one element of the Z ² project . Originally in 2012 , he teased he " may have just written the heaviest thing he 's ever done " for the album , and told there might a surprising lack of Ziltoid himself appearing on the album . Later Townsend stated he has found the project hard to schedule and work with amidst touring and writing , stating " it takes a lot of effort " to keep the content with tongue @-@ in @-@ cheek humour entertaining . Townsend also discussed a " ZTV " or " Ziltoid TV " is preceding the album . |
The album itself is a double album , with disc one being the main album and disc two featuring Devin Townsend Project material ; according to Townsend , the album 's theme is " Ziltoid against the world " . The recording process started in May 2014 , and the final project includes the album , a Ziltoid TV program and a live show , with a " big graphic novel comic " and a documentary . After writing ideas for over 70 songs , Townsend stated he is finally going to finish the whole project , followed by the announcement the album will be released on October 27 , 2014 . The Devin Townsend Project disc is called Sky Blue and the Ziltoid disc is called Dark Matters . |
Later , " after the chaos of finishing it had subsided " , Townsend stated he is really satisfied with the result . He also described the hardship of the project by telling " if he was ever going to start drinking [ again ] , the last months would have been it " , but now " he 's starting to get excited again " . After finishing the album , Townsend stated the project was " punishing " and an " absolute nightmare to complete " due to amount of material against tight schedules . |
Townsend recently discussed at least a year @-@ long hiatus , beginning after the Z ² show taking place at the Royal Albert Hall on April 13 , 2015 . During the indefinitely long break Townsend intends to " recharge his batteries " , " get some inspiration and experiences " and to " see what the next chapter holds " for him . |
On December 11 , 2015 Townsend announced via Twitter that he was recording vocals for a song by Steve Vai . Devin mentioned he is against the project being contrived due to the current hard rock undertones in popular music . In 2014 , Devin recorded a ' poppy sounding ' song in Los Angeles with producer Brian Howes , but has decided against releasing . He described it as a " lukewarm heavy metal Devin song " . |
As of April 2016 , Devin is in the middle of recording the seventh DTP album , entitled Transcendence at Armoury Studios in Vancouver . |
= = Personal life = = |
Townsend has been married to Tracy Turner , his girlfriend since he was 19 . He is a vegetarian . She gave birth to their first son , Reyner Liam Johnstan Townsend , on October 4 , 2006 . |
= = Musical style = = |
= = = Projects = = = |
Dense and produced with a large amount of ambient elements . " Townsend 's solo material blends many genres and influences , with elements of atmospheric ambient music , hard rock and progressive rock , along with pop metal and arena rock . He described it as " a highly orchestrated type of expansive music based in hard rock and heavy metal . Townsend designed his two main projects , the aggressive Strapping Young Lad and his more melodic solo material , as counterparts . Despite Strapping Young Lad 's greater mainstream acceptance , Townsend identifies more with his solo material , and has never intended Strapping Young Lad to be the focus of his music . Strapping Young Lad 's music was a diverse mix of extreme metal genres : death metal , thrash metal , black metal and industrial metal . |
= = = Production style = = = |
He has also mixed and remixed work for other artists such as Rammstein , August Burns Red and Misery Signals . Townsend has drawn critical praise for his productions , which " are always marked by a sense of adventure , intrigue , chaotic atmospherics and overall aural pyrotechnics " , according to Mike G. of Metal Maniacs . As a self @-@ proclaimed " fan of multitracking " , Townsend has developed a trademark production style featuring an atmospheric , layered " wall of sound " . Townsend mainly uses Pro Tools to produce his music , alongside other software suites such as Steinberg Cubase , Ableton Live , and Logic Pro . Townsend has carried out the mixing and mastering for most of his solo work himself . Townsend 's musical ideas and production style have drawn comparisons to Phil Spector and Frank Zappa . |
= = = Playing style = = = |
Townsend mainly uses Open C tuning for both six and seven string guitar . He has expressed that he has no taste for shred guitar , saying that " Musically it doesn 't do anything for me " and that he only solos when he thinks that he can within the context of the song . Townsend 's technique varies from fingerpicking , power chords and polychords to sweep @-@ picked arpeggios and tapping techniques . He is also known for his heavy use of reverb and delay effects . He now also uses Open B tuning and Open B flat tuning ( Open C tuning tuned a half and a whole step down respectively ) on his six string guitars . |
= = = Vocals = = = |
His vocal range has been noted to be over 5 octaves ( C2 to F7 ) . Townsend 's employs a variety of vocal techniques in his work , including screaming , growling or even falsetto . |
= = = Influences = = = |
City was influenced by bands such as Foetus and Cop Shoot Cop , and The New Black 's influences were Meshuggah , and " more traditional metal " like Metallica . Townsend has cited , among others , Judas Priest , W.A.S.P. Townsend draws influence from a wide range of music genres , most prominently heavy metal . The two songs that Townsend credits with changing the way he thought about music are " The Burning Down " by King 's X , and " Up the Beach " by Jane 's Addiction . Townsend lists Paul Horn and Ravi Shankar as the " two most important musicians in his life " . , Frank Zappa , Broadway musicals , ABBA , new @-@ age music , Zoviet France , King 's X , Morbid Angel , Barkmarket , Grotus , Jane 's Addiction , Metallica , Cop Shoot Cop and Fear Factory as his influences , and has also expressed his admiration for Meshuggah on several occasions , calling them " the best metal band on the planet " . He is also influenced by orchestral and classical composers such as John Williams , Trevor Jones and Igor Stravinsky . |
= = Discography = = |
= Zagreb Synagogue =
|
It was constructed in 1867 in the Kingdom of Croatia @-@ Slavonia within the Austrian Empire , and was used until it was demolished by the fascist authorities in 1941 in the Axis @-@ aligned Independent State of Croatia . The Zagreb Synagogue ( Croatian : Zagrebačka sinagoga ) was the main place of worship for the Jewish community of Zagreb in modern @-@ day Croatia . |
It has been the only purpose @-@ built Jewish house of worship in the history of the city . It was one of the city 's most prominent public buildings , as well as one of the most esteemed examples of synagogue architecture in the region . The Moorish Revival synagogue , designed after the Leopoldstädter Tempel in Vienna , was located on modern @-@ day Praška Street . |
Since the 1980s , plans have been made to rebuild the synagogue in its original location . Major disagreements exist between the government and Jewish organizations as to how much the latter should be involved in decisions about the reconstruction project , including proposed design and character of the new building . Due to various political circumstances , very limited progress has been made . |
= = History = = |
Encouraged by the 1782 Edict of Tolerance of Emperor Joseph II , Jews first permanently settled in Zagreb in the late eighteenth century , and founded the Jewish community in 1806 . As early as 1833 , the community was permitted to buy land for construction of a synagogue , but did not have sufficient money to finance one at the time . In 1809 the Jewish community had a rabbi , and by 1811 it had its own cemetery . |
The construction committee , appointed in 1861 , selected and purchased a parcel of land at the corner of Maria Valeria Street ( now Praška Street ) and Ban Jelačić Square , the central town square . By 1855 , the community had grown to 700 members and , on October 30 of that year , the decision was made to build a new Jewish synagogue . However , a new urban planning scheme of 1864 reduced the area available for construction , and the community decided to buy another parcel of 1 @,@ 540 square metres ( 16 @,@ 600 sq ft ) in Maria Valeria Street , approximately 80 metres ( 260 ft ) south of the original location . |
= = = Design and construction = = = |
Franjo Klein , a Vienna @-@ born Zagreb architect , was commissioned to build the synagogue . It became a prototype for synagogue design in Central Europe . Zagreb Synagogue used the already developed round arch style ( Rundbogenstil ) , but did not adopt Förster 's early oriental motifs . Klein , a representative of romantic historicism , modeled the building on the Viennese Leopoldstädter Tempel ( 1858 ) , a Moorish Revival temple designed by Ludwig Förster . |
The composition of the main facade , with its dominant drawn @-@ out and elevated projection and the two symmetrical lower lateral parts , reflects the internal division into three naves . At ground @-@ floor level , the front was distinguished by the three @-@ arch entrance and bifora , whereas the first @-@ floor level had a high triforium with an elevated arch and the quadrifoliate rosettes on the staircases . |
The synagogue occupied the greater part of the plot , facing west . The synagogue had a wider and slightly higher central nave and two narrower naves ; unlike Förster 's synagogue in Vienna , it did not have a basilical plan . It receded from the street regulation @-@ line in accordance with the rule then still enforced in Austria – Hungary , prohibiting non @-@ Catholic places of worship from having a public entrance from the street . |
Construction began in 1866 and was completed the following year . The synagogue was officially consecrated on September 27 , 1867 , a ceremony attended by representatives of city and regional authorities , Zagreb public figures , and many citizens . It was the first prominent public building in Zagreb 's lower town , and its architecture and scale aroused general admiration and praise . |