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Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity followed the rules. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | He obtained control of the Rockets through honest means. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity controversially obtained control of the Rockets. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity sometimes ignored the rules | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was a stickler when it came to following the rules | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity got along with the other managers and owners | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | at the yearly meeting for all of baseball's owners, Garrity is often the most well-liked guy in the room. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity has worked in baseball his entire life | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity liked to manage his players so that they have long careers | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | When the Rockets were owned by Garrity, people hated them but they were succesful | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | When it comes to being a jerk, Garrity held the belt | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was never a baseball manager | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was a baseball manager | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was once a basketball manager | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was never a basketball manager | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | The team that Garrity owns is a part of unorganized baseball. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was once a newspaper reporter. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity's team is called the Garrity's. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity's team is called the Rockets. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity changed the named of the team to the rockets. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity's players often showed signs of weakness | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was in a constant wrangle with himself. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity downgraded his pitchers to the minors whenever they won games. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity's team won first place each year | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity's team won more than 25 games. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was the least sinister figure in organized baseball. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity used to work in media. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity worked in media before becoming a baseball team owner. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity worked in media after becoming a baseball team owner. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Players who worked for Garrity got tired out. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Players who worked for Garrity found it relaxing. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity killed a pitcher. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity demoted players who showed weakness. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity killed players who showed weakness. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity shot players who showed weakness. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity once punched another manager. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity owned the Houston Rockets. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity owned the Rockets. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity wrote many regulations and bylaws. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity ignored regulations and bylaws. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | No one in organized baseball was more sinister than Garrity. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity wrest control of the Rockets from its previous manager using violent means. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garitty was the only person to own and/or manage the Rockets in the history of the baseball team. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was skilled at sowing dissention among sportsmen and decision makers. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Even when a pitcher had contributed positively to the Rockets winning games, if Garrity though that pitcher might be faltering, he would demote him to a lower league very quickly. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was a newspaper reporter at the same time as when he controlled the Rockets baseball team. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was the most sinister figure in disorganized baseball. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Regulations, bylaws, restraint and control were treated just like discord and dissention by Garrity. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Before running the Rockets, Garrity worked as a winning pitcher. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | As a creator of discord and dissention, Garrity defied the other owners and managers, and scoffed at them. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Whenever a pitcher sowed dissention or defied restraint, Garrity organized the other owners and managers to make him into a newspaper reporter. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | After Garrity began to control the Rockets, he was paid for his work despite being difficult to work with. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | For a time, Garrity was related to the Rockets baseball team by his employment. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | The Rockets were an organized baseball team that was not part of the minor league. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity took over the Rockets by decieving and tricking other people. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was left-handed. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was right-handed. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity had control over some players' careers. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was a reporter while he was in baseball. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Some people in baseball were not cooperative with others. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was well-liked. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | The winning pitched was tested until his heart physically stopped beating. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity was an owner and manager. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity owned a restrained leather belt that he held tightly in his hands while working winning pitchers to death. | contradiction |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | It is possible to seize oversight of a baseball team through dishonest means. | entailment |
Garrity was the most sinister figure in organized baseball. Once a newspaper reporter, he had somehow obtained control of the Rockets by chicanery and fraud. Sympathy and gratitude were sentiments unknown to him. He would work a winning pitcher to death, and then send the man shooting down to the minors the moment he showed the slightest symptom of weakness. He scoffed at regulations and bylaws; he defied restraint and control; he was in a constant wrangle with other owners and managers; and as a creator of discord and dissension he held the belt. | Garrity believed that regulations and bylaws provided a useful source of restraint and control. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Sound is due to the vibration of objects. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Sound is due to the vibration of pianos. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Light is due to the vibration of objects. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Sound is due to the luminescence of objects. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Piano string are incapable of vibrating | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Piano strings cannot move side to side. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Pianos can produce sound. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Pianos are capable of sending air into rapid motion | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | The eye is responsible for recording sound | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Ear-drums can record the sound produce by vibrating piano strings | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | The equivalent of the ear-drum in old telephones is a film of sheepskin or bladder | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | The head of a drum and the strings of a piano are similar in that they both vibrate | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Piano strings are struck using a drum stick. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Telephones record vibratory waves coming from human voices. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Telephones record sound using disks of metal or membranes. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | The passage compares the electricity in telephones with the nervous system of the human body. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Telephones are able to transport sound from one location to another. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | When a piano string is pulled to one side and held, it will produce sound. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Our ear drums can hear sound when the vibration of air is in slow motion. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | A piano string is not made of sheepskin. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Sound utilized the forces of gravity to produce audible noise. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | electricity is a vehicle that carries sound in telephones. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Without vibration there can be no sound. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Telephone wires are electrically conductive. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Classical pianos use electriity | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Sound is due to signals in the brain, when an object hits a sound it vibrates the brain. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Vibrations from pianos, telephones, and drums are created by striking each object. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Piano strings, like drums, vibrate when struck | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Telephones, drums, and pianos create sounds that at some point can travel to our ear drums. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | there may be a disk of metal in the telephone transmitter. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | The head of a drum only vibrates when hit with a small stick and not a large stick. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Vibrations reaching the eardrum allow you to hear. | entailment |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Vibrations can be created only through electricity. | contradiction |
Sound is due to the vibrations of objects. A piano string produces sound because of its vibration when struck, or pulled to one side and then released. This vibration sets the air in rapid motion, and the result is the recording of the sound on our ear-drums. In old telephones, this recording corresponds to a film of sheepskin or bladder drawn over a hollow cup or cylinder. When the head of a drum is struck with a small stick it vibrates. In this case the vibrations are set in motion by the blow, while in the telephone a similar phenomenon is the result of vibratory waves falling from the voice on the thin membrane, or disk of metal, in the transmitter. When these vibrations reach the ear-drum the nervous system, corresponding to electricity in the mechanical telephone, carries this sound to our brains where it is recorded and understood. In the telephone the wire, charged with electricity, carries the sound from one place to another. | Electriity is a key component of sound | contradiction |