text
stringlengths 52
13.7k
| label
class label 2
classes |
|---|---|
Since the start of her career in the 70's and vastly throughout the exuberant 80's, Elvira (Cassandra Peterson) has grown into a modest icon and genuine cult figure in the world of horror & bad monster movies. While Ms. Peterson has taken on various supporting roles in motion pictures, covering a wide variety in genres, it was her TV-character Elvira that brought her the most fame. Part of her charm and respect from the fans lies in the fact she never turned her back on the horror genre that made her famous (unlike many other big name actors & actresses that like to distantiate themselves from their "early" work). I've seen only bits & pieces of her TV performances, but her cameo role in Ghoultown's recent tribute song "Mistress of the Dark" really encouraged me to check out more of her stuff. One thing had been clear to me already long before this music video: Over the years, Elvira had become a force of influence herself by the time the mid-80's came around.<br /><br />And in 1988, after films like "Fright Night" and "TerrorVision" incorporated homages to and spoofs on her TV-work, it finally happened: "Elvira, Mistress of the Dark", the motion picture. Now, I had seen the trailer for it already back in the VHS rental days, but it took me until last week to finally see the actual film. A few years ago, I did manage to watch "Elvira's Haunted Hills" (made in 2001), but for some reason it didn't impress me all that much. Was it really that forgettable, or should I give it another watch? I actually really do feel like re-watching it now, as this first Elvira film from '88 really convinced me. Though perhaps partly responsible for making this film work, might be Sam Egan and John Paragon with their contributions to the script, there really is no way to deny it: Cassandra Peterson has a great feel for comedy (she also co-wrote the screenplay).<br /><br />When Elvira learns she's one of the beneficiaries of a Great Aunt (she never heard of before), she takes it as the long cherished opportunity to start up her own show in Las Vegas. Out to claim her rightfully inherited money, she travels to a quiet New England town. But the uptight townspeople of Falwell are in for a treat. In less than no time she manages to shock and insult all noteworthy inhabitants of the conservative little town with her (often unintentionally) provocative behaviour. To make things worse, her inheritance turns out not to be what she expected: A rundown mansion, a cookbook and a poodle. But what she doesn't know, and her evil uncle Vincent Albot does, is that her Great Aunt was a witch, and the cookbook contains recipes to concoct the most hellishly dark powers imaginable. And if you haven't turned off the movie yet by the time Elvira has cooked up her first dish from the recipe-book, then rest assured, you're going to sit out this ride with a smile on your face.<br /><br />It's surprising how a script rigged together with boob-jokes, witty one-liners, movie references, inside jokes and bade taste merriment also manages to tell a coherent story. Simple, of course, but coherent. While other movies, heavily relying on gag-like situations, often make you loose track of the story completely (like the "Naked Gun" films, for example), this film doesn't. A lot of horror-comedies were being produced during the 80's, but not a lot of them actually worked. Let alone a horror-spoof that doesn't derail at some point ("Killer Party", although I'm grateful for this one going completely bonkers during the finale) or becomes too tedious too quickly ("Saturday the 14th"). Although "Elvira" is more comedy than horror, it doesn't loose track of what it's doing and consistently builds up towards a mildly grotesque finale, complete with a supernatural showdown in the streets of Falwell between newborn witch Elvira and evil uncle wizard Talbot, including a real honest-to-god witch hunt and Elvira's very own burn-at-the-stake moment.<br /><br />I'm telling you, there's no power in hell that could make this movie unfunny. One of the first giggles I got was during the opening credits already, when Daniel Greene's name appeared. Daniel who? Oh yes, I recognized his name (and later on his dim-witted macho-face). How can one not forget Daniel Greene once you've seen... "Atomic Cyborg aka Fists of Steel"! But if you haven't seen "Atomic Cyborg", then I'm sorry, but you won't be able to laugh with his face in this one. And on a side-note: I never could have imagined Elvira looking this cool while ignorantly driving away from a gas station. Even Robert Rodriguez could not have made that shot look any better. | 1pos
|
To be honest I watched this movie only because of my pubert needs. I mean, I couldn't get women at my age (I was 9 or 10) so I thought watching Elvira's cleavage was the closet thing to sex.<br /><br />I ended up having a great time with this cult classic about horror comedy, Halloween parties, sassy humor, and some sexy evil displayed by Elvira.<br /><br />They just don't make movies like this anymore... It had the feeling of an amateur effort mixed with a late night cable talk show host style. <br /><br />The truth is that it generated plenty of fans because of it's humor and the ability to perform by Cassandra. <br /><br />This is classic that reminds me of the good days of USA Up All Night. | 1pos
|
The magnetism radiated from Elvira, drawing her legions of devoted admirers, has a primordial quality. With her lengthy, well-toned figure, large-bust, innocuously mischievous attitude and grab-bag lexicon of me-generation valley slang, the character of Elvira has a universal and timeless appeal. As an aspiring folklorist and an individual deeply interested in the structure of storytelling, it is evident that the Elvira persona has certain archetypal elements that help to make the character more than the sum of her corny one-liners and large chest. As initiated from the manner in which the children of the town react to her, she represents the deep adolescent fantasy for an experienced woman whom can connect to them of their level: a strange mixture of one-dimensional romantic yearning, boyish sexual craving and the desire for non-threateningly lighthearted fun. She symbolizes an undeveloped ideal of womanhood perfected for the boys and a source of strength for the girls of the town. The other adults have trouble with her for the same reasons. In the end, however, her film cannot move pass its more campy ingredients. The end result is that while Elvira is infinitely interesting, her film is limited by how weak a showcase it is for her talents. Nearly everything is tailored to an adolescent mindset and although it is a straightforward comedy, only those who can still process information with the mind of a young person will be able to enjoy the nonsense. Fortunately, I have such ability and found the film to be a delightful charmer.<br /><br />Best Quote: Bob Redding: How's your head? Elvira: I haven't had any complaints. | 1pos
|
I wasn't expecting much, and, to be honest, I didn't like this film the first time around but watching it again and I realised that it's kinda cool. Sure, it's a one joke film but it's a funny gag. <br /><br />Someone posted that it could be better written and it could be. I think this film had the potential to be a over-the-top My Cousin Vinny. But with a horror host instead of a lawyer. Sadly it's a wasted opportunity. With just a bit more writing it could be a classic. The kids are underused there's no reason why they should latch on to Elvira. Apart from the obvious reasons. It would have been great to see their relationship flourish. I know it's a comedy but it's little differences that separate the good films from the brilliant.<br /><br />Elvira herself is always fun and engaging. Not to mention flirty. Every time she smiles you will too. It's hard to knock a film when the main character is so charming. And it really is her charm, don't let her looks fool you into thinking that she's some sort of tart. Well she is. But she's a nice one. The sort of person you'd let look after your kids. Wouldn't let her cook for them, though...<br /><br />I'd recommend giving it a go. <br /><br />Just don't expect too much.<br /><br />She's more than just a great set of boobs. She's also an incredible pair of legs. | 1pos
|
Elvira, Mistress of The Dark, is a fun, camp horror comedy, in which the fourth wall is broken a couple of times and the jokes often stay below the navel. And the breasts of Cassandra Peterson become a character of their own.<br /><br />Elvira (Cassandra Peterson) is stacked horror show hostess, who learns, that she has inherited her aunt Morgana. So she goes to a little town of Fallwell, which is ruled by the most horrendous monster ever to embrace the earth: Morality comity. Elviras boobacious appearance is, of course, too much for the prunes, but the kids of the town get a kick out of her different kind of approach on life. And of course there is even more sinister evil, her uncle Vincent (William Morgan Sheppard), who is after Elvira's mothers book of spells. See, Elvira actually is a real witch, she just doesn't know it. Yet.<br /><br />For what it is, Elvira is quite funny film, even though the script does leave a lot of room for improvement. Most laughs come from the difference between Elvira and the people of good morals, but there are a couple of good visual gags as well. Over all direction is okay, but it never rises to be anything more than that. In all, a good, intentionally campy, comedy. If you like this kind of thing, that is. | 1pos
|
Those who love Elivra as I did in her late night movie hostess duties will love this movie - she is just plain cool - her car is great, and she is a bit of a Transylvanian Dolly Parton - she is so innocent and naive at times - and sexy all of the time - plus, more than a touch of Mae West -<br /><br />The sets are well done as well, and the comic cast is great, with Edie McClurg at her usual best - plus Sally Kellerman as Patty is hilarious. Any time I have to crunch something for a topping, I will think of how Elvira crunches the potato chips -<br /><br />This movie is one to be watched again and again - just for the fun of it. Now I have to get the sequel to it, Elvira's Haunted Hills, and see if it lives up to this one ---- | 1pos
|
Elvira Mistress Of The Dark (1988): Cassandra Peterson, Daniel Greene, William Morgan Sheppard, Susan Kellerman, Edie McClug, Jeff Conaway, Phil Rubenstein, Larry Flash Jenkins, Tress MacNeille, Damita Jo Freeman, Mario Celario, William Dance, Lee McLaughlin, Charles Woolf, Sharon Hays, Bill Cable, Joseph Arias, Scott Morris, Ira Heiden, Frank Collison, Lynne Marie Stewart, Marie Sullivan, Jack Fletcher, Robert Benedetti, Kate Brown, Hugh Gillin, Eve Smith, Raleigh Bond, Tony Burrier, Alan Dewames, Timm Hill, Read Scot, James Hogan, Derek Givens...Director James Signorelli...Screenplay Sam Egan, John Paragon.<br /><br />Elvira, Mistress of the Dark was an 80's TV icon who had her own late night show on cable. She hosted and presented classic American horror films, many of them campy, while providing her own quips and humorous remarks. Actress Cassandra Peterson has to this date ridden on that success. In 1988, her first film was released. Playing herself, she's stuck hosting monster movie shows but longs for her own show in Las Vegas and make big money. Her agent Manny proves a disappointment. It's not long before she inherits a mansion from a deceased relative, a pet dog and a book of recipes. She comes to claim her inheritance in a small Nevada town - she was on her way to Vegas and became lost - and soon stirs things up in the sedate community. Outspoken conservative town council woman Chastity Pariah (Edie McClurg) soon sees her as a threat to the decency and values of the small town. Her voluptuous figure and winning personality soon draws the youth of the town. She falls for Bob Redding (Daniel Greene) the town handyman/carpenter, but before any real relationship can bloom, she finds herself in deep trouble. Vincent Talbot (William Morgan Sheppard) an eerie older man who is also set to inherit part of the fortune of Elvira's relative is in fact an age-old sorcerer who has a personal vendetta against Elvira's aunt and Elvira herself. He is aware that the so-called "recipe book" is actually a book of powerful magic, a power he wishes to claim for himself. He schemes to bring down Elvira by having the town burn her at the stake. How will Elvira get out of this one ? The movie was no real success at the box office, drawing a crowd of mostly young audiences familiar with the Elvira show on cable. Truth be told, this is a funny and feel-good movie. The script is chalk full of all kinds of jokes, some bad, some good, lots of sexual innuendo, visual jokes and overall campiness i.e. the hilarious last scene in which Elvira has finally got her own strip show in Vegas. This film is a cult classic of sorts, catering to Elvira fans. You couldn't enjoy this film otherwise. It's also a look back at "pop" culture of the 80's. Elvira was as much an icon of the 80's as was Alf, Vicky the Robot, Hulk Hogan, Mr. T and Madonna. | 1pos
|
Cassandra Peterson originally created Elvira as the television hostess of late-night horror films, and when the character proved unexpectedly popular she suddenly found herself doing everything from beer commercials to spots on The Tonight Show with Johnny Carson. She reached the peak of her popularity in the late 1980s, and the film ELVIRA, MISTRESS OF THE DARK was the result.<br /><br />The plot is flyweight. Television horror film hostess Elvira dreams of success in Las Vegas. When her great aunt dies, she travels to New England in hopes that the estate will provide enough money to back a stage show; she is disappointed to find she has inherited a rundown house, a poodle, and an old book. It happens that the town is puritanical beyond all description, and she provokes righteous indignation everywhere she goes. It also happens that her great uncle is secretly an evil warlock and very intent on laying hands on "the old book." Throw in a few teenagers, a stud muffin, and a hateful woman with falsies and there you go.<br /><br />No one would accuse it of being a cinematic masterpiece, and it does drag now and then. But Cassandra Peterson demonstrates tremendous flair from start to finish: squirmy, sexy, and mixing lowbrow humor with flashes of sharp comedy, she dances through the film like a ringmaster in a circus of corny and often self-mocking jokes. From a FLASHDANCE disaster to witchcraft craziness, she is never less than wildly entertaining. It's a tremendous amount of fun, and the film's conclusion even manages to generate considerable suspense. Will Elvira best her evil uncle and save the day? Well, I don't want to give anything away, so let's just say you'll have a lot of fun finding out.<br /><br />DVD quality is okay and there's little in the way of bonus material, but if you're in the mood for something silly this one is sure to answer the urge. And if you've never seen tassle-twirling, you're in for a treat. Recommended.<br /><br />GFT, Amazon Reviewer | 1pos
|
This is a cute little horror spoof/comedy featuring Cassandra Peterson aka Elvira: Mistress of the Dark, the most infamous horror hostess of all time. This was meant to be the pilot vehicle for Elvira and was so successful that it was picked up by the NBC Network. They filmed a pilot for a television series to feature the busty babe in black but unfortunately the sit-com never made it past the pilot stage due to it's sexual references. This film however, is very amusing. Elvira is the modern-day Chesty Morgan and the queen of the one-liners. This film was followed up a few years later by the abysmal "Elvira's Haunted Hills" which was meant to be a take-off of the old Roger Corman movies but falls flat on it's face. Watch this movie instead for a much more entertaining experience! | 1pos
|
Then you must see this film, to understand the reality. Having read the book, Ms. Duke is now an advocate for those afflicted with bipolar disorder; formerly labeled manic-depression.<br /><br />It is hard to believe that in this day and age, people still critique others with emotional problems, or those who seek psychiatric help. Regressive and discriminatory thinking still exists, and this is unfortunate.<br /><br />In this film, the audience sees the pain and suffering Ms. Duke had been through, especially as a child. Many of us may remember her from the teenage "Patty Duke Show". She was a household name in America by age 15.<br /><br />You learn of her exploitation by the Ross'(well played by Howard Hesseman). As she was growing up in the 1950's, the stigma was in full-force. However, we see as she advances in her career, yet the illness becomes worse. She goes through bouts of substance abuse and promiscuity; even marries someone whom she divorces the next week; and she has several conflicts and tantrums with her children and elderly mother. All these problem occurred before she received adequate therapy, and medication.<br /><br />A recent survey released by NAMI (National Alliance on Mental Illness) recorded that a majority of US adults fail to recognize most of the classic symptoms of bipolar disorder. It also was released that one in five respondents to the poll believed that people could CONTROL their illness without medication if they wanted to. (bp Magazine, Winter 2006) If you watch this film, you will learn the true story of a talented woman who could not "pull herself up by her bootstraps" and "get well" until she was educated about her disorder, and received proper treatment. Thank you, Ms. Duke, for being an advocate against ignorance and prejudice. | 1pos
|
I think it took a lot of guts for her to come forward like that. It is unfortunate that when a celebrity suffers that is what helps people most. But, in her case, what she did was remarkable. I have been in the mental health field for five years and I think it is great that mental illness is not a terrible word anymore and I believe she helped. I always thought she was great and always will. I am glad that she wrote this book and that the movie was made. She is a remarkable lady and I hope she continues to act. She has been through a lot and has faced it. I would really love to see her work more with children, especially child actors. Her ordeal should not have happened and I think she would be wonderful as a mentor to young people. The movie was so moving to me that I was very touched. Suffering a TBI which brought the onset of my disorder and having PTSD, it is good to know that someone has the courage enough to display her life as she did. I believe it helped this nation and people in general realize that there are others like them and that there is help. Thank you Ms. Duke, or Anna, which ever you prefer. | 1pos
|
This is such a great movie "Call Me Anna" because it shows how a person has suffered for so long without knowing what was wrong with her. For Patty Duke to come out in the publics eye and tell her story is an inspiration to those who suffer from this disease. I have a lot of respect for her as a person. The only thing I don't like is I can't get it on tape, I've tried looking for it but with no success. Any one know how to get it? | 1pos
|
Ms Patty Duke's story about her life and struggles with manic depression were just like my life struggles. I saw myself acting out just like her. I was so amazed at the similarities of our lives to include the sexual abuse that we both endured as children.<br /><br />I saw the movie when it first premiered in 1990 and I have loved this movie so much. Anyone who has struggled with manic depression could get so much from this movie. Never mind about if it showed her awards or what they were for. That is not the issue here. The issue is how Ms Duke had an illness and fought to survive it and overcame. Ms. Duke has much to be proud of in her accomplishments with her struggles for survival of a disease that often leaves many victims without hope.<br /><br />Unless a person has struggled with this illness personally they don't know the hell they have to live with. The movie to me was a success because it showed the real issues and how a person who is depressed and manic acts. It was so real...so, so, real. It was like watching myself up there on screen.<br /><br />I wish I could thank Ms. Patty Duke in person for having the courage to let the public know about her illness. Bocka | 1pos
|
Long before Tim LaHaye and Jerry B. Jenkins would shake the world of the Christian subculture (and make millions in the process) with the LEFT BEHIND books, MARK IV Pictures, the Christian film distribution company of the Billy Graham evangelistic association, gave us this masterwork. What I love most about this genre is its incredible attention to detail, sitting in a living room. Instead of taking us to the dramatic scenes of this "post-rapture" tribulation, we sit in the living room, hearing about it on the news because the filmmakers can't afford to show it. The film's premise is grounded in Pre-Millenial, pre-Tribulation eschatalogy, believing that Christ comes once for the secret taking of the true church, and then comes again at the end of the seven years of hell on earth. What used to terrify me in junior high now makes me laugh. The intriguing adventures of Patty and her journey throughout the tribulation (and two of the film's three sequels) tells her remarkable story of unbelief and ultimately damnation. I hate to admit it, but I still thoroughly enjoy watching this. It even has the SAME EXACT score of Monty Python and the Holy Grail. I think I'm the only person in history to make that observation. | 1pos
|
Now, for all of the cinematographical buffs out there, this film may not rank high on your list of things to see. But if you know anything about plot development, profound truth, and the intentions that this film (the series) had, you'd understand my p.o.v.<br /><br />Granted, the specifics of the film are renderings of the writer, who cannot be expected to know what will happen in the end. But the film is biblically accurate and justifiably "scares" viewers into thinking about what may be. I'm a Christian, not due to this movie, but due to my personal decision to accept Jesus as my Savior. The film and potential that something similar to the circumstances portrayed therein can remarkably scare someone into thinking about their actions and decisions. It's not some cheap attempt to scare people into believing in God, but rather, a means to get your attention.<br /><br />As a Christian, I know I'll not be left behind, and thanks to movies like this, I can look beyond the superficialities of entertainment, acting, and film budgeting to appreciate the depth that the film has to offer. This is a movie you shouldn't not only see, but feel with your heart and soul. | 1pos
|
The reason why people say that this movie scared them is because it did!! That means the movie purpose was felt by a few who did see it. When I first saw this Movie it scared me and made me think about life and religion. This is not a blood and gore scary type movie, but the kind that you would think that it may be possible for things to happen the way the movie was written. Of course non believers will say its only a sci-fi movie. Truth is, this movie is a must have for your thriller collection, even if it does have a religious view. If you are a fan of classic thrillers (Omen..etc) this is one of them and its a must have. I never saw the sequel (Distant Thunder), but I believe it picks up where this movie ends. | 1pos
|
I remember seeing this movie a long time ago, back then even though it didn't have any special effects, the acting was really good. And it still has the same message for today, even though the technology has changed, maybe they should make a remake of this movie, it would be interesting to see a remake. I also enjoyed the music from the movie as well, Larry Norman was a really good songwriter during that time period, although now most Christian music is now worship and praise music. I was always curious to know what ever happened to Patty after the series ended? Did she go on to make more movies, did she get eventually get married and raise a family? I would like to have an update. | 1pos
|
To all the reviewers on this page, I would have to say this movie is worth seeing. So It was made in 1972, so what. The fashion in the movie was exactly the same fashion of its time. People who didn't study culture of the decades would think that this movie is a cheese ball. Compared to the modern series, `Left Behind,' (Which is made for our time right now) it does look cheezy. However, the only cheezy part of the movie is the fashion, which again was over 30 years in the past. BUT. The message that is sent in this film is very powerful, and carefully preserved. There is just so much to say, but I refuse to say it. (for fear of spoiling it) So go out and see this film! If you don't like the message that it sends, then you have issues, that need some attention! | 1pos
|
Obviously, there wasn't a huge budget for this film which definitely hindered the production. But the story and ending were so brutal that they made up for a lot. I mean brutal on the level of Ju Dou and other (great) Chinese films. I first saw this when I was 14 years old, I ran home and begged God to forgive me for everything... | 1pos
|
A THIEF IN THE NIGHT is an excellent fictional account of the weeks leading up to the RAPTURE and the weeks following that pivotal event.<br /><br />I thoroughly enjoyed both the production values and the content values of this independent Christian movie.<br /><br />THE PRODUCTION VALUES. Hey, it's an independent movie, with a shoe-string budget, so, ya, it's going to look a bit cheesy (if your standard is A-list Hollywood fare). But, properly compared with other independent movies, this film is perfectly acceptable. More important than acting style, costumes, and music is the narrative itself. Is the story compelling? Do the dramatic moments work? Does the story trajectory build to a satisfying climax? The answer to all these questions is an unqualified "yes." As a side-note, the truly important technical stuff--continuity, sound, lighting--are fine. The viewer is able to watch the show without being distracted by sloppy craftsmanship.<br /><br />CONTENT VALUE. The message of the movie is superb. When you consider how many ideas the movie-maker developed within the brief span of 69 minutes, you begin to appreciate his artistry. He presents the message of salvation, the consequence of unbelief, the danger of backsliding, the truth of the rapture, and the threat of a world-dominating satanic government with flare, imagination, and--most importantly for an evangelical movie--with biblical accuracy.<br /><br />The movie-maker is a good storyteller. For example, he develops the message of salvation in two important ways: (1) he shows us through action the reality of Jesus Christ's sacrifice for our sake. This is achieved in a subplot where the zoo-keeper is bit by a poisonous snake and nearly dies. The only cure is blood from someone who is immune to the snake-poison. The poison is like sin; the cure is like Christ's blood, shed on the cross. (2) The filmmaker also develops the message of salvation through dialog. He has various characters explain the truth about human sin and the need for salvation through faith in Christ. So, the movie-maker uses both action and dialog to tell his story.<br /><br />As a side-note, the fact that a movie produced by evangelical Christians actually contains dialog and scenes that convey a clearly delineated message of salvation, couched in explicitly evangelical Christian language, imagery, and theology is also perfectly acceptable. To criticize this film for being explicitly Christian is absurd; it's akin to criticizing a Nike commercial for promoting sport-wear. What else would evangelical Christian movie makers make, if not a film that states their case? Also, the fact that the movie-maker employs the idea that the unbelieving will be left behind in a godless world is, again, perfectly acceptable. The movie-maker uses the dramatic potential of that idea admirably. How do I know? I heard about A THIEF IN THE NIGHT from a woman who saw the show way back in 1974; it still lived in her memory thirty years later. How many movies can you say that about? All around, a very enjoyable, thought-provoking show. I plan on showing it to my teen group at church. | 1pos
|
This is a great movie. Some will disagree with me but , if you know anything about the bible you know it is. I think everyone should see it!! I agree a new updated version like be nice but the message is still right on. If you can see this movie. Is not a "scare the hell of you movie",it is truthful with the Bible. I think the U. N. will play a major role in the world government to come. The last days are lining up with the Bible. Look at what has happened with the chip for dogs and cats that now has come to light to protect on children from being kidnapped. It's the size of a grain of rice. This I feel is the fore runner of the mark of the beast spoken of in the Bible. Without the mark you can't sell or buy, with this chip that small in the future there is no telling how much info can be put on it. | 1pos
|
A Thief in the Night has got to be the best out of all the end times thrillers. I have no clue what people are complaining about what people are whining about when they say that these movies scared them into accepting God. They just needed to find an excuse and blamed A Thief In The Night. Do not listen! These movies do not only tell of one of the many possibilities of the tribulation, but they're also fun to watch in their simplicity. They are in fact low-budget and that is a little obvious, but not all too obvious upon first viewing. I had no clue because I really assumed that a lot of movies like these made in the 70's included low-budgets all the time.<br /><br />A Thief in the night tells the story of young and cynical Patty Myers who lives for what comes her way, until her husband, and nearly all her friends disappear in the prophetic rapture everyone warned her about. At first, the movie isn't all based around her until the rapture happens. What it leads up to are showing that everyone else around her are becoming christians and believing in Christ, which is usually what happens to a lot of people. Everyone around them they once knew and loved will be gone forever, and the one who is left behind is the one who blames everyone but themselves. No one can ever blame themselves because they're always right.<br /><br />Just like these whiners who complain about the movie. These people must be full grown adults. I'm thirteen, and you don't see me whining, especially since I was exactly like Patty before I re-accepted Christ into my heart. For those who haven't seen it, if you want a little bit of everything tossed into a Christian movie instead of stereo-typical everyone else is wrong movies, than you'll enjoy A Thief In The Night. Don't knock it before you try it. Something new is always good. Trust your own instincts. | 1pos
|
This is a great movie for all Generation X'ers. What a different world the America of 1972 was compared to our psychotic 21st Century. You can get a sense of what an 1972 America gone by was like by watching this movie. I found that the clothing and the car styles brought back to me fond memories of a much better country than we have now. Just think...back then there were only 4 or 5 TV stations to choose from. There was no AIDS, Muslim terrorists, Road Rage, 911, Bird Flu, Freeway Snipers, etc, etc. The Vietnam war was just over. There will still be 7 years before Star Wars comes out. The personal computer and internet would still be 29 years away.<br /><br />When this movie first came out the producers had to market the film themselves as no other film company wanted it. So it began touring small Protestant churches around the country being shown on movie projectors(This was the days before VCRS of course). The pastor of a church who would would be interested in showing A Thief in the NIght to his congregation would obtain a copy of the film. Then he would set up a evening to show it in the church meeting area or lunch room. Members of the congregation would invite "unsaved" friends and family members and it would be a social event of the week. <br /><br />If you can get past the limited production values of the film and just watch it for its nostalgic value, then I think you will enjoy the film more. Of course I am speaking as a gen xer. <br /><br />If I had a time machine I would go back to 1972 and say goodbye to the 21st century cesspool we have now. | 1pos
|
I've read most of the comments on this movie. I have seen this movie(and the whole prophecy series) many times with family members of all ages, we all enjoyed and it just made us meditate on what we already knew from reading and studying the bible about the rapture and end times. No one got scared or traumatized like I have read on some posts. The movie is just based on biblical facts. I have seen a lot of end time movies "Tribulation", "Armagedon" and so on and by far this one is one of the best in presenting bible truths. It may not have a lot of great special effects like todays movies but I believe it is a good witnessing tool. This movie and its prophecy series can be seen free at this website higherpraise.com, and judge for yourself. Blessings to all. | 1pos
|
I have seen this movie a whole dozen times and it's awesome. But the only thing with it was that in the beginning, there was too much talk of who's going out with who. I think that it would be interesting to do a remake of it. But on the official site, they said that they will not be making a remake of it because so many people have gotten saved when viewing it. What's even happened to Patty Dunning now? She is a pretty good actress. She has done several other movies in the 70s and 80s, but we haven't heard from her since. I know for sure about Thom Rachford, who plays Jerry, works for Accounting at RD Films. But overall, I have to say that the series itself is like Left Behind gone old school. | 1pos
|
I would say for it's time, this movie was awesome...and yes if you have no desire to become a Christian, then why bother watching it. I saw this movie after I had already been saved and found it to be very moving. I see now they have taken these movies to another level and have created the Left Behind series...they run a close comparison and definitely are more modern to reach people. I think in order to actually judge this movie, you should see it,,,there are 3 or 4 of them in the series if I am not mistaken...don't use our comments to judge, see the movie for yourself!! God will bless you if that is why you are watching them. | 1pos
|
This Film was really eye-opening. I have seen this film several times. First, when I was four and I actually remembered it and then when I was 12. The whole message that the director is conveying is for everyone to wake up and not make the mistake of leaving God out of our everyday lives or just Plain going the extra mile to insult him.<br /><br />A great Movie for Non-believers and Believers alike! | 1pos
|
"A Thief in the Night" is a film that was generally ignored by movie fans at large due to its low-budget (which was obvious) and its subject matter--the Rapture of true Christian church and the fate of those left behind. Nevertheless, it was a gripping story that held the viewer and definitely made him or her review their relationship with Jesus Christ. It touched everyone--showing even a pastor who preached the Word, but did not believe it, knowing exactly why he was left behind. This movie, and its sequel "Distant Thunder," are must see movies. Even with the new "Left Behind" series coming out, telling the same story with a much higher budget, the impact is still the same--"A Thief in the Night" broke the ground of this genre and will always be remembered. | 1pos
|
This is such a great film! Never mind the low rating here. I really have no idea where that came from, they must be discussing a different film then. Because I absolutely loved it and found it to be a little hidden treasure. <br /><br />It's story was so original and charming.. I really can't think of anything bad to say about it. Maybe it has to be ''your type of thing'', but, I saw this with my sister and my mother, and we all were taken by it. <br /><br />The acting was also very good, and that is hard to do in a film like this. But I found all the characters very intriguing and sympathetic. <br /><br />I've always been very fond of Dougray Scott and found his new ''dark'' role very interesting. It is really awful hard to get me to like a bad guy, but I absolutely had no problem with that this time. Even more so, I adored him. <br /><br />Everyone who loves a good thriller/drama that also has a good dose of love and tragedy should definitely go see this film, no question about that! Anyone wanting to see a film with 80% bloodshed, should go rent something else, though.. But I guess the title already kind of gives that away. This is a love story, not Saw 3.<br /><br />I give this film 4 out of five stars!!! Good job!!!<br /><br />xxx Enjoy! | 1pos
|
Chris Rock stars in this remake of Warren Beatty's Heaven Can Wait (itself a remake of the 1941 film Here Comes Mr. Jordan), a comedy about a man who dies before his time, before he can realize his dreams, and his adventures in his new (albeit temporary) body. In the Beatty version, the protagonist was a backup quarterback for the then-Los Angeles Rams. In Rock's hipper version, our lead character is a struggling young - and decidedly low-talent - standup comedian.<br /><br />It's very funny to see the razor-sharp Rock playing a bad comedian. It's kind of like seeing Tom Hanks play a bad actor. Lance Barton's dream is to play the legendary Apollo Theater on a non-amateur night. But every time he tries out his material, he's booed off the stage lustily - so much so that his nickname becomes "Booie." His jokes are lame, his delivery painful. In short, Lance is everything that the real Chris Rock isn't.<br /><br />Lance is also a bike messenger, and he's riding the streets on his way to try out even more material when BAM! He's hit by a truck. Ok, so maybe he was taken from his body a tenth of a second early by a slightly incompetent angel (Eugene Levy), but hey, he was going to get hit anyway. No dice, it appears Lance isn't due in Heaven until 2044. So what to do? Mr. King (Chazz Palminteri), the "manager" of Heaven, reluctantly agrees to find a new body for the not-quite-dead Mr. Barton. Trouble is, the body they find is of a greedy, old white man. Turns out this fella (a Mr. Wellington) owns all kinds of things - he's the 15th richest man in the country! What luck! You can imagine how Lance will turn things around. <br /><br />But of course, while in the body of the affluent Mr. Wellington, Lance falls for a gorgeous hospital worker (Regina King). We males know how tough it is to find a female given our own body, but try winning one over while you're an dumpy, old white guy! And it's even worse when she's not impressed by your money. <br /><br />This is Rock's first shot at a lead role, and in my opinion he performs admirably. There's still a lot of the standup comedian in him - and, of course, if he ever wants to get diverse roles, he might have to stop incorporating standup routines into the script - but this isn't really a bad thing. Rock's personality - his drive, his delivery, his demeanor, and his passion - are what fuel this film. He's clearly having a lot of fun in the role, and he seems bent on making sure you have fun watching him. | 1pos
|
This movie is a remake of two movies that were a lot better. The last one, Heaven Can Wait, was great, I suggest you see that one. This one is not so great. The last third of the movie is not so bad and Chris Rock starts to show some of the comic fun that got him to where he is today. However, I don't know what happened to the first two parts of this movie. It plays like some really bad "B" movie where people sound like they are in some bad TV sit-com. The situations are forced and it is like they are just trying to get the story over so they can start the real movie. It all seems real fake and the editing is just bad. I don't know how they could release this movie like that. Anyway, the last part isn't to bad, so wait for the video and see it then. | 1pos
|
I'm not saying that just as a Chris Rock fan, I'm saying this as a person who had low expectations going in to this movie and was proved wrong. The first flaw was it's everything-works-out ending that everybody saw coming. Flaw number two was I found that the chemistry between Regina King and Chris Rock seemed fake. Finally the acting in this movie was sub-par, with the best actor being Regina King and the worst being Mark Addy. but I saw past that flaw and saw a solid comedy. In a heads-up scenario, watch heaven can wait instead, it's better. So for all you Chris Rock fans out there, WATCH THIS MOVIE, you'll enjoy out. He has some good stand-up in this movie.<br /><br />Overall: 7 out of 10 | 1pos
|
Great movie when I saw it. Have to say one of my favorite movies of all time. I saw it like 8 times in the theater and got the DVD. As I got older and saw it again I realized that the movie is average. Compared to movies that are known ad good comedys, this is nothing. I mean Rock was hilarious in the movie and the whole switching with the racial stuff breaks a little barriers which is great. Also the thought of how the movie goes is a nice way of thinking. It's like most thought of a movie but also a little twist which is a very nice touch. I like the movie overall so i give it a...<br /><br />Still a good 7/10 for me. | 1pos
|
This movie i have been dying to see. Well it took till now to decide to actually rent it. It was completely worth it. This movie made me laugh from the beginning to the end. Chris Rock is funny no matter which movie he is in. However, this should come real close to being his greatest. If ur lookin for a family movie, ie pre-teens and up then this is one u can't pass over. | 1pos
|
Hopefully the score has changed by now due to my brilliant and stunning review which persuades all of you to go and watch the film thereby creating an instant chorus of "8"s, this movie's true score.<br /><br />As mentioned before Chris Rock is The King! Previous to going to see this movie I wasn't that over the top about him but now I'm banging on the doors of Chris Rock's website begging him to take me on as his protege. This film is truly funny, if you don't find this movie funny you REALLY need therapy and it's humour which targets all areas of society including race(predictably), class division, love, wealth, employment, dreams, stand up comedy... the list goes on.<br /><br />There was one slight disappointment for me however. This was that in going into this film I didn't realise that it was actually a remake of "Heaven Can Wait" another quite good movie made in 1971 with Warren Beatty. As such I was quite surprised when I watched this movie and suddenly the plot began to unravel to be distinctly similar to an older movie I had watched on TV a few weeks ago.. Regardless this movie is in my opinion the better version out of the two of them simply because of the different areas it covers and the fact that Chris Rock is funnier than Warren Beatty any second of any day of any week of any year of any...you get the picture.<br /><br />Well to the actual plot of the film.<br /><br />Don't spoil the experience for yourself! Don't read the plot! Just go and watch a movie because there have been two reviews on IMDb so far that have raved mad about it, go see it because it is the funniest thing you would have seen in a long time, go and see it because it's a cinema experience that doesn't leave you grumbling ad nauseum at the cost of cinema tickets. Go see it because it is a good movie! | 1pos
|
Down To Earth is the best movie!!! It is SO funny, and it's really sweet too. It has a good plot and it's unique. It isn't like those movies that are all the same with the similar story lines, and it's not all comedy and no story. This movie also has a very good ending. | 1pos
|
My fondness for Chris Rock varies with his movies,I hated him after Lethal Weapon 4,but I hated everyone in that movie after it.I like him when he is himself and not holding back,like in Dogma. Well this is his best yet,wasn't expecting this to be that good.Laughed my arse off the whole time. Chris Rock delivers a sweet wonderful story backed by some of the funniest comedy I've seen in quite some time. Loved it. | 1pos
|
THis was a hilarious movie and I would see it again and again. It isn't a movie for someone who doesn't have a fun sense of a humor, but for people who enoy comedy like Chris Rock its a perfect movie in my opinion. It is really funnny | 1pos
|
I found this movie really funny because you have a youthful black comedian (Chris Rock) who dies and is sent back to earth in a mid-50's white mans body. He doesn't realize that his behavior should change and continues to act as he had before. He listens to rap music, sings along, and plays the stereotypical part of an urban black man. The real humor in this movie was watching the trouble that this behavior gets him into with the black community. | 1pos
|
After hitting the viewers with three very different episodes right off the bat, Serling continued to go about introducing viewers to 'The Twilight Zone' in a very strange way by scheduling one the series biggest growers as the fourth episode. 'The Sixteen-Millimeter Shrine' is one of the more understated episodes, focusing on an aging movie star's inability to cope with the changing times and only introducing a supernatural element in the closing minutes. Because of this approach, the episode is under whelming at first but subsequent viewings reveal it to be a thoroughly classy and beautifully written short story.<br /><br />Both the leads, Ida Lupino as Barbara Jean Trent and Martin Balsam as her frustrated but caring agent, shine in their performances. The main problem with the episode is that the supposedly 25 year old footage of the actress is unconvincing. Lupino looks identical when playing the young Trent as she does when playing the middle aged Trent and this diminishes the tragedy of the situation significantly. Fortunately, Lupino acts her socks off in convincing us of her desperation to return to the past. It's a situation most can sympathise with, and yet Trent is far from a sympathetic character. She is a prima-donna who gives little thought to the feelings of those around her, such as the disastrously withered co-star who she tactlessly belittles because he reminds her of just how long ago her glory days were. It is somewhat surprising, then, that she is rewarded with a happy ending. It is clear what is going to happen from the moment we see the huge projection screen and it is cleverly pre-empted in the opening moments when Trent scares her maid by stepping out from behind the screen. What is not clear at the beginning, however, is whether being sucked into the projector will prove a reward or a harsh lesson in appreciating what we have and living in the moment. As it turns out, Trent is allowed to return to the past she longed for, a testament to how strong the wishful thinking of humans can be.<br /><br />'The Sixteen-Millimeter Shrine' gets better with each viewing. The top notch writing and acting combine to create a short play of enormous power which reflects the nature of humans to long for the past, even though we can never return. Except in the Twilight Zone. | 1pos
|
I really enjoyed this episode, which was a great surprise given the bad reputation it seems to have acquired. From a pure writing perspective, 'The 16mm shrine' is an absolute treat, with fantastic dialogue and character analysis, typical of Sterling. In particular I really enjoyed the philosophical indulgences of the episode, tackling themes of existence and reality, whilst balancing it with more psychological topics such as denial, pride, and desire. 'The sixteen-millimeter shrine' is an episode about how these ideas based around an unwillingness to accept change can seemingly alienate a person from the rest of the ever-changing world. It is also a fantastic example of cerebral Twilight Zone; one that explores the mind rather than the world outside it. These elements all come together very nicely to create a thought provoking and incredibly interesting 25 minutes.<br /><br />The episode is not without its faults however, which mainly lay in Lupino and Leisen shoes. Ironically, I felt Lupino was unconvincing throughout, with only a few scenes that could count as memorable. This of course being an absolute shame considering how well Sterling had written her character. Furthermore Leisen didn't seem to know what to do with most of his characters, sometimes having them stand around on set doing next to nothing -which probably explains why accepted the poor performances from Lupino half the time-. Thankfully Balsam does a good job of covering up a lot of weak spots, helping redeem the show from an acting perspective at least.<br /><br />As I said previously however, if you're a fan of classic film and cerebral science fiction, this shouldn't be as bad as it's sometimes made out to be. In addition to the writing that I mentioned above, the episode also features some fantastic photography (it still amazes me that the show looks this good nearly fifty years later!) and decent enough set-design. Overall 'The sixteen-millimeter shrine" is a great episode and above all is certainly one to make you think. | 1pos
|
There's a theory of time that posits that all the moments that ever existed and will exist, actually exist right now. It's a bit too much to wrap your head around, but perhaps a bit of a comfort to those who wish they could go back to a simpler time and place. For Barbara Jean Trenton (Ida Lupino), that time was twenty five years earlier, the mid 1930's when her youth and glamor held the greatest promise. For my part, if I could travel through time, it would be back to the 1950's when I grew up. Maybe to a place like Willoughby, but that's another episode.<br /><br />One thing that wouldn't be so special about 1959 would involve dealing with all that clunky machinery just to watch an episode of "The Twilight Zone". How many reels do you think it would take to catalog the entire series, and then find a particular story you wanted to watch? I guess you have to consider the trade offs, convenience versus simplicity, having it right now or taking the time to spool it up to the exact spot where the story begins. Popping in a CD has it's advantages.<br /><br />I'm a little surprised that Rod Serling would pen a story that so closely resembled "Sunset Boulevard". Ida Lupino's character mirror imaged Norma Desmond just a bit too closely to be considered an original concept. Martin Balsam portrays very much a similar character to Erich von Stroheim, the husband turned butler who's loyalty is unquestioned. Where the story diverges has to do with the way Danny (Balsam) and Sall (Ted de Corsia) challenge Barbara Jean to get with reality and clear the cobwebs that paralyze her existence.<br /><br />Fortunately for us viewers, Ida Lupino had no such reservations about taking parts that were 'not big, but a nice showcase'. It's a real treat to watch any episode of "The Twilight Zone" and get to see who pops up from days gone by. Sometimes you get a two-fer, like you have here with Lupino and Balsam, celebrities who sometimes made their mark before the series began, and sometimes after. Combined with the stories that the program produced, it's not surprising that they still manage to entertain so well today. | 1pos
|
Many of the reviews and comments I have read about this movie say that this is a rather stale film and performance by Clara Bow. Although the story-line was rather typical of Clara's later silents, I still find it somewhat heart-stirring and incredibly fun. Clara plays a happy-go-lucky Hawaiian girl who will stop at nothing to win the man she loves...never mind that this man is married! Clara's lack of modesty was shocking in the day, but I believe it lends to the sweetness and general fun of the movie. Though definitely not a brilliant story-line (quite typical, actually), this movie is a nice showcase of Clara's ability to make the audience laugh. | 1pos
|
OK Clara Bow silent film from 1927, it's a spin-off of Rain, with Bow playing the half-Hawaiian wild daughter of the local pineapple king who falls in love with the staid English engineer--Clive Brook. Bow competes with the local widow (Arlette Marchal) for his attentions, but both women get a big surprise when his wife shows up (Patricia Dupont). The predatory wife is ready for a divorce until she discovers he might be on the verge of a fortune. Bow settles her hash fast.<br /><br />Bow has personality to spare and has a few great scenes: her opening nude bath, her hula in a grass skirt, and the dog rescue scene with Bow and Brook doing their own stunts.<br /><br />Note: the IMDb credit list is wrong. The film credits (from the DVD I have) list Patricia Dupont as playing Mrs. Haldane---not Margaret Truax as listed on IMDb. | 1pos
|
clara bow's beauty and wonderful appeal are the chief reason to watch this film. "hula" is not quite up to par with clara's best films but it is still enjoyable. she dances, she rides her horse, and pursues the man that she loves. this film is just over an hour in length and was directed by future oscar winner victor fleming (gone with the wind).the film moves quickly and clara bow has lots of screen time. if you like clara, i would reccomend "hula." | 1pos
|
Clara Bow (Hula Calhoun) is daughter of plantation owner Albert Gran (Bill Calhoun), who is mainly interested in playing cards and boozing with friends. She's interested in riding in the countryside until engineer Clive Brook (Anthony Haldane) shows up to build a dam. One of her father's friends Arlette Marchal (Mrs. Bane) then competes for his attentions. His wife Maude Truax (Margaret Haldane) shows up for the contrived finale.<br /><br />Lots of 'pre-code' elements like nude bathing.<br /><br />Wonderful location shooting in Hawaii. | 1pos
|
I loved Long Way Round and wasn't even aware of Race to Dakar until i saw it on the shelves of my local supermarket. I bought it and after a slightly 'hmm will this be as good' first episode i decided that it was. Charlie Boorman was great as were the other members of the crew. Great to see him with Ewan again. There was a fair bit of swearing in it but that didn't bother me. As for their being no mention of it on the package. Thats more to do with the silly Excempt from Classification certificate that the BBFC have. They should have given it a 15 just for the language alone.<br /><br />Highly recommended series, i want more!! | 1pos
|
If you loved Long Way Round you will enjoy this nearly as much. It is educational, funny, interesting and tense. Charley shares the screen with two interesting teammates, two tired mechanics, two excellent cameramen and too much Russ. Ewan makes a few appearances but Charley really pulls it off alone. He is funny, engaging and still a puddle of stress and doubt. Great stuff!<br /><br />The series wraps up in 7 episodes. Like LWR, the preparation is nearly as interesting as the race. Though they cover the ins and outs of the race well, there could be a bit more explanation of the trucks and cars, which are merely mentioned and rarely even seen racing. It is a motorcycle movie though and anyone on two wheels will love this. <br /><br />The series features stunning photography as well as a few interviews of peoples mouths. Yikes. There is another extremely catchy theme song like LWR but this one is not nearly as good as the Stereophonics.<br /><br />If you live in the US god knows when it will be released so buy it on Amazon.uk and watch it on your computer as I did. Oh, and be prepared to buy another motorbike. | 1pos
|
I always follow the Dakar, so when my husband bought Charlie's 'Race to Dakar' DVD home I couldn't wait to watch it! Of course we'd seen the broadcast of the race when the actual race was on, but that never gives the background and specific teams.<br /><br />If you watched Long Way Round then you won't be surprised by the language which frankly I find more amusing than offensive.<br /><br />I think the only thing that annoyed me about the DVD was Charlie's hair, but he had it styled before Dakar so my feminine need for neatness was assuaged; tho' I could have lived without the 'flame' undies lol As with LWR, the preparation was every bit as interesting as the race itself. I nearly cried when Charlie broke his hand, and winced at every bruise he sustained while training....and of course the death of Andy Caldicott...that was an appalling tragedy, but then every year there's something.<br /><br />Russ drives me nuts, although his attitude has improved a thousand times from the argumentative cynic he was in LWR. It's great to see him get along so well now with Charlie.<br /><br />What I learned from this odyssey was - 1. never let Scorpion prepare your vehicle for ANYTHING! - they had months to prepare the X5, and still the day before the team left for Lisbon, Scorpion had only done half of things that needed to be done, and the vehicle was a pain throughout the whole race; 2. the Dakar organizers need to put a lot more work into their rider/driver retrieval plan - leaving Matt (and presumably a large number of other riders/drivers out to dry the way they did was nothing short of culpable negligence; 3. Charlie has an endearing enthusiasm for 'rough and tough' adventure but needs to toughen up a lot to really perform as he'd like; and finally, 4. Charlie and Ewan are planning another of these epos called the Long Way Down in 2007, and I can't wait to get my hands on it! :D If you love bikes and/or genuinely nice blokes 'having a go', you have to watch this, I guarantee you love it. It's very entertaining.<br /><br />In conclusion, to Simon Pavey - you sir are a hero, I was so impressed by the your 'quiet achiever' manner and the fact that you actually finished.....just incredible considering what an monumentally difficult race it is. And to Charlie, Matt and the rest of the team - full marks for pulling it off. To think that a relatively green team could have achieved so much is truly admirable. You're all wonderful. | 1pos
|
The planning episodes were a bit dull, but when they reached the desert it was quite fun to watch. The reason why I call it the most realistic reality show is because, much to my surprise,Charley fell out of the race relatively early. When his hands were sore, I expected the usual stress and then a miracle fix, but instead he actually quit the race. The most anxious moment of the show must've been when Max was stuck out in the desert with almost no water or food! The ending was great and I was very happy to see at least one of the team make it. Overall, not as great as the Long Way Round, but definitely an interesting watch, as one gets a peek into the most challenging race in the world. | 1pos
|
Having seen Charley Boorman in Long Way Round with Ewan McGregor, I was very interested to see how Charley would be in his own show. I thought Charley came across as a lovely guy who is very grounded and down to earth. Its nice to see that celebrities struggle with their weight and fitness, it just show's their human too! I don't know a lot about bikes, but this show gripped me right from the start. The preparation and organising for this event seems immense. The event itself seems very dangerous and I'm fascinated to see why Charley and everyone else is doing it and how far he gets. I love the pace of the show and the fast upbeat music. I can't believe he broke his collar bone, I really hope its not the end, I cant wait to see the next episode... | 1pos
|
Excellent pirate entertainment! It has all the good ingredients to keep one's attention -- an absorbing tale of intrigue, a fiery lady pirate named Spitfire Stevens (Maureen O'Hara) who's attracted to the irresistible Mr. Hawke (Errol Flynn) who is out on a secret mission of his own. They make a fine romantic pair onscreen -- sigh!<br /><br />Anthony Quinn is the mean, bad pirate weaving his villainous web of divide and conquer. I noticed the very familiar face of Mildred Natwick playing a supporting role as Mrs. MacGregor, the protector of young Princess Patma (Alice Kelley).<br /><br />There is beautifully filmed scenery of shorelines, ships, and the bay. Lots of action too of sword fighting clashes, ship battles, daring leaps of Errol Flynn (Robin Hood on board ship!). From the flaming redhead herself I once heard in an interview of Maureen O'Hara that she boasted great command of the bullwhip and could also outdo Flynn in sword fighting in those days but there'd be no need to put it to the test here.<br /><br />Very enjoyable movie. | 1pos
|
"Against All Flags" is every bit the classic swashbuckler. It has all the elements the adventure fan could hope for and more for in this one, the damsel in distress is, well, not really in distress. As Spitfire Stevens, Maureen O'Hara is at her athletic best, running her foes through in defiance of the social norms of the period. Anthony Quinn rounds out the top three billed actors as the ruthless Captain Roc Brasiliano and proves to be a wily and capable nemesis for Brian Hawke (Flynn). For the classic adventure fan, "Against All Flags" is a must-see. While it may not be in quite the same league as some of Errol Flynn's earlier work (Captain Blood and The Sea Hawk, for instance), it is still a greatly entertaining romp. | 1pos
|
A featherweight plot and dubious characterizations don't make any difference when a movie is as fun to watch as this one is. Lively action and spectacular stunts - for their day - give this movie some real zip. And there's some actual comedy from the ripping chemistry between the two leads. Quinn makes a good villain also, although his role is completely overshadowed.<br /><br />But don't be fooled by Maureen O'Hara's tough broad role, this is as sexist as any Hollywood movie of this era. You might be able to forgive that because of the time in which it was made, but it's still hard to get past. For all the heroism and gruesomely adult off-screen situations, this is still little more than an adolescent good time. | 1pos
|
Being the prototype of the classical Errol Flynn adventure movie and having a good story as well as two more brilliant co-stars in Maureen O'Hara (what an exquisite beauty!) and Anthony Quinn, I can only recommend this movie to all those having even the slightest liking for romance and adventure.<br /><br />Hollywood at its best! | 1pos
|
By 1945, and after a string of solid WWII propaganda pieces, Errol Flynn’s hold over U.S. box office had started to decline so, in spite of the increased burden of waning looks, he embarked on a series of films pertaining to that genre which had earlier made his name: the swashbuckler. The first of these was a good one actually – ADVENTURES OF DON JUAN (1948) – but it also proved to be his last big-budget Hollywood starring vehicle. The rest of his sword-wielding days were spent wandering all over Europe: in England for KIM (1950), THE MASTER OF BALLANTRAE (1953) and THE DARK AVENGER (1955), in France for ADVENTURES OF CAPTAIN FABIAN (1951) and Italy for the aborted THE STORY OF WILLIAM TELL (1953) and the little-seen CROSSED SWORDS (1954). However, Hollywood did beckon him one last time to his old seafaring ways – albeit for a modestly-budgeted Universal picture rather than a Warner Brothers ‘A’ production to which he had been accustomed when at his peak… <br /><br />Still, the glorious Technicolor cinematography leaps off the screen here and, while an older and flabbier Flynn may look like the pale shadow of his former self, his red-headed leading lady Maureen O’Hara has a field day as a tomboyish buccaneer leader who deep down craves romance and wants to be treated like a lady. Anthony Quinn was still a few years away from his larger-than-life starring vehicles, so here he is typically seen as the baddie – the pirate captain Roc Brasiliano, a role he attacks with gusto. Like THE BLACK SHIELD OF FALWORTH (1954) – a viewing of which preceded this one – AGAINST ALL FLAGS takes me back to my cherished childhood days of constant TV viewing when vintage Hollywood movies were the order of the day on both the local and neighboring Italian channels.<br /><br />For all I know, this might well have been the very first pirate movie I’ve ever seen and I cringe at the thought of today’s generation of youngsters supposedly believing that the grossly overblown PIRATES OF THE CARIBBEAN trilogy is what buccaneering is all about! As I said earlier, AGAINST ALL FLAGS might not be the finest pirate yarn ever brought to the screen but it’s a solid example of this prolific genre all the same. Nowadays, the amorous persistence of the child-like Indian princess (Alice Kelley) towards her pirate captor Flynn may strike one as being awfully silly but the rest of it – despite clearly not scaling the heights of THE SEA HAWK (1940) and THE BLACK SWAN (1942), to mention the finest seafaring ventures of its respective stars – is briskly paced and reasonably engaging. Incidentally, the film would later go on to be remade as THE KING’S PIRATE (1967) with Doug McClure! <br /><br />For what it’s worth, the unprecedented box office success of that unappetizing modern franchise is most probably what induced reluctant movie studios to dust off their catalogue swashbuckling titles and release them on DVD and, as a matter of fact, AGAINST ALL FLAGS itself was the one gem in a poorly-thought out “Pirates Of The Golden Age Movie Collection” set from Universal which also consisted of obscure dross like BUCCANEER’S GIRL (1950; with Yvonne De Carlo), DOULE CROSSBONES (1951; with Donald O’Connor) and YANKEE BUCCANEER (1952; with Jeff Chandler)! Value for money, perhaps but, so far, I have only acquired the Errol Flynn flick from other sources; even so, if the mood strikes me in future, I might wish to lay my hands on similar marine adventures like Edward Dmytyk’s MUTINY (1952), the afore-mentioned YANKEE BUCCANEER and PIRATES OF TORTUGA (1961). | 1pos
|
The Secret of Kells is a film I've been waiting for for years after seeing some early footage at the Cartoon Saloon in Kilkenny. I'm here to tell you now it's been worth the wait. The cartoons are heavily stylised but not annoyingly so as I'd feared. The whole film is a thing of beauty and great imagination, I particularly love the animated illuminated book where the little figures come to life on the page. The characterisation is superb, I love Brendan Gleeson's voice as the stern Abbot and I especially liked the voice of the sprite Aisling. The forest is a triumph, such a beautiful place. The story is well realised, a mix of fact and fantasy. and really draws the viewer in to cheer on Brendan in his quest for the perfect materials for the Book. I'm a lover of calligraphy and illumination anyway so the subject is close to my heart, but all the people I know who've seen this and are not fans of the craft agree that it's a lovely little film. I will definitely buy the DVD when it's released, and would like to say, well done Cartoon Saloon and all the people involved in this mammoth project. May there be many more. :) Coming back in here to say that I bought several copies of the DVD as soon as I could and gave them out at Christmas, everyone loves it! And I wish them all the luck in the world at the Oscars, such a joy to see this nominated. | 1pos
|
THE SECRET OF KELLS may be the most exquisite film I have seen since THE TRIPLETS OF BELLEVILLE. Although stylistically very different, KELLS shares with TRIPLETS and (the jaw-dropping opening 2D sequence of) KUNG FU PANDA, incredible art direction, production design, background/layout and a richness in color that is a feast for one's senses. KELLS is so lavish -- almost Gothic in its layout (somewhat reminiscent of Klimt), wonderfully flat in general overall perspective, ornate in its Celtic & illuminated design, yet the characters are so simplistic and appealing -- AND it all works together beautifully. You fall in love with the characters from the moment you meet them. You are so drawn to every detail of the story and to every stroke of the pencil & brush. What Tomm, Nora, Ross, Paul and all at Cartoon Saloon (& their extended crews) have achieved with this small budget/VERY small crewed film, is absolutely astounding. The groundswell of support amongst our animation community is phenomenal. This film is breathtaking and the buzz amongst our colleagues in recommending this film is spreading like wildfire. Congratulations to KELLS on its many accolades, its Annie nomination as well as its current Oscar qualifying run. They are all very well-deserved nods, indeed... | 1pos
|
I would not have known about this film if not for its "surprise" Oscar nomination for Best Animated Feature film. Thankfully, it came to pass that I was able to watch this animated little treasure.<br /><br />The story is about the child Brendan who was the nephew of the imposing and overprotective Abbot of the township of Kells. The main pre-occupation of the Abbot is to build a wall to protect Kells from the attacking Vikings. One day, Aiden, the renowned illustrator from Iona, sought refuge with them. Aiden opens Brendan's eyes to the art of illustration and the lure of the outside world. Along the way, Brendan befriended the white forest sprite Aisling, as he sought to recover an ancient crystal invaluable to the meticulous art of book illustration.<br /><br />"The Secret of Kells" is unlike most of the animation released these days. It is a throwback of sorts as the illustrations are done in stark geometric lines and design without much care for realism, as much as symbolism. The movements of these lines are reminiscent of the simplistic yet fluid animation style used at the beginning sequence of "Kung Fu Panda." However, it is the magnificent use of color that is the main source of wonderment for the audience. The reds used in the Viking invasion sequence is unforgettably haunting.<br /><br />Try to catch this quiet gem of a film. It is a welcome respite from all the senseless bombast of current animated fare such as "Monsters vs. Aliens" and the like. The sparse Celtic musical score is effective in evoking the sense of fantasy that imbues the film. OK, the story might be a little shallow and the ending a bit wanting. I would have liked to know more about the Book that Brendan and Aiden was working on. But the clear star of this film is clearly its amazing stylized artwork, said to be based on the artwork in the real Book of Kells. | 1pos
|
THE SECRET OF KELLS is an astonishing first animated feature which will dazzle your eye and move your heart. The shortcomings of the film's limited budget and sometimes limited animation are more than compensated for by the visual poetry of the story of young Brendan's heroic quest to become a master illuminator during the dark ages. Historically this was in the late 8th century, when the centers of Irish learning were over-run by the Vikings. The Vikings appear here as brute antagonists, the equivalent on the North Seas of the plundering Huns and Mongols further East. The film's narrative--- which functions more as a parable--- centers around the conflict between Brendan, who seeks to create beauty in his illuminations during a time of encroaching darkness, and his stern Uncle the Abbot-- who seeks to protect the town of Kells and his nephew with a looming wall as barrier against the Norsemen. The Abbot disregards the value of Brendan's art in his quest for security. This is the movie's outer conflict. Brendan's inner conflict is to find the hidden eye of creative illumination which will allow him to complete the most difficult painting in the Book of Kells. This eye is guarded by a Dragon Ouroboros, who destroys from within those not suited to this quest as surely as the Vikings will kill from without (That's as much of the story as I'll divulge!)<br /><br />What I really like about this film is its creators' imaginative understanding of some of the greatest art work to survive in the West from 1200 years ago. The characters are stylized in flat abstract shapes defined by line just as in the original Book of Kells. (Particularly noteworthy is monk Aidan's pet cat, defined in few lines, yet purely--- and even magically metamorphically feline.) The range of emotion which Brendan and the other animated characters convey given their economy of abstract design is a tribute to the excellent artistry of the director and his animators. The decorative borders on the edge of the picture change to complement the dramatic impact of a given scene, and this characteristic of illuminations from the dark ages is brought to wondrous animated life in THE SECRET OF KELLS. Of course, historical dramas usually tell us more about our own times than the times which these dramas endeavor to depict. However, by introducing archetypal elements into this story, the writers and director of THE SECRET OF KELLS convey a numinous sense of lived-life from that far-off time in Ireland which feels psychologically true, however much the script might stray from pedantic historical fact. (The United Nations' band of illuminators who appear as a rogues' club of artists in The SECRET OF KELLS aren't historically probable, but they're all well-designed, individuated characters who do much to convey the universal appeal of this quintessentially Irish story.) Animation has always seemed the best vehicle to me to better help us understand the visual art of different times and cultures. The magnificent art direction of this movie clearly derives from its historical visual source, but has also been cleverly adapted to the demands of animated storytelling; if animation had existed in the Dark Ages, the SECRET OF KELLS is what it would look like! Finally, Brendan's hero's quest in this film is the artist's perennial quest to convey the spirit of beauty, life and inspiration. (Without being preachy or even particularly Christian, this movie affirms Jesus' dictum that "Man does not live by bread alone." ) In my estimation the most inspired movie about the creative process of visual artists is Andrei Tarkovsky's ANDREI RUBLEV, a film about the great Russian icon painter of the 15th century. The SECRET OF KELLS expresses much the same sense of mystery and exhilaration about the artist's visual quest and creative process. It's certainly not as profound as ANDREI RUBLEV, but--- heck--- its a cartoon! (And one which will appeal to young and old alike.) I think this movie will hold up well to repeated viewing: in its own modest life-affirming way, this stylized SECRET OF KELLS is a classic. | 1pos
|
The Secret of Kells is an independent, animated feature that gives us one of the fabled stories surrounding the Book of Kells, an illuminated manuscript from the Middle Ages featuring the four Gospels of the New Testament. I didn't know that this book actually exists, but knowing it now makes my interpretation and analysis much a lot easier. There are a few stories and ideas floating around about how the book came to be, who wrote it, and how it has survived over 1,000 years. This is one of them.<br /><br />We are introduced to Brendan, an orphan who lives at the Abbey of Kells in Ireland with his uncle, Abbot Cellach (voiced by Brendan Gleeson). Abbot Cellach is constructing a massive wall around the abbey to protect the villagers and monks. Brendan is not fond of the wall and neither are the other monks. They are more focused on reading and writing, something Abbot Cellach does not have time for anymore. He fears the "Northmen," those who plunder and leave towns and villages empty and burnt to the ground.<br /><br />One day a traveler comes from the island of Iona near Scotland. It is Brother Aidan, a very wise man who carries with him a special book that is not yet finished. Abbot Cellach grants him permission to stay and Brendan buddies up with him. Aidan has special plans for Brendan. First he needs ink for the book, but he requires specific berries. The only way to get them is to venture outside the walls and into the forest, an area off limits to Brendan. Seeing that he is the only chance for Aidan to continue his work, he decides to sneak out and return with the berries before his uncle notices his absence.<br /><br />In the forest Brendan meets Ashley, the protector of the forest. She allows Brendan passage to the berries and along the way becomes akin to his company. She warns him of the looming danger in the dark and not to foil with it. There are things worse than Vikings out there. From there Brendan is met with more challenges with the book and the looming certainty of invasion.<br /><br />I like the story a lot more now that I know what it is about. Knowing now what the Book of Kells is and what it contains, the animation makes perfect sense. I'm sure you have seen pictures or copies of old texts from hundreds of years ago, with frilly borders, colorful pictures, and extravagant patterns, creatures, and writings adorning the pages. Much like the opening frames of Disney's The Sword in the Stone. The animation here contains a lot of similar designs and patterns. It creates a very unique viewing experience where the story and the animation almost try to outdo each other.<br /><br />I couldn't take my eyes off of the incredible detail. This is some of the finest 2D animation I have seen in years. It's vibrant, stimulating, and full of life. The characters are constantly surrounded by designs, doodles, and patterns in trees, on the walls, and in the air just floating around. It enhances the film.<br /><br />The story is satisfactory, although I think the ending could have been strung out a little more. With a runtime of only 75 minutes I think there could have been something special in the final act. It doesn't give a lot of information nor does it allude to the significance of the book. We are reminded of it's importance but never fully understand. We are told that it gives hope, but never why or how. That was really the only lacking portion of the film. Otherwise I thought the story was interesting though completely outdone by the animation.<br /><br />I guess that's okay to a certain degree. The animation can carry a film so far before it falls short. The story lacks a few parts, but it is an interesting take on a fascinating piece of history. I would recommend looking up briefly the Book of Kells just to get an idea of what myself and this film are talking about. I think it will help your viewing experience a lot more. This a very impressive and beautifully illustrated film that should definitely not be missed. | 1pos
|
The Secret of Kells is one of the most unique, beautiful, and eye- popping animated films I have ever seen. Before watching this film, I was convinced that nothing could give Up a run for its money and that it was a shoo-in to win in this category, but I found in Kells a serious contender.<br /><br />The Secret of Kells tell the story of a young orphan named Brendan, who lives with his uncle, the Abbot of Kell. The Abbot is a loving guardian, but perhaps a bit too strict and much more concerned with fortifying the wall around the town from a coming attack by vikings than he is at nurturing the boy's imagination. When the legendary Brother Aidan (who looks surprisingly like Willie Nelson) shows up and takes the boy under his wing, Brendan goes on a journey into the woods and meets a lovely forest nymph named Aisling who takes a liking to him (and saves his life more than once). With Aisling's help, he attempts to save the town and help Brother Aidan complete the mystical book whichlegend has itcan turn dark into light.<br /><br />See my full review of The Secret of Kells at: http://theoscarsblog.blogspot.com/2010/02/movie-review-secret-of- kells.html | 1pos
|
While watching this movie I was frustrated and distracted and by the end, I wanted to give the movie a solid 4 or 5. I thought the animation was random and all over the place and there was too much going on. Even my A.D.D couldn't keep up. It felt like a slight acid trip. Everything looked flat, there was no dimension to anything. There were so many shapes, lines and patterns. I really wanted to stop the movie mid-way and smash my burned copy of this movie. But after I finish watching it, I went online to read up on the movie and I should have done a little research into this movie before watching.<br /><br />The Secret of Kells is loosely based on the true story about the original Book of Kells. A small boy, Brendan, is given the task of penning new pages in what is set to be the greatest book ever written. This book will contain information that will help "change darkness into light." Brendan lives in the village of Kells behind huge stone walls. Taking place in the 8th century, Brendan's uncle, the Abbot of Kells, is trying to build the wall to keep the Vikings out. Brendan's uncle insist he help complete the wall, but a traveler and keeper of "the book" secretly trains Brendan to hone in on his illustration skills, and convinces him to complete "the book" and carry out it's word.<br /><br />The entire time I watched the movie I thought I was missing something because I didn't really understand what was going on. I figured I was just missing a piece of Irish history. A simple Google search taught me all I needed to know about the original Book of Kells. After reading many articles, my opinion of the movie greatly changed.<br /><br />The Book of Kells is a copied version of the first few books of the New Testament transcribed into Latin by Gaelic monks in Ireland in the 8th century. Along with it's paleographic and insular script, the book is also beautifully illustrated in insular art, a type of early art form know for it's intricacy, complexity, and miniature illustrations. Much of the art in the Book of Kells is depicted as lots of art was at the time, flat and dimensionality challenged with no perspective. But what makes the Book of Kells stand out from other early pieces of art is it's use of many colors.<br /><br />The Secret of Kells is very colorful. I originally thought the animation was flat and boring. It reminded me a lot of the cartoon Samurai Jack which also had a flat and "amine" look to it. Once I learned about the art styles of the Book of Kells, it's obvious that many of the styles from the book are mimicked in the movie. There are lines and swirls and various shapes that inhabit Brendan's mind. Whenever he goes into his imagination, circular shapes resembling the sun, cogs, clocks and wheels begin filling the screen. The edges of the screen become framed in decorated moving triangles or circles. Transitions are filled with color, and Celtic knots. From the trees to the floors, many things in this world are covered in shapes or patterns.<br /><br />Clocking in at 70 minutes minus credits, The Secret of Kells is a fun little history lesson with a little adventure and silliness thrown in to keep people (maybe just children) interested. I think one has to generally be open-mined to The Secret of Kells as half art piece, half movie about history. Despite looking like it was animated with Adobe illustrator, It's a very nice looking movie. But based on the 20 films submitted for Oscar consideration, I don't think it was worth being nominated over Mary and Max.<br /><br />ThatWasJunk.Blogspot.com | 1pos
|
A beautiful piece of children's cinema buried in a world of archaic Celticism. Setting the story around the famous Book of Kels, believed to have been comprised by monks from the small island of Iona, off the western coast of Scotland.<br /><br />Telling the tale of a young abbots apprentice who goes off into the forest in search of Crom-Cruic, the fierce headless horseman of pagan mythology. In hopes of recovering a lost artefact.<br /><br />The films true beauty lies in its' animation. Cell shaded in a bright and inspirational style of deep complexity resulting in a look of seem less simplicity. Deriving much from the artistic style of the brilliant Cartoon Network series 'Samurai Jack' for its genius use of mark making and background depth, The Secret of Kels creates a consistently affective Celtic world living under the shadow of Viking invasion.<br /><br />The history may be intensely inaccurate and the ways of life portrayed lacking realism but these facts are utterly irrelevant as the film sets itself in a world of fantasy and Celtic-revivalist mysticism. The girl of the forest is a wonderful addition and in my opinion makes the picture what it is, as she glides from branch to branch. Appearing and disappearing like a mysterious nymph with qualities resembling the legendary Cheshire Cat from Alice and Wonderland.<br /><br />The Secret of Kels is an absolute treat. For all genders, all ages, it's a lovely piece of family cinema.<br /><br />Don't expect to be awed but instead pleasantly impressed! | 1pos
|
This animated feature (a co-production between Ireland, Belgium and France) deals with what is surely one of the oddest subject ever for a movie: the creation in the 9th century of a famous illuminated manuscript, the book of Kells. In this fantastic retelling of that story, a prepubescent boy named Brendan, living in a monastery ruled by his uncle, a stern abbot who is worried preparing the defenses of the abbey from the impending attack by the feared vikings, must get into the forbidding surrounding forest to find the materials that a master illuminator named Aidan needs to finish the book. To do that task, in the forest he unexpectedly finds the help of a friendly fairy named Aisling.Gorgeously and delicately drawn by hand (there is some computer animation in a few key passages) in a manner that wants to resemble both medieval and traditional Celtic art, and with a very creative use of color and all sorts of geometric shapes, this film is relentlessly strange, but is a good strange, not of the off putting variety but of the eye opening sort. If one were to nitpick - beyond some anachronisms, like an African monk in 9th century Ireland one would have to say that the blend of Catholic mysticism with Celtic paganism in this movie never really coalesce. And the comic relief is sometimes a bit too broad. That's why I cannot give them the highest ranking. But these are minor problems with an otherwise delightful and superbly imaginative film. | 1pos
|
First animated feature film from Ireland is also one of the best animated films I've ever seen. Its a real warts and all story that is unlike any of the other Oscar nominees and any other film from this year or any other year.<br /><br />The plot of the film has the Abbot of Kells, a village in Ireland building a wall around his town to prevent the vikings from destroying the town should they ever attack. His nephew Brendon, is a young monk who does the best he can but meets the ire of his uncle by doing things in his own time. When a legendary illuminator Aidan arrives from a destroyed monastery, Brendon drifts towards him and his warm personality. Much to his uncle's chagrin Aiden offers to teach Brendon how to illuminate. In order to help Aidan work on his great book, saved from his destroyed monastery, Brendan goes out into the forest to get material to make ink. While outside the walls he meets Ashley, a forest spirit with whom he develops a friendship. Unfortunately the Abbot finds out that he went outside the wall and there is hell to pay. But lurking in the distance are the vikings...<br /><br />Forget what you think you know about this film you're wrong. Even what I've explained doesn't do this film justice. Its a simple story with so much more going on. This is a wonderful movie about trying to find your way in the world, over coming demons and finding the beauty of the world outside of the walls. (As the film says the world is a dangerous place and doesn't cease to be even if you build walls).<br /><br />Its a film that treats its audience as adults and deals with all of life including the darkness. There is death and destruction and joy and happiness. Its not sugar coated. People die. Monsters lurk. (it freaked out some of the kids), but in the end there is hope. Frankly the darkness in this film is completely unlike anything in any recent American film. Forget the "sadness" in a Pixar film, this is the real thing, and its refreshing and it shows how homogenized even Pixar has become.<br /><br />Its a Genndy Tartakovsky-esquire (Samurai Jack) animated film who's look is actually based upon the the Celtic art of the period. Its a film that looks unlike any other. Here again is another film that takes the movie frame and uses it in every way possible. the Images are designed to fill the available space as much as possible. Often the film manipulated things to make it look like a page in the legendary Book of Kells. Its stunningly beautiful and best described as art come to life.<br /><br />Director Tomm Moore has fashioned a film that is a masterpiece. I can't say more than that. Its a masterpiece. Its one of the best animated films I've ever run across. | 1pos
|
The surprise nominee of this year's Best Animated Feature race at the Oscars. It's an Irish film by heart, but it was co-produced by Belgium and Brazil, with, I'm guessing, animators working in all three countries. The product is one of the most beautiful and unique films in recent memory. The character design is a little reminiscent of the French animated film Persepolis from a couple of years back, with very simple characters with thick, black outlines. This film is not in black and white. Oh no. What makes this film great is its use of color, simply some of the most outrageous and startling use of colors I've ever seen. The general design of the pictures is also a lot more geometrical, with characters who are basically rectangles or ovals. Much of the film can be spent playing find the circle - a major aspect of the visual design is a circle in the center of the image. All of these geometrical designs have a purpose - the story is about a young boy who is learning to be an artist working on illuminated manuscripts (the Book of Kells is a real illuminated Bible; the art of the film is based on the drawings in it). The story of the film isn't especially deep, but it's a pretty good fantasy tale. Brendan is a young boy in Kells, a city surrounded by enormous walls, built by his uncle to keep out Vikings. A newcomer to Kells, Brother Aiden, inspires Brendan to take up illustrating. He also inspires him to do things like leave Kells and explore the nearby forest, within which lives a nymph. Bruno Coulais provides a fantastic score, almost as good as the one he did for Coraline, which I consider the very best of the year. | 1pos
|
I have seen a couple movies on eating disorders but this one was definitely my favorite one. The problem with the other ones was that the people with the eating disorders towards the end just automatically get better or accept the fact that they need help and thats it. this movie I thought was more realistic cause in this one the main character Lexi doesn't automatically just get better. She gets better and then has a drawback. I think this movie shows more than the others that I've seen that getting better doesn't just happen, it's hard work and takes time, it's a long path to recovery. I think this movie shows all of that very well. There should be more movies like this. | 1pos
|
There are way too many subjects avoided in cinema and eating disorders is one of them. This film shows it as it is. It is not glamourised for the viewers to enjoy, it is shown with real truth which makes it all the more powerful. I've only seen it once and that was a few years ago but i can still remember everything about it and how it made me feel. It is a very powerful film and is good support for anyone suffering from a eating disorder to give them the willpower to stop. This is what films should be about- they should be there to help people and not glamourise things that are wrong. | 1pos
|
I agree with the above comment, I love the realism in this, and in many movies (not just movies on eating disorders) the producers seem to forget that. They take an every day problem and create a hugely dramatic scene and then come the end of the movie everything is perfect again, which I dislike because its not reality. Not meaning to say things can't get better, and not meaning to say things don't in this movie, but it doesn't spend most of the movie creating all these problems, and come the end of the movie everything is perfect again. When people have eating disorders people don't just admit it and want to get better, and then life is peachy, it takes time, and I like how in this movie we grow with the characters, we go through the difficulties with them, getting better and worse, because it is a very important part of the movie. It gets into the minds of people with eating disorders, and shows the complications and pain, in a very realistic way, and I loved that. I also love how it shows The secrecy and betrayal people feel when suffering from eating disorders, it is scary to see how people react when they find out, especially if they approve of it. I thought this movie was very touching and beautiful and well told, and defiantly one of my favourites. | 1pos
|
Lexi befriends Jennifer, a thin, intelligent girl at her new school. Lexi's parents have just split up. Soon, Jen tells Lexi of her eating disorder, and the two begin dieting and exercising together. They both are in the school's volley ball team. Lexi's mum becomes aware of her daughter's illness, as she is losing lots of weight. Lexi is admitted to hospital. She is diagnosed with Anorexia nervosa, and is made to gain weight. Her father visits her in hospital, and orders a feeding tube. She is better and is allowed out of hospital and she tells her mum that Jen has bulimia. This leads to the two falling out, as Lexi's mum tells Jen's mum her suspicions.<br /><br />At a party Jen is hit by a car, and because her heart is weak it kills her. Lexi's condition worsens, as she blames herself for her best friend's death... | 1pos
|
I came across this film by accident when listing all the films I wanted my sister to record for me whilst I was on holiday and I am so glad that I included this one. It deals with issues that most directors shy away from, my only problem with this film is that it was made for TV so I couldn't buy a copy for my friend!<br /><br />It's a touching story about how people with eating disorders don't necessarily shy away from everyone and how many actually have dieting buddies. It brought to my attention that although bulimics can maintain a fairly stable weight, it has more serious consequences on their health that many people are ignorant of. | 1pos
|
WHEN FRIENDSHIP KILLS, in my opinion, is a very touching and kind of heartbreaking drama about the consequences of being anorexic or bulimic. Anytime Lexi (Katie Wright) or Jennifer (Marley Shelton) threw up, I wanted to vomit myself. It's kind of hard to explain why. If you ask me, they should have been more cooperative about things. However, I did enjoy seeing them do things together as well as get lectured by their parents. Before I wrap this up, I'd like to say, "If you ask me, WHEN FRIENDSHIP KILLS does indeed show you how being anorexic or bulimic can affect a person's body. " Now, in conclusion, I recommend this movie to everyone who hasn't seen it. You're in for some tears and a good time, so the next time it's on TV, kick back with a friend and watch it. | 1pos
|
A most awaited film of the year 2002. After three and half years of hibernation,Rajini has acted in this movie. The hype for this film was toooooo high..<br /><br />This is not a typical Rajini film, in this film he gives some spiritual messages also. But it also includes typical Rajini actions,style,songs etc. Its a good entertaining movie and gives good messages also.<br /><br />I will rate this movie as Good instead of Excellent because of the screenplay. Its a must watch movie. Dont miss it! | 1pos
|
What an absolutely stunning movie, if you have 2.5 hrs to kill, watch it, you won't regret it, it's too much fun! Rajnikanth carries the movie on his shoulders and although there isn't anything more other than him, I still liked it. The music by A.R.Rehman takes time to grow on you but after you heard it a few times, you really start liking it. | 1pos
|
There are people claiming this is another "bad language" ultra violence Mexican movie. They are right, but more than that this film is a call to create awareness of what we have become. The awful truth hurts, or bores when you already have accepted the paradigm of living the third world as the only possible goal. One of the most important things of "Cero y van cuatro" is the open invitation to profound reflexion over our current identity. Is that what we all are? Is that all that we want to be? I am abroad and I realized how spoiled is the Mexican society when the Tlahuac Incident came to light. I still cannot understand viewers witnessing a mass broadcasted murder. I nearly puked when I saw some of the images. It was not Irak or Rwanda, just a tiny village near Mexico City when rampage was carried out with the indulgence of media and government. The recreation of a similar situation in this film shocked me deeply. The other stories were good portraying other situations of corruption, dishonesty, betrayal and violence, but I consider "Tamales de Chivo" the best one.<br /><br />The movie is deeper than some "cabrón" and "pendejo" screams. Those are meaningless compared with the actions of the people. With a few exceptions they are all perfect examples of human rubbish. Just like in real life honesty is becoming more the exception than the rule in our country. Moreover, honesty is only rewarded miraculously. | 1pos
|
I was lucky enough to catch this movie while volunteering at the Maryland Film Festival. I've always been a fan of classic horror films and especially the gimmicks of William Castle, so this was definitely a must-see for me.<br /><br />This is about the life and work of William Castle, who in my opinion was an underrated director. True, he made some cheap budget schlocky horror films, but he added something to these films: real live theater gimmicks that you don't see anymore. For example, he had nurses in case someone had a heart attack at his movies and put vibrators at the bottoms of chairs in THE TINGLER.<br /><br />This is truly a well-made documentary and brings this rather shadowed director into the light, and celebrated his contributions to horror cinema. It also paints Castle as a larger than life character, who was very well-liked and had a smile on his face.<br /><br />Unlike most film documentaries that mostly show testaments from film historians, SPINE TINGLER! shows interviews mostly from his family members and directors who were influenced by his work, such as John Waters, John Landis, and Joe Dante. A must see for classic horror and sci-fi fans. | 1pos
|
This movies chronicles the life and times of William Castle. He made a series of low budget horror films in the 1950s-1960s that he sold with gimmicks. In "13 Ghosts" you need viewers to see the ghosts (they were in color, the film was in b&w). "The Tingler" had theatre seats equipped with a buzzer that jolted the audience when a monster escapes into a movie theatre. "Marabre" issued a life insurance policy to all members in case they were frightened to death! The movies themselves were pretty bad but the gimmicks had people rushing to see them. In this doc there are interviews with directors inspired by Castle, actors in his movies and his daughter. It also gets into his home life and the kind of man he was (by all accounts he was a great guy). The documentary is affectionate, very funny and absolutely riveting. It's very short (under 90 minutes) and there's never a dull moment. A must see for Castle fans and horror movie fans. My one complaint--there were very few sequences shown from his pictures. That aside this is just great. | 1pos
|
As far as I can recall, Balanchine's alterations to Tchaikovsky's score are as follows:<br /><br />1) The final section of the Grossvatertanz (a traditional tune played at the end of a party) is repeated several times to give the children a last dance before their scene is over.<br /><br />2) A violin solo, written for but eliminated from Tchaikovsky's score for The Sleeping Beauty, is interpolated between the end of the party scene and the beginning of the transformation scene. Balanchine chose this music because of its melodic relationship to the music for the growing Christmas tree that occurs shortly thereafter.<br /><br />3) The solo for the Sugar Plum Fairy's cavalier is eliminated.<br /><br />It seems to me the accusation that Balanchine has somehow desecrated Tchaikovsky's great score is misplaced. | 1pos
|
Both visually and musically stunning. A treat for both the eye and the ear. The quintessential Victorian element of the opening sequences were completely enchanting, helping to create a Christmas scene of which Dickens himself would have been justifiably proud. Technically the production is visually stimulating and the special effects are both imaginatively devised and creatively achieved in a traditional stage setting. The dancing of many of the lead artistes is breathtakingly good. The photography and lighting are first class and the sound recording admirably matches the overall high level of technical skills employed. A great film for all the family at Christmas time and a most delightful discovery which will withstand multiple viewing. | 1pos
|
Those who have given this production such a low rating probably have never seen the celebrated George Balanchine production live onstage, or are letting their disdain for the star casting of Macaulay Culkin influence their judgement. The Atlanta Ballet was fortunate enough, from the 1960's to the 1980's, to be the first ballet company authorized to stage this production other than the New York City Ballet, and I have seen it live onstage several times. I can assure readers that the film is a quite accurate rendering of this production, and that the use of a child with limited dancing abilities in the title role is not a cheap stunt dreamed up to showcase Culkin; it was Balanchine's idea to use a child in this role, just as it was his idea to use a child for the role of Marie. The "heavy" dancing is left to the adults in the story.<br /><br />This is deliberately a stagebound film; in a way, it resembles Laurence Olivier's "Othello". Exactly as in that film, the sets of the stage production have been enlarged to the size of a movie soundstage, but not made any less artificial, and the ballet is straightforwardly photographed with discreet closeups, and without the distracting "music video" quick cuts featured in the 1986 overrated Maurice Sendak-Carroll Ballard version. There are only two false steps in this 1993 film. One is the addition of distracting and completely unnecessary sound effects (mouse squeaks, the children whispering "Ma-gic!" to Drosselmeyer,etc.). Those sound effects are never heard in any stage production of any "Nutcracker", and they have been put in as a cheap concession simply to appease unsophisticated audiences who may not relish the idea of watching a ballet on film.<br /><br />The other false step is Macaulay Culkin's nutcracker make-up, which looks absolutely ridiculous. When he is on screen as the Nutcracker, rather than wearing a huge mask (as is always done when the Balanchine production is performed onstage), Culkin is actually made up as the toy - he wears what looks like a bald cap, as well as a white wig, whiskers, and a beard. He also has his face rouged up somewhat, and the worst aspect of his make-up is that it is still recognizably his face, amateurishly transformed in a manner similar to Ray Bolger, Jack Haley and Bert Lahr's makeups in "The Wizard of Oz" (that film's makeup results though, worked spectacularly, as this one's does not). And a comparison with Baryshnikov's nutcracker in *his* production shows how wonderfully creative Baryshnikov's nutcracker mask was - the "jaws" actually seemed to move whenever Baryshnikov tilted his head back.<br /><br />The dancing itself in the Macaulay Culkin version is excellent, of course, except for Culkin himself, whose dancing, as I said, isn't meant to even be spectacular. (The Sugar Plum Fairy and her Cavalier are the prominent dancing roles in Balanchine's production of "The Nutcracker".) The film's colors, though, could be a bit brighter since this IS a fantasy. The choreography is also brilliant, and the adaptation of it is so faithful as to include the sequence that features additional music from Tchaikovsky's ballet "The Sleeping Beauty" - as Marie sneaks downstairs, falls asleep on the sofa, and dreams that Drosselmeyer is "repairing" the broken Nutcracker (this sequence was, of course, never included in Tchaikovsky's original ballet---it is the only sequence in this production which features music from a work other than "The Nutcracker").<br /><br />Those who have missed out on this film, or those who despise (or loathe it) should give it a chance, despite its two big drawbacks. It is far better than it seems when one first hears that Culkin is in it. | 1pos
|
This movie is a perfect portrayal of The Nutcracker; the dancing is wonderful, the scenery in the background was excellent, and I LOVED THAT FLOATING BED.<br /><br />Oh, and the costumes... I particularly loved Marzipan's, the tutu was adorable. The special effects were very well done (e.g. the tree, the bed, etc.), and I quite enjoyed the rats. I love how they didn't make them scary, but cute and huggable. Except for the king, I suppose.<br /><br />If you're a thoroughly masculine person, you won't enjoy this, but this is a very good movie that's good for all ages - just not all levels of testosterone.<br /><br />But I have a few complaints.<br /><br />Firstly, why did they have to put the Sugar Plum Fairy's partner in those terrible tights? It would barely make a difference if he was butt naked! And secondly.. why on EARTH did they have to make Culkin's outfit PINK? | 1pos
|
This is a nice little horror flick that fans of indie films will really appreciate. It has good acting, lots of gore, and a decent plot. One will be reminded of movies like The Hills Have Eyes and Pumpkinhead. It's obvious that the budget was not all that big, but the film really makes up for it with atmosphere and solid performances by the actors, which seems to be lacking in a lot of today's big budget special effects-filled films. The film really moves along and there is excellent direction and good camera work. There are no wasted scenes, so the film's length is a bit short. In addition, it looks like the ending leaves an opening for a sequel, which would be very interesting as well. So grab some popcorn, turn down the lights and enjoy this one. | 1pos
|
I stumbled across rerun syndication of this show several years ago, and fell in love with it. It features Téa Leoni and Holland Taylor and kept me laughing, one episode after the next. I guess it didn't make it so big, and was cancelled after a few seasons, but I believe it was a good run, and would suggest watching it...if the opportunity arises. | 1pos
|
Tea Leoni plays Nora Wilde, a serious photographer, who is going through a bad divorce. She wants her freedom but it comes at a cost. She wants to legitimate photography but is hired to work for the tabloids as a paparazzi. Her boss is played by the wonderful and divine Holland Taylor. The show was well-written most of the time. TEa's Nora was beginning to develop into quite a memorable character but the network just didn't support comedy and they still don't. Even when they brought in George Wendt from Cheers, they made unnecessary changes in casting and characters. The show was fine in the beginning and the audience was getting used to it but then the network botches it up like a bad plastic surgery. | 1pos
|
A truly adorable heroine who, at turns, is surprised and terrified by giblets, wrestles with mattresses, runs full-on into closed doors ... just a few of the moments that sparkle in my memory of 'The Naked Truth'. I LOVED what I caught of this show: enjoyably daft plots and some good supporting characters provided the setting for the diamond of the show - Tea Leoni as, 'Nora Wilde'; cute, clownish, and wonderfully accident-prone - How refreshing to see an actress who can clown - it's no wonder Hollyood doesn't seem to know how to cast her. But where-oh-WHERE are the DVD releases? The amount of (bleep) they release, it's incredible me that this little gem continues to remain buried. (Someone please correct me if I'm wrong.) | 1pos
|
The subsequent two seasons of this original series was less than lacklustre. The latter seasons disastrous reshuffle contributed to its three season short life span. Maybe if the plug was pulled after the first season it would've gained a cult following.<br /><br />Aside from that, the first season was truly hilarious! Witty, clever with superb writing it was promising. The first season's excellent brew had the right ingredients - characters/actors, storyline and so forth. Plus a comedy about a paparazzi reporter was original to boot. Nora and her fellow "photographers" on the prowl, night after night, day after day for the exclusives.<br /><br />A lot of things don't make sense to me. Like how this show, and another fav of mine - Gross Pointe never "made it". If only the first seasons of the Naked Truth, and Grosse Pointe were released on DVD, please anyone out there?! | 1pos
|
Pialat films people in extreme emotional situations, usually with several violent scenes. In La Gueule ouverte, he's dealing with the devastating effects on a woman's husband and son as she dies of cancer. In A nos amours, the teenage girl's sexual experimentation leads to violent confrontations with her family. Here we have a rather spoiled young woman who abandons her husband to take up with a sexy ex-con. Her motivation is a little cloudy, since Loulou is incapable of reading or discussing anything more challenging than TV shows; on the other hand, he's got a fabulous body (I wonder why Depardieu never made a sports movie to show off that physique--he would have been great as a rugby player).<br /><br />The casting is impressive. Isabelle Huppert isn't allowed to give a bland, inexpressive performance (she has given many); Depardieu plays Loulou with all the dynamism and charm you could want--see the scene in the bar, where he's stabbed in the gut, runs away and seeks treatment, then soon restarts with Nelly. Guy Marchand, with those coal-black eyes and distressed look, plays Nelly's husband beautifully; it's a fine repeat of the pairing in Coup de foudre. | 1pos
|
'Loulou' delights in the same way an expensive, high quality French wine does. It leaves you with a very fine aftertaste.<br /><br />'Loulou's theme isn't new. The film doesn't carry an original plot either. Its colored picturing shows fine, but not extraordinary. Its setting is serious. Its elegant styling never and nowhere puts any weight on your mind.<br /><br />Whatever one further may say about 'Loulou', it's beyond doubt that this very French film stands out for its excellent acting. The three leads convincingly reflect all numerous doubts and tenses sparkling between them, making the plot alive. Their acting fully invites you to participate, to make friends.<br /><br />For those around at the time, 'Loulou' also provides an extra bonus: its perfectly captured mood of 1980. | 1pos
|
This is quite a dull movie. Well-shot with realistic performances especially a very good one from Depardieu as a cad and bad boy with realistic locations mood and art-house connotations all over, it fails because the director takes no position, stand or critical commentary on the topic he stipulates. One of France's revered and regular working partner on films with Depardieu - I believe they made 7 together - Pialat fails to engage. It seems to be a treatise on why women fall for the bad boy who will hurt when they have a ready caring boyfriend and good-hearted husband around. Isabelle Hupert who plays the philanderer with nonchalant distinction offers opprobrium answers like "I don't know"; "I like his arms"; "I like the way he makes love" to her inquiring husband who tries to kick her out of the house but palliates and reconsiders because... I assume he loves her. So he accepts and hope for what? That she will one day wake up and come to her senses. Things like this are not answered in Pialat's condescending docu-drama style with long speeches and even longer scenes that don't add up. I know the answers do not add up but please take a stand. Jules et Jim, this is not. The final shot as cold as the movie we have just watched is a heartache and headache only to the most forgiving. | 1pos
|
Well-made but basically dreary low-life melodrama which, according to the accompanying interview with lead Isabelle Huppert, writer/director Pialat infused with a good deal of autobiographical detail; given the mainly unsympathetic characters involved, it doesn't do him any compliments - and he does seem to have been a troubled man, as Huppert also says that Pialat often disappeared for days on end during the shoot! <br /><br />The acting is uniformly excellent, however; despite their relatively young age, Huppert and co-star Gerard Depardieu (as the title character!) were already at the forefront of modern French stars - a status which, with varying degrees of success, they both still hold to this day.<br /><br />I have 3 more of Pialat's films in my "VHS To Watch" pile, albeit all in French without English Subtitles; due to this fact but also LOULOU'S oppressive realism - in spite of its undeniable artistic merit - I can't say that I'm in any particular hurry to check them out now... | 1pos
|
It was very heart-warming. As an expatriated french, I particularly enjoyed this "TV" movie, which I think deserves a broader distribution. The acting was good, and the bonds between each member of this rural French family seemed so<br /><br />strong and so natural. No doubt a great movie about the concept of family and inclusion in the face of homosexuality and AIDS. One of the strongest aspect of the movie is this privileged relationship between the eldest son (Leo), who has contracted HIV, and the youngest son (Marcel), to whom the rest of the family try to hide the situation. The two characters<br /><br />progressively explore each other as time runs out for Leo, who is not willing to spend the rest of his life surviving under drugs... | 1pos
|
It is projected that between 2000 and 2020, 68 million people will die prematurely as a result of AIDS. The projected toll is greatest in sub-Saharan Africa where 55 million additional deaths can be expected. Beyond the grim statistics are personal stories that we rarely hear about. Christophe Honoré describes one of the most moving in Close to Leo, a film produced for French television as part of a series dealing with issues facing young people. Though fictional, it deals with a situation that is unfortunately too common -- the effect of a diagnosis of HIV on a loving close-knit family.<br /><br />When twenty one-year old Leo (Pierre Mignard) tells his parents and two teenage brothers, Tristan (Rodolphe Pauley) and Pierrot (Jeremie Lippmann) that he has AIDS, the family is devastated. Out of concern for his youth, they decide to withhold the information from his youngest brother, 12-year old Marcel (Yannis Lespert) but he overhears the conversation and begins to sulk and act erratically. When Leo goes to Paris for treatment, he takes Marcel with him but the young boy confronts Leo and demands to know the truth. Leo tells him that he is ill and Marcel is sad but accepting. When he brings Marcel along to meet some former gay friends, however, tension between them boils to the surface, setting the stage for a riveting conclusion. <br /><br />Although I was uncomfortable with scenes in bed involving physical contact between the brothers, I feel that the sincerity of Close to Leo and the brilliant performances by Lespert and Mignard more than tip the scales in its favor. Seeing events unfold from the young boy's perspective gives the film an authenticity that reminded me of the Quebecois film Leolo and Truffaut's The 400 Blows. Unlike some American films that dance around the anguish of AIDS, Close to Leo tells a harsh truth but does so in a way that is tender and wonderfully real. | 1pos
|
I loved this movie. First, because it is a family movie. Second, because it offers a refreshing take on dealing with the news of HIV in a family, with far less hysteria than what I have normally seen in the movies. The brothers are very close, yet are not judgmental. Their desire to protect the youngest brother is noble, but not needed in the end. I understand that Leo's choice on how to deal with his treatment may not have been the most popular one with people, but I believed it was the right choice for him. I can't believe that this was a french television programme. It had great production values. I gave this movie a ten, and I think you will too, once you have seen it. | 1pos
|
This film made for French TV deals with the tragic effect it has for a close knit family. When Leo, the young man at the center of the story is diagnosed as having the AIDS virus, announces it to his parents, they just can't believe it. The film is a character study on how this family deals with its subject.<br /><br />The director, Christophe Honore, has to be congratulated for bringing this frank account to the screen. Nowhere but in France could this story make it to the movies because of the subject matter.<br /><br />The news has a devastating effect on Marcel, the young brother who hears about what Leo has contracted, in spite of the way the parents want to shelter him from reality.<br /><br />Yaniss Lespart and Pierre Mignard do a convincing job in portraying the brothers. | 1pos
|
I found this film to be a fascinating study of a family in crisis. When Leo, the oldest announces that he is HIV+ the reactions of the family members alone and with each other was touching and yet strange.<br /><br />I have never seen a family that was as physically demonstrative as this one; nor one as likely to shout at each other. I didn't understand why the family felt that youngest couldn't deal with the news but once past that difficult I found this a thoroughly moving film.<br /><br /> | 1pos
|
I saw this movie about a week ago and still keep thinking about it. I was very moved by this movie. I found the characters very believable and likable almost to a fault. As in real life though sometimes people disappoint, as was the case with Leo, who even though I liked his character I could not have been more disappointed when he was willing to have unprotected sex even though fully aware of his HIV status. I was also disappointed with Leo for rejecting the medicine available to him, and the awful way he treated Marcel when he decided to ship him back home on the train. I think this movie showed in a very real way why HIV numbers are up in young gay men. This is in no way meant to bash gays (I am gay) and movie very well could have been made about a young straight person who makes bad choices and seems unaware of the consequences to himself and others. The only part of the movie I couldn't understand was why the (gay friendly) family was unwilling to include Marcel in Leo's illness to the point of not allowing him to go to the funeral.<br /><br />I think the biggest message from this movie is that whether gay or straight is DO NOT HAVE UNPROTECTED SEX! | 1pos
|
This movie was for a while in my collection, but it wasn't before a friend of mine reminded me about it until I decided that I should watch it. I did not know much about Close to Leo just that it was supposed to be excellent coming out of age movie and it deals with a very serious topic Aids. <br /><br />Although the person who has aids is Leo the scenario wraps around the way in which Marcel (the youngest brother of Leo) coupes with the sickness of his relative. At first everyone is trying to hide the truth from Marcel he is believed to be too young to understand the sickness of his brother the fact that Leo is also a homosexual contributes to the unwillingness of the parents to discus the matter with the young Marcel. I know from experience that on many occasions most older people do not want to accept the fact that sometimes even when someone is young this does not automatically means that he will not be able to accept the reality and act in more adequate manner then even themselves . With exception of the fact that the family tried to conceal the truth from Marcel, they have left quite an impression for me the way they supported their son even after discovering the truth about his sexuality and his sickness. The fact that they allowed the young Marcel to travel along with Leo to Paris to meet his ex boyfriend was quite a gesture from them most families I know will be reluctant to do that. There is a lot of warmth in the scenes in which the brothers spend some time together you can see them being real friends , concern about each other.<br /><br />Close to Leo is an excellent drama, which I strongly recommend | 1pos
|
Every great gangster movie has under-currents of human drama. Don't expect an emotional story of guilt, retribution and despair from "Scarface". This is a tale of ferocious greed, corruption, and power. The darker side of the fabled "American Dream".<br /><br />Anybody complaining about the "cheesiness" of this film is missing the point. The superficial characters, cheesy music, and dated fashions further fuel the criticism of this life of diabolical excess. Nothing in the lives of these characters really matter, not on any human level at least. In fact the film practically borderlines satire, ironic considering all the gangsta rappers that were positively inspired by the lifestyle of Tony Montana.<br /><br />This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled (particularly the memorable finale), but frequently sinks to sloppy and misled. Thankfully, it is supported by a very strong script by Oliver Stone (probably good therapy for him, considering the coke habit he was tackling at the time). The themes are consistent, with the focus primarily on the life of Tony Montana, and the evolution of his character as he is consumed by greed and power. The dialogue is also excellent, see-sawing comfortably between humour and drama. There are many stand-out lines, which have since wormed their way into popular culture in one form or another.<br /><br />The cast help make it what it is as well, but this is really Pacino's film. One of his earlier less subtle performances (something much more common from him nowadays), this is a world entirely separate from Michael Corleone and Frank Serpico. Yet he is as watchable here as ever, in very entertaining (and intentionally over-the-top) form. It is hard to imagine another Tony Montana after seeing this film, in possibly one of the most mimicked performances ever. Pfeiffer stood out as dull and uncomfortable on first viewing, but I've come to realize how she plays out the part of the bored little wife. Not an exceptional effort, but unfairly misjudged. The supporting players are very good too, particularly Paul Shenar as the suave Alejandro Sosa.<br /><br />Powerful, occasionally humorous, sometimes shocking, and continually controversial. "Scarface" is one of the films of the eighties (whatever that might mean to you). An essential and accessible gangster flick, and a pop-culture landmark. 9/10 | 1pos
|
"Scarface" has a major cult following even now, 22 years after its release.<br /><br />It has also been widely criticized as being very tacky, unrefined, over-the-top and all bloated up! These are people who compare Scarface to The Godfather movies. It is true that on the technical front, (cinematography, screenplay, direction, etc.) Scarface is way behind 'The Godfather'.<br /><br />But it is also true, that what Scarface has and some other gangster movies lack, is the rawness, the sheer crude approach of the gangsters. The Latino gangsters in this movie look much more menacing and real than any of the polished Italian or Irish gangsters from other gangster classics like 'The Godfather' or 'Goodfellas'. This is one of the major winning points of Scarface and I strongly believe that this fact has been written off as "tackiness" by most critics! I have seen the original 1932 Scarface, and I must say that both these movies are way too different from each other and should be seen as two different movies instead of praising the original over the "remake"! <br /><br />Al Pacino has been criticized to be over-the-top and loud in this movie. But how about considering that that is precisely the way the film-makers wanted Tony Montana's character to be! He is this angry young man who takes hasty decisions and throws fits of tantrum every other minute! He is not the calm Michael Corleone here. He is Tony Montana, a very tacky, uneducated individual who doesn't really think much and gets angry all the time!<br /><br />There is definitely a very 80s feel to this movie. The soundtrack is all 80s! I love some of the songs, including 'Gina and Elvira's theme', 'Push it to the limit' and the title track instrumental.<br /><br />There are some memorable and beautifully shot sequences, including the famous chainsaw scene, the Rebenga hit, the first meeting with Sosa and Tony's visit to his mother's.<br /><br />About the performances: Al Pacino is brilliant as the angry Cuban refugee. He has reportedly mentioned that he enjoyed playing Tony Montana the most in his entire career. And it really does seem like he has enjoyed himself thoroughly in all his scenes! One wonders what "Scarface" would be like without Pacino. I just couldn't imagine anyone else portraying Tony Montana and in all probabilities, the film wouldn't be as effective without him!<br /><br />Steven Bauer shines as Tony's friend Manny.<br /><br />Robert Loggia is wonderful as Tony's boss, Lopez. So is F. Murray Abraham (as Omar) in a small role.<br /><br />Then there is some eye-candy in the form of Elvira played by Michelle Pfeiffer. She looks beautiful and is adequate in her role.<br /><br />The director does go a bit overboard during a particular part in the climax. Without revealing anything, I would only say that that was the only little part that suffers due to improper handling.<br /><br />"Scarface" is definitely one of the most entertaining and one of the best gangster movies to ever come out. Enjoy it for what it is: a raw portrayal of the Drug Lords and their gangland! | 1pos
|