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Will, dated November 9, 1781, of Richard Lynch, who died aboard the Terrible (privateer) in 1781. This will names his wife, Elizabeth Lynch, as administrator. The document was witnessed and also signed by Mark Holman, deputy registrar. Bishop of London probate seal attached. | {
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Layout: single columns of approximately 40 lines. | {
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Script: cursive script in black ink. | {
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Decoration: Rubricated paraphs and rubrics in margin; titles touched in red. | {
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Binding: blind-tooled leather over beveled wooden boards. Front board has compartments containing labeled busts of Apollo and the muses, surmounted by the title "Sermones Dei." A gilt tableau of the Crucifixion is in the central panel, above the Biblical verse "os non cominu: ex eo." Back board has busts of the muses with busts of Peter and David in the central panel. Remains of metal clasps. | {
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Date "1541" at the foot of f188v. | {
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Annotation in red ink in the right margin of f358v: Editi a c e suggesto pop[ul]o cleri[c]ali in loco Tharnouien[si] anno d 1 5 4 8. | {
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Title on lower edge: de tempore sermones A. | {
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Early modern parchment spine tag: Sermones Clementis de Radymno. Manuscriptum 1539. | {
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Intermittent foliation in modern pencil. | {
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} |
Manuscript attributed to Radymno in bookseller's description. | {
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Title from dealer's description. | {
"type": [
"a"
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} |
Uncut in contemporary half calf, with red morocco label lettered 'Accounts' on spine and dated 1794. | {
"type": [
"o"
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Bound in contemporary gilt-tooled red morocco. Leaves of the volume are of mixed colors. | {
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"o"
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} |
Genealogical charts are illustrated with 63 hand-colored coats of arms. Title page decorated with Fowles's coat of arms quartered with the arms of his wife, Margaret Jefferay. | {
"type": [
"o"
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} |
Binding: late seventeenth-century or early eighteenth-century paneled, sprinkled calf, gilt; rebacked. | {
"type": [
"o"
]
} |
Binding: original green-stained parchment. | {
"type": [
"o"
]
} |
Binding: contemporary full mottled calf; rebacked, with gilt compartmented spine preserved. | {
"type": [
"o"
]
} |
Binding: contemporary full calf, probably French, with compartmented gilt spine. | {
"type": [
"o"
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} |
Ownership inscription on first page at left of title: Elyzebeth Walsingham her boock. 1680. | {
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} |
Ownership inscription on front pastedown: Madam Christian Bennet. | {
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} |
Binding: contemporary full dark brown paneled morocco, gilt, with floral cornerpieces. | {
"type": [
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} |
Binding: contemporary limp parchment wrapper. | {
"type": [
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} |
Text block foliated 1-47 in a contemporary hand, but with an unnumbered textual leaf between 1 and 2. Blank leaves at the beginning and end of the volume. | {
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"Gower" written in upper-right corner of first blank page (unfoliated). | {
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} |
Byname: Gower Manuscript. | {
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} |
Binding: contemporary limp parchment, gilt; central gilt lozenge within a single line frame. Two tie holes in each cover. | {
"type": [
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} |
Bookseller's description pasted to front flyleaf. | {
"type": [
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} |
Script: each of the three sections in a gothic bookhand influenced by secretarial script. | {
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} |
Decoration: rubricated. Paragraph marks and initials in red. | {
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Binding: alum-tawed sheepskin over wooden boards; 3 double alum-tawed sewing supports; original end bands intact. Rust marks and holes from original chain attachment; remains of metal catch. | {
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Scrapbook has been attributed to Albert Henry Warren (1830-1911), painter and illustrator. | {
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} |
One leaf with upper corner cut away. | {
"type": [
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} |
Script: gothica textualis. | {
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} |
Decoration: rubricated. The volume contains 39 illuminated marginal initials, many with long marginal extensions incorporating animals or monsters. The disbound leaves contain several smaller initials. Some illuminated initials, and some leaves that most likely contained illuminated initials, appear to have been cut out in the disbound leaves. | {
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Binding: seventeenth-century Cambridge-style paneled calf, blind-tooled; rebacked. | {
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} |
Manuscript, in several hands. | {
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} |
On back of front cover: Miss Helen E. Weaver ... | {
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} |
Authors unnamed. | {
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} |
Ms. illustration of guitar fingering chart. | {
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From the library of Luigi Sagrini. | {
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} |
From the Mary Belle Swingle Guitar Collection: "given to me by R. Ridgill Trout, Pa Robson 2/1929." | {
"type": [
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} |
Script: written in uncial script and occasionally punctuated with a punctus. A later hand has added a punctus in Luke 13.5. | {
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} |
Decoration: the initials are slightly enlarged and are written on the inner vertical bounding line; and one initial "E" is filled with orange. | {
"type": [
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} |
Script: Luxeuil minuscule. | {
"type": [
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} |
Decoration: 1-line capitals are written in brown uncials and are not set apart from the text. | {
"type": [
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} |
Script: written in Visigothic minuscule. | {
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} |
Decoration: 2-line initials in brown uncials with occasional red-orange filling; 1-line initials in brown uncials; chapter headings in a script with both Visigothic and uncial elements; punctuated with puncti (occaionally, punctus elevatus). | {
"type": [
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} |
Script: written by several scribes in Caroline minuscule; corrections added by contemporary hands. | {
"type": [
"o"
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} |
Decoration: 1-line capitals in brown uncials; some orange-red uncials; punctuation consisting of punctus, punctus elevatus, and vigule. | {
"type": [
"o"
]
} |
Former call number: Beinecke MS 482.1B (f. 2). | {
"type": [
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} |
Script: written in Caroline minuscule; a later hand has made some corrections. | {
"type": [
"o"
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} |
Decoration: 1- and 2-line initials in brown uncials; running titles in brown rustic capitals; punctuation consisting of punctus elevatus, punctus versus, and punctus interrogativus. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; a later hand has altered some punctuation; modern hands have added some textual indentifications and numbering. | {
"type": [
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} |
Decoration: 1-line initials in brown uncials; brown and/or orange-red rustic capitals on ff. 5r, 6r, and 12v; brown or/and orange-red uncials on f. 11r and v; punctuation consisting of punctus, punctus elevatus, punctus versus, and punctus interrogativus; and quire signatures "v," "vi," and "vii" appear on ff. 4v, 8v, and 10v, respectively, suggesting the manuscript fragments preserve portions of the last five quires of a ten-quire manuscript. | {
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Former call numbers: Beinecke MS 482.6A (f. 4), B (f. 9), C (f. 3), D (f. 6), E (f. 11), F (f. 2), G (f. 1), H (f. 8), I (f. 7), J (f. 5), K (f. 10); Beinecke MS 482.5A (f. 6), B (f. 9), D (f. 12), A (f. 14), and C (f. 15). | {
"type": [
"o"
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} |
Script: Written in Caroline minuscule; corections added by a late 14th or early 15th century hand; an undeciphered annotation added by a modern hand. | {
"type": [
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} |
Decoration: 1-line capitals in brown uncials; punctuation includes the punctus. | {
"type": [
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} |
Script: Written in Caroline minuscule; the letters have been almost entirely retraced due to (perhaps 11th century) water damage. | {
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} |
Decoration: 2-line intials in brown uncials; some highlighting in red; traces of a rubric between the two sermons; punctuation consisting of the punctus, punctus versus, and punctus elevatus. | {
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} |
Another copy of this homilary is found in Beinecke MSS 482.4 and 484.2. | {
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} |
Script: Written in Caroline minuscule, with accents added by a later hand; marginal references added by a 16th century cursive hand. | {
"type": [
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} |
Decoration: 1-line capitals in brown uncials, with occasional rustic capital forms; the rubric of chap. 73 and qutations from the Regula S. Benedicti written in bright orange ink; punctuation consisting of punctus, punctus elevatus, punctus versus, and a series of three puncti. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; annotations added by modern hands. | {
"type": [
"o"
]
} |
Decoration: 4-line initial "I," in orange with foliate ornamentation, beginning Tractus 36; 2-line initial "A" in a similar style; 1-line initials in brown uncials; rubrics in orange rustic capitals; punctuation consisting of the punctus, punctus elevatus, punctus versus, punctus interrogativus, and the punctus flexus. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule, with marginal notation (on f. 1v) in a contemporary hand, probably the text scribe. | {
"type": [
"o"
]
} |
Decoration: 1- and 2-line initials in brown uncials; punctuation consisting of the punctus, punctus elevatus, and punctus interrogativus. | {
"type": [
"o"
]
} |
Former call numbers: Beinecke MS 482.17 (f. 2). | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; corrections added in dark ink by a contemporary hand; annotations identifying biblical passages and Augustine's tractates added in pencil by a modern hand. | {
"type": [
"o"
]
} |
Decoration: 4-line initial "P" in brown and red on f. 2r; 1-line intials in brown uncials; rubric in red uncials; punctuation consisting of the punctus, punctus elevatus, punctus versus, and the punctus interrogativus. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; corrections added in darker ink by a contemporary hand. | {
"type": [
"o"
]
} |
Decoration: 1-line initials in brown rustic capitals or uncials; punctuation consisting of the punctus, punctus elevatus, punctus versus, and punctus interrogativus. | {
"type": [
"o"
]
} |
Former call numbers: Beinecke MS 482.7 (column B of the folio). | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule. | {
"type": [
"o"
]
} |
Decoration: 1-line initials in brown uncials with occasional square capital forms, frequently filled with dark red ink; rubics in dark red square capitals mixed with uncial and minuscule forms; punctuation consisting of punctus, punctus elevatus, punctus versus, and punctus interrogativus. | {
"type": [
"o"
]
} |
Former call numbers: Beinecke MS 482.10 (f. 1). | {
"type": [
"o"
]
} |
Decoration: 1-line initials in brown uncials; punctuation consisting of the punctus. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; corrections added in a lighter ink; accents added y a later hand. | {
"type": [
"o"
]
} |
Decoration: 1-line initials in a mixed form of uncial and rustic in brown ink; rubrics in red majuscules; on f. 1v, an 11-line initial "T," in the "early geometric style" of central and northern Italy in the late 11th and early 12th centuries; on f. 2v, a large initial has been cut out. | {
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} |
Date based on date of William Bawtree's death. | {
"type": [
"a"
]
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Mounted on page 233 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11. | {
"type": [
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]
} |
The leaf was originally part of a Gradual that is now Beinecke MS 42. The evidence is that it followed folio 52. | {
"type": [
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]
} |
This leaf has been attributed to Attavante degli Attavanti. | {
"type": [
"o"
]
} |
Decoration: in addition to the large historiated initial, the wide border contains numerous putti and eight figurative rondels. | {
"type": [
"o"
]
} |
Accompanied by a typed transcript made by an unidentified transcriber. | {
"type": [
"o"
]
} |
Accompanied by a typed transcript of the letter made by an unidentified transcriber. | {
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"o"
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} |
Decoration: 2-line initials in red capitals, set apart from the text; rubrics written in red minuscule; interlinear neumes in the St. Gall style; neumed differentiae (evovae) provided in the outer margins for antiphons with full text; punctuated with punctus placed on base line. | {
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} |
Other leaves from the same antiphonary are preserved in the bindings of Lambach, Stiftsbibliothek, Cml XVI (2 leaves) and Cml LXXIII (the Lambach Rituale, 1 leaf). | {
"type": [
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Decoration: 2-line initials in brown uncials, between the double bounding lines; 1-line initials in brown uncials. Incipits, explicits, and chapter titles written in orange-red rustic capitals; punctuated with punctus and punctus versus. Corrections and marginal notes by a contemporary or slightly later hand. | {
"type": [
"o"
]
} |
Script: written in late Caroline minuscule. | {
"type": [
"o"
]
} |
Decoration: 2-line initial "Q" on f. 1v in red; 1-line initials in brown capitals with uncial M and an enlarged minuscule e; rubrics written in red minuscule, with occasional use of uncial M; interlinear neumes in the St. Gall style; punctuated with punctus placed on the base line; cross-shaped "+" mark in brown ink on f. 1r. | {
"type": [
"o"
]
} |
Decoration: crude 6-line initial "D" and 5-line initial "L" in brown and orange-red ink, L terminates in a bird's head; 1-line initials in brown uncials with enlarged minuscule "e" and frequently touched in red on f. 1r; incipits and explicits in brown rustic capitals and the word explicit traced in red; punctuated primarily with punctus; three scribes; scribe one occasionally uses punctus elevatus and punctus versus; contemporary corrections in lighter ink. | {
"type": [
"o"
]
} |
Decoration: Large 1-line initials in brown square capitals with the round form of E; smaller 1-line initials written in brown rustic capitals with an enlarged minuscule "e"; punctuated with punctus, punctus versus, and punctus interrogativus; accents added by later hand; a hand in darker ink altered punctuation and made several corrections. | {
"type": [
"o"
]
} |
Condition: many worm holes; the letters have been retraced over earlier letters which were presumably damaged by water; another MS from Lambach with similar water damage is Beinecke MS 481.8. | {
"type": [
"o"
]
} |
Decoration: 2-line initials in brown rustic capitals; portion of a running head in red in the upper margin of the verso; punctuated with punctus, punctus elevatus, punctus versus and punctus interrogativus; a contemporary hand has made some corrections and added a paraph at the beginning of chapter 20. | {
"type": [
"o"
]
} |
Decoration: written in two sizes, with a smaller script for the chants and a larger script for the lessons; drawing of a face with the words " Vita S. Uodalrici episcopi et confessoris" in brown ink; 2-line initial "V" at the beginning of the office on f. 2r is a red square capital; 1- and 2-line initials of lessons are in red uncials or square capitals; 1-line chant initials are brown uncials; rubrics written in red capitals; punctuated with the punctus for end of chants and punctus elevatus for lessons; antiphons and responses have interlinear neumes in the St. Gall style. | {
"type": [
"o"
]
} |
Decoration: written in two sizes, a smaller module for the chants and a larger one for the lessons; 2-line initials are in red square capitals; 1-line initials in brown square capitals; rubrics written in red minuscule; punctuated with punctus in chants and the punctus, punctus elevatus, and punctus versus within the lessons; accents in same ink as the text; interlinear neumes in the St. Gall style. | {
"type": [
"o"
]
} |
Script: written in Caroline minuscule; written in two sizes, smaller for chants, larger size for lessons; script similar to the style of Otloh of St. Emmeram. | {
"type": [
"o"
]
} |
Decoration: 2-line initials at the beginning of offices and lessons are in red square capitals; 1-line initials at beginning of chants are in brown square capitals with occasional use of uncial M and round E or an enlarged minuscule "m"; rubrics written in red rustic capitals; rubric letters for chants frequently written in left margin; liturgical directions written in brown rustic capitals touched with red; punctuated with punctus for the end of chants, and punctus, punctus versus, and punctus interrogativus for the lessons; chants have interlinear neumes in the St. Gall style. | {
"type": [
"o"
]
} |
Script: written in two sizes of Caroline minuscule, with a smaller script for the chants and a larger one for the lessons; by the same scribe who copied the psalter preserved in Beinecke MS 481.46. | {
"type": [
"o"
]
} |
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