id
stringlengths 6
7
| context_id
stringclasses 560
values | question_id
stringclasses 29
values | domain
stringclasses 4
values | metadata
dict | context
stringclasses 560
values | question
stringlengths 3
185
| question_type
stringclasses 9
values | answers
sequencelengths 4
4
| correct_answer_id
int32 0
3
|
|---|---|---|---|---|---|---|---|---|---|
f054_8 | f054 | 8 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Marlin opened the saloon door: | Temporal_order | [
"after forcing it open",
"before getting off his horse",
"not enough information",
"before he checked for his gun"
] | 0 |
f054_9 | f054 | 9 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | How many drinks did Marlin have? | Factual | [
"not enough information",
"Three",
"Two",
"One"
] | 2 |
f054_10 | f054 | 10 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Who lives west of town about one mile? | Character_identity | [
"not enough information",
"The bartender",
"Kraamer",
"Marlin"
] | 2 |
f054_11 | f054 | 11 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | After following the railroad, Marlin was to: | Temporal_order | [
"not enough information",
"Wait at the edge of the forrest",
"Take the first trail south",
"Look for a cabin on a lake"
] | 2 |
f054_12 | f054 | 12 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | After feeling the chill in his bones, Marlin felt: | Belief_states | [
"not enough information",
"He should have worn a heavy coat",
"That snow was likely",
"He was too old"
] | 3 |
f054_13 | f054 | 13 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Marlin checked to make sure his gun was able to be easily retrieved: | Temporal_order | [
"not enough information",
"Before entering the saloon",
"After ordering a drink",
"After he spotted the farmers"
] | 1 |
f054_14 | f054 | 14 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | After the end of this story, Marlin's occupation is probably: | Unanswerable | [
"A law officer",
"not enough information",
"Kraamer's brother",
"A bounty hunter"
] | 1 |
f054_15 | f054 | 15 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | The cowboy with long blonde hair most likely: | Entity_properties | [
"Is Marlins brother",
"Does not brush his teeth",
"not enough information",
"Is overweight"
] | 1 |
f054_16 | f054 | 16 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | The cowboy that range the spittoon was probably: | Unanswerable | [
"not enough information",
"Known for being a rodeo star",
"Always getting into trouble",
"Always chewing tobacco"
] | 0 |
f054_17 | f054 | 17 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Marlin was most likely in the saloon: | Event_duration | [
"For a half hour",
"For a couple of days",
"not enough information",
"All night"
] | 0 |
f054_18 | f054 | 18 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Where did Marlin get his Army Colt? | Unanswerable | [
"From the bartender",
"From the blonde cowboy",
"not enough information",
"From one of the farmers"
] | 2 |
f054_19 | f054 | 19 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | What did John order from the bartender? | Factual | [
"Water",
"Whiskey",
"not enough information",
"Brandy"
] | 1 |
f054_20 | f054 | 20 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Why did Marlin go to the saloon? | Causality | [
"To see if anyone knows Kraamer",
"not enough information",
"To talk to a woman",
"To get something to drink"
] | 0 |
f054_21 | f054 | 21 | fiction | {
"author": "Lewis Shiner",
"title": "The Long Ride Out",
"url": "http://manybooks.net/pages/shinerlother07Long_Ride_Out/0.html"
} | The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town.
He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open.
The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom.
Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill.
When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?"
One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth.
Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door.
"Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." | Why is Marlin looking for Kraamer? | Unanswerable | [
"He is a friend of Marlin's",
"not enough information",
"He is wanted in connection to a crime",
"He owes Marlin money"
] | 1 |
f055_0 | f055 | 0 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What is most likely true about Reverend Billy Bunny? | Entity_properties | [
"He is scared that the drought won't end",
"He is hopeful that the drought will be over",
"not enough information",
"He is happy that the drought is happening"
] | 1 |
f055_1 | f055 | 1 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Who thinks that everything will be all right? | Belief_states | [
"not enough information",
"Rev. Bunny",
"Lenny",
"Sophie Bunny"
] | 1 |
f055_2 | f055 | 2 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Who wasn't worried about the drought? | Character_identity | [
"Albertus",
"Lenny",
"Sophie Bunny",
"not enough information"
] | 0 |
f055_3 | f055 | 3 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | At the end of the story, | Subsequent_state | [
"rain starts immediately",
"not enough information",
"there is still no rain",
"there is plenty of carrots"
] | 2 |
f055_4 | f055 | 4 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | The drought probably lasted: | Event_duration | [
"not enough information",
"Days",
"Years",
"Months"
] | 3 |
f055_5 | f055 | 5 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Why did the bunny who stole carrots from Big Al move? | Belief_states | [
"Because he got all the carrots he needed",
"Because he didn't like the town anymore",
"not enough information",
"Because he was scared of Big Al after he sat on him"
] | 3 |
f055_6 | f055 | 6 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Where did the dozen or so bunnies sit? | Factual | [
"In the fields",
"not enough information",
"In a large burrow",
"In a square with the bush"
] | 3 |
f055_7 | f055 | 7 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What is probably true about Big Al? | Entity_properties | [
"He is a Reverend",
"He is greedy",
"He is not a rabbit",
"not enough information"
] | 1 |
f055_8 | f055 | 8 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Big Al stored food when? | Temporal_order | [
"During the drought",
"not enough information",
"Before the drought",
"After the drought"
] | 2 |
f055_9 | f055 | 9 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | After the story ends Big Al: | Subsequent_state | [
"invites the other bunnies into his burrow.",
"probably eats his food during the drought",
"not enough information",
"shares his food with the other bunnies"
] | 1 |
f055_10 | f055 | 10 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | How long did Big Al sit on the small bunny? | Event_duration | [
"A few years",
"6 months",
"not enough information",
"Several minutes"
] | 3 |
f055_11 | f055 | 11 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Why wasn't Reverend Billy Bunny worried? | Causality | [
"Because he believed in the Easter Bunny",
"Because he had food stored away",
"not enough information",
"Because it was raining"
] | 0 |
f055_12 | f055 | 12 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Why was Lenny scared? | Causality | [
"Because Big Al sat on him.",
"Because he was not well-off.",
"Because of the drought.",
"not enough information"
] | 2 |
f055_13 | f055 | 13 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What did Big Al's parents leave him? | Factual | [
"A baby bunny",
"not enough information",
"Carrots",
"A large plot of land"
] | 3 |
f055_14 | f055 | 14 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What was the name of the female bunny? | Character_identity | [
"Sophie Bunny",
"Big Al",
"not enough information",
"Lenny"
] | 0 |
f055_15 | f055 | 15 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What did the small bunny do after Big Al let him up? | Temporal_order | [
"He moved to another burrow.",
"He moved to another bush.",
"He moved to another settlement.",
"not enough information"
] | 2 |
f055_16 | f055 | 16 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | After the end of the story, the Easter Bunny | Entity_properties | [
"Forgets it is Easter",
"not enough information",
"Helps the bunnies",
"Doesn't show up"
] | 2 |
f055_17 | f055 | 17 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | What is Sophie Bunny's favorite food? | Unanswerable | [
"lettuce",
"carrots",
"not enough information",
"cabbage"
] | 2 |
f055_18 | f055 | 18 | fiction | {
"author": "Lewis Shiner",
"title": "The Tale of Mark the Bunny",
"url": "http://manybooks.net/pages/shinerlother07mark_the_bunny/0.html"
} | One spring it stopped raining in early March and didn't start again.
There was one very well-off bunny in the village who had a large burrow and lots of food saved up. He wasn't worried about the drought at all. The other bunnies, though, looked at the purple-red nettles withering in the fields and the mayweed that hadn't even flowered and wondered if they were going to have enough food to get them through the next winter.
The very well-off bunny was named Albertus, but everybody called him Big Al--at least they called him that when they were sure he couldn't hear them. Big Al was in fact a very large bunny with long, white, silky fur. He had lots of land that his parents had left to him, and he never let any of the other bunnies gather food there. The story was that Big Al had sat on the one bunny who tried to make off with some of his carrots until the small bunny begged for mercy. After Big Al let him up, the small bunny moved to another village.
One morning a dozen or more bunnies sat around the village square, licking the dew off the dried and wrinkled clover to quench their thirsts, and talking about the drought. There was still a bit of a cool breeze from Possum Creek, a mile or so away. Sophie Bunny, who was large and sleek, with a black circle around one eye, was there with her husband Lenny and their youngest, Ralph, who still lived at home with them.
"I don't mind telling you," Lenny said, "I'm getting a little scared by all this." Lenny was a small, tan bunny with buck teeth and big cheeks like a chipmunk.
"No need to be afraid," said the short, overweight Reverend Billy Bunny, the village's spiritual leader. "The Easter Bunny will provide." He sat, as he usually did, by the thick green hawthorn bush in the middle of the square--although the bush was neither as thick nor as green as it had once been. | Lenny is probably: | Unanswerable | [
"The same age as Sophie Bunny",
"not enough information",
"Older than Sophia Bunny",
"Younger than Sophie Bunny"
] | 1 |
f056_0 | f056 | 0 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Who is Tavarius? | Unanswerable | [
"Sartas father",
"The King's brother",
"Sartas brother",
"not enough information"
] | 3 |
f056_1 | f056 | 1 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | The group's get together most likely was: | Entity_properties | [
"not enough information",
"During the morning",
"During the daytime",
"During the night"
] | 3 |
f056_2 | f056 | 2 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Why were the men laughing? | Causality | [
"The heat of the sun was making them dizzy.",
"They were making fun of Sartas.",
"They were sitting around the fire.",
"not enough information"
] | 1 |
f056_3 | f056 | 3 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Travarious believes that the sun causes: | Belief_states | [
"Sartas to hear voices",
"The guards to laugh",
"not enough information",
"The meat square to cook"
] | 0 |
f056_4 | f056 | 4 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Who sat across from the young guard? | Character_identity | [
"Sartas",
"not enough information",
"Tavarius",
"The king"
] | 2 |
f056_5 | f056 | 5 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | The group's get together probably lasted: | Event_duration | [
"All night",
"not enough information",
"All day",
"An hour or two"
] | 3 |
f056_6 | f056 | 6 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | What were all the men sitting around? | Factual | [
"A fire",
"not enough information",
"The sun",
"A light"
] | 0 |
f056_7 | f056 | 7 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | After the end of the passage, Sartas is: | Subsequent_state | [
"enthusiastic",
"not enough information",
"ecstatic",
"made feel uncomfortable by the other guards"
] | 3 |
f056_8 | f056 | 8 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Who ate the square of meat? | Character_identity | [
"not enough information",
"Tavarious",
"Guard",
"Sartas"
] | 1 |
f056_9 | f056 | 9 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Why was Sartas embarrassed? | Causality | [
"He dropped his food on the ground",
"not enough information",
"His teeth were yellow",
"The other guards insinuated that he needed sex"
] | 3 |
f056_10 | f056 | 10 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Sartas probably works as a guard: | Event_duration | [
"not enough information",
"For only a few minutes before taking a break",
"At night",
"In the daytime"
] | 3 |
f056_11 | f056 | 11 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | After the end of the story Travarious is | Subsequent_state | [
"not enough information",
"not hungry",
"hungry",
"admiring Sartas' devotion"
] | 1 |
f056_12 | f056 | 12 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Tavarious ate a piece of his meat: | Temporal_order | [
"before Sartas began telling his story",
"After he warned Sartas",
"not enough information",
"before he warned Sartas"
] | 3 |
f056_13 | f056 | 13 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | What did Travarious eat? | Factual | [
"Bread",
"not enough information",
"Stew",
"Meat"
] | 3 |
f056_14 | f056 | 14 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | Tavarius feels that: | Belief_states | [
"not enough information",
"Sartas should put out the fire",
"Sartas is going to die",
"Sartas attitude is not favorable"
] | 3 |
f056_15 | f056 | 15 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | The men laughed: | Temporal_order | [
"not enough information",
"Before Sartas squatted by the fire",
"After Tavarious wiped his chin",
"After Sartas said he hears voices"
] | 3 |
f056_16 | f056 | 16 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | What was most likely true about Tavarius? | Entity_properties | [
"He does not eat meat",
"He is afraid of his colleagues",
"He has bad dental hygiene",
"not enough information"
] | 2 |
f056_17 | f056 | 17 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | What is probably true about Sartas? | Entity_properties | [
"He is lazy",
"not enough information",
"He enjoys sweating and panting in the sun",
"He is hard worker who takes his job as a guard seriously"
] | 3 |
f056_18 | f056 | 18 | fiction | {
"author": "Lindsay Brambles",
"title": "The Wall",
"url": "http://manybooks.net/pages/brambleslother07The_Wall/0.html"
} | "Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side."
"Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?"
"Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing.
"I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues.
"No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk.
"It wasn't the sun," Sartas retorted petulantly.
Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." | What was Sartas guarding? | Unanswerable | [
"The King's Jewels",
"The fire",
"not enough information",
"The metal plate"
] | 2 |
f057_0 | f057 | 0 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | How did mother and the children get to the store? | Unanswerable | [
"Train",
"not enough information",
"Bus",
"Car"
] | 1 |
f057_1 | f057 | 1 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | Who accompanied Mother to the grocery store | Factual | [
"not enough information",
"Father",
"The author alone",
"The author and siblings"
] | 3 |
f057_2 | f057 | 2 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | The author thought mothers grocery list was like what? | Belief_states | [
"easy to understand list",
"detailed check list",
"ordering unknown chemicals in a lab",
"not enough information"
] | 2 |
f057_3 | f057 | 3 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | Who knew the rules to mothers's shopping list? | Character_identity | [
"Mother",
"The Author's Sibling",
"not enough information",
"The Author"
] | 0 |
f057_4 | f057 | 4 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | Why did the author feel shame during the grocery trip? | Causality | [
"She couldn't read her mother's writing.",
"She wasn't trusted to pick out produce.",
"Because she had a hard time figuring out what exactly the mother wanted.",
"not enough information"
] | 2 |
f057_5 | f057 | 5 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | After the end of grocery shopping with his/her mother, the author is: | Subsequent_state | [
"frustrated",
"happy",
"not enough information",
"wishing to do it again"
] | 0 |
f057_6 | f057 | 6 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | Where did the author dread going with his/her mother? | Factual | [
"The supermarket.",
"The edge of town",
"not enough information",
"Costco"
] | 0 |
f057_7 | f057 | 7 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | How many times did the author have to return to her mother for clarification? | Unanswerable | [
"Once.",
"Three times.",
"Five times.",
"not enough information"
] | 3 |
f057_8 | f057 | 8 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | How did the children learn which brands Mother wanted them to fetch? | Causality | [
"not enough information",
"By mother picking the right one first for them",
"By pictures of the item in a magazine",
"By bringing the wrong item back to the mother cart"
] | 3 |
f057_9 | f057 | 9 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | How long would they spend in a shop? | Event_duration | [
"An hour or two",
"5 hours",
"whole day",
"not enough information"
] | 0 |
f057_10 | f057 | 10 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | What is probably true about the author's mother? | Entity_properties | [
"She tries to save time when she writes grocery lists",
"She likes cleaning",
"not enough information",
"She likes baking pizza"
] | 0 |
f057_11 | f057 | 11 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | While mother was in the produce section the siblings were? | Temporal_order | [
"Chasing down items from the grocery list",
"not enough information",
"Playing in the aisles",
"Pushing the shopping cart"
] | 0 |
f057_12 | f057 | 12 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | The author thinks his/her mother's list is: | Belief_states | [
"Disorganized",
"Confusing because of bad handwriting",
"Confusing because of the weird abbreviations",
"not enough information"
] | 2 |
f057_13 | f057 | 13 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | What would be true of mother and siblings after a shopping trip? | Subsequent_state | [
"not enough information",
"they would now have groceries not according to the list",
"they would now have the groceries according to the shopping list, after much running around",
"they would not get any groceries"
] | 2 |
f057_14 | f057 | 14 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | Who wouldn't be trusted to pick out produce? | Character_identity | [
"The mother.",
"The children.",
"The children's father.",
"not enough information"
] | 1 |
f057_15 | f057 | 15 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | The grocery trips probably lasted: | Event_duration | [
"A couple hours",
"A week",
"Several days",
"not enough information"
] | 0 |
f057_16 | f057 | 16 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | What items did Mother not trust the children to get? | Factual | [
"tomato sauce",
"laundry detergent",
"not enough information",
"fresh produce"
] | 3 |
f057_17 | f057 | 17 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | When would the author ask for clarification on the grocery list? | Temporal_order | [
"Before the mother sent him/her off to find the items.",
"After searching but not being able to find what she wanted.",
"When the mother handed him/her the list.",
"not enough information"
] | 1 |
f057_18 | f057 | 18 | fiction | {
"author": "Shelby Davis",
"title": "Lists",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | My mother's shopping lists were ordered by rules known only to her. As you slid your finger down the columns of groceries and toiletries, you would invariably be stopped by something along the lines of "2dozjumHerbal Essences" or "1pepperoni TC," with the "TC" underlined twice and flanked by gnarled masses of pencil scratch-outs. When we were kids, we dreaded accompanying her to Wal-Mart, or worse, the Cosco at the edge of town, where the echoing rafters and limitless aisles seemed to mock the confusion into which we were inevitably thrown when handed torn-off fragments of the list. Of course, it was easy enough to see in hindsight that "2dozjumHerbal Essences" was merely the bastard child of two drunkenly weaving columns--we had been supposed to get two dozen jumbo eggs and a bottle of my mother's favourite brand of shampoo (ever inventive in creating proprietary abbreviations--"TC" standing for, what else, thin crust pizza--my mother scrupulously wrote out brand names in full).
It was a little like ordering chemicals for a laboratory, sans any knowledge of chemistry--or, for that matter, laboratories, although my ignorance of the distinction between baking soda and baking powder cannot be entirely the root of my confusion. Eventually I--and my siblings--learned the difference between tomato paste and tomato sauce, and could readily distinguish one brand of laundry detergent from a similarly-styled knock-off, but my shame-faced trips back to the mothercart never ceased. I would track her down, most often in the produce section--she was usually loath to trust us with the delicate task of selecting the very best fruits and vegetables--and hand her back my portion of the list, asking for an explanation. Usually it amounted to a failure of awareness on my part--get the kind of soap we always get, of course! | What lesson was Mother teaching the children at the grocery store? | Entity_properties | [
"not enough information",
"how to earn money",
"how to find coupons",
"how to do grocery shopping"
] | 3 |
f058_0 | f058 | 0 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What can be inferred about the narrator. | Entity_properties | [
"He enjoys jewelry.",
"not enough information",
"He likes sandwiches.",
"His commute is lengthy and time-consuming."
] | 3 |
f058_1 | f058 | 1 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | How many billboards did the driver see on his way home? | Factual | [
"not enough information",
"2",
"2",
"3"
] | 3 |
f058_2 | f058 | 2 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | The driver desires | Belief_states | [
"to have more lawyers",
"to go to casino",
"A place away from his normal commuting life",
"not enough information"
] | 2 |
f058_3 | f058 | 3 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What does the narrator believe would be worth spending money on? | Belief_states | [
"Placing an image on a billboard.",
"Visiting a casino to gamble from a billboard advertisement.",
"Hiring a lawyer from a billboard advertisement.",
"not enough information"
] | 0 |
f058_4 | f058 | 4 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | The narrators commute is likely: | Event_duration | [
"Exactly 25 minutes.",
"not enough information",
"Less than 10 minutes",
"More than 20 minutes"
] | 3 |
f058_5 | f058 | 5 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What ad came before the ad for casino? | Temporal_order | [
"business management solution",
"not enough information",
"sandwiches",
"watches"
] | 3 |
f058_6 | f058 | 6 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | Who drives on Highway 35? | Character_identity | [
"not enough information",
"A lawyer.",
"The narrator.",
"A jeweler."
] | 2 |
f058_7 | f058 | 7 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | How did the driver spend a good half grand? | Causality | [
"not enough information",
"on lawyers",
"on a billboard",
"in casino"
] | 2 |
f058_8 | f058 | 8 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | After the events outlined by the story, the narrator feels: | Subsequent_state | [
"Happy",
"Confused",
"not enough information",
"Tired"
] | 0 |
f058_9 | f058 | 9 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What colors were the clearest in the sunlit mountains? | Factual | [
"not enough information",
"greens",
"blues",
"vibrant oranges"
] | 3 |
f058_10 | f058 | 10 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | The narrator likely: | Unanswerable | [
"Hates his job",
"Does not enjoy eating sandwiches after work.",
"Thinks advertisements are a waste of space and money.",
"not enough information"
] | 3 |
f058_11 | f058 | 11 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | The driver's time passing his billboard probably lasted | Event_duration | [
"a few minutes",
"a few weeks",
"several hours",
"not enough information"
] | 0 |
f058_12 | f058 | 12 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | After the end of the story, the driver is | Subsequent_state | [
"content",
"sad",
"richer than he was",
"not enough information"
] | 0 |
f058_13 | f058 | 13 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | Who took the picture of the mountains placed on the billboard? | Character_identity | [
"advertising gimmick",
"the driver",
"not enough information",
"Maxfield Parrish"
] | 3 |
f058_14 | f058 | 14 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | The narrator saw the billboard for business management solutions: | Temporal_order | [
"Before the billboard advertising a sandwich shop.",
"Before the billboard advertising a jeweler.",
"After the billboard advertising a sandwich shop.",
"not enough information"
] | 0 |
f058_15 | f058 | 15 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What product did the narrator NOT see advertized? | Factual | [
"Mountain retreats",
"Casino.",
"not enough information",
"Jewelry."
] | 0 |
f058_16 | f058 | 16 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | Why would people be confused about the final advertisement mentioned in the story? | Causality | [
"not enough information",
"It showed images of streams.",
"It showed images of mountains.",
"It did not advertise any business or product."
] | 3 |
f058_17 | f058 | 17 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What is probably true about the driver? | Entity_properties | [
"The driver yearns for the outdoors.",
"The driver has a lot of jewelry",
"The driver likes commercial advertising",
"not enough information"
] | 0 |
f058_18 | f058 | 18 | fiction | {
"author": "Shelby Davis",
"title": "All Ye Know on Earth",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on.
The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's.
I had an idea.
I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up.
Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer.
No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. | What city does the story take place in? | Unanswerable | [
"not enough information",
"Los Angelos",
"Chicago",
"New York"
] | 0 |
f059_0 | f059 | 0 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | When do the relatives of the patients smile or look sad? | Temporal_order | [
"While being called out",
"After being called out",
"not enough information",
"Before being called out"
] | 1 |
f059_1 | f059 | 1 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Did the author enjoy the coffee and scones? | Unanswerable | [
"not enough information",
"No",
"Somewhat",
"Yes"
] | 0 |
f059_2 | f059 | 2 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Who is waiting in the green room? | Character_identity | [
"not enough information",
"Relatives of patients.",
"The doctors.",
"The nurses."
] | 1 |
f059_3 | f059 | 3 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Who did the author mention would smile in the waiting room? | Character_identity | [
"not enough information",
"The old ones",
"The doctors",
"The young ones"
] | 1 |
f059_4 | f059 | 4 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Many of the guests in the green room had probably been waiting for: | Event_duration | [
"Several hours.",
"Over a week.",
"A few minutes.",
"not enough information"
] | 0 |
f059_5 | f059 | 5 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | What kind of colors were the walls in the waiting room? | Factual | [
"Green and boring",
"not enough information",
"Modern and bright",
"Trendy but muted"
] | 3 |
f059_6 | f059 | 6 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Why did the narrator go to the hospital? | Causality | [
"Because the narrator wanted some coffee and scones",
"not enough information",
"Because the narrator was interested in the dying",
"Because the narrator had a sick relative"
] | 2 |
f059_7 | f059 | 7 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | After deciding to go to the hospital, where does the main character end up? | Factual | [
"On a couch in the green room",
"In a loveseat in the waiting room",
"On a bench in the waiting room",
"not enough information"
] | 2 |
f059_8 | f059 | 8 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | What does the narrator believe the room is designed for? | Belief_states | [
"not enough information",
"To be a place where relatives of patients can wait.",
"To keep everyone calm during their stressful time.",
"To be a place where doctors can speak to patients' families."
] | 2 |
f059_9 | f059 | 9 | fiction | {
"author": "Shelby Davis",
"title": "Death and Mumbling",
"url": "http://manybooks.net/pages/davissother09This_Is_Not_The_End/0.html"
} | I thought I might get some good ideas if I went down to the hospital.
I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me.
I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad.
I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. | Why did the author go to the hospital? | Causality | [
"To get ideas",
"To examine the relatives of the patients",
"To examine the patients",
"not enough information"
] | 0 |