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Create a compact summary that covers the main points of book 3, chapter 23, utilizing the provided context.

The tenants come in to dinner, and they argue over who is to sit at the head of the table. Adam sits with the tenants, even though, as a craftsman , he would normally sit at the lower table. He sees Hetty, who flirts with him because she knows Mary Burge, who loves Adam, is watching them

----------BOOK 3, CHAPTER 23--------- WHEN Adam heard that he was to dine upstairs with the large tenants, he felt rather uncomfortable at the idea of being exalted in this way above his mother and Seth, who were to dine in the cloisters below. But Mr. Mills, the butler, assured him that Captain Donnithorne had given particular orders about it, and would be very angry if Adam was not there. Adam nodded and went up to Seth, who was standing a few yards off. "Seth, lad," he said, "the captain has sent to say I'm to dine upstairs--he wishes it particular, Mr. Mills says, so I suppose it 'ud be behaving ill for me not to go. But I don't like sitting up above thee and mother, as if I was better than my own flesh and blood. Thee't not take it unkind, I hope?" "Nay, nay, lad," said Seth, "thy honour's our honour; and if thee get'st respect, thee'st won it by thy own deserts. The further I see thee above me, the better, so long as thee feel'st like a brother to me. It's because o' thy being appointed over the woods, and it's nothing but what's right. That's a place o' trust, and thee't above a common workman now." "Aye," said Adam, "but nobody knows a word about it yet. I haven't given notice to Mr. Burge about leaving him, and I don't like to tell anybody else about it before he knows, for he'll be a good bit hurt, I doubt. People 'ull be wondering to see me there, and they'll like enough be guessing the reason and asking questions, for there's been so much talk up and down about my having the place, this last three weeks." "Well, thee canst say thee wast ordered to come without being told the reason. That's the truth. And mother 'ull be fine and joyful about it. Let's go and tell her." Adam was not the only guest invited to come upstairs on other grounds than the amount he contributed to the rent-roll. There were other people in the two parishes who derived dignity from their functions rather than from their pocket, and of these Bartle Massey was one. His lame walk was rather slower than usual on this warm day, so Adam lingered behind when the bell rang for dinner, that he might walk up with his old friend; for he was a little too shy to join the Poyser party on this public occasion. Opportunities of getting to Hetty's side would be sure to turn up in the course of the day, and Adam contented himself with that for he disliked any risk of being "joked" about Hetty--the big, outspoken, fearless man was very shy and diffident as to his love-making. "Well, Mester Massey," said Adam, as Bartle came up "I'm going to dine upstairs with you to-day: the captain's sent me orders." "Ah!" said Bartle, pausing, with one hand on his back. "Then there's something in the wind--there's something in the wind. Have you heard anything about what the old squire means to do?" "Why, yes," said Adam; "I'll tell you what I know, because I believe you can keep a still tongue in your head if you like, and I hope you'll not let drop a word till it's common talk, for I've particular reasons against its being known." "Trust to me, my boy, trust to me. I've got no wife to worm it out of me and then run out and cackle it in everybody's hearing. If you trust a man, let him be a bachelor--let him be a bachelor." "Well, then, it was so far settled yesterday that I'm to take the management o' the woods. The captain sent for me t' offer it me, when I was seeing to the poles and things here and I've agreed to't. But if anybody asks any questions upstairs, just you take no notice, and turn the talk to something else, and I'll be obliged to you. Now, let us go on, for we're pretty nigh the last, I think." "I know what to do, never fear," said Bartle, moving on. "The news will be good sauce to my dinner. Aye, aye, my boy, you'll get on. I'll back you for an eye at measuring and a head-piece for figures, against any man in this county and you've had good teaching--you've had good teaching." When they got upstairs, the question which Arthur had left unsettled, as to who was to be president, and who vice, was still under discussion, so that Adam's entrance passed without remark. "It stands to sense," Mr. Casson was saying, "as old Mr. Poyser, as is th' oldest man i' the room, should sit at top o' the table. I wasn't butler fifteen year without learning the rights and the wrongs about dinner." "Nay, nay," said old Martin, "I'n gi'en up to my son; I'm no tenant now: let my son take my place. Th' ould foulks ha' had their turn: they mun make way for the young uns." "I should ha' thought the biggest tenant had the best right, more nor th' oldest," said Luke Britton, who was not fond of the critical Mr. Poyser; "there's Mester Holdsworth has more land nor anybody else on th' estate." "Well," said Mr. Poyser, "suppose we say the man wi' the foulest land shall sit at top; then whoever gets th' honour, there'll be no envying on him." "Eh, here's Mester Massey," said Mr. Craig, who, being a neutral in the dispute, had no interest but in conciliation; "the schoolmaster ought to be able to tell you what's right. Who's to sit at top o' the table, Mr. Massey?" "Why, the broadest man," said Bartle; "and then he won't take up other folks' room; and the next broadest must sit at bottom." This happy mode of settling the dispute produced much laughter--a smaller joke would have sufficed for that Mr. Casson, however, did not feel it compatible with his dignity and superior knowledge to join in the laugh, until it turned out that he was fixed on as the second broadest man. Martin Poyser the younger, as the broadest, was to be president, and Mr. Casson, as next broadest, was to be vice. Owing to this arrangement, Adam, being, of course, at the bottom of the table, fell under the immediate observation of Mr. Casson, who, too much occupied with the question of precedence, had not hitherto noticed his entrance. Mr. Casson, we have seen, considered Adam "rather lifted up and peppery-like": he thought the gentry made more fuss about this young carpenter than was necessary; they made no fuss about Mr. Casson, although he had been an excellent butler for fifteen years. "Well, Mr. Bede, you're one o' them as mounts hup'ards apace," he said, when Adam sat down. "You've niver dined here before, as I remember." "No, Mr. Casson," said Adam, in his strong voice, that could be heard along the table; "I've never dined here before, but I come by Captain Donnithorne's wish, and I hope it's not disagreeable to anybody here." "Nay, nay," said several voices at once, "we're glad ye're come. Who's got anything to say again' it?" "And ye'll sing us 'Over the hills and far away,' after dinner, wonna ye?" said Mr. Chowne. "That's a song I'm uncommon fond on." "Peeh!" said Mr. Craig; "it's not to be named by side o' the Scotch tunes. I've never cared about singing myself; I've had something better to do. A man that's got the names and the natur o' plants in's head isna likely to keep a hollow place t' hold tunes in. But a second cousin o' mine, a drovier, was a rare hand at remembering the Scotch tunes. He'd got nothing else to think on." "The Scotch tunes!" said Bartle Massey, contemptuously; "I've heard enough o' the Scotch tunes to last me while I live. They're fit for nothing but to frighten the birds with--that's to say, the English birds, for the Scotch birds may sing Scotch for what I know. Give the lads a bagpipe instead of a rattle, and I'll answer for it the corn 'll be safe." "Yes, there's folks as find a pleasure in undervallying what they know but little about," said Mr. Craig. "Why, the Scotch tunes are just like a scolding, nagging woman," Bartle went on, without deigning to notice Mr. Craig's remark. "They go on with the same thing over and over again, and never come to a reasonable end. Anybody 'ud think the Scotch tunes had always been asking a question of somebody as deaf as old Taft, and had never got an answer yet." Adam minded the less about sitting by Mr. Casson, because this position enabled him to see Hetty, who was not far off him at the next table. Hetty, however, had not even noticed his presence yet, for she was giving angry attention to Totty, who insisted on drawing up her feet on to the bench in antique fashion, and thereby threatened to make dusty marks on Hetty's pink-and-white frock. No sooner were the little fat legs pushed down than up they came again, for Totty's eyes were too busy in staring at the large dishes to see where the plum pudding was for her to retain any consciousness of her legs. Hetty got quite out of patience, and at last, with a frown and pout, and gathering tears, she said, "Oh dear, Aunt, I wish you'd speak to Totty; she keeps putting her legs up so, and messing my frock." "What's the matter wi' the child? She can niver please you," said the mother. "Let her come by the side o' me, then. I can put up wi' her." Adam was looking at Hetty, and saw the frown, and pout, and the dark eyes seeming to grow larger with pettish half-gathered tears. Quiet Mary Burge, who sat near enough to see that Hetty was cross and that Adam's eyes were fixed on her, thought that so sensible a man as Adam must be reflecting on the small value of beauty in a woman whose temper was bad. Mary was a good girl, not given to indulge in evil feelings, but she said to herself, that, since Hetty had a bad temper, it was better Adam should know it. And it was quite true that if Hetty had been plain, she would have looked very ugly and unamiable at that moment, and no one's moral judgment upon her would have been in the least beguiled. But really there was something quite charming in her pettishness: it looked so much more like innocent distress than ill humour; and the severe Adam felt no movement of disapprobation; he only felt a sort of amused pity, as if he had seen a kitten setting up its back, or a little bird with its feathers ruffled. He could not gather what was vexing her, but it was impossible to him to feel otherwise than that she was the prettiest thing in the world, and that if he could have his way, nothing should ever vex her any more. And presently, when Totty was gone, she caught his eye, and her face broke into one of its brightest smiles, as she nodded to him. It was a bit of flirtation--she knew Mary Burge was looking at them. But the smile was like wine to Adam. ----------CHAPTER 23--------- WHEN Adam heard that he was to dine upstairs with the large tenants, he felt rather uncomfortable at the idea of being exalted in this way above his mother and Seth, who were to dine in the cloisters below. But Mr. Mills, the butler, assured him that Captain Donnithorne had given particular orders about it, and would be very angry if Adam was not there. Adam nodded and went up to Seth, who was standing a few yards off. "Seth, lad," he said, "the captain has sent to say I'm to dine upstairs--he wishes it particular, Mr. Mills says, so I suppose it 'ud be behaving ill for me not to go. But I don't like sitting up above thee and mother, as if I was better than my own flesh and blood. Thee't not take it unkind, I hope?" "Nay, nay, lad," said Seth, "thy honour's our honour; and if thee get'st respect, thee'st won it by thy own deserts. The further I see thee above me, the better, so long as thee feel'st like a brother to me. It's because o' thy being appointed over the woods, and it's nothing but what's right. That's a place o' trust, and thee't above a common workman now." "Aye," said Adam, "but nobody knows a word about it yet. I haven't given notice to Mr. Burge about leaving him, and I don't like to tell anybody else about it before he knows, for he'll be a good bit hurt, I doubt. People 'ull be wondering to see me there, and they'll like enough be guessing the reason and asking questions, for there's been so much talk up and down about my having the place, this last three weeks." "Well, thee canst say thee wast ordered to come without being told the reason. That's the truth. And mother 'ull be fine and joyful about it. Let's go and tell her." Adam was not the only guest invited to come upstairs on other grounds than the amount he contributed to the rent-roll. There were other people in the two parishes who derived dignity from their functions rather than from their pocket, and of these Bartle Massey was one. His lame walk was rather slower than usual on this warm day, so Adam lingered behind when the bell rang for dinner, that he might walk up with his old friend; for he was a little too shy to join the Poyser party on this public occasion. Opportunities of getting to Hetty's side would be sure to turn up in the course of the day, and Adam contented himself with that for he disliked any risk of being "joked" about Hetty--the big, outspoken, fearless man was very shy and diffident as to his love-making. "Well, Mester Massey," said Adam, as Bartle came up "I'm going to dine upstairs with you to-day: the captain's sent me orders." "Ah!" said Bartle, pausing, with one hand on his back. "Then there's something in the wind--there's something in the wind. Have you heard anything about what the old squire means to do?" "Why, yes," said Adam; "I'll tell you what I know, because I believe you can keep a still tongue in your head if you like, and I hope you'll not let drop a word till it's common talk, for I've particular reasons against its being known." "Trust to me, my boy, trust to me. I've got no wife to worm it out of me and then run out and cackle it in everybody's hearing. If you trust a man, let him be a bachelor--let him be a bachelor." "Well, then, it was so far settled yesterday that I'm to take the management o' the woods. The captain sent for me t' offer it me, when I was seeing to the poles and things here and I've agreed to't. But if anybody asks any questions upstairs, just you take no notice, and turn the talk to something else, and I'll be obliged to you. Now, let us go on, for we're pretty nigh the last, I think." "I know what to do, never fear," said Bartle, moving on. "The news will be good sauce to my dinner. Aye, aye, my boy, you'll get on. I'll back you for an eye at measuring and a head-piece for figures, against any man in this county and you've had good teaching--you've had good teaching." When they got upstairs, the question which Arthur had left unsettled, as to who was to be president, and who vice, was still under discussion, so that Adam's entrance passed without remark. "It stands to sense," Mr. Casson was saying, "as old Mr. Poyser, as is th' oldest man i' the room, should sit at top o' the table. I wasn't butler fifteen year without learning the rights and the wrongs about dinner." "Nay, nay," said old Martin, "I'n gi'en up to my son; I'm no tenant now: let my son take my place. Th' ould foulks ha' had their turn: they mun make way for the young uns." "I should ha' thought the biggest tenant had the best right, more nor th' oldest," said Luke Britton, who was not fond of the critical Mr. Poyser; "there's Mester Holdsworth has more land nor anybody else on th' estate." "Well," said Mr. Poyser, "suppose we say the man wi' the foulest land shall sit at top; then whoever gets th' honour, there'll be no envying on him." "Eh, here's Mester Massey," said Mr. Craig, who, being a neutral in the dispute, had no interest but in conciliation; "the schoolmaster ought to be able to tell you what's right. Who's to sit at top o' the table, Mr. Massey?" "Why, the broadest man," said Bartle; "and then he won't take up other folks' room; and the next broadest must sit at bottom." This happy mode of settling the dispute produced much laughter--a smaller joke would have sufficed for that Mr. Casson, however, did not feel it compatible with his dignity and superior knowledge to join in the laugh, until it turned out that he was fixed on as the second broadest man. Martin Poyser the younger, as the broadest, was to be president, and Mr. Casson, as next broadest, was to be vice. Owing to this arrangement, Adam, being, of course, at the bottom of the table, fell under the immediate observation of Mr. Casson, who, too much occupied with the question of precedence, had not hitherto noticed his entrance. Mr. Casson, we have seen, considered Adam "rather lifted up and peppery-like": he thought the gentry made more fuss about this young carpenter than was necessary; they made no fuss about Mr. Casson, although he had been an excellent butler for fifteen years. "Well, Mr. Bede, you're one o' them as mounts hup'ards apace," he said, when Adam sat down. "You've niver dined here before, as I remember." "No, Mr. Casson," said Adam, in his strong voice, that could be heard along the table; "I've never dined here before, but I come by Captain Donnithorne's wish, and I hope it's not disagreeable to anybody here." "Nay, nay," said several voices at once, "we're glad ye're come. Who's got anything to say again' it?" "And ye'll sing us 'Over the hills and far away,' after dinner, wonna ye?" said Mr. Chowne. "That's a song I'm uncommon fond on." "Peeh!" said Mr. Craig; "it's not to be named by side o' the Scotch tunes. I've never cared about singing myself; I've had something better to do. A man that's got the names and the natur o' plants in's head isna likely to keep a hollow place t' hold tunes in. But a second cousin o' mine, a drovier, was a rare hand at remembering the Scotch tunes. He'd got nothing else to think on." "The Scotch tunes!" said Bartle Massey, contemptuously; "I've heard enough o' the Scotch tunes to last me while I live. They're fit for nothing but to frighten the birds with--that's to say, the English birds, for the Scotch birds may sing Scotch for what I know. Give the lads a bagpipe instead of a rattle, and I'll answer for it the corn 'll be safe." "Yes, there's folks as find a pleasure in undervallying what they know but little about," said Mr. Craig. "Why, the Scotch tunes are just like a scolding, nagging woman," Bartle went on, without deigning to notice Mr. Craig's remark. "They go on with the same thing over and over again, and never come to a reasonable end. Anybody 'ud think the Scotch tunes had always been asking a question of somebody as deaf as old Taft, and had never got an answer yet." Adam minded the less about sitting by Mr. Casson, because this position enabled him to see Hetty, who was not far off him at the next table. Hetty, however, had not even noticed his presence yet, for she was giving angry attention to Totty, who insisted on drawing up her feet on to the bench in antique fashion, and thereby threatened to make dusty marks on Hetty's pink-and-white frock. No sooner were the little fat legs pushed down than up they came again, for Totty's eyes were too busy in staring at the large dishes to see where the plum pudding was for her to retain any consciousness of her legs. Hetty got quite out of patience, and at last, with a frown and pout, and gathering tears, she said, "Oh dear, Aunt, I wish you'd speak to Totty; she keeps putting her legs up so, and messing my frock." "What's the matter wi' the child? She can niver please you," said the mother. "Let her come by the side o' me, then. I can put up wi' her." Adam was looking at Hetty, and saw the frown, and pout, and the dark eyes seeming to grow larger with pettish half-gathered tears. Quiet Mary Burge, who sat near enough to see that Hetty was cross and that Adam's eyes were fixed on her, thought that so sensible a man as Adam must be reflecting on the small value of beauty in a woman whose temper was bad. Mary was a good girl, not given to indulge in evil feelings, but she said to herself, that, since Hetty had a bad temper, it was better Adam should know it. And it was quite true that if Hetty had been plain, she would have looked very ugly and unamiable at that moment, and no one's moral judgment upon her would have been in the least beguiled. But really there was something quite charming in her pettishness: it looked so much more like innocent distress than ill humour; and the severe Adam felt no movement of disapprobation; he only felt a sort of amused pity, as if he had seen a kitten setting up its back, or a little bird with its feathers ruffled. He could not gather what was vexing her, but it was impossible to him to feel otherwise than that she was the prettiest thing in the world, and that if he could have his way, nothing should ever vex her any more. And presently, when Totty was gone, she caught his eye, and her face broke into one of its brightest smiles, as she nodded to him. It was a bit of flirtation--she knew Mary Burge was looking at them. But the smile was like wine to Adam.

Adam Bede.book 4.chapter

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Generate a succinct summary for book 4, chapter 33 with the given context.

book 4, chapter 33|book 4, chapter 34

The barley crop is in, and it is already Michaelmas. Mr. Thurle did not come to the Chase, so the old Squire was obliged to find a steward. The whole town knows that this is because Mrs. Poyser refused to be put upon. Mrs. Irwine approves highly, and she wishes that she were rich enough to give the lady a pension. Hetty's attitude toward her work improves, and she does not complain when her aunt puts a stop to her lessons at the Chase. Adam begins to be hopeful because she looks happy when she sees him. Eliot observes that it is not the weakness in Adam that is attracted to Hetty, but rather his strength. It is no more shameful to be attracted to a beautiful woman than to be moved by beautiful music. The appearance of a change in Hetty's affections has made Adam more inclined to be less hard on Arthur. It looks like Adam's fortunes are on the upswing in every way now that Mr. Burge, despairing of ever having Adam as a son-in-law, has made him his partner anyway because he is irreplaceable. Now his prospects allow him to marry very soon and perhaps to build a house away from his mother's. His mother might be reconciled to this circumstance if Seth married Dinah. He is excited to tell the Poysers the news

----------BOOK 4, CHAPTER 33--------- THE barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire's plan had been frustrated because the Poysers had refused to be "put upon," and Mrs. Poyser's outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that "Bony" was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser's repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner's house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman's discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser's own lips. "No, no, Mother," said Mr. Irwine; "it was a little bit of irregular justice on Mrs. Poyser's part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man." "Well, I like that woman even better than her cream-cheeses," said Mrs. Irwine. "She has the spirit of three men, with that pale face of hers. And she says such sharp things too." "Sharp! Yes, her tongue is like a new-set razor. She's quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig--that he was like a cock, who thought the sun had risen to hear him crow. Now that's an AEsop's fable in a sentence." "But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?" said Mrs. Irwine. "Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go." "Ah, there's no knowing what may happen before Lady day," said Mrs. Irwine. "It struck me on Arthur's birthday that the old man was a little shaken: he's eighty-three, you know. It's really an unconscionable age. It's only women who have a right to live as long as that." "When they've got old-bachelor sons who would be forlorn without them," said Mr. Irwine, laughing, and kissing his mother's hand. Mrs. Poyser, too, met her husband's occasional forebodings of a notice to quit with "There's no knowing what may happen before Lady day"--one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition. Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got "closer tempered, and sometimes she seemed as if there'd be no drawing a word from her with cart-ropes," but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now--indeed, could hardly be persuaded to go; and she bore her aunt's putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady's maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there. Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur's letter, he had ventured to go to the Hall Farm again--not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, "Come, Hetty, where have you been?" Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him--looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought--something harder, older, less child-like. "Poor thing!" he said to himself, "that's allays likely. It's because she's had her first heartache. But she's got a spirit to bear up under it. Thank God for that." As the weeks went by, and he saw her always looking pleased to see him--turning up her lovely face towards him as if she meant him to understand that she was glad for him to come--and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be--her heart was really turning with all the more warmth towards the man she knew to have a serious love for her. Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did--falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master's eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect--indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less--nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman's cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman's soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman's love that moves us in a woman's eyes--it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness--by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman's soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind. Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender. The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur's position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty's heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say "good-bye" to the grand old woods, but would like them better because they were Arthur's. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire's timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge's building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam's enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence. Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty--he would not try Hetty's feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty's eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always. ----------BOOK 4, CHAPTER 34--------- IT was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and "keep her company." He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, "Now, then, which is the stoutest walker? Him as gets to th' home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he's the smallest." Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, "Won't you hang on my arm, Hetty?" in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam's, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little--a very little. Words rushed to his lips that he dared not utter--that he had made up his mind not to utter yet--and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty's love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion--had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, "I'm going to tell your uncle some news that'll surprise him, Hetty; and I think he'll be glad to hear it too." "What's that?" Hetty said indifferently. "Why, Mr. Burge has offered me a share in his business, and I'm going to take it." There was a change in Hetty's face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing--the one person--her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, "Hetty, dear Hetty, what are you crying for?" his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge--she didn't like him to marry--perhaps she didn't like him to marry any one but herself? All caution was swept away--all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said: "I could afford to be married now, Hetty--I could make a wife comfortable; but I shall never want to be married if you won't have me." Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her. "Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?" Hetty did not speak, but Adam's face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed--she wanted to feel as if Arthur were with her again. Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, "I may tell your uncle and aunt, mayn't I, Hetty?" and she said, "Yes." The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him. "I hope you have no objections against me for her husband," said Adam; "I'm a poor man as yet, but she shall want nothing as I can work for." "Objections?" said Mr. Poyser, while the grandfather leaned forward and brought out his long "Nay, nay." "What objections can we ha' to you, lad? Never mind your being poorish as yet; there's money in your head-piece as there's money i' the sown field, but it must ha' time. You'n got enough to begin on, and we can do a deal tow'rt the bit o' furniture you'll want. Thee'st got feathers and linen to spare--plenty, eh?" This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit. "It ud be a poor tale if I hadna feathers and linen," she said, hoarsely, "when I never sell a fowl but what's plucked, and the wheel's a-going every day o' the week." "Come, my wench," said Mr. Poyser, when Hetty came down, "come and kiss us, and let us wish you luck." Hetty went very quietly and kissed the big good-natured man. "There!" he said, patting her on the back, "go and kiss your aunt and your grandfather. I'm as wishful t' have you settled well as if you was my own daughter; and so's your aunt, I'll be bound, for she's done by you this seven 'ear, Hetty, as if you'd been her own. Come, come, now," he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, "Adam wants a kiss too, I'll warrant, and he's a right to one now." Hetty turned away, smiling, towards her empty chair. "Come, Adam, then, take one," persisted Mr. Poyser, "else y' arena half a man." Adam got up, blushing like a small maiden--great strong fellow as he was--and, putting his arm round Hetty stooped down and gently kissed her lips. It was a pretty scene in the red fire-light; for there were no candles--why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam's attachment to her, Adam's caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now--they promised her some change. There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery's in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out. "Well, well," said Mr. Poyser at last, "we needna fix everything to-night. We must take time to consider. You canna think o' getting married afore Easter. I'm not for long courtships, but there must be a bit o' time to make things comfortable." "Aye, to be sure," said Mrs. Poyser, in a hoarse whisper; "Christian folks can't be married like cuckoos, I reckon." "I'm a bit daunted, though," said Mr. Poyser, "when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off." "Eh," said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, "it's a poor tale if I mun leave th' ould spot an be buried in a strange parish. An' you'll happen ha' double rates to pay," he added, looking up at his son. "Well, thee mustna fret beforehand, father," said Martin the younger. "Happen the captain 'ull come home and make our peace wi' th' old squire. I build upo' that, for I know the captain 'll see folks righted if he can."

cliffnotes

Create a compact summary that covers the main points of chapter 33, utilizing the provided context.

book 4, chapter 35|chapter 33

Harvest time in Hayslope has now come and gone--"the apples and nuts were gathered and stored; the scent of whey departed from the farmhouses" . And by now, it's common knowledge that Mrs. Poyser threw a great big monkey wrench in Squire Donnithorne's scheme. Even Mr. Irwine thinks it a piece of "irregular justice" . And this is a guy who, normally, is on good terms with the Old Squire. Oh, how the mighty have fallen. Meanwhile, things are on the upswing for the Poysers, and not just because Squire Donnithorne won't be around to evict them. Hetty's mood has improved. Adam is coming round the Hall Farm, too, and spends a lot of time admiring Hetty from a distance. She even looks "glad for him to come" . Adam isn't the most rational, tactful, or eloquent suitor. As the narrator puts it, "our good Adam had no fine words into which he could put his feeling for Hetty" . Adam isn't Shakespeare. But he feels intensely, and honestly, for Hetty. And not even Jonathan Burge is holding Adam's love against him. Sure, Adam could have married Burge's own eligible daughter, but didn't. But Adam is "too necessary to be parted with," so Burge has offered Adam a share in his carpentry business . Everything's looking up: Adam can even take a new house, and Hetty is falling for him. What could possibly go wrong? Well, we've got 200 pages to go. If something doesn't go wrong, those are going to be 200 pages of sheer boredom. So stay tuned.

----------BOOK 4, CHAPTER 35--------- IT was a busy time for Adam--the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been "run up" to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother's ways and consent to live with her. To his great delight, Hetty said, "Yes; I'd as soon she lived with us as not." Hetty's mind was oppressed at that moment with a worse difficulty than poor Lisbeth's ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said "it was no use--Dinah's heart wasna turned towards marrying." For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, "Eh, my lad, I'll be as still as th' ould tabby, an' ne'er want to do aught but th' offal work, as she wonna like t' do. An' then we needna part the platters an' things, as ha' stood on the shelf together sin' afore thee wast born." There was only one cloud that now and then came across Adam's sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly's place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he "doubted the lass was o'erdoing it--she must have a bit o' rest when her aunt could come downstairs." This desirable event of Mrs. Poyser's coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed "it was because they were not for th' outside, else she'd ha' bought 'em fast enough." It was about ten o'clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire--the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows--I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony--the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish--perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man's religion has much sorrow in it: no wonder he needs a suffering God. Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her--one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs. No, she has not courage to jump into that cold watery bed, and if she had, they might find her--they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can't find her. After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen--something must happen--to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die. But now necessity was pressing hard upon her--now the time of her marriage was close at hand--she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly--that he would care for her and think for her--was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away. She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, "I wish Dinah 'ud come again now, for she'd be a comfort to your aunt when you're gone. What do you think, my wench, o' going to see her as soon as you can be spared and persuading her to come back wi' you? You might happen persuade her wi' telling her as her aunt wants her, for all she writes o' not being able to come." Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, "It's so far off, Uncle." But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him. As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away. Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach. "I wish I could go with you and take care of you, Hetty," he said, the next morning, leaning in at the coach door; "but you won't stay much beyond a week--the time 'ull seem long." He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence--she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look. "God bless her for loving me," said Adam, as he went on his way to work again, with Gyp at his heels. But Hetty's tears were not for Adam--not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him. At three o'clock that day, when Hetty was on the coach that was to take her, they said, to Leicester--part of the long, long way to Windsor--she felt dimly that she might be travelling all this weary journey towards the beginning of new misery. Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her. Book Five ----------CHAPTER 33--------- THE barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire's plan had been frustrated because the Poysers had refused to be "put upon," and Mrs. Poyser's outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that "Bony" was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser's repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner's house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman's discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser's own lips. "No, no, Mother," said Mr. Irwine; "it was a little bit of irregular justice on Mrs. Poyser's part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man." "Well, I like that woman even better than her cream-cheeses," said Mrs. Irwine. "She has the spirit of three men, with that pale face of hers. And she says such sharp things too." "Sharp! Yes, her tongue is like a new-set razor. She's quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig--that he was like a cock, who thought the sun had risen to hear him crow. Now that's an AEsop's fable in a sentence." "But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?" said Mrs. Irwine. "Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go." "Ah, there's no knowing what may happen before Lady day," said Mrs. Irwine. "It struck me on Arthur's birthday that the old man was a little shaken: he's eighty-three, you know. It's really an unconscionable age. It's only women who have a right to live as long as that." "When they've got old-bachelor sons who would be forlorn without them," said Mr. Irwine, laughing, and kissing his mother's hand. Mrs. Poyser, too, met her husband's occasional forebodings of a notice to quit with "There's no knowing what may happen before Lady day"--one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition. Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got "closer tempered, and sometimes she seemed as if there'd be no drawing a word from her with cart-ropes," but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now--indeed, could hardly be persuaded to go; and she bore her aunt's putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady's maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there. Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur's letter, he had ventured to go to the Hall Farm again--not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, "Come, Hetty, where have you been?" Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him--looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought--something harder, older, less child-like. "Poor thing!" he said to himself, "that's allays likely. It's because she's had her first heartache. But she's got a spirit to bear up under it. Thank God for that." As the weeks went by, and he saw her always looking pleased to see him--turning up her lovely face towards him as if she meant him to understand that she was glad for him to come--and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be--her heart was really turning with all the more warmth towards the man she knew to have a serious love for her. Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did--falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master's eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect--indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less--nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman's cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman's soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman's love that moves us in a woman's eyes--it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness--by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman's soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind. Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender. The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur's position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty's heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say "good-bye" to the grand old woods, but would like them better because they were Arthur's. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire's timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge's building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam's enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence. Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty--he would not try Hetty's feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty's eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always.

cliffnotes

Craft a concise overview of chapter 34 using the context provided.

chapter 34|chapter 35

It's now "a dry Sunday, and really a pleasant day for the second of November" . For Pete's sake, is every day in Adam Bede "really a pleasant day?" Well, this one isn't pleasant for everyone. Mrs. Poyser is laid up with a cold, and Hetty has taken the Poyser boys to church on her own. And Adam joins them on the way back. Just like he did in Chapter 30. Should we admire this habit of his, or be a bit creeped out? But before you start thinking "wait a second, have we seen this chapter before?" take a look at this. Adam offers Hetty his arm. And she takes it. Adam has spent the last few months dealing with a "new restlessness to his passion" . He's really manning up, really going after his gal. Too bad Hetty couldn't care less. Adam also has some exciting news. As he proudly declares, "Mr. Burge has offered me a share in his business, and I'm going to take it" . Now he has Hetty's attention, but not because she's excited for him. No, her vanity is hurt; she thinks Adam will shift his affections to Mr. Burge's daughter. She even breaks into tears. But Adam, kind, gentle Adam, really mans up now. He tells Hetty that "I shall never want to be married if you won't have me" . And Hetty, sad, wounded, still missing Arthur, gives in. The newly engaged couple returns to the Poysers' house, and Adam asks Mr. and Mrs. Poyser if they have any objections to the marriage. Objections, hah! "What objections can we ha' to you, lad?" asks Mr. Poyser . Well, Hetty has a few. Starting with "Adam isn't Arthur." Since nobody will be playing the objections game tonight, Adam, Hetty, and the Poysers start planning ahead. They talk quite a bit about finding Adam "a house that would do for him to settle in" . True, the whole Mrs. Poyser versus Old Donnithorne incident still hangs over the house, but Martin is confident that "the captain 'ull come home and make our peace" .

----------CHAPTER 34--------- IT was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and "keep her company." He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, "Now, then, which is the stoutest walker? Him as gets to th' home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he's the smallest." Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, "Won't you hang on my arm, Hetty?" in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam's, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little--a very little. Words rushed to his lips that he dared not utter--that he had made up his mind not to utter yet--and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty's love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion--had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, "I'm going to tell your uncle some news that'll surprise him, Hetty; and I think he'll be glad to hear it too." "What's that?" Hetty said indifferently. "Why, Mr. Burge has offered me a share in his business, and I'm going to take it." There was a change in Hetty's face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing--the one person--her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, "Hetty, dear Hetty, what are you crying for?" his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge--she didn't like him to marry--perhaps she didn't like him to marry any one but herself? All caution was swept away--all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said: "I could afford to be married now, Hetty--I could make a wife comfortable; but I shall never want to be married if you won't have me." Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her. "Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?" Hetty did not speak, but Adam's face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed--she wanted to feel as if Arthur were with her again. Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, "I may tell your uncle and aunt, mayn't I, Hetty?" and she said, "Yes." The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him. "I hope you have no objections against me for her husband," said Adam; "I'm a poor man as yet, but she shall want nothing as I can work for." "Objections?" said Mr. Poyser, while the grandfather leaned forward and brought out his long "Nay, nay." "What objections can we ha' to you, lad? Never mind your being poorish as yet; there's money in your head-piece as there's money i' the sown field, but it must ha' time. You'n got enough to begin on, and we can do a deal tow'rt the bit o' furniture you'll want. Thee'st got feathers and linen to spare--plenty, eh?" This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit. "It ud be a poor tale if I hadna feathers and linen," she said, hoarsely, "when I never sell a fowl but what's plucked, and the wheel's a-going every day o' the week." "Come, my wench," said Mr. Poyser, when Hetty came down, "come and kiss us, and let us wish you luck." Hetty went very quietly and kissed the big good-natured man. "There!" he said, patting her on the back, "go and kiss your aunt and your grandfather. I'm as wishful t' have you settled well as if you was my own daughter; and so's your aunt, I'll be bound, for she's done by you this seven 'ear, Hetty, as if you'd been her own. Come, come, now," he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, "Adam wants a kiss too, I'll warrant, and he's a right to one now." Hetty turned away, smiling, towards her empty chair. "Come, Adam, then, take one," persisted Mr. Poyser, "else y' arena half a man." Adam got up, blushing like a small maiden--great strong fellow as he was--and, putting his arm round Hetty stooped down and gently kissed her lips. It was a pretty scene in the red fire-light; for there were no candles--why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam's attachment to her, Adam's caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now--they promised her some change. There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery's in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out. "Well, well," said Mr. Poyser at last, "we needna fix everything to-night. We must take time to consider. You canna think o' getting married afore Easter. I'm not for long courtships, but there must be a bit o' time to make things comfortable." "Aye, to be sure," said Mrs. Poyser, in a hoarse whisper; "Christian folks can't be married like cuckoos, I reckon." "I'm a bit daunted, though," said Mr. Poyser, "when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off." "Eh," said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, "it's a poor tale if I mun leave th' ould spot an be buried in a strange parish. An' you'll happen ha' double rates to pay," he added, looking up at his son. "Well, thee mustna fret beforehand, father," said Martin the younger. "Happen the captain 'ull come home and make our peace wi' th' old squire. I build upo' that, for I know the captain 'll see folks righted if he can." ----------CHAPTER 35--------- IT was a busy time for Adam--the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been "run up" to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother's ways and consent to live with her. To his great delight, Hetty said, "Yes; I'd as soon she lived with us as not." Hetty's mind was oppressed at that moment with a worse difficulty than poor Lisbeth's ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said "it was no use--Dinah's heart wasna turned towards marrying." For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, "Eh, my lad, I'll be as still as th' ould tabby, an' ne'er want to do aught but th' offal work, as she wonna like t' do. An' then we needna part the platters an' things, as ha' stood on the shelf together sin' afore thee wast born." There was only one cloud that now and then came across Adam's sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly's place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he "doubted the lass was o'erdoing it--she must have a bit o' rest when her aunt could come downstairs." This desirable event of Mrs. Poyser's coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed "it was because they were not for th' outside, else she'd ha' bought 'em fast enough." It was about ten o'clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire--the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows--I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony--the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish--perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man's religion has much sorrow in it: no wonder he needs a suffering God. Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her--one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs. No, she has not courage to jump into that cold watery bed, and if she had, they might find her--they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can't find her. After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen--something must happen--to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die. But now necessity was pressing hard upon her--now the time of her marriage was close at hand--she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly--that he would care for her and think for her--was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away. She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, "I wish Dinah 'ud come again now, for she'd be a comfort to your aunt when you're gone. What do you think, my wench, o' going to see her as soon as you can be spared and persuading her to come back wi' you? You might happen persuade her wi' telling her as her aunt wants her, for all she writes o' not being able to come." Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, "It's so far off, Uncle." But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him. As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away. Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach. "I wish I could go with you and take care of you, Hetty," he said, the next morning, leaning in at the coach door; "but you won't stay much beyond a week--the time 'ull seem long." He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence--she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look. "God bless her for loving me," said Adam, as he went on his way to work again, with Gyp at his heels. But Hetty's tears were not for Adam--not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him. At three o'clock that day, when Hetty was on the coach that was to take her, they said, to Leicester--part of the long, long way to Windsor--she felt dimly that she might be travelling all this weary journey towards the beginning of new misery. Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her. Book Five

cliffnotes

Craft a concise overview of book 4, chapter 33 using the context provided.

chapter 35|book 4, chapter 33

Because Mrs. Poyser refuses to exchange farmland for dairy land, the Squire is unable to rent out Chase Farm and is forced to take other measures. Villagers find this very amusing because the Squire is universally hated. Mr. Irwine also finds the situation funny, but he is careful not to laugh about it for fear of getting on the Squire's bad side. Adam continues to woo Hetty, who persists to show more interest in him. Because Mr. Burge was unable to replace him, Adam has been made a partner in the carpentry business. Adam is also tending to the Squire's woods. As Hetty begins to show more affection for him, Adam's jealousy and hatred of Captain Donnithorne abate

----------CHAPTER 35--------- IT was a busy time for Adam--the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been "run up" to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother's ways and consent to live with her. To his great delight, Hetty said, "Yes; I'd as soon she lived with us as not." Hetty's mind was oppressed at that moment with a worse difficulty than poor Lisbeth's ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said "it was no use--Dinah's heart wasna turned towards marrying." For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, "Eh, my lad, I'll be as still as th' ould tabby, an' ne'er want to do aught but th' offal work, as she wonna like t' do. An' then we needna part the platters an' things, as ha' stood on the shelf together sin' afore thee wast born." There was only one cloud that now and then came across Adam's sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly's place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he "doubted the lass was o'erdoing it--she must have a bit o' rest when her aunt could come downstairs." This desirable event of Mrs. Poyser's coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed "it was because they were not for th' outside, else she'd ha' bought 'em fast enough." It was about ten o'clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire--the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows--I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony--the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish--perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man's religion has much sorrow in it: no wonder he needs a suffering God. Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her--one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs. No, she has not courage to jump into that cold watery bed, and if she had, they might find her--they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can't find her. After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen--something must happen--to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die. But now necessity was pressing hard upon her--now the time of her marriage was close at hand--she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly--that he would care for her and think for her--was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away. She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, "I wish Dinah 'ud come again now, for she'd be a comfort to your aunt when you're gone. What do you think, my wench, o' going to see her as soon as you can be spared and persuading her to come back wi' you? You might happen persuade her wi' telling her as her aunt wants her, for all she writes o' not being able to come." Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, "It's so far off, Uncle." But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him. As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away. Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach. "I wish I could go with you and take care of you, Hetty," he said, the next morning, leaning in at the coach door; "but you won't stay much beyond a week--the time 'ull seem long." He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence--she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look. "God bless her for loving me," said Adam, as he went on his way to work again, with Gyp at his heels. But Hetty's tears were not for Adam--not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him. At three o'clock that day, when Hetty was on the coach that was to take her, they said, to Leicester--part of the long, long way to Windsor--she felt dimly that she might be travelling all this weary journey towards the beginning of new misery. Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her. Book Five ----------BOOK 4, CHAPTER 33--------- THE barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire's plan had been frustrated because the Poysers had refused to be "put upon," and Mrs. Poyser's outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that "Bony" was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser's repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner's house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman's discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser's own lips. "No, no, Mother," said Mr. Irwine; "it was a little bit of irregular justice on Mrs. Poyser's part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man." "Well, I like that woman even better than her cream-cheeses," said Mrs. Irwine. "She has the spirit of three men, with that pale face of hers. And she says such sharp things too." "Sharp! Yes, her tongue is like a new-set razor. She's quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig--that he was like a cock, who thought the sun had risen to hear him crow. Now that's an AEsop's fable in a sentence." "But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?" said Mrs. Irwine. "Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go." "Ah, there's no knowing what may happen before Lady day," said Mrs. Irwine. "It struck me on Arthur's birthday that the old man was a little shaken: he's eighty-three, you know. It's really an unconscionable age. It's only women who have a right to live as long as that." "When they've got old-bachelor sons who would be forlorn without them," said Mr. Irwine, laughing, and kissing his mother's hand. Mrs. Poyser, too, met her husband's occasional forebodings of a notice to quit with "There's no knowing what may happen before Lady day"--one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition. Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got "closer tempered, and sometimes she seemed as if there'd be no drawing a word from her with cart-ropes," but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now--indeed, could hardly be persuaded to go; and she bore her aunt's putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady's maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there. Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur's letter, he had ventured to go to the Hall Farm again--not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, "Come, Hetty, where have you been?" Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him--looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought--something harder, older, less child-like. "Poor thing!" he said to himself, "that's allays likely. It's because she's had her first heartache. But she's got a spirit to bear up under it. Thank God for that." As the weeks went by, and he saw her always looking pleased to see him--turning up her lovely face towards him as if she meant him to understand that she was glad for him to come--and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be--her heart was really turning with all the more warmth towards the man she knew to have a serious love for her. Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did--falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master's eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect--indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less--nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman's cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman's soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman's love that moves us in a woman's eyes--it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness--by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman's soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind. Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender. The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur's position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty's heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say "good-bye" to the grand old woods, but would like them better because they were Arthur's. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire's timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge's building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam's enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence. Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty--he would not try Hetty's feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty's eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always.

cliffnotes

Generate a succinct summary for book 4, chapter 34 with the given context.

book 4, chapter 34|book 4, chapter 35

As he walks with her one afternoon, Adam tells Hetty about his new partnership in the carpentry business. Hetty believes this means he will marry Mr. Burge's daughter, and her vanity is offended. She begins to cry. Adam realizes her misunderstanding and believes she is crying out of love, so he proposes immediately, even though he had planned to wait. Hetty, who seems more luxuriant lately, accepts. They go back to Hall Farm and tell the Poysers, who are ecstatic. Hetty gives Adam a kiss

----------BOOK 4, CHAPTER 34--------- IT was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and "keep her company." He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, "Now, then, which is the stoutest walker? Him as gets to th' home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he's the smallest." Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, "Won't you hang on my arm, Hetty?" in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam's, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little--a very little. Words rushed to his lips that he dared not utter--that he had made up his mind not to utter yet--and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty's love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion--had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, "I'm going to tell your uncle some news that'll surprise him, Hetty; and I think he'll be glad to hear it too." "What's that?" Hetty said indifferently. "Why, Mr. Burge has offered me a share in his business, and I'm going to take it." There was a change in Hetty's face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing--the one person--her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, "Hetty, dear Hetty, what are you crying for?" his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge--she didn't like him to marry--perhaps she didn't like him to marry any one but herself? All caution was swept away--all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said: "I could afford to be married now, Hetty--I could make a wife comfortable; but I shall never want to be married if you won't have me." Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her. "Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?" Hetty did not speak, but Adam's face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed--she wanted to feel as if Arthur were with her again. Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, "I may tell your uncle and aunt, mayn't I, Hetty?" and she said, "Yes." The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him. "I hope you have no objections against me for her husband," said Adam; "I'm a poor man as yet, but she shall want nothing as I can work for." "Objections?" said Mr. Poyser, while the grandfather leaned forward and brought out his long "Nay, nay." "What objections can we ha' to you, lad? Never mind your being poorish as yet; there's money in your head-piece as there's money i' the sown field, but it must ha' time. You'n got enough to begin on, and we can do a deal tow'rt the bit o' furniture you'll want. Thee'st got feathers and linen to spare--plenty, eh?" This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit. "It ud be a poor tale if I hadna feathers and linen," she said, hoarsely, "when I never sell a fowl but what's plucked, and the wheel's a-going every day o' the week." "Come, my wench," said Mr. Poyser, when Hetty came down, "come and kiss us, and let us wish you luck." Hetty went very quietly and kissed the big good-natured man. "There!" he said, patting her on the back, "go and kiss your aunt and your grandfather. I'm as wishful t' have you settled well as if you was my own daughter; and so's your aunt, I'll be bound, for she's done by you this seven 'ear, Hetty, as if you'd been her own. Come, come, now," he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, "Adam wants a kiss too, I'll warrant, and he's a right to one now." Hetty turned away, smiling, towards her empty chair. "Come, Adam, then, take one," persisted Mr. Poyser, "else y' arena half a man." Adam got up, blushing like a small maiden--great strong fellow as he was--and, putting his arm round Hetty stooped down and gently kissed her lips. It was a pretty scene in the red fire-light; for there were no candles--why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam's attachment to her, Adam's caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now--they promised her some change. There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery's in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out. "Well, well," said Mr. Poyser at last, "we needna fix everything to-night. We must take time to consider. You canna think o' getting married afore Easter. I'm not for long courtships, but there must be a bit o' time to make things comfortable." "Aye, to be sure," said Mrs. Poyser, in a hoarse whisper; "Christian folks can't be married like cuckoos, I reckon." "I'm a bit daunted, though," said Mr. Poyser, "when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off." "Eh," said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, "it's a poor tale if I mun leave th' ould spot an be buried in a strange parish. An' you'll happen ha' double rates to pay," he added, looking up at his son. "Well, thee mustna fret beforehand, father," said Martin the younger. "Happen the captain 'ull come home and make our peace wi' th' old squire. I build upo' that, for I know the captain 'll see folks righted if he can." ----------BOOK 4, CHAPTER 35--------- IT was a busy time for Adam--the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been "run up" to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother's ways and consent to live with her. To his great delight, Hetty said, "Yes; I'd as soon she lived with us as not." Hetty's mind was oppressed at that moment with a worse difficulty than poor Lisbeth's ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said "it was no use--Dinah's heart wasna turned towards marrying." For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, "Eh, my lad, I'll be as still as th' ould tabby, an' ne'er want to do aught but th' offal work, as she wonna like t' do. An' then we needna part the platters an' things, as ha' stood on the shelf together sin' afore thee wast born." There was only one cloud that now and then came across Adam's sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly's place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he "doubted the lass was o'erdoing it--she must have a bit o' rest when her aunt could come downstairs." This desirable event of Mrs. Poyser's coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed "it was because they were not for th' outside, else she'd ha' bought 'em fast enough." It was about ten o'clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire--the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows--I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony--the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish--perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man's religion has much sorrow in it: no wonder he needs a suffering God. Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her--one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs. No, she has not courage to jump into that cold watery bed, and if she had, they might find her--they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can't find her. After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen--something must happen--to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die. But now necessity was pressing hard upon her--now the time of her marriage was close at hand--she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly--that he would care for her and think for her--was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away. She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, "I wish Dinah 'ud come again now, for she'd be a comfort to your aunt when you're gone. What do you think, my wench, o' going to see her as soon as you can be spared and persuading her to come back wi' you? You might happen persuade her wi' telling her as her aunt wants her, for all she writes o' not being able to come." Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, "It's so far off, Uncle." But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him. As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away. Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach. "I wish I could go with you and take care of you, Hetty," he said, the next morning, leaning in at the coach door; "but you won't stay much beyond a week--the time 'ull seem long." He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence--she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look. "God bless her for loving me," said Adam, as he went on his way to work again, with Gyp at his heels. But Hetty's tears were not for Adam--not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him. At three o'clock that day, when Hetty was on the coach that was to take her, they said, to Leicester--part of the long, long way to Windsor--she felt dimly that she might be travelling all this weary journey towards the beginning of new misery. Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her. Book Five

cliffnotes

Generate a succinct summary for chapter 33 with the given context.

chapter 33|chapter 34

More Links It is harvest time, and Mrs. Poyser is the heroine of the valley for speaking her mind to the old squire. Mr. Irwine and his mother admire Mrs. Poyser for her backbone but doubt the old squire will be around much longer. Both Mrs. Poyser and Adam notice changes in Hetty after she receives the letter. She is quieter, more cooperative and less vain. She does her work without scolding and does not want to go anywhere. Adam takes it as a sign she is getting over Arthur. He feels hopeful. The narrator comments on Adam's love for Hetty. On the one hand, he falls in love with her because of the way she looks; he has no idea who she is. But, the narrator thinks Adam's love comes from his strength not his weakness, for love is like a mysterious music set off by beauty, and Hetty touches all the deep places in Adam. His work is prospering, and he can think of marriage. Jonathan Burge offers him a partnership, and so with his two jobs, he can afford to buy a house.

----------CHAPTER 33--------- THE barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire's plan had been frustrated because the Poysers had refused to be "put upon," and Mrs. Poyser's outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that "Bony" was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser's repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner's house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman's discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser's own lips. "No, no, Mother," said Mr. Irwine; "it was a little bit of irregular justice on Mrs. Poyser's part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man." "Well, I like that woman even better than her cream-cheeses," said Mrs. Irwine. "She has the spirit of three men, with that pale face of hers. And she says such sharp things too." "Sharp! Yes, her tongue is like a new-set razor. She's quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig--that he was like a cock, who thought the sun had risen to hear him crow. Now that's an AEsop's fable in a sentence." "But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?" said Mrs. Irwine. "Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go." "Ah, there's no knowing what may happen before Lady day," said Mrs. Irwine. "It struck me on Arthur's birthday that the old man was a little shaken: he's eighty-three, you know. It's really an unconscionable age. It's only women who have a right to live as long as that." "When they've got old-bachelor sons who would be forlorn without them," said Mr. Irwine, laughing, and kissing his mother's hand. Mrs. Poyser, too, met her husband's occasional forebodings of a notice to quit with "There's no knowing what may happen before Lady day"--one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition. Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got "closer tempered, and sometimes she seemed as if there'd be no drawing a word from her with cart-ropes," but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now--indeed, could hardly be persuaded to go; and she bore her aunt's putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady's maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there. Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur's letter, he had ventured to go to the Hall Farm again--not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, "Come, Hetty, where have you been?" Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him--looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought--something harder, older, less child-like. "Poor thing!" he said to himself, "that's allays likely. It's because she's had her first heartache. But she's got a spirit to bear up under it. Thank God for that." As the weeks went by, and he saw her always looking pleased to see him--turning up her lovely face towards him as if she meant him to understand that she was glad for him to come--and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be--her heart was really turning with all the more warmth towards the man she knew to have a serious love for her. Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did--falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master's eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect--indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less--nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman's cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman's soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman's love that moves us in a woman's eyes--it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness--by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman's soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind. Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender. The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur's position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty's heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say "good-bye" to the grand old woods, but would like them better because they were Arthur's. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire's timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge's building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam's enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence. Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty--he would not try Hetty's feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty's eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always. ----------CHAPTER 34--------- IT was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and "keep her company." He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, "Now, then, which is the stoutest walker? Him as gets to th' home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he's the smallest." Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, "Won't you hang on my arm, Hetty?" in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam's, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little--a very little. Words rushed to his lips that he dared not utter--that he had made up his mind not to utter yet--and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty's love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion--had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, "I'm going to tell your uncle some news that'll surprise him, Hetty; and I think he'll be glad to hear it too." "What's that?" Hetty said indifferently. "Why, Mr. Burge has offered me a share in his business, and I'm going to take it." There was a change in Hetty's face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing--the one person--her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, "Hetty, dear Hetty, what are you crying for?" his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge--she didn't like him to marry--perhaps she didn't like him to marry any one but herself? All caution was swept away--all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said: "I could afford to be married now, Hetty--I could make a wife comfortable; but I shall never want to be married if you won't have me." Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her. "Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?" Hetty did not speak, but Adam's face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed--she wanted to feel as if Arthur were with her again. Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, "I may tell your uncle and aunt, mayn't I, Hetty?" and she said, "Yes." The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him. "I hope you have no objections against me for her husband," said Adam; "I'm a poor man as yet, but she shall want nothing as I can work for." "Objections?" said Mr. Poyser, while the grandfather leaned forward and brought out his long "Nay, nay." "What objections can we ha' to you, lad? Never mind your being poorish as yet; there's money in your head-piece as there's money i' the sown field, but it must ha' time. You'n got enough to begin on, and we can do a deal tow'rt the bit o' furniture you'll want. Thee'st got feathers and linen to spare--plenty, eh?" This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit. "It ud be a poor tale if I hadna feathers and linen," she said, hoarsely, "when I never sell a fowl but what's plucked, and the wheel's a-going every day o' the week." "Come, my wench," said Mr. Poyser, when Hetty came down, "come and kiss us, and let us wish you luck." Hetty went very quietly and kissed the big good-natured man. "There!" he said, patting her on the back, "go and kiss your aunt and your grandfather. I'm as wishful t' have you settled well as if you was my own daughter; and so's your aunt, I'll be bound, for she's done by you this seven 'ear, Hetty, as if you'd been her own. Come, come, now," he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, "Adam wants a kiss too, I'll warrant, and he's a right to one now." Hetty turned away, smiling, towards her empty chair. "Come, Adam, then, take one," persisted Mr. Poyser, "else y' arena half a man." Adam got up, blushing like a small maiden--great strong fellow as he was--and, putting his arm round Hetty stooped down and gently kissed her lips. It was a pretty scene in the red fire-light; for there were no candles--why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam's attachment to her, Adam's caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now--they promised her some change. There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery's in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out. "Well, well," said Mr. Poyser at last, "we needna fix everything to-night. We must take time to consider. You canna think o' getting married afore Easter. I'm not for long courtships, but there must be a bit o' time to make things comfortable." "Aye, to be sure," said Mrs. Poyser, in a hoarse whisper; "Christian folks can't be married like cuckoos, I reckon." "I'm a bit daunted, though," said Mr. Poyser, "when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off." "Eh," said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, "it's a poor tale if I mun leave th' ould spot an be buried in a strange parish. An' you'll happen ha' double rates to pay," he added, looking up at his son. "Well, thee mustna fret beforehand, father," said Martin the younger. "Happen the captain 'ull come home and make our peace wi' th' old squire. I build upo' that, for I know the captain 'll see folks righted if he can."

Adam Bede.book 5.chapter

cliffnotes

Produce a brief summary for book 5, chapter 39 based on the provided context.

book 5, chapter 39|book 5, chapter 41

As he shows Adam in, the butler says that a strange person, who has just left, came for some unknown reason. When Adam sees Mr. Irwine, he looks distressed and has a letter open in front of him. Adam tells him the news about Hetty. When Adam says that he may have some idea about where and to whom Hetty has gone, Mr. Irwine's face looks almost eager. Adam tells him the whole history, as he understands it, between Hetty and Arthur. Mr. Irwine feels guilty remembering that Arthur seemed to be trying to confess something to him at that breakfast. He regrets that he will have to inflict more sorrow on Adam, but he tells him that Hetty is at Stoniton and has been arrested for the murder of her child. The stranger who just left is the constable who arrested her. Adam says that any wrongdoing must be Arthur's, because he was the one who taught her to deceive. Adam resolves to find Arthur, drag him back, and make him see Hetty in misery. Mr. Irwine urges him to stay to see what can be done for Hetty. They set off together to see her immediately

----------BOOK 5, CHAPTER 39--------- ADAM turned his face towards Broxton and walked with his swiftest stride, looking at his watch with the fear that Mr. Irwine might be gone out--hunting, perhaps. The fear and haste together produced a state of strong excitement before he reached the rectory gate, and outside it he saw the deep marks of a recent hoof on the gravel. But the hoofs were turned towards the gate, not away from it, and though there was a horse against the stable door, it was not Mr. Irwine's: it had evidently had a journey this morning, and must belong to some one who had come on business. Mr. Irwine was at home, then; but Adam could hardly find breath and calmness to tell Carroll that he wanted to speak to the rector. The double suffering of certain and uncertain sorrow had begun to shake the strong man. The butler looked at him wonderingly, as he threw himself on a bench in the passage and stared absently at the clock on the opposite wall. The master had somebody with him, he said, but he heard the study door open--the stranger seemed to be coming out, and as Adam was in a hurry, he would let the master know at once. Adam sat looking at the clock: the minute-hand was hurrying along the last five minutes to ten with a loud, hard, indifferent tick, and Adam watched the movement and listened to the sound as if he had had some reason for doing so. In our times of bitter suffering there are almost always these pauses, when our consciousness is benumbed to everything but some trivial perception or sensation. It is as if semi-idiocy came to give us rest from the memory and the dread which refuse to leave us in our sleep. Carroll, coming back, recalled Adam to the sense of his burden. He was to go into the study immediately. "I can't think what that strange person's come about," the butler added, from mere incontinence of remark, as he preceded Adam to the door, "he's gone i' the dining-room. And master looks unaccountable--as if he was frightened." Adam took no notice of the words: he could not care about other people's business. But when he entered the study and looked in Mr. Irwine's face, he felt in an instant that there was a new expression in it, strangely different from the warm friendliness it had always worn for him before. A letter lay open on the table, and Mr. Irwine's hand was on it, but the changed glance he cast on Adam could not be owing entirely to preoccupation with some disagreeable business, for he was looking eagerly towards the door, as if Adam's entrance were a matter of poignant anxiety to him. "You want to speak to me, Adam," he said, in that low constrainedly quiet tone which a man uses when he is determined to suppress agitation. "Sit down here." He pointed to a chair just opposite to him, at no more than a yard's distance from his own, and Adam sat down with a sense that this cold manner of Mr. Irwine's gave an additional unexpected difficulty to his disclosure. But when Adam had made up his mind to a measure, he was not the man to renounce it for any but imperative reasons. "I come to you, sir," he said, "as the gentleman I look up to most of anybody. I've something very painful to tell you--something as it'll pain you to hear as well as me to tell. But if I speak o' the wrong other people have done, you'll see I didn't speak till I'd good reason." Mr. Irwine nodded slowly, and Adam went on rather tremulously, "You was t' ha' married me and Hetty Sorrel, you know, sir, o' the fifteenth o' this month. I thought she loved me, and I was th' happiest man i' the parish. But a dreadful blow's come upon me." Mr. Irwine started up from his chair, as if involuntarily, but then, determined to control himself, walked to the window and looked out. "She's gone away, sir, and we don't know where. She said she was going to Snowfield o' Friday was a fortnight, and I went last Sunday to fetch her back; but she'd never been there, and she took the coach to Stoniton, and beyond that I can't trace her. But now I'm going a long journey to look for her, and I can't trust t' anybody but you where I'm going." Mr. Irwine came back from the window and sat down. "Have you no idea of the reason why she went away?" he said. "It's plain enough she didn't want to marry me, sir," said Adam. "She didn't like it when it came so near. But that isn't all, I doubt. There's something else I must tell you, sir. There's somebody else concerned besides me." A gleam of something--it was almost like relief or joy--came across the eager anxiety of Mr. Irwine's face at that moment. Adam was looking on the ground, and paused a little: the next words were hard to speak. But when he went on, he lifted up his head and looked straight at Mr. Irwine. He would do the thing he had resolved to do, without flinching. "You know who's the man I've reckoned my greatest friend," he said, "and used to be proud to think as I should pass my life i' working for him, and had felt so ever since we were lads...." Mr. Irwine, as if all self-control had forsaken him, grasped Adam's arm, which lay on the table, and, clutching it tightly like a man in pain, said, with pale lips and a low hurried voice, "No, Adam, no--don't say it, for God's sake!" Adam, surprised at the violence of Mr. Irwine's feeling, repented of the words that had passed his lips and sat in distressed silence. The grasp on his arm gradually relaxed, and Mr. Irwine threw himself back in his chair, saying, "Go on--I must know it." "That man played with Hetty's feelings, and behaved to her as he'd no right to do to a girl in her station o' life--made her presents and used to go and meet her out a-walking. I found it out only two days before he went away--found him a-kissing her as they were parting in the Grove. There'd been nothing said between me and Hetty then, though I'd loved her for a long while, and she knew it. But I reproached him with his wrong actions, and words and blows passed between us; and he said solemnly to me, after that, as it had been all nonsense and no more than a bit o' flirting. But I made him write a letter to tell Hetty he'd meant nothing, for I saw clear enough, sir, by several things as I hadn't understood at the time, as he'd got hold of her heart, and I thought she'd belike go on thinking of him and never come to love another man as wanted to marry her. And I gave her the letter, and she seemed to bear it all after a while better than I'd expected...and she behaved kinder and kinder to me...I daresay she didn't know her own feelings then, poor thing, and they came back upon her when it was too late...I don't want to blame her...I can't think as she meant to deceive me. But I was encouraged to think she loved me, and--you know the rest, sir. But it's on my mind as he's been false to me, and 'ticed her away, and she's gone to him--and I'm going now to see, for I can never go to work again till I know what's become of her." During Adam's narrative, Mr. Irwine had had time to recover his self-mastery in spite of the painful thoughts that crowded upon him. It was a bitter remembrance to him now--that morning when Arthur breakfasted with him and seemed as if he were on the verge of a confession. It was plain enough now what he had wanted to confess. And if their words had taken another turn...if he himself had been less fastidious about intruding on another man's secrets...it was cruel to think how thin a film had shut out rescue from all this guilt and misery. He saw the whole history now by that terrible illumination which the present sheds back upon the past. But every other feeling as it rushed upon his was thrown into abeyance by pity, deep respectful pity, for the man who sat before him--already so bruised, going forth with sad blind resignedness to an unreal sorrow, while a real one was close upon him, too far beyond the range of common trial for him ever to have feared it. His own agitation was quelled by a certain awe that comes over us in the presence of a great anguish, for the anguish he must inflict on Adam was already present to him. Again he put his hand on the arm that lay on the table, but very gently this time, as he said solemnly: "Adam, my dear friend, you have had some hard trials in your life. You can bear sorrow manfully, as well as act manfully. God requires both tasks at our hands. And there is a heavier sorrow coming upon you than any you have yet known. But you are not guilty--you have not the worst of all sorrows. God help him who has!" The two pale faces looked at each other; in Adam's there was trembling suspense, in Mr. Irwine's hesitating, shrinking pity. But he went on. "I have had news of Hetty this morning. She is not gone to him. She is in Stonyshire--at Stoniton." Adam started up from his chair, as if he thought he could have leaped to her that moment. But Mr. Irwine laid hold of his arm again and said, persuasively, "Wait, Adam, wait." So he sat down. "She is in a very unhappy position--one which will make it worse for you to find her, my poor friend, than to have lost her for ever." Adam's lips moved tremulously, but no sound came. They moved again, and he whispered, "Tell me." "She has been arrested...she is in prison." It was as if an insulting blow had brought back the spirit of resistance into Adam. The blood rushed to his face, and he said, loudly and sharply, "For what?" "For a great crime--the murder of her child." "It CAN'T BE!" Adam almost shouted, starting up from his chair and making a stride towards the door; but he turned round again, setting his back against the bookcase, and looking fiercely at Mr. Irwine. "It isn't possible. She never had a child. She can't be guilty. WHO says it?" "God grant she may be innocent, Adam. We can still hope she is." "But who says she is guilty?" said Adam violently. "Tell me everything." "Here is a letter from the magistrate before whom she was taken, and the constable who arrested her is in the dining-room. She will not confess her name or where she comes from; but I fear, I fear, there can be no doubt it is Hetty. The description of her person corresponds, only that she is said to look very pale and ill. She had a small red-leather pocket-book in her pocket with two names written in it--one at the beginning, 'Hetty Sorrel, Hayslope,' and the other near the end, 'Dinah Morris, Snowfield.' She will not say which is her own name--she denies everything, and will answer no questions, and application has been made to me, as a magistrate, that I may take measures for identifying her, for it was thought probable that the name which stands first is her own name." "But what proof have they got against her, if it IS Hetty?" said Adam, still violently, with an effort that seemed to shake his whole frame. "I'll not believe it. It couldn't ha' been, and none of us know it." "Terrible proof that she was under the temptation to commit the crime; but we have room to hope that she did not really commit it. Try and read that letter, Adam." Adam took the letter between his shaking hands and tried to fix his eyes steadily on it. Mr. Irwine meanwhile went out to give some orders. When he came back, Adam's eyes were still on the first page--he couldn't read--he could not put the words together and make out what they meant. He threw it down at last and clenched his fist. "It's HIS doing," he said; "if there's been any crime, it's at his door, not at hers. HE taught her to deceive--HE deceived me first. Let 'em put HIM on his trial--let him stand in court beside her, and I'll tell 'em how he got hold of her heart, and 'ticed her t' evil, and then lied to me. Is HE to go free, while they lay all the punishment on her...so weak and young?" The image called up by these last words gave a new direction to poor Adam's maddened feelings. He was silent, looking at the corner of the room as if he saw something there. Then he burst out again, in a tone of appealing anguish, "I can't bear it...O God, it's too hard to lay upon me--it's too hard to think she's wicked." Mr. Irwine had sat down again in silence. He was too wise to utter soothing words at present, and indeed, the sight of Adam before him, with that look of sudden age which sometimes comes over a young face in moments of terrible emotion--the hard bloodless look of the skin, the deep lines about the quivering mouth, the furrows in the brow--the sight of this strong firm man shattered by the invisible stroke of sorrow, moved him so deeply that speech was not easy. Adam stood motionless, with his eyes vacantly fixed in this way for a minute or two; in that short space he was living through all his love again. "She can't ha' done it," he said, still without moving his eyes, as if he were only talking to himself: "it was fear made her hide it...I forgive her for deceiving me...I forgive thee, Hetty...thee wast deceived too...it's gone hard wi' thee, my poor Hetty...but they'll never make me believe it." He was silent again for a few moments, and then he said, with fierce abruptness, "I'll go to him--I'll bring him back--I'll make him go and look at her in her misery--he shall look at her till he can't forget it--it shall follow him night and day--as long as he lives it shall follow him--he shan't escape wi' lies this time--I'll fetch him, I'll drag him myself." In the act of going towards the door, Adam paused automatically and looked about for his hat, quite unconscious where he was or who was present with him. Mr. Irwine had followed him, and now took him by the arm, saying, in a quiet but decided tone, "No, Adam, no; I'm sure you will wish to stay and see what good can be done for her, instead of going on a useless errand of vengeance. The punishment will surely fall without your aid. Besides, he is no longer in Ireland. He must be on his way home--or would be, long before you arrived, for his grandfather, I know, wrote for him to come at least ten days ago. I want you now to go with me to Stoniton. I have ordered a horse for you to ride with us, as soon as you can compose yourself." While Mr. Irwine was speaking, Adam recovered his consciousness of the actual scene. He rubbed his hair off his forehead and listened. "Remember," Mr. Irwine went on, "there are others to think of, and act for, besides yourself, Adam: there are Hetty's friends, the good Poysers, on whom this stroke will fall more heavily than I can bear to think. I expect it from your strength of mind, Adam--from your sense of duty to God and man--that you will try to act as long as action can be of any use." In reality, Mr. Irwine proposed this journey to Stoniton for Adam's own sake. Movement, with some object before him, was the best means of counteracting the violence of suffering in these first hours. "You will go with me to Stoniton, Adam?" he said again, after a moment's pause. "We have to see if it is really Hetty who is there, you know." "Yes, sir," said Adam, "I'll do what you think right. But the folks at th' Hall Farm?" "I wish them not to know till I return to tell them myself. I shall have ascertained things then which I am uncertain about now, and I shall return as soon as possible. Come now, the horses are ready." ----------BOOK 5, CHAPTER 41--------- AN upper room in a dull Stoniton street, with two beds in it--one laid on the floor. It is ten o'clock on Thursday night, and the dark wall opposite the window shuts out the moonlight that might have struggled with the light of the one dip candle by which Bartle Massey is pretending to read, while he is really looking over his spectacles at Adam Bede, seated near the dark window. You would hardly have known it was Adam without being told. His face has got thinner this last week: he has the sunken eyes, the neglected beard of a man just risen from a sick-bed. His heavy black hair hangs over his forehead, and there is no active impulse in him which inclines him to push it off, that he may be more awake to what is around him. He has one arm over the back of the chair, and he seems to be looking down at his clasped hands. He is roused by a knock at the door. "There he is," said Bartle Massey, rising hastily and unfastening the door. It was Mr. Irwine. Adam rose from his chair with instinctive respect, as Mr. Irwine approached him and took his hand. "I'm late, Adam," he said, sitting down on the chair which Bartle placed for him, "but I was later in setting off from Broxton than I intended to be, and I have been incessantly occupied since I arrived. I have done everything now, however--everything that can be done to-night, at least. Let us all sit down." Adam took his chair again mechanically, and Bartle, for whom there was no chair remaining, sat on the bed in the background. "Have you seen her, sir?" said Adam tremulously. "Yes, Adam; I and the chaplain have both been with her this evening." "Did you ask her, sir...did you say anything about me?" "Yes," said Mr. Irwine, with some hesitation, "I spoke of you. I said you wished to see her before the trial, if she consented." As Mr. Irwine paused, Adam looked at him with eager, questioning eyes. "You know she shrinks from seeing any one, Adam. It is not only you--some fatal influence seems to have shut up her heart against her fellow-creatures. She has scarcely said anything more than 'No' either to me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was any one of her family whom she would like to see--to whom she could open her mind--she said, with a violent shudder, 'Tell them not to come near me--I won't see any of them.'" Adam's head was hanging down again, and he did not speak. There was silence for a few minutes, and then Mr. Irwine said, "I don't like to advise you against your own feelings, Adam, if they now urge you strongly to go and see her to-morrow morning, even without her consent. It is just possible, notwithstanding appearances to the contrary, that the interview might affect her favourably. But I grieve to say I have scarcely any hope of that. She didn't seem agitated when I mentioned your name; she only said 'No,' in the same cold, obstinate way as usual. And if the meeting had no good effect on her, it would be pure, useless suffering to you--severe suffering, I fear. She is very much changed..." Adam started up from his chair and seized his hat, which lay on the table. But he stood still then, and looked at Mr. Irwine, as if he had a question to ask which it was yet difficult to utter. Bartle Massey rose quietly, turned the key in the door, and put it in his pocket. "Is he come back?" said Adam at last. "No, he is not," said Mr. Irwine, quietly. "Lay down your hat, Adam, unless you like to walk out with me for a little fresh air. I fear you have not been out again to-day." "You needn't deceive me, sir," said Adam, looking hard at Mr. Irwine and speaking in a tone of angry suspicion. "You needn't be afraid of me. I only want justice. I want him to feel what she feels. It's his work...she was a child as it 'ud ha' gone t' anybody's heart to look at...I don't care what she's done...it was him brought her to it. And he shall know it...he shall feel it...if there's a just God, he shall feel what it is t' ha' brought a child like her to sin and misery." "I'm not deceiving you, Adam," said Mr. Irwine. "Arthur Donnithorne is not come back--was not come back when I left. I have left a letter for him: he will know all as soon as he arrives." "But you don't mind about it," said Adam indignantly. "You think it doesn't matter as she lies there in shame and misery, and he knows nothing about it--he suffers nothing." "Adam, he WILL know--he WILL suffer, long and bitterly. He has a heart and a conscience: I can't be entirely deceived in his character. I am convinced--I am sure he didn't fall under temptation without a struggle. He may be weak, but he is not callous, not coldly selfish. I am persuaded that this will be a shock of which he will feel the effects all his life. Why do you crave vengeance in this way? No amount of torture that you could inflict on him could benefit her." "No--O God, no," Adam groaned out, sinking on his chair again; "but then, that's the deepest curse of all...that's what makes the blackness of it...IT CAN NEVER BE UNDONE. My poor Hetty...she can never be my sweet Hetty again...the prettiest thing God had made--smiling up at me...I thought she loved me...and was good..." Adam's voice had been gradually sinking into a hoarse undertone, as if he were only talking to himself; but now he said abruptly, looking at Mr. Irwine, "But she isn't as guilty as they say? You don't think she is, sir? She can't ha' done it." "That perhaps can never be known with certainty, Adam," Mr. Irwine answered gently. "In these cases we sometimes form our judgment on what seems to us strong evidence, and yet, for want of knowing some small fact, our judgment is wrong. But suppose the worst: you have no right to say that the guilt of her crime lies with him, and that he ought to bear the punishment. It is not for us men to apportion the shares of moral guilt and retribution. We find it impossible to avoid mistakes even in determining who has committed a single criminal act, and the problem how far a man is to be held responsible for the unforeseen consequences of his own deed is one that might well make us tremble to look into it. The evil consequences that may lie folded in a single act of selfish indulgence is a thought so awful that it ought surely to awaken some feeling less presumptuous than a rash desire to punish. You have a mind that can understand this fully, Adam, when you are calm. Don't suppose I can't enter into the anguish that drives you into this state of revengeful hatred. But think of this: if you were to obey your passion--for it IS passion, and you deceive yourself in calling it justice--it might be with you precisely as it has been with Arthur; nay, worse; your passion might lead you yourself into a horrible crime." "No--not worse," said Adam, bitterly; "I don't believe it's worse--I'd sooner do it--I'd sooner do a wickedness as I could suffer for by myself than ha' brought HER to do wickedness and then stand by and see 'em punish her while they let me alone; and all for a bit o' pleasure, as, if he'd had a man's heart in him, he'd ha' cut his hand off sooner than he'd ha' taken it. What if he didn't foresee what's happened? He foresaw enough; he'd no right to expect anything but harm and shame to her. And then he wanted to smooth it off wi' lies. No--there's plenty o' things folks are hanged for not half so hateful as that. Let a man do what he will, if he knows he's to bear the punishment himself, he isn't half so bad as a mean selfish coward as makes things easy t' himself and knows all the while the punishment 'll fall on somebody else." "There again you partly deceive yourself, Adam. There is no sort of wrong deed of which a man can bear the punishment alone; you can't isolate yourself and say that the evil which is in you shall not spread. Men's lives are as thoroughly blended with each other as the air they breathe: evil spreads as necessarily as disease. I know, I feel the terrible extent of suffering this sin of Arthur's has caused to others; but so does every sin cause suffering to others besides those who commit it. An act of vengeance on your part against Arthur would simply be another evil added to those we are suffering under: you could not bear the punishment alone; you would entail the worst sorrows on every one who loves you. You would have committed an act of blind fury that would leave all the present evils just as they were and add worse evils to them. You may tell me that you meditate no fatal act of vengeance, but the feeling in your mind is what gives birth to such actions, and as long as you indulge it, as long as you do not see that to fix your mind on Arthur's punishment is revenge, and not justice, you are in danger of being led on to the commission of some great wrong. Remember what you told me about your feelings after you had given that blow to Arthur in the Grove." Adam was silent: the last words had called up a vivid image of the past, and Mr. Irwine left him to his thoughts, while he spoke to Bartle Massey about old Mr. Donnithorne's funeral and other matters of an indifferent kind. But at length Adam turned round and said, in a more subdued tone, "I've not asked about 'em at th' Hall Farm, sir. Is Mr. Poyser coming?" "He is come; he is in Stoniton to-night. But I could not advise him to see you, Adam. His own mind is in a very perturbed state, and it is best he should not see you till you are calmer." "Is Dinah Morris come to 'em, sir? Seth said they'd sent for her." "No. Mr. Poyser tells me she was not come when he left. They're afraid the letter has not reached her. It seems they had no exact address." Adam sat ruminating a little while, and then said, "I wonder if Dinah 'ud ha' gone to see her. But perhaps the Poysers would ha' been sorely against it, since they won't come nigh her themselves. But I think she would, for the Methodists are great folks for going into the prisons; and Seth said he thought she would. She'd a very tender way with her, Dinah had; I wonder if she could ha' done any good. You never saw her, sir, did you?" "Yes, I did. I had a conversation with her--she pleased me a good deal. And now you mention it, I wish she would come, for it is possible that a gentle mild woman like her might move Hetty to open her heart. The jail chaplain is rather harsh in his manner." "But it's o' no use if she doesn't come," said Adam sadly. "If I'd thought of it earlier, I would have taken some measures for finding her out," said Mr. Irwine, "but it's too late now, I fear...Well, Adam, I must go now. Try to get some rest to-night. God bless you. I'll see you early to-morrow morning."

cliffnotes

Craft a concise overview of book 5, chapter 42 using the context provided.

book 5, chapter 42|book 5, chapter 43|book 5, chapter 47

Adam hopes that Hetty will consent to see him on the morning of her trial, so that she will give up this seeming hardness towards her jailors. Bartle comes back from the beginning of the trial with nothing decisive to report. He says that Hetty's lawyer is good, which is fitting because he has been paid a lot. There are many well-dressed women in the courtroom who stare at Hetty and whisper. Hetty did not speak when asked to plead guilty or not guilty, so her counsel pleaded not guilty for her. Mr. Poyser could barely speak when he was called as a witness, and Mr. Irwine tried to take care of him and accompanied him out of the courthouse. Adam asks if anyone has been there with Hetty, and Bartle says no. Adam decides to come back with the schoolmaster to the courthouse

----------BOOK 5, CHAPTER 42--------- AT one o'clock the next day, Adam was alone in his dull upper room; his watch lay before him on the table, as if he were counting the long minutes. He had no knowledge of what was likely to be said by the witnesses on the trial, for he had shrunk from all the particulars connected with Hetty's arrest and accusation. This brave active man, who would have hastened towards any danger or toil to rescue Hetty from an apprehended wrong or misfortune, felt himself powerless to contemplate irremediable evil and suffering. The susceptibility which would have been an impelling force where there was any possibility of action became helpless anguish when he was obliged to be passive, or else sought an active outlet in the thought of inflicting justice on Arthur. Energetic natures, strong for all strenuous deeds, will often rush away from a hopeless sufferer, as if they were hard-hearted. It is the overmastering sense of pain that drives them. They shrink by an ungovernable instinct, as they would shrink from laceration. Adam had brought himself to think of seeing Hetty, if she would consent to see him, because he thought the meeting might possibly be a good to her--might help to melt away this terrible hardness they told him of. If she saw he bore her no ill will for what she had done to him, she might open her heart to him. But this resolution had been an immense effort--he trembled at the thought of seeing her changed face, as a timid woman trembles at the thought of the surgeon's knife, and he chose now to bear the long hours of suspense rather than encounter what seemed to him the more intolerable agony of witnessing her trial. Deep unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state. The yearning memories, the bitter regret, the agonized sympathy, the struggling appeals to the Invisible Right--all the intense emotions which had filled the days and nights of the past week, and were compressing themselves again like an eager crowd into the hours of this single morning, made Adam look back on all the previous years as if they had been a dim sleepy existence, and he had only now awaked to full consciousness. It seemed to him as if he had always before thought it a light thing that men should suffer, as if all that he had himself endured and called sorrow before was only a moment's stroke that had never left a bruise. Doubtless a great anguish may do the work of years, and we may come out from that baptism of fire with a soul full of new awe and new pity. "O God," Adam groaned, as he leaned on the table and looked blankly at the face of the watch, "and men have suffered like this before...and poor helpless young things have suffered like her....Such a little while ago looking so happy and so pretty...kissing 'em all, her grandfather and all of 'em, and they wishing her luck....O my poor, poor Hetty...dost think on it now?" Adam started and looked round towards the door. Vixen had begun to whimper, and there was a sound of a stick and a lame walk on the stairs. It was Bartle Massey come back. Could it be all over? Bartle entered quietly, and, going up to Adam, grasped his hand and said, "I'm just come to look at you, my boy, for the folks are gone out of court for a bit." Adam's heart beat so violently he was unable to speak--he could only return the pressure of his friend's hand--and Bartle, drawing up the other chair, came and sat in front of him, taking off his hat and his spectacles. "That's a thing never happened to me before," he observed, "to go out o' the door with my spectacles on. I clean forgot to take 'em off." The old man made this trivial remark, thinking it better not to respond at all to Adam's agitation: he would gather, in an indirect way, that there was nothing decisive to communicate at present. "And now," he said, rising again, "I must see to your having a bit of the loaf, and some of that wine Mr. Irwine sent this morning. He'll be angry with me if you don't have it. Come, now," he went on, bringing forward the bottle and the loaf and pouring some wine into a cup, "I must have a bit and a sup myself. Drink a drop with me, my lad--drink with me." Adam pushed the cup gently away and said, entreatingly, "Tell me about it, Mr. Massey--tell me all about it. Was she there? Have they begun?" "Yes, my boy, yes--it's taken all the time since I first went; but they're slow, they're slow; and there's the counsel they've got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That's all he can do for the money they give him; and it's a big sum--it's a big sum. But he's a 'cute fellow, with an eye that 'ud pick the needles out of the hay in no time. If a man had got no feelings, it 'ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I'd have given up figures for ever only to have had some good news to bring to you, my poor lad." "But does it seem to be going against her?" said Adam. "Tell me what they've said. I must know it now--I must know what they have to bring against her." "Why, the chief evidence yet has been the doctors; all but Martin Poyser--poor Martin. Everybody in court felt for him--it was like one sob, the sound they made when he came down again. The worst was when they told him to look at the prisoner at the bar. It was hard work, poor fellow--it was hard work. Adam, my boy, the blow falls heavily on him as well as you; you must help poor Martin; you must show courage. Drink some wine now, and show me you mean to bear it like a man." Bartle had made the right sort of appeal. Adam, with an air of quiet obedience, took up the cup and drank a little. "Tell me how SHE looked," he said presently. "Frightened, very frightened, when they first brought her in; it was the first sight of the crowd and the judge, poor creatur. And there's a lot o' foolish women in fine clothes, with gewgaws all up their arms and feathers on their heads, sitting near the judge: they've dressed themselves out in that way, one 'ud think, to be scarecrows and warnings against any man ever meddling with a woman again. They put up their glasses, and stared and whispered. But after that she stood like a white image, staring down at her hands and seeming neither to hear nor see anything. And she's as white as a sheet. She didn't speak when they asked her if she'd plead 'guilty' or 'not guilty,' and they pleaded 'not guilty' for her. But when she heard her uncle's name, there seemed to go a shiver right through her; and when they told him to look at her, she hung her head down, and cowered, and hid her face in her hands. He'd much ado to speak poor man, his voice trembled so. And the counsellors--who look as hard as nails mostly--I saw, spared him as much as they could. Mr. Irwine put himself near him and went with him out o' court. Ah, it's a great thing in a man's life to be able to stand by a neighbour and uphold him in such trouble as that." "God bless him, and you too, Mr. Massey," said Adam, in a low voice, laying his hand on Bartle's arm. "Aye, aye, he's good metal; he gives the right ring when you try him, our parson does. A man o' sense--says no more than's needful. He's not one of those that think they can comfort you with chattering, as if folks who stand by and look on knew a deal better what the trouble was than those who have to bear it. I've had to do with such folks in my time--in the south, when I was in trouble myself. Mr. Irwine is to be a witness himself, by and by, on her side, you know, to speak to her character and bringing up." "But the other evidence...does it go hard against her!" said Adam. "What do you think, Mr. Massey? Tell me the truth." "Yes, my lad, yes. The truth is the best thing to tell. It must come at last. The doctors' evidence is heavy on her--is heavy. But she's gone on denying she's had a child from first to last. These poor silly women-things--they've not the sense to know it's no use denying what's proved. It'll make against her with the jury, I doubt, her being so obstinate: they may be less for recommending her to mercy, if the verdict's against her. But Mr. Irwine 'ull leave no stone unturned with the judge--you may rely upon that, Adam." "Is there nobody to stand by her and seem to care for her in the court?" said Adam. "There's the chaplain o' the jail sits near her, but he's a sharp ferrety-faced man--another sort o' flesh and blood to Mr. Irwine. They say the jail chaplains are mostly the fag-end o' the clergy." "There's one man as ought to be there," said Adam bitterly. Presently he drew himself up and looked fixedly out of the window, apparently turning over some new idea in his mind. "Mr. Massey," he said at last, pushing the hair off his forehead, "I'll go back with you. I'll go into court. It's cowardly of me to keep away. I'll stand by her--I'll own her--for all she's been deceitful. They oughtn't to cast her off--her own flesh and blood. We hand folks over to God's mercy, and show none ourselves. I used to be hard sometimes: I'll never be hard again. I'll go, Mr. Massey--I'll go with you." There was a decision in Adam's manner which would have prevented Bartle from opposing him, even if he had wished to do so. He only said, "Take a bit, then, and another sup, Adam, for the love of me. See, I must stop and eat a morsel. Now, you take some." Nerved by an active resolution, Adam took a morsel of bread and drank some wine. He was haggard and unshaven, as he had been yesterday, but he stood upright again, and looked more like the Adam Bede of former days. ----------BOOK 5, CHAPTER 43--------- THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts. But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side. But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink. Why did they say she was so changed? In the corpse we love, it is the likeness we see--it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were--the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips--pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs--she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from. But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm." The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child. "Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn't help taking to the little thing and being anxious about it. I didn't send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn't quite easy what I should do about her, and towards evening I made up my mind I'd go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o'clock. I didn't go out at the shop door, but at the back door, which opens into a narrow alley. I've only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn't cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I'd call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn't fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She'd taken her cloak and bonnet, but she'd left the basket and the things in it....I was dreadful frightened, and angry with her for going. I didn't go to give information, because I'd no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn't like to set the constable after her, for she'd a right to go from me if she liked." The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime--her heart must have clung to her baby--else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty's counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness's voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said: "My name is John Olding. I am a labourer, and live at Tedd's Hole, two miles out of Stoniton. A week last Monday, towards one o'clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she'd be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There's a road right through it, and bits of openings here and there, where the trees have been cut down, and some of 'em not carried away. I didn't go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn't got far out of the road into one of the open places before I heard a strange cry. I thought it didn't come from any animal I knew, but I wasn't for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn't help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn't help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby's hand." At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said. "There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child's head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I'd better take it to the parish and tell the constable. And I said, 'I'll lay my life it's that young woman's child as I met going to the coppice.' But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She'd got a big piece of bread on her lap." Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed--unconscious that Mr. Irwine was in the witness-box, telling of Hetty's unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her--a favour not granted to criminals in those stern times. At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair. There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes--the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge--did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him. It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime--that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen's names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict. "Guilty." It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling. The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, "Hester Sorrel...." The blood rushed to Hetty's face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words "and then to be hanged by the neck till you be dead," a piercing shriek rang through the hall. It was Hetty's shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court. ----------BOOK 5, CHAPTER 47--------- IT was a sight that some people remembered better even than their own sorrows--the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death. All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty. But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively. "Close your eyes, Hetty," Dinah said, "and let us pray without ceasing to God." And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity. Dinah did not know that the crowd was silent, gazing at her with a sort of awe--she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty's shriek mingled with the sound, and they clasped each other in mutual horror. But it was not a shout of execration--not a yell of exultant cruelty. It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand--he is holding it up as if it were a signal. The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death.

cliffnotes

Produce a brief summary for chapter 39 based on the provided context.

chapter 39|chapter 41

Might as well call this chapter "Fear and Loathing in Broxton Parsonage." Reeling from "the double suffering of certain and uncertain sorrow," Adam has tracked down Mr. Irwine, the one person in Hayslope who seems to have all the answers . Or enough of them, anyway. Adam is shown into Mr. Irwine's study. The good clergyman has a new, disturbing expression--"strangely different from the warm friendliness it had always worn for him before" . Irwine's nerves are clearly shot. And no, one of those Chapter 16 "big breakfasts" won't solve this one. Adam explains that Hetty is gone, he doesn't know where, he doesn't know why. Mr. Irwine does. But first, Adam vents his grievances toward Arthur, who "played with Hetty's feelings, and behaved to her as he'd no right to do to a girl in her station o' life" . This outburst gives Mr. Irwine time to collect his thoughts. He calmly informs Adam that a "heavier sorrow" will soon be upon him . And then the cold, hard facts: Hetty is in prison, for child-murder. Adam has two reactions. First, you think he was angry at Arthur before? Well, now Adam makes the Incredible Hulk look like a mild-mannered guy. And second, Adam can't bring himself to believe that Hetty is guilty. Mr. Irwine does his best to calm Adam down, and offers some practical advice: "See what good can be done for her, instead of going on a useless errand of vengeance" . There is going to be lots of trouble ahead; the Poysers, after all, are still in the dark. Still, Adam is determined to help Mr. Irwine. Putting on a V for Vendetta mask and hunting down Arthur--stuff like that can wait.

----------CHAPTER 39--------- ADAM turned his face towards Broxton and walked with his swiftest stride, looking at his watch with the fear that Mr. Irwine might be gone out--hunting, perhaps. The fear and haste together produced a state of strong excitement before he reached the rectory gate, and outside it he saw the deep marks of a recent hoof on the gravel. But the hoofs were turned towards the gate, not away from it, and though there was a horse against the stable door, it was not Mr. Irwine's: it had evidently had a journey this morning, and must belong to some one who had come on business. Mr. Irwine was at home, then; but Adam could hardly find breath and calmness to tell Carroll that he wanted to speak to the rector. The double suffering of certain and uncertain sorrow had begun to shake the strong man. The butler looked at him wonderingly, as he threw himself on a bench in the passage and stared absently at the clock on the opposite wall. The master had somebody with him, he said, but he heard the study door open--the stranger seemed to be coming out, and as Adam was in a hurry, he would let the master know at once. Adam sat looking at the clock: the minute-hand was hurrying along the last five minutes to ten with a loud, hard, indifferent tick, and Adam watched the movement and listened to the sound as if he had had some reason for doing so. In our times of bitter suffering there are almost always these pauses, when our consciousness is benumbed to everything but some trivial perception or sensation. It is as if semi-idiocy came to give us rest from the memory and the dread which refuse to leave us in our sleep. Carroll, coming back, recalled Adam to the sense of his burden. He was to go into the study immediately. "I can't think what that strange person's come about," the butler added, from mere incontinence of remark, as he preceded Adam to the door, "he's gone i' the dining-room. And master looks unaccountable--as if he was frightened." Adam took no notice of the words: he could not care about other people's business. But when he entered the study and looked in Mr. Irwine's face, he felt in an instant that there was a new expression in it, strangely different from the warm friendliness it had always worn for him before. A letter lay open on the table, and Mr. Irwine's hand was on it, but the changed glance he cast on Adam could not be owing entirely to preoccupation with some disagreeable business, for he was looking eagerly towards the door, as if Adam's entrance were a matter of poignant anxiety to him. "You want to speak to me, Adam," he said, in that low constrainedly quiet tone which a man uses when he is determined to suppress agitation. "Sit down here." He pointed to a chair just opposite to him, at no more than a yard's distance from his own, and Adam sat down with a sense that this cold manner of Mr. Irwine's gave an additional unexpected difficulty to his disclosure. But when Adam had made up his mind to a measure, he was not the man to renounce it for any but imperative reasons. "I come to you, sir," he said, "as the gentleman I look up to most of anybody. I've something very painful to tell you--something as it'll pain you to hear as well as me to tell. But if I speak o' the wrong other people have done, you'll see I didn't speak till I'd good reason." Mr. Irwine nodded slowly, and Adam went on rather tremulously, "You was t' ha' married me and Hetty Sorrel, you know, sir, o' the fifteenth o' this month. I thought she loved me, and I was th' happiest man i' the parish. But a dreadful blow's come upon me." Mr. Irwine started up from his chair, as if involuntarily, but then, determined to control himself, walked to the window and looked out. "She's gone away, sir, and we don't know where. She said she was going to Snowfield o' Friday was a fortnight, and I went last Sunday to fetch her back; but she'd never been there, and she took the coach to Stoniton, and beyond that I can't trace her. But now I'm going a long journey to look for her, and I can't trust t' anybody but you where I'm going." Mr. Irwine came back from the window and sat down. "Have you no idea of the reason why she went away?" he said. "It's plain enough she didn't want to marry me, sir," said Adam. "She didn't like it when it came so near. But that isn't all, I doubt. There's something else I must tell you, sir. There's somebody else concerned besides me." A gleam of something--it was almost like relief or joy--came across the eager anxiety of Mr. Irwine's face at that moment. Adam was looking on the ground, and paused a little: the next words were hard to speak. But when he went on, he lifted up his head and looked straight at Mr. Irwine. He would do the thing he had resolved to do, without flinching. "You know who's the man I've reckoned my greatest friend," he said, "and used to be proud to think as I should pass my life i' working for him, and had felt so ever since we were lads...." Mr. Irwine, as if all self-control had forsaken him, grasped Adam's arm, which lay on the table, and, clutching it tightly like a man in pain, said, with pale lips and a low hurried voice, "No, Adam, no--don't say it, for God's sake!" Adam, surprised at the violence of Mr. Irwine's feeling, repented of the words that had passed his lips and sat in distressed silence. The grasp on his arm gradually relaxed, and Mr. Irwine threw himself back in his chair, saying, "Go on--I must know it." "That man played with Hetty's feelings, and behaved to her as he'd no right to do to a girl in her station o' life--made her presents and used to go and meet her out a-walking. I found it out only two days before he went away--found him a-kissing her as they were parting in the Grove. There'd been nothing said between me and Hetty then, though I'd loved her for a long while, and she knew it. But I reproached him with his wrong actions, and words and blows passed between us; and he said solemnly to me, after that, as it had been all nonsense and no more than a bit o' flirting. But I made him write a letter to tell Hetty he'd meant nothing, for I saw clear enough, sir, by several things as I hadn't understood at the time, as he'd got hold of her heart, and I thought she'd belike go on thinking of him and never come to love another man as wanted to marry her. And I gave her the letter, and she seemed to bear it all after a while better than I'd expected...and she behaved kinder and kinder to me...I daresay she didn't know her own feelings then, poor thing, and they came back upon her when it was too late...I don't want to blame her...I can't think as she meant to deceive me. But I was encouraged to think she loved me, and--you know the rest, sir. But it's on my mind as he's been false to me, and 'ticed her away, and she's gone to him--and I'm going now to see, for I can never go to work again till I know what's become of her." During Adam's narrative, Mr. Irwine had had time to recover his self-mastery in spite of the painful thoughts that crowded upon him. It was a bitter remembrance to him now--that morning when Arthur breakfasted with him and seemed as if he were on the verge of a confession. It was plain enough now what he had wanted to confess. And if their words had taken another turn...if he himself had been less fastidious about intruding on another man's secrets...it was cruel to think how thin a film had shut out rescue from all this guilt and misery. He saw the whole history now by that terrible illumination which the present sheds back upon the past. But every other feeling as it rushed upon his was thrown into abeyance by pity, deep respectful pity, for the man who sat before him--already so bruised, going forth with sad blind resignedness to an unreal sorrow, while a real one was close upon him, too far beyond the range of common trial for him ever to have feared it. His own agitation was quelled by a certain awe that comes over us in the presence of a great anguish, for the anguish he must inflict on Adam was already present to him. Again he put his hand on the arm that lay on the table, but very gently this time, as he said solemnly: "Adam, my dear friend, you have had some hard trials in your life. You can bear sorrow manfully, as well as act manfully. God requires both tasks at our hands. And there is a heavier sorrow coming upon you than any you have yet known. But you are not guilty--you have not the worst of all sorrows. God help him who has!" The two pale faces looked at each other; in Adam's there was trembling suspense, in Mr. Irwine's hesitating, shrinking pity. But he went on. "I have had news of Hetty this morning. She is not gone to him. She is in Stonyshire--at Stoniton." Adam started up from his chair, as if he thought he could have leaped to her that moment. But Mr. Irwine laid hold of his arm again and said, persuasively, "Wait, Adam, wait." So he sat down. "She is in a very unhappy position--one which will make it worse for you to find her, my poor friend, than to have lost her for ever." Adam's lips moved tremulously, but no sound came. They moved again, and he whispered, "Tell me." "She has been arrested...she is in prison." It was as if an insulting blow had brought back the spirit of resistance into Adam. The blood rushed to his face, and he said, loudly and sharply, "For what?" "For a great crime--the murder of her child." "It CAN'T BE!" Adam almost shouted, starting up from his chair and making a stride towards the door; but he turned round again, setting his back against the bookcase, and looking fiercely at Mr. Irwine. "It isn't possible. She never had a child. She can't be guilty. WHO says it?" "God grant she may be innocent, Adam. We can still hope she is." "But who says she is guilty?" said Adam violently. "Tell me everything." "Here is a letter from the magistrate before whom she was taken, and the constable who arrested her is in the dining-room. She will not confess her name or where she comes from; but I fear, I fear, there can be no doubt it is Hetty. The description of her person corresponds, only that she is said to look very pale and ill. She had a small red-leather pocket-book in her pocket with two names written in it--one at the beginning, 'Hetty Sorrel, Hayslope,' and the other near the end, 'Dinah Morris, Snowfield.' She will not say which is her own name--she denies everything, and will answer no questions, and application has been made to me, as a magistrate, that I may take measures for identifying her, for it was thought probable that the name which stands first is her own name." "But what proof have they got against her, if it IS Hetty?" said Adam, still violently, with an effort that seemed to shake his whole frame. "I'll not believe it. It couldn't ha' been, and none of us know it." "Terrible proof that she was under the temptation to commit the crime; but we have room to hope that she did not really commit it. Try and read that letter, Adam." Adam took the letter between his shaking hands and tried to fix his eyes steadily on it. Mr. Irwine meanwhile went out to give some orders. When he came back, Adam's eyes were still on the first page--he couldn't read--he could not put the words together and make out what they meant. He threw it down at last and clenched his fist. "It's HIS doing," he said; "if there's been any crime, it's at his door, not at hers. HE taught her to deceive--HE deceived me first. Let 'em put HIM on his trial--let him stand in court beside her, and I'll tell 'em how he got hold of her heart, and 'ticed her t' evil, and then lied to me. Is HE to go free, while they lay all the punishment on her...so weak and young?" The image called up by these last words gave a new direction to poor Adam's maddened feelings. He was silent, looking at the corner of the room as if he saw something there. Then he burst out again, in a tone of appealing anguish, "I can't bear it...O God, it's too hard to lay upon me--it's too hard to think she's wicked." Mr. Irwine had sat down again in silence. He was too wise to utter soothing words at present, and indeed, the sight of Adam before him, with that look of sudden age which sometimes comes over a young face in moments of terrible emotion--the hard bloodless look of the skin, the deep lines about the quivering mouth, the furrows in the brow--the sight of this strong firm man shattered by the invisible stroke of sorrow, moved him so deeply that speech was not easy. Adam stood motionless, with his eyes vacantly fixed in this way for a minute or two; in that short space he was living through all his love again. "She can't ha' done it," he said, still without moving his eyes, as if he were only talking to himself: "it was fear made her hide it...I forgive her for deceiving me...I forgive thee, Hetty...thee wast deceived too...it's gone hard wi' thee, my poor Hetty...but they'll never make me believe it." He was silent again for a few moments, and then he said, with fierce abruptness, "I'll go to him--I'll bring him back--I'll make him go and look at her in her misery--he shall look at her till he can't forget it--it shall follow him night and day--as long as he lives it shall follow him--he shan't escape wi' lies this time--I'll fetch him, I'll drag him myself." In the act of going towards the door, Adam paused automatically and looked about for his hat, quite unconscious where he was or who was present with him. Mr. Irwine had followed him, and now took him by the arm, saying, in a quiet but decided tone, "No, Adam, no; I'm sure you will wish to stay and see what good can be done for her, instead of going on a useless errand of vengeance. The punishment will surely fall without your aid. Besides, he is no longer in Ireland. He must be on his way home--or would be, long before you arrived, for his grandfather, I know, wrote for him to come at least ten days ago. I want you now to go with me to Stoniton. I have ordered a horse for you to ride with us, as soon as you can compose yourself." While Mr. Irwine was speaking, Adam recovered his consciousness of the actual scene. He rubbed his hair off his forehead and listened. "Remember," Mr. Irwine went on, "there are others to think of, and act for, besides yourself, Adam: there are Hetty's friends, the good Poysers, on whom this stroke will fall more heavily than I can bear to think. I expect it from your strength of mind, Adam--from your sense of duty to God and man--that you will try to act as long as action can be of any use." In reality, Mr. Irwine proposed this journey to Stoniton for Adam's own sake. Movement, with some object before him, was the best means of counteracting the violence of suffering in these first hours. "You will go with me to Stoniton, Adam?" he said again, after a moment's pause. "We have to see if it is really Hetty who is there, you know." "Yes, sir," said Adam, "I'll do what you think right. But the folks at th' Hall Farm?" "I wish them not to know till I return to tell them myself. I shall have ascertained things then which I am uncertain about now, and I shall return as soon as possible. Come now, the horses are ready." ----------CHAPTER 41--------- AN upper room in a dull Stoniton street, with two beds in it--one laid on the floor. It is ten o'clock on Thursday night, and the dark wall opposite the window shuts out the moonlight that might have struggled with the light of the one dip candle by which Bartle Massey is pretending to read, while he is really looking over his spectacles at Adam Bede, seated near the dark window. You would hardly have known it was Adam without being told. His face has got thinner this last week: he has the sunken eyes, the neglected beard of a man just risen from a sick-bed. His heavy black hair hangs over his forehead, and there is no active impulse in him which inclines him to push it off, that he may be more awake to what is around him. He has one arm over the back of the chair, and he seems to be looking down at his clasped hands. He is roused by a knock at the door. "There he is," said Bartle Massey, rising hastily and unfastening the door. It was Mr. Irwine. Adam rose from his chair with instinctive respect, as Mr. Irwine approached him and took his hand. "I'm late, Adam," he said, sitting down on the chair which Bartle placed for him, "but I was later in setting off from Broxton than I intended to be, and I have been incessantly occupied since I arrived. I have done everything now, however--everything that can be done to-night, at least. Let us all sit down." Adam took his chair again mechanically, and Bartle, for whom there was no chair remaining, sat on the bed in the background. "Have you seen her, sir?" said Adam tremulously. "Yes, Adam; I and the chaplain have both been with her this evening." "Did you ask her, sir...did you say anything about me?" "Yes," said Mr. Irwine, with some hesitation, "I spoke of you. I said you wished to see her before the trial, if she consented." As Mr. Irwine paused, Adam looked at him with eager, questioning eyes. "You know she shrinks from seeing any one, Adam. It is not only you--some fatal influence seems to have shut up her heart against her fellow-creatures. She has scarcely said anything more than 'No' either to me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was any one of her family whom she would like to see--to whom she could open her mind--she said, with a violent shudder, 'Tell them not to come near me--I won't see any of them.'" Adam's head was hanging down again, and he did not speak. There was silence for a few minutes, and then Mr. Irwine said, "I don't like to advise you against your own feelings, Adam, if they now urge you strongly to go and see her to-morrow morning, even without her consent. It is just possible, notwithstanding appearances to the contrary, that the interview might affect her favourably. But I grieve to say I have scarcely any hope of that. She didn't seem agitated when I mentioned your name; she only said 'No,' in the same cold, obstinate way as usual. And if the meeting had no good effect on her, it would be pure, useless suffering to you--severe suffering, I fear. She is very much changed..." Adam started up from his chair and seized his hat, which lay on the table. But he stood still then, and looked at Mr. Irwine, as if he had a question to ask which it was yet difficult to utter. Bartle Massey rose quietly, turned the key in the door, and put it in his pocket. "Is he come back?" said Adam at last. "No, he is not," said Mr. Irwine, quietly. "Lay down your hat, Adam, unless you like to walk out with me for a little fresh air. I fear you have not been out again to-day." "You needn't deceive me, sir," said Adam, looking hard at Mr. Irwine and speaking in a tone of angry suspicion. "You needn't be afraid of me. I only want justice. I want him to feel what she feels. It's his work...she was a child as it 'ud ha' gone t' anybody's heart to look at...I don't care what she's done...it was him brought her to it. And he shall know it...he shall feel it...if there's a just God, he shall feel what it is t' ha' brought a child like her to sin and misery." "I'm not deceiving you, Adam," said Mr. Irwine. "Arthur Donnithorne is not come back--was not come back when I left. I have left a letter for him: he will know all as soon as he arrives." "But you don't mind about it," said Adam indignantly. "You think it doesn't matter as she lies there in shame and misery, and he knows nothing about it--he suffers nothing." "Adam, he WILL know--he WILL suffer, long and bitterly. He has a heart and a conscience: I can't be entirely deceived in his character. I am convinced--I am sure he didn't fall under temptation without a struggle. He may be weak, but he is not callous, not coldly selfish. I am persuaded that this will be a shock of which he will feel the effects all his life. Why do you crave vengeance in this way? No amount of torture that you could inflict on him could benefit her." "No--O God, no," Adam groaned out, sinking on his chair again; "but then, that's the deepest curse of all...that's what makes the blackness of it...IT CAN NEVER BE UNDONE. My poor Hetty...she can never be my sweet Hetty again...the prettiest thing God had made--smiling up at me...I thought she loved me...and was good..." Adam's voice had been gradually sinking into a hoarse undertone, as if he were only talking to himself; but now he said abruptly, looking at Mr. Irwine, "But she isn't as guilty as they say? You don't think she is, sir? She can't ha' done it." "That perhaps can never be known with certainty, Adam," Mr. Irwine answered gently. "In these cases we sometimes form our judgment on what seems to us strong evidence, and yet, for want of knowing some small fact, our judgment is wrong. But suppose the worst: you have no right to say that the guilt of her crime lies with him, and that he ought to bear the punishment. It is not for us men to apportion the shares of moral guilt and retribution. We find it impossible to avoid mistakes even in determining who has committed a single criminal act, and the problem how far a man is to be held responsible for the unforeseen consequences of his own deed is one that might well make us tremble to look into it. The evil consequences that may lie folded in a single act of selfish indulgence is a thought so awful that it ought surely to awaken some feeling less presumptuous than a rash desire to punish. You have a mind that can understand this fully, Adam, when you are calm. Don't suppose I can't enter into the anguish that drives you into this state of revengeful hatred. But think of this: if you were to obey your passion--for it IS passion, and you deceive yourself in calling it justice--it might be with you precisely as it has been with Arthur; nay, worse; your passion might lead you yourself into a horrible crime." "No--not worse," said Adam, bitterly; "I don't believe it's worse--I'd sooner do it--I'd sooner do a wickedness as I could suffer for by myself than ha' brought HER to do wickedness and then stand by and see 'em punish her while they let me alone; and all for a bit o' pleasure, as, if he'd had a man's heart in him, he'd ha' cut his hand off sooner than he'd ha' taken it. What if he didn't foresee what's happened? He foresaw enough; he'd no right to expect anything but harm and shame to her. And then he wanted to smooth it off wi' lies. No--there's plenty o' things folks are hanged for not half so hateful as that. Let a man do what he will, if he knows he's to bear the punishment himself, he isn't half so bad as a mean selfish coward as makes things easy t' himself and knows all the while the punishment 'll fall on somebody else." "There again you partly deceive yourself, Adam. There is no sort of wrong deed of which a man can bear the punishment alone; you can't isolate yourself and say that the evil which is in you shall not spread. Men's lives are as thoroughly blended with each other as the air they breathe: evil spreads as necessarily as disease. I know, I feel the terrible extent of suffering this sin of Arthur's has caused to others; but so does every sin cause suffering to others besides those who commit it. An act of vengeance on your part against Arthur would simply be another evil added to those we are suffering under: you could not bear the punishment alone; you would entail the worst sorrows on every one who loves you. You would have committed an act of blind fury that would leave all the present evils just as they were and add worse evils to them. You may tell me that you meditate no fatal act of vengeance, but the feeling in your mind is what gives birth to such actions, and as long as you indulge it, as long as you do not see that to fix your mind on Arthur's punishment is revenge, and not justice, you are in danger of being led on to the commission of some great wrong. Remember what you told me about your feelings after you had given that blow to Arthur in the Grove." Adam was silent: the last words had called up a vivid image of the past, and Mr. Irwine left him to his thoughts, while he spoke to Bartle Massey about old Mr. Donnithorne's funeral and other matters of an indifferent kind. But at length Adam turned round and said, in a more subdued tone, "I've not asked about 'em at th' Hall Farm, sir. Is Mr. Poyser coming?" "He is come; he is in Stoniton to-night. But I could not advise him to see you, Adam. His own mind is in a very perturbed state, and it is best he should not see you till you are calmer." "Is Dinah Morris come to 'em, sir? Seth said they'd sent for her." "No. Mr. Poyser tells me she was not come when he left. They're afraid the letter has not reached her. It seems they had no exact address." Adam sat ruminating a little while, and then said, "I wonder if Dinah 'ud ha' gone to see her. But perhaps the Poysers would ha' been sorely against it, since they won't come nigh her themselves. But I think she would, for the Methodists are great folks for going into the prisons; and Seth said he thought she would. She'd a very tender way with her, Dinah had; I wonder if she could ha' done any good. You never saw her, sir, did you?" "Yes, I did. I had a conversation with her--she pleased me a good deal. And now you mention it, I wish she would come, for it is possible that a gentle mild woman like her might move Hetty to open her heart. The jail chaplain is rather harsh in his manner." "But it's o' no use if she doesn't come," said Adam sadly. "If I'd thought of it earlier, I would have taken some measures for finding her out," said Mr. Irwine, "but it's too late now, I fear...Well, Adam, I must go now. Try to get some rest to-night. God bless you. I'll see you early to-morrow morning."

cliffnotes

Produce a brief summary for chapter 43 based on the provided context.

chapter 42|chapter 43

Since we're in Stoniton, might as well see the sights. And one of those sights is the courthouse, a "grand old hall" full of stained glass and old armor and miserable George Eliot characters . Everyone is here, Adam, Irwine, all our Stoniton tourists, waiting for Hetty's verdict. Adam has taken a place beside Hetty, or beside what's left of Hetty. Together, they watch as witnesses are called to the stand. The first is a widow who keeps "a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton" . This woman decided to give Hetty a room for the night "to keep her out of further harm" . Poor woman, the harm's already done. The woman was very kind to Hetty and her newborn baby. She even supplied baby clothes. But Hetty repaid her kindness by sneaking out during the night and, um, not coming back. Adam, meanwhile, is trying to find a way to explain away Hetty's crime: "Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt" . He almost succeeds in reassuring himself... And then, witness number two blows those reassurances to smithereens. The court now calls a laborer named John Olding. He had the dubious honor of finding Hetty's dead baby hidden near "a lot of timber-choppings" . He also brought the child to the authorities, organized a search party for Hetty, and found Hetty "a-sitting against the bush where I found the child" . Normally, a guy like John Olding would be a local hero. But all he gets is "a faint groan of despair" from Adam . In fact, there's now this uncomfortable "jig is up" vibe going through the whole courtroom. So when the verdict comes back as a resounding guilty, it's more or less "the verdict every one expected" . Hetty listens, pretty quietly, as her sentence is read. Then they get to the part about hanging her to death... And Hetty shrieks and faints. Adam reaches out, but doesn't catch her in time. And boy, do we need a vacation from this Stoniton place. A real vacation. We'll be returning to Hayslope in the next chapter, but somehow, that doesn't seem like an improvement.

----------CHAPTER 42--------- AT one o'clock the next day, Adam was alone in his dull upper room; his watch lay before him on the table, as if he were counting the long minutes. He had no knowledge of what was likely to be said by the witnesses on the trial, for he had shrunk from all the particulars connected with Hetty's arrest and accusation. This brave active man, who would have hastened towards any danger or toil to rescue Hetty from an apprehended wrong or misfortune, felt himself powerless to contemplate irremediable evil and suffering. The susceptibility which would have been an impelling force where there was any possibility of action became helpless anguish when he was obliged to be passive, or else sought an active outlet in the thought of inflicting justice on Arthur. Energetic natures, strong for all strenuous deeds, will often rush away from a hopeless sufferer, as if they were hard-hearted. It is the overmastering sense of pain that drives them. They shrink by an ungovernable instinct, as they would shrink from laceration. Adam had brought himself to think of seeing Hetty, if she would consent to see him, because he thought the meeting might possibly be a good to her--might help to melt away this terrible hardness they told him of. If she saw he bore her no ill will for what she had done to him, she might open her heart to him. But this resolution had been an immense effort--he trembled at the thought of seeing her changed face, as a timid woman trembles at the thought of the surgeon's knife, and he chose now to bear the long hours of suspense rather than encounter what seemed to him the more intolerable agony of witnessing her trial. Deep unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state. The yearning memories, the bitter regret, the agonized sympathy, the struggling appeals to the Invisible Right--all the intense emotions which had filled the days and nights of the past week, and were compressing themselves again like an eager crowd into the hours of this single morning, made Adam look back on all the previous years as if they had been a dim sleepy existence, and he had only now awaked to full consciousness. It seemed to him as if he had always before thought it a light thing that men should suffer, as if all that he had himself endured and called sorrow before was only a moment's stroke that had never left a bruise. Doubtless a great anguish may do the work of years, and we may come out from that baptism of fire with a soul full of new awe and new pity. "O God," Adam groaned, as he leaned on the table and looked blankly at the face of the watch, "and men have suffered like this before...and poor helpless young things have suffered like her....Such a little while ago looking so happy and so pretty...kissing 'em all, her grandfather and all of 'em, and they wishing her luck....O my poor, poor Hetty...dost think on it now?" Adam started and looked round towards the door. Vixen had begun to whimper, and there was a sound of a stick and a lame walk on the stairs. It was Bartle Massey come back. Could it be all over? Bartle entered quietly, and, going up to Adam, grasped his hand and said, "I'm just come to look at you, my boy, for the folks are gone out of court for a bit." Adam's heart beat so violently he was unable to speak--he could only return the pressure of his friend's hand--and Bartle, drawing up the other chair, came and sat in front of him, taking off his hat and his spectacles. "That's a thing never happened to me before," he observed, "to go out o' the door with my spectacles on. I clean forgot to take 'em off." The old man made this trivial remark, thinking it better not to respond at all to Adam's agitation: he would gather, in an indirect way, that there was nothing decisive to communicate at present. "And now," he said, rising again, "I must see to your having a bit of the loaf, and some of that wine Mr. Irwine sent this morning. He'll be angry with me if you don't have it. Come, now," he went on, bringing forward the bottle and the loaf and pouring some wine into a cup, "I must have a bit and a sup myself. Drink a drop with me, my lad--drink with me." Adam pushed the cup gently away and said, entreatingly, "Tell me about it, Mr. Massey--tell me all about it. Was she there? Have they begun?" "Yes, my boy, yes--it's taken all the time since I first went; but they're slow, they're slow; and there's the counsel they've got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That's all he can do for the money they give him; and it's a big sum--it's a big sum. But he's a 'cute fellow, with an eye that 'ud pick the needles out of the hay in no time. If a man had got no feelings, it 'ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I'd have given up figures for ever only to have had some good news to bring to you, my poor lad." "But does it seem to be going against her?" said Adam. "Tell me what they've said. I must know it now--I must know what they have to bring against her." "Why, the chief evidence yet has been the doctors; all but Martin Poyser--poor Martin. Everybody in court felt for him--it was like one sob, the sound they made when he came down again. The worst was when they told him to look at the prisoner at the bar. It was hard work, poor fellow--it was hard work. Adam, my boy, the blow falls heavily on him as well as you; you must help poor Martin; you must show courage. Drink some wine now, and show me you mean to bear it like a man." Bartle had made the right sort of appeal. Adam, with an air of quiet obedience, took up the cup and drank a little. "Tell me how SHE looked," he said presently. "Frightened, very frightened, when they first brought her in; it was the first sight of the crowd and the judge, poor creatur. And there's a lot o' foolish women in fine clothes, with gewgaws all up their arms and feathers on their heads, sitting near the judge: they've dressed themselves out in that way, one 'ud think, to be scarecrows and warnings against any man ever meddling with a woman again. They put up their glasses, and stared and whispered. But after that she stood like a white image, staring down at her hands and seeming neither to hear nor see anything. And she's as white as a sheet. She didn't speak when they asked her if she'd plead 'guilty' or 'not guilty,' and they pleaded 'not guilty' for her. But when she heard her uncle's name, there seemed to go a shiver right through her; and when they told him to look at her, she hung her head down, and cowered, and hid her face in her hands. He'd much ado to speak poor man, his voice trembled so. And the counsellors--who look as hard as nails mostly--I saw, spared him as much as they could. Mr. Irwine put himself near him and went with him out o' court. Ah, it's a great thing in a man's life to be able to stand by a neighbour and uphold him in such trouble as that." "God bless him, and you too, Mr. Massey," said Adam, in a low voice, laying his hand on Bartle's arm. "Aye, aye, he's good metal; he gives the right ring when you try him, our parson does. A man o' sense--says no more than's needful. He's not one of those that think they can comfort you with chattering, as if folks who stand by and look on knew a deal better what the trouble was than those who have to bear it. I've had to do with such folks in my time--in the south, when I was in trouble myself. Mr. Irwine is to be a witness himself, by and by, on her side, you know, to speak to her character and bringing up." "But the other evidence...does it go hard against her!" said Adam. "What do you think, Mr. Massey? Tell me the truth." "Yes, my lad, yes. The truth is the best thing to tell. It must come at last. The doctors' evidence is heavy on her--is heavy. But she's gone on denying she's had a child from first to last. These poor silly women-things--they've not the sense to know it's no use denying what's proved. It'll make against her with the jury, I doubt, her being so obstinate: they may be less for recommending her to mercy, if the verdict's against her. But Mr. Irwine 'ull leave no stone unturned with the judge--you may rely upon that, Adam." "Is there nobody to stand by her and seem to care for her in the court?" said Adam. "There's the chaplain o' the jail sits near her, but he's a sharp ferrety-faced man--another sort o' flesh and blood to Mr. Irwine. They say the jail chaplains are mostly the fag-end o' the clergy." "There's one man as ought to be there," said Adam bitterly. Presently he drew himself up and looked fixedly out of the window, apparently turning over some new idea in his mind. "Mr. Massey," he said at last, pushing the hair off his forehead, "I'll go back with you. I'll go into court. It's cowardly of me to keep away. I'll stand by her--I'll own her--for all she's been deceitful. They oughtn't to cast her off--her own flesh and blood. We hand folks over to God's mercy, and show none ourselves. I used to be hard sometimes: I'll never be hard again. I'll go, Mr. Massey--I'll go with you." There was a decision in Adam's manner which would have prevented Bartle from opposing him, even if he had wished to do so. He only said, "Take a bit, then, and another sup, Adam, for the love of me. See, I must stop and eat a morsel. Now, you take some." Nerved by an active resolution, Adam took a morsel of bread and drank some wine. He was haggard and unshaven, as he had been yesterday, but he stood upright again, and looked more like the Adam Bede of former days. ----------CHAPTER 43--------- THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts. But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side. But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink. Why did they say she was so changed? In the corpse we love, it is the likeness we see--it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were--the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips--pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs--she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from. But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm." The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child. "Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn't help taking to the little thing and being anxious about it. I didn't send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn't quite easy what I should do about her, and towards evening I made up my mind I'd go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o'clock. I didn't go out at the shop door, but at the back door, which opens into a narrow alley. I've only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn't cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I'd call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn't fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She'd taken her cloak and bonnet, but she'd left the basket and the things in it....I was dreadful frightened, and angry with her for going. I didn't go to give information, because I'd no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn't like to set the constable after her, for she'd a right to go from me if she liked." The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime--her heart must have clung to her baby--else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty's counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness's voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said: "My name is John Olding. I am a labourer, and live at Tedd's Hole, two miles out of Stoniton. A week last Monday, towards one o'clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she'd be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There's a road right through it, and bits of openings here and there, where the trees have been cut down, and some of 'em not carried away. I didn't go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn't got far out of the road into one of the open places before I heard a strange cry. I thought it didn't come from any animal I knew, but I wasn't for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn't help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn't help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby's hand." At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said. "There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child's head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I'd better take it to the parish and tell the constable. And I said, 'I'll lay my life it's that young woman's child as I met going to the coppice.' But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She'd got a big piece of bread on her lap." Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed--unconscious that Mr. Irwine was in the witness-box, telling of Hetty's unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her--a favour not granted to criminals in those stern times. At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair. There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes--the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge--did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him. It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime--that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen's names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict. "Guilty." It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling. The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, "Hester Sorrel...." The blood rushed to Hetty's face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words "and then to be hanged by the neck till you be dead," a piercing shriek rang through the hall. It was Hetty's shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court.

cliffnotes

Produce a brief summary for chapter 47 based on the provided context.

chapter 46|chapter 47|chapter 43

Hetty is approaching the scaffold, where she will be hanged before a "waiting watching multitude" . But Dinah is with her, and compassionately exhorts her to "pray without ceasing to God" . All at once, without warning, Hetty shrieks. And the crowd cries out, too. Why is everyone shouting? "It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop" . And who is that horseman? It's Arthur, bringing Hetty "a hard-won release from death" . And bringing us a hard won-release from seriousness. Hetty is saved.

----------CHAPTER 46--------- ON Sunday morning, when the church bells in Stoniton were ringing for morning service, Bartle Massey re-entered Adam's room, after a short absence, and said, "Adam, here's a visitor wants to see you." Adam was seated with his back towards the door, but he started up and turned round instantly, with a flushed face and an eager look. His face was even thinner and more worn than we have seen it before, but he was washed and shaven this Sunday morning. "Is it any news?" he said. "Keep yourself quiet, my lad," said Bartle; "keep quiet. It's not what you're thinking of. It's the young Methodist woman come from the prison. She's at the bottom o' the stairs, and wants to know if you think well to see her, for she has something to say to you about that poor castaway; but she wouldn't come in without your leave, she said. She thought you'd perhaps like to go out and speak to her. These preaching women are not so back'ard commonly," Bartle muttered to himself. "Ask her to come in," said Adam. He was standing with his face towards the door, and as Dinah entered, lifting up her mild grey eyes towards him, she saw at once the great change that had come since the day when she had looked up at the tall man in the cottage. There was a trembling in her clear voice as she put her hand into his and said, "Be comforted, Adam Bede, the Lord has not forsaken her." "Bless you for coming to her," Adam said. "Mr. Massey brought me word yesterday as you was come." They could neither of them say any more just yet, but stood before each other in silence; and Bartle Massey, too, who had put on his spectacles, seemed transfixed, examining Dinah's face. But he recovered himself first, and said, "Sit down, young woman, sit down," placing the chair for her and retiring to his old seat on the bed. "Thank you, friend; I won't sit down," said Dinah, "for I must hasten back. She entreated me not to stay long away. What I came for, Adam Bede, was to pray you to go and see the poor sinner and bid her farewell. She desires to ask your forgiveness, and it is meet you should see her to-day, rather than in the early morning, when the time will be short." Adam stood trembling, and at last sank down on his chair again. "It won't be," he said, "it'll be put off--there'll perhaps come a pardon. Mr. Irwine said there was hope. He said, I needn't quite give it up." "That's a blessed thought to me," said Dinah, her eyes filling with tears. "It's a fearful thing hurrying her soul away so fast." "But let what will be," she added presently. "You will surely come, and let her speak the words that are in her heart. Although her poor soul is very dark and discerns little beyond the things of the flesh, she is no longer hard. She is contrite, she has confessed all to me. The pride of her heart has given way, and she leans on me for help and desires to be taught. This fills me with trust, for I cannot but think that the brethren sometimes err in measuring the Divine love by the sinner's knowledge. She is going to write a letter to the friends at the Hall Farm for me to give them when she is gone, and when I told her you were here, she said, 'I should like to say good-bye to Adam and ask him to forgive me.' You will come, Adam? Perhaps you will even now come back with me." "I can't," Adam said. "I can't say good-bye while there's any hope. I'm listening, and listening--I can't think o' nothing but that. It can't be as she'll die that shameful death--I can't bring my mind to it." He got up from his chair again and looked away out of the window, while Dinah stood with compassionate patience. In a minute or two he turned round and said, "I will come, Dinah...to-morrow morning...if it must be. I may have more strength to bear it, if I know it must be. Tell her, I forgive her; tell her I will come--at the very last." "I will not urge you against the voice of your own heart," said Dinah. "I must hasten back to her, for it is wonderful how she clings now, and was not willing to let me out of her sight. She used never to make any return to my affection before, but now tribulation has opened her heart. Farewell, Adam. Our heavenly Father comfort you and strengthen you to bear all things." Dinah put out her hand, and Adam pressed it in silence. Bartle Massey was getting up to lift the stiff latch of the door for her, but before he could reach it, she had said gently, "Farewell, friend," and was gone, with her light step down the stairs. "Well," said Bartle, taking off his spectacles and putting them into his pocket, "if there must be women to make trouble in the world, it's but fair there should be women to be comforters under it; and she's one--she's one. It's a pity she's a Methodist; but there's no getting a woman without some foolishness or other." Adam never went to bed that night. The excitement of suspense, heightening with every hour that brought him nearer the fatal moment, was too great, and in spite of his entreaties, in spite of his promises that he would be perfectly quiet, the schoolmaster watched too. "What does it matter to me, lad?" Bartle said: "a night's sleep more or less? I shall sleep long enough, by and by, underground. Let me keep thee company in trouble while I can." It was a long and dreary night in that small chamber. Adam would sometimes get up and tread backwards and forwards along the short space from wall to wall; then he would sit down and hide his face, and no sound would be heard but the ticking of the watch on the table, or the falling of a cinder from the fire which the schoolmaster carefully tended. Sometimes he would burst out into vehement speech, "If I could ha' done anything to save her--if my bearing anything would ha' done any good...but t' have to sit still, and know it, and do nothing...it's hard for a man to bear...and to think o' what might ha' been now, if it hadn't been for HIM....O God, it's the very day we should ha' been married." "Aye, my lad," said Bartle tenderly, "it's heavy--it's heavy. But you must remember this: when you thought of marrying her, you'd a notion she'd got another sort of a nature inside her. You didn't think she could have got hardened in that little while to do what she's done." "I know--I know that," said Adam. "I thought she was loving and tender-hearted, and wouldn't tell a lie, or act deceitful. How could I think any other way? And if he'd never come near her, and I'd married her, and been loving to her, and took care of her, she might never ha' done anything bad. What would it ha' signified--my having a bit o' trouble with her? It 'ud ha' been nothing to this." "There's no knowing, my lad--there's no knowing what might have come. The smart's bad for you to bear now: you must have time--you must have time. But I've that opinion of you, that you'll rise above it all and be a man again, and there may good come out of this that we don't see." "Good come out of it!" said Adam passionately. "That doesn't alter th' evil: HER ruin can't be undone. I hate that talk o' people, as if there was a way o' making amends for everything. They'd more need be brought to see as the wrong they do can never be altered. When a man's spoiled his fellow-creatur's life, he's no right to comfort himself with thinking good may come out of it. Somebody else's good doesn't alter her shame and misery." "Well, lad, well," said Bartle, in a gentle tone, strangely in contrast with his usual peremptoriness and impatience of contradiction, "it's likely enough I talk foolishness. I'm an old fellow, and it's a good many years since I was in trouble myself. It's easy finding reasons why other folks should be patient." "Mr. Massey," said Adam penitently, "I'm very hot and hasty. I owe you something different; but you mustn't take it ill of me." "Not I, lad--not I." So the night wore on in agitation till the chill dawn and the growing light brought the tremulous quiet that comes on the brink of despair. There would soon be no more suspense. "Let us go to the prison now, Mr. Massey," said Adam, when he saw the hand of his watch at six. "If there's any news come, we shall hear about it." The people were astir already, moving rapidly, in one direction, through the streets. Adam tried not to think where they were going, as they hurried past him in that short space between his lodging and the prison gates. He was thankful when the gates shut him in from seeing those eager people. No; there was no news come--no pardon--no reprieve. Adam lingered in the court half an hour before he could bring himself to send word to Dinah that he was come. But a voice caught his ear: he could not shut out the words. "The cart is to set off at half-past seven." It must be said--the last good-bye: there was no help. In ten minutes from that time, Adam was at the door of the cell. Dinah had sent him word that she could not come to him; she could not leave Hetty one moment; but Hetty was prepared for the meeting. He could not see her when he entered, for agitation deadened his senses, and the dim cell was almost dark to him. He stood a moment after the door closed behind him, trembling and stupefied. But he began to see through the dimness--to see the dark eyes lifted up to him once more, but with no smile in them. O God, how sad they looked! The last time they had met his was when he parted from her with his heart full of joyous hopeful love, and they looked out with a tearful smile from a pink, dimpled, childish face. The face was marble now; the sweet lips were pallid and half-open and quivering; the dimples were all gone--all but one, that never went; and the eyes--O, the worst of all was the likeness they had to Hetty's. They were Hetty's eyes looking at him with that mournful gaze, as if she had come back to him from the dead to tell him of her misery. She was clinging close to Dinah; her cheek was against Dinah's. It seemed as if her last faint strength and hope lay in that contact, and the pitying love that shone out from Dinah's face looked like a visible pledge of the Invisible Mercy. When the sad eyes met--when Hetty and Adam looked at each other--she felt the change in him too, and it seemed to strike her with fresh fear. It was the first time she had seen any being whose face seemed to reflect the change in herself: Adam was a new image of the dreadful past and the dreadful present. She trembled more as she looked at him. "Speak to him, Hetty," Dinah said; "tell him what is in your heart." Hetty obeyed her, like a little child. "Adam...I'm very sorry...I behaved very wrong to you...will you forgive me...before I die?" Adam answered with a half-sob, "Yes, I forgive thee Hetty. I forgave thee long ago." It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty's eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came--they had never come before, since he had hung on Seth's neck in the beginning of his sorrow. Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah's hand, but she went up to Adam and said timidly, "Will you kiss me again, Adam, for all I've been so wicked?" Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting. "And tell him," Hetty said, in rather a stronger voice, "tell him...for there's nobody else to tell him...as I went after him and couldn't find him...and I hated him and cursed him once...but Dinah says I should forgive him...and I try...for else God won't forgive me." There was a noise at the door of the cell now--the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more--even to see that Mr. Irwine's face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end. ----------CHAPTER 47--------- IT was a sight that some people remembered better even than their own sorrows--the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death. All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty. But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively. "Close your eyes, Hetty," Dinah said, "and let us pray without ceasing to God." And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity. Dinah did not know that the crowd was silent, gazing at her with a sort of awe--she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty's shriek mingled with the sound, and they clasped each other in mutual horror. But it was not a shout of execration--not a yell of exultant cruelty. It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand--he is holding it up as if it were a signal. The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death. ----------CHAPTER 43--------- THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts. But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side. But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink. Why did they say she was so changed? In the corpse we love, it is the likeness we see--it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were--the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips--pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs--she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from. But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm." The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child. "Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn't help taking to the little thing and being anxious about it. I didn't send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn't quite easy what I should do about her, and towards evening I made up my mind I'd go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o'clock. I didn't go out at the shop door, but at the back door, which opens into a narrow alley. I've only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn't cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I'd call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn't fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She'd taken her cloak and bonnet, but she'd left the basket and the things in it....I was dreadful frightened, and angry with her for going. I didn't go to give information, because I'd no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn't like to set the constable after her, for she'd a right to go from me if she liked." The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime--her heart must have clung to her baby--else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty's counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness's voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said: "My name is John Olding. I am a labourer, and live at Tedd's Hole, two miles out of Stoniton. A week last Monday, towards one o'clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she'd be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There's a road right through it, and bits of openings here and there, where the trees have been cut down, and some of 'em not carried away. I didn't go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn't got far out of the road into one of the open places before I heard a strange cry. I thought it didn't come from any animal I knew, but I wasn't for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn't help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn't help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby's hand." At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said. "There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child's head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I'd better take it to the parish and tell the constable. And I said, 'I'll lay my life it's that young woman's child as I met going to the coppice.' But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She'd got a big piece of bread on her lap." Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed--unconscious that Mr. Irwine was in the witness-box, telling of Hetty's unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her--a favour not granted to criminals in those stern times. At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair. There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes--the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge--did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him. It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime--that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen's names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict. "Guilty." It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling. The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, "Hester Sorrel...." The blood rushed to Hetty's face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words "and then to be hanged by the neck till you be dead," a piercing shriek rang through the hall. It was Hetty's shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court.

cliffnotes

Produce a brief summary for book 5, chapter 41 based on the provided context.

book 5, chapter 39|book 5, chapter 41

Mr. Irwine visits Adam in the room he shares with Mr. Massey in Stoniton. Adam is very pale and haggard, and Mr. Irwine tries without success to comfort him. He tells Adam that Hetty does not wish to see anyone and does not want to see Adam. Mr. Irwine tells Adam that Captain Donnithorne has not yet returned, that Adam should lay aside his desire for vengeance. He also tells Adam that if Adam killed Captain Donnithorne, he cannot imagine what the consequences might be, that they might be as dire as the consequences of the affair. He reminds Adam how he felt the night he fought with Captain Donnithorne. This memory strikes a chord with Adam and calms him

----------BOOK 5, CHAPTER 39--------- ADAM turned his face towards Broxton and walked with his swiftest stride, looking at his watch with the fear that Mr. Irwine might be gone out--hunting, perhaps. The fear and haste together produced a state of strong excitement before he reached the rectory gate, and outside it he saw the deep marks of a recent hoof on the gravel. But the hoofs were turned towards the gate, not away from it, and though there was a horse against the stable door, it was not Mr. Irwine's: it had evidently had a journey this morning, and must belong to some one who had come on business. Mr. Irwine was at home, then; but Adam could hardly find breath and calmness to tell Carroll that he wanted to speak to the rector. The double suffering of certain and uncertain sorrow had begun to shake the strong man. The butler looked at him wonderingly, as he threw himself on a bench in the passage and stared absently at the clock on the opposite wall. The master had somebody with him, he said, but he heard the study door open--the stranger seemed to be coming out, and as Adam was in a hurry, he would let the master know at once. Adam sat looking at the clock: the minute-hand was hurrying along the last five minutes to ten with a loud, hard, indifferent tick, and Adam watched the movement and listened to the sound as if he had had some reason for doing so. In our times of bitter suffering there are almost always these pauses, when our consciousness is benumbed to everything but some trivial perception or sensation. It is as if semi-idiocy came to give us rest from the memory and the dread which refuse to leave us in our sleep. Carroll, coming back, recalled Adam to the sense of his burden. He was to go into the study immediately. "I can't think what that strange person's come about," the butler added, from mere incontinence of remark, as he preceded Adam to the door, "he's gone i' the dining-room. And master looks unaccountable--as if he was frightened." Adam took no notice of the words: he could not care about other people's business. But when he entered the study and looked in Mr. Irwine's face, he felt in an instant that there was a new expression in it, strangely different from the warm friendliness it had always worn for him before. A letter lay open on the table, and Mr. Irwine's hand was on it, but the changed glance he cast on Adam could not be owing entirely to preoccupation with some disagreeable business, for he was looking eagerly towards the door, as if Adam's entrance were a matter of poignant anxiety to him. "You want to speak to me, Adam," he said, in that low constrainedly quiet tone which a man uses when he is determined to suppress agitation. "Sit down here." He pointed to a chair just opposite to him, at no more than a yard's distance from his own, and Adam sat down with a sense that this cold manner of Mr. Irwine's gave an additional unexpected difficulty to his disclosure. But when Adam had made up his mind to a measure, he was not the man to renounce it for any but imperative reasons. "I come to you, sir," he said, "as the gentleman I look up to most of anybody. I've something very painful to tell you--something as it'll pain you to hear as well as me to tell. But if I speak o' the wrong other people have done, you'll see I didn't speak till I'd good reason." Mr. Irwine nodded slowly, and Adam went on rather tremulously, "You was t' ha' married me and Hetty Sorrel, you know, sir, o' the fifteenth o' this month. I thought she loved me, and I was th' happiest man i' the parish. But a dreadful blow's come upon me." Mr. Irwine started up from his chair, as if involuntarily, but then, determined to control himself, walked to the window and looked out. "She's gone away, sir, and we don't know where. She said she was going to Snowfield o' Friday was a fortnight, and I went last Sunday to fetch her back; but she'd never been there, and she took the coach to Stoniton, and beyond that I can't trace her. But now I'm going a long journey to look for her, and I can't trust t' anybody but you where I'm going." Mr. Irwine came back from the window and sat down. "Have you no idea of the reason why she went away?" he said. "It's plain enough she didn't want to marry me, sir," said Adam. "She didn't like it when it came so near. But that isn't all, I doubt. There's something else I must tell you, sir. There's somebody else concerned besides me." A gleam of something--it was almost like relief or joy--came across the eager anxiety of Mr. Irwine's face at that moment. Adam was looking on the ground, and paused a little: the next words were hard to speak. But when he went on, he lifted up his head and looked straight at Mr. Irwine. He would do the thing he had resolved to do, without flinching. "You know who's the man I've reckoned my greatest friend," he said, "and used to be proud to think as I should pass my life i' working for him, and had felt so ever since we were lads...." Mr. Irwine, as if all self-control had forsaken him, grasped Adam's arm, which lay on the table, and, clutching it tightly like a man in pain, said, with pale lips and a low hurried voice, "No, Adam, no--don't say it, for God's sake!" Adam, surprised at the violence of Mr. Irwine's feeling, repented of the words that had passed his lips and sat in distressed silence. The grasp on his arm gradually relaxed, and Mr. Irwine threw himself back in his chair, saying, "Go on--I must know it." "That man played with Hetty's feelings, and behaved to her as he'd no right to do to a girl in her station o' life--made her presents and used to go and meet her out a-walking. I found it out only two days before he went away--found him a-kissing her as they were parting in the Grove. There'd been nothing said between me and Hetty then, though I'd loved her for a long while, and she knew it. But I reproached him with his wrong actions, and words and blows passed between us; and he said solemnly to me, after that, as it had been all nonsense and no more than a bit o' flirting. But I made him write a letter to tell Hetty he'd meant nothing, for I saw clear enough, sir, by several things as I hadn't understood at the time, as he'd got hold of her heart, and I thought she'd belike go on thinking of him and never come to love another man as wanted to marry her. And I gave her the letter, and she seemed to bear it all after a while better than I'd expected...and she behaved kinder and kinder to me...I daresay she didn't know her own feelings then, poor thing, and they came back upon her when it was too late...I don't want to blame her...I can't think as she meant to deceive me. But I was encouraged to think she loved me, and--you know the rest, sir. But it's on my mind as he's been false to me, and 'ticed her away, and she's gone to him--and I'm going now to see, for I can never go to work again till I know what's become of her." During Adam's narrative, Mr. Irwine had had time to recover his self-mastery in spite of the painful thoughts that crowded upon him. It was a bitter remembrance to him now--that morning when Arthur breakfasted with him and seemed as if he were on the verge of a confession. It was plain enough now what he had wanted to confess. And if their words had taken another turn...if he himself had been less fastidious about intruding on another man's secrets...it was cruel to think how thin a film had shut out rescue from all this guilt and misery. He saw the whole history now by that terrible illumination which the present sheds back upon the past. But every other feeling as it rushed upon his was thrown into abeyance by pity, deep respectful pity, for the man who sat before him--already so bruised, going forth with sad blind resignedness to an unreal sorrow, while a real one was close upon him, too far beyond the range of common trial for him ever to have feared it. His own agitation was quelled by a certain awe that comes over us in the presence of a great anguish, for the anguish he must inflict on Adam was already present to him. Again he put his hand on the arm that lay on the table, but very gently this time, as he said solemnly: "Adam, my dear friend, you have had some hard trials in your life. You can bear sorrow manfully, as well as act manfully. God requires both tasks at our hands. And there is a heavier sorrow coming upon you than any you have yet known. But you are not guilty--you have not the worst of all sorrows. God help him who has!" The two pale faces looked at each other; in Adam's there was trembling suspense, in Mr. Irwine's hesitating, shrinking pity. But he went on. "I have had news of Hetty this morning. She is not gone to him. She is in Stonyshire--at Stoniton." Adam started up from his chair, as if he thought he could have leaped to her that moment. But Mr. Irwine laid hold of his arm again and said, persuasively, "Wait, Adam, wait." So he sat down. "She is in a very unhappy position--one which will make it worse for you to find her, my poor friend, than to have lost her for ever." Adam's lips moved tremulously, but no sound came. They moved again, and he whispered, "Tell me." "She has been arrested...she is in prison." It was as if an insulting blow had brought back the spirit of resistance into Adam. The blood rushed to his face, and he said, loudly and sharply, "For what?" "For a great crime--the murder of her child." "It CAN'T BE!" Adam almost shouted, starting up from his chair and making a stride towards the door; but he turned round again, setting his back against the bookcase, and looking fiercely at Mr. Irwine. "It isn't possible. She never had a child. She can't be guilty. WHO says it?" "God grant she may be innocent, Adam. We can still hope she is." "But who says she is guilty?" said Adam violently. "Tell me everything." "Here is a letter from the magistrate before whom she was taken, and the constable who arrested her is in the dining-room. She will not confess her name or where she comes from; but I fear, I fear, there can be no doubt it is Hetty. The description of her person corresponds, only that she is said to look very pale and ill. She had a small red-leather pocket-book in her pocket with two names written in it--one at the beginning, 'Hetty Sorrel, Hayslope,' and the other near the end, 'Dinah Morris, Snowfield.' She will not say which is her own name--she denies everything, and will answer no questions, and application has been made to me, as a magistrate, that I may take measures for identifying her, for it was thought probable that the name which stands first is her own name." "But what proof have they got against her, if it IS Hetty?" said Adam, still violently, with an effort that seemed to shake his whole frame. "I'll not believe it. It couldn't ha' been, and none of us know it." "Terrible proof that she was under the temptation to commit the crime; but we have room to hope that she did not really commit it. Try and read that letter, Adam." Adam took the letter between his shaking hands and tried to fix his eyes steadily on it. Mr. Irwine meanwhile went out to give some orders. When he came back, Adam's eyes were still on the first page--he couldn't read--he could not put the words together and make out what they meant. He threw it down at last and clenched his fist. "It's HIS doing," he said; "if there's been any crime, it's at his door, not at hers. HE taught her to deceive--HE deceived me first. Let 'em put HIM on his trial--let him stand in court beside her, and I'll tell 'em how he got hold of her heart, and 'ticed her t' evil, and then lied to me. Is HE to go free, while they lay all the punishment on her...so weak and young?" The image called up by these last words gave a new direction to poor Adam's maddened feelings. He was silent, looking at the corner of the room as if he saw something there. Then he burst out again, in a tone of appealing anguish, "I can't bear it...O God, it's too hard to lay upon me--it's too hard to think she's wicked." Mr. Irwine had sat down again in silence. He was too wise to utter soothing words at present, and indeed, the sight of Adam before him, with that look of sudden age which sometimes comes over a young face in moments of terrible emotion--the hard bloodless look of the skin, the deep lines about the quivering mouth, the furrows in the brow--the sight of this strong firm man shattered by the invisible stroke of sorrow, moved him so deeply that speech was not easy. Adam stood motionless, with his eyes vacantly fixed in this way for a minute or two; in that short space he was living through all his love again. "She can't ha' done it," he said, still without moving his eyes, as if he were only talking to himself: "it was fear made her hide it...I forgive her for deceiving me...I forgive thee, Hetty...thee wast deceived too...it's gone hard wi' thee, my poor Hetty...but they'll never make me believe it." He was silent again for a few moments, and then he said, with fierce abruptness, "I'll go to him--I'll bring him back--I'll make him go and look at her in her misery--he shall look at her till he can't forget it--it shall follow him night and day--as long as he lives it shall follow him--he shan't escape wi' lies this time--I'll fetch him, I'll drag him myself." In the act of going towards the door, Adam paused automatically and looked about for his hat, quite unconscious where he was or who was present with him. Mr. Irwine had followed him, and now took him by the arm, saying, in a quiet but decided tone, "No, Adam, no; I'm sure you will wish to stay and see what good can be done for her, instead of going on a useless errand of vengeance. The punishment will surely fall without your aid. Besides, he is no longer in Ireland. He must be on his way home--or would be, long before you arrived, for his grandfather, I know, wrote for him to come at least ten days ago. I want you now to go with me to Stoniton. I have ordered a horse for you to ride with us, as soon as you can compose yourself." While Mr. Irwine was speaking, Adam recovered his consciousness of the actual scene. He rubbed his hair off his forehead and listened. "Remember," Mr. Irwine went on, "there are others to think of, and act for, besides yourself, Adam: there are Hetty's friends, the good Poysers, on whom this stroke will fall more heavily than I can bear to think. I expect it from your strength of mind, Adam--from your sense of duty to God and man--that you will try to act as long as action can be of any use." In reality, Mr. Irwine proposed this journey to Stoniton for Adam's own sake. Movement, with some object before him, was the best means of counteracting the violence of suffering in these first hours. "You will go with me to Stoniton, Adam?" he said again, after a moment's pause. "We have to see if it is really Hetty who is there, you know." "Yes, sir," said Adam, "I'll do what you think right. But the folks at th' Hall Farm?" "I wish them not to know till I return to tell them myself. I shall have ascertained things then which I am uncertain about now, and I shall return as soon as possible. Come now, the horses are ready." ----------BOOK 5, CHAPTER 41--------- AN upper room in a dull Stoniton street, with two beds in it--one laid on the floor. It is ten o'clock on Thursday night, and the dark wall opposite the window shuts out the moonlight that might have struggled with the light of the one dip candle by which Bartle Massey is pretending to read, while he is really looking over his spectacles at Adam Bede, seated near the dark window. You would hardly have known it was Adam without being told. His face has got thinner this last week: he has the sunken eyes, the neglected beard of a man just risen from a sick-bed. His heavy black hair hangs over his forehead, and there is no active impulse in him which inclines him to push it off, that he may be more awake to what is around him. He has one arm over the back of the chair, and he seems to be looking down at his clasped hands. He is roused by a knock at the door. "There he is," said Bartle Massey, rising hastily and unfastening the door. It was Mr. Irwine. Adam rose from his chair with instinctive respect, as Mr. Irwine approached him and took his hand. "I'm late, Adam," he said, sitting down on the chair which Bartle placed for him, "but I was later in setting off from Broxton than I intended to be, and I have been incessantly occupied since I arrived. I have done everything now, however--everything that can be done to-night, at least. Let us all sit down." Adam took his chair again mechanically, and Bartle, for whom there was no chair remaining, sat on the bed in the background. "Have you seen her, sir?" said Adam tremulously. "Yes, Adam; I and the chaplain have both been with her this evening." "Did you ask her, sir...did you say anything about me?" "Yes," said Mr. Irwine, with some hesitation, "I spoke of you. I said you wished to see her before the trial, if she consented." As Mr. Irwine paused, Adam looked at him with eager, questioning eyes. "You know she shrinks from seeing any one, Adam. It is not only you--some fatal influence seems to have shut up her heart against her fellow-creatures. She has scarcely said anything more than 'No' either to me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was any one of her family whom she would like to see--to whom she could open her mind--she said, with a violent shudder, 'Tell them not to come near me--I won't see any of them.'" Adam's head was hanging down again, and he did not speak. There was silence for a few minutes, and then Mr. Irwine said, "I don't like to advise you against your own feelings, Adam, if they now urge you strongly to go and see her to-morrow morning, even without her consent. It is just possible, notwithstanding appearances to the contrary, that the interview might affect her favourably. But I grieve to say I have scarcely any hope of that. She didn't seem agitated when I mentioned your name; she only said 'No,' in the same cold, obstinate way as usual. And if the meeting had no good effect on her, it would be pure, useless suffering to you--severe suffering, I fear. She is very much changed..." Adam started up from his chair and seized his hat, which lay on the table. But he stood still then, and looked at Mr. Irwine, as if he had a question to ask which it was yet difficult to utter. Bartle Massey rose quietly, turned the key in the door, and put it in his pocket. "Is he come back?" said Adam at last. "No, he is not," said Mr. Irwine, quietly. "Lay down your hat, Adam, unless you like to walk out with me for a little fresh air. I fear you have not been out again to-day." "You needn't deceive me, sir," said Adam, looking hard at Mr. Irwine and speaking in a tone of angry suspicion. "You needn't be afraid of me. I only want justice. I want him to feel what she feels. It's his work...she was a child as it 'ud ha' gone t' anybody's heart to look at...I don't care what she's done...it was him brought her to it. And he shall know it...he shall feel it...if there's a just God, he shall feel what it is t' ha' brought a child like her to sin and misery." "I'm not deceiving you, Adam," said Mr. Irwine. "Arthur Donnithorne is not come back--was not come back when I left. I have left a letter for him: he will know all as soon as he arrives." "But you don't mind about it," said Adam indignantly. "You think it doesn't matter as she lies there in shame and misery, and he knows nothing about it--he suffers nothing." "Adam, he WILL know--he WILL suffer, long and bitterly. He has a heart and a conscience: I can't be entirely deceived in his character. I am convinced--I am sure he didn't fall under temptation without a struggle. He may be weak, but he is not callous, not coldly selfish. I am persuaded that this will be a shock of which he will feel the effects all his life. Why do you crave vengeance in this way? No amount of torture that you could inflict on him could benefit her." "No--O God, no," Adam groaned out, sinking on his chair again; "but then, that's the deepest curse of all...that's what makes the blackness of it...IT CAN NEVER BE UNDONE. My poor Hetty...she can never be my sweet Hetty again...the prettiest thing God had made--smiling up at me...I thought she loved me...and was good..." Adam's voice had been gradually sinking into a hoarse undertone, as if he were only talking to himself; but now he said abruptly, looking at Mr. Irwine, "But she isn't as guilty as they say? You don't think she is, sir? She can't ha' done it." "That perhaps can never be known with certainty, Adam," Mr. Irwine answered gently. "In these cases we sometimes form our judgment on what seems to us strong evidence, and yet, for want of knowing some small fact, our judgment is wrong. But suppose the worst: you have no right to say that the guilt of her crime lies with him, and that he ought to bear the punishment. It is not for us men to apportion the shares of moral guilt and retribution. We find it impossible to avoid mistakes even in determining who has committed a single criminal act, and the problem how far a man is to be held responsible for the unforeseen consequences of his own deed is one that might well make us tremble to look into it. The evil consequences that may lie folded in a single act of selfish indulgence is a thought so awful that it ought surely to awaken some feeling less presumptuous than a rash desire to punish. You have a mind that can understand this fully, Adam, when you are calm. Don't suppose I can't enter into the anguish that drives you into this state of revengeful hatred. But think of this: if you were to obey your passion--for it IS passion, and you deceive yourself in calling it justice--it might be with you precisely as it has been with Arthur; nay, worse; your passion might lead you yourself into a horrible crime." "No--not worse," said Adam, bitterly; "I don't believe it's worse--I'd sooner do it--I'd sooner do a wickedness as I could suffer for by myself than ha' brought HER to do wickedness and then stand by and see 'em punish her while they let me alone; and all for a bit o' pleasure, as, if he'd had a man's heart in him, he'd ha' cut his hand off sooner than he'd ha' taken it. What if he didn't foresee what's happened? He foresaw enough; he'd no right to expect anything but harm and shame to her. And then he wanted to smooth it off wi' lies. No--there's plenty o' things folks are hanged for not half so hateful as that. Let a man do what he will, if he knows he's to bear the punishment himself, he isn't half so bad as a mean selfish coward as makes things easy t' himself and knows all the while the punishment 'll fall on somebody else." "There again you partly deceive yourself, Adam. There is no sort of wrong deed of which a man can bear the punishment alone; you can't isolate yourself and say that the evil which is in you shall not spread. Men's lives are as thoroughly blended with each other as the air they breathe: evil spreads as necessarily as disease. I know, I feel the terrible extent of suffering this sin of Arthur's has caused to others; but so does every sin cause suffering to others besides those who commit it. An act of vengeance on your part against Arthur would simply be another evil added to those we are suffering under: you could not bear the punishment alone; you would entail the worst sorrows on every one who loves you. You would have committed an act of blind fury that would leave all the present evils just as they were and add worse evils to them. You may tell me that you meditate no fatal act of vengeance, but the feeling in your mind is what gives birth to such actions, and as long as you indulge it, as long as you do not see that to fix your mind on Arthur's punishment is revenge, and not justice, you are in danger of being led on to the commission of some great wrong. Remember what you told me about your feelings after you had given that blow to Arthur in the Grove." Adam was silent: the last words had called up a vivid image of the past, and Mr. Irwine left him to his thoughts, while he spoke to Bartle Massey about old Mr. Donnithorne's funeral and other matters of an indifferent kind. But at length Adam turned round and said, in a more subdued tone, "I've not asked about 'em at th' Hall Farm, sir. Is Mr. Poyser coming?" "He is come; he is in Stoniton to-night. But I could not advise him to see you, Adam. His own mind is in a very perturbed state, and it is best he should not see you till you are calmer." "Is Dinah Morris come to 'em, sir? Seth said they'd sent for her." "No. Mr. Poyser tells me she was not come when he left. They're afraid the letter has not reached her. It seems they had no exact address." Adam sat ruminating a little while, and then said, "I wonder if Dinah 'ud ha' gone to see her. But perhaps the Poysers would ha' been sorely against it, since they won't come nigh her themselves. But I think she would, for the Methodists are great folks for going into the prisons; and Seth said he thought she would. She'd a very tender way with her, Dinah had; I wonder if she could ha' done any good. You never saw her, sir, did you?" "Yes, I did. I had a conversation with her--she pleased me a good deal. And now you mention it, I wish she would come, for it is possible that a gentle mild woman like her might move Hetty to open her heart. The jail chaplain is rather harsh in his manner." "But it's o' no use if she doesn't come," said Adam sadly. "If I'd thought of it earlier, I would have taken some measures for finding her out," said Mr. Irwine, "but it's too late now, I fear...Well, Adam, I must go now. Try to get some rest to-night. God bless you. I'll see you early to-morrow morning."

cliffnotes

Craft a concise overview of book 5, chapter 42 using the context provided.

book 5, chapter 42|book 5, chapter 43

Adam waits in his room while Mr. Massey leaves to see the beginning of the trial. When he returns, Adam asks about the trial. Mr. Massey tells Adam about the testimony of Mr. Poyser, who is terribly upset. He also explains how Mr. Irwine helped Mr. Poyser from the courtroom when Mr. Poyser was close to collapsing. Adam asks about Hetty, who stands alone with no one near her in the courtroom. Mr. Massey says the doctor's testimony was quite persuasive, especially in the face of Hetty's continuing denial that she even had a child. Adam resolves to go watch the trial and stand by Hetty

----------BOOK 5, CHAPTER 42--------- AT one o'clock the next day, Adam was alone in his dull upper room; his watch lay before him on the table, as if he were counting the long minutes. He had no knowledge of what was likely to be said by the witnesses on the trial, for he had shrunk from all the particulars connected with Hetty's arrest and accusation. This brave active man, who would have hastened towards any danger or toil to rescue Hetty from an apprehended wrong or misfortune, felt himself powerless to contemplate irremediable evil and suffering. The susceptibility which would have been an impelling force where there was any possibility of action became helpless anguish when he was obliged to be passive, or else sought an active outlet in the thought of inflicting justice on Arthur. Energetic natures, strong for all strenuous deeds, will often rush away from a hopeless sufferer, as if they were hard-hearted. It is the overmastering sense of pain that drives them. They shrink by an ungovernable instinct, as they would shrink from laceration. Adam had brought himself to think of seeing Hetty, if she would consent to see him, because he thought the meeting might possibly be a good to her--might help to melt away this terrible hardness they told him of. If she saw he bore her no ill will for what she had done to him, she might open her heart to him. But this resolution had been an immense effort--he trembled at the thought of seeing her changed face, as a timid woman trembles at the thought of the surgeon's knife, and he chose now to bear the long hours of suspense rather than encounter what seemed to him the more intolerable agony of witnessing her trial. Deep unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state. The yearning memories, the bitter regret, the agonized sympathy, the struggling appeals to the Invisible Right--all the intense emotions which had filled the days and nights of the past week, and were compressing themselves again like an eager crowd into the hours of this single morning, made Adam look back on all the previous years as if they had been a dim sleepy existence, and he had only now awaked to full consciousness. It seemed to him as if he had always before thought it a light thing that men should suffer, as if all that he had himself endured and called sorrow before was only a moment's stroke that had never left a bruise. Doubtless a great anguish may do the work of years, and we may come out from that baptism of fire with a soul full of new awe and new pity. "O God," Adam groaned, as he leaned on the table and looked blankly at the face of the watch, "and men have suffered like this before...and poor helpless young things have suffered like her....Such a little while ago looking so happy and so pretty...kissing 'em all, her grandfather and all of 'em, and they wishing her luck....O my poor, poor Hetty...dost think on it now?" Adam started and looked round towards the door. Vixen had begun to whimper, and there was a sound of a stick and a lame walk on the stairs. It was Bartle Massey come back. Could it be all over? Bartle entered quietly, and, going up to Adam, grasped his hand and said, "I'm just come to look at you, my boy, for the folks are gone out of court for a bit." Adam's heart beat so violently he was unable to speak--he could only return the pressure of his friend's hand--and Bartle, drawing up the other chair, came and sat in front of him, taking off his hat and his spectacles. "That's a thing never happened to me before," he observed, "to go out o' the door with my spectacles on. I clean forgot to take 'em off." The old man made this trivial remark, thinking it better not to respond at all to Adam's agitation: he would gather, in an indirect way, that there was nothing decisive to communicate at present. "And now," he said, rising again, "I must see to your having a bit of the loaf, and some of that wine Mr. Irwine sent this morning. He'll be angry with me if you don't have it. Come, now," he went on, bringing forward the bottle and the loaf and pouring some wine into a cup, "I must have a bit and a sup myself. Drink a drop with me, my lad--drink with me." Adam pushed the cup gently away and said, entreatingly, "Tell me about it, Mr. Massey--tell me all about it. Was she there? Have they begun?" "Yes, my boy, yes--it's taken all the time since I first went; but they're slow, they're slow; and there's the counsel they've got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That's all he can do for the money they give him; and it's a big sum--it's a big sum. But he's a 'cute fellow, with an eye that 'ud pick the needles out of the hay in no time. If a man had got no feelings, it 'ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I'd have given up figures for ever only to have had some good news to bring to you, my poor lad." "But does it seem to be going against her?" said Adam. "Tell me what they've said. I must know it now--I must know what they have to bring against her." "Why, the chief evidence yet has been the doctors; all but Martin Poyser--poor Martin. Everybody in court felt for him--it was like one sob, the sound they made when he came down again. The worst was when they told him to look at the prisoner at the bar. It was hard work, poor fellow--it was hard work. Adam, my boy, the blow falls heavily on him as well as you; you must help poor Martin; you must show courage. Drink some wine now, and show me you mean to bear it like a man." Bartle had made the right sort of appeal. Adam, with an air of quiet obedience, took up the cup and drank a little. "Tell me how SHE looked," he said presently. "Frightened, very frightened, when they first brought her in; it was the first sight of the crowd and the judge, poor creatur. And there's a lot o' foolish women in fine clothes, with gewgaws all up their arms and feathers on their heads, sitting near the judge: they've dressed themselves out in that way, one 'ud think, to be scarecrows and warnings against any man ever meddling with a woman again. They put up their glasses, and stared and whispered. But after that she stood like a white image, staring down at her hands and seeming neither to hear nor see anything. And she's as white as a sheet. She didn't speak when they asked her if she'd plead 'guilty' or 'not guilty,' and they pleaded 'not guilty' for her. But when she heard her uncle's name, there seemed to go a shiver right through her; and when they told him to look at her, she hung her head down, and cowered, and hid her face in her hands. He'd much ado to speak poor man, his voice trembled so. And the counsellors--who look as hard as nails mostly--I saw, spared him as much as they could. Mr. Irwine put himself near him and went with him out o' court. Ah, it's a great thing in a man's life to be able to stand by a neighbour and uphold him in such trouble as that." "God bless him, and you too, Mr. Massey," said Adam, in a low voice, laying his hand on Bartle's arm. "Aye, aye, he's good metal; he gives the right ring when you try him, our parson does. A man o' sense--says no more than's needful. He's not one of those that think they can comfort you with chattering, as if folks who stand by and look on knew a deal better what the trouble was than those who have to bear it. I've had to do with such folks in my time--in the south, when I was in trouble myself. Mr. Irwine is to be a witness himself, by and by, on her side, you know, to speak to her character and bringing up." "But the other evidence...does it go hard against her!" said Adam. "What do you think, Mr. Massey? Tell me the truth." "Yes, my lad, yes. The truth is the best thing to tell. It must come at last. The doctors' evidence is heavy on her--is heavy. But she's gone on denying she's had a child from first to last. These poor silly women-things--they've not the sense to know it's no use denying what's proved. It'll make against her with the jury, I doubt, her being so obstinate: they may be less for recommending her to mercy, if the verdict's against her. But Mr. Irwine 'ull leave no stone unturned with the judge--you may rely upon that, Adam." "Is there nobody to stand by her and seem to care for her in the court?" said Adam. "There's the chaplain o' the jail sits near her, but he's a sharp ferrety-faced man--another sort o' flesh and blood to Mr. Irwine. They say the jail chaplains are mostly the fag-end o' the clergy." "There's one man as ought to be there," said Adam bitterly. Presently he drew himself up and looked fixedly out of the window, apparently turning over some new idea in his mind. "Mr. Massey," he said at last, pushing the hair off his forehead, "I'll go back with you. I'll go into court. It's cowardly of me to keep away. I'll stand by her--I'll own her--for all she's been deceitful. They oughtn't to cast her off--her own flesh and blood. We hand folks over to God's mercy, and show none ourselves. I used to be hard sometimes: I'll never be hard again. I'll go, Mr. Massey--I'll go with you." There was a decision in Adam's manner which would have prevented Bartle from opposing him, even if he had wished to do so. He only said, "Take a bit, then, and another sup, Adam, for the love of me. See, I must stop and eat a morsel. Now, you take some." Nerved by an active resolution, Adam took a morsel of bread and drank some wine. He was haggard and unshaven, as he had been yesterday, but he stood upright again, and looked more like the Adam Bede of former days. ----------BOOK 5, CHAPTER 43--------- THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts. But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side. But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink. Why did they say she was so changed? In the corpse we love, it is the likeness we see--it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were--the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips--pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs--she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from. But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm." The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child. "Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn't help taking to the little thing and being anxious about it. I didn't send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn't quite easy what I should do about her, and towards evening I made up my mind I'd go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o'clock. I didn't go out at the shop door, but at the back door, which opens into a narrow alley. I've only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn't cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I'd call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn't fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She'd taken her cloak and bonnet, but she'd left the basket and the things in it....I was dreadful frightened, and angry with her for going. I didn't go to give information, because I'd no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn't like to set the constable after her, for she'd a right to go from me if she liked." The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime--her heart must have clung to her baby--else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty's counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness's voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said: "My name is John Olding. I am a labourer, and live at Tedd's Hole, two miles out of Stoniton. A week last Monday, towards one o'clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she'd be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There's a road right through it, and bits of openings here and there, where the trees have been cut down, and some of 'em not carried away. I didn't go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn't got far out of the road into one of the open places before I heard a strange cry. I thought it didn't come from any animal I knew, but I wasn't for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn't help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn't help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby's hand." At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said. "There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child's head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I'd better take it to the parish and tell the constable. And I said, 'I'll lay my life it's that young woman's child as I met going to the coppice.' But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She'd got a big piece of bread on her lap." Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed--unconscious that Mr. Irwine was in the witness-box, telling of Hetty's unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her--a favour not granted to criminals in those stern times. At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair. There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes--the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge--did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him. It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime--that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen's names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict. "Guilty." It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling. The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, "Hester Sorrel...." The blood rushed to Hetty's face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words "and then to be hanged by the neck till you be dead," a piercing shriek rang through the hall. It was Hetty's shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court.

cliffnotes

Create a compact summary that covers the main points of book 5, chapter 47, utilizing the provided context.

book 5, chapter 46|book 5, chapter 47|chapter 39

Dinah rides out to the gallows with Hetty. At the sight of the crowd, Hetty clings to Dinah. They pray together and keep their eyes closed. The crowd is silent and stares and Dinah in awe. As they arrive at the gallows, a huge cry goes up from the crowd because a man has arrived on horseback. Captain Donnithorne arrives, and he has with him a stay of execution

----------BOOK 5, CHAPTER 46--------- ON Sunday morning, when the church bells in Stoniton were ringing for morning service, Bartle Massey re-entered Adam's room, after a short absence, and said, "Adam, here's a visitor wants to see you." Adam was seated with his back towards the door, but he started up and turned round instantly, with a flushed face and an eager look. His face was even thinner and more worn than we have seen it before, but he was washed and shaven this Sunday morning. "Is it any news?" he said. "Keep yourself quiet, my lad," said Bartle; "keep quiet. It's not what you're thinking of. It's the young Methodist woman come from the prison. She's at the bottom o' the stairs, and wants to know if you think well to see her, for she has something to say to you about that poor castaway; but she wouldn't come in without your leave, she said. She thought you'd perhaps like to go out and speak to her. These preaching women are not so back'ard commonly," Bartle muttered to himself. "Ask her to come in," said Adam. He was standing with his face towards the door, and as Dinah entered, lifting up her mild grey eyes towards him, she saw at once the great change that had come since the day when she had looked up at the tall man in the cottage. There was a trembling in her clear voice as she put her hand into his and said, "Be comforted, Adam Bede, the Lord has not forsaken her." "Bless you for coming to her," Adam said. "Mr. Massey brought me word yesterday as you was come." They could neither of them say any more just yet, but stood before each other in silence; and Bartle Massey, too, who had put on his spectacles, seemed transfixed, examining Dinah's face. But he recovered himself first, and said, "Sit down, young woman, sit down," placing the chair for her and retiring to his old seat on the bed. "Thank you, friend; I won't sit down," said Dinah, "for I must hasten back. She entreated me not to stay long away. What I came for, Adam Bede, was to pray you to go and see the poor sinner and bid her farewell. She desires to ask your forgiveness, and it is meet you should see her to-day, rather than in the early morning, when the time will be short." Adam stood trembling, and at last sank down on his chair again. "It won't be," he said, "it'll be put off--there'll perhaps come a pardon. Mr. Irwine said there was hope. He said, I needn't quite give it up." "That's a blessed thought to me," said Dinah, her eyes filling with tears. "It's a fearful thing hurrying her soul away so fast." "But let what will be," she added presently. "You will surely come, and let her speak the words that are in her heart. Although her poor soul is very dark and discerns little beyond the things of the flesh, she is no longer hard. She is contrite, she has confessed all to me. The pride of her heart has given way, and she leans on me for help and desires to be taught. This fills me with trust, for I cannot but think that the brethren sometimes err in measuring the Divine love by the sinner's knowledge. She is going to write a letter to the friends at the Hall Farm for me to give them when she is gone, and when I told her you were here, she said, 'I should like to say good-bye to Adam and ask him to forgive me.' You will come, Adam? Perhaps you will even now come back with me." "I can't," Adam said. "I can't say good-bye while there's any hope. I'm listening, and listening--I can't think o' nothing but that. It can't be as she'll die that shameful death--I can't bring my mind to it." He got up from his chair again and looked away out of the window, while Dinah stood with compassionate patience. In a minute or two he turned round and said, "I will come, Dinah...to-morrow morning...if it must be. I may have more strength to bear it, if I know it must be. Tell her, I forgive her; tell her I will come--at the very last." "I will not urge you against the voice of your own heart," said Dinah. "I must hasten back to her, for it is wonderful how she clings now, and was not willing to let me out of her sight. She used never to make any return to my affection before, but now tribulation has opened her heart. Farewell, Adam. Our heavenly Father comfort you and strengthen you to bear all things." Dinah put out her hand, and Adam pressed it in silence. Bartle Massey was getting up to lift the stiff latch of the door for her, but before he could reach it, she had said gently, "Farewell, friend," and was gone, with her light step down the stairs. "Well," said Bartle, taking off his spectacles and putting them into his pocket, "if there must be women to make trouble in the world, it's but fair there should be women to be comforters under it; and she's one--she's one. It's a pity she's a Methodist; but there's no getting a woman without some foolishness or other." Adam never went to bed that night. The excitement of suspense, heightening with every hour that brought him nearer the fatal moment, was too great, and in spite of his entreaties, in spite of his promises that he would be perfectly quiet, the schoolmaster watched too. "What does it matter to me, lad?" Bartle said: "a night's sleep more or less? I shall sleep long enough, by and by, underground. Let me keep thee company in trouble while I can." It was a long and dreary night in that small chamber. Adam would sometimes get up and tread backwards and forwards along the short space from wall to wall; then he would sit down and hide his face, and no sound would be heard but the ticking of the watch on the table, or the falling of a cinder from the fire which the schoolmaster carefully tended. Sometimes he would burst out into vehement speech, "If I could ha' done anything to save her--if my bearing anything would ha' done any good...but t' have to sit still, and know it, and do nothing...it's hard for a man to bear...and to think o' what might ha' been now, if it hadn't been for HIM....O God, it's the very day we should ha' been married." "Aye, my lad," said Bartle tenderly, "it's heavy--it's heavy. But you must remember this: when you thought of marrying her, you'd a notion she'd got another sort of a nature inside her. You didn't think she could have got hardened in that little while to do what she's done." "I know--I know that," said Adam. "I thought she was loving and tender-hearted, and wouldn't tell a lie, or act deceitful. How could I think any other way? And if he'd never come near her, and I'd married her, and been loving to her, and took care of her, she might never ha' done anything bad. What would it ha' signified--my having a bit o' trouble with her? It 'ud ha' been nothing to this." "There's no knowing, my lad--there's no knowing what might have come. The smart's bad for you to bear now: you must have time--you must have time. But I've that opinion of you, that you'll rise above it all and be a man again, and there may good come out of this that we don't see." "Good come out of it!" said Adam passionately. "That doesn't alter th' evil: HER ruin can't be undone. I hate that talk o' people, as if there was a way o' making amends for everything. They'd more need be brought to see as the wrong they do can never be altered. When a man's spoiled his fellow-creatur's life, he's no right to comfort himself with thinking good may come out of it. Somebody else's good doesn't alter her shame and misery." "Well, lad, well," said Bartle, in a gentle tone, strangely in contrast with his usual peremptoriness and impatience of contradiction, "it's likely enough I talk foolishness. I'm an old fellow, and it's a good many years since I was in trouble myself. It's easy finding reasons why other folks should be patient." "Mr. Massey," said Adam penitently, "I'm very hot and hasty. I owe you something different; but you mustn't take it ill of me." "Not I, lad--not I." So the night wore on in agitation till the chill dawn and the growing light brought the tremulous quiet that comes on the brink of despair. There would soon be no more suspense. "Let us go to the prison now, Mr. Massey," said Adam, when he saw the hand of his watch at six. "If there's any news come, we shall hear about it." The people were astir already, moving rapidly, in one direction, through the streets. Adam tried not to think where they were going, as they hurried past him in that short space between his lodging and the prison gates. He was thankful when the gates shut him in from seeing those eager people. No; there was no news come--no pardon--no reprieve. Adam lingered in the court half an hour before he could bring himself to send word to Dinah that he was come. But a voice caught his ear: he could not shut out the words. "The cart is to set off at half-past seven." It must be said--the last good-bye: there was no help. In ten minutes from that time, Adam was at the door of the cell. Dinah had sent him word that she could not come to him; she could not leave Hetty one moment; but Hetty was prepared for the meeting. He could not see her when he entered, for agitation deadened his senses, and the dim cell was almost dark to him. He stood a moment after the door closed behind him, trembling and stupefied. But he began to see through the dimness--to see the dark eyes lifted up to him once more, but with no smile in them. O God, how sad they looked! The last time they had met his was when he parted from her with his heart full of joyous hopeful love, and they looked out with a tearful smile from a pink, dimpled, childish face. The face was marble now; the sweet lips were pallid and half-open and quivering; the dimples were all gone--all but one, that never went; and the eyes--O, the worst of all was the likeness they had to Hetty's. They were Hetty's eyes looking at him with that mournful gaze, as if she had come back to him from the dead to tell him of her misery. She was clinging close to Dinah; her cheek was against Dinah's. It seemed as if her last faint strength and hope lay in that contact, and the pitying love that shone out from Dinah's face looked like a visible pledge of the Invisible Mercy. When the sad eyes met--when Hetty and Adam looked at each other--she felt the change in him too, and it seemed to strike her with fresh fear. It was the first time she had seen any being whose face seemed to reflect the change in herself: Adam was a new image of the dreadful past and the dreadful present. She trembled more as she looked at him. "Speak to him, Hetty," Dinah said; "tell him what is in your heart." Hetty obeyed her, like a little child. "Adam...I'm very sorry...I behaved very wrong to you...will you forgive me...before I die?" Adam answered with a half-sob, "Yes, I forgive thee Hetty. I forgave thee long ago." It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty's eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came--they had never come before, since he had hung on Seth's neck in the beginning of his sorrow. Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah's hand, but she went up to Adam and said timidly, "Will you kiss me again, Adam, for all I've been so wicked?" Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting. "And tell him," Hetty said, in rather a stronger voice, "tell him...for there's nobody else to tell him...as I went after him and couldn't find him...and I hated him and cursed him once...but Dinah says I should forgive him...and I try...for else God won't forgive me." There was a noise at the door of the cell now--the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more--even to see that Mr. Irwine's face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end. ----------BOOK 5, CHAPTER 47--------- IT was a sight that some people remembered better even than their own sorrows--the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death. All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty. But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively. "Close your eyes, Hetty," Dinah said, "and let us pray without ceasing to God." And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity. Dinah did not know that the crowd was silent, gazing at her with a sort of awe--she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty's shriek mingled with the sound, and they clasped each other in mutual horror. But it was not a shout of execration--not a yell of exultant cruelty. It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand--he is holding it up as if it were a signal. The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death. ----------CHAPTER 39--------- ADAM turned his face towards Broxton and walked with his swiftest stride, looking at his watch with the fear that Mr. Irwine might be gone out--hunting, perhaps. The fear and haste together produced a state of strong excitement before he reached the rectory gate, and outside it he saw the deep marks of a recent hoof on the gravel. But the hoofs were turned towards the gate, not away from it, and though there was a horse against the stable door, it was not Mr. Irwine's: it had evidently had a journey this morning, and must belong to some one who had come on business. Mr. Irwine was at home, then; but Adam could hardly find breath and calmness to tell Carroll that he wanted to speak to the rector. The double suffering of certain and uncertain sorrow had begun to shake the strong man. The butler looked at him wonderingly, as he threw himself on a bench in the passage and stared absently at the clock on the opposite wall. The master had somebody with him, he said, but he heard the study door open--the stranger seemed to be coming out, and as Adam was in a hurry, he would let the master know at once. Adam sat looking at the clock: the minute-hand was hurrying along the last five minutes to ten with a loud, hard, indifferent tick, and Adam watched the movement and listened to the sound as if he had had some reason for doing so. In our times of bitter suffering there are almost always these pauses, when our consciousness is benumbed to everything but some trivial perception or sensation. It is as if semi-idiocy came to give us rest from the memory and the dread which refuse to leave us in our sleep. Carroll, coming back, recalled Adam to the sense of his burden. He was to go into the study immediately. "I can't think what that strange person's come about," the butler added, from mere incontinence of remark, as he preceded Adam to the door, "he's gone i' the dining-room. And master looks unaccountable--as if he was frightened." Adam took no notice of the words: he could not care about other people's business. But when he entered the study and looked in Mr. Irwine's face, he felt in an instant that there was a new expression in it, strangely different from the warm friendliness it had always worn for him before. A letter lay open on the table, and Mr. Irwine's hand was on it, but the changed glance he cast on Adam could not be owing entirely to preoccupation with some disagreeable business, for he was looking eagerly towards the door, as if Adam's entrance were a matter of poignant anxiety to him. "You want to speak to me, Adam," he said, in that low constrainedly quiet tone which a man uses when he is determined to suppress agitation. "Sit down here." He pointed to a chair just opposite to him, at no more than a yard's distance from his own, and Adam sat down with a sense that this cold manner of Mr. Irwine's gave an additional unexpected difficulty to his disclosure. But when Adam had made up his mind to a measure, he was not the man to renounce it for any but imperative reasons. "I come to you, sir," he said, "as the gentleman I look up to most of anybody. I've something very painful to tell you--something as it'll pain you to hear as well as me to tell. But if I speak o' the wrong other people have done, you'll see I didn't speak till I'd good reason." Mr. Irwine nodded slowly, and Adam went on rather tremulously, "You was t' ha' married me and Hetty Sorrel, you know, sir, o' the fifteenth o' this month. I thought she loved me, and I was th' happiest man i' the parish. But a dreadful blow's come upon me." Mr. Irwine started up from his chair, as if involuntarily, but then, determined to control himself, walked to the window and looked out. "She's gone away, sir, and we don't know where. She said she was going to Snowfield o' Friday was a fortnight, and I went last Sunday to fetch her back; but she'd never been there, and she took the coach to Stoniton, and beyond that I can't trace her. But now I'm going a long journey to look for her, and I can't trust t' anybody but you where I'm going." Mr. Irwine came back from the window and sat down. "Have you no idea of the reason why she went away?" he said. "It's plain enough she didn't want to marry me, sir," said Adam. "She didn't like it when it came so near. But that isn't all, I doubt. There's something else I must tell you, sir. There's somebody else concerned besides me." A gleam of something--it was almost like relief or joy--came across the eager anxiety of Mr. Irwine's face at that moment. Adam was looking on the ground, and paused a little: the next words were hard to speak. But when he went on, he lifted up his head and looked straight at Mr. Irwine. He would do the thing he had resolved to do, without flinching. "You know who's the man I've reckoned my greatest friend," he said, "and used to be proud to think as I should pass my life i' working for him, and had felt so ever since we were lads...." Mr. Irwine, as if all self-control had forsaken him, grasped Adam's arm, which lay on the table, and, clutching it tightly like a man in pain, said, with pale lips and a low hurried voice, "No, Adam, no--don't say it, for God's sake!" Adam, surprised at the violence of Mr. Irwine's feeling, repented of the words that had passed his lips and sat in distressed silence. The grasp on his arm gradually relaxed, and Mr. Irwine threw himself back in his chair, saying, "Go on--I must know it." "That man played with Hetty's feelings, and behaved to her as he'd no right to do to a girl in her station o' life--made her presents and used to go and meet her out a-walking. I found it out only two days before he went away--found him a-kissing her as they were parting in the Grove. There'd been nothing said between me and Hetty then, though I'd loved her for a long while, and she knew it. But I reproached him with his wrong actions, and words and blows passed between us; and he said solemnly to me, after that, as it had been all nonsense and no more than a bit o' flirting. But I made him write a letter to tell Hetty he'd meant nothing, for I saw clear enough, sir, by several things as I hadn't understood at the time, as he'd got hold of her heart, and I thought she'd belike go on thinking of him and never come to love another man as wanted to marry her. And I gave her the letter, and she seemed to bear it all after a while better than I'd expected...and she behaved kinder and kinder to me...I daresay she didn't know her own feelings then, poor thing, and they came back upon her when it was too late...I don't want to blame her...I can't think as she meant to deceive me. But I was encouraged to think she loved me, and--you know the rest, sir. But it's on my mind as he's been false to me, and 'ticed her away, and she's gone to him--and I'm going now to see, for I can never go to work again till I know what's become of her." During Adam's narrative, Mr. Irwine had had time to recover his self-mastery in spite of the painful thoughts that crowded upon him. It was a bitter remembrance to him now--that morning when Arthur breakfasted with him and seemed as if he were on the verge of a confession. It was plain enough now what he had wanted to confess. And if their words had taken another turn...if he himself had been less fastidious about intruding on another man's secrets...it was cruel to think how thin a film had shut out rescue from all this guilt and misery. He saw the whole history now by that terrible illumination which the present sheds back upon the past. But every other feeling as it rushed upon his was thrown into abeyance by pity, deep respectful pity, for the man who sat before him--already so bruised, going forth with sad blind resignedness to an unreal sorrow, while a real one was close upon him, too far beyond the range of common trial for him ever to have feared it. His own agitation was quelled by a certain awe that comes over us in the presence of a great anguish, for the anguish he must inflict on Adam was already present to him. Again he put his hand on the arm that lay on the table, but very gently this time, as he said solemnly: "Adam, my dear friend, you have had some hard trials in your life. You can bear sorrow manfully, as well as act manfully. God requires both tasks at our hands. And there is a heavier sorrow coming upon you than any you have yet known. But you are not guilty--you have not the worst of all sorrows. God help him who has!" The two pale faces looked at each other; in Adam's there was trembling suspense, in Mr. Irwine's hesitating, shrinking pity. But he went on. "I have had news of Hetty this morning. She is not gone to him. She is in Stonyshire--at Stoniton." Adam started up from his chair, as if he thought he could have leaped to her that moment. But Mr. Irwine laid hold of his arm again and said, persuasively, "Wait, Adam, wait." So he sat down. "She is in a very unhappy position--one which will make it worse for you to find her, my poor friend, than to have lost her for ever." Adam's lips moved tremulously, but no sound came. They moved again, and he whispered, "Tell me." "She has been arrested...she is in prison." It was as if an insulting blow had brought back the spirit of resistance into Adam. The blood rushed to his face, and he said, loudly and sharply, "For what?" "For a great crime--the murder of her child." "It CAN'T BE!" Adam almost shouted, starting up from his chair and making a stride towards the door; but he turned round again, setting his back against the bookcase, and looking fiercely at Mr. Irwine. "It isn't possible. She never had a child. She can't be guilty. WHO says it?" "God grant she may be innocent, Adam. We can still hope she is." "But who says she is guilty?" said Adam violently. "Tell me everything." "Here is a letter from the magistrate before whom she was taken, and the constable who arrested her is in the dining-room. She will not confess her name or where she comes from; but I fear, I fear, there can be no doubt it is Hetty. The description of her person corresponds, only that she is said to look very pale and ill. She had a small red-leather pocket-book in her pocket with two names written in it--one at the beginning, 'Hetty Sorrel, Hayslope,' and the other near the end, 'Dinah Morris, Snowfield.' She will not say which is her own name--she denies everything, and will answer no questions, and application has been made to me, as a magistrate, that I may take measures for identifying her, for it was thought probable that the name which stands first is her own name." "But what proof have they got against her, if it IS Hetty?" said Adam, still violently, with an effort that seemed to shake his whole frame. "I'll not believe it. It couldn't ha' been, and none of us know it." "Terrible proof that she was under the temptation to commit the crime; but we have room to hope that she did not really commit it. Try and read that letter, Adam." Adam took the letter between his shaking hands and tried to fix his eyes steadily on it. Mr. Irwine meanwhile went out to give some orders. When he came back, Adam's eyes were still on the first page--he couldn't read--he could not put the words together and make out what they meant. He threw it down at last and clenched his fist. "It's HIS doing," he said; "if there's been any crime, it's at his door, not at hers. HE taught her to deceive--HE deceived me first. Let 'em put HIM on his trial--let him stand in court beside her, and I'll tell 'em how he got hold of her heart, and 'ticed her t' evil, and then lied to me. Is HE to go free, while they lay all the punishment on her...so weak and young?" The image called up by these last words gave a new direction to poor Adam's maddened feelings. He was silent, looking at the corner of the room as if he saw something there. Then he burst out again, in a tone of appealing anguish, "I can't bear it...O God, it's too hard to lay upon me--it's too hard to think she's wicked." Mr. Irwine had sat down again in silence. He was too wise to utter soothing words at present, and indeed, the sight of Adam before him, with that look of sudden age which sometimes comes over a young face in moments of terrible emotion--the hard bloodless look of the skin, the deep lines about the quivering mouth, the furrows in the brow--the sight of this strong firm man shattered by the invisible stroke of sorrow, moved him so deeply that speech was not easy. Adam stood motionless, with his eyes vacantly fixed in this way for a minute or two; in that short space he was living through all his love again. "She can't ha' done it," he said, still without moving his eyes, as if he were only talking to himself: "it was fear made her hide it...I forgive her for deceiving me...I forgive thee, Hetty...thee wast deceived too...it's gone hard wi' thee, my poor Hetty...but they'll never make me believe it." He was silent again for a few moments, and then he said, with fierce abruptness, "I'll go to him--I'll bring him back--I'll make him go and look at her in her misery--he shall look at her till he can't forget it--it shall follow him night and day--as long as he lives it shall follow him--he shan't escape wi' lies this time--I'll fetch him, I'll drag him myself." In the act of going towards the door, Adam paused automatically and looked about for his hat, quite unconscious where he was or who was present with him. Mr. Irwine had followed him, and now took him by the arm, saying, in a quiet but decided tone, "No, Adam, no; I'm sure you will wish to stay and see what good can be done for her, instead of going on a useless errand of vengeance. The punishment will surely fall without your aid. Besides, he is no longer in Ireland. He must be on his way home--or would be, long before you arrived, for his grandfather, I know, wrote for him to come at least ten days ago. I want you now to go with me to Stoniton. I have ordered a horse for you to ride with us, as soon as you can compose yourself." While Mr. Irwine was speaking, Adam recovered his consciousness of the actual scene. He rubbed his hair off his forehead and listened. "Remember," Mr. Irwine went on, "there are others to think of, and act for, besides yourself, Adam: there are Hetty's friends, the good Poysers, on whom this stroke will fall more heavily than I can bear to think. I expect it from your strength of mind, Adam--from your sense of duty to God and man--that you will try to act as long as action can be of any use." In reality, Mr. Irwine proposed this journey to Stoniton for Adam's own sake. Movement, with some object before him, was the best means of counteracting the violence of suffering in these first hours. "You will go with me to Stoniton, Adam?" he said again, after a moment's pause. "We have to see if it is really Hetty who is there, you know." "Yes, sir," said Adam, "I'll do what you think right. But the folks at th' Hall Farm?" "I wish them not to know till I return to tell them myself. I shall have ascertained things then which I am uncertain about now, and I shall return as soon as possible. Come now, the horses are ready."

cliffnotes

Generate a succinct summary for chapter 41 with the given context.

chapter 41|chapter 42

The Eve of the Trial In a rented room in Stoniton, Bartle Massey and Adam await the arrival of Mr. Irwine. Bartle pretends to read, but he is watching Adam who sits haggard and listless. Mr. Irwine comes from the prison where he and the chaplain were talking to Hetty. Adam has requested to see her before the trial, but she is not seeing anyone. She won't even see her family. Mr. Irwine mentions how changed she is and that such a meeting now would be suffering for Adam. Adam asks if Arthur is back. He becomes angry, saying he wants justice done to him. Mr. Irwine says he has left a letter for Arthur as soon as he arrives. He assures Adam that Arthur will suffer and defends him as a weak but not a cruel person. He repeats that vengeance will not help Hetty. Mr. Irwine tries to explain that passion is not justice and Arthur cannot bear all the blame. People are interconnected and evil spreads like a disease. In fact, Adam himself is in danger of committing a wrong. Mr. Poyser is in town for the trial, but Irwine won't let him meet with Adam in his present state because Martin is upset enough. Both Adam and Mr. Irwine express the wish that Dinah were present.

----------CHAPTER 41--------- AN upper room in a dull Stoniton street, with two beds in it--one laid on the floor. It is ten o'clock on Thursday night, and the dark wall opposite the window shuts out the moonlight that might have struggled with the light of the one dip candle by which Bartle Massey is pretending to read, while he is really looking over his spectacles at Adam Bede, seated near the dark window. You would hardly have known it was Adam without being told. His face has got thinner this last week: he has the sunken eyes, the neglected beard of a man just risen from a sick-bed. His heavy black hair hangs over his forehead, and there is no active impulse in him which inclines him to push it off, that he may be more awake to what is around him. He has one arm over the back of the chair, and he seems to be looking down at his clasped hands. He is roused by a knock at the door. "There he is," said Bartle Massey, rising hastily and unfastening the door. It was Mr. Irwine. Adam rose from his chair with instinctive respect, as Mr. Irwine approached him and took his hand. "I'm late, Adam," he said, sitting down on the chair which Bartle placed for him, "but I was later in setting off from Broxton than I intended to be, and I have been incessantly occupied since I arrived. I have done everything now, however--everything that can be done to-night, at least. Let us all sit down." Adam took his chair again mechanically, and Bartle, for whom there was no chair remaining, sat on the bed in the background. "Have you seen her, sir?" said Adam tremulously. "Yes, Adam; I and the chaplain have both been with her this evening." "Did you ask her, sir...did you say anything about me?" "Yes," said Mr. Irwine, with some hesitation, "I spoke of you. I said you wished to see her before the trial, if she consented." As Mr. Irwine paused, Adam looked at him with eager, questioning eyes. "You know she shrinks from seeing any one, Adam. It is not only you--some fatal influence seems to have shut up her heart against her fellow-creatures. She has scarcely said anything more than 'No' either to me or the chaplain. Three or four days ago, before you were mentioned to her, when I asked her if there was any one of her family whom she would like to see--to whom she could open her mind--she said, with a violent shudder, 'Tell them not to come near me--I won't see any of them.'" Adam's head was hanging down again, and he did not speak. There was silence for a few minutes, and then Mr. Irwine said, "I don't like to advise you against your own feelings, Adam, if they now urge you strongly to go and see her to-morrow morning, even without her consent. It is just possible, notwithstanding appearances to the contrary, that the interview might affect her favourably. But I grieve to say I have scarcely any hope of that. She didn't seem agitated when I mentioned your name; she only said 'No,' in the same cold, obstinate way as usual. And if the meeting had no good effect on her, it would be pure, useless suffering to you--severe suffering, I fear. She is very much changed..." Adam started up from his chair and seized his hat, which lay on the table. But he stood still then, and looked at Mr. Irwine, as if he had a question to ask which it was yet difficult to utter. Bartle Massey rose quietly, turned the key in the door, and put it in his pocket. "Is he come back?" said Adam at last. "No, he is not," said Mr. Irwine, quietly. "Lay down your hat, Adam, unless you like to walk out with me for a little fresh air. I fear you have not been out again to-day." "You needn't deceive me, sir," said Adam, looking hard at Mr. Irwine and speaking in a tone of angry suspicion. "You needn't be afraid of me. I only want justice. I want him to feel what she feels. It's his work...she was a child as it 'ud ha' gone t' anybody's heart to look at...I don't care what she's done...it was him brought her to it. And he shall know it...he shall feel it...if there's a just God, he shall feel what it is t' ha' brought a child like her to sin and misery." "I'm not deceiving you, Adam," said Mr. Irwine. "Arthur Donnithorne is not come back--was not come back when I left. I have left a letter for him: he will know all as soon as he arrives." "But you don't mind about it," said Adam indignantly. "You think it doesn't matter as she lies there in shame and misery, and he knows nothing about it--he suffers nothing." "Adam, he WILL know--he WILL suffer, long and bitterly. He has a heart and a conscience: I can't be entirely deceived in his character. I am convinced--I am sure he didn't fall under temptation without a struggle. He may be weak, but he is not callous, not coldly selfish. I am persuaded that this will be a shock of which he will feel the effects all his life. Why do you crave vengeance in this way? No amount of torture that you could inflict on him could benefit her." "No--O God, no," Adam groaned out, sinking on his chair again; "but then, that's the deepest curse of all...that's what makes the blackness of it...IT CAN NEVER BE UNDONE. My poor Hetty...she can never be my sweet Hetty again...the prettiest thing God had made--smiling up at me...I thought she loved me...and was good..." Adam's voice had been gradually sinking into a hoarse undertone, as if he were only talking to himself; but now he said abruptly, looking at Mr. Irwine, "But she isn't as guilty as they say? You don't think she is, sir? She can't ha' done it." "That perhaps can never be known with certainty, Adam," Mr. Irwine answered gently. "In these cases we sometimes form our judgment on what seems to us strong evidence, and yet, for want of knowing some small fact, our judgment is wrong. But suppose the worst: you have no right to say that the guilt of her crime lies with him, and that he ought to bear the punishment. It is not for us men to apportion the shares of moral guilt and retribution. We find it impossible to avoid mistakes even in determining who has committed a single criminal act, and the problem how far a man is to be held responsible for the unforeseen consequences of his own deed is one that might well make us tremble to look into it. The evil consequences that may lie folded in a single act of selfish indulgence is a thought so awful that it ought surely to awaken some feeling less presumptuous than a rash desire to punish. You have a mind that can understand this fully, Adam, when you are calm. Don't suppose I can't enter into the anguish that drives you into this state of revengeful hatred. But think of this: if you were to obey your passion--for it IS passion, and you deceive yourself in calling it justice--it might be with you precisely as it has been with Arthur; nay, worse; your passion might lead you yourself into a horrible crime." "No--not worse," said Adam, bitterly; "I don't believe it's worse--I'd sooner do it--I'd sooner do a wickedness as I could suffer for by myself than ha' brought HER to do wickedness and then stand by and see 'em punish her while they let me alone; and all for a bit o' pleasure, as, if he'd had a man's heart in him, he'd ha' cut his hand off sooner than he'd ha' taken it. What if he didn't foresee what's happened? He foresaw enough; he'd no right to expect anything but harm and shame to her. And then he wanted to smooth it off wi' lies. No--there's plenty o' things folks are hanged for not half so hateful as that. Let a man do what he will, if he knows he's to bear the punishment himself, he isn't half so bad as a mean selfish coward as makes things easy t' himself and knows all the while the punishment 'll fall on somebody else." "There again you partly deceive yourself, Adam. There is no sort of wrong deed of which a man can bear the punishment alone; you can't isolate yourself and say that the evil which is in you shall not spread. Men's lives are as thoroughly blended with each other as the air they breathe: evil spreads as necessarily as disease. I know, I feel the terrible extent of suffering this sin of Arthur's has caused to others; but so does every sin cause suffering to others besides those who commit it. An act of vengeance on your part against Arthur would simply be another evil added to those we are suffering under: you could not bear the punishment alone; you would entail the worst sorrows on every one who loves you. You would have committed an act of blind fury that would leave all the present evils just as they were and add worse evils to them. You may tell me that you meditate no fatal act of vengeance, but the feeling in your mind is what gives birth to such actions, and as long as you indulge it, as long as you do not see that to fix your mind on Arthur's punishment is revenge, and not justice, you are in danger of being led on to the commission of some great wrong. Remember what you told me about your feelings after you had given that blow to Arthur in the Grove." Adam was silent: the last words had called up a vivid image of the past, and Mr. Irwine left him to his thoughts, while he spoke to Bartle Massey about old Mr. Donnithorne's funeral and other matters of an indifferent kind. But at length Adam turned round and said, in a more subdued tone, "I've not asked about 'em at th' Hall Farm, sir. Is Mr. Poyser coming?" "He is come; he is in Stoniton to-night. But I could not advise him to see you, Adam. His own mind is in a very perturbed state, and it is best he should not see you till you are calmer." "Is Dinah Morris come to 'em, sir? Seth said they'd sent for her." "No. Mr. Poyser tells me she was not come when he left. They're afraid the letter has not reached her. It seems they had no exact address." Adam sat ruminating a little while, and then said, "I wonder if Dinah 'ud ha' gone to see her. But perhaps the Poysers would ha' been sorely against it, since they won't come nigh her themselves. But I think she would, for the Methodists are great folks for going into the prisons; and Seth said he thought she would. She'd a very tender way with her, Dinah had; I wonder if she could ha' done any good. You never saw her, sir, did you?" "Yes, I did. I had a conversation with her--she pleased me a good deal. And now you mention it, I wish she would come, for it is possible that a gentle mild woman like her might move Hetty to open her heart. The jail chaplain is rather harsh in his manner." "But it's o' no use if she doesn't come," said Adam sadly. "If I'd thought of it earlier, I would have taken some measures for finding her out," said Mr. Irwine, "but it's too late now, I fear...Well, Adam, I must go now. Try to get some rest to-night. God bless you. I'll see you early to-morrow morning." ----------CHAPTER 42--------- AT one o'clock the next day, Adam was alone in his dull upper room; his watch lay before him on the table, as if he were counting the long minutes. He had no knowledge of what was likely to be said by the witnesses on the trial, for he had shrunk from all the particulars connected with Hetty's arrest and accusation. This brave active man, who would have hastened towards any danger or toil to rescue Hetty from an apprehended wrong or misfortune, felt himself powerless to contemplate irremediable evil and suffering. The susceptibility which would have been an impelling force where there was any possibility of action became helpless anguish when he was obliged to be passive, or else sought an active outlet in the thought of inflicting justice on Arthur. Energetic natures, strong for all strenuous deeds, will often rush away from a hopeless sufferer, as if they were hard-hearted. It is the overmastering sense of pain that drives them. They shrink by an ungovernable instinct, as they would shrink from laceration. Adam had brought himself to think of seeing Hetty, if she would consent to see him, because he thought the meeting might possibly be a good to her--might help to melt away this terrible hardness they told him of. If she saw he bore her no ill will for what she had done to him, she might open her heart to him. But this resolution had been an immense effort--he trembled at the thought of seeing her changed face, as a timid woman trembles at the thought of the surgeon's knife, and he chose now to bear the long hours of suspense rather than encounter what seemed to him the more intolerable agony of witnessing her trial. Deep unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state. The yearning memories, the bitter regret, the agonized sympathy, the struggling appeals to the Invisible Right--all the intense emotions which had filled the days and nights of the past week, and were compressing themselves again like an eager crowd into the hours of this single morning, made Adam look back on all the previous years as if they had been a dim sleepy existence, and he had only now awaked to full consciousness. It seemed to him as if he had always before thought it a light thing that men should suffer, as if all that he had himself endured and called sorrow before was only a moment's stroke that had never left a bruise. Doubtless a great anguish may do the work of years, and we may come out from that baptism of fire with a soul full of new awe and new pity. "O God," Adam groaned, as he leaned on the table and looked blankly at the face of the watch, "and men have suffered like this before...and poor helpless young things have suffered like her....Such a little while ago looking so happy and so pretty...kissing 'em all, her grandfather and all of 'em, and they wishing her luck....O my poor, poor Hetty...dost think on it now?" Adam started and looked round towards the door. Vixen had begun to whimper, and there was a sound of a stick and a lame walk on the stairs. It was Bartle Massey come back. Could it be all over? Bartle entered quietly, and, going up to Adam, grasped his hand and said, "I'm just come to look at you, my boy, for the folks are gone out of court for a bit." Adam's heart beat so violently he was unable to speak--he could only return the pressure of his friend's hand--and Bartle, drawing up the other chair, came and sat in front of him, taking off his hat and his spectacles. "That's a thing never happened to me before," he observed, "to go out o' the door with my spectacles on. I clean forgot to take 'em off." The old man made this trivial remark, thinking it better not to respond at all to Adam's agitation: he would gather, in an indirect way, that there was nothing decisive to communicate at present. "And now," he said, rising again, "I must see to your having a bit of the loaf, and some of that wine Mr. Irwine sent this morning. He'll be angry with me if you don't have it. Come, now," he went on, bringing forward the bottle and the loaf and pouring some wine into a cup, "I must have a bit and a sup myself. Drink a drop with me, my lad--drink with me." Adam pushed the cup gently away and said, entreatingly, "Tell me about it, Mr. Massey--tell me all about it. Was she there? Have they begun?" "Yes, my boy, yes--it's taken all the time since I first went; but they're slow, they're slow; and there's the counsel they've got for her puts a spoke in the wheel whenever he can, and makes a deal to do with cross-examining the witnesses and quarrelling with the other lawyers. That's all he can do for the money they give him; and it's a big sum--it's a big sum. But he's a 'cute fellow, with an eye that 'ud pick the needles out of the hay in no time. If a man had got no feelings, it 'ud be as good as a demonstration to listen to what goes on in court; but a tender heart makes one stupid. I'd have given up figures for ever only to have had some good news to bring to you, my poor lad." "But does it seem to be going against her?" said Adam. "Tell me what they've said. I must know it now--I must know what they have to bring against her." "Why, the chief evidence yet has been the doctors; all but Martin Poyser--poor Martin. Everybody in court felt for him--it was like one sob, the sound they made when he came down again. The worst was when they told him to look at the prisoner at the bar. It was hard work, poor fellow--it was hard work. Adam, my boy, the blow falls heavily on him as well as you; you must help poor Martin; you must show courage. Drink some wine now, and show me you mean to bear it like a man." Bartle had made the right sort of appeal. Adam, with an air of quiet obedience, took up the cup and drank a little. "Tell me how SHE looked," he said presently. "Frightened, very frightened, when they first brought her in; it was the first sight of the crowd and the judge, poor creatur. And there's a lot o' foolish women in fine clothes, with gewgaws all up their arms and feathers on their heads, sitting near the judge: they've dressed themselves out in that way, one 'ud think, to be scarecrows and warnings against any man ever meddling with a woman again. They put up their glasses, and stared and whispered. But after that she stood like a white image, staring down at her hands and seeming neither to hear nor see anything. And she's as white as a sheet. She didn't speak when they asked her if she'd plead 'guilty' or 'not guilty,' and they pleaded 'not guilty' for her. But when she heard her uncle's name, there seemed to go a shiver right through her; and when they told him to look at her, she hung her head down, and cowered, and hid her face in her hands. He'd much ado to speak poor man, his voice trembled so. And the counsellors--who look as hard as nails mostly--I saw, spared him as much as they could. Mr. Irwine put himself near him and went with him out o' court. Ah, it's a great thing in a man's life to be able to stand by a neighbour and uphold him in such trouble as that." "God bless him, and you too, Mr. Massey," said Adam, in a low voice, laying his hand on Bartle's arm. "Aye, aye, he's good metal; he gives the right ring when you try him, our parson does. A man o' sense--says no more than's needful. He's not one of those that think they can comfort you with chattering, as if folks who stand by and look on knew a deal better what the trouble was than those who have to bear it. I've had to do with such folks in my time--in the south, when I was in trouble myself. Mr. Irwine is to be a witness himself, by and by, on her side, you know, to speak to her character and bringing up." "But the other evidence...does it go hard against her!" said Adam. "What do you think, Mr. Massey? Tell me the truth." "Yes, my lad, yes. The truth is the best thing to tell. It must come at last. The doctors' evidence is heavy on her--is heavy. But she's gone on denying she's had a child from first to last. These poor silly women-things--they've not the sense to know it's no use denying what's proved. It'll make against her with the jury, I doubt, her being so obstinate: they may be less for recommending her to mercy, if the verdict's against her. But Mr. Irwine 'ull leave no stone unturned with the judge--you may rely upon that, Adam." "Is there nobody to stand by her and seem to care for her in the court?" said Adam. "There's the chaplain o' the jail sits near her, but he's a sharp ferrety-faced man--another sort o' flesh and blood to Mr. Irwine. They say the jail chaplains are mostly the fag-end o' the clergy." "There's one man as ought to be there," said Adam bitterly. Presently he drew himself up and looked fixedly out of the window, apparently turning over some new idea in his mind. "Mr. Massey," he said at last, pushing the hair off his forehead, "I'll go back with you. I'll go into court. It's cowardly of me to keep away. I'll stand by her--I'll own her--for all she's been deceitful. They oughtn't to cast her off--her own flesh and blood. We hand folks over to God's mercy, and show none ourselves. I used to be hard sometimes: I'll never be hard again. I'll go, Mr. Massey--I'll go with you." There was a decision in Adam's manner which would have prevented Bartle from opposing him, even if he had wished to do so. He only said, "Take a bit, then, and another sup, Adam, for the love of me. See, I must stop and eat a morsel. Now, you take some." Nerved by an active resolution, Adam took a morsel of bread and drank some wine. He was haggard and unshaven, as he had been yesterday, but he stood upright again, and looked more like the Adam Bede of former days.

cliffnotes

Generate a succinct summary for chapter 47 with the given context.

The Last Moment There is a crowd on the street waiting to see the hanging. They are there to watch the now legendary Dinah Morris, the young Methodist woman who made Hetty confess, as much as to see the criminal. Dinah stands beside Hetty in the cart as it moves through the streets to the gallows. Dinah tells Hetty to close her eyes, and she begins to pray aloud to keep her thoughts on God and not on the crowd. Suddenly there is a shout. A horseman gallops up with a paper in his hand. It is Arthur Donnithorne with a stay of execution.

----------CHAPTER 43--------- THE place fitted up that day as a court of justice was a grand old hall, now destroyed by fire. The midday light that fell on the close pavement of human heads was shed through a line of high pointed windows, variegated with the mellow tints of old painted glass. Grim dusty armour hung in high relief in front of the dark oaken gallery at the farther end, and under the broad arch of the great mullioned window opposite was spread a curtain of old tapestry, covered with dim melancholy figures, like a dozing indistinct dream of the past. It was a place that through the rest of the year was haunted with the shadowy memories of old kings and queens, unhappy, discrowned, imprisoned; but to-day all those shadows had fled, and not a soul in the vast hall felt the presence of any but a living sorrow, which was quivering in warm hearts. But that sorrow seemed to have made it itself feebly felt hitherto, now when Adam Bede's tall figure was suddenly seen being ushered to the side of the prisoner's dock. In the broad sunlight of the great hall, among the sleek shaven faces of other men, the marks of suffering in his face were startling even to Mr. Irwine, who had last seen him in the dim light of his small room; and the neighbours from Hayslope who were present, and who told Hetty Sorrel's story by their firesides in their old age, never forgot to say how it moved them when Adam Bede, poor fellow, taller by the head than most of the people round him, came into court and took his place by her side. But Hetty did not see him. She was standing in the same position Bartle Massey had described, her hands crossed over each other and her eyes fixed on them. Adam had not dared to look at her in the first moments, but at last, when the attention of the court was withdrawn by the proceedings he turned his face towards her with a resolution not to shrink. Why did they say she was so changed? In the corpse we love, it is the likeness we see--it is the likeness, which makes itself felt the more keenly because something else was and is not. There they were--the sweet face and neck, with the dark tendrils of hair, the long dark lashes, the rounded cheek and the pouting lips--pale and thin, yes, but like Hetty, and only Hetty. Others thought she looked as if some demon had cast a blighting glance upon her, withered up the woman's soul in her, and left only a hard despairing obstinacy. But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man; and to Adam, this pale, hard-looking culprit was the Hetty who had smiled at him in the garden under the apple-tree boughs--she was that Hetty's corpse, which he had trembled to look at the first time, and then was unwilling to turn away his eyes from. But presently he heard something that compelled him to listen, and made the sense of sight less absorbing. A woman was in the witness-box, a middle-aged woman, who spoke in a firm distinct voice. She said, "My name is Sarah Stone. I am a widow, and keep a small shop licensed to sell tobacco, snuff, and tea in Church Lane, Stoniton. The prisoner at the bar is the same young woman who came, looking ill and tired, with a basket on her arm, and asked for a lodging at my house on Saturday evening, the 27th of February. She had taken the house for a public, because there was a figure against the door. And when I said I didn't take in lodgers, the prisoner began to cry, and said she was too tired to go anywhere else, and she only wanted a bed for one night. And her prettiness, and her condition, and something respectable about her clothes and looks, and the trouble she seemed to be in made me as I couldn't find in my heart to send her away at once. I asked her to sit down, and gave her some tea, and asked her where she was going, and where her friends were. She said she was going home to her friends: they were farming folks a good way off, and she'd had a long journey that had cost her more money than she expected, so as she'd hardly any money left in her pocket, and was afraid of going where it would cost her much. She had been obliged to sell most of the things out of her basket, but she'd thankfully give a shilling for a bed. I saw no reason why I shouldn't take the young woman in for the night. I had only one room, but there were two beds in it, and I told her she might stay with me. I thought she'd been led wrong, and got into trouble, but if she was going to her friends, it would be a good work to keep her out of further harm." The witness then stated that in the night a child was born, and she identified the baby-clothes then shown to her as those in which she had herself dressed the child. "Those are the clothes. I made them myself, and had kept them by me ever since my last child was born. I took a deal of trouble both for the child and the mother. I couldn't help taking to the little thing and being anxious about it. I didn't send for a doctor, for there seemed no need. I told the mother in the day-time she must tell me the name of her friends, and where they lived, and let me write to them. She said, by and by she would write herself, but not to-day. She would have no nay, but she would get up and be dressed, in spite of everything I could say. She said she felt quite strong enough; and it was wonderful what spirit she showed. But I wasn't quite easy what I should do about her, and towards evening I made up my mind I'd go, after Meeting was over, and speak to our minister about it. I left the house about half-past eight o'clock. I didn't go out at the shop door, but at the back door, which opens into a narrow alley. I've only got the ground-floor of the house, and the kitchen and bedroom both look into the alley. I left the prisoner sitting up by the fire in the kitchen with the baby on her lap. She hadn't cried or seemed low at all, as she did the night before. I thought she had a strange look with her eyes, and she got a bit flushed towards evening. I was afraid of the fever, and I thought I'd call and ask an acquaintance of mine, an experienced woman, to come back with me when I went out. It was a very dark night. I didn't fasten the door behind me; there was no lock; it was a latch with a bolt inside, and when there was nobody in the house I always went out at the shop door. But I thought there was no danger in leaving it unfastened that little while. I was longer than I meant to be, for I had to wait for the woman that came back with me. It was an hour and a half before we got back, and when we went in, the candle was standing burning just as I left it, but the prisoner and the baby were both gone. She'd taken her cloak and bonnet, but she'd left the basket and the things in it....I was dreadful frightened, and angry with her for going. I didn't go to give information, because I'd no thought she meant to do any harm, and I knew she had money in her pocket to buy her food and lodging. I didn't like to set the constable after her, for she'd a right to go from me if she liked." The effect of this evidence on Adam was electrical; it gave him new force. Hetty could not be guilty of the crime--her heart must have clung to her baby--else why should she have taken it with her? She might have left it behind. The little creature had died naturally, and then she had hidden it. Babies were so liable to death--and there might be the strongest suspicions without any proof of guilt. His mind was so occupied with imaginary arguments against such suspicions, that he could not listen to the cross-examination by Hetty's counsel, who tried, without result, to elicit evidence that the prisoner had shown some movements of maternal affection towards the child. The whole time this witness was being examined, Hetty had stood as motionless as before: no word seemed to arrest her ear. But the sound of the next witness's voice touched a chord that was still sensitive, she gave a start and a frightened look towards him, but immediately turned away her head and looked down at her hands as before. This witness was a man, a rough peasant. He said: "My name is John Olding. I am a labourer, and live at Tedd's Hole, two miles out of Stoniton. A week last Monday, towards one o'clock in the afternoon, I was going towards Hetton Coppice, and about a quarter of a mile from the coppice I saw the prisoner, in a red cloak, sitting under a bit of a haystack not far off the stile. She got up when she saw me, and seemed as if she'd be walking on the other way. It was a regular road through the fields, and nothing very uncommon to see a young woman there, but I took notice of her because she looked white and scared. I should have thought she was a beggar-woman, only for her good clothes. I thought she looked a bit crazy, but it was no business of mine. I stood and looked back after her, but she went right on while she was in sight. I had to go to the other side of the coppice to look after some stakes. There's a road right through it, and bits of openings here and there, where the trees have been cut down, and some of 'em not carried away. I didn't go straight along the road, but turned off towards the middle, and took a shorter way towards the spot I wanted to get to. I hadn't got far out of the road into one of the open places before I heard a strange cry. I thought it didn't come from any animal I knew, but I wasn't for stopping to look about just then. But it went on, and seemed so strange to me in that place, I couldn't help stopping to look. I began to think I might make some money of it, if it was a new thing. But I had hard work to tell which way it came from, and for a good while I kept looking up at the boughs. And then I thought it came from the ground; and there was a lot of timber-choppings lying about, and loose pieces of turf, and a trunk or two. And I looked about among them, but could find nothing, and at last the cry stopped. So I was for giving it up, and I went on about my business. But when I came back the same way pretty nigh an hour after, I couldn't help laying down my stakes to have another look. And just as I was stooping and laying down the stakes, I saw something odd and round and whitish lying on the ground under a nut-bush by the side of me. And I stooped down on hands and knees to pick it up. And I saw it was a little baby's hand." At these words a thrill ran through the court. Hetty was visibly trembling; now, for the first time, she seemed to be listening to what a witness said. "There was a lot of timber-choppings put together just where the ground went hollow, like, under the bush, and the hand came out from among them. But there was a hole left in one place and I could see down it and see the child's head; and I made haste and did away the turf and the choppings, and took out the child. It had got comfortable clothes on, but its body was cold, and I thought it must be dead. I made haste back with it out of the wood, and took it home to my wife. She said it was dead, and I'd better take it to the parish and tell the constable. And I said, 'I'll lay my life it's that young woman's child as I met going to the coppice.' But she seemed to be gone clean out of sight. And I took the child on to Hetton parish and told the constable, and we went on to Justice Hardy. And then we went looking after the young woman till dark at night, and we went and gave information at Stoniton, as they might stop her. And the next morning, another constable came to me, to go with him to the spot where I found the child. And when we got there, there was the prisoner a-sitting against the bush where I found the child; and she cried out when she saw us, but she never offered to move. She'd got a big piece of bread on her lap." Adam had given a faint groan of despair while this witness was speaking. He had hidden his face on his arm, which rested on the boarding in front of him. It was the supreme moment of his suffering: Hetty was guilty; and he was silently calling to God for help. He heard no more of the evidence, and was unconscious when the case for the prosecution had closed--unconscious that Mr. Irwine was in the witness-box, telling of Hetty's unblemished character in her own parish and of the virtuous habits in which she had been brought up. This testimony could have no influence on the verdict, but it was given as part of that plea for mercy which her own counsel would have made if he had been allowed to speak for her--a favour not granted to criminals in those stern times. At last Adam lifted up his head, for there was a general movement round him. The judge had addressed the jury, and they were retiring. The decisive moment was not far off. Adam felt a shuddering horror that would not let him look at Hetty, but she had long relapsed into her blank hard indifference. All eyes were strained to look at her, but she stood like a statue of dull despair. There was a mingled rustling, whispering, and low buzzing throughout the court during this interval. The desire to listen was suspended, and every one had some feeling or opinion to express in undertones. Adam sat looking blankly before him, but he did not see the objects that were right in front of his eyes--the counsel and attorneys talking with an air of cool business, and Mr. Irwine in low earnest conversation with the judge--did not see Mr. Irwine sit down again in agitation and shake his head mournfully when somebody whispered to him. The inward action was too intense for Adam to take in outward objects until some strong sensation roused him. It was not very long, hardly more than a quarter of an hour, before the knock which told that the jury had come to their decision fell as a signal for silence on every ear. It is sublime--that sudden pause of a great multitude which tells that one soul moves in them all. Deeper and deeper the silence seemed to become, like the deepening night, while the jurymen's names were called over, and the prisoner was made to hold up her hand, and the jury were asked for their verdict. "Guilty." It was the verdict every one expected, but there was a sigh of disappointment from some hearts that it was followed by no recommendation to mercy. Still the sympathy of the court was not with the prisoner. The unnaturalness of her crime stood out the more harshly by the side of her hard immovability and obstinate silence. Even the verdict, to distant eyes, had not appeared to move her, but those who were near saw her trembling. The stillness was less intense until the judge put on his black cap, and the chaplain in his canonicals was observed behind him. Then it deepened again, before the crier had had time to command silence. If any sound were heard, it must have been the sound of beating hearts. The judge spoke, "Hester Sorrel...." The blood rushed to Hetty's face, and then fled back again as she looked up at the judge and kept her wide-open eyes fixed on him, as if fascinated by fear. Adam had not yet turned towards her, there was a deep horror, like a great gulf, between them. But at the words "and then to be hanged by the neck till you be dead," a piercing shriek rang through the hall. It was Hetty's shriek. Adam started to his feet and stretched out his arms towards her. But the arms could not reach her: she had fallen down in a fainting-fit, and was carried out of court. ----------CHAPTER 46--------- ON Sunday morning, when the church bells in Stoniton were ringing for morning service, Bartle Massey re-entered Adam's room, after a short absence, and said, "Adam, here's a visitor wants to see you." Adam was seated with his back towards the door, but he started up and turned round instantly, with a flushed face and an eager look. His face was even thinner and more worn than we have seen it before, but he was washed and shaven this Sunday morning. "Is it any news?" he said. "Keep yourself quiet, my lad," said Bartle; "keep quiet. It's not what you're thinking of. It's the young Methodist woman come from the prison. She's at the bottom o' the stairs, and wants to know if you think well to see her, for she has something to say to you about that poor castaway; but she wouldn't come in without your leave, she said. She thought you'd perhaps like to go out and speak to her. These preaching women are not so back'ard commonly," Bartle muttered to himself. "Ask her to come in," said Adam. He was standing with his face towards the door, and as Dinah entered, lifting up her mild grey eyes towards him, she saw at once the great change that had come since the day when she had looked up at the tall man in the cottage. There was a trembling in her clear voice as she put her hand into his and said, "Be comforted, Adam Bede, the Lord has not forsaken her." "Bless you for coming to her," Adam said. "Mr. Massey brought me word yesterday as you was come." They could neither of them say any more just yet, but stood before each other in silence; and Bartle Massey, too, who had put on his spectacles, seemed transfixed, examining Dinah's face. But he recovered himself first, and said, "Sit down, young woman, sit down," placing the chair for her and retiring to his old seat on the bed. "Thank you, friend; I won't sit down," said Dinah, "for I must hasten back. She entreated me not to stay long away. What I came for, Adam Bede, was to pray you to go and see the poor sinner and bid her farewell. She desires to ask your forgiveness, and it is meet you should see her to-day, rather than in the early morning, when the time will be short." Adam stood trembling, and at last sank down on his chair again. "It won't be," he said, "it'll be put off--there'll perhaps come a pardon. Mr. Irwine said there was hope. He said, I needn't quite give it up." "That's a blessed thought to me," said Dinah, her eyes filling with tears. "It's a fearful thing hurrying her soul away so fast." "But let what will be," she added presently. "You will surely come, and let her speak the words that are in her heart. Although her poor soul is very dark and discerns little beyond the things of the flesh, she is no longer hard. She is contrite, she has confessed all to me. The pride of her heart has given way, and she leans on me for help and desires to be taught. This fills me with trust, for I cannot but think that the brethren sometimes err in measuring the Divine love by the sinner's knowledge. She is going to write a letter to the friends at the Hall Farm for me to give them when she is gone, and when I told her you were here, she said, 'I should like to say good-bye to Adam and ask him to forgive me.' You will come, Adam? Perhaps you will even now come back with me." "I can't," Adam said. "I can't say good-bye while there's any hope. I'm listening, and listening--I can't think o' nothing but that. It can't be as she'll die that shameful death--I can't bring my mind to it." He got up from his chair again and looked away out of the window, while Dinah stood with compassionate patience. In a minute or two he turned round and said, "I will come, Dinah...to-morrow morning...if it must be. I may have more strength to bear it, if I know it must be. Tell her, I forgive her; tell her I will come--at the very last." "I will not urge you against the voice of your own heart," said Dinah. "I must hasten back to her, for it is wonderful how she clings now, and was not willing to let me out of her sight. She used never to make any return to my affection before, but now tribulation has opened her heart. Farewell, Adam. Our heavenly Father comfort you and strengthen you to bear all things." Dinah put out her hand, and Adam pressed it in silence. Bartle Massey was getting up to lift the stiff latch of the door for her, but before he could reach it, she had said gently, "Farewell, friend," and was gone, with her light step down the stairs. "Well," said Bartle, taking off his spectacles and putting them into his pocket, "if there must be women to make trouble in the world, it's but fair there should be women to be comforters under it; and she's one--she's one. It's a pity she's a Methodist; but there's no getting a woman without some foolishness or other." Adam never went to bed that night. The excitement of suspense, heightening with every hour that brought him nearer the fatal moment, was too great, and in spite of his entreaties, in spite of his promises that he would be perfectly quiet, the schoolmaster watched too. "What does it matter to me, lad?" Bartle said: "a night's sleep more or less? I shall sleep long enough, by and by, underground. Let me keep thee company in trouble while I can." It was a long and dreary night in that small chamber. Adam would sometimes get up and tread backwards and forwards along the short space from wall to wall; then he would sit down and hide his face, and no sound would be heard but the ticking of the watch on the table, or the falling of a cinder from the fire which the schoolmaster carefully tended. Sometimes he would burst out into vehement speech, "If I could ha' done anything to save her--if my bearing anything would ha' done any good...but t' have to sit still, and know it, and do nothing...it's hard for a man to bear...and to think o' what might ha' been now, if it hadn't been for HIM....O God, it's the very day we should ha' been married." "Aye, my lad," said Bartle tenderly, "it's heavy--it's heavy. But you must remember this: when you thought of marrying her, you'd a notion she'd got another sort of a nature inside her. You didn't think she could have got hardened in that little while to do what she's done." "I know--I know that," said Adam. "I thought she was loving and tender-hearted, and wouldn't tell a lie, or act deceitful. How could I think any other way? And if he'd never come near her, and I'd married her, and been loving to her, and took care of her, she might never ha' done anything bad. What would it ha' signified--my having a bit o' trouble with her? It 'ud ha' been nothing to this." "There's no knowing, my lad--there's no knowing what might have come. The smart's bad for you to bear now: you must have time--you must have time. But I've that opinion of you, that you'll rise above it all and be a man again, and there may good come out of this that we don't see." "Good come out of it!" said Adam passionately. "That doesn't alter th' evil: HER ruin can't be undone. I hate that talk o' people, as if there was a way o' making amends for everything. They'd more need be brought to see as the wrong they do can never be altered. When a man's spoiled his fellow-creatur's life, he's no right to comfort himself with thinking good may come out of it. Somebody else's good doesn't alter her shame and misery." "Well, lad, well," said Bartle, in a gentle tone, strangely in contrast with his usual peremptoriness and impatience of contradiction, "it's likely enough I talk foolishness. I'm an old fellow, and it's a good many years since I was in trouble myself. It's easy finding reasons why other folks should be patient." "Mr. Massey," said Adam penitently, "I'm very hot and hasty. I owe you something different; but you mustn't take it ill of me." "Not I, lad--not I." So the night wore on in agitation till the chill dawn and the growing light brought the tremulous quiet that comes on the brink of despair. There would soon be no more suspense. "Let us go to the prison now, Mr. Massey," said Adam, when he saw the hand of his watch at six. "If there's any news come, we shall hear about it." The people were astir already, moving rapidly, in one direction, through the streets. Adam tried not to think where they were going, as they hurried past him in that short space between his lodging and the prison gates. He was thankful when the gates shut him in from seeing those eager people. No; there was no news come--no pardon--no reprieve. Adam lingered in the court half an hour before he could bring himself to send word to Dinah that he was come. But a voice caught his ear: he could not shut out the words. "The cart is to set off at half-past seven." It must be said--the last good-bye: there was no help. In ten minutes from that time, Adam was at the door of the cell. Dinah had sent him word that she could not come to him; she could not leave Hetty one moment; but Hetty was prepared for the meeting. He could not see her when he entered, for agitation deadened his senses, and the dim cell was almost dark to him. He stood a moment after the door closed behind him, trembling and stupefied. But he began to see through the dimness--to see the dark eyes lifted up to him once more, but with no smile in them. O God, how sad they looked! The last time they had met his was when he parted from her with his heart full of joyous hopeful love, and they looked out with a tearful smile from a pink, dimpled, childish face. The face was marble now; the sweet lips were pallid and half-open and quivering; the dimples were all gone--all but one, that never went; and the eyes--O, the worst of all was the likeness they had to Hetty's. They were Hetty's eyes looking at him with that mournful gaze, as if she had come back to him from the dead to tell him of her misery. She was clinging close to Dinah; her cheek was against Dinah's. It seemed as if her last faint strength and hope lay in that contact, and the pitying love that shone out from Dinah's face looked like a visible pledge of the Invisible Mercy. When the sad eyes met--when Hetty and Adam looked at each other--she felt the change in him too, and it seemed to strike her with fresh fear. It was the first time she had seen any being whose face seemed to reflect the change in herself: Adam was a new image of the dreadful past and the dreadful present. She trembled more as she looked at him. "Speak to him, Hetty," Dinah said; "tell him what is in your heart." Hetty obeyed her, like a little child. "Adam...I'm very sorry...I behaved very wrong to you...will you forgive me...before I die?" Adam answered with a half-sob, "Yes, I forgive thee Hetty. I forgave thee long ago." It had seemed to Adam as if his brain would burst with the anguish of meeting Hetty's eyes in the first moments, but the sound of her voice uttering these penitent words touched a chord which had been less strained. There was a sense of relief from what was becoming unbearable, and the rare tears came--they had never come before, since he had hung on Seth's neck in the beginning of his sorrow. Hetty made an involuntary movement towards him, some of the love that she had once lived in the midst of was come near her again. She kept hold of Dinah's hand, but she went up to Adam and said timidly, "Will you kiss me again, Adam, for all I've been so wicked?" Adam took the blanched wasted hand she put out to him, and they gave each other the solemn unspeakable kiss of a lifelong parting. "And tell him," Hetty said, in rather a stronger voice, "tell him...for there's nobody else to tell him...as I went after him and couldn't find him...and I hated him and cursed him once...but Dinah says I should forgive him...and I try...for else God won't forgive me." There was a noise at the door of the cell now--the key was being turned in the lock, and when the door opened, Adam saw indistinctly that there were several faces there. He was too agitated to see more--even to see that Mr. Irwine's face was one of them. He felt that the last preparations were beginning, and he could stay no longer. Room was silently made for him to depart, and he went to his chamber in loneliness, leaving Bartle Massey to watch and see the end. ----------CHAPTER 47--------- IT was a sight that some people remembered better even than their own sorrows--the sight in that grey clear morning, when the fatal cart with the two young women in it was descried by the waiting watching multitude, cleaving its way towards the hideous symbol of a deliberately inflicted sudden death. All Stoniton had heard of Dinah Morris, the young Methodist woman who had brought the obstinate criminal to confess, and there was as much eagerness to see her as to see the wretched Hetty. But Dinah was hardly conscious of the multitude. When Hetty had caught sight of the vast crowd in the distance, she had clutched Dinah convulsively. "Close your eyes, Hetty," Dinah said, "and let us pray without ceasing to God." And in a low voice, as the cart went slowly along through the midst of the gazing crowd, she poured forth her soul with the wrestling intensity of a last pleading, for the trembling creature that clung to her and clutched her as the only visible sign of love and pity. Dinah did not know that the crowd was silent, gazing at her with a sort of awe--she did not even know how near they were to the fatal spot, when the cart stopped, and she shrank appalled at a loud shout hideous to her ear, like a vast yell of demons. Hetty's shriek mingled with the sound, and they clasped each other in mutual horror. But it was not a shout of execration--not a yell of exultant cruelty. It was a shout of sudden excitement at the appearance of a horseman cleaving the crowd at full gallop. The horse is hot and distressed, but answers to the desperate spurring; the rider looks as if his eyes were glazed by madness, and he saw nothing but what was unseen by others. See, he has something in his hand--he is holding it up as if it were a signal. The Sheriff knows him: it is Arthur Donnithorne, carrying in his hand a hard-won release from death.

Adam Bede.book 6.chapter

cliffnotes

Generate a succinct summary for book 6, chapter 55 with the given context.

book 6, chapter 54|book 6, chapter 55|chapter 54

A little more than a month later, Adam and Dinah are married. It is a community-wide event. For once, Dinah does not wear black. She wears a gray dress in the Quaker style. There is a small tinge of sadness in Adam's great joy, which Dinah recognizes but does not begrudge him. Bartle Massey consents to attend the wedding, although with great protest against weddings in general. On the way home, Mr. Irwine says that it will be a bit of good news to write to Arthur. Epilogue Near the end of June in 1807, Dinah comes out of the yard that used to belong to Mr. Burge and which is now Adam's. She calls to Lisbeth, age four, who runs to her mother. Seth exits the house with his nephew Addy, age 2, riding on his shoulders. They walk down the road to meet Adam, who is returning from his first meeting with Arthur in a long time. Hetty died on her way back to the village some years before. Adam looks affected and says that Arthur looks much worse after the fever, though he still smiles like he did when he was a boy. Dinah regrets that she has never seen him smile, but Adam says that she will tomorrow, since he has invited Arthur to come and see her. He was pleased to hear that she still uses his watch--and said that he would probably turn Methodist as soon as he heard her speak. Adam told him that she does not preach any more because the Methodists have prohibited it. Seth says that this is a pity and that they should have left to join the Wesleyans. But Adam says that the new rule is wise because some of the other women did more harm than good with their preaching. Adam says that Arthur is also going to the Poysers' home with Mr. Irwine

----------BOOK 6, CHAPTER 54--------- ADAM understood Dinah's haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within. "I wish I'd asked her to write to me, though," he thought. "And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I've no right to be impatient and interrupting her with my wishes. She's told me what her mind is, and she's not a woman to say one thing and mean another. I'll wait patiently." That was Adam's wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah's confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah's old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam's confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will. You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn. But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge's good nag for the journey. What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time--or rather, we who read it are no longer the same interpreters--and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past. That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another's misery. And if I were capable of that narrow-sighted joy in Adam's behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, "Evil's evil, and sorrow's sorrow, and you can't alter it's natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me." But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula. Something like this sense of enlarged being was in Adam's mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been--so deep that the roots of it would never be torn away--his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. "It's like as if it was a new strength to me," he said to himself, "to love her and know as she loves me. I shall look t' her to help me to see things right. For she's better than I am--there's less o' self in her, and pride. And it's a feeling as gives you a sort o' liberty, as if you could walk more fearless, when you've more trust in another than y' have in yourself. I've always been thinking I knew better than them as belonged to me, and that's a poor sort o' life, when you can't look to them nearest to you t' help you with a bit better thought than what you've got inside you a'ready." It was more than two o'clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions--that it filled you with a new consciousness of the overarching sky--had a milder, more soothing influence than usual, on this almost cloudless day. Adam's doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah's gentle face assuring him, with its looks alone, of all he longed to know. He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman's End, a hamlet about three miles off, over the hill, the old woman told him--had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman's End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman's End. With all his haste it was nearly four o'clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. "Perhaps that's the last hymn before they come away," Adam thought. "I'll walk back a bit and turn again to meet her, farther off the village." He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes--no house, no cattle, not even a nibbling sheep near--no presence but the still lights and shadows and the great embracing sky. She was much longer coming than he expected. He waited an hour at least watching for her and thinking of her, while the afternoon shadows lengthened and the light grew softer. At last he saw the little black figure coming from between the grey houses and gradually approaching the foot of the hill. Slowly, Adam thought, but Dinah was really walking at her usual pace, with a light quiet step. Now she was beginning to wind along the path up the hill, but Adam would not move yet; he would not meet her too soon; he had set his heart on meeting her in this assured loneliness. And now he began to fear lest he should startle her too much. "Yet," he thought, "she's not one to be overstartled; she's always so calm and quiet, as if she was prepared for anything." What was she thinking of as she wound up the hill? Perhaps she had found complete repose without him, and had ceased to feel any need of his love. On the verge of a decision we all tremble: hope pauses with fluttering wings. But now at last she was very near, and Adam rose from the stone wall. It happened that just as he walked forward, Dinah had paused and turned round to look back at the village--who does not pause and look back in mounting a hill? Adam was glad, for, with the fine instinct of a lover, he felt that it would be best for her to hear his voice before she saw him. He came within three paces of her and then said, "Dinah!" She started without looking round, as if she connected the sound with no place. "Dinah!" Adam said again. He knew quite well what was in her mind. She was so accustomed to think of impressions as purely spiritual monitions that she looked for no material visible accompaniment of the voice. But this second time she looked round. What a look of yearning love it was that the mild grey eyes turned on the strong dark-eyed man! She did not start again at the sight of him; she said nothing, but moved towards him so that his arm could clasp her round. And they walked on so in silence, while the warm tears fell. Adam was content, and said nothing. It was Dinah who spoke first. "Adam," she said, "it is the Divine Will. My soul is so knit to yours that it is but a divided life I live without you. And this moment, now you are with me, and I feel that our hearts are filled with the same love. I have a fulness of strength to bear and do our heavenly Father's Will that I had lost before." Adam paused and looked into her sincere eyes. "Then we'll never part any more, Dinah, till death parts us." And they kissed each other with a deep joy. What greater thing is there for two human souls than to feel that they are joined for life--to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting? ----------BOOK 6, CHAPTER 55--------- IN little more than a month after that meeting on the hill--on a rimy morning in departing November--Adam and Dinah were married. It was an event much thought of in the village. All Mr. Burge's men had a holiday, and all Mr. Poyser's, and most of those who had a holiday appeared in their best clothes at the wedding. I think there was hardly an inhabitant of Hayslope specially mentioned in this history and still resident in the parish on this November morning who was not either in church to see Adam and Dinah married, or near the church door to greet them as they came forth. Mrs. Irwine and her daughters were waiting at the churchyard gates in their carriage (for they had a carriage now) to shake hands with the bride and bridegroom and wish them well; and in the absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and Mr. Craig had felt it incumbent on them to represent "the family" at the Chase on the occasion. The churchyard walk was quite lined with familiar faces, many of them faces that had first looked at Dinah when she preached on the Green. And no wonder they showed this eager interest on her marriage morning, for nothing like Dinah and the history which had brought her and Adam Bede together had been known at Hayslope within the memory of man. Bessy Cranage, in her neatest cap and frock, was crying, though she did not exactly know why; for, as her cousin Wiry Ben, who stood near her, judiciously suggested, Dinah was not going away, and if Bessy was in low spirits, the best thing for her to do was to follow Dinah's example and marry an honest fellow who was ready to have her. Next to Bessy, just within the church door, there were the Poyser children, peeping round the corner of the pews to get a sight of the mysterious ceremony; Totty's face wearing an unusual air of anxiety at the idea of seeing cousin Dinah come back looking rather old, for in Totty's experience no married people were young. I envy them all the sight they had when the marriage was fairly ended and Adam led Dinah out of church. She was not in black this morning, for her Aunt Poyser would by no means allow such a risk of incurring bad luck, and had herself made a present of the wedding dress, made all of grey, though in the usual Quaker form, for on this point Dinah could not give way. So the lily face looked out with sweet gravity from under a grey Quaker bonnet, neither smiling nor blushing, but with lips trembling a little under the weight of solemn feelings. Adam, as he pressed her arm to his side, walked with his old erectness and his head thrown rather backward as if to face all the world better. But it was not because he was particularly proud this morning, as is the wont of bridegrooms, for his happiness was of a kind that had little reference to men's opinion of it. There was a tinge of sadness in his deep joy; Dinah knew it, and did not feel aggrieved. There were three other couples, following the bride and bridegroom: first, Martin Poyser, looking as cheery as a bright fire on this rimy morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with Lisbeth--Lisbeth in a new gown and bonnet, too busy with her pride in her son and her delight in possessing the one daughter she had desired to devise a single pretext for complaint. Bartle Massey had consented to attend the wedding at Adam's earnest request, under protest against marriage in general and the marriage of a sensible man in particular. Nevertheless, Mr. Poyser had a joke against him after the wedding dinner, to the effect that in the vestry he had given the bride one more kiss than was necessary. Behind this last couple came Mr. Irwine, glad at heart over this good morning's work of joining Adam and Dinah. For he had seen Adam in the worst moments of his sorrow; and what better harvest from that painful seed-time could there be than this? The love that had brought hope and comfort in the hour of despair, the love that had found its way to the dark prison cell and to poor Hetty's darker soul--this strong gentle love was to be Adam's companion and helper till death. There was much shaking of hands mingled with "God bless you's" and other good wishes to the four couples, at the churchyard gate, Mr. Poyser answering for the rest with unwonted vivacity of tongue, for he had all the appropriate wedding-day jokes at his command. And the women, he observed, could never do anything but put finger in eye at a wedding. Even Mrs. Poyser could not trust herself to speak as the neighbours shook hands with her, and Lisbeth began to cry in the face of the very first person who told her she was getting young again. Mr. Joshua Rann, having a slight touch of rheumatism, did not join in the ringing of the bells this morning, and, looking on with some contempt at these informal greetings which required no official co-operation from the clerk, began to hum in his musical bass, "Oh what a joyful thing it is," by way of preluding a little to the effect he intended to produce in the wedding psalm next Sunday. "That's a bit of good news to cheer Arthur," said Mr. Irwine to his mother, as they drove off. "I shall write to him the first thing when we get home." ----------CHAPTER 54--------- ADAM understood Dinah's haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within. "I wish I'd asked her to write to me, though," he thought. "And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I've no right to be impatient and interrupting her with my wishes. She's told me what her mind is, and she's not a woman to say one thing and mean another. I'll wait patiently." That was Adam's wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah's confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah's old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam's confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will. You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn. But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge's good nag for the journey. What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time--or rather, we who read it are no longer the same interpreters--and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past. That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another's misery. And if I were capable of that narrow-sighted joy in Adam's behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, "Evil's evil, and sorrow's sorrow, and you can't alter it's natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me." But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula. Something like this sense of enlarged being was in Adam's mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been--so deep that the roots of it would never be torn away--his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. "It's like as if it was a new strength to me," he said to himself, "to love her and know as she loves me. I shall look t' her to help me to see things right. For she's better than I am--there's less o' self in her, and pride. And it's a feeling as gives you a sort o' liberty, as if you could walk more fearless, when you've more trust in another than y' have in yourself. I've always been thinking I knew better than them as belonged to me, and that's a poor sort o' life, when you can't look to them nearest to you t' help you with a bit better thought than what you've got inside you a'ready." It was more than two o'clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions--that it filled you with a new consciousness of the overarching sky--had a milder, more soothing influence than usual, on this almost cloudless day. Adam's doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah's gentle face assuring him, with its looks alone, of all he longed to know. He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman's End, a hamlet about three miles off, over the hill, the old woman told him--had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman's End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman's End. With all his haste it was nearly four o'clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. "Perhaps that's the last hymn before they come away," Adam thought. "I'll walk back a bit and turn again to meet her, farther off the village." He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes--no house, no cattle, not even a nibbling sheep near--no presence but the still lights and shadows and the great embracing sky. She was much longer coming than he expected. He waited an hour at least watching for her and thinking of her, while the afternoon shadows lengthened and the light grew softer. At last he saw the little black figure coming from between the grey houses and gradually approaching the foot of the hill. Slowly, Adam thought, but Dinah was really walking at her usual pace, with a light quiet step. Now she was beginning to wind along the path up the hill, but Adam would not move yet; he would not meet her too soon; he had set his heart on meeting her in this assured loneliness. And now he began to fear lest he should startle her too much. "Yet," he thought, "she's not one to be overstartled; she's always so calm and quiet, as if she was prepared for anything." What was she thinking of as she wound up the hill? Perhaps she had found complete repose without him, and had ceased to feel any need of his love. On the verge of a decision we all tremble: hope pauses with fluttering wings. But now at last she was very near, and Adam rose from the stone wall. It happened that just as he walked forward, Dinah had paused and turned round to look back at the village--who does not pause and look back in mounting a hill? Adam was glad, for, with the fine instinct of a lover, he felt that it would be best for her to hear his voice before she saw him. He came within three paces of her and then said, "Dinah!" She started without looking round, as if she connected the sound with no place. "Dinah!" Adam said again. He knew quite well what was in her mind. She was so accustomed to think of impressions as purely spiritual monitions that she looked for no material visible accompaniment of the voice. But this second time she looked round. What a look of yearning love it was that the mild grey eyes turned on the strong dark-eyed man! She did not start again at the sight of him; she said nothing, but moved towards him so that his arm could clasp her round. And they walked on so in silence, while the warm tears fell. Adam was content, and said nothing. It was Dinah who spoke first. "Adam," she said, "it is the Divine Will. My soul is so knit to yours that it is but a divided life I live without you. And this moment, now you are with me, and I feel that our hearts are filled with the same love. I have a fulness of strength to bear and do our heavenly Father's Will that I had lost before." Adam paused and looked into her sincere eyes. "Then we'll never part any more, Dinah, till death parts us." And they kissed each other with a deep joy. What greater thing is there for two human souls than to feel that they are joined for life--to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?

cliffnotes

Create a compact summary that covers the main points of chapter 55, utilizing the provided context.

chapter 55|chapter 54

A month later, on a rainy November day, Dinah and Adam are married in a simple ceremony. All their friends are there and wish them the best. For Adam, the day recalls another day when he was to be married, but Dinah does not mind the tinge of sorrow on their wedding day. As he rides home after the ceremony, Mr. Irwine reflects that the news of their wedding will be good news to send to Captain Donnithorne. Epilogue In 1807, Dinah calls to Seth in their cottage and tells him that Adam is on his way home. They gather up Adam and Dinah's two children, Lisbeth and Adam, and they all go out to meet Adam. Adam and Seth's mother has died, and Seth remains a bachelor who lives with his brother's family. Adam is returning from his first meeting with Captain Donnithorne, who has just returned to Hayslope. When the family approaches Adam, he takes his son from Seth. The younger Adam goes to Adam very happily. Adam recounts his visit with Captain Donnithorne. The captain, who is now a colonel, is much changed, especially by a recent serious illness, but he is the same old Captain Donnithorne. Dinah is told that Captain Donnithorne also plans to come see her the next day, and she says she will be glad to see him. While he had hoped to see her preach, the captain is told by Adam that she no longer preaches publicly since the Methodists have outlawed it. Reacting angrily to this comment, Seth believes the Methodists were wrong to outlaw the women preachers, but Adam quiets him by saying that Dinah accepted this because it was best. Adam relates how Captain Donnithorne took the news that Hetty has died overseas, just when she would have been allowed to return to England. He says that Captain Donnithorne admits now the wisdom of Adam's saying there are some wrongs that cannot be made up. As the family arrives home, the Poysers are entering their gate. Dinah sends her daughter forward to greet them

----------CHAPTER 55--------- IN little more than a month after that meeting on the hill--on a rimy morning in departing November--Adam and Dinah were married. It was an event much thought of in the village. All Mr. Burge's men had a holiday, and all Mr. Poyser's, and most of those who had a holiday appeared in their best clothes at the wedding. I think there was hardly an inhabitant of Hayslope specially mentioned in this history and still resident in the parish on this November morning who was not either in church to see Adam and Dinah married, or near the church door to greet them as they came forth. Mrs. Irwine and her daughters were waiting at the churchyard gates in their carriage (for they had a carriage now) to shake hands with the bride and bridegroom and wish them well; and in the absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and Mr. Craig had felt it incumbent on them to represent "the family" at the Chase on the occasion. The churchyard walk was quite lined with familiar faces, many of them faces that had first looked at Dinah when she preached on the Green. And no wonder they showed this eager interest on her marriage morning, for nothing like Dinah and the history which had brought her and Adam Bede together had been known at Hayslope within the memory of man. Bessy Cranage, in her neatest cap and frock, was crying, though she did not exactly know why; for, as her cousin Wiry Ben, who stood near her, judiciously suggested, Dinah was not going away, and if Bessy was in low spirits, the best thing for her to do was to follow Dinah's example and marry an honest fellow who was ready to have her. Next to Bessy, just within the church door, there were the Poyser children, peeping round the corner of the pews to get a sight of the mysterious ceremony; Totty's face wearing an unusual air of anxiety at the idea of seeing cousin Dinah come back looking rather old, for in Totty's experience no married people were young. I envy them all the sight they had when the marriage was fairly ended and Adam led Dinah out of church. She was not in black this morning, for her Aunt Poyser would by no means allow such a risk of incurring bad luck, and had herself made a present of the wedding dress, made all of grey, though in the usual Quaker form, for on this point Dinah could not give way. So the lily face looked out with sweet gravity from under a grey Quaker bonnet, neither smiling nor blushing, but with lips trembling a little under the weight of solemn feelings. Adam, as he pressed her arm to his side, walked with his old erectness and his head thrown rather backward as if to face all the world better. But it was not because he was particularly proud this morning, as is the wont of bridegrooms, for his happiness was of a kind that had little reference to men's opinion of it. There was a tinge of sadness in his deep joy; Dinah knew it, and did not feel aggrieved. There were three other couples, following the bride and bridegroom: first, Martin Poyser, looking as cheery as a bright fire on this rimy morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with Lisbeth--Lisbeth in a new gown and bonnet, too busy with her pride in her son and her delight in possessing the one daughter she had desired to devise a single pretext for complaint. Bartle Massey had consented to attend the wedding at Adam's earnest request, under protest against marriage in general and the marriage of a sensible man in particular. Nevertheless, Mr. Poyser had a joke against him after the wedding dinner, to the effect that in the vestry he had given the bride one more kiss than was necessary. Behind this last couple came Mr. Irwine, glad at heart over this good morning's work of joining Adam and Dinah. For he had seen Adam in the worst moments of his sorrow; and what better harvest from that painful seed-time could there be than this? The love that had brought hope and comfort in the hour of despair, the love that had found its way to the dark prison cell and to poor Hetty's darker soul--this strong gentle love was to be Adam's companion and helper till death. There was much shaking of hands mingled with "God bless you's" and other good wishes to the four couples, at the churchyard gate, Mr. Poyser answering for the rest with unwonted vivacity of tongue, for he had all the appropriate wedding-day jokes at his command. And the women, he observed, could never do anything but put finger in eye at a wedding. Even Mrs. Poyser could not trust herself to speak as the neighbours shook hands with her, and Lisbeth began to cry in the face of the very first person who told her she was getting young again. Mr. Joshua Rann, having a slight touch of rheumatism, did not join in the ringing of the bells this morning, and, looking on with some contempt at these informal greetings which required no official co-operation from the clerk, began to hum in his musical bass, "Oh what a joyful thing it is," by way of preluding a little to the effect he intended to produce in the wedding psalm next Sunday. "That's a bit of good news to cheer Arthur," said Mr. Irwine to his mother, as they drove off. "I shall write to him the first thing when we get home." ----------CHAPTER 54--------- ADAM understood Dinah's haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within. "I wish I'd asked her to write to me, though," he thought. "And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I've no right to be impatient and interrupting her with my wishes. She's told me what her mind is, and she's not a woman to say one thing and mean another. I'll wait patiently." That was Adam's wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah's confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah's old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam's confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will. You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn. But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge's good nag for the journey. What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time--or rather, we who read it are no longer the same interpreters--and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past. That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another's misery. And if I were capable of that narrow-sighted joy in Adam's behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, "Evil's evil, and sorrow's sorrow, and you can't alter it's natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me." But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula. Something like this sense of enlarged being was in Adam's mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been--so deep that the roots of it would never be torn away--his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. "It's like as if it was a new strength to me," he said to himself, "to love her and know as she loves me. I shall look t' her to help me to see things right. For she's better than I am--there's less o' self in her, and pride. And it's a feeling as gives you a sort o' liberty, as if you could walk more fearless, when you've more trust in another than y' have in yourself. I've always been thinking I knew better than them as belonged to me, and that's a poor sort o' life, when you can't look to them nearest to you t' help you with a bit better thought than what you've got inside you a'ready." It was more than two o'clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions--that it filled you with a new consciousness of the overarching sky--had a milder, more soothing influence than usual, on this almost cloudless day. Adam's doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah's gentle face assuring him, with its looks alone, of all he longed to know. He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman's End, a hamlet about three miles off, over the hill, the old woman told him--had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman's End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman's End. With all his haste it was nearly four o'clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. "Perhaps that's the last hymn before they come away," Adam thought. "I'll walk back a bit and turn again to meet her, farther off the village." He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes--no house, no cattle, not even a nibbling sheep near--no presence but the still lights and shadows and the great embracing sky. She was much longer coming than he expected. He waited an hour at least watching for her and thinking of her, while the afternoon shadows lengthened and the light grew softer. At last he saw the little black figure coming from between the grey houses and gradually approaching the foot of the hill. Slowly, Adam thought, but Dinah was really walking at her usual pace, with a light quiet step. Now she was beginning to wind along the path up the hill, but Adam would not move yet; he would not meet her too soon; he had set his heart on meeting her in this assured loneliness. And now he began to fear lest he should startle her too much. "Yet," he thought, "she's not one to be overstartled; she's always so calm and quiet, as if she was prepared for anything." What was she thinking of as she wound up the hill? Perhaps she had found complete repose without him, and had ceased to feel any need of his love. On the verge of a decision we all tremble: hope pauses with fluttering wings. But now at last she was very near, and Adam rose from the stone wall. It happened that just as he walked forward, Dinah had paused and turned round to look back at the village--who does not pause and look back in mounting a hill? Adam was glad, for, with the fine instinct of a lover, he felt that it would be best for her to hear his voice before she saw him. He came within three paces of her and then said, "Dinah!" She started without looking round, as if she connected the sound with no place. "Dinah!" Adam said again. He knew quite well what was in her mind. She was so accustomed to think of impressions as purely spiritual monitions that she looked for no material visible accompaniment of the voice. But this second time she looked round. What a look of yearning love it was that the mild grey eyes turned on the strong dark-eyed man! She did not start again at the sight of him; she said nothing, but moved towards him so that his arm could clasp her round. And they walked on so in silence, while the warm tears fell. Adam was content, and said nothing. It was Dinah who spoke first. "Adam," she said, "it is the Divine Will. My soul is so knit to yours that it is but a divided life I live without you. And this moment, now you are with me, and I feel that our hearts are filled with the same love. I have a fulness of strength to bear and do our heavenly Father's Will that I had lost before." Adam paused and looked into her sincere eyes. "Then we'll never part any more, Dinah, till death parts us." And they kissed each other with a deep joy. What greater thing is there for two human souls than to feel that they are joined for life--to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting? ----------CHAPTER 55--------- IN little more than a month after that meeting on the hill--on a rimy morning in departing November--Adam and Dinah were married. It was an event much thought of in the village. All Mr. Burge's men had a holiday, and all Mr. Poyser's, and most of those who had a holiday appeared in their best clothes at the wedding. I think there was hardly an inhabitant of Hayslope specially mentioned in this history and still resident in the parish on this November morning who was not either in church to see Adam and Dinah married, or near the church door to greet them as they came forth. Mrs. Irwine and her daughters were waiting at the churchyard gates in their carriage (for they had a carriage now) to shake hands with the bride and bridegroom and wish them well; and in the absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and Mr. Craig had felt it incumbent on them to represent "the family" at the Chase on the occasion. The churchyard walk was quite lined with familiar faces, many of them faces that had first looked at Dinah when she preached on the Green. And no wonder they showed this eager interest on her marriage morning, for nothing like Dinah and the history which had brought her and Adam Bede together had been known at Hayslope within the memory of man. Bessy Cranage, in her neatest cap and frock, was crying, though she did not exactly know why; for, as her cousin Wiry Ben, who stood near her, judiciously suggested, Dinah was not going away, and if Bessy was in low spirits, the best thing for her to do was to follow Dinah's example and marry an honest fellow who was ready to have her. Next to Bessy, just within the church door, there were the Poyser children, peeping round the corner of the pews to get a sight of the mysterious ceremony; Totty's face wearing an unusual air of anxiety at the idea of seeing cousin Dinah come back looking rather old, for in Totty's experience no married people were young. I envy them all the sight they had when the marriage was fairly ended and Adam led Dinah out of church. She was not in black this morning, for her Aunt Poyser would by no means allow such a risk of incurring bad luck, and had herself made a present of the wedding dress, made all of grey, though in the usual Quaker form, for on this point Dinah could not give way. So the lily face looked out with sweet gravity from under a grey Quaker bonnet, neither smiling nor blushing, but with lips trembling a little under the weight of solemn feelings. Adam, as he pressed her arm to his side, walked with his old erectness and his head thrown rather backward as if to face all the world better. But it was not because he was particularly proud this morning, as is the wont of bridegrooms, for his happiness was of a kind that had little reference to men's opinion of it. There was a tinge of sadness in his deep joy; Dinah knew it, and did not feel aggrieved. There were three other couples, following the bride and bridegroom: first, Martin Poyser, looking as cheery as a bright fire on this rimy morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with Lisbeth--Lisbeth in a new gown and bonnet, too busy with her pride in her son and her delight in possessing the one daughter she had desired to devise a single pretext for complaint. Bartle Massey had consented to attend the wedding at Adam's earnest request, under protest against marriage in general and the marriage of a sensible man in particular. Nevertheless, Mr. Poyser had a joke against him after the wedding dinner, to the effect that in the vestry he had given the bride one more kiss than was necessary. Behind this last couple came Mr. Irwine, glad at heart over this good morning's work of joining Adam and Dinah. For he had seen Adam in the worst moments of his sorrow; and what better harvest from that painful seed-time could there be than this? The love that had brought hope and comfort in the hour of despair, the love that had found its way to the dark prison cell and to poor Hetty's darker soul--this strong gentle love was to be Adam's companion and helper till death. There was much shaking of hands mingled with "God bless you's" and other good wishes to the four couples, at the churchyard gate, Mr. Poyser answering for the rest with unwonted vivacity of tongue, for he had all the appropriate wedding-day jokes at his command. And the women, he observed, could never do anything but put finger in eye at a wedding. Even Mrs. Poyser could not trust herself to speak as the neighbours shook hands with her, and Lisbeth began to cry in the face of the very first person who told her she was getting young again. Mr. Joshua Rann, having a slight touch of rheumatism, did not join in the ringing of the bells this morning, and, looking on with some contempt at these informal greetings which required no official co-operation from the clerk, began to hum in his musical bass, "Oh what a joyful thing it is," by way of preluding a little to the effect he intended to produce in the wedding psalm next Sunday. "That's a bit of good news to cheer Arthur," said Mr. Irwine to his mother, as they drove off. "I shall write to him the first thing when we get home."

cliffnotes

Generate a succinct summary for chapter 54 with the given context.

The Meeting on the Hill Adam is patient with Dinah's absence and silence for six weeks; after that, he feels he must go to Snowfield to get her answer. He borrows Jonathan Burge's horse so he can get there faster. As he travels there, he remembers the sad journey in search of Hetty, but his sorrow and experience have enlarged his perspective and make him appreciate in all humility the love for Dinah. He finds that Dinah is preaching in a small village a few miles off and goes there to wait for her. He chooses a spot on top of a nearby hill where she will pass on the way home so that he may speak to her in private. He waits an hour and then sees her figure winding up the hill. As Adam rises up to greet her, she turns to look at the village she has just left. He calls her name from behind. She does not answer at first, feeling it could be an inward voice, for she believes she is alone. He repeats her name, and she turns around. They move into each other's arms. She cries as they walk in silence. Finally, she tells Adam that she is living a divided life without him. She believes God wants her to be with him, and he says they will never part.

----------CHAPTER 54--------- ADAM understood Dinah's haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within. "I wish I'd asked her to write to me, though," he thought. "And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I've no right to be impatient and interrupting her with my wishes. She's told me what her mind is, and she's not a woman to say one thing and mean another. I'll wait patiently." That was Adam's wise resolution, and it throve excellently for the first two or three weeks on the nourishment it got from the remembrance of Dinah's confession that Sunday afternoon. There is a wonderful amount of sustenance in the first few words of love. But towards the middle of October the resolution began to dwindle perceptibly, and showed dangerous symptoms of exhaustion. The weeks were unusually long: Dinah must surely have had more than enough time to make up her mind. Let a woman say what she will after she has once told a man that she loves him, he is a little too flushed and exalted with that first draught she offers him to care much about the taste of the second. He treads the earth with a very elastic step as he walks away from her, and makes light of all difficulties. But that sort of glow dies out: memory gets sadly diluted with time, and is not strong enough to revive us. Adam was no longer so confident as he had been. He began to fear that perhaps Dinah's old life would have too strong a grasp upon her for any new feeling to triumph. If she had not felt this, she would surely have written to him to give him some comfort; but it appeared that she held it right to discourage him. As Adam's confidence waned, his patience waned with it, and he thought he must write himself. He must ask Dinah not to leave him in painful doubt longer than was needful. He sat up late one night to write her a letter, but the next morning he burnt it, afraid of its effect. It would be worse to have a discouraging answer by letter than from her own lips, for her presence reconciled him to her will. You perceive how it was: Adam was hungering for the sight of Dinah, and when that sort of hunger reaches a certain stage, a lover is likely to still it though he may have to put his future in pawn. But what harm could he do by going to Snowfield? Dinah could not be displeased with him for it. She had not forbidden him to go. She must surely expect that he would go before long. By the second Sunday in October this view of the case had become so clear to Adam that he was already on his way to Snowfield, on horseback this time, for his hours were precious now, and he had borrowed Jonathan Burge's good nag for the journey. What keen memories went along the road with him! He had often been to Oakbourne and back since that first journey to Snowfield, but beyond Oakbourne the greystone walls, the broken country, the meagre trees, seemed to be telling him afresh the story of that painful past which he knew so well by heart. But no story is the same to us after a lapse of time--or rather, we who read it are no longer the same interpreters--and Adam this morning brought with him new thoughts through that grey country, thoughts which gave an altered significance to its story of the past. That is a base and selfish, even a blasphemous, spirit which rejoices and is thankful over the past evil that has blighted or crushed another, because it has been made a source of unforeseen good to ourselves. Adam could never cease to mourn over that mystery of human sorrow which had been brought so close to him; he could never thank God for another's misery. And if I were capable of that narrow-sighted joy in Adam's behalf, I should still know he was not the man to feel it for himself. He would have shaken his head at such a sentiment and said, "Evil's evil, and sorrow's sorrow, and you can't alter it's natur by wrapping it up in other words. Other folks were not created for my sake, that I should think all square when things turn out well for me." But it is not ignoble to feel that the fuller life which a sad experience has brought us is worth our own personal share of pain. Surely it is not possible to feel otherwise, any more than it would be possible for a man with cataract to regret the painful process by which his dim blurred sight of men as trees walking had been exchanged for clear outline and effulgent day. The growth of higher feeling within us is like the growth of faculty, bringing with it a sense of added strength. We can no more wish to return to a narrower sympathy than a painter or a musician can wish to return to his cruder manner, or a philosopher to his less complete formula. Something like this sense of enlarged being was in Adam's mind this Sunday morning, as he rode along in vivid recollection of the past. His feeling towards Dinah, the hope of passing his life with her, had been the distant unseen point towards which that hard journey from Snowfield eighteen months ago had been leading him. Tender and deep as his love for Hetty had been--so deep that the roots of it would never be torn away--his love for Dinah was better and more precious to him, for it was the outgrowth of that fuller life which had come to him from his acquaintance with deep sorrow. "It's like as if it was a new strength to me," he said to himself, "to love her and know as she loves me. I shall look t' her to help me to see things right. For she's better than I am--there's less o' self in her, and pride. And it's a feeling as gives you a sort o' liberty, as if you could walk more fearless, when you've more trust in another than y' have in yourself. I've always been thinking I knew better than them as belonged to me, and that's a poor sort o' life, when you can't look to them nearest to you t' help you with a bit better thought than what you've got inside you a'ready." It was more than two o'clock in the afternoon when Adam came in sight of the grey town on the hill-side and looked searchingly towards the green valley below, for the first glimpse of the old thatched roof near the ugly red mill. The scene looked less harsh in the soft October sunshine than it had in the eager time of early spring, and the one grand charm it possessed in common with all wide-stretching woodless regions--that it filled you with a new consciousness of the overarching sky--had a milder, more soothing influence than usual, on this almost cloudless day. Adam's doubts and fears melted under this influence as the delicate weblike clouds had gradually melted away into the clear blue above him. He seemed to see Dinah's gentle face assuring him, with its looks alone, of all he longed to know. He did not expect Dinah to be at home at this hour, but he got down from his horse and tied it at the little gate, that he might ask where she was gone to-day. He had set his mind on following her and bringing her home. She was gone to Sloman's End, a hamlet about three miles off, over the hill, the old woman told him--had set off directly after morning chapel, to preach in a cottage there, as her habit was. Anybody at the town would tell him the way to Sloman's End. So Adam got on his horse again and rode to the town, putting up at the old inn and taking a hasty dinner there in the company of the too chatty landlord, from whose friendly questions and reminiscences he was glad to escape as soon as possible and set out towards Sloman's End. With all his haste it was nearly four o'clock before he could set off, and he thought that as Dinah had gone so early, she would perhaps already be near returning. The little, grey, desolate-looking hamlet, unscreened by sheltering trees, lay in sight long before he reached it, and as he came near he could hear the sound of voices singing a hymn. "Perhaps that's the last hymn before they come away," Adam thought. "I'll walk back a bit and turn again to meet her, farther off the village." He walked back till he got nearly to the top of the hill again, and seated himself on a loose stone, against the low wall, to watch till he should see the little black figure leaving the hamlet and winding up the hill. He chose this spot, almost at the top of the hill, because it was away from all eyes--no house, no cattle, not even a nibbling sheep near--no presence but the still lights and shadows and the great embracing sky. She was much longer coming than he expected. He waited an hour at least watching for her and thinking of her, while the afternoon shadows lengthened and the light grew softer. At last he saw the little black figure coming from between the grey houses and gradually approaching the foot of the hill. Slowly, Adam thought, but Dinah was really walking at her usual pace, with a light quiet step. Now she was beginning to wind along the path up the hill, but Adam would not move yet; he would not meet her too soon; he had set his heart on meeting her in this assured loneliness. And now he began to fear lest he should startle her too much. "Yet," he thought, "she's not one to be overstartled; she's always so calm and quiet, as if she was prepared for anything." What was she thinking of as she wound up the hill? Perhaps she had found complete repose without him, and had ceased to feel any need of his love. On the verge of a decision we all tremble: hope pauses with fluttering wings. But now at last she was very near, and Adam rose from the stone wall. It happened that just as he walked forward, Dinah had paused and turned round to look back at the village--who does not pause and look back in mounting a hill? Adam was glad, for, with the fine instinct of a lover, he felt that it would be best for her to hear his voice before she saw him. He came within three paces of her and then said, "Dinah!" She started without looking round, as if she connected the sound with no place. "Dinah!" Adam said again. He knew quite well what was in her mind. She was so accustomed to think of impressions as purely spiritual monitions that she looked for no material visible accompaniment of the voice. But this second time she looked round. What a look of yearning love it was that the mild grey eyes turned on the strong dark-eyed man! She did not start again at the sight of him; she said nothing, but moved towards him so that his arm could clasp her round. And they walked on so in silence, while the warm tears fell. Adam was content, and said nothing. It was Dinah who spoke first. "Adam," she said, "it is the Divine Will. My soul is so knit to yours that it is but a divided life I live without you. And this moment, now you are with me, and I feel that our hearts are filled with the same love. I have a fulness of strength to bear and do our heavenly Father's Will that I had lost before." Adam paused and looked into her sincere eyes. "Then we'll never part any more, Dinah, till death parts us." And they kissed each other with a deep joy. What greater thing is there for two human souls than to feel that they are joined for life--to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting? ----------CHAPTER 55--------- IN little more than a month after that meeting on the hill--on a rimy morning in departing November--Adam and Dinah were married. It was an event much thought of in the village. All Mr. Burge's men had a holiday, and all Mr. Poyser's, and most of those who had a holiday appeared in their best clothes at the wedding. I think there was hardly an inhabitant of Hayslope specially mentioned in this history and still resident in the parish on this November morning who was not either in church to see Adam and Dinah married, or near the church door to greet them as they came forth. Mrs. Irwine and her daughters were waiting at the churchyard gates in their carriage (for they had a carriage now) to shake hands with the bride and bridegroom and wish them well; and in the absence of Miss Lydia Donnithorne at Bath, Mrs. Best, Mr. Mills, and Mr. Craig had felt it incumbent on them to represent "the family" at the Chase on the occasion. The churchyard walk was quite lined with familiar faces, many of them faces that had first looked at Dinah when she preached on the Green. And no wonder they showed this eager interest on her marriage morning, for nothing like Dinah and the history which had brought her and Adam Bede together had been known at Hayslope within the memory of man. Bessy Cranage, in her neatest cap and frock, was crying, though she did not exactly know why; for, as her cousin Wiry Ben, who stood near her, judiciously suggested, Dinah was not going away, and if Bessy was in low spirits, the best thing for her to do was to follow Dinah's example and marry an honest fellow who was ready to have her. Next to Bessy, just within the church door, there were the Poyser children, peeping round the corner of the pews to get a sight of the mysterious ceremony; Totty's face wearing an unusual air of anxiety at the idea of seeing cousin Dinah come back looking rather old, for in Totty's experience no married people were young. I envy them all the sight they had when the marriage was fairly ended and Adam led Dinah out of church. She was not in black this morning, for her Aunt Poyser would by no means allow such a risk of incurring bad luck, and had herself made a present of the wedding dress, made all of grey, though in the usual Quaker form, for on this point Dinah could not give way. So the lily face looked out with sweet gravity from under a grey Quaker bonnet, neither smiling nor blushing, but with lips trembling a little under the weight of solemn feelings. Adam, as he pressed her arm to his side, walked with his old erectness and his head thrown rather backward as if to face all the world better. But it was not because he was particularly proud this morning, as is the wont of bridegrooms, for his happiness was of a kind that had little reference to men's opinion of it. There was a tinge of sadness in his deep joy; Dinah knew it, and did not feel aggrieved. There were three other couples, following the bride and bridegroom: first, Martin Poyser, looking as cheery as a bright fire on this rimy morning, led quiet Mary Burge, the bridesmaid; then came Seth serenely happy, with Mrs. Poyser on his arm; and last of all Bartle Massey, with Lisbeth--Lisbeth in a new gown and bonnet, too busy with her pride in her son and her delight in possessing the one daughter she had desired to devise a single pretext for complaint. Bartle Massey had consented to attend the wedding at Adam's earnest request, under protest against marriage in general and the marriage of a sensible man in particular. Nevertheless, Mr. Poyser had a joke against him after the wedding dinner, to the effect that in the vestry he had given the bride one more kiss than was necessary. Behind this last couple came Mr. Irwine, glad at heart over this good morning's work of joining Adam and Dinah. For he had seen Adam in the worst moments of his sorrow; and what better harvest from that painful seed-time could there be than this? The love that had brought hope and comfort in the hour of despair, the love that had found its way to the dark prison cell and to poor Hetty's darker soul--this strong gentle love was to be Adam's companion and helper till death. There was much shaking of hands mingled with "God bless you's" and other good wishes to the four couples, at the churchyard gate, Mr. Poyser answering for the rest with unwonted vivacity of tongue, for he had all the appropriate wedding-day jokes at his command. And the women, he observed, could never do anything but put finger in eye at a wedding. Even Mrs. Poyser could not trust herself to speak as the neighbours shook hands with her, and Lisbeth began to cry in the face of the very first person who told her she was getting young again. Mr. Joshua Rann, having a slight touch of rheumatism, did not join in the ringing of the bells this morning, and, looking on with some contempt at these informal greetings which required no official co-operation from the clerk, began to hum in his musical bass, "Oh what a joyful thing it is," by way of preluding a little to the effect he intended to produce in the wedding psalm next Sunday. "That's a bit of good news to cheer Arthur," said Mr. Irwine to his mother, as they drove off. "I shall write to him the first thing when we get home."

Alice in Wonderland.chapt

cliffnotes

Craft a concise overview of chapter 2 the pool of tears using the context provided.

chapter 1 down the rabbit hole|chapter 2 the pool of tears

After finishing the cake that says "EAT ME," Alice grows to nine feet tall and finds that she can barely get an eye down to the doorway. She begins to cry, and her massive tears form a sizable pool at her feet. The White Rabbit reappears and mutters to himself about keeping a Duchess waiting. Alice attempts to speak to him, but he scuttles away, leaving behind his gloves and fan. Alice picks up the fan and begins fanning herself. She muses on the possibility that she may not be Alice but someone else entirely. To determine if she knows all that Alice is supposed to know, she starts to recite her lessons. She finds that she gets the recitations wrong and considers the idea that she may not be Alice, but possibly a girl she knows named Mabel. Since Mabel knows very little, it makes sense to Alice that her confusion over the lessons must indicate that she has somehow become Mabel. If she is Mabel, there is no reason for her to find her way out of the well to rejoin society. Even though she's confused about her identity, she knows that she must find a way out of the well and back to the world aboveground. Alice realizes that the fanning motion causes her to shrink, so she fans herself down to a size that will allow her to fit through the door. Once again, Alice has forgotten the key, but before she can become upset, she tumbles into a pool of salt water. She thinks she has fallen into the sea, but quickly realizes that she is swimming in her own giant tears. As she swims, she comes across a Mouse, whom she asks for help. The Mouse doesn't understand Alice, so she tries to speak French to him. She recites a line from her French lessons, inquiring after a cat. At the mention of the cat, the Mouse leaps with fright. Alice apologizes but then absentmindedly chatters about her cat Dinah. The Mouse becomes offended, so she changes the subject to dogs. The talk of dogs only frightens the Mouse more, and he begins to swim away. Alice promises to stop talking about cats and dogs if the Mouse will come back. The Mouse swims back to Alice, telling her to follow it to shore, where he will tell his history to explain his hatred for cats and dogs. Now accompanied by several other animals that have fallen into the pool, including a Duck, a Dodo, a Lory, and an Eaglet, Alice and the Mouse swim to shore.

----------CHAPTER 1 DOWN THE RABBIT HOLE--------- Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, 'and what is the use of a book,' thought Alice 'without pictures or conversations?' So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so VERY remarkable in that; nor did Alice think it so VERY much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually TOOK A WATCH OUT OF ITS WAISTCOAT-POCKET, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled 'ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it. 'Well!' thought Alice to herself, 'after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!' (Which was very likely true.) Down, down, down. Would the fall NEVER come to an end! 'I wonder how many miles I've fallen by this time?' she said aloud. 'I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a VERY good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) '--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. 'I wonder if I shall fall right THROUGH the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--' (she was rather glad there WAS no one listening, this time, as it didn't sound at all the right word) '--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?' (and she tried to curtsey as she spoke--fancy CURTSEYING as you're falling through the air! Do you think you could manage it?) 'And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere.' Down, down, down. There was nothing else to do, so Alice soon began talking again. 'Dinah'll miss me very much to-night, I should think!' (Dinah was the cat.) 'I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?' And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, 'Do cats eat bats? Do cats eat bats?' and sometimes, 'Do bats eat cats?' for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, 'Now, Dinah, tell me the truth: did you ever eat a bat?' when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, 'Oh my ears and whiskers, how late it's getting!' She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice's first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; 'and even if my head would go through,' thought poor Alice, 'it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin.' For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, ('which certainly was not here before,' said Alice,) and round the neck of the bottle was a paper label, with the words 'DRINK ME' beautifully printed on it in large letters. It was all very well to say 'Drink me,' but the wise little Alice was not going to do THAT in a hurry. 'No, I'll look first,' she said, 'and see whether it's marked "poison" or not'; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they WOULD not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger VERY deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked 'poison,' it is almost certain to disagree with you, sooner or later. However, this bottle was NOT marked 'poison,' so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. 'What a curious feeling!' said Alice; 'I must be shutting up like a telescope.' And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; 'for it might end, you know,' said Alice to herself, 'in my going out altogether, like a candle. I wonder what I should be like then?' And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. 'Come, there's no use in crying like that!' said Alice to herself, rather sharply; 'I advise you to leave off this minute!' She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. 'But it's no use now,' thought poor Alice, 'to pretend to be two people! Why, there's hardly enough of me left to make ONE respectable person!' Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words 'EAT ME' were beautifully marked in currants. 'Well, I'll eat it,' said Alice, 'and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!' She ate a little bit, and said anxiously to herself, 'Which way? Which way?', holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. So she set to work, and very soon finished off the cake. ----------CHAPTER 2 THE POOL OF TEARS--------- 'Curiouser and curiouser!' cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); 'now I'm opening out like the largest telescope that ever was! Good-bye, feet!' (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). 'Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them,' thought Alice, 'or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas.' And she went on planning to herself how she would manage it. 'They must go by the carrier,' she thought; 'and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! ALICE'S RIGHT FOOT, ESQ. HEARTHRUG, NEAR THE FENDER, (WITH ALICE'S LOVE). Oh dear, what nonsense I'm talking!' Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. 'You ought to be ashamed of yourself,' said Alice, 'a great girl like you,' (she might well say this), 'to go on crying in this way! Stop this moment, I tell you!' But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, 'Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!' Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, 'If you please, sir--' The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: 'Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, THAT'S the great puzzle!' And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. 'I'm sure I'm not Ada,' she said, 'for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, SHE'S she, and I'm I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, THAT'S all wrong, I'm certain! I must have been changed for Mabel! I'll try and say "How doth the little--"' and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- 'How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale! 'How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!' 'I'm sure those are not the right words,' said poor Alice, and her eyes filled with tears again as she went on, 'I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying "Come up again, dear!" I shall only look up and say "Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else"--but, oh dear!' cried Alice, with a sudden burst of tears, 'I do wish they WOULD put their heads down! I am so VERY tired of being all alone here!' As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. 'How CAN I have done that?' she thought. 'I must be growing small again.' She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. 'That WAS a narrow escape!' said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; 'and now for the garden!' and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, 'and things are worse than ever,' thought the poor child, 'for I never was so small as this before, never! And I declare it's too bad, that it is!' As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, 'and in that case I can go back by railway,' she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. 'I wish I hadn't cried so much!' said Alice, as she swam about, trying to find her way out. 'I shall be punished for it now, I suppose, by being drowned in my own tears! That WILL be a queer thing, to be sure! However, everything is queer to-day.' Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. 'Would it be of any use, now,' thought Alice, 'to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying.' So she began: 'O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!' (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, 'A mouse--of a mouse--to a mouse--a mouse--O mouse!') The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. 'Perhaps it doesn't understand English,' thought Alice; 'I daresay it's a French mouse, come over with William the Conqueror.' (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: 'Ou est ma chatte?' which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. 'Oh, I beg your pardon!' cried Alice hastily, afraid that she had hurt the poor animal's feelings. 'I quite forgot you didn't like cats.' 'Not like cats!' cried the Mouse, in a shrill, passionate voice. 'Would YOU like cats if you were me?' 'Well, perhaps not,' said Alice in a soothing tone: 'don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing,' Alice went on, half to herself, as she swam lazily about in the pool, 'and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!' cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. 'We won't talk about her any more if you'd rather not.' 'We indeed!' cried the Mouse, who was trembling down to the end of his tail. 'As if I would talk on such a subject! Our family always HATED cats: nasty, low, vulgar things! Don't let me hear the name again!' 'I won't indeed!' said Alice, in a great hurry to change the subject of conversation. 'Are you--are you fond--of--of dogs?' The Mouse did not answer, so Alice went on eagerly: 'There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!' cried Alice in a sorrowful tone, 'I'm afraid I've offended it again!' For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, 'Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!' When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, 'Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs.' It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore.

cliffnotes

Generate a succinct summary for chapter 4 the rabbit sends in a little bill with the given context.

chapter 3 a caucus race and a long tale|chapter 4 the rabbit sends in a little bill

The White Rabbit approaches Alice, looking for his gloves and fan. Alice searches dutifully but cannot find them. The White Rabbit mistakes Alice for his housemaid, Mary Ann, and commands her to go to his house and fetch his things. Startled by the Rabbit's demands, Alice obeys and soon finds his house. As she walks, she thinks about how strange it is to take orders from animals and imagines that her cat Dinah might start ordering her around when she gets back home. Inside of the house, she finds the gloves and fan, as well as a little bottle labeled "DRINK ME." Curious to find out what the contents of the bottle will do, Alice drinks the liquid. Before she can finish, she begins growing rapidly and can barely fit in the room. Her arm dangles from a window and her foot becomes wedged in the chimney. Alice decides that her adventures are like a fairy tale and imagines writing her own stories once she grows up. Given her new size, she reasons that perhaps she has in fact grown up and will never age. The White Rabbit interrupts her train of thought by calling for his fan and gloves. He tries to storm into the house, but Alice's giant arm prevents the door from opening. The Rabbit tries to climb through the window, but Alice bats him away with her giant hand. The Rabbit calls out for his servant, Pat, and the two begin to plot a way to deal with Alice when she swats them away again. The Rabbit and Pat recruit another servant, a lizard named Bill, to climb down the chimney, but Alice launches him into the air with her foot. A crowd gathered outside calls to burn down the house. Alice threatens to send Dinah to get them and they begin hurling pebbles through the window at her face. The pebbles transform into cakes, and reasoning that the cakes might cause her to become smaller, Alice eats one and shrinks. She leaves the house and encounters a mob of animals ready to rush her. Alice flees and heads into a wood where she thinks about how she might return to her normal size and find the garden. A sharp bark causes her to look up at an enormous puppy standing over her. Afraid it might be hungry, Alice tires it out by teasing it with a stick. She then sets off, wondering what she might eat or drink to return to her original height. She comes across a giant mushroom and climbs to the top, discovering a blue caterpillar smoking a hookah with an air of indifference.

----------CHAPTER 3 A CAUCUS RACE AND A LONG TALE--------- They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, 'I am older than you, and must know better'; and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, 'Sit down, all of you, and listen to me! I'LL soon make you dry enough!' They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. 'Ahem!' said the Mouse with an important air, 'are you all ready? This is the driest thing I know. Silence all round, if you please! "William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--"' 'Ugh!' said the Lory, with a shiver. 'I beg your pardon!' said the Mouse, frowning, but very politely: 'Did you speak?' 'Not I!' said the Lory hastily. 'I thought you did,' said the Mouse. '--I proceed. "Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--"' 'Found WHAT?' said the Duck. 'Found IT,' the Mouse replied rather crossly: 'of course you know what "it" means.' 'I know what "it" means well enough, when I find a thing,' said the Duck: 'it's generally a frog or a worm. The question is, what did the archbishop find?' The Mouse did not notice this question, but hurriedly went on, '"--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--" How are you getting on now, my dear?' it continued, turning to Alice as it spoke. 'As wet as ever,' said Alice in a melancholy tone: 'it doesn't seem to dry me at all.' 'In that case,' said the Dodo solemnly, rising to its feet, 'I move that the meeting adjourn, for the immediate adoption of more energetic remedies--' 'Speak English!' said the Eaglet. 'I don't know the meaning of half those long words, and, what's more, I don't believe you do either!' And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. 'What I was going to say,' said the Dodo in an offended tone, 'was, that the best thing to get us dry would be a Caucus-race.' 'What IS a Caucus-race?' said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that SOMEBODY ought to speak, and no one else seemed inclined to say anything. 'Why,' said the Dodo, 'the best way to explain it is to do it.' (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, ('the exact shape doesn't matter,' it said,) and then all the party were placed along the course, here and there. There was no 'One, two, three, and away,' but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out 'The race is over!' and they all crowded round it, panting, and asking, 'But who has won?' This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, 'EVERYBODY has won, and all must have prizes.' 'But who is to give the prizes?' quite a chorus of voices asked. 'Why, SHE, of course,' said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, 'Prizes! Prizes!' Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece all round. 'But she must have a prize herself, you know,' said the Mouse. 'Of course,' the Dodo replied very gravely. 'What else have you got in your pocket?' he went on, turning to Alice. 'Only a thimble,' said Alice sadly. 'Hand it over here,' said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying 'We beg your acceptance of this elegant thimble'; and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. 'You promised to tell me your history, you know,' said Alice, 'and why it is you hate--C and D,' she added in a whisper, half afraid that it would be offended again. 'Mine is a long and a sad tale!' said the Mouse, turning to Alice, and sighing. 'It IS a long tail, certainly,' said Alice, looking down with wonder at the Mouse's tail; 'but why do you call it sad?' And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- 'Fury said to a mouse, That he met in the house, "Let us both go to law: I will prosecute YOU.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do." Said the mouse to the cur, "Such a trial, dear Sir, With no jury or judge, would be wasting our breath." "I'll be judge, I'll be jury," Said cunning old Fury: "I'll try the whole cause, and condemn you to death."' 'You are not attending!' said the Mouse to Alice severely. 'What are you thinking of?' 'I beg your pardon,' said Alice very humbly: 'you had got to the fifth bend, I think?' 'I had NOT!' cried the Mouse, sharply and very angrily. 'A knot!' said Alice, always ready to make herself useful, and looking anxiously about her. 'Oh, do let me help to undo it!' 'I shall do nothing of the sort,' said the Mouse, getting up and walking away. 'You insult me by talking such nonsense!' 'I didn't mean it!' pleaded poor Alice. 'But you're so easily offended, you know!' The Mouse only growled in reply. 'Please come back and finish your story!' Alice called after it; and the others all joined in chorus, 'Yes, please do!' but the Mouse only shook its head impatiently, and walked a little quicker. 'What a pity it wouldn't stay!' sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter 'Ah, my dear! Let this be a lesson to you never to lose YOUR temper!' 'Hold your tongue, Ma!' said the young Crab, a little snappishly. 'You're enough to try the patience of an oyster!' 'I wish I had our Dinah here, I know I do!' said Alice aloud, addressing nobody in particular. 'She'd soon fetch it back!' 'And who is Dinah, if I might venture to ask the question?' said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: 'Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!' This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, 'I really must be getting home; the night-air doesn't suit my throat!' and a Canary called out in a trembling voice to its children, 'Come away, my dears! It's high time you were all in bed!' On various pretexts they all moved off, and Alice was soon left alone. 'I wish I hadn't mentioned Dinah!' she said to herself in a melancholy tone. 'Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!' And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. ----------CHAPTER 4 THE RABBIT SENDS IN A LITTLE BILL--------- It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself 'The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where CAN I have dropped them, I wonder?' Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, 'Why, Mary Ann, what ARE you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!' And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. 'He took me for his housemaid,' she said to herself as she ran. 'How surprised he'll be when he finds out who I am! But I'd better take him his fan and gloves--that is, if I can find them.' As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name 'W. RABBIT' engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves. 'How queer it seems,' Alice said to herself, 'to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!' And she began fancying the sort of thing that would happen: '"Miss Alice! Come here directly, and get ready for your walk!" "Coming in a minute, nurse! But I've got to see that the mouse doesn't get out." Only I don't think,' Alice went on, 'that they'd let Dinah stop in the house if it began ordering people about like that!' By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words 'DRINK ME,' but nevertheless she uncorked it and put it to her lips. 'I know SOMETHING interesting is sure to happen,' she said to herself, 'whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!' It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself 'That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!' Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself 'Now I can do no more, whatever happens. What WILL become of me?' Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. 'It was much pleasanter at home,' thought poor Alice, 'when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what CAN have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,' she added in a sorrowful tone; 'at least there's no room to grow up any more HERE.' 'But then,' thought Alice, 'shall I NEVER get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like THAT!' 'Oh, you foolish Alice!' she answered herself. 'How can you learn lessons in here? Why, there's hardly room for YOU, and no room at all for any lesson-books!' And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. 'Mary Ann! Mary Ann!' said the voice. 'Fetch me my gloves this moment!' Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself 'Then I'll go round and get in at the window.' 'THAT you won't' thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--'Pat! Pat! Where are you?' And then a voice she had never heard before, 'Sure then I'm here! Digging for apples, yer honour!' 'Digging for apples, indeed!' said the Rabbit angrily. 'Here! Come and help me out of THIS!' (Sounds of more broken glass.) 'Now tell me, Pat, what's that in the window?' 'Sure, it's an arm, yer honour!' (He pronounced it 'arrum.') 'An arm, you goose! Who ever saw one that size? Why, it fills the whole window!' 'Sure, it does, yer honour: but it's an arm for all that.' 'Well, it's got no business there, at any rate: go and take it away!' There was a long silence after this, and Alice could only hear whispers now and then; such as, 'Sure, I don't like it, yer honour, at all, at all!' 'Do as I tell you, you coward!' and at last she spread out her hand again, and made another snatch in the air. This time there were TWO little shrieks, and more sounds of broken glass. 'What a number of cucumber-frames there must be!' thought Alice. 'I wonder what they'll do next! As for pulling me out of the window, I only wish they COULD! I'm sure I don't want to stay in here any longer!' She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: 'Where's the other ladder?--Why, I hadn't to bring but one; Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up at this corner--No, tie 'em together first--they don't reach half high enough yet--Oh! they'll do well enough; don't be particular--Here, Bill! catch hold of this rope--Will the roof bear?--Mind that loose slate--Oh, it's coming down! Heads below!' (a loud crash)--'Now, who did that?--It was Bill, I fancy--Who's to go down the chimney?--Nay, I shan't! YOU do it!--That I won't, then!--Bill's to go down--Here, Bill! the master says you're to go down the chimney!' 'Oh! So Bill's got to come down the chimney, has he?' said Alice to herself. 'Shy, they seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: this fireplace is narrow, to be sure; but I THINK I can kick a little!' She drew her foot as far down the chimney as she could, and waited till she heard a little animal (she couldn't guess of what sort it was) scratching and scrambling about in the chimney close above her: then, saying to herself 'This is Bill,' she gave one sharp kick, and waited to see what would happen next. The first thing she heard was a general chorus of 'There goes Bill!' then the Rabbit's voice along--'Catch him, you by the hedge!' then silence, and then another confusion of voices--'Hold up his head--Brandy now--Don't choke him--How was it, old fellow? What happened to you? Tell us all about it!' Last came a little feeble, squeaking voice, ('That's Bill,' thought Alice,) 'Well, I hardly know--No more, thank ye; I'm better now--but I'm a deal too flustered to tell you--all I know is, something comes at me like a Jack-in-the-box, and up I goes like a sky-rocket!' 'So you did, old fellow!' said the others. 'We must burn the house down!' said the Rabbit's voice; and Alice called out as loud as she could, 'If you do. I'll set Dinah at you!' There was a dead silence instantly, and Alice thought to herself, 'I wonder what they WILL do next! If they had any sense, they'd take the roof off.' After a minute or two, they began moving about again, and Alice heard the Rabbit say, 'A barrowful will do, to begin with.' 'A barrowful of WHAT?' thought Alice; but she had not long to doubt, for the next moment a shower of little pebbles came rattling in at the window, and some of them hit her in the face. 'I'll put a stop to this,' she said to herself, and shouted out, 'You'd better not do that again!' which produced another dead silence. Alice noticed with some surprise that the pebbles were all turning into little cakes as they lay on the floor, and a bright idea came into her head. 'If I eat one of these cakes,' she thought, 'it's sure to make SOME change in my size; and as it can't possibly make me larger, it must make me smaller, I suppose.' So she swallowed one of the cakes, and was delighted to find that she began shrinking directly. As soon as she was small enough to get through the door, she ran out of the house, and found quite a crowd of little animals and birds waiting outside. The poor little Lizard, Bill, was in the middle, being held up by two guinea-pigs, who were giving it something out of a bottle. They all made a rush at Alice the moment she appeared; but she ran off as hard as she could, and soon found herself safe in a thick wood. 'The first thing I've got to do,' said Alice to herself, as she wandered about in the wood, 'is to grow to my right size again; and the second thing is to find my way into that lovely garden. I think that will be the best plan.' It sounded an excellent plan, no doubt, and very neatly and simply arranged; the only difficulty was, that she had not the smallest idea how to set about it; and while she was peering about anxiously among the trees, a little sharp bark just over her head made her look up in a great hurry. An enormous puppy was looking down at her with large round eyes, and feebly stretching out one paw, trying to touch her. 'Poor little thing!' said Alice, in a coaxing tone, and she tried hard to whistle to it; but she was terribly frightened all the time at the thought that it might be hungry, in which case it would be very likely to eat her up in spite of all her coaxing. Hardly knowing what she did, she picked up a little bit of stick, and held it out to the puppy; whereupon the puppy jumped into the air off all its feet at once, with a yelp of delight, and rushed at the stick, and made believe to worry it; then Alice dodged behind a great thistle, to keep herself from being run over; and the moment she appeared on the other side, the puppy made another rush at the stick, and tumbled head over heels in its hurry to get hold of it; then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again; then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut. This seemed to Alice a good opportunity for making her escape; so she set off at once, and ran till she was quite tired and out of breath, and till the puppy's bark sounded quite faint in the distance. 'And yet what a dear little puppy it was!' said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: 'I should have liked teaching it tricks very much, if--if I'd only been the right size to do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me see--how IS it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?' The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it. She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else.

cliffnotes

Produce a brief summary for chapter 6 pig and pepper based on the provided context.

chapter 5 advice from a caterpillar|chapter 6 pig and pepper

From the wood, Alice sees a fish in footman's livery approach the house and knock on the door. A similarly dressed frog answers the door and receives a letter inviting the Duchess to play croquet with the Queen. After the Fish Footman leaves, Alice approaches the Frog Footman, who sits on the ground staring stupidly up at the sky. Alice knocks at the door, but the Frog Footman explains that now that she is outside, no one will answer her knock since the people inside are making too much noise to hear her. He tells her he plans to sit there for days and seems unsurprised when the door opens a crack and a plate flies out and grazes his nose. Annoyed with his idiotic manner, Alice opens the door and finds herself in a kitchen. A Duchess nurses a baby, a grinning cat sits on the hearth, and a Cook stands at the stove, dumping pepper into a cauldron of soup. The pepper causes the Duchess and the baby to sneeze incessantly. Alice inquires why the cat grins and learns from the Duchess that it is a Cheshire Cat. Wondering aloud why a cat would grin at all, the Duchess insults Alice, telling her that she must not know very much. Meanwhile, the Cook hurls objects randomly at the Duchess and the baby, including fire-irons, saucepans, and plates. Alice tells the Cook to mind herself, and attempts to change the subject of conversation by bringing up the earth's axis. The Duchess mishears Alice, and thinking she is talking about axes, spontaneously shouts, "Chop off her head!" The Duchess starts to sing a nasty lullaby to the baby, roughly tussling it as she sings. Upon finishing, she flings the baby at Alice and hurries out of the room to prepare for croquet with the Queen. Alice takes the baby outside, only to discover that it is a pig. After she lets the pig toddle off, she encounters the Cheshire Cat again, grinning broadly as it rests on the bough of a tree. After inquiring of the Cheshire Cat where she might go next, he tells her that no matter where she goes she will end up somewhere. The Cheshire Cat arbitrarily suggests she visit the Mad Hatter and the March Hare, but warns her that they are both mad. When Alice responds that she does not want to be among mad people, he tells her that all people are mad, and if she is in Wonderland, she must be mad too. Alice attempts to press the point, but the Cheshire Cat changes the subject, telling Alice that it will see her at the Queen's croquet match later. The Cheshire Cat vanishes and reappears before fading to nothing but a disembodied grin, leaving Alice to travel onward to the March Hare's house. Upon discovering that the house is larger than she is, Alice consumes a portion of the Caterpillar's mushroom and grows to two feet tall.

----------CHAPTER 5 ADVICE FROM A CATERPILLAR--------- The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. 'Who are YOU?' said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, 'I--I hardly know, sir, just at present--at least I know who I WAS when I got up this morning, but I think I must have been changed several times since then.' 'What do you mean by that?' said the Caterpillar sternly. 'Explain yourself!' 'I can't explain MYSELF, I'm afraid, sir' said Alice, 'because I'm not myself, you see.' 'I don't see,' said the Caterpillar. 'I'm afraid I can't put it more clearly,' Alice replied very politely, 'for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing.' 'It isn't,' said the Caterpillar. 'Well, perhaps you haven't found it so yet,' said Alice; 'but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?' 'Not a bit,' said the Caterpillar. 'Well, perhaps your feelings may be different,' said Alice; 'all I know is, it would feel very queer to ME.' 'You!' said the Caterpillar contemptuously. 'Who are YOU?' Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such VERY short remarks, and she drew herself up and said, very gravely, 'I think, you ought to tell me who YOU are, first.' 'Why?' said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a VERY unpleasant state of mind, she turned away. 'Come back!' the Caterpillar called after her. 'I've something important to say!' This sounded promising, certainly: Alice turned and came back again. 'Keep your temper,' said the Caterpillar. 'Is that all?' said Alice, swallowing down her anger as well as she could. 'No,' said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, 'So you think you're changed, do you?' 'I'm afraid I am, sir,' said Alice; 'I can't remember things as I used--and I don't keep the same size for ten minutes together!' 'Can't remember WHAT things?' said the Caterpillar. 'Well, I've tried to say "HOW DOTH THE LITTLE BUSY BEE," but it all came different!' Alice replied in a very melancholy voice. 'Repeat, "YOU ARE OLD, FATHER WILLIAM,"' said the Caterpillar. Alice folded her hands, and began:-- 'You are old, Father William,' the young man said, 'And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?' 'In my youth,' Father William replied to his son, 'I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again.' 'You are old,' said the youth, 'as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?' 'In my youth,' said the sage, as he shook his grey locks, 'I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?' 'You are old,' said the youth, 'and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray how did you manage to do it?' 'In my youth,' said his father, 'I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life.' 'You are old,' said the youth, 'one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?' 'I have answered three questions, and that is enough,' Said his father; 'don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!' 'That is not said right,' said the Caterpillar. 'Not QUITE right, I'm afraid,' said Alice, timidly; 'some of the words have got altered.' 'It is wrong from beginning to end,' said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. 'What size do you want to be?' it asked. 'Oh, I'm not particular as to size,' Alice hastily replied; 'only one doesn't like changing so often, you know.' 'I DON'T know,' said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. 'Are you content now?' said the Caterpillar. 'Well, I should like to be a LITTLE larger, sir, if you wouldn't mind,' said Alice: 'three inches is such a wretched height to be.' 'It is a very good height indeed!' said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). 'But I'm not used to it!' pleaded poor Alice in a piteous tone. And she thought of herself, 'I wish the creatures wouldn't be so easily offended!' 'You'll get used to it in time,' said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, 'One side will make you grow taller, and the other side will make you grow shorter.' 'One side of WHAT? The other side of WHAT?' thought Alice to herself. 'Of the mushroom,' said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. 'And now which is which?' she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * 'Come, my head's free at last!' said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. 'What CAN all that green stuff be?' said Alice. 'And where HAVE my shoulders got to? And oh, my poor hands, how is it I can't see you?' She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. 'Serpent!' screamed the Pigeon. 'I'm NOT a serpent!' said Alice indignantly. 'Let me alone!' 'Serpent, I say again!' repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, 'I've tried every way, and nothing seems to suit them!' 'I haven't the least idea what you're talking about,' said Alice. 'I've tried the roots of trees, and I've tried banks, and I've tried hedges,' the Pigeon went on, without attending to her; 'but those serpents! There's no pleasing them!' Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. 'As if it wasn't trouble enough hatching the eggs,' said the Pigeon; 'but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!' 'I'm very sorry you've been annoyed,' said Alice, who was beginning to see its meaning. 'And just as I'd taken the highest tree in the wood,' continued the Pigeon, raising its voice to a shriek, 'and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!' 'But I'm NOT a serpent, I tell you!' said Alice. 'I'm a--I'm a--' 'Well! WHAT are you?' said the Pigeon. 'I can see you're trying to invent something!' 'I--I'm a little girl,' said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. 'A likely story indeed!' said the Pigeon in a tone of the deepest contempt. 'I've seen a good many little girls in my time, but never ONE with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!' 'I HAVE tasted eggs, certainly,' said Alice, who was a very truthful child; 'but little girls eat eggs quite as much as serpents do, you know.' 'I don't believe it,' said the Pigeon; 'but if they do, why then they're a kind of serpent, that's all I can say.' This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, 'You're looking for eggs, I know THAT well enough; and what does it matter to me whether you're a little girl or a serpent?' 'It matters a good deal to ME,' said Alice hastily; 'but I'm not looking for eggs, as it happens; and if I was, I shouldn't want YOURS: I don't like them raw.' 'Well, be off, then!' said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. 'Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how IS that to be done, I wonder?' As she said this, she came suddenly upon an open place, with a little house in it about four feet high. 'Whoever lives there,' thought Alice, 'it'll never do to come upon them THIS size: why, I should frighten them out of their wits!' So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. ----------CHAPTER 6 PIG AND PEPPER--------- For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, 'For the Duchess. An invitation from the Queen to play croquet.' The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, 'From the Queen. An invitation for the Duchess to play croquet.' Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. 'There's no sort of use in knocking,' said the Footman, 'and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you.' And certainly there was a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. 'Please, then,' said Alice, 'how am I to get in?' 'There might be some sense in your knocking,' the Footman went on without attending to her, 'if we had the door between us. For instance, if you were INSIDE, you might knock, and I could let you out, you know.' He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. 'But perhaps he can't help it,' she said to herself; 'his eyes are so VERY nearly at the top of his head. But at any rate he might answer questions.--How am I to get in?' she repeated, aloud. 'I shall sit here,' the Footman remarked, 'till tomorrow--' At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. '--or next day, maybe,' the Footman continued in the same tone, exactly as if nothing had happened. 'How am I to get in?' asked Alice again, in a louder tone. 'ARE you to get in at all?' said the Footman. 'That's the first question, you know.' It was, no doubt: only Alice did not like to be told so. 'It's really dreadful,' she muttered to herself, 'the way all the creatures argue. It's enough to drive one crazy!' The Footman seemed to think this a good opportunity for repeating his remark, with variations. 'I shall sit here,' he said, 'on and off, for days and days.' 'But what am I to do?' said Alice. 'Anything you like,' said the Footman, and began whistling. 'Oh, there's no use in talking to him,' said Alice desperately: 'he's perfectly idiotic!' And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. 'There's certainly too much pepper in that soup!' Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. 'Please would you tell me,' said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, 'why your cat grins like that?' 'It's a Cheshire cat,' said the Duchess, 'and that's why. Pig!' She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- 'I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats COULD grin.' 'They all can,' said the Duchess; 'and most of 'em do.' 'I don't know of any that do,' Alice said very politely, feeling quite pleased to have got into a conversation. 'You don't know much,' said the Duchess; 'and that's a fact.' Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. 'Oh, PLEASE mind what you're doing!' cried Alice, jumping up and down in an agony of terror. 'Oh, there goes his PRECIOUS nose'; as an unusually large saucepan flew close by it, and very nearly carried it off. 'If everybody minded their own business,' the Duchess said in a hoarse growl, 'the world would go round a deal faster than it does.' 'Which would NOT be an advantage,' said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. 'Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--' 'Talking of axes,' said the Duchess, 'chop off her head!' Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: 'Twenty-four hours, I THINK; or is it twelve? I--' 'Oh, don't bother ME,' said the Duchess; 'I never could abide figures!' And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: 'Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases.' CHORUS. (In which the cook and the baby joined):-- 'Wow! wow! wow!' While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- 'I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!' CHORUS. 'Wow! wow! wow!' 'Here! you may nurse it a bit, if you like!' the Duchess said to Alice, flinging the baby at her as she spoke. 'I must go and get ready to play croquet with the Queen,' and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, 'just like a star-fish,' thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. 'IF I don't take this child away with me,' thought Alice, 'they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?' She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). 'Don't grunt,' said Alice; 'that's not at all a proper way of expressing yourself.' The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a VERY turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. 'But perhaps it was only sobbing,' she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. 'If you're going to turn into a pig, my dear,' said Alice, seriously, 'I'll have nothing more to do with you. Mind now!' The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, 'Now, what am I to do with this creature when I get it home?' when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be NO mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. 'If it had grown up,' she said to herself, 'it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.' And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, 'if one only knew the right way to change them--' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had VERY long claws and a great many teeth, so she felt that it ought to be treated with respect. 'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on where you want to get to,' said the Cat. 'I don't much care where--' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '--so long as I get SOMEWHERE,' Alice added as an explanation. 'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.' Alice felt that this could not be denied, so she tried another question. 'What sort of people live about here?' 'In THAT direction,' the Cat said, waving its right paw round, 'lives a Hatter: and in THAT direction,' waving the other paw, 'lives a March Hare. Visit either you like: they're both mad.' 'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat: 'we're all mad here. I'm mad. You're mad.' 'How do you know I'm mad?' said Alice. 'You must be,' said the Cat, 'or you wouldn't have come here.' Alice didn't think that proved it at all; however, she went on 'And how do you know that you're mad?' 'To begin with,' said the Cat, 'a dog's not mad. You grant that?' 'I suppose so,' said Alice. 'Well, then,' the Cat went on, 'you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.' 'I call it purring, not growling,' said Alice. 'Call it what you like,' said the Cat. 'Do you play croquet with the Queen to-day?' 'I should like it very much,' said Alice, 'but I haven't been invited yet.' 'You'll see me there,' said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. 'By-the-bye, what became of the baby?' said the Cat. 'I'd nearly forgotten to ask.' 'It turned into a pig,' Alice quietly said, just as if it had come back in a natural way. 'I thought it would,' said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. 'I've seen hatters before,' she said to herself; 'the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March.' As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. 'Did you say pig, or fig?' said the Cat. 'I said pig,' replied Alice; 'and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy.' 'All right,' said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. 'Well! I've often seen a cat without a grin,' thought Alice; 'but a grin without a cat! It's the most curious thing I ever saw in my life!' She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself 'Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!'

cliffnotes

Generate a succinct summary for chapter 7 a mad tea party with the given context.

chapter 7 a mad tea party|chapter 8 the queen's croquet ground

Alice approaches a large table set under the tree outside the March Hare's house and comes across the Mad Hatter and the March Hare taking tea. They rest their elbows on a sleeping Dormouse who sits between them. They tell Alice that there is no room for her at the table, but Alice sits anyway. The March Hare offers Alice wine, but there is none. Alice tells the March Hare that his conduct is uncivil, to which he rejoins that it was uncivil of her to sit down without being invited. The Mad Hatter enters the conversation, opining that Alice's hair "wants cutting." Alice admonishes his rudeness, but he ignores her scolding and responds with a riddle: "Why is a raven like a writing desk? " Alice attempts to answer the riddle, which begins a big argument about semantics. After their argument, the tea party sits in silence until the Mad Hatter asks the March Hare the time. When he discovers that the March Hare's watch, which measures the day of the month, is broken, the Mad Hatter becomes angry. He blames the March Hare for getting crumbs on the watch when the March Hare was spreading butter on it. The March Hare sullenly dips the watch in his tea, dejectedly remarking that "It was the best butter." Alice gives up on the riddle and becomes angry with the Mad Hatter when she discovers that he doesn't know the answer either. She tells him he should not waste time asking riddles that have no answers. The Mad Hatter calmly explains that Time is a "him," not an "it." He goes on to recount how Time has been upset ever since the Queen of Hearts said the Mad Hatter was "murdering time" while he performed a song badly. Since then, Time has stayed fixed at six o'clock, which means that they exist in perpetual tea-time. Bored with this line of conversation, the March Hare states that he would like to hear a story, so they wake up the Dormouse. The Dormouse tells a story about three sisters who live in a treacle-well, eating and drawing treacle. Confused by the story, Alice interjects with so many questions that the Dormouse becomes insulted. Alice continues to ask questions until the Mad Hatter insults her and she storms off in disgust. As she walks, she looks back at the Mad Hatter and the March Hare as they attempt to stuff the Dormouse into a teapot. In the wood, Alice encounters a tree with a door in it. She enters the door and finds herself back in the great hall. Alice goes back to the table with the key and uses the mushroom to grow to a size that she can reach the key, then to shrink back to the size that she can fit through the door. She goes through the door and at last arrives at the passageway to the garden.

----------CHAPTER 7 A MAD TEA PARTY--------- There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. 'Very uncomfortable for the Dormouse,' thought Alice; 'only, as it's asleep, I suppose it doesn't mind.' The table was a large one, but the three were all crowded together at one corner of it: 'No room! No room!' they cried out when they saw Alice coming. 'There's PLENTY of room!' said Alice indignantly, and she sat down in a large arm-chair at one end of the table. 'Have some wine,' the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. 'I don't see any wine,' she remarked. 'There isn't any,' said the March Hare. 'Then it wasn't very civil of you to offer it,' said Alice angrily. 'It wasn't very civil of you to sit down without being invited,' said the March Hare. 'I didn't know it was YOUR table,' said Alice; 'it's laid for a great many more than three.' 'Your hair wants cutting,' said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. 'You should learn not to make personal remarks,' Alice said with some severity; 'it's very rude.' The Hatter opened his eyes very wide on hearing this; but all he SAID was, 'Why is a raven like a writing-desk?' 'Come, we shall have some fun now!' thought Alice. 'I'm glad they've begun asking riddles.--I believe I can guess that,' she added aloud. 'Do you mean that you think you can find out the answer to it?' said the March Hare. 'Exactly so,' said Alice. 'Then you should say what you mean,' the March Hare went on. 'I do,' Alice hastily replied; 'at least--at least I mean what I say--that's the same thing, you know.' 'Not the same thing a bit!' said the Hatter. 'You might just as well say that "I see what I eat" is the same thing as "I eat what I see"!' 'You might just as well say,' added the March Hare, 'that "I like what I get" is the same thing as "I get what I like"!' 'You might just as well say,' added the Dormouse, who seemed to be talking in his sleep, 'that "I breathe when I sleep" is the same thing as "I sleep when I breathe"!' 'It IS the same thing with you,' said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. 'What day of the month is it?' he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said 'The fourth.' 'Two days wrong!' sighed the Hatter. 'I told you butter wouldn't suit the works!' he added looking angrily at the March Hare. 'It was the BEST butter,' the March Hare meekly replied. 'Yes, but some crumbs must have got in as well,' the Hatter grumbled: 'you shouldn't have put it in with the bread-knife.' The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, 'It was the BEST butter, you know.' Alice had been looking over his shoulder with some curiosity. 'What a funny watch!' she remarked. 'It tells the day of the month, and doesn't tell what o'clock it is!' 'Why should it?' muttered the Hatter. 'Does YOUR watch tell you what year it is?' 'Of course not,' Alice replied very readily: 'but that's because it stays the same year for such a long time together.' 'Which is just the case with MINE,' said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. 'I don't quite understand you,' she said, as politely as she could. 'The Dormouse is asleep again,' said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, 'Of course, of course; just what I was going to remark myself.' 'Have you guessed the riddle yet?' the Hatter said, turning to Alice again. 'No, I give it up,' Alice replied: 'what's the answer?' 'I haven't the slightest idea,' said the Hatter. 'Nor I,' said the March Hare. Alice sighed wearily. 'I think you might do something better with the time,' she said, 'than waste it in asking riddles that have no answers.' 'If you knew Time as well as I do,' said the Hatter, 'you wouldn't talk about wasting IT. It's HIM.' 'I don't know what you mean,' said Alice. 'Of course you don't!' the Hatter said, tossing his head contemptuously. 'I dare say you never even spoke to Time!' 'Perhaps not,' Alice cautiously replied: 'but I know I have to beat time when I learn music.' 'Ah! that accounts for it,' said the Hatter. 'He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!' ('I only wish it was,' the March Hare said to itself in a whisper.) 'That would be grand, certainly,' said Alice thoughtfully: 'but then--I shouldn't be hungry for it, you know.' 'Not at first, perhaps,' said the Hatter: 'but you could keep it to half-past one as long as you liked.' 'Is that the way YOU manage?' Alice asked. The Hatter shook his head mournfully. 'Not I!' he replied. 'We quarrelled last March--just before HE went mad, you know--' (pointing with his tea spoon at the March Hare,) '--it was at the great concert given by the Queen of Hearts, and I had to sing "Twinkle, twinkle, little bat! How I wonder what you're at!" You know the song, perhaps?' 'I've heard something like it,' said Alice. 'It goes on, you know,' the Hatter continued, 'in this way:-- "Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--"' Here the Dormouse shook itself, and began singing in its sleep 'Twinkle, twinkle, twinkle, twinkle--' and went on so long that they had to pinch it to make it stop. 'Well, I'd hardly finished the first verse,' said the Hatter, 'when the Queen jumped up and bawled out, "He's murdering the time! Off with his head!"' 'How dreadfully savage!' exclaimed Alice. 'And ever since that,' the Hatter went on in a mournful tone, 'he won't do a thing I ask! It's always six o'clock now.' A bright idea came into Alice's head. 'Is that the reason so many tea-things are put out here?' she asked. 'Yes, that's it,' said the Hatter with a sigh: 'it's always tea-time, and we've no time to wash the things between whiles.' 'Then you keep moving round, I suppose?' said Alice. 'Exactly so,' said the Hatter: 'as the things get used up.' 'But what happens when you come to the beginning again?' Alice ventured to ask. 'Suppose we change the subject,' the March Hare interrupted, yawning. 'I'm getting tired of this. I vote the young lady tells us a story.' 'I'm afraid I don't know one,' said Alice, rather alarmed at the proposal. 'Then the Dormouse shall!' they both cried. 'Wake up, Dormouse!' And they pinched it on both sides at once. The Dormouse slowly opened his eyes. 'I wasn't asleep,' he said in a hoarse, feeble voice: 'I heard every word you fellows were saying.' 'Tell us a story!' said the March Hare. 'Yes, please do!' pleaded Alice. 'And be quick about it,' added the Hatter, 'or you'll be asleep again before it's done.' 'Once upon a time there were three little sisters,' the Dormouse began in a great hurry; 'and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--' 'What did they live on?' said Alice, who always took a great interest in questions of eating and drinking. 'They lived on treacle,' said the Dormouse, after thinking a minute or two. 'They couldn't have done that, you know,' Alice gently remarked; 'they'd have been ill.' 'So they were,' said the Dormouse; 'VERY ill.' Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: 'But why did they live at the bottom of a well?' 'Take some more tea,' the March Hare said to Alice, very earnestly. 'I've had nothing yet,' Alice replied in an offended tone, 'so I can't take more.' 'You mean you can't take LESS,' said the Hatter: 'it's very easy to take MORE than nothing.' 'Nobody asked YOUR opinion,' said Alice. 'Who's making personal remarks now?' the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. 'Why did they live at the bottom of a well?' The Dormouse again took a minute or two to think about it, and then said, 'It was a treacle-well.' 'There's no such thing!' Alice was beginning very angrily, but the Hatter and the March Hare went 'Sh! sh!' and the Dormouse sulkily remarked, 'If you can't be civil, you'd better finish the story for yourself.' 'No, please go on!' Alice said very humbly; 'I won't interrupt again. I dare say there may be ONE.' 'One, indeed!' said the Dormouse indignantly. However, he consented to go on. 'And so these three little sisters--they were learning to draw, you know--' 'What did they draw?' said Alice, quite forgetting her promise. 'Treacle,' said the Dormouse, without considering at all this time. 'I want a clean cup,' interrupted the Hatter: 'let's all move one place on.' He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: 'But I don't understand. Where did they draw the treacle from?' 'You can draw water out of a water-well,' said the Hatter; 'so I should think you could draw treacle out of a treacle-well--eh, stupid?' 'But they were IN the well,' Alice said to the Dormouse, not choosing to notice this last remark. 'Of course they were', said the Dormouse; '--well in.' This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. 'They were learning to draw,' the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; 'and they drew all manner of things--everything that begins with an M--' 'Why with an M?' said Alice. 'Why not?' said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: '--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are "much of a muchness"--did you ever see such a thing as a drawing of a muchness?' 'Really, now you ask me,' said Alice, very much confused, 'I don't think--' 'Then you shouldn't talk,' said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. 'At any rate I'll never go THERE again!' said Alice as she picked her way through the wood. 'It's the stupidest tea-party I ever was at in all my life!' Just as she said this, she noticed that one of the trees had a door leading right into it. 'That's very curious!' she thought. 'But everything's curious today. I think I may as well go in at once.' And in she went. Once more she found herself in the long hall, and close to the little glass table. 'Now, I'll manage better this time,' she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and THEN--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. ----------CHAPTER 8 THE QUEEN'S CROQUET GROUND--------- A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, 'Look out now, Five! Don't go splashing paint over me like that!' 'I couldn't help it,' said Five, in a sulky tone; 'Seven jogged my elbow.' On which Seven looked up and said, 'That's right, Five! Always lay the blame on others!' 'YOU'D better not talk!' said Five. 'I heard the Queen say only yesterday you deserved to be beheaded!' 'What for?' said the one who had spoken first. 'That's none of YOUR business, Two!' said Seven. 'Yes, it IS his business!' said Five, 'and I'll tell him--it was for bringing the cook tulip-roots instead of onions.' Seven flung down his brush, and had just begun 'Well, of all the unjust things--' when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. 'Would you tell me,' said Alice, a little timidly, 'why you are painting those roses?' Five and Seven said nothing, but looked at Two. Two began in a low voice, 'Why the fact is, you see, Miss, this here ought to have been a RED rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--' At this moment Five, who had been anxiously looking across the garden, called out 'The Queen! The Queen!' and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; 'and besides, what would be the use of a procession,' thought she, 'if people had all to lie down upon their faces, so that they couldn't see it?' So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely 'Who is this?' She said it to the Knave of Hearts, who only bowed and smiled in reply. 'Idiot!' said the Queen, tossing her head impatiently; and, turning to Alice, she went on, 'What's your name, child?' 'My name is Alice, so please your Majesty,' said Alice very politely; but she added, to herself, 'Why, they're only a pack of cards, after all. I needn't be afraid of them!' 'And who are THESE?' said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. 'How should I know?' said Alice, surprised at her own courage. 'It's no business of MINE.' The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed 'Off with her head! Off--' 'Nonsense!' said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said 'Consider, my dear: she is only a child!' The Queen turned angrily away from him, and said to the Knave 'Turn them over!' The Knave did so, very carefully, with one foot. 'Get up!' said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. 'Leave off that!' screamed the Queen. 'You make me giddy.' And then, turning to the rose-tree, she went on, 'What HAVE you been doing here?' 'May it please your Majesty,' said Two, in a very humble tone, going down on one knee as he spoke, 'we were trying--' 'I see!' said the Queen, who had meanwhile been examining the roses. 'Off with their heads!' and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. 'You shan't be beheaded!' said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. 'Are their heads off?' shouted the Queen. 'Their heads are gone, if it please your Majesty!' the soldiers shouted in reply. 'That's right!' shouted the Queen. 'Can you play croquet?' The soldiers were silent, and looked at Alice, as the question was evidently meant for her. 'Yes!' shouted Alice. 'Come on, then!' roared the Queen, and Alice joined the procession, wondering very much what would happen next. 'It's--it's a very fine day!' said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. 'Very,' said Alice: '--where's the Duchess?' 'Hush! Hush!' said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered 'She's under sentence of execution.' 'What for?' said Alice. 'Did you say "What a pity!"?' the Rabbit asked. 'No, I didn't,' said Alice: 'I don't think it's at all a pity. I said "What for?"' 'She boxed the Queen's ears--' the Rabbit began. Alice gave a little scream of laughter. 'Oh, hush!' the Rabbit whispered in a frightened tone. 'The Queen will hear you! You see, she came rather late, and the Queen said--' 'Get to your places!' shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it WOULD twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting 'Off with his head!' or 'Off with her head!' about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, 'and then,' thought she, 'what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!' She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself 'It's the Cheshire Cat: now I shall have somebody to talk to.' 'How are you getting on?' said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. 'It's no use speaking to it,' she thought, 'till its ears have come, or at least one of them.' In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. 'I don't think they play at all fairly,' Alice began, in rather a complaining tone, 'and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!' 'How do you like the Queen?' said the Cat in a low voice. 'Not at all,' said Alice: 'she's so extremely--' Just then she noticed that the Queen was close behind her, listening: so she went on, '--likely to win, that it's hardly worth while finishing the game.' The Queen smiled and passed on. 'Who ARE you talking to?' said the King, going up to Alice, and looking at the Cat's head with great curiosity. 'It's a friend of mine--a Cheshire Cat,' said Alice: 'allow me to introduce it.' 'I don't like the look of it at all,' said the King: 'however, it may kiss my hand if it likes.' 'I'd rather not,' the Cat remarked. 'Don't be impertinent,' said the King, 'and don't look at me like that!' He got behind Alice as he spoke. 'A cat may look at a king,' said Alice. 'I've read that in some book, but I don't remember where.' 'Well, it must be removed,' said the King very decidedly, and he called the Queen, who was passing at the moment, 'My dear! I wish you would have this cat removed!' The Queen had only one way of settling all difficulties, great or small. 'Off with his head!' she said, without even looking round. 'I'll fetch the executioner myself,' said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: 'but it doesn't matter much,' thought Alice, 'as all the arches are gone from this side of the ground.' So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at HIS time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but 'It belongs to the Duchess: you'd better ask HER about it.' 'She's in prison,' the Queen said to the executioner: 'fetch her here.' And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

cliffnotes

Craft a concise overview of chapter 9 the mock turtle's story using the context provided.

chapter 9 the mock turtle's story|chapter 10 the lobster quadrille

After the disappearance of the Cheshire Cat, the croquet game starts up again and the Duchess takes Alice's arm. The two start to walk, and Alice becomes uncomfortable that the Duchess holds her so close. Alice thinks that the Duchess is behaving pleasantly because there isn't any pepper present. The two walk and talk, and the Duchess takes every opportunity to explain various moral lessons to Alice. The Duchess attempts to put her hand around Alice's waist, but Alice convinces her not to, telling her that the flamingo croquet mallet might bite. They run into the Queen, who sternly orders the Duchess off and asks Alice to resume the croquet game. In little time, the Queen narrows the croquet game down to Alice, the King, and herself. All of the other players have been sent off for beheadings. With no soldiers remaining to act as arches, the Queen concludes the game and decides that Alice should visit the Mock Turtle. While the King pardons the condemned croquet players, the Queen brings Alice to the Gryphon, who leads her to the Mock Turtle. En route, the Gryphon explains to Alice that the Queen never actually executes anyone. Alice meets the Mock Turtle and immediately becomes concerned since he looks so sad. The Gryphon shows no sympathy for the Mock Turtle, explaining to Alice that he only fancies himself as being sad. Amid constant sobbing, the Mock Turtle begins his tale by explaining that he used to be a real turtle. He went to sea school every day, and his master was an old turtle named Tortoise. Alice interrupts, asking why the teacher would go by the name of "Tortoise" if he wasn't a tortoise. The Mock Turtle chastises her, explaining that he was so named because he "taught us." He goes on to talk about his education, which he considers to be the finest available. He studied a variety of unusual subjects, including Reeling and Writing, as well as Ambition, Distraction, Uglification, and Derision. Alice inquires about the length of the lessons, and the Mock Turtle says that they became shorter with each passing day. Alice finds this puzzling, but the Mock Turtle explains that they were called lessons because they "lessen." When Alice asks what happened when there was no time left for lessons, the Gryphon changes the subject to games.

----------CHAPTER 9 THE MOCK TURTLE'S STORY--------- 'You can't think how glad I am to see you again, you dear old thing!' said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. 'When I'M a Duchess,' she said to herself, (not in a very hopeful tone though), 'I won't have any pepper in my kitchen AT ALL. Soup does very well without--Maybe it's always pepper that makes people hot-tempered,' she went on, very much pleased at having found out a new kind of rule, 'and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn't be so stingy about it, you know--' She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. 'You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit.' 'Perhaps it hasn't one,' Alice ventured to remark. 'Tut, tut, child!' said the Duchess. 'Everything's got a moral, if only you can find it.' And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was VERY ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. 'The game's going on rather better now,' she said, by way of keeping up the conversation a little. ''Tis so,' said the Duchess: 'and the moral of that is--"Oh, 'tis love, 'tis love, that makes the world go round!"' 'Somebody said,' Alice whispered, 'that it's done by everybody minding their own business!' 'Ah, well! It means much the same thing,' said the Duchess, digging her sharp little chin into Alice's shoulder as she added, 'and the moral of THAT is--"Take care of the sense, and the sounds will take care of themselves."' 'How fond she is of finding morals in things!' Alice thought to herself. 'I dare say you're wondering why I don't put my arm round your waist,' the Duchess said after a pause: 'the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?' 'HE might bite,' Alice cautiously replied, not feeling at all anxious to have the experiment tried. 'Very true,' said the Duchess: 'flamingoes and mustard both bite. And the moral of that is--"Birds of a feather flock together."' 'Only mustard isn't a bird,' Alice remarked. 'Right, as usual,' said the Duchess: 'what a clear way you have of putting things!' 'It's a mineral, I THINK,' said Alice. 'Of course it is,' said the Duchess, who seemed ready to agree to everything that Alice said; 'there's a large mustard-mine near here. And the moral of that is--"The more there is of mine, the less there is of yours."' 'Oh, I know!' exclaimed Alice, who had not attended to this last remark, 'it's a vegetable. It doesn't look like one, but it is.' 'I quite agree with you,' said the Duchess; 'and the moral of that is--"Be what you would seem to be"--or if you'd like it put more simply--"Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise."' 'I think I should understand that better,' Alice said very politely, 'if I had it written down: but I can't quite follow it as you say it.' 'That's nothing to what I could say if I chose,' the Duchess replied, in a pleased tone. 'Pray don't trouble yourself to say it any longer than that,' said Alice. 'Oh, don't talk about trouble!' said the Duchess. 'I make you a present of everything I've said as yet.' 'A cheap sort of present!' thought Alice. 'I'm glad they don't give birthday presents like that!' But she did not venture to say it out loud. 'Thinking again?' the Duchess asked, with another dig of her sharp little chin. 'I've a right to think,' said Alice sharply, for she was beginning to feel a little worried. 'Just about as much right,' said the Duchess, 'as pigs have to fly; and the m--' But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. 'A fine day, your Majesty!' the Duchess began in a low, weak voice. 'Now, I give you fair warning,' shouted the Queen, stamping on the ground as she spoke; 'either you or your head must be off, and that in about half no time! Take your choice!' The Duchess took her choice, and was gone in a moment. 'Let's go on with the game,' the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting 'Off with his head!' or 'Off with her head!' Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, 'Have you seen the Mock Turtle yet?' 'No,' said Alice. 'I don't even know what a Mock Turtle is.' 'It's the thing Mock Turtle Soup is made from,' said the Queen. 'I never saw one, or heard of one,' said Alice. 'Come on, then,' said the Queen, 'and he shall tell you his history,' As they walked off together, Alice heard the King say in a low voice, to the company generally, 'You are all pardoned.' 'Come, THAT'S a good thing!' she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (IF you don't know what a Gryphon is, look at the picture.) 'Up, lazy thing!' said the Queen, 'and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered'; and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. 'What fun!' said the Gryphon, half to itself, half to Alice. 'What IS the fun?' said Alice. 'Why, SHE,' said the Gryphon. 'It's all her fancy, that: they never executes nobody, you know. Come on!' 'Everybody says "come on!" here,' thought Alice, as she went slowly after it: 'I never was so ordered about in all my life, never!' They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. 'What is his sorrow?' she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, 'It's all his fancy, that: he hasn't got no sorrow, you know. Come on!' So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. 'This here young lady,' said the Gryphon, 'she wants for to know your history, she do.' 'I'll tell it her,' said the Mock Turtle in a deep, hollow tone: 'sit down, both of you, and don't speak a word till I've finished.' So they sat down, and nobody spoke for some minutes. Alice thought to herself, 'I don't see how he can EVEN finish, if he doesn't begin.' But she waited patiently. 'Once,' said the Mock Turtle at last, with a deep sigh, 'I was a real Turtle.' These words were followed by a very long silence, broken only by an occasional exclamation of 'Hjckrrh!' from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, 'Thank you, sir, for your interesting story,' but she could not help thinking there MUST be more to come, so she sat still and said nothing. 'When we were little,' the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, 'we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--' 'Why did you call him Tortoise, if he wasn't one?' Alice asked. 'We called him Tortoise because he taught us,' said the Mock Turtle angrily: 'really you are very dull!' 'You ought to be ashamed of yourself for asking such a simple question,' added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, 'Drive on, old fellow! Don't be all day about it!' and he went on in these words: 'Yes, we went to school in the sea, though you mayn't believe it--' 'I never said I didn't!' interrupted Alice. 'You did,' said the Mock Turtle. 'Hold your tongue!' added the Gryphon, before Alice could speak again. The Mock Turtle went on. 'We had the best of educations--in fact, we went to school every day--' 'I'VE been to a day-school, too,' said Alice; 'you needn't be so proud as all that.' 'With extras?' asked the Mock Turtle a little anxiously. 'Yes,' said Alice, 'we learned French and music.' 'And washing?' said the Mock Turtle. 'Certainly not!' said Alice indignantly. 'Ah! then yours wasn't a really good school,' said the Mock Turtle in a tone of great relief. 'Now at OURS they had at the end of the bill, "French, music, AND WASHING--extra."' 'You couldn't have wanted it much,' said Alice; 'living at the bottom of the sea.' 'I couldn't afford to learn it.' said the Mock Turtle with a sigh. 'I only took the regular course.' 'What was that?' inquired Alice. 'Reeling and Writhing, of course, to begin with,' the Mock Turtle replied; 'and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision.' 'I never heard of "Uglification,"' Alice ventured to say. 'What is it?' The Gryphon lifted up both its paws in surprise. 'What! Never heard of uglifying!' it exclaimed. 'You know what to beautify is, I suppose?' 'Yes,' said Alice doubtfully: 'it means--to--make--anything--prettier.' 'Well, then,' the Gryphon went on, 'if you don't know what to uglify is, you ARE a simpleton.' Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said 'What else had you to learn?' 'Well, there was Mystery,' the Mock Turtle replied, counting off the subjects on his flappers, '--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: HE taught us Drawling, Stretching, and Fainting in Coils.' 'What was THAT like?' said Alice. 'Well, I can't show it you myself,' the Mock Turtle said: 'I'm too stiff. And the Gryphon never learnt it.' 'Hadn't time,' said the Gryphon: 'I went to the Classics master, though. He was an old crab, HE was.' 'I never went to him,' the Mock Turtle said with a sigh: 'he taught Laughing and Grief, they used to say.' 'So he did, so he did,' said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. 'And how many hours a day did you do lessons?' said Alice, in a hurry to change the subject. 'Ten hours the first day,' said the Mock Turtle: 'nine the next, and so on.' 'What a curious plan!' exclaimed Alice. 'That's the reason they're called lessons,' the Gryphon remarked: 'because they lessen from day to day.' This was quite a new idea to Alice, and she thought it over a little before she made her next remark. 'Then the eleventh day must have been a holiday?' 'Of course it was,' said the Mock Turtle. 'And how did you manage on the twelfth?' Alice went on eagerly. 'That's enough about lessons,' the Gryphon interrupted in a very decided tone: 'tell her something about the games now.' ----------CHAPTER 10 THE LOBSTER QUADRILLE--------- The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. 'Same as if he had a bone in his throat,' said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- 'You may not have lived much under the sea--' ('I haven't,' said Alice)--'and perhaps you were never even introduced to a lobster--' (Alice began to say 'I once tasted--' but checked herself hastily, and said 'No, never') '--so you can have no idea what a delightful thing a Lobster Quadrille is!' 'No, indeed,' said Alice. 'What sort of a dance is it?' 'Why,' said the Gryphon, 'you first form into a line along the sea-shore--' 'Two lines!' cried the Mock Turtle. 'Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--' 'THAT generally takes some time,' interrupted the Gryphon. '--you advance twice--' 'Each with a lobster as a partner!' cried the Gryphon. 'Of course,' the Mock Turtle said: 'advance twice, set to partners--' '--change lobsters, and retire in same order,' continued the Gryphon. 'Then, you know,' the Mock Turtle went on, 'you throw the--' 'The lobsters!' shouted the Gryphon, with a bound into the air. '--as far out to sea as you can--' 'Swim after them!' screamed the Gryphon. 'Turn a somersault in the sea!' cried the Mock Turtle, capering wildly about. 'Change lobsters again!' yelled the Gryphon at the top of its voice. 'Back to land again, and that's all the first figure,' said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. 'It must be a very pretty dance,' said Alice timidly. 'Would you like to see a little of it?' said the Mock Turtle. 'Very much indeed,' said Alice. 'Come, let's try the first figure!' said the Mock Turtle to the Gryphon. 'We can do without lobsters, you know. Which shall sing?' 'Oh, YOU sing,' said the Gryphon. 'I've forgotten the words.' So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- '"Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance. '"What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"' 'Thank you, it's a very interesting dance to watch,' said Alice, feeling very glad that it was over at last: 'and I do so like that curious song about the whiting!' 'Oh, as to the whiting,' said the Mock Turtle, 'they--you've seen them, of course?' 'Yes,' said Alice, 'I've often seen them at dinn--' she checked herself hastily. 'I don't know where Dinn may be,' said the Mock Turtle, 'but if you've seen them so often, of course you know what they're like.' 'I believe so,' Alice replied thoughtfully. 'They have their tails in their mouths--and they're all over crumbs.' 'You're wrong about the crumbs,' said the Mock Turtle: 'crumbs would all wash off in the sea. But they HAVE their tails in their mouths; and the reason is--' here the Mock Turtle yawned and shut his eyes.--'Tell her about the reason and all that,' he said to the Gryphon. 'The reason is,' said the Gryphon, 'that they WOULD go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.' 'Thank you,' said Alice, 'it's very interesting. I never knew so much about a whiting before.' 'I can tell you more than that, if you like,' said the Gryphon. 'Do you know why it's called a whiting?' 'I never thought about it,' said Alice. 'Why?' 'IT DOES THE BOOTS AND SHOES.' the Gryphon replied very solemnly. Alice was thoroughly puzzled. 'Does the boots and shoes!' she repeated in a wondering tone. 'Why, what are YOUR shoes done with?' said the Gryphon. 'I mean, what makes them so shiny?' Alice looked down at them, and considered a little before she gave her answer. 'They're done with blacking, I believe.' 'Boots and shoes under the sea,' the Gryphon went on in a deep voice, 'are done with a whiting. Now you know.' 'And what are they made of?' Alice asked in a tone of great curiosity. 'Soles and eels, of course,' the Gryphon replied rather impatiently: 'any shrimp could have told you that.' 'If I'd been the whiting,' said Alice, whose thoughts were still running on the song, 'I'd have said to the porpoise, "Keep back, please: we don't want YOU with us!"' 'They were obliged to have him with them,' the Mock Turtle said: 'no wise fish would go anywhere without a porpoise.' 'Wouldn't it really?' said Alice in a tone of great surprise. 'Of course not,' said the Mock Turtle: 'why, if a fish came to ME, and told me he was going a journey, I should say "With what porpoise?"' 'Don't you mean "purpose"?' said Alice. 'I mean what I say,' the Mock Turtle replied in an offended tone. And the Gryphon added 'Come, let's hear some of YOUR adventures.' 'I could tell you my adventures--beginning from this morning,' said Alice a little timidly: 'but it's no use going back to yesterday, because I was a different person then.' 'Explain all that,' said the Mock Turtle. 'No, no! The adventures first,' said the Gryphon in an impatient tone: 'explanations take such a dreadful time.' So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so VERY wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating 'YOU ARE OLD, FATHER WILLIAM,' to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said 'That's very curious.' 'It's all about as curious as it can be,' said the Gryphon. 'It all came different!' the Mock Turtle repeated thoughtfully. 'I should like to hear her try and repeat something now. Tell her to begin.' He looked at the Gryphon as if he thought it had some kind of authority over Alice. 'Stand up and repeat "'TIS THE VOICE OF THE SLUGGARD,"' said the Gryphon. 'How the creatures order one about, and make one repeat lessons!' thought Alice; 'I might as well be at school at once.' However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- ''Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes.' [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] 'That's different from what I used to say when I was a child,' said the Gryphon. 'Well, I never heard it before,' said the Mock Turtle; 'but it sounds uncommon nonsense.' Alice said nothing; she had sat down with her face in her hands, wondering if anything would EVER happen in a natural way again. 'I should like to have it explained,' said the Mock Turtle. 'She can't explain it,' said the Gryphon hastily. 'Go on with the next verse.' 'But about his toes?' the Mock Turtle persisted. 'How COULD he turn them out with his nose, you know?' 'It's the first position in dancing.' Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. 'Go on with the next verse,' the Gryphon repeated impatiently: 'it begins "I passed by his garden."' Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- 'I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--' [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] 'What IS the use of repeating all that stuff,' the Mock Turtle interrupted, 'if you don't explain it as you go on? It's by far the most confusing thing I ever heard!' 'Yes, I think you'd better leave off,' said the Gryphon: and Alice was only too glad to do so. 'Shall we try another figure of the Lobster Quadrille?' the Gryphon went on. 'Or would you like the Mock Turtle to sing you a song?' 'Oh, a song, please, if the Mock Turtle would be so kind,' Alice replied, so eagerly that the Gryphon said, in a rather offended tone, 'Hm! No accounting for tastes! Sing her "Turtle Soup," will you, old fellow?' The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- 'Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup! 'Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two Pennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!' 'Chorus again!' cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of 'The trial's beginning!' was heard in the distance. 'Come on!' cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. 'What trial is it?' Alice panted as she ran; but the Gryphon only answered 'Come on!' and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- 'Soo--oop of the e--e--evening, Beautiful, beautiful Soup!'

cliffnotes

Generate a succinct summary for chapter 12 alice's evidence with the given context.

chapter 11 who stole the tarts?|chapter 12 alice's evidence|chapter 1

Alice jumps to the White Rabbit's call to the stand. She forgets that she has grown larger and knocks over the jury stand, then scrambles to put all of the jurors back. Alice claims to know "nothing whatever" about the tarts, which the King deems "very important." The White Rabbit corrects the King, suggesting that he in fact means "unimportant." The King agrees, muttering the words "important" and "unimportant" to himself. The King interjects with Rule 42, which states, "All persons more than a mile high to leave the court. " Everyone turns to Alice, who denies she is a mile high and accuses the King of fabricating the rule. The King replies that Rule 42 is the oldest rule in the book, but Alice retorts that if it is the oldest rule in the book, it ought to be the first rule. The King becomes quiet for a moment before calling for a verdict. The White Rabbit interrupts and declares that more evidence must be presented first. He presents a paper supposedly written by the Knave, though it is not written in the Knave's handwriting. The Knave refutes the charge, explaining that there is no signature on the document. The King reasons that the Knave must have meant mischief because he did not sign the note like an honest man would. The court seems pleased by this reasoning, and the Queen concludes that the paper proves the Knave's guilt. Alice demands to read the poem on the paper. While the poem appears to have no meaning, the King provides an explanation and calls for a verdict. The Queen demands that the sentence come before the verdict. Alice chaffs at this proposal and criticizes the Queen, who calls for Alice's beheading. Alice has grown to her full size and bats away the playing cards as they fly upon her. Alice suddenly wakes up and finds herself back on her sister's lap at the riverbank. She tells her adventures to her sister who bids her go inside for tea. Alice traipses off, while her sister remains by the riverbank daydreaming. She envisions the characters from Alice's adventures, but knows that when she opens her eyes the images will dissipate. She imagines that Alice will one day grow older but retain her childlike spirit and recount her adventures to other children.

----------CHAPTER 11 WHO STOLE THE TARTS?--------- The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--'I wish they'd get the trial done,' she thought, 'and hand round the refreshments!' But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. 'That's the judge,' she said to herself, 'because of his great wig.' The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. 'And that's the jury-box,' thought Alice, 'and those twelve creatures,' (she was obliged to say 'creatures,' you see, because some of them were animals, and some were birds,) 'I suppose they are the jurors.' She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, 'jury-men' would have done just as well. The twelve jurors were all writing very busily on slates. 'What are they doing?' Alice whispered to the Gryphon. 'They can't have anything to put down yet, before the trial's begun.' 'They're putting down their names,' the Gryphon whispered in reply, 'for fear they should forget them before the end of the trial.' 'Stupid things!' Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, 'Silence in the court!' and the King put on his spectacles and looked anxiously round, to make out who was talking. Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down 'stupid things!' on their slates, and she could even make out that one of them didn't know how to spell 'stupid,' and that he had to ask his neighbour to tell him. 'A nice muddle their slates'll be in before the trial's over!' thought Alice. One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. 'Herald, read the accusation!' said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- 'The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!' 'Consider your verdict,' the King said to the jury. 'Not yet, not yet!' the Rabbit hastily interrupted. 'There's a great deal to come before that!' 'Call the first witness,' said the King; and the White Rabbit blew three blasts on the trumpet, and called out, 'First witness!' The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. 'I beg pardon, your Majesty,' he began, 'for bringing these in: but I hadn't quite finished my tea when I was sent for.' 'You ought to have finished,' said the King. 'When did you begin?' The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. 'Fourteenth of March, I think it was,' he said. 'Fifteenth,' said the March Hare. 'Sixteenth,' added the Dormouse. 'Write that down,' the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. 'Take off your hat,' the King said to the Hatter. 'It isn't mine,' said the Hatter. 'Stolen!' the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. 'I keep them to sell,' the Hatter added as an explanation; 'I've none of my own. I'm a hatter.' Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. 'Give your evidence,' said the King; 'and don't be nervous, or I'll have you executed on the spot.' This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. 'I wish you wouldn't squeeze so.' said the Dormouse, who was sitting next to her. 'I can hardly breathe.' 'I can't help it,' said Alice very meekly: 'I'm growing.' 'You've no right to grow here,' said the Dormouse. 'Don't talk nonsense,' said Alice more boldly: 'you know you're growing too.' 'Yes, but I grow at a reasonable pace,' said the Dormouse: 'not in that ridiculous fashion.' And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, 'Bring me the list of the singers in the last concert!' on which the wretched Hatter trembled so, that he shook both his shoes off. 'Give your evidence,' the King repeated angrily, 'or I'll have you executed, whether you're nervous or not.' 'I'm a poor man, your Majesty,' the Hatter began, in a trembling voice, '--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--' 'The twinkling of the what?' said the King. 'It began with the tea,' the Hatter replied. 'Of course twinkling begins with a T!' said the King sharply. 'Do you take me for a dunce? Go on!' 'I'm a poor man,' the Hatter went on, 'and most things twinkled after that--only the March Hare said--' 'I didn't!' the March Hare interrupted in a great hurry. 'You did!' said the Hatter. 'I deny it!' said the March Hare. 'He denies it,' said the King: 'leave out that part.' 'Well, at any rate, the Dormouse said--' the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. 'After that,' continued the Hatter, 'I cut some more bread-and-butter--' 'But what did the Dormouse say?' one of the jury asked. 'That I can't remember,' said the Hatter. 'You MUST remember,' remarked the King, 'or I'll have you executed.' The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. 'I'm a poor man, your Majesty,' he began. 'You're a very poor speaker,' said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) 'I'm glad I've seen that done,' thought Alice. 'I've so often read in the newspapers, at the end of trials, "There was some attempts at applause, which was immediately suppressed by the officers of the court," and I never understood what it meant till now.' 'If that's all you know about it, you may stand down,' continued the King. 'I can't go no lower,' said the Hatter: 'I'm on the floor, as it is.' 'Then you may SIT down,' the King replied. Here the other guinea-pig cheered, and was suppressed. 'Come, that finished the guinea-pigs!' thought Alice. 'Now we shall get on better.' 'I'd rather finish my tea,' said the Hatter, with an anxious look at the Queen, who was reading the list of singers. 'You may go,' said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. '--and just take his head off outside,' the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. 'Call the next witness!' said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. 'Give your evidence,' said the King. 'Shan't,' said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, 'Your Majesty must cross-examine THIS witness.' 'Well, if I must, I must,' the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, 'What are tarts made of?' 'Pepper, mostly,' said the cook. 'Treacle,' said a sleepy voice behind her. 'Collar that Dormouse,' the Queen shrieked out. 'Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!' For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. 'Never mind!' said the King, with an air of great relief. 'Call the next witness.' And he added in an undertone to the Queen, 'Really, my dear, YOU must cross-examine the next witness. It quite makes my forehead ache!' Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, '--for they haven't got much evidence YET,' she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name 'Alice!' ----------CHAPTER 12 ALICE'S EVIDENCE--------- 'Here!' cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. 'Oh, I BEG your pardon!' she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. 'The trial cannot proceed,' said the King in a very grave voice, 'until all the jurymen are back in their proper places--ALL,' he repeated with great emphasis, looking hard at Alice as he said do. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; 'not that it signifies much,' she said to herself; 'I should think it would be QUITE as much use in the trial one way up as the other.' As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. 'What do you know about this business?' the King said to Alice. 'Nothing,' said Alice. 'Nothing WHATEVER?' persisted the King. 'Nothing whatever,' said Alice. 'That's very important,' the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: 'UNimportant, your Majesty means, of course,' he said in a very respectful tone, but frowning and making faces at him as he spoke. 'UNimportant, of course, I meant,' the King hastily said, and went on to himself in an undertone, 'important--unimportant--unimportant--important--' as if he were trying which word sounded best. Some of the jury wrote it down 'important,' and some 'unimportant.' Alice could see this, as she was near enough to look over their slates; 'but it doesn't matter a bit,' she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out 'Silence!' and read out from his book, 'Rule Forty-two. ALL PERSONS MORE THAN A MILE HIGH TO LEAVE THE COURT.' Everybody looked at Alice. 'I'M not a mile high,' said Alice. 'You are,' said the King. 'Nearly two miles high,' added the Queen. 'Well, I shan't go, at any rate,' said Alice: 'besides, that's not a regular rule: you invented it just now.' 'It's the oldest rule in the book,' said the King. 'Then it ought to be Number One,' said Alice. The King turned pale, and shut his note-book hastily. 'Consider your verdict,' he said to the jury, in a low, trembling voice. 'There's more evidence to come yet, please your Majesty,' said the White Rabbit, jumping up in a great hurry; 'this paper has just been picked up.' 'What's in it?' said the Queen. 'I haven't opened it yet,' said the White Rabbit, 'but it seems to be a letter, written by the prisoner to--to somebody.' 'It must have been that,' said the King, 'unless it was written to nobody, which isn't usual, you know.' 'Who is it directed to?' said one of the jurymen. 'It isn't directed at all,' said the White Rabbit; 'in fact, there's nothing written on the OUTSIDE.' He unfolded the paper as he spoke, and added 'It isn't a letter, after all: it's a set of verses.' 'Are they in the prisoner's handwriting?' asked another of the jurymen. 'No, they're not,' said the White Rabbit, 'and that's the queerest thing about it.' (The jury all looked puzzled.) 'He must have imitated somebody else's hand,' said the King. (The jury all brightened up again.) 'Please your Majesty,' said the Knave, 'I didn't write it, and they can't prove I did: there's no name signed at the end.' 'If you didn't sign it,' said the King, 'that only makes the matter worse. You MUST have meant some mischief, or else you'd have signed your name like an honest man.' There was a general clapping of hands at this: it was the first really clever thing the King had said that day. 'That PROVES his guilt,' said the Queen. 'It proves nothing of the sort!' said Alice. 'Why, you don't even know what they're about!' 'Read them,' said the King. The White Rabbit put on his spectacles. 'Where shall I begin, please your Majesty?' he asked. 'Begin at the beginning,' the King said gravely, 'and go on till you come to the end: then stop.' These were the verses the White Rabbit read:-- 'They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me.' 'That's the most important piece of evidence we've heard yet,' said the King, rubbing his hands; 'so now let the jury--' 'If any one of them can explain it,' said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) 'I'll give him sixpence. _I_ don't believe there's an atom of meaning in it.' The jury all wrote down on their slates, 'SHE doesn't believe there's an atom of meaning in it,' but none of them attempted to explain the paper. 'If there's no meaning in it,' said the King, 'that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know,' he went on, spreading out the verses on his knee, and looking at them with one eye; 'I seem to see some meaning in them, after all. "--SAID I COULD NOT SWIM--" you can't swim, can you?' he added, turning to the Knave. The Knave shook his head sadly. 'Do I look like it?' he said. (Which he certainly did NOT, being made entirely of cardboard.) 'All right, so far,' said the King, and he went on muttering over the verses to himself: '"WE KNOW IT TO BE TRUE--" that's the jury, of course--"I GAVE HER ONE, THEY GAVE HIM TWO--" why, that must be what he did with the tarts, you know--' 'But, it goes on "THEY ALL RETURNED FROM HIM TO YOU,"' said Alice. 'Why, there they are!' said the King triumphantly, pointing to the tarts on the table. 'Nothing can be clearer than THAT. Then again--"BEFORE SHE HAD THIS FIT--" you never had fits, my dear, I think?' he said to the Queen. 'Never!' said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) 'Then the words don't FIT you,' said the King, looking round the court with a smile. There was a dead silence. 'It's a pun!' the King added in an offended tone, and everybody laughed, 'Let the jury consider their verdict,' the King said, for about the twentieth time that day. 'No, no!' said the Queen. 'Sentence first--verdict afterwards.' 'Stuff and nonsense!' said Alice loudly. 'The idea of having the sentence first!' 'Hold your tongue!' said the Queen, turning purple. 'I won't!' said Alice. 'Off with her head!' the Queen shouted at the top of her voice. Nobody moved. 'Who cares for you?' said Alice, (she had grown to her full size by this time.) 'You're nothing but a pack of cards!' At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. 'Wake up, Alice dear!' said her sister; 'Why, what a long sleep you've had!' 'Oh, I've had such a curious dream!' said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, 'It WAS a curious dream, dear, certainly: but now run in to your tea; it's getting late.' So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:-- First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that WOULD always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make THEIR eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. ----------CHAPTER 1--------- Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do. Once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice, "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that, nor did Alice think it so very much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be too late!" But when the Rabbit actually took a watch out of its waistcoat-pocket and looked at it and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it and was just in time to see it pop down a large rabbit-hole, under the hedge. In another moment, down went Alice after it! [Illustration] The rabbit-hole went straight on like a tunnel for some way and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down what seemed to be a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time, as she went down, to look about her. First, she tried to make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed. It was labeled "ORANGE MARMALADE," but, to her great disappointment, it was empty; she did not like to drop the jar, so managed to put it into one of the cupboards as she fell past it. Down, down, down! Would the fall never come to an end? There was nothing else to do, so Alice soon began talking to herself. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah, my dear, I wish you were down here with me!" Alice felt that she was dozing off, when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up in a moment. She looked up, but it was all dark overhead; before her was another long passage and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost. Away went Alice like the wind and was just in time to hear it say, as it turned a corner, "Oh, my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen. She found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all 'round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little table, all made of solid glass. There was nothing on it but a tiny golden key, and Alice's first idea was that this might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but, at any rate, it would not open any of them. However, on the second time 'round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high. She tried the little golden key in the lock, and to her great delight, it fitted! [Illustration] Alice opened the door and found that it led into a small passage, not much larger than a rat-hole; she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway. "Oh," said Alice, "how I wish I could shut up like a telescope! I think I could, if I only knew how to begin." Alice went back to the table, half hoping she might find another key on it, or at any rate, a book of rules for shutting people up like telescopes. This time she found a little bottle on it ("which certainly was not here before," said Alice), and tied 'round the neck of the bottle was a paper label, with the words "DRINK ME" beautifully printed on it in large letters. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not," for she had never forgotten that, if you drink from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and, finding it very nice (it had a sort of mixed flavor of cherry-tart, custard, pineapple, roast turkey, toffy and hot buttered toast), she very soon finished it off. * * * * * "What a curious feeling!" said Alice. "I must be shutting up like a telescope!" And so it was indeed! She was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. After awhile, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! When she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass and she tried her best to climb up one of the legs of the table, but it was too slippery, and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself rather sharply. "I advise you to leave off this minute!" She generally gave herself very good advice (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes. Soon her eye fell on a little glass box that was lying under the table: she opened it and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door: so either way I'll get into the garden, and I don't care which happens!" She ate a little bit and said anxiously to herself, "Which way? Which way?" holding her hand on the top of her head to feel which way she was growing; and she was quite surprised to find that she remained the same size. So she set to work and very soon finished off the cake.

cliffnotes

Create a compact summary that covers the main points of chapter 5, utilizing the provided context.

chapter 2|chapter 3|chapter 4|chapter 5

Alice stands before a large Caterpillar on a large mushroom and the Caterpillar is smoking a hookah. To be frank, a hookah is a very large water bong designed by the Persians for the purpose of smoking any number of drugs. In Victorian England, the hookah was a symbol for Eastern Wisdom and was associated heavily with non-Christian religious wisdom. The Caterpillar, then, is meant to be a kind of Wise Man or Shaman. . The Caterpillar opens the conversation in a wise, but seemingly rude, way: Who are you? he asks. Alice can't seem to respond very well, except to say that she is confused. The Caterpillar won't accept this, but Alice points out that he might understand better after he has transformed into a butterfly and sees what radical change is like. The Caterpillar does not agree with this idea though, and asks Alice to try and remember the school rhymes that she complains she has forgotten as part of her massive bodily changes. Alice recites for him a poem called You Are Old, Father William. Alice recites the poem, but it is changed from the original. In her new version Old Father Williams is old, but because of a good attitude and the leading of a healthy life he is able to perform all sorts of youthful feats, much to the dismay of his son. Alice and the Caterpillar agree that the poem is not how it used to be. The Caterpillar asks Alice what she wants and she replies that it's not any particular size that matters, its all the changing that bothers her. The Caterpillar disagrees and then leaves, but he does say that one side of the mushroom will make Alice grow bigger, the other smaller, seemingly leaving Alice with a tool to control her growth. Alice wishes she didn't have to argue so much with animals, and then goes on to experiment with the magic mushroom. First she is too small. Then she nibbles the mushroom and her neck grows high above the trees where a pigeon mistakes her for a serpent. Finally Alice gets to be the right size and she sets forth to find that garden she saw in the first chapter. But then she comes upon a very small house and she decides to shrink herself to the appropriate size so as not to frighten the house's inhabitants. In this chapter Alice is faced with the fact that change is natural and good, and that learning how to be both big and small, both an adult and a child, might be a good skill. After all, to be childish in old age seemed very healthy for Father William. One might speculate on the place drugs play in helping people to be both childlike and an adult at the same time. But as this a family web site, I leave that vein of exploration to the reader. The important thing is that Alice is beginning to learn that her changing person is the only constant thing, and that the appropriate thing to do is to figure out when certain aspects of her personality are appropriate. For example, when you come upon a four-foot high house, it is appropriate to shrink to that scale. That is, there are times for being small and times for being big. Adulthood is just about being big, it's about knowing when it is okay to be small again too.

----------CHAPTER 2--------- "Curiouser and curiouser!" cried Alice (she was so much surprised that for the moment she quite forgot how to speak good English). "Now I'm opening out like the largest telescope that ever was! Good-by, feet! Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I shall be a great deal too far off to trouble myself about you." Just at this moment her head struck against the roof of the hall; in fact, she was now rather more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever. She sat down and began to cry again. She went on shedding gallons of tears, until there was a large pool all 'round her and reaching half down the hall. After a time, she heard a little pattering of feet in the distance and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid-gloves in one hand and a large fan in the other. He came trotting along in a great hurry, muttering to himself, "Oh! the Duchess, the Duchess! Oh! _won't_ she be savage if I've kept her waiting!" When the Rabbit came near her, Alice began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid-gloves and the fan and skurried away into the darkness as hard as he could go. [Illustration] Alice took up the fan and gloves and she kept fanning herself all the time she went on talking. "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. _Was_ I the same when I got up this morning? But if I'm not the same, the next question is, 'Who in the world am I?' Ah, _that's_ the great puzzle!" As she said this, she looked down at her hands and was surprised to see that she had put on one of the Rabbit's little white kid-gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it and found that she was now about two feet high and was going on shrinking rapidly. She soon found out that the cause of this was the fan she was holding and she dropped it hastily, just in time to save herself from shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence. "And now for the garden!" And she ran with all speed back to the little door; but, alas! the little door was shut again and the little golden key was lying on the glass table as before. "Things are worse than ever," thought the poor child, "for I never was so small as this before, never!" As she said these words, her foot slipped, and in another moment, splash! she was up to her chin in salt-water. Her first idea was that she had somehow fallen into the sea. However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. [Illustration] Just then she heard something splashing about in the pool a little way off, and she swam nearer to see what it was: she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here that I should think very likely it can talk; at any rate, there's no harm in trying." So she began, "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" The Mouse looked at her rather inquisitively and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice. "I dare say it's a French mouse, come over with William the Conqueror." So she began again: "Ou est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse in a shrill, passionate voice. "Would _you_ like cats, if you were me?" "Well, perhaps not," said Alice in a soothing tone; "don't be angry about it. And yet I wish I could show you our cat Dinah. I think you'd take a fancy to cats, if you could only see her. She is such a dear, quiet thing." The Mouse was bristling all over and she felt certain it must be really offended. "We won't talk about her any more, if you'd rather not." "We, indeed!" cried the Mouse, who was trembling down to the end of its tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats--nasty, low, vulgar things! Don't let me hear the name again!" [Illustration: Alice at the Mad Tea Party.] "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs? There is such a nice little dog near our house, I should like to show you! It kills all the rats and--oh, dear!" cried Alice in a sorrowful tone. "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats, or dogs either, if you don't like them!" When the Mouse heard this, it turned 'round and swam slowly back to her; its face was quite pale, and it said, in a low, trembling voice, "Let us get to the shore and then I'll tell you my history and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it; there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way and the whole party swam to the shore. ----------CHAPTER 3--------- They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross and uncomfortable. [Illustration] The first question, of course, was how to get dry again. They had a consultation about this and after a few minutes, it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. At last the Mouse, who seemed to be a person of some authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. "Ahem!" said the Mouse with an important air. "Are you all ready? This is the driest thing I know. Silence all 'round, if you please! 'William the Conqueror, whose cause was favored by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the Earls of Mercia and Northumbria'--" "Ugh!" said the Lory, with a shiver. "--'And even Stigand, the patriotic archbishop of Canterbury, found it advisable'--" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly; "of course, you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck; "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown.'--How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone; "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" "What I was going to say," said the Dodo in an offended tone, "is that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice. [Illustration] "Why," said the Dodo, "the best way to explain it is to do it." First it marked out a race-course, in a sort of circle, and then all the party were placed along the course, here and there. There was no "One, two, three and away!" but they began running when they liked and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so and were quite dry again, the Dodo suddenly called out, "The race is over!" and they all crowded 'round it, panting and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought. At last it said, "_Everybody_ has won, and _all_ must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded 'round her, calling out, in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand into her pocket and pulled out a box of comfits (luckily the salt-water had not got into it) and handed them 'round as prizes. There was exactly one a-piece, all 'round. The next thing was to eat the comfits; this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last and they sat down again in a ring and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail, "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.-- Come, I'll take no denial: We must have the trial; For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' said cunning old Fury; 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice, severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly, "you had got to the fifth bend, I think?" "You insult me by talking such nonsense!" said the Mouse, getting up and walking away. "Please come back and finish your story!" Alice called after it. And the others all joined in chorus, "Yes, please do!" But the Mouse only shook its head impatiently and walked a little quicker. "I wish I had Dinah, our cat, here!" said Alice. This caused a remarkable sensation among the party. Some of the birds hurried off at once, and a Canary called out in a trembling voice, to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off and Alice was soon left alone. "I wish I hadn't mentioned Dinah! Nobody seems to like her down here and I'm sure she's the best cat in the world!" Poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance and she looked up eagerly. ----------CHAPTER 4--------- It was the White Rabbit, trotting slowly back again and looking anxiously about as it went, as if it had lost something; Alice heard it muttering to itself, "The Duchess! The Duchess! Oh, my dear paws! Oh, my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid-gloves and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, and called to her, in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment and fetch me a pair of gloves and a fan! Quick, now!" "He took me for his housemaid!" said Alice, as she ran off. "How surprised he'll be when he finds out who I am!" As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name "W. RABBIT" engraved upon it. She went in without knocking and hurried upstairs, in great fear lest she should meet the real Mary Ann and be turned out of the house before she had found the fan and gloves. By this time, Alice had found her way into a tidy little room with a table in the window, and on it a fan and two or three pairs of tiny white kid-gloves; she took up the fan and a pair of the gloves and was just going to leave the room, when her eyes fell upon a little bottle that stood near the looking-glass. She uncorked it and put it to her lips, saying to herself, "I do hope it'll make me grow large again, for, really, I'm quite tired of being such a tiny little thing!" Before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, remarking, "That's quite enough--I hope I sha'n't grow any more." Alas! It was too late to wish that! She went on growing and growing and very soon she had to kneel down on the floor. Still she went on growing, and, as a last resource, she put one arm out of the window and one foot up the chimney, and said to herself, "Now I can do no more, whatever happens. What _will_ become of me?" [Illustration] Luckily for Alice, the little magic bottle had now had its full effect and she grew no larger. After a few minutes she heard a voice outside and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit and had no reason to be afraid of it. Presently the Rabbit came up to the door and tried to open it; but as the door opened inwards and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself, "Then I'll go 'round and get in at the window." "_That_ you won't!" thought Alice; and after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame or something of that sort. Next came an angry voice--the Rabbit's--"Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then, I'm here! Digging for apples, yer honor!" "Here! Come and help me out of this! Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honor!" "Well, it's got no business there, at any rate; go and take it away!" There was a long silence after this and Alice could only hear whispers now and then, and at last she spread out her hand again and made another snatch in the air. This time there were _two_ little shrieks and more sounds of broken glass. "I wonder what they'll do next!" thought Alice. "As for pulling me out of the window, I only wish they _could_!" She waited for some time without hearing anything more. At last came a rumbling of little cart-wheels and the sound of a good many voices all talking together. She made out the words: "Where's the other ladder? Bill's got the other--Bill! Here, Bill! Will the roof bear?--Who's to go down the chimney?--Nay, _I_ sha'n't! _You_ do it! Here, Bill! The master says you've got to go down the chimney!" Alice drew her foot as far down the chimney as she could and waited till she heard a little animal scratching and scrambling about in the chimney close above her; then she gave one sharp kick and waited to see what would happen next. The first thing she heard was a general chorus of "There goes Bill!" then the Rabbit's voice alone--"Catch him, you by the hedge!" Then silence and then another confusion of voices--"Hold up his head--Brandy now--Don't choke him--What happened to you?" Last came a little feeble, squeaking voice, "Well, I hardly know--No more, thank ye. I'm better now--all I know is, something comes at me like a Jack-in-the-box and up I goes like a sky-rocket!" After a minute or two of silence, they began moving about again, and Alice heard the Rabbit say, "A barrowful will do, to begin with." "A barrowful of _what_?" thought Alice. But she had not long to doubt, for the next moment a shower of little pebbles came rattling in at the window and some of them hit her in the face. Alice noticed, with some surprise, that the pebbles were all turning into little cakes as they lay on the floor and a bright idea came into her head. "If I eat one of these cakes," she thought, "it's sure to make _some_ change in my size." So she swallowed one of the cakes and was delighted to find that she began shrinking directly. As soon as she was small enough to get through the door, she ran out of the house and found quite a crowd of little animals and birds waiting outside. They all made a rush at Alice the moment she appeared, but she ran off as hard as she could and soon found herself safe in a thick wood. [Illustration: "The Duchess tucked her arm affectionately into Alice's."] "The first thing I've got to do," said Alice to herself, as she wandered about in the wood, "is to grow to my right size again; and the second thing is to find my way into that lovely garden. I suppose I ought to eat or drink something or other, but the great question is 'What?'" Alice looked all around her at the flowers and the blades of grass, but she could not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself. She stretched herself up on tiptoe and peeped over the edge and her eyes immediately met those of a large blue caterpillar, that was sitting on the top, with its arms folded, quietly smoking a long hookah and taking not the smallest notice of her or of anything else. ----------CHAPTER 5--------- At last the Caterpillar took the hookah out of its mouth and addressed Alice in a languid, sleepy voice. "Who are _you_?" said the Caterpillar. [Illustration] Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have changed several times since then." "What do you mean by that?" said the Caterpillar, sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see--being so many different sizes in a day is very confusing." She drew herself up and said very gravely, "I think you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. As Alice could not think of any good reason and the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. It unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid, I am, sir," said Alice. "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "What size do you want to be?" asked the Caterpillar. "Oh, I'm not particular as to size," Alice hastily replied, "only one doesn't like changing so often, you know. I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice. "Three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). In a minute or two, the Caterpillar got down off the mushroom and crawled away into the grass, merely remarking, as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what_? The other side of _what_?" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment, it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it. At last she stretched her arms 'round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect. The next moment she felt a violent blow underneath her chin--it had struck her foot! She was a good deal frightened by this very sudden change, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot that there was hardly room to open her mouth; but she did it at last and managed to swallow a morsel of the left-hand bit.... "Come, my head's free at last!" said Alice; but all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "Where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag and was going to dive in among the leaves, when a sharp hiss made her draw back in a hurry--a large pigeon had flown into her face and was beating her violently with its wings. [Illustration] "Serpent!" cried the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, "but those serpents! There's no pleasing them!" Alice was more and more puzzled. "As if it wasn't trouble enough hatching the eggs," said the Pigeon, "but I must be on the look-out for serpents, night and day! And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--I'm a little girl," she added rather doubtfully, as she remembered the number of changes she had gone through that day. "You're looking for eggs, I know _that_ well enough," said the Pigeon; "and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens, and if I was, I shouldn't want _yours_--I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After awhile she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size that it felt quite strange at first. "The next thing is to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size; why, I should frighten them out of their wits!" She did not venture to go near the house till she had brought herself down to nine inches high.

cliffnotes

Generate a succinct summary for chapter 9 with the given context.

Alice finds herself in the beginning of this chapter in the annoying company of the Duchess. They conversed, sort of, about the goings on of the day, but mostly Alice thought to herself and the Duchess tried to find simplistic morals in everything. The conversation, on the whole, ended up being about how boring politeness can be at times, and how too much politeness can threaten the mind. The conversation is ended, however, by the Queen, who brings Alice back into the game. The game moves forward, interestingly, out of a fear of the Queen rather than out of any fun the game might have produced. Once all of the other players have been sentenced to death and the only people not in the custody of the soldiers are Alice and the King and the Queen, then the Queen tells Alice she must hear the Mock Turtle's history. . The Queen has a Gryphon take Alice to the Mock Turtle. The Mock Turtle was crying when they approached him. Slowly he tells them about his schooling, which was in the sea. Mostly, the story sets up the next chapter, where Mock Turtle is to tell Alice about the games they played. This chapter is a bit of a transition from the Croquet game to the Mock Turtle's Story and it is hard to say what else is in it. There is a good deal of wordplay between Alice and the Duchess at the beginning, but other than that it only prepares the reader for the next chapter.

----------CHAPTER 6--------- For a minute or two she stood looking at the house, when suddenly a footman in livery came running out of the wood (judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face and large eyes like a frog. The Fish-Footman began by producing from under his arm a great letter, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low and their curls got entangled together. When Alice next peeped out, the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "How am I to get in?" asked Alice. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." Alice opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other; the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large caldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only two creatures in the kitchen that did _not_ sneeze were the cook and a large cat, which was grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, "why your cat grins like that?" "It's a Cheshire-Cat," said the Duchess, "and that's why." "I didn't know that Cheshire-Cats always grinned; in fact, I didn't know that cats _could_ grin," said Alice. "You don't know much," said the Duchess, "and that's a fact." Just then the cook took the caldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates and dishes. The Duchess took no notice of them, even when they hit her, and the baby was howling so much already that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Here! You may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. Alice caught the baby with some difficulty, as it was a queer-shaped little creature and held out its arms and legs in all directions. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two. Wouldn't it be murder to leave it behind?" She said the last words out loud and the little thing grunted in reply. "If you're going to turn into a pig, my dear," said Alice, "I'll have nothing more to do with you. Mind now!" Alice was just beginning to think to herself, "Now, what am I to do with this creature, when I get it home?" when it grunted again so violently that Alice looked down into its face in some alarm. This time there could be _no_ mistake about it--it was neither more nor less than a pig; so she set the little creature down and felt quite relieved to see it trot away quietly into the wood. Alice was a little startled by seeing the Cheshire-Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw her. "Cheshire-Puss," began Alice, rather timidly, "would you please tell me which way I ought to go from here?" "In _that_ direction," the Cat said, waving the right paw 'round, "lives a Hatter; and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like; they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat; "we're all mad here. Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice had not gone much farther before she came in sight of the house of the March Hare; it was so large a house that she did not like to go near till she had nibbled some more of the left-hand bit of mushroom. ----------CHAPTER 7--------- There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it; a Dormouse was sitting between them, fast asleep. The table was a large one, but the three were all crowded together at one corner of it. "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. The Hatter opened his eyes very wide on hearing this, but all he said was "Why is a raven like a writing-desk?" "I'm glad they've begun asking riddles--I believe I can guess that," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "You might just as well say," added the Dormouse, which seemed to be talking in its sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe!'" "It _is_ the same thing with you," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." [Illustration] "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied. "What's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice gave a weary sigh. "I think you might do something better with the time," she said, "than wasting it in asking riddles that have no answers." "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter; "it's very easy to take _more_ than nothing." At this, Alice got up and walked off. The Dormouse fell asleep instantly and neither of the others took the least notice of her going, though she looked back once or twice; the last time she saw them, they were trying to put the Dormouse into the tea-pot. [Illustration: The Trial of the Knave of Hearts.] "At any rate, I'll never go _there_ again!" said Alice, as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "I think I may as well go in at once." And in she went. Once more she found herself in the long hall and close to the little glass table. Taking the little golden key, she unlocked the door that led into the garden. Then she set to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high; then she walked down the little passage; and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. ----------CHAPTER 8--------- A large rose-tree stood near the entrance of the garden; the roses growing on it were white, but there were three gardeners at it, busily painting them red. Suddenly their eyes chanced to fall upon Alice, as she stood watching them. "Would you tell me, please," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began, in a low voice, "Why, the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and, if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment, Five, who had been anxiously looking across the garden, called out, "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps and Alice looked 'round, eager to see the Queen. First came ten soldiers carrying clubs, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds. After these came the royal children; there were ten of them, all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognized the White Rabbit. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and last of all this grand procession came THE KING AND THE QUEEN OF HEARTS. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely, "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "My name is Alice, so please Your Majesty," said Alice very politely; but she added to herself, "Why, they're only a pack of cards, after all!" "Can you play croquet?" shouted the Queen. The question was evidently meant for Alice. "Yes!" said Alice loudly. "Come on, then!" roared the Queen. "It's--it's a very fine day!" said a timid voice to Alice. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice. "Where's the Duchess?" "Hush! Hush!" said the Rabbit. "She's under sentence of execution." "What for?" said Alice. "She boxed the Queen's ears--" the Rabbit began. "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other. However, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows. The croquet balls were live hedgehogs, and the mallets live flamingos and the soldiers had to double themselves up and stand on their hands and feet, to make the arches. The players all played at once, without waiting for turns, quarrelling all the while and fighting for the hedgehogs; and in a very short time, the Queen was in a furious passion and went stamping about and shouting, "Off with his head!" or "Off with her head!" about once in a minute. "They're dreadfully fond of beheading people here," thought Alice; "the great wonder is that there's anyone left alive!" She was looking about for some way of escape, when she noticed a curious appearance in the air. "It's the Cheshire-Cat," she said to herself; "now I shall have somebody to talk to." "How are you getting on?" said the Cat. "I don't think they play at all fairly," Alice said, in a rather complaining tone; "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular." "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice. Alice thought she might as well go back and see how the game was going on. So she went off in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other; the only difficulty was that her flamingo was gone across to the other side of the garden, where Alice could see it trying, in a helpless sort of way, to fly up into a tree. She caught the flamingo and tucked it away under her arm, that it might not escape again. Just then Alice ran across the Duchess (who was now out of prison). She tucked her arm affectionately into Alice's and they walked off together. Alice was very glad to find her in such a pleasant temper. She was a little startled, however, when she heard the voice of the Duchess close to her ear. "You're thinking about something, my dear, and that makes you forget to talk." "The game's going on rather better now," Alice said, by way of keeping up the conversation a little. "'Tis so," said the Duchess; "and the moral of that is--'Oh, 'tis love, 'tis love that makes the world go 'round!'" "Somebody said," Alice whispered, "that it's done by everybody minding his own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder, as she added "and the moral of _that_ is--'Take care of the sense and the sounds will take care of themselves.'" To Alice's great surprise, the Duchess's arm that was linked into hers began to tremble. Alice looked up and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm! "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke, "either you or your head must be off, and that in about half no time. Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. All the time they were playing, the Queen never left off quarreling with the other players and shouting, "Off with his head!" or "Off with her head!" By the end of half an hour or so, all the players, except the King, the Queen and Alice, were in custody of the soldiers and under sentence of execution. Then the Queen left off, quite out of breath, and walked away with Alice. Alice heard the King say in a low voice to the company generally, "You are all pardoned." Suddenly the cry "The Trial's beginning!" was heard in the distance, and Alice ran along with the others. ----------CHAPTER 9--------- The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it. "I wish they'd get the trial done," Alice thought, "and hand 'round the refreshments!" The judge, by the way, was the King and he wore his crown over his great wig. "That's the jury-box," thought Alice; "and those twelve creatures (some were animals and some were birds) I suppose they are the jurors." Just then the White Rabbit cried out "Silence in the court!" "Herald, read the accusation!" said the King. On this, the White Rabbit blew three blasts on the trumpet, then unrolled the parchment-scroll and read as follows: "The Queen of Hearts, she made some tarts, All on a summer day; The Knave of Hearts, he stole those tarts And took them quite away!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread and butter in the other. "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm in arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Give your evidence," said the King, "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all; he kept shifting from one foot to the other, looking uneasily at the Queen, and, in his confusion, he bit a large piece out of his teacup instead of the bread and butter. Just at this moment Alice felt a very curious sensation--she was beginning to grow larger again. The miserable Hatter dropped his teacup and bread and butter and went down on one knee. "I'm a poor man, Your Majesty," he began. "You're a _very_ poor _speaker_," said the King. "You may go," said the King, and the Hatter hurriedly left the court. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand and the people near the door began sneezing all at once. "Give your evidence," said the King. "Sha'n't," said the cook. The King looked anxiously at the White Rabbit, who said, in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said. "What are tarts made of?" "Pepper, mostly," said the cook. For some minutes the whole court was in confusion and by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, "call the next witness." Alice watched the White Rabbit as he fumbled over the list. Imagine her surprise when he read out, at the top of his shrill little voice, the name "Alice!" ----------CHAPTER 10--------- "Here!" cried Alice. She jumped up in such a hurry that she tipped over the jury-box, upsetting all the jurymen on to the heads of the crowd below. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay. "The trial cannot proceed," said the King, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice. "What do you know about this business?" the King said to Alice. "Nothing whatever," said Alice. The King then read from his book: "Rule forty-two. _All persons more than a mile high to leave the court_." "_I'm_ not a mile high," said Alice. "Nearly two miles high," said the Queen. [Illustration] "Well, I sha'n't go, at any rate," said Alice. The King turned pale and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please Your Majesty," said the White Rabbit, jumping up in a great hurry. "This paper has just been picked up. It seems to be a letter written by the prisoner to--to somebody." He unfolded the paper as he spoke and added, "It isn't a letter, after all; it's a set of verses." "Please, Your Majesty," said the Knave, "I didn't write it and they can't prove that I did; there's no name signed at the end." "You _must_ have meant some mischief, or else you'd have signed your name like an honest man," said the King. There was a general clapping of hands at this. "Read them," he added, turning to the White Rabbit. There was dead silence in the court whilst the White Rabbit read out the verses. "That's the most important piece of evidence we've heard yet," said the King. "_I_ don't believe there's an atom of meaning in it," ventured Alice. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. Let the jury consider their verdict." "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for _you_?" said Alice (she had grown to her full size by this time). "You're nothing but a pack of cards!" At this, the whole pack rose up in the air and came flying down upon her; she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister. "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice. And she told her sister, as well as she could remember them, all these strange adventures of hers that you have just been reading about. Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

Alice's Adventures In Won

cliffnotes

Generate a succinct summary for chapter 3 with the given context.

chapter 1|chapter 2|chapter 3|chapter 4

This chapter titled "The Caucus -Race and a Long Tale" relates the efforts on the part of the queer group of birds, animals and Alice to get themselves to dry soon. The effort begins with the mouse relating a story about "William The Conqueror". This does not help the party in any way and therefore, the dodo suggests that the best way to get dry would be a Caucus race. This race required all the members to run in a circular motion. After having run for about half an hour, they discover that they are finally were dry. Alice distributes the comfits and candy in her pocket as prizes and is awarded by the Dodo with her thimble. Eating the comfits creates quite a noise and this later is followed by the mouse telling the group of its history. Alice pays particular attention to the mouses tail and hardly listens to its tale. The mouse is upset at this kind of disinterest shown by Alice and stops speaking about itself. A reference to Dinah and her love for birds and mice scares the animals and as usual Alice is left all alone again.

----------CHAPTER 1--------- Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do. Once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice, "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that, nor did Alice think it so very much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be too late!" But when the Rabbit actually took a watch out of its waistcoat-pocket and looked at it and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it and was just in time to see it pop down a large rabbit-hole, under the hedge. In another moment, down went Alice after it! [Illustration] The rabbit-hole went straight on like a tunnel for some way and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down what seemed to be a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time, as she went down, to look about her. First, she tried to make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed. It was labeled "ORANGE MARMALADE," but, to her great disappointment, it was empty; she did not like to drop the jar, so managed to put it into one of the cupboards as she fell past it. Down, down, down! Would the fall never come to an end? There was nothing else to do, so Alice soon began talking to herself. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah, my dear, I wish you were down here with me!" Alice felt that she was dozing off, when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up in a moment. She looked up, but it was all dark overhead; before her was another long passage and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost. Away went Alice like the wind and was just in time to hear it say, as it turned a corner, "Oh, my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen. She found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all 'round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little table, all made of solid glass. There was nothing on it but a tiny golden key, and Alice's first idea was that this might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but, at any rate, it would not open any of them. However, on the second time 'round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high. She tried the little golden key in the lock, and to her great delight, it fitted! [Illustration] Alice opened the door and found that it led into a small passage, not much larger than a rat-hole; she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway. "Oh," said Alice, "how I wish I could shut up like a telescope! I think I could, if I only knew how to begin." Alice went back to the table, half hoping she might find another key on it, or at any rate, a book of rules for shutting people up like telescopes. This time she found a little bottle on it ("which certainly was not here before," said Alice), and tied 'round the neck of the bottle was a paper label, with the words "DRINK ME" beautifully printed on it in large letters. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not," for she had never forgotten that, if you drink from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and, finding it very nice (it had a sort of mixed flavor of cherry-tart, custard, pineapple, roast turkey, toffy and hot buttered toast), she very soon finished it off. * * * * * "What a curious feeling!" said Alice. "I must be shutting up like a telescope!" And so it was indeed! She was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. After awhile, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! When she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass and she tried her best to climb up one of the legs of the table, but it was too slippery, and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself rather sharply. "I advise you to leave off this minute!" She generally gave herself very good advice (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes. Soon her eye fell on a little glass box that was lying under the table: she opened it and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door: so either way I'll get into the garden, and I don't care which happens!" She ate a little bit and said anxiously to herself, "Which way? Which way?" holding her hand on the top of her head to feel which way she was growing; and she was quite surprised to find that she remained the same size. So she set to work and very soon finished off the cake. ----------CHAPTER 2--------- "Curiouser and curiouser!" cried Alice (she was so much surprised that for the moment she quite forgot how to speak good English). "Now I'm opening out like the largest telescope that ever was! Good-by, feet! Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I shall be a great deal too far off to trouble myself about you." Just at this moment her head struck against the roof of the hall; in fact, she was now rather more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever. She sat down and began to cry again. She went on shedding gallons of tears, until there was a large pool all 'round her and reaching half down the hall. After a time, she heard a little pattering of feet in the distance and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid-gloves in one hand and a large fan in the other. He came trotting along in a great hurry, muttering to himself, "Oh! the Duchess, the Duchess! Oh! _won't_ she be savage if I've kept her waiting!" When the Rabbit came near her, Alice began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid-gloves and the fan and skurried away into the darkness as hard as he could go. [Illustration] Alice took up the fan and gloves and she kept fanning herself all the time she went on talking. "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. _Was_ I the same when I got up this morning? But if I'm not the same, the next question is, 'Who in the world am I?' Ah, _that's_ the great puzzle!" As she said this, she looked down at her hands and was surprised to see that she had put on one of the Rabbit's little white kid-gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it and found that she was now about two feet high and was going on shrinking rapidly. She soon found out that the cause of this was the fan she was holding and she dropped it hastily, just in time to save herself from shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence. "And now for the garden!" And she ran with all speed back to the little door; but, alas! the little door was shut again and the little golden key was lying on the glass table as before. "Things are worse than ever," thought the poor child, "for I never was so small as this before, never!" As she said these words, her foot slipped, and in another moment, splash! she was up to her chin in salt-water. Her first idea was that she had somehow fallen into the sea. However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. [Illustration] Just then she heard something splashing about in the pool a little way off, and she swam nearer to see what it was: she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here that I should think very likely it can talk; at any rate, there's no harm in trying." So she began, "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" The Mouse looked at her rather inquisitively and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice. "I dare say it's a French mouse, come over with William the Conqueror." So she began again: "Ou est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse in a shrill, passionate voice. "Would _you_ like cats, if you were me?" "Well, perhaps not," said Alice in a soothing tone; "don't be angry about it. And yet I wish I could show you our cat Dinah. I think you'd take a fancy to cats, if you could only see her. She is such a dear, quiet thing." The Mouse was bristling all over and she felt certain it must be really offended. "We won't talk about her any more, if you'd rather not." "We, indeed!" cried the Mouse, who was trembling down to the end of its tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats--nasty, low, vulgar things! Don't let me hear the name again!" [Illustration: Alice at the Mad Tea Party.] "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs? There is such a nice little dog near our house, I should like to show you! It kills all the rats and--oh, dear!" cried Alice in a sorrowful tone. "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats, or dogs either, if you don't like them!" When the Mouse heard this, it turned 'round and swam slowly back to her; its face was quite pale, and it said, in a low, trembling voice, "Let us get to the shore and then I'll tell you my history and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it; there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way and the whole party swam to the shore. ----------CHAPTER 3--------- They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross and uncomfortable. [Illustration] The first question, of course, was how to get dry again. They had a consultation about this and after a few minutes, it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. At last the Mouse, who seemed to be a person of some authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. "Ahem!" said the Mouse with an important air. "Are you all ready? This is the driest thing I know. Silence all 'round, if you please! 'William the Conqueror, whose cause was favored by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the Earls of Mercia and Northumbria'--" "Ugh!" said the Lory, with a shiver. "--'And even Stigand, the patriotic archbishop of Canterbury, found it advisable'--" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly; "of course, you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck; "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown.'--How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone; "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" "What I was going to say," said the Dodo in an offended tone, "is that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice. [Illustration] "Why," said the Dodo, "the best way to explain it is to do it." First it marked out a race-course, in a sort of circle, and then all the party were placed along the course, here and there. There was no "One, two, three and away!" but they began running when they liked and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so and were quite dry again, the Dodo suddenly called out, "The race is over!" and they all crowded 'round it, panting and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought. At last it said, "_Everybody_ has won, and _all_ must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded 'round her, calling out, in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand into her pocket and pulled out a box of comfits (luckily the salt-water had not got into it) and handed them 'round as prizes. There was exactly one a-piece, all 'round. The next thing was to eat the comfits; this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last and they sat down again in a ring and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail, "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.-- Come, I'll take no denial: We must have the trial; For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' said cunning old Fury; 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice, severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly, "you had got to the fifth bend, I think?" "You insult me by talking such nonsense!" said the Mouse, getting up and walking away. "Please come back and finish your story!" Alice called after it. And the others all joined in chorus, "Yes, please do!" But the Mouse only shook its head impatiently and walked a little quicker. "I wish I had Dinah, our cat, here!" said Alice. This caused a remarkable sensation among the party. Some of the birds hurried off at once, and a Canary called out in a trembling voice, to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off and Alice was soon left alone. "I wish I hadn't mentioned Dinah! Nobody seems to like her down here and I'm sure she's the best cat in the world!" Poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance and she looked up eagerly. ----------CHAPTER 4--------- It was the White Rabbit, trotting slowly back again and looking anxiously about as it went, as if it had lost something; Alice heard it muttering to itself, "The Duchess! The Duchess! Oh, my dear paws! Oh, my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid-gloves and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, and called to her, in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment and fetch me a pair of gloves and a fan! Quick, now!" "He took me for his housemaid!" said Alice, as she ran off. "How surprised he'll be when he finds out who I am!" As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name "W. RABBIT" engraved upon it. She went in without knocking and hurried upstairs, in great fear lest she should meet the real Mary Ann and be turned out of the house before she had found the fan and gloves. By this time, Alice had found her way into a tidy little room with a table in the window, and on it a fan and two or three pairs of tiny white kid-gloves; she took up the fan and a pair of the gloves and was just going to leave the room, when her eyes fell upon a little bottle that stood near the looking-glass. She uncorked it and put it to her lips, saying to herself, "I do hope it'll make me grow large again, for, really, I'm quite tired of being such a tiny little thing!" Before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, remarking, "That's quite enough--I hope I sha'n't grow any more." Alas! It was too late to wish that! She went on growing and growing and very soon she had to kneel down on the floor. Still she went on growing, and, as a last resource, she put one arm out of the window and one foot up the chimney, and said to herself, "Now I can do no more, whatever happens. What _will_ become of me?" [Illustration] Luckily for Alice, the little magic bottle had now had its full effect and she grew no larger. After a few minutes she heard a voice outside and stopped to listen. "Mary Ann! Mary Ann!" said the voice. "Fetch me my gloves this moment!" Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit and had no reason to be afraid of it. Presently the Rabbit came up to the door and tried to open it; but as the door opened inwards and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself, "Then I'll go 'round and get in at the window." "_That_ you won't!" thought Alice; and after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame or something of that sort. Next came an angry voice--the Rabbit's--"Pat! Pat! Where are you?" And then a voice she had never heard before, "Sure then, I'm here! Digging for apples, yer honor!" "Here! Come and help me out of this! Now tell me, Pat, what's that in the window?" "Sure, it's an arm, yer honor!" "Well, it's got no business there, at any rate; go and take it away!" There was a long silence after this and Alice could only hear whispers now and then, and at last she spread out her hand again and made another snatch in the air. This time there were _two_ little shrieks and more sounds of broken glass. "I wonder what they'll do next!" thought Alice. "As for pulling me out of the window, I only wish they _could_!" She waited for some time without hearing anything more. At last came a rumbling of little cart-wheels and the sound of a good many voices all talking together. She made out the words: "Where's the other ladder? Bill's got the other--Bill! Here, Bill! Will the roof bear?--Who's to go down the chimney?--Nay, _I_ sha'n't! _You_ do it! Here, Bill! The master says you've got to go down the chimney!" Alice drew her foot as far down the chimney as she could and waited till she heard a little animal scratching and scrambling about in the chimney close above her; then she gave one sharp kick and waited to see what would happen next. The first thing she heard was a general chorus of "There goes Bill!" then the Rabbit's voice alone--"Catch him, you by the hedge!" Then silence and then another confusion of voices--"Hold up his head--Brandy now--Don't choke him--What happened to you?" Last came a little feeble, squeaking voice, "Well, I hardly know--No more, thank ye. I'm better now--all I know is, something comes at me like a Jack-in-the-box and up I goes like a sky-rocket!" After a minute or two of silence, they began moving about again, and Alice heard the Rabbit say, "A barrowful will do, to begin with." "A barrowful of _what_?" thought Alice. But she had not long to doubt, for the next moment a shower of little pebbles came rattling in at the window and some of them hit her in the face. Alice noticed, with some surprise, that the pebbles were all turning into little cakes as they lay on the floor and a bright idea came into her head. "If I eat one of these cakes," she thought, "it's sure to make _some_ change in my size." So she swallowed one of the cakes and was delighted to find that she began shrinking directly. As soon as she was small enough to get through the door, she ran out of the house and found quite a crowd of little animals and birds waiting outside. They all made a rush at Alice the moment she appeared, but she ran off as hard as she could and soon found herself safe in a thick wood. [Illustration: "The Duchess tucked her arm affectionately into Alice's."] "The first thing I've got to do," said Alice to herself, as she wandered about in the wood, "is to grow to my right size again; and the second thing is to find my way into that lovely garden. I suppose I ought to eat or drink something or other, but the great question is 'What?'" Alice looked all around her at the flowers and the blades of grass, but she could not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself. She stretched herself up on tiptoe and peeped over the edge and her eyes immediately met those of a large blue caterpillar, that was sitting on the top, with its arms folded, quietly smoking a long hookah and taking not the smallest notice of her or of anything else.

cliffnotes

Generate a succinct summary for chapter 8 with the given context.

Alice finds a large white-rose tree near the entrance of the garden. An unusual spectacle greets her there. She notices that the gardeners here are all animated playing cards, Spades. Three of them, "two," "five," " seven" are busy trying to paint the rose bush red. On inquiring, she is told that the queen had ordered for a red rose bush, in place of which they had planted a white-rose bush. Scared of the consequences, they were trying to cover up their mistake by painting the rose bush red. Soon they hear a procession. At the head of the procession, Alice sees ten soldiers carrying clubs, followed by ten courtiers attired with diamonds. They are followed by ten royal children, all ornamented with hearts. Next come the guests of honor - the kings and the queens. Alice recognizes the White Rabbit amidst them. Then follow the Knave of Hearts carrying the kings crown. And last of all come the King and the Queen of Hearts. The procession stops near Alice and the Queen asks Alice to identify the three cards who, in order to escape the wrath of the Queen, have laid flat on the ground. After Alice manages to "save" the "lives" of these cards, the Gryphon informs Alice that no one in Wonderland has ever been executed. What follows then is a strange game of croquet played with live hedgehogs as croquet balls and flamingoes as the mallets. During the game, the Queen is often heard saying "Off with their heads". Alice is unable to understand the rules of the game since things are so chaotic. Everyone tries to play at the same time and this leads to a sweeping pandemonium. While looking for some way to escape, Alice spots the Cheshire Cat and gets into a conversation with the cat regarding the events that were taking place. It is during this conversation, that the cat is introduced to the king and its rude behavior towards the king leads to the ruling " Off with your head". However, the Cheshire cat had the ability of making only a part of its body visible, the rest being rendered invisible. Thus, the cat arranges things such that all those present could only spot his head. Now total bedlam is let loose. This is because, the executioner argues that one cannot cut off a head unless there was a body. The monarch alleges that anything that has a head can be beheaded. The Queen further threatens if something is not done at the earliest, she will have everyone executed. They finally decide to ask Alice to resolve the matter. She suggests that it would be best to ask the Duchess. While the executioner is dispatched to get the Duchess, the cat manages to fade away. This forces the entire party to go looking for the cat.

----------CHAPTER 5--------- At last the Caterpillar took the hookah out of its mouth and addressed Alice in a languid, sleepy voice. "Who are _you_?" said the Caterpillar. [Illustration] Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have changed several times since then." "What do you mean by that?" said the Caterpillar, sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see--being so many different sizes in a day is very confusing." She drew herself up and said very gravely, "I think you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. As Alice could not think of any good reason and the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. It unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid, I am, sir," said Alice. "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "What size do you want to be?" asked the Caterpillar. "Oh, I'm not particular as to size," Alice hastily replied, "only one doesn't like changing so often, you know. I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice. "Three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). In a minute or two, the Caterpillar got down off the mushroom and crawled away into the grass, merely remarking, as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what_? The other side of _what_?" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment, it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it. At last she stretched her arms 'round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect. The next moment she felt a violent blow underneath her chin--it had struck her foot! She was a good deal frightened by this very sudden change, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot that there was hardly room to open her mouth; but she did it at last and managed to swallow a morsel of the left-hand bit.... "Come, my head's free at last!" said Alice; but all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "Where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag and was going to dive in among the leaves, when a sharp hiss made her draw back in a hurry--a large pigeon had flown into her face and was beating her violently with its wings. [Illustration] "Serpent!" cried the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, "but those serpents! There's no pleasing them!" Alice was more and more puzzled. "As if it wasn't trouble enough hatching the eggs," said the Pigeon, "but I must be on the look-out for serpents, night and day! And just as I'd taken the highest tree in the wood," continued the Pigeon, raising its voice to a shriek, "and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!" "But I'm _not_ a serpent, I tell you!" said Alice. "I'm a--I'm a--I'm a little girl," she added rather doubtfully, as she remembered the number of changes she had gone through that day. "You're looking for eggs, I know _that_ well enough," said the Pigeon; "and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens, and if I was, I shouldn't want _yours_--I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After awhile she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size that it felt quite strange at first. "The next thing is to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size; why, I should frighten them out of their wits!" She did not venture to go near the house till she had brought herself down to nine inches high. ----------CHAPTER 6--------- For a minute or two she stood looking at the house, when suddenly a footman in livery came running out of the wood (judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face and large eyes like a frog. The Fish-Footman began by producing from under his arm a great letter, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low and their curls got entangled together. When Alice next peeped out, the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "How am I to get in?" asked Alice. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." Alice opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other; the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large caldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only two creatures in the kitchen that did _not_ sneeze were the cook and a large cat, which was grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, "why your cat grins like that?" "It's a Cheshire-Cat," said the Duchess, "and that's why." "I didn't know that Cheshire-Cats always grinned; in fact, I didn't know that cats _could_ grin," said Alice. "You don't know much," said the Duchess, "and that's a fact." Just then the cook took the caldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates and dishes. The Duchess took no notice of them, even when they hit her, and the baby was howling so much already that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Here! You may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. Alice caught the baby with some difficulty, as it was a queer-shaped little creature and held out its arms and legs in all directions. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two. Wouldn't it be murder to leave it behind?" She said the last words out loud and the little thing grunted in reply. "If you're going to turn into a pig, my dear," said Alice, "I'll have nothing more to do with you. Mind now!" Alice was just beginning to think to herself, "Now, what am I to do with this creature, when I get it home?" when it grunted again so violently that Alice looked down into its face in some alarm. This time there could be _no_ mistake about it--it was neither more nor less than a pig; so she set the little creature down and felt quite relieved to see it trot away quietly into the wood. Alice was a little startled by seeing the Cheshire-Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw her. "Cheshire-Puss," began Alice, rather timidly, "would you please tell me which way I ought to go from here?" "In _that_ direction," the Cat said, waving the right paw 'round, "lives a Hatter; and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like; they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat; "we're all mad here. Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice had not gone much farther before she came in sight of the house of the March Hare; it was so large a house that she did not like to go near till she had nibbled some more of the left-hand bit of mushroom. ----------CHAPTER 7--------- There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it; a Dormouse was sitting between them, fast asleep. The table was a large one, but the three were all crowded together at one corner of it. "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. The Hatter opened his eyes very wide on hearing this, but all he said was "Why is a raven like a writing-desk?" "I'm glad they've begun asking riddles--I believe I can guess that," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "You might just as well say," added the Dormouse, which seemed to be talking in its sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe!'" "It _is_ the same thing with you," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." [Illustration] "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied. "What's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice gave a weary sigh. "I think you might do something better with the time," she said, "than wasting it in asking riddles that have no answers." "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter; "it's very easy to take _more_ than nothing." At this, Alice got up and walked off. The Dormouse fell asleep instantly and neither of the others took the least notice of her going, though she looked back once or twice; the last time she saw them, they were trying to put the Dormouse into the tea-pot. [Illustration: The Trial of the Knave of Hearts.] "At any rate, I'll never go _there_ again!" said Alice, as she picked her way through the wood. "It's the stupidest tea-party I ever was at in all my life!" Just as she said this, she noticed that one of the trees had a door leading right into it. "That's very curious!" she thought. "I think I may as well go in at once." And in she went. Once more she found herself in the long hall and close to the little glass table. Taking the little golden key, she unlocked the door that led into the garden. Then she set to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high; then she walked down the little passage; and _then_--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. ----------CHAPTER 8--------- A large rose-tree stood near the entrance of the garden; the roses growing on it were white, but there were three gardeners at it, busily painting them red. Suddenly their eyes chanced to fall upon Alice, as she stood watching them. "Would you tell me, please," said Alice, a little timidly, "why you are painting those roses?" Five and Seven said nothing, but looked at Two. Two began, in a low voice, "Why, the fact is, you see, Miss, this here ought to have been a _red_ rose-tree, and we put a white one in by mistake; and, if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--" At this moment, Five, who had been anxiously looking across the garden, called out, "The Queen! The Queen!" and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps and Alice looked 'round, eager to see the Queen. First came ten soldiers carrying clubs, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds. After these came the royal children; there were ten of them, all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognized the White Rabbit. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and last of all this grand procession came THE KING AND THE QUEEN OF HEARTS. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely, "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "My name is Alice, so please Your Majesty," said Alice very politely; but she added to herself, "Why, they're only a pack of cards, after all!" "Can you play croquet?" shouted the Queen. The question was evidently meant for Alice. "Yes!" said Alice loudly. "Come on, then!" roared the Queen. "It's--it's a very fine day!" said a timid voice to Alice. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice. "Where's the Duchess?" "Hush! Hush!" said the Rabbit. "She's under sentence of execution." "What for?" said Alice. "She boxed the Queen's ears--" the Rabbit began. "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other. However, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows. The croquet balls were live hedgehogs, and the mallets live flamingos and the soldiers had to double themselves up and stand on their hands and feet, to make the arches. The players all played at once, without waiting for turns, quarrelling all the while and fighting for the hedgehogs; and in a very short time, the Queen was in a furious passion and went stamping about and shouting, "Off with his head!" or "Off with her head!" about once in a minute. "They're dreadfully fond of beheading people here," thought Alice; "the great wonder is that there's anyone left alive!" She was looking about for some way of escape, when she noticed a curious appearance in the air. "It's the Cheshire-Cat," she said to herself; "now I shall have somebody to talk to." "How are you getting on?" said the Cat. "I don't think they play at all fairly," Alice said, in a rather complaining tone; "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular." "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice. Alice thought she might as well go back and see how the game was going on. So she went off in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other; the only difficulty was that her flamingo was gone across to the other side of the garden, where Alice could see it trying, in a helpless sort of way, to fly up into a tree. She caught the flamingo and tucked it away under her arm, that it might not escape again. Just then Alice ran across the Duchess (who was now out of prison). She tucked her arm affectionately into Alice's and they walked off together. Alice was very glad to find her in such a pleasant temper. She was a little startled, however, when she heard the voice of the Duchess close to her ear. "You're thinking about something, my dear, and that makes you forget to talk." "The game's going on rather better now," Alice said, by way of keeping up the conversation a little. "'Tis so," said the Duchess; "and the moral of that is--'Oh, 'tis love, 'tis love that makes the world go 'round!'" "Somebody said," Alice whispered, "that it's done by everybody minding his own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder, as she added "and the moral of _that_ is--'Take care of the sense and the sounds will take care of themselves.'" To Alice's great surprise, the Duchess's arm that was linked into hers began to tremble. Alice looked up and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm! "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke, "either you or your head must be off, and that in about half no time. Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. All the time they were playing, the Queen never left off quarreling with the other players and shouting, "Off with his head!" or "Off with her head!" By the end of half an hour or so, all the players, except the King, the Queen and Alice, were in custody of the soldiers and under sentence of execution. Then the Queen left off, quite out of breath, and walked away with Alice. Alice heard the King say in a low voice to the company generally, "You are all pardoned." Suddenly the cry "The Trial's beginning!" was heard in the distance, and Alice ran along with the others. ----------CHAPTER 9--------- The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it. "I wish they'd get the trial done," Alice thought, "and hand 'round the refreshments!" The judge, by the way, was the King and he wore his crown over his great wig. "That's the jury-box," thought Alice; "and those twelve creatures (some were animals and some were birds) I suppose they are the jurors." Just then the White Rabbit cried out "Silence in the court!" "Herald, read the accusation!" said the King. On this, the White Rabbit blew three blasts on the trumpet, then unrolled the parchment-scroll and read as follows: "The Queen of Hearts, she made some tarts, All on a summer day; The Knave of Hearts, he stole those tarts And took them quite away!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread and butter in the other. "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm in arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Give your evidence," said the King, "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all; he kept shifting from one foot to the other, looking uneasily at the Queen, and, in his confusion, he bit a large piece out of his teacup instead of the bread and butter. Just at this moment Alice felt a very curious sensation--she was beginning to grow larger again. The miserable Hatter dropped his teacup and bread and butter and went down on one knee. "I'm a poor man, Your Majesty," he began. "You're a _very_ poor _speaker_," said the King. "You may go," said the King, and the Hatter hurriedly left the court. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand and the people near the door began sneezing all at once. "Give your evidence," said the King. "Sha'n't," said the cook. The King looked anxiously at the White Rabbit, who said, in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said. "What are tarts made of?" "Pepper, mostly," said the cook. For some minutes the whole court was in confusion and by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, "call the next witness." Alice watched the White Rabbit as he fumbled over the list. Imagine her surprise when he read out, at the top of his shrill little voice, the name "Alice!" ----------CHAPTER 10--------- "Here!" cried Alice. She jumped up in such a hurry that she tipped over the jury-box, upsetting all the jurymen on to the heads of the crowd below. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay. "The trial cannot proceed," said the King, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice. "What do you know about this business?" the King said to Alice. "Nothing whatever," said Alice. The King then read from his book: "Rule forty-two. _All persons more than a mile high to leave the court_." "_I'm_ not a mile high," said Alice. "Nearly two miles high," said the Queen. [Illustration] "Well, I sha'n't go, at any rate," said Alice. The King turned pale and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please Your Majesty," said the White Rabbit, jumping up in a great hurry. "This paper has just been picked up. It seems to be a letter written by the prisoner to--to somebody." He unfolded the paper as he spoke and added, "It isn't a letter, after all; it's a set of verses." "Please, Your Majesty," said the Knave, "I didn't write it and they can't prove that I did; there's no name signed at the end." "You _must_ have meant some mischief, or else you'd have signed your name like an honest man," said the King. There was a general clapping of hands at this. "Read them," he added, turning to the White Rabbit. There was dead silence in the court whilst the White Rabbit read out the verses. "That's the most important piece of evidence we've heard yet," said the King. "_I_ don't believe there's an atom of meaning in it," ventured Alice. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. Let the jury consider their verdict." "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for _you_?" said Alice (she had grown to her full size by this time). "You're nothing but a pack of cards!" At this, the whole pack rose up in the air and came flying down upon her; she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister. "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice. And she told her sister, as well as she could remember them, all these strange adventures of hers that you have just been reading about. Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

Alice's Adventures in Won

cliffnotes

Craft a concise overview of chapter 1 using the context provided.

chapter 1|chapter 2

Alice's Adventures in Wonderland begins as a pleasant fairy tale. Alice and her sister are reading a book that has neither pictures nor conversations. Alice finds the reading tedious; she is anxious for more vivid and direct forms of experience. Her boredom and anxiety cause her to withdraw from the "civilized pastime" of reading dull books and to fall to sleep, entering the world of dreams. At the edge of semi-sleep consciousness, she sees the form of a white rabbit scurrying toward a rabbit-hole. Immediately, Alice is curious and pursues him down the hole. The reason for Alice's pursuit is that she burns with curiosity; after all, the rabbit is wearing a waistcoat, talking to himself, walking upright, and he has a pocket watch; his image is thus unusual, suggesting romantic and fairy tale "people." The rabbit's hole functions like a large laundry chute, and, curiously, Alice "floats" down the hole in a slow descent. In her fall, she has fantasies relating to the absence of gravity, the quality of infinite space, the shape of her body, mass, and velocity. Her free, fanciful associations in the tunnel are in vivid contrast to her innocent, non-reflective curiosity that led her to leap down the hole in the first place. In fact, her leap downward probably was unconscious. Not once did she hesitate for fear of what she might find or consider how she might get out. Her leap was a leap in a spirit of adventure, a reckless gamble done for fun. On the other hand, Alice retains her belief in the world above-ground. There are shelves lining the walls of the tunnel, and on one shelf she finds a jar of orange marmalade. Things like the jar reaffirm her feelings that matters are not "too different" here, so she refuses to accept that her experience of floating down a rabbit-hole is unlike previous, curious adventures that she has had. This is just another adventure, and fancying that she might well be headed through the earth's center, she wonders how to determine her latitude and longitude. Note that it doesn't seem to matter to her that such terms do not apply under the earth's surface. Then, Alice considers the prospect of emerging head downward in New Zealand or Australia; her concern is almost a caricature of her childish belief in the impossible. Strangely enough, there is no indication that she is truly disoriented; everything seems true to sense in spite of the absence of acceleration and gravity. Even her "sense of propriety" is functioning. She returns the empty marmalade jar to a lower shelf for fear that to drop it might injure someone below. Then, in an imaginary conversation with a woman whom she might meet on the other side of the world, she manages to curtsy in mid-air. Yet, already she is beginning to suffer nostalgia for her life in the conscious, above-ground world. The frightening possibility of being trapped in a dream occurs to her. Above-ground, her cat Dinah had an appetite for bats, and Alice is suddenly confronted by the thought that, possibly, bats may also eat cats! The age-old questions of eating, or being eaten, poses itself here in the context of an alien world while Alice is falling, falling . . . to heaven knows where. Wonderland is one of the most spontaneous "places" in this novel. And suddenly Alice is in Wonderland! She has landed safely at the bottom of her long, slow fall. But, immediately, she hears the White Rabbit's anxious lament: "Oh, my ears and whiskers, how late it's getting!" Alice then loses sight of the rabbit in a hall that is paneled with doors. None of them, however, seems to be the right size for even a young girl of Alice's size; in fact, they are "strange doors." They seem to have a foreboding, funereal feeling about them. Thus, she does not attempt to open them. On a glass table, though, she finds a tiny golden key, and this key opens a small, curtained door; but the entrance-way is small, rat-sized, in fact, and Alice cannot fit even her head through the doorway. And the door leads to a beautifully colorful, seemingly "enchanted garden." Alice wishes so very much that she could reduce her size and could explore the garden. Her wish that she could reverse her size is consistent with the logic of fantasy. Already, as the narrator observes, ". . . so many out-of-the-way things had happened lately, that Alice had begun to think that few things indeed were really impossible." On the glass table, Alice finds a little bottle. It seems to have just magically appeared. The label on the bottle reads "DRINK ME." It is against her previous, proper English training to eat or drink strange foods, but curiosity proves a stronger compulsion than doing the "right thing." So she drinks the liquid and is reduced immediately; now she can pass through the doorway leading to the garden! But she forgot to take the key before she drank the liquid, and now she has shrunk down to a tiny little girl. Disheartened that she can no longer reach the key, Alice begins to cry. Then there is a curious change in her attitude. She stops herself from crying, as though her "selfish self" has been detached from her "proper self" and the latter is scolding her for crying. We almost hear her mother's voice: A desire for something right now is childish; it is "narcissistic" -- selfish. It is naughty, and little girls shouldn't be selfish and want things right now. Thus, Alice restrains herself from crying. Suddenly, a little glass box appears with a cake inside it . On the cake, there is a sign: "EAT ME." Alice eats the cake, but there is no immediate consequence. To her dismay, life is dull once again; it seems as though she has not really left the above-ground world at all. She feels that she is the same frustrated little girl that she was before. Except now there's an additional problem. When she was a normal-sized girl, she could not get out of the passageway, and now that she is too small, she has no means to escape. So there she sits, an enclosed soul, trapped in the traumatic nightmare of a prison cell. Already logic has begun to break down in this confusing, claustrophobic condition. Life is beginning to become exaggerated. Alice feels that she can't trust her sanity; curiosity seems to have taken its place. Thus, here in this introduction, rational expectations have taken Alice to an illogical and fantastic destination.

----------CHAPTER 1--------- Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, 'and what is the use of a book,' thought Alice 'without pictures or conversations?' So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so VERY remarkable in that; nor did Alice think it so VERY much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually TOOK A WATCH OUT OF ITS WAISTCOAT-POCKET, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled 'ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it. 'Well!' thought Alice to herself, 'after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!' (Which was very likely true.) Down, down, down. Would the fall NEVER come to an end! 'I wonder how many miles I've fallen by this time?' she said aloud. 'I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a VERY good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) '--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. 'I wonder if I shall fall right THROUGH the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--' (she was rather glad there WAS no one listening, this time, as it didn't sound at all the right word) '--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?' (and she tried to curtsey as she spoke--fancy CURTSEYING as you're falling through the air! Do you think you could manage it?) 'And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere.' Down, down, down. There was nothing else to do, so Alice soon began talking again. 'Dinah'll miss me very much to-night, I should think!' (Dinah was the cat.) 'I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?' And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, 'Do cats eat bats? Do cats eat bats?' and sometimes, 'Do bats eat cats?' for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, 'Now, Dinah, tell me the truth: did you ever eat a bat?' when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, 'Oh my ears and whiskers, how late it's getting!' She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice's first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; 'and even if my head would go through,' thought poor Alice, 'it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin.' For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, ('which certainly was not here before,' said Alice,) and round the neck of the bottle was a paper label, with the words 'DRINK ME' beautifully printed on it in large letters. It was all very well to say 'Drink me,' but the wise little Alice was not going to do THAT in a hurry. 'No, I'll look first,' she said, 'and see whether it's marked "poison" or not'; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they WOULD not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger VERY deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked 'poison,' it is almost certain to disagree with you, sooner or later. However, this bottle was NOT marked 'poison,' so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. 'What a curious feeling!' said Alice; 'I must be shutting up like a telescope.' And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; 'for it might end, you know,' said Alice to herself, 'in my going out altogether, like a candle. I wonder what I should be like then?' And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. 'Come, there's no use in crying like that!' said Alice to herself, rather sharply; 'I advise you to leave off this minute!' She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. 'But it's no use now,' thought poor Alice, 'to pretend to be two people! Why, there's hardly enough of me left to make ONE respectable person!' Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words 'EAT ME' were beautifully marked in currants. 'Well, I'll eat it,' said Alice, 'and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!' She ate a little bit, and said anxiously to herself, 'Which way? Which way?', holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. So she set to work, and very soon finished off the cake. ----------CHAPTER 2--------- 'Curiouser and curiouser!' cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); 'now I'm opening out like the largest telescope that ever was! Good-bye, feet!' (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). 'Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them,' thought Alice, 'or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas.' And she went on planning to herself how she would manage it. 'They must go by the carrier,' she thought; 'and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! ALICE'S RIGHT FOOT, ESQ. HEARTHRUG, NEAR THE FENDER, (WITH ALICE'S LOVE). Oh dear, what nonsense I'm talking!' Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. 'You ought to be ashamed of yourself,' said Alice, 'a great girl like you,' (she might well say this), 'to go on crying in this way! Stop this moment, I tell you!' But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, 'Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!' Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, 'If you please, sir--' The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: 'Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, THAT'S the great puzzle!' And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. 'I'm sure I'm not Ada,' she said, 'for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, SHE'S she, and I'm I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, THAT'S all wrong, I'm certain! I must have been changed for Mabel! I'll try and say "How doth the little--"' and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- 'How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale! 'How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!' 'I'm sure those are not the right words,' said poor Alice, and her eyes filled with tears again as she went on, 'I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying "Come up again, dear!" I shall only look up and say "Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else"--but, oh dear!' cried Alice, with a sudden burst of tears, 'I do wish they WOULD put their heads down! I am so VERY tired of being all alone here!' As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. 'How CAN I have done that?' she thought. 'I must be growing small again.' She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. 'That WAS a narrow escape!' said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; 'and now for the garden!' and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, 'and things are worse than ever,' thought the poor child, 'for I never was so small as this before, never! And I declare it's too bad, that it is!' As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, 'and in that case I can go back by railway,' she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. 'I wish I hadn't cried so much!' said Alice, as she swam about, trying to find her way out. 'I shall be punished for it now, I suppose, by being drowned in my own tears! That WILL be a queer thing, to be sure! However, everything is queer to-day.' Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. 'Would it be of any use, now,' thought Alice, 'to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying.' So she began: 'O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!' (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, 'A mouse--of a mouse--to a mouse--a mouse--O mouse!') The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. 'Perhaps it doesn't understand English,' thought Alice; 'I daresay it's a French mouse, come over with William the Conqueror.' (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: 'Ou est ma chatte?' which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. 'Oh, I beg your pardon!' cried Alice hastily, afraid that she had hurt the poor animal's feelings. 'I quite forgot you didn't like cats.' 'Not like cats!' cried the Mouse, in a shrill, passionate voice. 'Would YOU like cats if you were me?' 'Well, perhaps not,' said Alice in a soothing tone: 'don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing,' Alice went on, half to herself, as she swam lazily about in the pool, 'and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!' cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. 'We won't talk about her any more if you'd rather not.' 'We indeed!' cried the Mouse, who was trembling down to the end of his tail. 'As if I would talk on such a subject! Our family always HATED cats: nasty, low, vulgar things! Don't let me hear the name again!' 'I won't indeed!' said Alice, in a great hurry to change the subject of conversation. 'Are you--are you fond--of--of dogs?' The Mouse did not answer, so Alice went on eagerly: 'There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!' cried Alice in a sorrowful tone, 'I'm afraid I've offended it again!' For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, 'Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!' When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, 'Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs.' It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore.

cliffnotes

Craft a concise overview of chapter 3 using the context provided.

chapter 3|chapter 4

"How to dry off" is the central concern at the beginning of this chapter. Alice finds herself embroiled in a heated discussion with the Lory over who knows best how to dry off. The Lory cuts off the argument with the declaration that he is wiser than Alice because he is older than she is. In this dispute Alice becomes a child again -- therefore sort of an underdog -- but her self-centered emotions indicate a mental maturity well beyond her chronological age. Still, in relation to the other animals, Alice seems altogether like the dependent child that she really is; but clearly the Lory's rude position reflects that although he may be more mature, we don't know that he is necessarily older than Alice. In any case, Alice will not let the Lory's response go unchallenged, and the scene turns hilarious when the Lory absolutely refuses to reveal his true age. All along, the Mouse has seemed to assume himself to be the natural "authority figure" of this motley group, so he offers "to dry" the creatures by telling them a dry history. The Mouse states that ". . . the Patriotic Archbishop of Canterbury found it advisable . . ." but before he finishes, the Duck interrupts: "Found what?" "Found it," the Mouse replies rather crossly adding, "Of course you know what it means." Wonderland certainly demands a strange "consistency" of its own -- especially concerning language, for like the Eaglet's "Speak English!" the language of ordinary discourse is ambiguous. The Mouse's "it" could, of course, mean absolutely anything. At any rate, the dull, dry history of England does not help "dry" anyone. So the Dodo proposes a Caucus-race. Alice asks the Dodo to explain the Caucus-race, and he replies that "the best way to explain it is to do it." The Eaglet challenges him to "Speak English!" Thus, the Dodo explains that he is proposing that the creatures dry themselves in a race in which everyone starts and stops running when and where they please, and all win the race. For an extinct creature, the Dodo has a curious sport: Natural selection, the cause of his extinction, is a race in which only the best win. Alice thinks that the Caucus-race is absurd, but she participates in the running anyway. As an indication that the other animals recognize her superiority, she is selected to bestow the prizes . After the candy is distributed, however, she remains without a prize. The Dodo then suggests that she be rewarded with the only thing left in her pocket, an elegant thimble, which he gives to her as her prize. The Caucus-race, of course, satirizes all political caucuses and the wheeling and dealing of politics in which, to win an election, a politician often has to ensure that even his opponents feel that they all have won something with the victor's win. Certainly a prize to everyone does lessen the rise of jealousies and rivalries, but Alice wants to laugh, and the gravity of the other creatures intimidates her. Her amusement reflects a Victorian Tory of the nineteenth century; political progress at that time was essentially random and circular, a sentiment best summarized in the French saying: Plus ca change, plus c'est la meme chose . Having discovered that the Mouse has bitter memories of his enemies, Alice asks him to tell the history he promised. But rather than a personal autobiography, however, the Mouse's story is a genetic-racial memory. On the printed page, his "tale" resembles a sprawling, elongated mouse's tail. It is a brutal story of an encounter between a mouse and a dog in a house. The story ends with the dog executing the mouse after a trial. The Mouse's sad tale prefigures the entire plot of Alice's Adventures in Wonderland, for Alice will finally dispose of all of Wonderland because of her anger at the injustice of the Knave of Hearts' trial. The calligrammatic tale/tail teaches Alice nothing about the Mouse's past experiences, so after the Mouse departs in a rage, Alice goofs again. This time, she offends the Canary and the Magpie by describing Dinah's appetite for birds. Leaving her judgment about "what is safe to talk about" in limbo, she abandons her basic sensitivity; it simply can't be trusted here in this strange world of Wonderland. Her existence here is certainly becoming "curiouser and curiouser" because she cannot identify with the other creatures and their natures. On the other hand, her subversive attempt at communication is collapsing into mad, slapstick kinds of verbal play. Not only does Wonderland's language have a false logic, but the very definition of terms rests upon inconsistencies. In fact, so consistent are the illogicalities that nonsense appears to be the "norm" and the basis of Wonderland.

----------CHAPTER 3--------- They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, 'I am older than you, and must know better'; and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, 'Sit down, all of you, and listen to me! I'LL soon make you dry enough!' They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. 'Ahem!' said the Mouse with an important air, 'are you all ready? This is the driest thing I know. Silence all round, if you please! "William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--"' 'Ugh!' said the Lory, with a shiver. 'I beg your pardon!' said the Mouse, frowning, but very politely: 'Did you speak?' 'Not I!' said the Lory hastily. 'I thought you did,' said the Mouse. '--I proceed. "Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--"' 'Found WHAT?' said the Duck. 'Found IT,' the Mouse replied rather crossly: 'of course you know what "it" means.' 'I know what "it" means well enough, when I find a thing,' said the Duck: 'it's generally a frog or a worm. The question is, what did the archbishop find?' The Mouse did not notice this question, but hurriedly went on, '"--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--" How are you getting on now, my dear?' it continued, turning to Alice as it spoke. 'As wet as ever,' said Alice in a melancholy tone: 'it doesn't seem to dry me at all.' 'In that case,' said the Dodo solemnly, rising to its feet, 'I move that the meeting adjourn, for the immediate adoption of more energetic remedies--' 'Speak English!' said the Eaglet. 'I don't know the meaning of half those long words, and, what's more, I don't believe you do either!' And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. 'What I was going to say,' said the Dodo in an offended tone, 'was, that the best thing to get us dry would be a Caucus-race.' 'What IS a Caucus-race?' said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that SOMEBODY ought to speak, and no one else seemed inclined to say anything. 'Why,' said the Dodo, 'the best way to explain it is to do it.' (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, ('the exact shape doesn't matter,' it said,) and then all the party were placed along the course, here and there. There was no 'One, two, three, and away,' but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out 'The race is over!' and they all crowded round it, panting, and asking, 'But who has won?' This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, 'EVERYBODY has won, and all must have prizes.' 'But who is to give the prizes?' quite a chorus of voices asked. 'Why, SHE, of course,' said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, 'Prizes! Prizes!' Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece all round. 'But she must have a prize herself, you know,' said the Mouse. 'Of course,' the Dodo replied very gravely. 'What else have you got in your pocket?' he went on, turning to Alice. 'Only a thimble,' said Alice sadly. 'Hand it over here,' said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying 'We beg your acceptance of this elegant thimble'; and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. 'You promised to tell me your history, you know,' said Alice, 'and why it is you hate--C and D,' she added in a whisper, half afraid that it would be offended again. 'Mine is a long and a sad tale!' said the Mouse, turning to Alice, and sighing. 'It IS a long tail, certainly,' said Alice, looking down with wonder at the Mouse's tail; 'but why do you call it sad?' And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- 'Fury said to a mouse, That he met in the house, "Let us both go to law: I will prosecute YOU.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do." Said the mouse to the cur, "Such a trial, dear Sir, With no jury or judge, would be wasting our breath." "I'll be judge, I'll be jury," Said cunning old Fury: "I'll try the whole cause, and condemn you to death."' 'You are not attending!' said the Mouse to Alice severely. 'What are you thinking of?' 'I beg your pardon,' said Alice very humbly: 'you had got to the fifth bend, I think?' 'I had NOT!' cried the Mouse, sharply and very angrily. 'A knot!' said Alice, always ready to make herself useful, and looking anxiously about her. 'Oh, do let me help to undo it!' 'I shall do nothing of the sort,' said the Mouse, getting up and walking away. 'You insult me by talking such nonsense!' 'I didn't mean it!' pleaded poor Alice. 'But you're so easily offended, you know!' The Mouse only growled in reply. 'Please come back and finish your story!' Alice called after it; and the others all joined in chorus, 'Yes, please do!' but the Mouse only shook its head impatiently, and walked a little quicker. 'What a pity it wouldn't stay!' sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter 'Ah, my dear! Let this be a lesson to you never to lose YOUR temper!' 'Hold your tongue, Ma!' said the young Crab, a little snappishly. 'You're enough to try the patience of an oyster!' 'I wish I had our Dinah here, I know I do!' said Alice aloud, addressing nobody in particular. 'She'd soon fetch it back!' 'And who is Dinah, if I might venture to ask the question?' said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: 'Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!' This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, 'I really must be getting home; the night-air doesn't suit my throat!' and a Canary called out in a trembling voice to its children, 'Come away, my dears! It's high time you were all in bed!' On various pretexts they all moved off, and Alice was soon left alone. 'I wish I hadn't mentioned Dinah!' she said to herself in a melancholy tone. 'Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!' And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. ----------CHAPTER 4--------- It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself 'The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where CAN I have dropped them, I wonder?' Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, 'Why, Mary Ann, what ARE you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!' And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. 'He took me for his housemaid,' she said to herself as she ran. 'How surprised he'll be when he finds out who I am! But I'd better take him his fan and gloves--that is, if I can find them.' As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name 'W. RABBIT' engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves. 'How queer it seems,' Alice said to herself, 'to be going messages for a rabbit! I suppose Dinah'll be sending me on messages next!' And she began fancying the sort of thing that would happen: '"Miss Alice! Come here directly, and get ready for your walk!" "Coming in a minute, nurse! But I've got to see that the mouse doesn't get out." Only I don't think,' Alice went on, 'that they'd let Dinah stop in the house if it began ordering people about like that!' By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words 'DRINK ME,' but nevertheless she uncorked it and put it to her lips. 'I know SOMETHING interesting is sure to happen,' she said to herself, 'whenever I eat or drink anything; so I'll just see what this bottle does. I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!' It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself 'That's quite enough--I hope I shan't grow any more--As it is, I can't get out at the door--I do wish I hadn't drunk quite so much!' Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself 'Now I can do no more, whatever happens. What WILL become of me?' Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy. 'It was much pleasanter at home,' thought poor Alice, 'when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and yet--it's rather curious, you know, this sort of life! I do wonder what CAN have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I'll write one--but I'm grown up now,' she added in a sorrowful tone; 'at least there's no room to grow up any more HERE.' 'But then,' thought Alice, 'shall I NEVER get any older than I am now? That'll be a comfort, one way--never to be an old woman--but then--always to have lessons to learn! Oh, I shouldn't like THAT!' 'Oh, you foolish Alice!' she answered herself. 'How can you learn lessons in here? Why, there's hardly room for YOU, and no room at all for any lesson-books!' And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen. 'Mary Ann! Mary Ann!' said the voice. 'Fetch me my gloves this moment!' Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it. Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice's elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself 'Then I'll go round and get in at the window.' 'THAT you won't' thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort. Next came an angry voice--the Rabbit's--'Pat! Pat! Where are you?' And then a voice she had never heard before, 'Sure then I'm here! Digging for apples, yer honour!' 'Digging for apples, indeed!' said the Rabbit angrily. 'Here! Come and help me out of THIS!' (Sounds of more broken glass.) 'Now tell me, Pat, what's that in the window?' 'Sure, it's an arm, yer honour!' (He pronounced it 'arrum.') 'An arm, you goose! Who ever saw one that size? Why, it fills the whole window!' 'Sure, it does, yer honour: but it's an arm for all that.' 'Well, it's got no business there, at any rate: go and take it away!' There was a long silence after this, and Alice could only hear whispers now and then; such as, 'Sure, I don't like it, yer honour, at all, at all!' 'Do as I tell you, you coward!' and at last she spread out her hand again, and made another snatch in the air. This time there were TWO little shrieks, and more sounds of broken glass. 'What a number of cucumber-frames there must be!' thought Alice. 'I wonder what they'll do next! As for pulling me out of the window, I only wish they COULD! I'm sure I don't want to stay in here any longer!' She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: 'Where's the other ladder?--Why, I hadn't to bring but one; Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up at this corner--No, tie 'em together first--they don't reach half high enough yet--Oh! they'll do well enough; don't be particular--Here, Bill! catch hold of this rope--Will the roof bear?--Mind that loose slate--Oh, it's coming down! Heads below!' (a loud crash)--'Now, who did that?--It was Bill, I fancy--Who's to go down the chimney?--Nay, I shan't! YOU do it!--That I won't, then!--Bill's to go down--Here, Bill! the master says you're to go down the chimney!' 'Oh! So Bill's got to come down the chimney, has he?' said Alice to herself. 'Shy, they seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: this fireplace is narrow, to be sure; but I THINK I can kick a little!' She drew her foot as far down the chimney as she could, and waited till she heard a little animal (she couldn't guess of what sort it was) scratching and scrambling about in the chimney close above her: then, saying to herself 'This is Bill,' she gave one sharp kick, and waited to see what would happen next. The first thing she heard was a general chorus of 'There goes Bill!' then the Rabbit's voice along--'Catch him, you by the hedge!' then silence, and then another confusion of voices--'Hold up his head--Brandy now--Don't choke him--How was it, old fellow? What happened to you? Tell us all about it!' Last came a little feeble, squeaking voice, ('That's Bill,' thought Alice,) 'Well, I hardly know--No more, thank ye; I'm better now--but I'm a deal too flustered to tell you--all I know is, something comes at me like a Jack-in-the-box, and up I goes like a sky-rocket!' 'So you did, old fellow!' said the others. 'We must burn the house down!' said the Rabbit's voice; and Alice called out as loud as she could, 'If you do. I'll set Dinah at you!' There was a dead silence instantly, and Alice thought to herself, 'I wonder what they WILL do next! If they had any sense, they'd take the roof off.' After a minute or two, they began moving about again, and Alice heard the Rabbit say, 'A barrowful will do, to begin with.' 'A barrowful of WHAT?' thought Alice; but she had not long to doubt, for the next moment a shower of little pebbles came rattling in at the window, and some of them hit her in the face. 'I'll put a stop to this,' she said to herself, and shouted out, 'You'd better not do that again!' which produced another dead silence. Alice noticed with some surprise that the pebbles were all turning into little cakes as they lay on the floor, and a bright idea came into her head. 'If I eat one of these cakes,' she thought, 'it's sure to make SOME change in my size; and as it can't possibly make me larger, it must make me smaller, I suppose.' So she swallowed one of the cakes, and was delighted to find that she began shrinking directly. As soon as she was small enough to get through the door, she ran out of the house, and found quite a crowd of little animals and birds waiting outside. The poor little Lizard, Bill, was in the middle, being held up by two guinea-pigs, who were giving it something out of a bottle. They all made a rush at Alice the moment she appeared; but she ran off as hard as she could, and soon found herself safe in a thick wood. 'The first thing I've got to do,' said Alice to herself, as she wandered about in the wood, 'is to grow to my right size again; and the second thing is to find my way into that lovely garden. I think that will be the best plan.' It sounded an excellent plan, no doubt, and very neatly and simply arranged; the only difficulty was, that she had not the smallest idea how to set about it; and while she was peering about anxiously among the trees, a little sharp bark just over her head made her look up in a great hurry. An enormous puppy was looking down at her with large round eyes, and feebly stretching out one paw, trying to touch her. 'Poor little thing!' said Alice, in a coaxing tone, and she tried hard to whistle to it; but she was terribly frightened all the time at the thought that it might be hungry, in which case it would be very likely to eat her up in spite of all her coaxing. Hardly knowing what she did, she picked up a little bit of stick, and held it out to the puppy; whereupon the puppy jumped into the air off all its feet at once, with a yelp of delight, and rushed at the stick, and made believe to worry it; then Alice dodged behind a great thistle, to keep herself from being run over; and the moment she appeared on the other side, the puppy made another rush at the stick, and tumbled head over heels in its hurry to get hold of it; then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again; then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut. This seemed to Alice a good opportunity for making her escape; so she set off at once, and ran till she was quite tired and out of breath, and till the puppy's bark sounded quite faint in the distance. 'And yet what a dear little puppy it was!' said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: 'I should have liked teaching it tricks very much, if--if I'd only been the right size to do it! Oh dear! I'd nearly forgotten that I've got to grow up again! Let me see--how IS it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?' The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it. She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else.

cliffnotes

Generate a succinct summary for chapter 6 with the given context.

chapter 5|chapter 6

The Caterpillar's nasty mood, even if he does seem nonchalant, is a subtle symbol of all the verbal chaos in Wonderland. Yet, here, in Chapter VI, that linguistic nonsense is replaced by random, violent, physical disorder in the action of the story. Alice has come upon a house, just as a Fish-Footman delivers a letter to the Frog-Footman of the house. The letter is an invitation, which the Fish-Footman reads: "For the Duchess. An invitation from the Queen to play croquet." In a marvelous example of Wonderland's semantic, verbal fun, the Frog-Footman reverses the invitation: "From the Queen. An invitation for the Duchess to play croquet." In reality, it should end with "From the Queen." When Alice attempts to enter the house, she finds herself further into the world of nonsense. The Frog-Footman is sitting before the door and is totally uncooperative as she knocks at the door. He replies to her every question in "absurd" reasoning -- as if Alice had suddenly found herself in a Samuel Beckett play. With elegant precision, the Frog-Footman explains that her knocking on the door is useless because he can only answer the door from inside. Again, we see an illustration where the reply to a question is never addressed to the question, but to something else. Alice's knocking on the door is "useless," she is told, because the Frog-Footman, who opens the door from inside the house, is now outside; thus, he can't answer her; and, in any event, the noise from inside the house would prevent the Frog-Footman from hearing her knock even if he were inside. Truly, this is the World of the Absurd. Yet, this kind of confusion is quite normal in Wonderland; all of reality here is viewed, so to speak, on a scale of values which are completely alien to the "normal" Victorian world of Alice. A large plate suddenly comes flying out of the house and barely misses hitting the Frog-Footman's head. The Frog-Footman is totally oblivious to this. And his indifference to chaos is characteristic of Wonderland's creatures and indicates to Alice that there surely must be an underlying order here. Or perhaps it involves only a fatalistic indifference. For the Caterpillar and the Frog-Footman, things have no purpose. "I shall sit here," the Frog-Footman muses, "on and off for days and days." "But what am I to do?" asks Alice. "Anything you like," says the Frog-Footman. The Frog-Footman's reply to Alice's question is idiotic nonsense, and with a child's simplicity, Alice finds the Frog-Footman's values totally illogical. Alice has been brought up to believe that things should be done and that they should be done with a purpose. In her world, there is order and there are schedules and tasks to be accomplished at certain times. Carroll's method in creating the tension between these two worlds is to increase the difference in the values "above-ground" and those of Wonderland. One is, therefore, not entirely correct in relating Wonderland's anarchy and nonsense to the creatures' irrational behavior. Alice, in fact, is making the assumption that there is -- and should be -- an order here; she is trying to make logic from illogic. Wonderland is a world of illogic, and Alice, as a proper little Victorian girl, keeps trying throughout the novel to relate, logically, to these creatures -- who seem like adults and who, therefore, should be logical. The creatures' acceptance of disorder may seem to be a parody of reality to the reader. Yet Wonderland's chaos is not altogether unreal. Our own reality, as a historical one, is impermanent and never without some degree of ambiguity. When we consider what has been accepted as "reality" throughout the ages regarding our world and its place in the Order of Things, we see how flimsy a word "logic" can be. Indeed, Albert Einstein, the father of relativity, was deeply worried that God was "playing dice with the universe." If Alice fails to discover a correlation between her reality above-ground and her dream, it must be because she is "inside" her dream. To put it another way, one might even say that she is trapped in an unadjustable frame of meaning. For her, there is no scale of values except the one which she brings to Wonderland. She has a strong sense of being lost and abandoned; but the creatures know where they belong, and none of them identifies with her plight. Nor are the creatures able to befriend her. Note that Alice meets no other children like herself in Wonderland. And the creatures all speak to her on the inscrutable and mysterious level of adults. Unless they direct her to do something, their utterances are quite beyond her comprehension. In that sense, in Alice's dream, they are echoing memories of the many puzzling things that adults living above-ground have said, things that Alice did not understand. Inside the house, Alice meets the Duchess, who nurses a crying baby. A cook, meanwhile, stirs a cauldron of soup and, indiscriminately, she shakes a pepper mill. The baby is crying, and it is sneezing, it seems, because of all the flying pepper. Next to the cook sits the Cheshire-Cat with his famous smile. The kitchen is in an absolute turmoil. But the Duchess ignores the sneezing, the crying, and the cook throwing pans. Alice watches silently as the Duchess brutally shakes and pounds the baby. The Duchess' rudeness and cruelty is the most extreme thus far in the story; even the cook is provoked to the point of directing her pans at the Duchess. Calmly, the Duchess ignores the others' reactions. "If everybody minded their business," the Duchess says, "the world would go around a deal faster than it does." "Which would not be an advantage," observes Alice. "Talking of axes," says the Duchess, "Chop off her head!" The Duchess is abominable, and the baby bears the worst of her cruelty. While violently throwing the baby around, the Duchess sings a crude and savage lullaby: Speak roughly to your little boy,And beat him when he sneezes:He only does it to annoy,Because he knows it teases. The cook and the baby then recite a chorus to each stanza: Wow! wow! wow! This verse, like the others before it, is another parody of a well-known poem in Carroll's time. Alice is rightly appalled at the lullaby's sentiments and the Duchess' cruelty. Every now and then, the Duchess calls the baby "Pig!" This is proof enough that the Duchess has a barbarous nature. As the Duchess prepares to go play croquet with the Queen, she tosses the baby to Alice. Suddenly, Alice feels maternal and thinks that she must save the baby from the violent Duchess and from the crazy cook. But in the next moment, Alice finds that her sympathy is falsely placed. The baby struggles to get out of her embrace, and before Alice's very eyes, the baby is transformed into a grunting pig. Confident that she was doing the right thing -- despite the metamorphosis that is happening before her very eyes -- Alice still finds her good intentions subverted by Wonderland's absurdities. Finally, she has no choice but to let the pig trot off, but she cannot let it go without a twinge of guilt. She considers it a handsome pig -- but an ugly baby. Implicit in this observation is the assumption that "all things have a silver lining," a very Victorian type of thought. Alice remembers children who "might do well as pigs . . . if one only knew the right way to change them." Alice has a new sense of self-satisfaction and superiority that has been reinforced by the contemptible behavior of the Duchess. She "saved" the pig/baby. Indeed, in the face of the rudeness she has experienced, Alice is finding that she doesn't have to struggle so hard to remain a "lady." All she has to do is not react to the crazy provocation that she meets. But even so, her moral superiority illustrates her painful isolation, and not even the smiling Cheshire-Cat enables her to relax for very long, for despite his wonderfully large smile, the cat has "long claws and a great many teeth." Just after the pig trots away, Alice notices the Cheshire-Cat sitting on a bough in a tree. Whereas the Duchess is unpleasant and threatening, the friendly Cheshire-Cat treats Alice with a measure of respect -- though he is no less maddening in his response to her questions. The Cat is neither didactic nor hostile; still, he is no less inconsistent. If he doesn't snap at her, he still confuses her. Seemingly, he is an honest cat, but Alice cannot make sense of his "honesty." For example, when Alice asks him which way to go, he responds: "That depends a good deal on where you want to get to." As Alice responds that she doesn't care, he replies: "Then it doesn't matter which way you go." He assures her that she will get somewhere if she only walks long enough; she is sure to reach the same destination regardless of the direction that she takes. Unlike the other creatures, the Cheshire-Cat does seem fair. However, he too creates frustration within Alice in exactly the very same illogical ways that adults have so often verbally confused Alice. And, in addition, his constant disappearances and reappearances are terribly distracting. "How do you know I'm mad?" asks Alice. "You must be or you wouldn't have come here," the cat says. Alice then contradicts the cat when he claims to growl. "Call it what you like," he says. Then, in a clairvoyant moment, he casually mentions that he'll see Alice at the Queen's croquet game. At this point, Alice hasn't even been invited to the game, nor has she indicated any intention of going. But like the Frog-Footman, the Cheshire-Cat transfigures reality and anticipates events. He's not surprised that the baby became a pig; he's only uncertain whether Alice said "pig" or "fig." Ultimately, his smile is his most enduring and least confusing aspect. Alice complains that his vanishing and reappearing "so suddenly" make her dizzy. She asks him not to disappear; his response is to "slow down" his disappearance so that he appears to dissolve; in the end, only his grin remains, and then it too disappears. The Cheshire-Cat's smile is the embodiment of Wonderland's riddle; it is as famous and as enigmatic as Mona Lisa's smile. Curiously, it is the Cheshire-Cat who offers Alice a "meaning" to Wonderland's chaos. Alice's curiosity has led her into a mad world, and she has begun to wonder if she herself is mad. She realizes that there is just a possibility that she may be mad! And the fact that Alice is, finally, not surprised at the cat's vanishing does indicate a kind of madness on her part. And after being told that the Mad Hatter and the March Hare are also mad, Alice still insists on meeting them. In her conversation with the cat, Alice tries to come to terms with madness, but it seems that she has no choice in the matter. All roads, as it were, lead to mad people, and she seems to be one of them. The cat's grin undermines her security in anything she hears because the connection between subject and attribute has been severed. "Well," , "I've often seen a cat without a grin . . . but a grin without a cat! It's the most curious thing I ever saw in all my life." Here is a smile without a face, without any substance -- just a smile. The smile has become a nightmare of perplexity. Yet what the cat told Alice is logical; she can get somewhere by walking long enough in any direction. But it is not the answer to the question which Alice asked. Thus, the cat's responses to her inquiries are scaled to very different values than the values above-ground in Alice's familiar Victorian world. And looked at objectively, the Cheshire-Cat does not really accept Alice as an equal. He patronizes her gullibility as any adult might play with a child. In the end, Alice doesn't learn anything from him. Soon, Alice finds the house of the March Hare. Since it is May, she reasons , the Hare should be "mad" only in March. She nibbles at her mushroom until she becomes taller; increasing her size gives her more self-confidence, but she still has not learned that getting smaller or larger by such means will not enable her to deal with Wonderland any better.

----------CHAPTER 5--------- The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. 'Who are YOU?' said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, 'I--I hardly know, sir, just at present--at least I know who I WAS when I got up this morning, but I think I must have been changed several times since then.' 'What do you mean by that?' said the Caterpillar sternly. 'Explain yourself!' 'I can't explain MYSELF, I'm afraid, sir' said Alice, 'because I'm not myself, you see.' 'I don't see,' said the Caterpillar. 'I'm afraid I can't put it more clearly,' Alice replied very politely, 'for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing.' 'It isn't,' said the Caterpillar. 'Well, perhaps you haven't found it so yet,' said Alice; 'but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?' 'Not a bit,' said the Caterpillar. 'Well, perhaps your feelings may be different,' said Alice; 'all I know is, it would feel very queer to ME.' 'You!' said the Caterpillar contemptuously. 'Who are YOU?' Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such VERY short remarks, and she drew herself up and said, very gravely, 'I think, you ought to tell me who YOU are, first.' 'Why?' said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a VERY unpleasant state of mind, she turned away. 'Come back!' the Caterpillar called after her. 'I've something important to say!' This sounded promising, certainly: Alice turned and came back again. 'Keep your temper,' said the Caterpillar. 'Is that all?' said Alice, swallowing down her anger as well as she could. 'No,' said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, 'So you think you're changed, do you?' 'I'm afraid I am, sir,' said Alice; 'I can't remember things as I used--and I don't keep the same size for ten minutes together!' 'Can't remember WHAT things?' said the Caterpillar. 'Well, I've tried to say "HOW DOTH THE LITTLE BUSY BEE," but it all came different!' Alice replied in a very melancholy voice. 'Repeat, "YOU ARE OLD, FATHER WILLIAM,"' said the Caterpillar. Alice folded her hands, and began:-- 'You are old, Father William,' the young man said, 'And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?' 'In my youth,' Father William replied to his son, 'I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again.' 'You are old,' said the youth, 'as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?' 'In my youth,' said the sage, as he shook his grey locks, 'I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?' 'You are old,' said the youth, 'and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray how did you manage to do it?' 'In my youth,' said his father, 'I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life.' 'You are old,' said the youth, 'one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?' 'I have answered three questions, and that is enough,' Said his father; 'don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!' 'That is not said right,' said the Caterpillar. 'Not QUITE right, I'm afraid,' said Alice, timidly; 'some of the words have got altered.' 'It is wrong from beginning to end,' said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. 'What size do you want to be?' it asked. 'Oh, I'm not particular as to size,' Alice hastily replied; 'only one doesn't like changing so often, you know.' 'I DON'T know,' said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. 'Are you content now?' said the Caterpillar. 'Well, I should like to be a LITTLE larger, sir, if you wouldn't mind,' said Alice: 'three inches is such a wretched height to be.' 'It is a very good height indeed!' said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). 'But I'm not used to it!' pleaded poor Alice in a piteous tone. And she thought of herself, 'I wish the creatures wouldn't be so easily offended!' 'You'll get used to it in time,' said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, 'One side will make you grow taller, and the other side will make you grow shorter.' 'One side of WHAT? The other side of WHAT?' thought Alice to herself. 'Of the mushroom,' said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. 'And now which is which?' she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * 'Come, my head's free at last!' said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. 'What CAN all that green stuff be?' said Alice. 'And where HAVE my shoulders got to? And oh, my poor hands, how is it I can't see you?' She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. 'Serpent!' screamed the Pigeon. 'I'm NOT a serpent!' said Alice indignantly. 'Let me alone!' 'Serpent, I say again!' repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, 'I've tried every way, and nothing seems to suit them!' 'I haven't the least idea what you're talking about,' said Alice. 'I've tried the roots of trees, and I've tried banks, and I've tried hedges,' the Pigeon went on, without attending to her; 'but those serpents! There's no pleasing them!' Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished. 'As if it wasn't trouble enough hatching the eggs,' said the Pigeon; 'but I must be on the look-out for serpents night and day! Why, I haven't had a wink of sleep these three weeks!' 'I'm very sorry you've been annoyed,' said Alice, who was beginning to see its meaning. 'And just as I'd taken the highest tree in the wood,' continued the Pigeon, raising its voice to a shriek, 'and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!' 'But I'm NOT a serpent, I tell you!' said Alice. 'I'm a--I'm a--' 'Well! WHAT are you?' said the Pigeon. 'I can see you're trying to invent something!' 'I--I'm a little girl,' said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. 'A likely story indeed!' said the Pigeon in a tone of the deepest contempt. 'I've seen a good many little girls in my time, but never ONE with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!' 'I HAVE tasted eggs, certainly,' said Alice, who was a very truthful child; 'but little girls eat eggs quite as much as serpents do, you know.' 'I don't believe it,' said the Pigeon; 'but if they do, why then they're a kind of serpent, that's all I can say.' This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, 'You're looking for eggs, I know THAT well enough; and what does it matter to me whether you're a little girl or a serpent?' 'It matters a good deal to ME,' said Alice hastily; 'but I'm not looking for eggs, as it happens; and if I was, I shouldn't want YOURS: I don't like them raw.' 'Well, be off, then!' said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. 'Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how IS that to be done, I wonder?' As she said this, she came suddenly upon an open place, with a little house in it about four feet high. 'Whoever lives there,' thought Alice, 'it'll never do to come upon them THIS size: why, I should frighten them out of their wits!' So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. ----------CHAPTER 6--------- For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, 'For the Duchess. An invitation from the Queen to play croquet.' The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, 'From the Queen. An invitation for the Duchess to play croquet.' Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. 'There's no sort of use in knocking,' said the Footman, 'and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you.' And certainly there was a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. 'Please, then,' said Alice, 'how am I to get in?' 'There might be some sense in your knocking,' the Footman went on without attending to her, 'if we had the door between us. For instance, if you were INSIDE, you might knock, and I could let you out, you know.' He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. 'But perhaps he can't help it,' she said to herself; 'his eyes are so VERY nearly at the top of his head. But at any rate he might answer questions.--How am I to get in?' she repeated, aloud. 'I shall sit here,' the Footman remarked, 'till tomorrow--' At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. '--or next day, maybe,' the Footman continued in the same tone, exactly as if nothing had happened. 'How am I to get in?' asked Alice again, in a louder tone. 'ARE you to get in at all?' said the Footman. 'That's the first question, you know.' It was, no doubt: only Alice did not like to be told so. 'It's really dreadful,' she muttered to herself, 'the way all the creatures argue. It's enough to drive one crazy!' The Footman seemed to think this a good opportunity for repeating his remark, with variations. 'I shall sit here,' he said, 'on and off, for days and days.' 'But what am I to do?' said Alice. 'Anything you like,' said the Footman, and began whistling. 'Oh, there's no use in talking to him,' said Alice desperately: 'he's perfectly idiotic!' And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. 'There's certainly too much pepper in that soup!' Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. 'Please would you tell me,' said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, 'why your cat grins like that?' 'It's a Cheshire cat,' said the Duchess, 'and that's why. Pig!' She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- 'I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats COULD grin.' 'They all can,' said the Duchess; 'and most of 'em do.' 'I don't know of any that do,' Alice said very politely, feeling quite pleased to have got into a conversation. 'You don't know much,' said the Duchess; 'and that's a fact.' Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. 'Oh, PLEASE mind what you're doing!' cried Alice, jumping up and down in an agony of terror. 'Oh, there goes his PRECIOUS nose'; as an unusually large saucepan flew close by it, and very nearly carried it off. 'If everybody minded their own business,' the Duchess said in a hoarse growl, 'the world would go round a deal faster than it does.' 'Which would NOT be an advantage,' said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. 'Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--' 'Talking of axes,' said the Duchess, 'chop off her head!' Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: 'Twenty-four hours, I THINK; or is it twelve? I--' 'Oh, don't bother ME,' said the Duchess; 'I never could abide figures!' And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: 'Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases.' CHORUS. (In which the cook and the baby joined):-- 'Wow! wow! wow!' While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- 'I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!' CHORUS. 'Wow! wow! wow!' 'Here! you may nurse it a bit, if you like!' the Duchess said to Alice, flinging the baby at her as she spoke. 'I must go and get ready to play croquet with the Queen,' and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, 'just like a star-fish,' thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. 'IF I don't take this child away with me,' thought Alice, 'they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?' She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). 'Don't grunt,' said Alice; 'that's not at all a proper way of expressing yourself.' The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a VERY turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. 'But perhaps it was only sobbing,' she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. 'If you're going to turn into a pig, my dear,' said Alice, seriously, 'I'll have nothing more to do with you. Mind now!' The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, 'Now, what am I to do with this creature when I get it home?' when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be NO mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. 'If it had grown up,' she said to herself, 'it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.' And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, 'if one only knew the right way to change them--' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had VERY long claws and a great many teeth, so she felt that it ought to be treated with respect. 'Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on. 'Would you tell me, please, which way I ought to go from here?' 'That depends a good deal on where you want to get to,' said the Cat. 'I don't much care where--' said Alice. 'Then it doesn't matter which way you go,' said the Cat. '--so long as I get SOMEWHERE,' Alice added as an explanation. 'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.' Alice felt that this could not be denied, so she tried another question. 'What sort of people live about here?' 'In THAT direction,' the Cat said, waving its right paw round, 'lives a Hatter: and in THAT direction,' waving the other paw, 'lives a March Hare. Visit either you like: they're both mad.' 'But I don't want to go among mad people,' Alice remarked. 'Oh, you can't help that,' said the Cat: 'we're all mad here. I'm mad. You're mad.' 'How do you know I'm mad?' said Alice. 'You must be,' said the Cat, 'or you wouldn't have come here.' Alice didn't think that proved it at all; however, she went on 'And how do you know that you're mad?' 'To begin with,' said the Cat, 'a dog's not mad. You grant that?' 'I suppose so,' said Alice. 'Well, then,' the Cat went on, 'you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.' 'I call it purring, not growling,' said Alice. 'Call it what you like,' said the Cat. 'Do you play croquet with the Queen to-day?' 'I should like it very much,' said Alice, 'but I haven't been invited yet.' 'You'll see me there,' said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. 'By-the-bye, what became of the baby?' said the Cat. 'I'd nearly forgotten to ask.' 'It turned into a pig,' Alice quietly said, just as if it had come back in a natural way. 'I thought it would,' said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. 'I've seen hatters before,' she said to herself; 'the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March.' As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. 'Did you say pig, or fig?' said the Cat. 'I said pig,' replied Alice; 'and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy.' 'All right,' said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. 'Well! I've often seen a cat without a grin,' thought Alice; 'but a grin without a cat! It's the most curious thing I ever saw in my life!' She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself 'Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!'

cliffnotes

Produce a brief summary for chapter 7 based on the provided context.

Linguistic assaults are very much a part of the "polite bantering" in Wonderland. Often, traumatic and verbal violence seems just about to erupt all the time, breaking through the thin veneer of civilized behavior, but it rarely does. Alice reaches the March Hare's house in time for an outdoor tea-party. The tea-party turns out to be a very mad tea-party. In attendance are Alice, the March Hare, the Mad Hatter, and a Dormouse. All are indeed mad, except Alice and the sleepy Dormouse . Alice has arrived just in time for tea, which is served at six o'clock. But it is always six o'clock, with no time to wash the dishes; thus, it is always tea time. In fact, the significant feature about this tea-party is that time has been frozen still. The idea of real, moving, passing time is non-existent. The absense of time means that the Mad Tea-Party is trapped in a space without time. The world isn't turning, hands aren't moving around the clock, and the only "rotating" exists around the tea-party table. When the four have finished tea , they move to the next place-setting around the table. Dirty dishes accumulate, and there doesn't seem to be any substantive food. No one even seems to be taking tea. The Mad Hatter tells Alice that the Queen has accused him of murdering his friend Time; ever since the Mad Hatter and Time had a falling out, it has always been six o'clock. It's always tea time, and they have no time to wash the dishes between time for tea. Alice typically does her best to cling to her own code of behavior ; she is still determined to "educate" the creatures to the rules of Victorian social etiquette. They protest her joining the party with cries of "No room! No room!" But Alice ignores them , and she sits down. The insanity of it all begins immediately when the March Hare offers her wine that doesn't exist. Alice complains, of course, about this lack of civility in offering her some nonexistent wine. The March Hare counters that she was very rude to invite herself to their party. Her rules of etiquette completely fail her here. These creatures once again turn upside down all her principles of decorum. "Your hair wants cutting," the Mad Hatter interrupts her at one point. "You should learn not to make personal remarks," Alice says. "It's very rude." Later, she violates her advice and impolitely interrupts the Mad Hatter. "Nobody asked your opinion," she says. "Who's making personal remarks now?" retorts the Mad Hatter. Alice has been deflated and demoralized. The last above-ground rules of how to act and what to say seem to dissolve before her eyes. She cannot understand why they are acting this way! Thus, the tea-party continues with endless cups of tea and a conversation of absolutely meaningless nonsense. Suddenly, the Mad Hatter asks Alice: "Why is a raven like a writing desk?" At first glance, the riddle makes no sense as a logical question. And even the answer that Carroll provides elsewhere is nonsense. Presumably there should always be answers to any questions; at least, there were answers above-ground. The Mad Tea-Party conversation repeats this miscommunication pattern like all the other absurd conversations that Alice has had with Wonderland creatures in previous chapters. She delightfully explains: "I'm glad they've begun asking riddles -- I believe I can guess that." "Do you mean that you think you can find out the answer to it?" asks the March Hare. "Exactly so," says Alice. "Then you should say what you mean," says the Hare. Alice's confidence is shaken: "I do," she says, "at least -- at least I mean what I say -- that's the same thing you know." But here, of course, Alice is speaking in the context of time's absence. There is no time. This is, even in Wonderland, "another world." "Why," says the Hare, "you might just as well say that 'I see what I eat' is the same thing as 'I eat what I see!"' This is reverse logic -- exactly right for Wonderland, but, of course, not correct above-ground. Alice cannot make the creatures understand this, however, and finally she sighs. "I think you might do something better with time . . . than wasting it in asking riddles that have no answers." To this, the Hatter replies: "If you knew Time as well as I do . . . you wouldn't talk about wasting it. It's him." Time is thus suddenly personified and becomes the source of much punning and comic relief. Alice participates in this nonsense in all seriousness, saying that she has to "beat time" when she learns music, even though she has "perhaps" never spoken to "him." "Ah! That accounts for it," says the Mad Hatter. "He won't stand beating!" Then the Mad Hatter launches into a satirical parody of another, famous children's verse: "Twinkle, twinkle little bat!" The bat is not the shining star of the Victorian poem, but a repulsive and morbid symbol of the ugly course of events about to begin. The Mad Hatter explains that his fight with Time and accusation of murder happened the last time that he was reciting that verse. So the disaster with Time is closely related to the Mad Hatter's distortion of the nursery rhyme. Filling his version with bats and flying tea-trays, the Mad Hatter's rhyme increases the comic personification of Time. The Mad Hatter has animated the inanimate star as a bat and has made an inanimate object live. The Mad Tea-Party is filled with atrocious puns in conversation. The pun is determined by the coincidence of two words that sound so alike that relevant information is muddled. And here the play on words is a way of freeing meaning from conventional definition. The Dormouse, for instance, tells a story about three sisters who lived in a treacle well and were learning to "draw" treacle . Alice asks: "But I don't understand. Where did they draw treacle from?" "You can draw water out of a water-well," says the Mad Hatter, "so I should think you could draw treacle out of a treacle-well." "But they were in the well," says Alice . "Of course they were," says the Dormouse. "Well in." The Dormouse's illogic continues to frustrate Alice. Playing on words that begin with the letter M, the Dormouse describes the sisters as drawing "all manner of things -- everything that begins with an M such as mousetraps, and the moon, and memory, and muchness -- you know you say things are 'much of a muchness' -- did you ever see such a thing as a drawing of a muchness!" Alice stammers, and the Hatter cries, "Then you shouldn't talk." With that rude remark, Alice storms away in disgust. She has still not succeeded in getting any closer to the reality she seeks. At the tea-party, she has not even received any tea or food. Her serving has been only a bitter course of verbal abuse and semantic teasing. Muchness indeed! The creatures are self-centered, argumentative and rude; they have violated all of the conventions of conversation that Alice has been taught to practice. All of these creatures in Wonderland have compounded the pain of Alice's psychological loss of place and time with their nonsense and cruel teasing. As she leaves the table, Alice notices the other two attempting to drown the Dormouse in the teapot. His ritualistic death is, at least, a seemingly logical consequence of the Mad Hatter's ominous verse and Alice's departure. The Dormouse should have been hibernating instead of attending parties and telling anecdotes; dunking him seems to be sort of a realistic -- if an absurd -- way of forcing him back to "slumber." This will be, however, if they are successful, more than just a "slumber"; it will be death, "much of a muchness." The Dormouse's fate serves as an appropriate conclusion to this chapter, for Alice enters another door and finds herself once again in the hallway with the glass table and the small doorway that leads to the beautiful garden. To try and reinforce the notion that Wonderland must have a hidden order, Alice first unlocks the door, and she then reduces her size by nibbling on a piece of the mushroom. She has finally learned a lesson from her initial, frightening experience in Wonderland: She has been eating, drinking, and changing sizes, without thinking first.

----------CHAPTER 7--------- There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. 'Very uncomfortable for the Dormouse,' thought Alice; 'only, as it's asleep, I suppose it doesn't mind.' The table was a large one, but the three were all crowded together at one corner of it: 'No room! No room!' they cried out when they saw Alice coming. 'There's PLENTY of room!' said Alice indignantly, and she sat down in a large arm-chair at one end of the table. 'Have some wine,' the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. 'I don't see any wine,' she remarked. 'There isn't any,' said the March Hare. 'Then it wasn't very civil of you to offer it,' said Alice angrily. 'It wasn't very civil of you to sit down without being invited,' said the March Hare. 'I didn't know it was YOUR table,' said Alice; 'it's laid for a great many more than three.' 'Your hair wants cutting,' said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. 'You should learn not to make personal remarks,' Alice said with some severity; 'it's very rude.' The Hatter opened his eyes very wide on hearing this; but all he SAID was, 'Why is a raven like a writing-desk?' 'Come, we shall have some fun now!' thought Alice. 'I'm glad they've begun asking riddles.--I believe I can guess that,' she added aloud. 'Do you mean that you think you can find out the answer to it?' said the March Hare. 'Exactly so,' said Alice. 'Then you should say what you mean,' the March Hare went on. 'I do,' Alice hastily replied; 'at least--at least I mean what I say--that's the same thing, you know.' 'Not the same thing a bit!' said the Hatter. 'You might just as well say that "I see what I eat" is the same thing as "I eat what I see"!' 'You might just as well say,' added the March Hare, 'that "I like what I get" is the same thing as "I get what I like"!' 'You might just as well say,' added the Dormouse, who seemed to be talking in his sleep, 'that "I breathe when I sleep" is the same thing as "I sleep when I breathe"!' 'It IS the same thing with you,' said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. 'What day of the month is it?' he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said 'The fourth.' 'Two days wrong!' sighed the Hatter. 'I told you butter wouldn't suit the works!' he added looking angrily at the March Hare. 'It was the BEST butter,' the March Hare meekly replied. 'Yes, but some crumbs must have got in as well,' the Hatter grumbled: 'you shouldn't have put it in with the bread-knife.' The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, 'It was the BEST butter, you know.' Alice had been looking over his shoulder with some curiosity. 'What a funny watch!' she remarked. 'It tells the day of the month, and doesn't tell what o'clock it is!' 'Why should it?' muttered the Hatter. 'Does YOUR watch tell you what year it is?' 'Of course not,' Alice replied very readily: 'but that's because it stays the same year for such a long time together.' 'Which is just the case with MINE,' said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. 'I don't quite understand you,' she said, as politely as she could. 'The Dormouse is asleep again,' said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, 'Of course, of course; just what I was going to remark myself.' 'Have you guessed the riddle yet?' the Hatter said, turning to Alice again. 'No, I give it up,' Alice replied: 'what's the answer?' 'I haven't the slightest idea,' said the Hatter. 'Nor I,' said the March Hare. Alice sighed wearily. 'I think you might do something better with the time,' she said, 'than waste it in asking riddles that have no answers.' 'If you knew Time as well as I do,' said the Hatter, 'you wouldn't talk about wasting IT. It's HIM.' 'I don't know what you mean,' said Alice. 'Of course you don't!' the Hatter said, tossing his head contemptuously. 'I dare say you never even spoke to Time!' 'Perhaps not,' Alice cautiously replied: 'but I know I have to beat time when I learn music.' 'Ah! that accounts for it,' said the Hatter. 'He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!' ('I only wish it was,' the March Hare said to itself in a whisper.) 'That would be grand, certainly,' said Alice thoughtfully: 'but then--I shouldn't be hungry for it, you know.' 'Not at first, perhaps,' said the Hatter: 'but you could keep it to half-past one as long as you liked.' 'Is that the way YOU manage?' Alice asked. The Hatter shook his head mournfully. 'Not I!' he replied. 'We quarrelled last March--just before HE went mad, you know--' (pointing with his tea spoon at the March Hare,) '--it was at the great concert given by the Queen of Hearts, and I had to sing "Twinkle, twinkle, little bat! How I wonder what you're at!" You know the song, perhaps?' 'I've heard something like it,' said Alice. 'It goes on, you know,' the Hatter continued, 'in this way:-- "Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--"' Here the Dormouse shook itself, and began singing in its sleep 'Twinkle, twinkle, twinkle, twinkle--' and went on so long that they had to pinch it to make it stop. 'Well, I'd hardly finished the first verse,' said the Hatter, 'when the Queen jumped up and bawled out, "He's murdering the time! Off with his head!"' 'How dreadfully savage!' exclaimed Alice. 'And ever since that,' the Hatter went on in a mournful tone, 'he won't do a thing I ask! It's always six o'clock now.' A bright idea came into Alice's head. 'Is that the reason so many tea-things are put out here?' she asked. 'Yes, that's it,' said the Hatter with a sigh: 'it's always tea-time, and we've no time to wash the things between whiles.' 'Then you keep moving round, I suppose?' said Alice. 'Exactly so,' said the Hatter: 'as the things get used up.' 'But what happens when you come to the beginning again?' Alice ventured to ask. 'Suppose we change the subject,' the March Hare interrupted, yawning. 'I'm getting tired of this. I vote the young lady tells us a story.' 'I'm afraid I don't know one,' said Alice, rather alarmed at the proposal. 'Then the Dormouse shall!' they both cried. 'Wake up, Dormouse!' And they pinched it on both sides at once. The Dormouse slowly opened his eyes. 'I wasn't asleep,' he said in a hoarse, feeble voice: 'I heard every word you fellows were saying.' 'Tell us a story!' said the March Hare. 'Yes, please do!' pleaded Alice. 'And be quick about it,' added the Hatter, 'or you'll be asleep again before it's done.' 'Once upon a time there were three little sisters,' the Dormouse began in a great hurry; 'and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--' 'What did they live on?' said Alice, who always took a great interest in questions of eating and drinking. 'They lived on treacle,' said the Dormouse, after thinking a minute or two. 'They couldn't have done that, you know,' Alice gently remarked; 'they'd have been ill.' 'So they were,' said the Dormouse; 'VERY ill.' Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: 'But why did they live at the bottom of a well?' 'Take some more tea,' the March Hare said to Alice, very earnestly. 'I've had nothing yet,' Alice replied in an offended tone, 'so I can't take more.' 'You mean you can't take LESS,' said the Hatter: 'it's very easy to take MORE than nothing.' 'Nobody asked YOUR opinion,' said Alice. 'Who's making personal remarks now?' the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. 'Why did they live at the bottom of a well?' The Dormouse again took a minute or two to think about it, and then said, 'It was a treacle-well.' 'There's no such thing!' Alice was beginning very angrily, but the Hatter and the March Hare went 'Sh! sh!' and the Dormouse sulkily remarked, 'If you can't be civil, you'd better finish the story for yourself.' 'No, please go on!' Alice said very humbly; 'I won't interrupt again. I dare say there may be ONE.' 'One, indeed!' said the Dormouse indignantly. However, he consented to go on. 'And so these three little sisters--they were learning to draw, you know--' 'What did they draw?' said Alice, quite forgetting her promise. 'Treacle,' said the Dormouse, without considering at all this time. 'I want a clean cup,' interrupted the Hatter: 'let's all move one place on.' He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: 'But I don't understand. Where did they draw the treacle from?' 'You can draw water out of a water-well,' said the Hatter; 'so I should think you could draw treacle out of a treacle-well--eh, stupid?' 'But they were IN the well,' Alice said to the Dormouse, not choosing to notice this last remark. 'Of course they were', said the Dormouse; '--well in.' This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. 'They were learning to draw,' the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; 'and they drew all manner of things--everything that begins with an M--' 'Why with an M?' said Alice. 'Why not?' said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: '--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness--you know you say things are "much of a muchness"--did you ever see such a thing as a drawing of a muchness?' 'Really, now you ask me,' said Alice, very much confused, 'I don't think--' 'Then you shouldn't talk,' said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot. 'At any rate I'll never go THERE again!' said Alice as she picked her way through the wood. 'It's the stupidest tea-party I ever was at in all my life!' Just as she said this, she noticed that one of the trees had a door leading right into it. 'That's very curious!' she thought. 'But everything's curious today. I think I may as well go in at once.' And in she went. Once more she found herself in the long hall, and close to the little glass table. 'Now, I'll manage better this time,' she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and THEN--she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains. ----------CHAPTER 8--------- A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, 'Look out now, Five! Don't go splashing paint over me like that!' 'I couldn't help it,' said Five, in a sulky tone; 'Seven jogged my elbow.' On which Seven looked up and said, 'That's right, Five! Always lay the blame on others!' 'YOU'D better not talk!' said Five. 'I heard the Queen say only yesterday you deserved to be beheaded!' 'What for?' said the one who had spoken first. 'That's none of YOUR business, Two!' said Seven. 'Yes, it IS his business!' said Five, 'and I'll tell him--it was for bringing the cook tulip-roots instead of onions.' Seven flung down his brush, and had just begun 'Well, of all the unjust things--' when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low. 'Would you tell me,' said Alice, a little timidly, 'why you are painting those roses?' Five and Seven said nothing, but looked at Two. Two began in a low voice, 'Why the fact is, you see, Miss, this here ought to have been a RED rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to--' At this moment Five, who had been anxiously looking across the garden, called out 'The Queen! The Queen!' and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; 'and besides, what would be the use of a procession,' thought she, 'if people had all to lie down upon their faces, so that they couldn't see it?' So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely 'Who is this?' She said it to the Knave of Hearts, who only bowed and smiled in reply. 'Idiot!' said the Queen, tossing her head impatiently; and, turning to Alice, she went on, 'What's your name, child?' 'My name is Alice, so please your Majesty,' said Alice very politely; but she added, to herself, 'Why, they're only a pack of cards, after all. I needn't be afraid of them!' 'And who are THESE?' said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. 'How should I know?' said Alice, surprised at her own courage. 'It's no business of MINE.' The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed 'Off with her head! Off--' 'Nonsense!' said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said 'Consider, my dear: she is only a child!' The Queen turned angrily away from him, and said to the Knave 'Turn them over!' The Knave did so, very carefully, with one foot. 'Get up!' said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. 'Leave off that!' screamed the Queen. 'You make me giddy.' And then, turning to the rose-tree, she went on, 'What HAVE you been doing here?' 'May it please your Majesty,' said Two, in a very humble tone, going down on one knee as he spoke, 'we were trying--' 'I see!' said the Queen, who had meanwhile been examining the roses. 'Off with their heads!' and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. 'You shan't be beheaded!' said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. 'Are their heads off?' shouted the Queen. 'Their heads are gone, if it please your Majesty!' the soldiers shouted in reply. 'That's right!' shouted the Queen. 'Can you play croquet?' The soldiers were silent, and looked at Alice, as the question was evidently meant for her. 'Yes!' shouted Alice. 'Come on, then!' roared the Queen, and Alice joined the procession, wondering very much what would happen next. 'It's--it's a very fine day!' said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. 'Very,' said Alice: '--where's the Duchess?' 'Hush! Hush!' said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered 'She's under sentence of execution.' 'What for?' said Alice. 'Did you say "What a pity!"?' the Rabbit asked. 'No, I didn't,' said Alice: 'I don't think it's at all a pity. I said "What for?"' 'She boxed the Queen's ears--' the Rabbit began. Alice gave a little scream of laughter. 'Oh, hush!' the Rabbit whispered in a frightened tone. 'The Queen will hear you! You see, she came rather late, and the Queen said--' 'Get to your places!' shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it WOULD twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting 'Off with his head!' or 'Off with her head!' about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, 'and then,' thought she, 'what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!' She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself 'It's the Cheshire Cat: now I shall have somebody to talk to.' 'How are you getting on?' said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. 'It's no use speaking to it,' she thought, 'till its ears have come, or at least one of them.' In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. 'I don't think they play at all fairly,' Alice began, in rather a complaining tone, 'and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!' 'How do you like the Queen?' said the Cat in a low voice. 'Not at all,' said Alice: 'she's so extremely--' Just then she noticed that the Queen was close behind her, listening: so she went on, '--likely to win, that it's hardly worth while finishing the game.' The Queen smiled and passed on. 'Who ARE you talking to?' said the King, going up to Alice, and looking at the Cat's head with great curiosity. 'It's a friend of mine--a Cheshire Cat,' said Alice: 'allow me to introduce it.' 'I don't like the look of it at all,' said the King: 'however, it may kiss my hand if it likes.' 'I'd rather not,' the Cat remarked. 'Don't be impertinent,' said the King, 'and don't look at me like that!' He got behind Alice as he spoke. 'A cat may look at a king,' said Alice. 'I've read that in some book, but I don't remember where.' 'Well, it must be removed,' said the King very decidedly, and he called the Queen, who was passing at the moment, 'My dear! I wish you would have this cat removed!' The Queen had only one way of settling all difficulties, great or small. 'Off with his head!' she said, without even looking round. 'I'll fetch the executioner myself,' said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: 'but it doesn't matter much,' thought Alice, 'as all the arches are gone from this side of the ground.' So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at HIS time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but 'It belongs to the Duchess: you'd better ask HER about it.' 'She's in prison,' the Queen said to the executioner: 'fetch her here.' And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

An Enquiry Concerning the

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chapter i|chapter 2

Hume starts out by outlining two character types that can be super annoying: people who are into their principles to the point where it gets OTT, and people who don't even believe what they're saying but just want to stir up controversy. As far as Hume's concerned, folks like this are just trolling--all we can hope is that they eventually give it up. What is worth spending some time on is morality; chiefly, whether morality is based mainly on reason or on sentiment. Plus, we need to ask whether morality is a universal thing where everyone sees eye-to-eye or whether it's more complicated. Hume points out that the ancient philosophers claimed to be all about reason but, actually, seem to have viewed morals as deriving from taste and sentiment. On the flip side, modern enquirers have talked about "the beauty of virtue, and deformity of vice" but seem to have based their ideas on abstract thinking. See, we're dealing with a tangled web of disagreement and confusion. Hume's main beef is with the idea that morality is based purely on reason. Sure, there are areas in which facts and reason are most important , but if we consider how we react to poetry or to emotions such as love and humor, it's clear that we're not just dealing with facts. This isn't an either/or thing though--Hume points to a criminal trial as a scenario where we need to get the facts and then call on sentiment to decide whether something's morally right or wrong. Hume ends by giving us an idea of what to expect in the following sections. His overall aim is to consider the roles that reason and sentiment play in real-world scenarios and viewpoints. By looking at particular examples, Hume believes we can reach wider conclusions about what's commonly seen as moral and immoral. Sounds like a plan to us. Hume notes that taking the opposite approach--starting off with commonly held views and then looking at specifics--may technically be more perfect, but, hey, the human race isn't perfect. He then stresses that we can't apply abstract ideas to morality but need to focus on everyday, lived experience. Hume finishes off by introducing the next section, which will focus on "the social virtues": benevolence and justice. He sees this as good starting point because it lays the groundwork for discussing other kinds of virtues. So, let's hop into it.

----------CHAPTER I--------- SECTION I. OF THE GENERAL PRINCIPLES OF MORALS. DISPUTES with men, pertinaciously obstinate in their principles, are, of all others, the most irksome; except, perhaps, those with persons, entirely disingenuous, who really do not believe the opinions they defend, but engage in the controversy, from affectation, from a spirit of opposition, or from a desire of showing wit and ingenuity, superior to the rest of mankind. The same blind adherence to their own arguments is to be expected in both; the same contempt of their antagonists; and the same passionate vehemence, in inforcing sophistry and falsehood. And as reasoning is not the source, whence either disputant derives his tenets; it is in vain to expect, that any logic, which speaks not to the affections, will ever engage him to embrace sounder principles. Those who have denied the reality of moral distinctions, may be ranked among the disingenuous disputants; nor is it conceivable, that any human creature could ever seriously believe, that all characters and actions were alike entitled to the affection and regard of everyone. The difference, which nature has placed between one man and another, is so wide, and this difference is still so much farther widened, by education, example, and habit, that, where the opposite extremes come at once under our apprehension, there is no scepticism so scrupulous, and scarce any assurance so determined, as absolutely to deny all distinction between them. Let a man's insensibility be ever so great, he must often be touched with the images of Right and Wrong; and let his prejudices be ever so obstinate, he must observe, that others are susceptible of like impressions. The only way, therefore, of converting an antagonist of this kind, is to leave him to himself. For, finding that nobody keeps up the controversy with him, it is probable he will, at last, of himself, from mere weariness, come over to the side of common sense and reason. There has been a controversy started of late, much better worth examination, concerning the general foundation of Morals; whether they be derived from Reason, or from Sentiment; whether we attain the knowledge of them by a chain of argument and induction, or by an immediate feeling and finer internal sense; whether, like all sound judgement of truth and falsehood, they should be the same to every rational intelligent being; or whether, like the perception of beauty and deformity, they be founded entirely on the particular fabric and constitution of the human species. The ancient philosophers, though they often affirm, that virtue is nothing but conformity to reason, yet, in general, seem to consider morals as deriving their existence from taste and sentiment. On the other hand, our modern enquirers, though they also talk much of the beauty of virtue, and deformity of vice, yet have commonly endeavoured to account for these distinctions by metaphysical reasonings, and by deductions from the most abstract principles of the understanding. Such confusion reigned in these subjects, that an opposition of the greatest consequence could prevail between one system and another, and even in the parts of almost each individual system; and yet nobody, till very lately, was ever sensible of it. The elegant Lord Shaftesbury, who first gave occasion to remark this distinction, and who, in general, adhered to the principles of the ancients, is not, himself, entirely free from the same confusion. It must be acknowledged, that both sides of the question are susceptible of specious arguments. Moral distinctions, it may be said, are discernible by pure reason: else, whence the many disputes that reign in common life, as well as in philosophy, with regard to this subject: the long chain of proofs often produced on both sides; the examples cited, the authorities appealed to, the analogies employed, the fallacies detected, the inferences drawn, and the several conclusions adjusted to their proper principles. Truth is disputable; not taste: what exists in the nature of things is the standard of our judgement; what each man feels within himself is the standard of sentiment. Propositions in geometry may be proved, systems in physics may be controverted; but the harmony of verse, the tenderness of passion, the brilliancy of wit, must give immediate pleasure. No man reasons concerning another's beauty; but frequently concerning the justice or injustice of his actions. In every criminal trial the first object of the prisoner is to disprove the facts alleged, and deny the actions imputed to him: the second to prove, that, even if these actions were real, they might be justified, as innocent and lawful. It is confessedly by deductions of the understanding, that the first point is ascertained: how can we suppose that a different faculty of the mind is employed in fixing the other? On the other hand, those who would resolve all moral determinations into sentiment, may endeavour to show, that it is impossible for reason ever to draw conclusions of this nature. To virtue, say they, it belongs to be amiable, and vice odious. This forms their very nature or essence. But can reason or argumentation distribute these different epithets to any subjects, and pronounce beforehand, that this must produce love, and that hatred? Or what other reason can we ever assign for these affections, but the original fabric and formation of the human mind, which is naturally adapted to receive them? The end of all moral speculations is to teach us our duty; and, by proper representations of the deformity of vice and beauty of virtue, beget correspondent habits, and engage us to avoid the one, and embrace the other. But is this ever to be expected from inferences and conclusions of the understanding, which of themselves have no hold of the affections or set in motion the active powers of men? They discover truths: but where the truths which they discover are indifferent, and beget no desire or aversion, they can have no influence on conduct and behaviour. What is honourable, what is fair, what is becoming, what is noble, what is generous, takes possession of the heart, and animates us to embrace and maintain it. What is intelligible, what is evident, what is probable, what is true, procures only the cool assent of the understanding; and gratifying a speculative curiosity, puts an end to our researches. Extinguish all the warm feelings and prepossessions in favour of virtue, and all disgust or aversion to vice: render men totally indifferent towards these distinctions; and morality is no longer a practical study, nor has any tendency to regulate our lives and actions. These arguments on each side (and many more might be produced) are so plausible, that I am apt to suspect, they may, the one as well as the other, be solid and satisfactory, and that reason and sentiment concur in almost all moral determinations and conclusions. The final sentence, it is probable, which pronounces characters and actions amiable or odious, praise-worthy or blameable; that which stamps on them the mark of honour or infamy, approbation or censure; that which renders morality an active principle and constitutes virtue our happiness, and vice our misery; it is probable, I say, that this final sentence depends on some internal sense or feeling, which nature has made universal in the whole species. For what else can have an influence of this nature? But in order to pave the way for such a sentiment, and give a proper discernment of its object, it is often necessary, we find, that much reasoning should precede, that nice distinctions be made, just conclusions drawn, distant comparisons formed, complicated relations examined, and general facts fixed and ascertained. Some species of beauty, especially the natural kinds, on their first appearance, command our affection and approbation; and where they fail of this effect, it is impossible for any reasoning to redress their influence, or adapt them better to our taste and sentiment. But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes much of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind. But though this question, concerning the general principles of morals, be curious and important, it is needless for us, at present, to employ farther care in our researches concerning it. For if we can be so happy, in the course of this enquiry, as to discover the true origin of morals, it will then easily appear how far either sentiment or reason enters into all determinations of this nature [Footnote: See Appendix I]. In order to attain this purpose, we shall endeavour to follow a very simple method: we shall analyse that complication of mental qualities, which form what, in common life, we call Personal Merit: we shall consider every attribute of the mind, which renders a man an object either of esteem and affection, or of hatred and contempt; every habit or sentiment or faculty, which, if ascribed to any person, implies either praise or blame, and may enter into any panegyric or satire of his character and manners. The quick sensibility, which, on this head, is so universal among mankind, gives a philosopher sufficient assurance, that he can never be considerably mistaken in framing the catalogue, or incur any danger of misplacing the objects of his contemplation: he needs only enter into his own breast for a moment, and consider whether or not he should desire to have this or that quality ascribed to him, and whether such or such an imputation would proceed from a friend or an enemy. The very nature of language guides us almost infallibly in forming a judgement of this nature; and as every tongue possesses one set of words which are taken in a good sense, and another in the opposite, the least acquaintance with the idiom suffices, without any reasoning, to direct us in collecting and arranging the estimable or blameable qualities of men. The only object of reasoning is to discover the circumstances on both sides, which are common to these qualities; to observe that particular in which the estimable qualities agree on the one hand, and the blameable on the other; and thence to reach the foundation of ethics, and find those universal principles, from which all censure or approbation is ultimately derived. As this is a question of fact, not of abstract science, we can only expect success, by following the experimental method, and deducing general maxims from a comparison of particular instances. The other scientific method, where a general abstract principle is first established, and is afterwards branched out into a variety of inferences and conclusions, may be more perfect in itself, but suits less the imperfection of human nature, and is a common source of illusion and mistake in this as well as in other subjects. Men are now cured of their passion for hypotheses and systems in natural philosophy, and will hearken to no arguments but those which are derived from experience. It is full time they should attempt a like reformation in all moral disquisitions; and reject every system of ethics, however subtle or ingenious, which is not founded on fact and observation. We shall begin our enquiry on this head by the consideration of the social virtues, Benevolence and Justice. The explication of them will probably give us an opening by which the others may be accounted for. ----------CHAPTER 2--------- SECTION II. OF BENEVOLENCE. PART I. It may be esteemed, perhaps, a superfluous task to prove, that the benevolent or softer affections are estimable; and wherever they appear, engage the approbation and good-will of mankind. The epithets SOCIABLE, GOOD-NATURED, HUMANE, MERCIFUL, GRATEFUL, FRIENDLY, GENEROUS, BENEFICENT, or their equivalents, are known in all languages, and universally express the highest merit, which HUMAN NATURE is capable of attaining. Where these amiable qualities are attended with birth and power and eminent abilities, and display themselves in the good government or useful instruction of mankind, they seem even to raise the possessors of them above the rank of HUMAN NATURE, and make them approach in some measure to the divine. Exalted capacity, undaunted courage, prosperous success; these may only expose a hero or politician to the envy and ill-will of the public: but as soon as the praises are added of humane and beneficent; when instances are displayed of lenity, tenderness or friendship; envy itself is silent, or joins the general voice of approbation and applause. When Pericles, the great Athenian statesman and general, was on his death-bed, his surrounding friends, deeming him now insensible, began to indulge their sorrow for their expiring patron, by enumerating his great qualities and successes, his conquests and victories, the unusual length of his administration, and his nine trophies erected over the enemies of the republic. YOU FORGET, cries the dying hero, who had heard all, YOU FORGET THE MOST EMINENT OF MY PRAISES, WHILE YOU DWELL SO MUCH ON THOSE VULGAR ADVANTAGES, IN WHICH FORTUNE HAD A PRINCIPAL SHARE. YOU HAVE NOT OBSERVED THAT NO CITIZEN HAS EVER YET WORNE MOURNING ON MY ACCOUNT. [Plut. in Pericle] In men of more ordinary talents and capacity, the social virtues become, if possible, still more essentially requisite; there being nothing eminent, in that case, to compensate for the want of them, or preserve the person from our severest hatred, as well as contempt. A high ambition, an elevated courage, is apt, says Cicero, in less perfect characters, to degenerate into a turbulent ferocity. The more social and softer virtues are there chiefly to be regarded. These are always good and amiable [Cic. de Officiis, lib. I]. The principal advantage, which Juvenal discovers in the extensive capacity of the human species, is that it renders our benevolence also more extensive, and gives us larger opportunities of spreading our kindly influence than what are indulged to the inferior creation [Sat. XV. 139 and seq.]. It must, indeed, be confessed, that by doing good only, can a man truly enjoy the advantages of being eminent. His exalted station, of itself but the more exposes him to danger and tempest. His sole prerogative is to afford shelter to inferiors, who repose themselves under his cover and protection. But I forget, that it is not my present business to recommend generosity and benevolence, or to paint, in their true colours, all the genuine charms of the social virtues. These, indeed, sufficiently engage every heart, on the first apprehension of them; and it is difficult to abstain from some sally of panegyric, as often as they occur in discourse or reasoning. But our object here being more the speculative, than the practical part of morals, it will suffice to remark, (what will readily, I believe, be allowed) that no qualities are more intitled to the general good-will and approbation of mankind than beneficence and humanity, friendship and gratitude, natural affection and public spirit, or whatever proceeds from a tender sympathy with others, and a generous concern for our kind and species. These wherever they appear seem to transfuse themselves, in a manner, into each beholder, and to call forth, in their own behalf, the same favourable and affectionate sentiments, which they exert on all around. PART II. We may observe that, in displaying the praises of any humane, beneficent man, there is one circumstance which never fails to be amply insisted on, namely, the happiness and satisfaction, derived to society from his intercourse and good offices. To his parents, we are apt to say, he endears himself by his pious attachment and duteous care still more than by the connexions of nature. His children never feel his authority, but when employed for their advantage. With him, the ties of love are consolidated by beneficence and friendship. The ties of friendship approach, in a fond observance of each obliging office, to those of love and inclination. His domestics and dependants have in him a sure resource; and no longer dread the power of fortune, but so far as she exercises it over him. From him the hungry receive food, the naked clothing, the ignorant and slothful skill and industry. Like the sun, an inferior minister of providence he cheers, invigorates, and sustains the surrounding world. If confined to private life, the sphere of his activity is narrower; but his influence is all benign and gentle. If exalted into a higher station, mankind and posterity reap the fruit of his labours. As these topics of praise never fail to be employed, and with success, where we would inspire esteem for any one; may it not thence be concluded, that the utility, resulting from the social virtues, forms, at least, a PART of their merit, and is one source of that approbation and regard so universally paid to them? When we recommend even an animal or a plant as USEFUL and BENEFICIAL, we give it an applause and recommendation suited to its nature. As, on the other hand, reflection on the baneful influence of any of these inferior beings always inspires us with the sentiment of aversion. The eye is pleased with the prospect of corn-fields and loaded vine-yards; horses grazing, and flocks pasturing: but flies the view of briars and brambles, affording shelter to wolves and serpents. A machine, a piece of furniture, a vestment, a house well contrived for use and conveniency, is so far beautiful, and is contemplated with pleasure and approbation. An experienced eye is here sensible to many excellencies, which escape persons ignorant and uninstructed. Can anything stronger be said in praise of a profession, such as merchandize or manufacture, than to observe the advantages which it procures to society; and is not a monk and inquisitor enraged when we treat his order as useless or pernicious to mankind? The historian exults in displaying the benefit arising from his labours. The writer of romance alleviates or denies the bad consequences ascribed to his manner of composition. In general, what praise is implied in the simple epithet USEFUL! What reproach in the contrary! Your Gods, says Cicero [De Nat. Deor. lib. i.], in opposition to the Epicureans, cannot justly claim any worship or adoration, with whatever imaginary perfections you may suppose them endowed. They are totally useless and inactive. Even the Egyptians, whom you so much ridicule, never consecrated any animal but on account of its utility. The sceptics assert [Sext. Emp. adrersus Math. lib. viii.], though absurdly, that the origin of all religious worship was derived from the utility of inanimate objects, as the sun and moon, to the support and well-being of mankind. This is also the common reason assigned by historians, for the deification of eminent heroes and legislators [Diod. Sic. passim.]. To plant a tree, to cultivate a field, to beget children; meritorious acts, according to the religion of Zoroaster. In all determinations of morality, this circumstance of public utility is ever principally in view; and wherever disputes arise, either in philosophy or common life, concerning the bounds of duty, the question cannot, by any means, be decided with greater certainty, than by ascertaining, on any side, the true interests of mankind. If any false opinion, embraced from appearances, has been found to prevail; as soon as farther experience and sounder reasoning have given us juster notions of human affairs, we retract our first sentiment, and adjust anew the boundaries of moral good and evil. Giving alms to common beggars is naturally praised; because it seems to carry relief to the distressed and indigent: but when we observe the encouragement thence arising to idleness and debauchery, we regard that species of charity rather as a weakness than a virtue. Tyrannicide, or the assassination of usurpers and oppressive princes, was highly extolled in ancient times; because it both freed mankind from many of these monsters, and seemed to keep the others in awe, whom the sword or poniard could not reach. But history and experience having since convinced us, that this practice increases the jealousy and cruelty of princes, a Timoleon and a Brutus, though treated with indulgence on account of the prejudices of their times, are now considered as very improper models for imitation. Liberality in princes is regarded as a mark of beneficence, but when it occurs, that the homely bread of the honest and industrious is often thereby converted into delicious cates for the idle and the prodigal, we soon retract our heedless praises. The regrets of a prince, for having lost a day, were noble and generous: but had he intended to have spent it in acts of generosity to his greedy courtiers, it was better lost than misemployed after that manner. Luxury, or a refinement on the pleasures and conveniences of life, had not long been supposed the source of every corruption in government, and the immediate cause of faction, sedition, civil wars, and the total loss of liberty. It was, therefore, universally regarded as a vice, and was an object of declamation to all satirists, and severe moralists. Those, who prove, or attempt to prove, that such refinements rather tend to the increase of industry, civility, and arts regulate anew our MORAL as well as POLITICAL sentiments, and represent, as laudable or innocent, what had formerly been regarded as pernicious and blameable. Upon the whole, then, it seems undeniable, THAT nothing can bestow more merit on any human creature than the sentiment of benevolence in an eminent degree; and THAT a PART, at least, of its merit arises from its tendency to promote the interests of our species, and bestow happiness on human society. We carry our view into the salutary consequences of such a character and disposition; and whatever has so benign an influence, and forwards so desirable an end, is beheld with complacency and pleasure. The social virtues are never regarded without their beneficial tendencies, nor viewed as barren and unfruitful. The happiness of mankind, the order of society, the harmony of families, the mutual support of friends, are always considered as the result of their gentle dominion over the breasts of men. How considerable a PART of their merit we ought to ascribe to their utility, will better appear from future disquisitions; [Footnote: Sect. III. and IV.] as well as the reason, why this circumstance has such a command over our esteem and approbation. [Footnote: Sect. V.]

Anne of Green Gables.chap

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Craft a concise overview of chapter 1 using the context provided.

chapter 1|chapter 3

The story begins by describing where Mrs. Rachel Lynde's home is located in a town called Avonlea. Mrs. Rachel likes to watch people going by outside her window so that she knows everything going on in Avonlea. Whenever she sees something that she finds odd, she always tries to figure out what is going on. One afternoon in early June, Mrs. Rachel sees a man who lives nearby, Matthew Cuthbert, driving a buggy out of town dressed in fancy clothes. This intrigues Mrs. Rachel Lynde because usually, at this time of year, Matthew Cuthbert would be sowing a field at his home, which is called Green Gables. She is also intrigued because Matthew Cuthbert is usually someone who stays home and keeps to himself. Mrs. Rachel decides to go over to Green Gables to talk to a woman named Marilla about what Matthew is doing. Mrs. Rachel walks the quarter of a mile to Green Gables, criticizing how far the Cuthbert home is built from the main road. She believes this is because the family is shy and odd. As she approaches Green Gables, Mrs. Rachel notes that it is extremely clean. Mrs. Rachel sees Marilla in the kitchen, with three plates laid on the table. Mrs. Rachel surmises that Marilla and Matthew must be expecting company because only the two of them live at Green Gables. She thinks that they must not be expecting anyone very important because the food laid out is nothing fancy. Mrs. Rachel knocks and Marilla lets her in politely. Marilla is described as tall and thin, with dark hair that has some streaks of gray. The narrator notes that she looks like she has a "rigid conscience" and yet something about her mouth indicates that she has a sense of humor. Mrs. Rachel says that she has come over because she saw Matthew driving to town and thought he might be going for a doctor. Marilla says that Matthew went to the train station in Bright River to pick up an orphan boy coming from Nova Scotia. Mrs. Rachel is shocked. Marilla says that she and Matthew are taking in an orphan boy to help Matthew with work around the farm since Matthew is now 60 years old and has heart trouble. Matthew and Marilla thought about hiring a young man from France or London, but Marilla speaks disparagingly about this prospect and says she would prefer to have a "native born" Canadian. Marilla and Matthew asked a woman named Mrs. Spencer to bring them an orphan boy who is 10 or 11 years old since there will still be time to train him. Mrs. Rachel informs Marilla that she thinks this is a foolish and risky idea and tells Marilla a story of an orphan boy burning down a house. Marilla replies that even biological children have risks and that she thinks the orphan boy shouldn't be too different from them since he will be from nearby. Mrs. Rachel tells Marilla another story of an orphan girl who poisoned a well. Marilla responds that she would never dream of taking in an orphan girl. Mrs. Rachel would like to stay until Matthew comes home with the orphan, but she decides instead to go start spreading the gossip she has learned

----------CHAPTER 1--------- |MRS. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde--a meek little man whom Avonlea people called "Rachel Lynde's husband"--was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's enjoyment was spoiled. "I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he _never_ visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place _living_ at all. "It's just _staying_, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said 'no' flat to that. 'They may be all right--I'm not saying they're not--but no London street Arabs for me,' I said. 'Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it _on purpose_, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn't break him of it. If you had asked my advice in the matter--which you didn't do, Marilla--I'd have said for mercy's sake not to think of such a thing, that's what." This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind on anything that when he does I always feel it's my duty to give in. And as for the risk, there's risks in pretty near everything a body does in this world. There's risks in people's having children of their own if it comes to that--they don't always turn out well. And then Nova Scotia is right close to the Island. It isn't as if we were getting him from England or the States. He can't be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we're not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I'd never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, _she_ wouldn't shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell's and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla's relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel's pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I'm sorry for that poor young one and no mistake. Matthew and Marilla don't know anything about children and they'll expect him to be wiser and steadier that his own grandfather, if so be's he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there's never been one there, for Matthew and Marilla were grown up when the new house was built--if they ever _were_ children, which is hard to believe when one looks at them. I wouldn't be in that orphan's shoes for anything. My, but I pity him, that's what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. ----------CHAPTER 3--------- |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep.

cliffnotes

Create a compact summary that covers the main points of chapter 5, utilizing the provided context.

chapter 4|chapter 5

On the way to Mrs. Spencer's house, Marilla asks Anne to tell her about her childhood. Anne tells Marilla that she is eleven years old and originally from Bolingbroke, Nova Scotia. Her mother and father were both teachers. When they had Anne, they were "a pair of babies and as poor as church mice". Anne's mother and father died of fever when Anne was 3 months old. Anne did not have any relatives nearby, so a poor woman named Mrs. Thomas took her in. Mrs. Thomas had a husband who was a drunk and four children younger than Anne who Anne looked after until she was eight years old. At that time, Mrs. Thomas's husband died and his mother said that Mrs. Thomas and her biological children could move in with her, but not Anne. Anne moved to the home of a woman named Mrs. Hammond, who took in Anne because she had heard Anne could care for young children well. Life was very difficult for Anne during this time because Mrs. Hammond had eight children including three sets of twins. After two years, Mrs. Hammond's husband died and Mrs. Hammond moved to the United States. Anne had to go to the orphan asylum, where she lived for four months until Mrs. Spencer came and took her away. Marilla asks if Anne ever went to school. Anne responds that she went to school a very small amount when she was at Mrs. Thomas and Mrs. Hammond's houses, and she attended school while at the orphan asylum for four months. However, she says that she can read well and loves poetry. Marilla asks whether Mrs. Thomas and Mrs. Hammond were good to Anne, and Anne gives a mature and empathetic response about how each woman tried to be good but had their hands full. It is clear that Anne had a very difficult childhood bereft of love, education, and fun. Marilla begins to think that perhaps she and Matthew should take in Anne, who seems to be respectful and teachable

----------CHAPTER 4--------- |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings," said Marilla as soon as she could get a word in edgewise. "Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I'm better at looking after children, though. I've had so much experience at that. It's such a pity you haven't any here for me to look after." "I don't feel as if I wanted any more children to look after than I've got at present. _You're_ problem enough in all conscience. What's to be done with you I don't know. Matthew is a most ridiculous man." "I think he's lovely," said Anne reproachfully. "He is so very sympathetic. He didn't mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You're both queer enough, if that's what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I've got enough to attend to this morning for I'll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You'll come with me and we'll settle what's to be done with you. After you've finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What's the matter now?" demanded Marilla. "I don't dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can't stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook I'll not be able to help loving it. It's hard enough now, so I won't make it any harder. I want to go out so much--everything seems to be calling to me, 'Anne, Anne, come out to us. Anne, Anne, we want a playmate'--but it's better not. There is no use in loving things if you have to be torn from them, is there? And it's so hard to keep from loving things, isn't it? That was why I was so glad when I thought I was going to live here. I thought I'd have so many things to love and nothing to hinder me. But that brief dream is over. I am resigned to my fate now, so I don't think I'll go out for fear I'll get unresigned again. What is the name of that geranium on the window-sill, please?" "That's the apple-scented geranium." "Oh, I don't mean that sort of a name. I mean just a name you gave it yourself. Didn't you give it a name? May I give it one then? May I call it--let me see--Bonny would do--may I call it Bonny while I'm here? Oh, do let me!" "Goodness, I don't care. But where on earth is the sense of naming a geranium?" "Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else? You wouldn't like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white. Of course, it won't always be in blossom, but one can imagine that it is, can't one?" "I never in all my life saw or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I'm wondering what on earth she'll say next. She'll be casting a spell over me, too. She's cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what's to be done with a man who just _looks?_" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly: "I'm going to drive over to White Sands and settle this thing. I'll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I'll set your tea out for you and I'll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won't talk back--unless it is a woman who won't. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed: "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. ----------CHAPTER 5--------- |DO you know," said Anne confidentially, "I've made up my mind to enjoy this drive. It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone. 'My life is a perfect graveyard of buried hopes.' That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said 'shore road' I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly. "If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting." "No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long after that, you see. She died of fever when I was just three months old. I do wish she'd lived long enough for me to remember calling her mother. I think it would be so sweet to say 'mother,' don't you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn't any relatives living. Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like. "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about. "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--'The Battle of Hohenlinden' and 'Edinburgh after Flodden,' and 'Bingen of the Rhine,' and most of the 'Lady of the Lake' and most of 'The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--'The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything."

cliffnotes

Create a compact summary that covers the main points of chapter 7, utilizing the provided context.

chapter 6|chapter 7

When it is time for Anne to go to bed, Marilla instructs Anne to say her prayers. Anne says that she never says prayers. Anne says that she knows about Christianity from the orphan asylum's Sunday school, but she has never liked God because she believes God gave her red hair on purpose. Marilla tells Anne that she must say her prayers if she is going to stay at Green Gables. Anne says that she will say her prayers once she is in bed. Marilla tells Anne that she must say prayers kneeling next to her bed, which Anne feels is silly because she thinks it would be better to pray while looking at the beauty of nature. Nevertheless, Anne gets down on her knees and makes up a prayer thanking God for the nature she has seen in Avonlea and asking to stay at Green Gables and to grow up to be good-looking. Marilla feels that the prayer is not proper but will do for the time being. As Marilla leaves, Anne calls her back and asks if it makes a difference that she forgot to end her prayer with "Amen". Marilla says that it won't. When Marilla goes downstairs, she tells Matthew that it's about time somebody adopted Anne and educated her. Marilla vows to enroll Anne in Sunday school as soon as she can sew her some appropriate clothing

----------CHAPTER 6--------- |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and what isn't," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I'd rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne's history and the result of the interview with Mrs. Spencer. "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I'm willing--or have to be. I've been thinking over the idea until I've got kind of used to it. It seems a sort of duty. I've never brought up a child, especially a girl, and I dare say I'll make a terrible mess of it. But I'll do my best. So far as I'm concerned, Matthew, she may stay." Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it in that light, Marilla," he said. "She's such an interesting little thing." "It'd be more to the point if you could say she was a useful little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." ----------CHAPTER 7--------- |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed." "I never say any prayers," announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "'God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words. 'Infinite, eternal and unchangeable.' Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just _feel_ a prayer. Well, I'm ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love. "You're old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I'll do my best," promised Anne, burying her face in Marilla's lap. "Gracious heavenly Father--that's the way the ministers say it in church, so I suppose it's all right in private prayer, isn't it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I'm really extremely grateful for them. And that's all the blessings I can think of just now to thank Thee for. As for the things I want, they're so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley. "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, 'Amen' in place of 'yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it."

cliffnotes

Generate a succinct summary for chapter 9 with the given context.

chapter 8|chapter 9

After Anne has lived at Green Gables for a fortnight, Mrs. Rachel Lynde comes over to see what she is like. When she arrives, Anne is playing outside. Mrs. Rachel and Lynde talk for a little while. Mrs. Rachel still thinks it is a bad idea to keep an orphan girl in one's home, to which Marilla responds that Anne is already having a positive impact on the household. Marilla calls Anne inside to meet Mrs. Rachel Lynde. When Anne enters, Mrs. Rachel immediately begins to criticize her appearance, including her skinniness, freckles, and red hair. Anne is provoked by these insults, particularly regarding her red hair; she runs up to Mrs. Rachel, stamps her feet, and yells that she hates her. She also calls Mrs. Rachel rude and unfeeling, criticizing Mrs. Rachel's appearance. Marilla sends Anne to her room. Anne bursts into tears, runs up to her room, and slams the door. Marilla tells Mrs. Rachel that she will give Anne a talking-to, but she adds that Mrs. Rachel should not have insulted her. Mrs. Rachel recommends that Marilla whip Anne with a switch and says that she may not be back to visit Marilla for a while. Mrs. Rachel leaves and Marilla goes up to Anne's bedroom. Marilla feels embarrassed at Anne's behavior and confused as to how she should punish Anne. She does not want to whip her, but she wants to make Anne understand that she did something wrong. Marilla tells Anne that she is ashamed of her. However, Marilla thinks back to a time when her appearance was insulted as a child and how long it took her to get over that comment. Marilla tells Anne that Mrs. Rachel was too outspoken, but she adds that Anne still should never behave poorly toward an elderly guest. Marilla tells Anne that she will have to apologize to Mrs. Rachel. Anne refuses, and Marilla says Anne will have to stay in the bedroom until she decides to apologize. Marilla leaves the room and is angry with herself because she finds that she feels like laughing when she recalls Mrs. Rachel's shocked face

----------CHAPTER 8--------- |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--"and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does. 'Our Father who art in heaven hallowed be Thy name.' That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. ----------CHAPTER 9--------- |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. But if you'll take my advice--which I suppose you won't do, although I've brought up ten children and buried two--you'll do that 'talking to' you mention with a fair-sized birch switch. I should think _that_ would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you'll come down to see me often as usual. But you can't expect me to visit here again in a hurry, if I'm liable to be flown at and insulted in such a fashion. It's something new in _my_ experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled _could_ be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne's disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel's own children could have borne smarting testimony--did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren't you ashamed of yourself?" "She hadn't any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn't any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you--thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I'm sure I don't know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there's such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can't help hoping other people don't quite think it is. I suppose you think I have an awful temper, but I couldn't help it. When she said those things something just rose right up in me and choked me. I _had_ to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she'll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don't say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We're not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they're rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you'll stay here in your room until you can tell me you're willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can't tell Mrs. Lynde I'm sorry I said those things to her. How can I? I'm _not_ sorry. I'm sorry I've vexed you; but I'm _glad_ I told her just what I did. It was a great satisfaction. I can't say I'm sorry when I'm not, can I? I can't even _imagine_ I'm sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You'll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn't seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne's stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh.

cliffnotes

Produce a brief summary for chapter 11 based on the provided context.

chapter 10|chapter 11

Marilla has sewn Anne three new dresses, which Anne does not like because they are so plain. Anne particularly wishes that they had puffed sleeves, which are fashionable. Anne decides she will imagine that the dresses look the way she wants them to. The next morning, it is time for Anne to go to Sunday school for the first time, but Marilla cannot take her due to a headache. She sends Anne to ask Mrs. Rachel to walk with her to the church and show her how to behave. On her walk, Anne stops to make a garland of flowers and puts it on her hat. When Anne reaches Mrs. Rachel's house, the woman is not there, so Anne walks to the church alone. At Sunday School, Anne meets many other little girls, mostly attired in cute dresses with puffed sleeves. The Sunday School teacher uses the class time to drill the students with questions, which Anne is able to answer since Marilla had made her study ahead of time. Anne goes home after Sunday School and tells Marilla that she didn't like it. Anne says that the sermon was long and boring so she looked outside at a lake and used her imagination. She also says she didn't like that all the other girls had puffed sleeves and that she had to answer the teacher's questions without asking any herself. When Anne finishes her criticisms, Marilla thinks to herself that she actually agrees with Anne but has never let herself express those thoughts before

----------CHAPTER 10--------- |MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. "It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. ----------CHAPTER 11--------- |WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!" said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia. "They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, 'way, 'way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said, 'Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn't, but I could recite, 'The Dog at His Master's Grave' if she liked. That's in the Third Royal Reader. It isn't a really truly religious piece of poetry, but it's so sad and melancholy that it might as well be. She said it wouldn't do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it's splendid. There are two lines in particular that just thrill me. "'Quick as the slaughtered squadrons fell In Midian's evil day.' "I don't know what 'squadrons' means nor 'Midian,' either, but it sounds _so_ tragical. I can hardly wait until next Sunday to recite it. I'll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I'd pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn't think he was a bit interesting. The trouble with him seems to be that he hasn't enough imagination. I didn't listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister's sermons and Mr. Bell's prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity.

cliffnotes

Produce a brief summary for chapter 13 based on the provided context.

chapter 12|chapter 13

In August, Anne excitedly tells Marilla that the Sunday School is planning a picnic. Anne is especially excited that there will be ice cream, which she has never tasted. Marilla tells Anne to work on her patchwork until teatime, which Anne does grumpily. Anne tells Marilla about how she and Diana have created a pretend house in a clearing in the woods, complete with stones for seats and broken dishes for pretend meals. Anne talks on and on until Marilla tells her to be quiet for a while. For the rest of the week, Anne is frantic about whether the picnic will be canceled for bad weather. Marilla tells Anne that she is setting herself up for disappointment by getting her heart set on things, but Anne responds that "looking forward to things is half the pleasure of them". The narrator notes that that day, Marilla wears her amethyst brooch to church, as she always does. The brooch has been passed down from Marilla's mother. The narrator also notes that when Anne first saw Marilla's brooch, she was dazzled by it and asked Marilla if she could hold it

----------CHAPTER 12--------- |IT was not until the next Friday that Marilla heard the story of the flower-wreathed hat. She came home from Mrs. Lynde's and called Anne to account. "Anne, Mrs. Rachel says you went to church last Sunday with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!" "Oh. I know pink and yellow aren't becoming to me," began Anne. "Becoming fiddlesticks! It was putting flowers on your hat at all, no matter what color they were, that was ridiculous. You are the most aggravating child!" "I don't see why it's any more ridiculous to wear flowers on your hat than on your dress," protested Anne. "Lots of little girls there had bouquets pinned on their dresses. What's the difference?" Marilla was not to be drawn from the safe concrete into dubious paths of the abstract. "Don't answer me back like that, Anne. It was very silly of you to do such a thing. Never let me catch you at such a trick again. Mrs. Rachel says she thought she would sink through the floor when she saw you come in all rigged out like that. She couldn't get near enough to tell you to take them off till it was too late. She says people talked about it something dreadful. Of course they would think I had no better sense than to let you go decked out like that." "Oh, I'm so sorry," said Anne, tears welling into her eyes. "I never thought you'd mind. The roses and buttercups were so sweet and pretty I thought they'd look lovely on my hat. Lots of the little girls had artificial flowers on their hats. I'm afraid I'm going to be a dreadful trial to you. Maybe you'd better send me back to the asylum. That would be terrible; I don't think I could endure it; most likely I would go into consumption; I'm so thin as it is, you see. But that would be better than being a trial to you." "Nonsense," said Marilla, vexed at herself for having made the child cry. "I don't want to send you back to the asylum, I'm sure. All I want is that you should behave like other little girls and not make yourself ridiculous. Don't cry any more. I've got some news for you. Diana Barry came home this afternoon. I'm going up to see if I can borrow a skirt pattern from Mrs. Barry, and if you like you can come with me and get acquainted with Diana." Anne rose to her feet, with clasped hands, the tears still glistening on her cheeks; the dish towel she had been hemming slipped unheeded to the floor. "Oh, Marilla, I'm frightened--now that it has come I'm actually frightened. What if she shouldn't like me! It would be the most tragical disappointment of my life." "Now, don't get into a fluster. And I do wish you wouldn't use such long words. It sounds so funny in a little girl. I guess Diana 'll like you well enough. It's her mother you've got to reckon with. If she doesn't like you it won't matter how much Diana does. If she has heard about your outburst to Mrs. Lynde and going to church with buttercups round your hat I don't know what she'll think of you. You must be polite and well behaved, and don't make any of your startling speeches. For pity's sake, if the child isn't actually trembling!" Anne _was_ trembling. Her face was pale and tense. "Oh, Marilla, you'd be excited, too, if you were going to meet a little girl you hoped to be your bosom friend and whose mother mightn't like you," she said as she hastened to get her hat. They went over to Orchard Slope by the short cut across the brook and up the firry hill grove. Mrs. Barry came to the kitchen door in answer to Marilla's knock. She was a tall black-eyed, black-haired woman, with a very resolute mouth. She had the reputation of being very strict with her children. "How do you do, Marilla?" she said cordially. "Come in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--"and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called 'Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." ----------CHAPTER 13--------- |IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more 'n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently. Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says, 'Blessed are they who expect nothing for they shall not be disappointed.' But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?"

cliffnotes

Produce a brief summary for chapter 17 based on the provided context.

chapter 17|chapter 20

The next day, Diana comes to Green Gables to say goodbye to Anne. They profess love to one another and Anne takes a lock of Diana's hair to remember her by. They promise that even though they will have to act like strangers, they will be friends forever. The day after that, Anne comes down in the morning with her school books and tells Marilla she is going back to school so that she can still see Diana every day. Marilla is pleased but tries to conceal it. At school, Anne is welcomed back happily by all of the other students. Many girls give her little gifts such as plums and a perfume bottle. Gilbert and Charlie both give Anne gifts as well, though Anne does not accept Gilbert's. Anne is upset that Diana does not look at her at all her first day back at school, but on her second day back at school, she finds a note from Diana saying that she misses her. Anne does not have any more behavioral issues at school and focuses intently on her studies because she wants to do better than Gilbert. Anne and Gilbert are always at the top of the class, far ahead of other students in their grade. Anne must work very hard on math and spelling to try to do better than him. At the end of the term, both Anne and Gilbert are promoted to a higher class and start studying harder subjects, including geometry which Anne finds especially hard

----------CHAPTER 17--------- |THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will," sobbed Diana, "and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said 'thou' and 'thee.' 'Thou' and 'thee' seem so much more romantic than 'you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her handkerchief. The apple lay untouched on her desk until the next morning, when little Timothy Andrews, who swept the school and kindled the fire, annexed it as one of his perquisites. Charlie Sloane's slate pencil, gorgeously bedizened with striped red and yellow paper, costing two cents where ordinary pencils cost only one, which he sent up to her after dinner hour, met with a more favorable reception. Anne was graciously pleased to accept it and rewarded the donor with a smile which exalted that infatuated youth straightway into the seventh heaven of delight and caused him to make such fearful errors in his dictation that Mr. Phillips kept him in after school to rewrite it. But as, The Caesar's pageant shorn of Brutus' bust Did but of Rome's best son remind her more, so the marked absence of any tribute or recognition from Diana Barry who was sitting with Gertie Pye embittered Anne's little triumph. "Diana might just have smiled at me once, I think," she mourned to Marilla that night. But the next morning a note most fearfully and wonderfully twisted and folded, and a small parcel were passed across to Anne. Dear Anne (ran the former) Mother says I'm not to play with you or talk to you even in school. It isn't my fault and don't be cross at me, because I love you as much as ever. I miss you awfully to tell all my secrets to and I don't like Gertie Pye one bit. I made you one of the new bookmarkers out of red tissue paper. They are awfully fashionable now and only three girls in school know how to make them. When you look at it remember Your true friend Diana Barry. Anne read the note, kissed the bookmark, and dispatched a prompt reply back to the other side of the school. My own darling Diana:-- Of course I am not cross at you because you have to obey your mother. Our spirits can commune. I shall keep your lovely present forever. Minnie Andrews is a very nice little girl--although she has no imagination--but after having been Diana's busum friend I cannot be Minnie's. Please excuse mistakes because my spelling isn't very good yet, although much improoved. Yours until death us do part Anne or Cordelia Shirley. P.S. I shall sleep with your letter under my pillow tonight. A. _or_ C.S. Marilla pessimistically expected more trouble since Anne had again begun to go to school. But none developed. Perhaps Anne caught something of the "model" spirit from Minnie Andrews; at least she got on very well with Mr. Phillips thenceforth. She flung herself into her studies heart and soul, determined not to be outdone in any class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat. Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of "the branches"--by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo. "It's perfectly awful stuff, Marilla," she groaned. "I'm sure I'll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I'm the worst dunce he ever saw at it. And Gil--I mean some of the others are so smart at it. It is extremely mortifying, Marilla. "Even Diana gets along better than I do. But I don't mind being beaten by Diana. Even although we meet as strangers now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" ----------CHAPTER 20--------- |SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say 'sweets to the sweet.' He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing 'My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne's freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark," cried Anne. "Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this."

cliffnotes

Craft a concise overview of chapter 24 using the context provided.

chapter 22|chapter 23|chapter 24

In October, Anne's ankle is fully healed, and she goes back to school. Anne loves the new teacher, Miss Stacy, who has the students learn recitations, write compositions, do "physical culture exercises" daily, and learn about nature outdoors on some afternoons. As fall turns to winter, Miss Stacy announces that the students at the Avonlea school will give a concert on Christmas Night. Anne is excited about her roles in the concert, which include giving two recitations and playing the character of Hope in a tableau. Anne gushes about the concert to Marilla and, after finding Marilla less than enthusiastic, goes outside to tell Matthew who is always loving and enthusiastic about Anne's life

----------CHAPTER 22--------- |AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. 'Miss Anne Shirley, Green Gables.' That is the first time I was ever called 'Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting. "Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her." ----------CHAPTER 23--------- |ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven't. I just felt that I couldn't bear Josie Pye's scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn't be very cross with me, Marilla. It's not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won't be able to go around for six or seven weeks and I'll miss the new lady teacher. She won't be new any more by the time I'm able to go to school. And Gil--everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I'll try to bear it all bravely if only you won't be cross with me, Marilla." "There, there, I'm not cross," said Marilla. "You're an unlucky child, there's no doubt about that; but as you say, you'll have the suffering of it. Here now, try and eat some supper." "Isn't it fortunate I've got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven't any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not solely dependent on it. She had many visitors and not a day passed without one or more of the schoolgirls dropping in to bring her flowers and books and tell her all the happenings in the juvenile world of Avonlea. "Everybody has been so good and kind, Marilla," sighed Anne happily, on the day when she could first limp across the floor. "It isn't very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have. Why, even Superintendent Bell came to see me, and he's really a very fine man. Not a kindred spirit, of course; but still I like him and I'm awfully sorry I ever criticized his prayers. I believe now he really does mean them, only he has got into the habit of saying them as if he didn't. He could get over that if he'd take a little trouble. I gave him a good broad hint. I told him how hard I tried to make my own little private prayers interesting. He told me all about the time he broke his ankle when he was a boy. It does seem so strange to think of Superintendent Bell ever being a boy. Even my imagination has its limits, for I can't imagine _that_. When I try to imagine him as a boy I see him with gray whiskers and spectacles, just as he looks in Sunday school, only small. Now, it's so easy to imagine Mrs. Allan as a little girl. Mrs. Allan has been to see me fourteen times. Isn't that something to be proud of, Marilla? When a minister's wife has so many claims on her time! She is such a cheerful person to have visit you, too. She never tells you it's your own fault and she hopes you'll be a better girl on account of it. Mrs. Lynde always told me that when she came to see me; and she said it in a kind of way that made me feel she might hope I'd be a better girl but didn't really believe I would. Even Josie Pye came to see me. I received her as politely as I could, because I think she was sorry she dared me to walk a ridgepole. If I had been killed she would had to carry a dark burden of remorse all her life. Diana has been a faithful friend. She's been over every day to cheer my lonely pillow. But oh, I shall be so glad when I can go to school for I've heard such exciting things about the new teacher. The girls all think she is perfectly sweet. Diana says she has the loveliest fair curly hair and such fascinating eyes. She dresses beautifully, and her sleeve puffs are bigger than anybody else's in Avonlea. Every other Friday afternoon she has recitations and everybody has to say a piece or take part in a dialogue. Oh, it's just glorious to think of it. Josie Pye says she hates it but that is just because Josie has so little imagination. Diana and Ruby Gillis and Jane Andrews are preparing a dialogue, called 'A Morning Visit,' for next Friday. And the Friday afternoons they don't have recitations Miss Stacy takes them all to the woods for a 'field' day and they study ferns and flowers and birds. And they have physical culture exercises every morning and evening. Mrs. Lynde says she never heard of such goings on and it all comes of having a lady teacher. But I think it must be splendid and I believe I shall find that Miss Stacy is a kindred spirit." "There's one thing plain to be seen, Anne," said Marilla, "and that is that your fall off the Barry roof hasn't injured your tongue at all." ----------CHAPTER 24--------- |IT was October again when Anne was ready to go back to school--a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain--amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through. The Birch Path was a canopy of yellow and the ferns were sear and brown all along it. There was a tang in the very air that inspired the hearts of small maidens tripping, unlike snails, swiftly and willingly to school; and it _was_ jolly to be back again at the little brown desk beside Diana, with Ruby Gillis nodding across the aisle and Carrie Sloane sending up notes and Julia Bell passing a "chew" of gum down from the back seat. Anne drew a long breath of happiness as she sharpened her pencil and arranged her picture cards in her desk. Life was certainly very interesting. In the new teacher she found another true and helpful friend. Miss Stacy was a bright, sympathetic young woman with the happy gift of winning and holding the affections of her pupils and bringing out the best that was in them mentally and morally. Anne expanded like a flower under this wholesome influence and carried home to the admiring Matthew and the critical Marilla glowing accounts of schoolwork and aims. "I love Miss Stacy with my whole heart, Marilla. She is so ladylike and she has such a sweet voice. When she pronounces my name I feel _instinctively_ that she's spelling it with an E. We had recitations this afternoon. I just wish you could have been there to hear me recite 'Mary, Queen of Scots.' I just put my whole soul into it. Ruby Gillis told me coming home that the way I said the line, 'Now for my father's arm,' she said, 'my woman's heart farewell,' just made her blood run cold." "Well now, you might recite it for me some of these days, out in the barn," suggested Matthew. "Of course I will," said Anne meditatively, "but I won't be able to do it so well, I know. It won't be so exciting as it is when you have a whole schoolful before you hanging breathlessly on your words. I know I won't be able to make your blood run cold." "Mrs. Lynde says it made _her_ blood run cold to see the boys climbing to the very tops of those big trees on Bell's hill after crows' nests last Friday," said Marilla. "I wonder at Miss Stacy for encouraging it." "But we wanted a crow's nest for nature study," explained Anne. "That was on our field afternoon. Field afternoons are splendid, Marilla. And Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones." "It's very vain of you to say so then. You'd better let your teacher say it." "But she _did_ say it, Marilla. And indeed I'm not vain about it. How can I be, when I'm such a dunce at geometry? Although I'm really beginning to see through it a little, too. Miss Stacy makes it so clear. Still, I'll never be good at it and I assure you it is a humbling reflection. But I love writing compositions. Mostly Miss Stacy lets us choose our own subjects; but next week we are to write a composition on some remarkable person. It's hard to choose among so many remarkable people who have lived. Mustn't it be splendid to be remarkable and have compositions written about you after you're dead? Oh, I would dearly love to be remarkable. I think when I grow up I'll be a trained nurse and go with the Red Crosses to the field of battle as a messenger of mercy. That is, if I don't go out as a foreign missionary. That would be very romantic, but one would have to be very good to be a missionary, and that would be a stumbling block. We have physical culture exercises every day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla's disapproval. Marilla thought it all rank foolishness. "It's just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don't approve of children's getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--'The Society for the Suppression of Gossip' and 'The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--'Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?" "All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out." Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne"--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world.

cliffnotes

Create a compact summary that covers the main points of chapter 27, utilizing the provided context.

chapter 26|chapter 27

Spring comes to Avonlea once again and even Marilla finds herself getting excited as she walks home from an Aid meeting. She thinks happily that it is so much nicer to come home to Anne than to an empty house, but when she arrives at home, she sees Anne is nowhere to be found. Marilla waits until dark for Anne to come home, but Anne does not. Then, when Marilla goes to Anne's room to get a candle, she finds Anne lying face down in bed in despair. It turns out that Anne tried to dye her hair black with dye bought from a traveling salesman, but it turned her hair green instead. Marilla tries scrubbing Anne's hair, but the dye won't come out. Marilla decides that they will have to cut Anne's hair entirely down to the scalp. When Anne goes back to school with her hair cut off, it causes quite a sensation, but nobody guesses that it was cut off due to her dying it green. Anne tells Marilla about it when she gets home--but then, she asks Marilla if she should talk less because she knows Marilla had a headache earlier. Marilla says that she feels fine now but that her headaches have been getting worse and worse

----------CHAPTER 26--------- |JUNIOR Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called 'The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, 'What do you say, darling pet, if we get hitched this fall?' And Susan said, 'Yes--no--I don't know--let me see'--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, 'Ha, ha, ha.' But Bertram saw it all and he at once plunged into the current, exclaiming, 'I will save thee, my peerless Geraldine.' But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." ----------CHAPTER 27--------- Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla, 'what a tangled web we weave when first we practice to deceive.' That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it.

cliffnotes

Generate a succinct summary for chapter 28 with the given context.

chapter 28|chapter 31

Anne, Diana, and a few friends from school are playing by a pond a few months later. Anne's hair has grown out into beautiful auburn curls all over her head. The girls are assigning roles to act out a poem they read recently in class. Anne is assigned to be the main character, Elaine. In the poem, Elaine dies and is sent out to sea in a little boat, so Anne gets into Diana's father's little boat used for shooting ducks. The girls cover the interior of the boat with Diana's mother's shawl, to represent a pall, and give Anne a scarf to represent a coverlet. As the other girls push the boat out to float downstream, it scrapes against a stake sticking up underwater. The other girls run downstream to meet Anne as she floats by, but Anne realizes after a few minutes that the boat is filling up with water. Anne prays that the boat will pass close to one of the poles holding up a bridge, and indeed it does. She jumps out of the boat onto the pole, but now, she cannot get up onto the bridge. The boat drifts a little further downstream and then sinks, which leads Anne's friends to think she has drowned. They run to get adults to help, while Anne still clings to the bridge pole. Anne sees a small boat coming toward her; to her surprise, it is Gilbert. He offers for her to get into his boat and she accepts, though she remains cold and disdainful of him. Anne gets out of the boat and thanks Gilbert formally; he apologizes for making fun of her years before and asks if they can be friends. Anne looks at Gilbert's shy and eager expression and hesitates, but then tells him coldly that she will never be his friend. Gilbert's expression turns to anger; he gets in his boat and rows away. As Anne sees Gilbert row away, she feels regret at how she acted and almost starts to cry. As she walks up the path back to town, she runs into two of her friends who couldn't find the Barrys or the Cuthberts to help them. They are greatly relieved that Anne is alive, and they find her story about Gilbert very romantic. When Anne tells Marilla about what happened, Marilla is frustrated, but Anne says that each mistake she makes teaches her something. Anne says that this mistake has cured her of being too romantic, but when Marilla leaves the room, Matthew tells Anne not to give up all her romance

----------CHAPTER 28--------- |OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. "I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had 'all her bright hair streaming down,' you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say, 'Sister, farewell forever,' and Ruby, you say, 'Farewell, sweet sister,' both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine 'lay as though she smiled.' That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said, 'Dear God, please take the flat close to a pile and I'll do the rest,' over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably have to depend on human aid to get back to dry land." The flat drifted under the bridge and then promptly sank in midstream. Ruby, Jane, and Diana, already awaiting it on the lower headland, saw it disappear before their very eyes and had not a doubt but that Anne had gone down with it. For a moment they stood still, white as sheets, frozen with horror at the tragedy; then, shrieking at the tops of their voices, they started on a frantic run up through the woods, never pausing as they crossed the main road to glance the way of the bridge. Anne, clinging desperately to her precarious foothold, saw their flying forms and heard their shrieks. Help would soon come, but meanwhile her position was a very uncomfortable one. The minutes passed by, each seeming an hour to the unfortunate lily maid. Why didn't somebody come? Where had the girls gone? Suppose they had fainted, one and all! Suppose nobody ever came! Suppose she grew so tired and cramped that she could hold on no longer! Anne looked at the wicked green depths below her, wavering with long, oily shadows, and shivered. Her imagination began to suggest all manner of gruesome possibilities to her. Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory! Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes. "Anne Shirley! How on earth did you get there?" he exclaimed. Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely difficult to be dignified under the circumstances! "What has happened, Anne?" asked Gilbert, taking up his oars. "We were playing Elaine" explained Anne frigidly, without even looking at her rescuer, "and I had to drift down to Camelot in the barge--I mean the flat. The flat began to leak and I climbed out on the pile. The girls went for help. Will you be kind enough to row me to the landing?" Gilbert obligingly rowed to the landing and Anne, disdaining assistance, sprang nimbly on shore. "I'm very much obliged to you," she said haughtily as she turned away. But Gilbert had also sprung from the boat and now laid a detaining hand on her arm. "Anne," he said hurriedly, "look here. Can't we be good friends? I'm awfully sorry I made fun of your hair that time. I didn't mean to vex you and I only meant it for a joke. Besides, it's so long ago. I think your hair is awfully pretty now--honest I do. Let's be friends." For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!" "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!" He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!" said Jane, finding breath enough for utterance at last. "Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word 'romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. The liniment cake mistake cured me of carelessness in cooking. Dyeing my hair cured me of vanity. I never think about my hair and nose now--at least, very seldom. And today's mistake is going to cure me of being too romantic. I have come to the conclusion that it is no use trying to be romantic in Avonlea. It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now. I feel quite sure that you will soon see a great improvement in me in this respect, Marilla." "I'm sure I hope so," said Marilla skeptically. But Matthew, who had been sitting mutely in his corner, laid a hand on Anne's shoulder when Marilla had gone out. "Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, keep a little of it." ----------CHAPTER 31--------- |ANNE had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover's Lane and the Dryad's Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne's gypsyings. The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was: "Keep that redheaded girl of yours in the open air all summer and don't let her read books until she gets more spring into her step." This message frightened Marilla wholesomely. She read Anne's death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart's content; and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," she declared as she brought her books down from the attic. "Oh, you good old friends, I'm glad to see your honest faces once more--yes, even you, geometry. I've had a perfectly beautiful summer, Marilla, and now I'm rejoicing as a strong man to run a race, as Mr. Allan said last Sunday. Doesn't Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up and then we'll be left and have to turn to and break in another green preacher. But I don't see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I'd be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers' hearts. Why can't women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn't got to that stage in Canada yet and she hoped we never would. But I don't see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I'm sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I've no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I'm with you or Mrs. Allan or Miss Stacy I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I'm with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn't to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it's because I'm really bad and unregenerate?" Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she'd have more of an influence for good, as you say yourself, if she didn't keep nagging people to do right. There should have been a special commandment against nagging. But there, I shouldn't talk so. Rachel is a good Christian woman and she means well. There isn't a kinder soul in Avonlea and she never shirks her share of work." "I'm very glad you feel the same," said Anne decidedly. "It's so encouraging. I shan't worry so much over that after this. But I dare say there'll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. You settle one question and there's another right after. There are so many things to be thought over and decided when you're beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It's a serious thing to grow up, isn't it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I'm sure it will be my own fault if I don't. I feel it's a great responsibility because I have only the one chance. If I don't grow up right I can't go back and begin over again. I've grown two inches this summer, Marilla. Mr. Gillis measured me at Ruby's party. I'm so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. Of course I know it wasn't really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I'll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It's worth something to have that," admitted Marilla. Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen's class gird up their loins for the fray, for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe's name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne's eager eyes. "Hills peeped o'er hill and Alps on Alps arose." Much of all this was due to Miss Stacy's tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor's dictum, no longer vetoed occasional outings. The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. Between times Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you've grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne's inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She's got to be such a big girl--and she'll probably be away from us next winter. I'll miss her terrible." "She'll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." "It won't be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can't understand these things!" There were other changes in Anne no less real than the physical change. For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don't chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don't know--I don't want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over. And somehow I don't want to use big words any more. It's almost a pity, isn't it, now that I'm really growing big enough to say them if I did want to. It's fun to be almost grown up in some ways, but it's not the kind of fun I expected, Marilla. There's so much to learn and do and think that there isn't time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I've got used to it now and I see it's so much better." "What has become of your story club? I haven't heard you speak of it for a long time." "The story club isn't in existence any longer. We hadn't time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won't let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You've only two more months before the Entrance," said Marilla. "Do you think you'll be able to get through?" Anne shivered. "I don't know. Sometimes I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them.

cliffnotes

Produce a brief summary for chapter 32 based on the provided context.

chapter 32|chapter 34

In June, the school year ends again. Anne and Diana walk home together and cry over Miss Stacy leaving. Anne will be leaving soon to take the entrance exams, which will be proctored in Charlottetown. Diana's Aunt Josephine has invited Anne to stay in her house during her trip. Anne promises Diana that she will send her a letter about how the exams go. Anne's letter to Diana says that all the students were very worried before the exam. Some didn't sleep the night before, while others spent all morning cramming. Students from all over the island had come to take the exam. Anne had exams in English and History on her first day and would take the exam in Geometry the next day. Anne gets through her Geometry exam, and Anne and her classmates return to Avonlea to wait a fortnight for their exam scores. Anne is anxious to get her scores and see whether she beat Gilbert. She also hopes to score high in order to make Marilla and Matthew proud. One evening, Diana comes to Green Gables with a newspaper and tells Anne that she passed her exams. In fact, Anne tied with Gilbert for first place out of all the students who took the exam. The first person to whom Anne runs to tell is Matthew. Matthew, Marilla, and Mrs. Rachel Lynde all express their pride at how well Anne has done

----------CHAPTER 32--------- |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is." "It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over." Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. "Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says, 'If you can't be cheerful, be as cheerful as you can.' After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as long as she did. It was so kind of your Aunt Josephine to ask me to stay at Beechwood while I'm in town." "You'll write to me while you're in, won't you?" "I'll write Tuesday night and tell you how the first day goes," promised Anne. "I'll be haunting the post office Wednesday," vowed Diana. Anne went to town the following Monday and on Wednesday Diana haunted the post office, as agreed, and got her letter. "Dearest Diana" [wrote Anne], "Here it is Tuesday night and I'm writing this in the library at Beechwood. Last night I was horribly lonesome all alone in my room and wished so much you were with me. I couldn't 'cram' because I'd promised Miss Stacy not to, but it was as hard to keep from opening my history as it used to be to keep from reading a story before my lessons were learned. "This morning Miss Stacy came for me and we went to the Academy, calling for Jane and Ruby and Josie on our way. Ruby asked me to feel her hands and they were as cold as ice. Josie said I looked as if I hadn't slept a wink and she didn't believe I was strong enough to stand the grind of the teacher's course even if I did get through. There are times and seasons even yet when I don't feel that I've made any great headway in learning to like Josie Pye! "When we reached the Academy there were scores of students there from all over the Island. The first person we saw was Moody Spurgeon sitting on the steps and muttering away to himself. Jane asked him what on earth he was doing and he said he was repeating the multiplication table over and over to steady his nerves and for pity's sake not to interrupt him, because if he stopped for a moment he got frightened and forgot everything he ever knew, but the multiplication table kept all his facts firmly in their proper place! "When we were assigned to our rooms Miss Stacy had to leave us. Jane and I sat together and Jane was so composed that I envied her. No need of the multiplication table for good, steady, sensible Jane! I wondered if I looked as I felt and if they could hear my heart thumping clear across the room. Then a man came in and began distributing the English examination sheets. My hands grew cold then and my head fairly whirled around as I picked it up. Just one awful moment--Diana, I felt exactly as I did four years ago when I asked Marilla if I might stay at Green Gables--and then everything cleared up in my mind and my heart began beating again--I forgot to say that it had stopped altogether!--for I knew I could do something with _that_ paper anyhow. "At noon we went home for dinner and then back again for history in the afternoon. The history was a pretty hard paper and I got dreadfully mixed up in the dates. Still, I think I did fairly well today. But oh, Diana, tomorrow the geometry exam comes off and when I think of it it takes every bit of determination I possess to keep from opening my Euclid. If I thought the multiplication table would help me any I would recite it from now till tomorrow morning. "I went down to see the other girls this evening. On my way I met Moody Spurgeon wandering distractedly around. He said he knew he had failed in history and he was born to be a disappointment to his parents and he was going home on the morning train; and it would be easier to be a carpenter than a minister, anyhow. I cheered him up and persuaded him to stay to the end because it would be unfair to Miss Stacy if he didn't. Sometimes I have wished I was born a boy, but when I see Moody Spurgeon I'm always glad I'm a girl and not his sister. "Ruby was in hysterics when I reached their boardinghouse; she had just discovered a fearful mistake she had made in her English paper. When she recovered we went uptown and had an ice cream. How we wished you had been with us. "Oh, Diana, if only the geometry examination were over! But there, as Mrs. Lynde would say, the sun will go on rising and setting whether I fail in geometry or not. That is true but not especially comforting. I think I'd rather it didn't go on if I failed! "Yours devotedly, "Anne" The geometry examination and all the others were over in due time and Anne arrived home on Friday evening, rather tired but with an air of chastened triumph about her. Diana was over at Green Gables when she arrived and they met as if they had been parted for years. "You old darling, it's perfectly splendid to see you back again. It seems like an age since you went to town and oh, Anne, how did you get along?" "Pretty well, I think, in everything but the geometry. I don't know whether I passed in it or not and I have a creepy, crawly presentiment that I didn't. Oh, how good it is to be back! Green Gables is the dearest, loveliest spot in the world." "How did the others do?" "The girls say they know they didn't pass, but I think they did pretty well. Josie says the geometry was so easy a child of ten could do it! Moody Spurgeon still thinks he failed in history and Charlie says he failed in algebra. But we don't really know anything about it and won't until the pass list is out. That won't be for a fortnight. Fancy living a fortnight in such suspense! I wish I could go to sleep and never wake up until it is over." Diana knew it would be useless to ask how Gilbert Blythe had fared, so she merely said: "Oh, you'll pass all right. Don't worry." "I'd rather not pass at all than not come out pretty well up on the list," flashed Anne, by which she meant--and Diana knew she meant--that success would be incomplete and bitter if she did not come out ahead of Gilbert Blythe. With this end in view Anne had strained every nerve during the examinations. So had Gilbert. They had met and passed each other on the street a dozen times without any sign of recognition and every time Anne had held her head a little higher and wished a little more earnestly that she had made friends with Gilbert when he asked her, and vowed a little more determinedly to surpass him in the examination. She knew that all Avonlea junior was wondering which would come out first; she even knew that Jimmy Glover and Ned Wright had a bet on the question and that Josie Pye had said there was no doubt in the world that Gilbert would be first; and she felt that her humiliation would be unbearable if she failed. But she had another and nobler motive for wishing to do well. She wanted to "pass high" for the sake of Matthew and Marilla--especially Matthew. Matthew had declared to her his conviction that she "would beat the whole Island." That, Anne felt, was something it would be foolish to hope for even in the wildest dreams. But she did hope fervently that she would be among the first ten at least, so that she might see Matthew's kindly brown eyes gleam with pride in her achievement. That, she felt, would be a sweet reward indeed for all her hard work and patient grubbing among unimaginative equations and conjugations. At the end of the fortnight Anne took to "haunting" the post office also, in the distracted company of Jane, Ruby, and Josie, opening the Charlottetown dailies with shaking hands and cold, sinkaway feelings as bad as any experienced during the Entrance week. Charlie and Gilbert were not above doing this too, but Moody Spurgeon stayed resolutely away. "I haven't got the grit to go there and look at a paper in cold blood," he told Anne. "I'm just going to wait until somebody comes and tells me suddenly whether I've passed or not." When three weeks had gone by without the pass list appearing Anne began to feel that she really couldn't stand the strain much longer. Her appetite failed and her interest in Avonlea doings languished. Mrs. Lynde wanted to know what else you could expect with a Tory superintendent of education at the head of affairs, and Matthew, noting Anne's paleness and indifference and the lagging steps that bore her home from the post office every afternoon, began seriously to wonder if he hadn't better vote Grit at the next election. But one evening the news came. Anne was sitting at her open window, for the time forgetful of the woes of examinations and the cares of the world, as she drank in the beauty of the summer dusk, sweet-scented with flower breaths from the garden below and sibilant and rustling from the stir of poplars. The eastern sky above the firs was flushed faintly pink from the reflection of the west, and Anne was wondering dreamily if the spirit of color looked like that, when she saw Diana come flying down through the firs, over the log bridge, and up the slope, with a fluttering newspaper in her hand. Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. "Anne, you've passed," she cried, "passed the _very first_--you and Gilbert both--you're ties--but your name is first. Oh, I'm so proud!" Diana flung the paper on the table and herself on Anne's bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_, 'What if I should come out first?' quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne, "I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful." "Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. ----------CHAPTER 34--------- |THE next three weeks were busy ones at Green Gables, for Anne was getting ready to go to Queen's, and there was much sewing to be done, and many things to be talked over and arranged. Anne's outfit was ample and pretty, for Matthew saw to that, and Marilla for once made no objections whatever to anything he purchased or suggested. More--one evening she went up to the east gable with her arms full of a delicate pale green material. "Anne, here's something for a nice light dress for you. I don't suppose you really need it; you've plenty of pretty waists; but I thought maybe you'd like something real dressy to wear if you were asked out anywhere of an evening in town, to a party or anything like that. I hear that Jane and Ruby and Josie have got 'evening dresses,' as they call them, and I don't mean you shall be behind them. I got Mrs. Allan to help me pick it in town last week, and we'll get Emily Gillis to make it for you. Emily has got taste, and her fits aren't to be equaled." "Oh, Marilla, it's just lovely," said Anne. "Thank you so much. I don't believe you ought to be so kind to me--it's making it harder every day for me to go away." The green dress was made up with as many tucks and frills and shirrings as Emily's taste permitted. Anne put it on one evening for Matthew's and Marilla's benefit, and recited "The Maiden's Vow" for them in the kitchen. As Marilla watched the bright, animated face and graceful motions her thoughts went back to the evening Anne had arrived at Green Gables, and memory recalled a vivid picture of the odd, frightened child in her preposterous yellowish-brown wincey dress, the heartbreak looking out of her tearful eyes. Something in the memory brought tears to Marilla's own eyes. "I declare, my recitation has made you cry, Marilla," said Anne gaily stooping over Marilla's chair to drop a butterfly kiss on that lady's cheek. "Now, I call that a positive triumph." "No, I wasn't crying over your piece," said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. "I just couldn't help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You've grown up now and you're going away; and you look so tall and stylish and so--so--different altogether in that dress--as if you didn't belong in Avonlea at all--and I just got lonesome thinking it all over." "Marilla!" Anne sat down on Marilla's gingham lap, took Marilla's lined face between her hands, and looked gravely and tenderly into Marilla's eyes. "I'm not a bit changed--not really. I'm only just pruned down and branched out. The real _me_--back here--is just the same. It won't make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life." Anne laid her fresh young cheek against Marilla's faded one, and reached out a hand to pat Matthew's shoulder. Marilla would have given much just then to have possessed Anne's power of putting her feelings into words; but nature and habit had willed it otherwise, and she could only put her arms close about her girl and hold her tenderly to her heart, wishing that she need never let her go. Matthew, with a suspicious moisture in his eyes, got up and went out-of-doors. Under the stars of the blue summer night he walked agitatedly across the yard to the gate under the poplars. "Well now, I guess she ain't been much spoiled," he muttered, proudly. "I guess my putting in my oar occasional never did much harm after all. She's smart and pretty, and loving, too, which is better than all the rest. She's been a blessing to us, and there never was a luckier mistake than what Mrs. Spencer made--if it _was_ luck. I don't believe it was any such thing. It was Providence, because the Almighty saw we needed her, I reckon." The day finally came when Anne must go to town. She and Matthew drove in one fine September morning, after a tearful parting with Diana and an untearful practical one--on Marilla's side at least--with Marilla. But when Anne had gone Diana dried her tears and went to a beach picnic at White Sands with some of her Carmody cousins, where she contrived to enjoy herself tolerably well; while Marilla plunged fiercely into unnecessary work and kept at it all day long with the bitterest kind of heartache--the ache that burns and gnaws and cannot wash itself away in ready tears. But that night, when Marilla went to bed, acutely and miserably conscious that the little gable room at the end of the hall was untenanted by any vivid young life and unstirred by any soft breathing, she buried her face in her pillow, and wept for her girl in a passion of sobs that appalled her when she grew calm enough to reflect how very wicked it must be to take on so about a sinful fellow creature. Anne and the rest of the Avonlea scholars reached town just in time to hurry off to the Academy. That first day passed pleasantly enough in a whirl of excitement, meeting all the new students, learning to know the professors by sight and being assorted and organized into classes. Anne intended taking up the Second Year work being advised to do so by Miss Stacy; Gilbert Blythe elected to do the same. This meant getting a First Class teacher's license in one year instead of two, if they were successful; but it also meant much more and harder work. Jane, Ruby, Josie, Charlie, and Moody Spurgeon, not being troubled with the stirrings of ambition, were content to take up the Second Class work. Anne was conscious of a pang of loneliness when she found herself in a room with fifty other students, not one of whom she knew, except the tall, brown-haired boy across the room; and knowing him in the fashion she did, did not help her much, as she reflected pessimistically. Yet she was undeniably glad that they were in the same class; the old rivalry could still be carried on, and Anne would hardly have known what to do if it had been lacking. "I wouldn't feel comfortable without it," she thought. "Gilbert looks awfully determined. I suppose he's making up his mind, here and now, to win the medal. What a splendid chin he has! I never noticed it before. I do wish Jane and Ruby had gone in for First Class, too. I suppose I won't feel so much like a cat in a strange garret when I get acquainted, though. I wonder which of the girls here are going to be my friends. It's really an interesting speculation. Of course I promised Diana that no Queen's girl, no matter how much I liked her, should ever be as dear to me as she is; but I've lots of second-best affections to bestow. I like the look of that girl with the brown eyes and the crimson waist. She looks vivid and red-rosy; there's that pale, fair one gazing out of the window. She has lovely hair, and looks as if she knew a thing or two about dreams. I'd like to know them both--know them well--well enough to walk with my arm about their waists, and call them nicknames. But just now I don't know them and they don't know me, and probably don't want to know me particularly. Oh, it's lonesome!" It was lonesomer still when Anne found herself alone in her hall bedroom that night at twilight. She was not to board with the other girls, who all had relatives in town to take pity on them. Miss Josephine Barry would have liked to board her, but Beechwood was so far from the Academy that it was out of the question; so Miss Barry hunted up a boarding-house, assuring Matthew and Marilla that it was the very place for Anne. "The lady who keeps it is a reduced gentlewoman," explained Miss Barry. "Her husband was a British officer, and she is very careful what sort of boarders she takes. Anne will not meet with any objectionable persons under her roof. The table is good, and the house is near the Academy, in a quiet neighborhood." All this might be quite true, and indeed, proved to be so, but it did not materially help Anne in the first agony of homesickness that seized upon her. She looked dismally about her narrow little room, with its dull-papered, pictureless walls, its small iron bedstead and empty book-case; and a horrible choke came into her throat as she thought of her own white room at Green Gables, where she would have the pleasant consciousness of a great green still outdoors, of sweet peas growing in the garden, and moonlight falling on the orchard, of the brook below the slope and the spruce boughs tossing in the night wind beyond it, of a vast starry sky, and the light from Diana's window shining out through the gap in the trees. Here there was nothing of this; Anne knew that outside of her window was a hard street, with a network of telephone wires shutting out the sky, the tramp of alien feet, and a thousand lights gleaming on stranger faces. She knew that she was going to cry, and fought against it. "I _won't_ cry. It's silly--and weak--there's the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there's nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I'm going home next Friday, but that seems a hundred years away. Oh, Matthew is nearly home by now--and Marilla is at the gate, looking down the lane for him--six--seven--eight--oh, there's no use in counting them! They're coming in a flood presently. I can't cheer up--I don't _want_ to cheer up. It's nicer to be miserable!" The flood of tears would have come, no doubt, had not Josie Pye appeared at that moment. In the joy of seeing a familiar face Anne forgot that there had never been much love lost between her and Josie. As a part of Avonlea life even a Pye was welcome. "I'm so glad you came up," Anne said sincerely. "You've been crying," remarked Josie, with aggravating pity. "I suppose you're homesick--some people have so little self-control in that respect. I've no intention of being homesick, I can tell you. Town's too jolly after that poky old Avonlea. I wonder how I ever existed there so long. You shouldn't cry, Anne; it isn't becoming, for your nose and eyes get red, and then you seem _all_ red. I'd a perfectly scrumptious time in the Academy today. Our French professor is simply a duck. His moustache would give you kerwollowps of the heart. Have you anything eatable around, Anne? I'm literally starving. Ah, I guessed likely Marilla 'd load you up with cake. That's why I called round. Otherwise I'd have gone to the park to hear the band play with Frank Stockley. He boards same place as I do, and he's a sport. He noticed you in class today, and asked me who the red-headed girl was. I told him you were an orphan that the Cuthberts had adopted, and nobody knew very much about what you'd been before that." Anne was wondering if, after all, solitude and tears were not more satisfactory than Josie Pye's companionship when Jane and Ruby appeared, each with an inch of Queen's color ribbon--purple and scarlet--pinned proudly to her coat. As Josie was not "speaking" to Jane just then she had to subside into comparative harmlessness. "Well," said Jane with a sigh, "I feel as if I'd lived many moons since the morning. I ought to be home studying my Virgil--that horrid old professor gave us twenty lines to start in on tomorrow. But I simply couldn't settle down to study tonight. Anne, methinks I see the traces of tears. If you've been crying _do_ own up. It will restore my self-respect, for I was shedding tears freely before Ruby came along. I don't mind being a goose so much if somebody else is goosey, too. Cake? You'll give me a teeny piece, won't you? Thank you. It has the real Avonlea flavor." Ruby, perceiving the Queen's calendar lying on the table, wanted to know if Anne meant to try for the gold medal. Anne blushed and admitted she was thinking of it. "Oh, that reminds me," said Josie, "Queen's is to get one of the Avery scholarships after all. The word came today. Frank Stockley told me--his uncle is one of the board of governors, you know. It will be announced in the Academy tomorrow." An Avery scholarship! Anne felt her heart beat more quickly, and the horizons of her ambition shifted and broadened as if by magic. Before Josie had told the news Anne's highest pinnacle of aspiration had been a teacher's provincial license, First Class, at the end of the year, and perhaps the medal! But now in one moment Anne saw herself winning the Avery scholarship, taking an Arts course at Redmond College, and graduating in a gown and mortar board, before the echo of Josie's words had died away. For the Avery scholarship was in English, and Anne felt that here her foot was on native heath. A wealthy manufacturer of New Brunswick had died and left part of his fortune to endow a large number of scholarships to be distributed among the various high schools and academies of the Maritime Provinces, according to their respective standings. There had been much doubt whether one would be allotted to Queen's, but the matter was settled at last, and at the end of the year the graduate who made the highest mark in English and English Literature would win the scholarship--two hundred and fifty dollars a year for four years at Redmond College. No wonder that Anne went to bed that night with tingling cheeks! "I'll win that scholarship if hard work can do it," she resolved. "Wouldn't Matthew be proud if I got to be a B.A.? Oh, it's delightful to have ambitions. I'm so glad I have such a lot. And there never seems to be any end to them--that's the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting."

cliffnotes

Generate a succinct summary for chapter 36 with the given context.

chapter 35|chapter 36

Anne and Jane walk together to find out the results of their end-of-year exams. As they walk up, Anne hears someone shout that Gilbert won the medal. Anne feels defeated for a moment--until someone sees her and yells, "Three cheers for Miss Shirley, winner of the Avery. Anne won the scholarship to attend college. The next day is commencement, and Marilla and Matthew come to see Anne graduate. Anne wears the green dress Marilla gave her and reads an essay for the crowd. Marilla, Matthew, and Aunt Josephine all talk about how proud they are of Anne. After commencement, Anne goes back to Green Gables. Diana is jealous of Anne's new friends from Queen's, but Anne assures her that Diana is her dearest friend. Anne tells Diana that she will be going to Redmond College in September, but she will have three months of vacation first. Diana informs Anne that Gilbert is going to become the teacher at the Avonlea school since his family can't afford to send him to college. Anne is disappointed that she will not have her rivalry with Gilbert to keep her focused at Redmond. The next morning, Anne notices that Matthew isn't looking well. After he leaves, she asks Marilla about Matthew's health; Marilla says that he's been having issues with his heart but refuses to stop working. Anne asks about Marilla's health and Marilla says that she's been having headaches and her eyes have gotten worse. At the end of June, Marilla plans to have her eyes checked. On top of these problems, Marilla tells Anne that the bank where they keep all of their money has been "shaky". Marilla wants Matthew to pull their money out of the bank, but Matthew refuses. The rest of the day is pleasant, but the narrator ends the chapter foreshadowing sorrow soon to come

----------CHAPTER 35--------- |ANNE'S homesickness wore off, greatly helped in the wearing by her weekend visits home. As long as the open weather lasted the Avonlea students went out to Carmody on the new branch railway every Friday night. Diana and several other Avonlea young folks were generally on hand to meet them and they all walked over to Avonlea in a merry party. Anne thought those Friday evening gypsyings over the autumnal hills in the crisp golden air, with the homelights of Avonlea twinkling beyond, were the best and dearest hours in the whole week. Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly. "But I shouldn't think she was the sort of girl Gilbert would like," whispered Jane to Anne. Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions. Gilbert had ambitions, she knew, and Ruby Gillis did not seem the sort of person with whom such could be profitably discussed. There was no silly sentiment in Anne's ideas concerning Gilbert. Boys were to her, when she thought about them at all, merely possible good comrades. If she and Gilbert had been friends she would not have cared how many other friends he had nor with whom he walked. She had a genius for friendship; girl friends she had in plenty; but she had a vague consciousness that masculine friendship might also be a good thing to round out one's conceptions of companionship and furnish broader standpoints of judgment and comparison. Not that Anne could have put her feelings on the matter into just such clear definition. But she thought that if Gilbert had ever walked home with her from the train, over the crisp fields and along the ferny byways, they might have had many and merry and interesting conversations about the new world that was opening around them and their hopes and ambitions therein. Gilbert was a clever young fellow, with his own thoughts about things and a determination to get the best out of life and put the best into it. Ruby Gillis told Jane Andrews that she didn't understand half the things Gilbert Blythe said; he talked just like Anne Shirley did when she had a thoughtful fit on and for her part she didn't think it any fun to be bothering about books and that sort of thing when you didn't have to. Frank Stockley had lots more dash and go, but then he wasn't half as good-looking as Gilbert and she really couldn't decide which she liked best! In the Academy Anne gradually drew a little circle of friends about her, thoughtful, imaginative, ambitious students like herself. With the "rose-red" girl, Stella Maynard, and the "dream girl," Priscilla Grant, she soon became intimate, finding the latter pale spiritual-looking maiden to be full to the brim of mischief and pranks and fun, while the vivid, black-eyed Stella had a heartful of wistful dreams and fancies, as aerial and rainbow-like as Anne's own. After the Christmas holidays the Avonlea students gave up going home on Fridays and settled down to hard work. By this time all the Queen's scholars had gravitated into their own places in the ranks and the various classes had assumed distinct and settled shadings of individuality. Certain facts had become generally accepted. It was admitted that the medal contestants had practically narrowed down to three--Gilbert Blythe, Anne Shirley, and Lewis Wilson; the Avery scholarship was more doubtful, any one of a certain six being a possible winner. The bronze medal for mathematics was considered as good as won by a fat, funny little up-country boy with a bumpy forehead and a patched coat. Ruby Gillis was the handsomest girl of the year at the Academy; in the Second Year classes Stella Maynard carried off the palm for beauty, with small but critical minority in favor of Anne Shirley. Ethel Marr was admitted by all competent judges to have the most stylish modes of hair-dressing, and Jane Andrews--plain, plodding, conscientious Jane--carried off the honors in the domestic science course. Even Josie Pye attained a certain preeminence as the sharpest-tongued young lady in attendance at Queen's. So it may be fairly stated that Miss Stacy's old pupils held their own in the wider arena of the academical course. Anne worked hard and steadily. Her rivalry with Gilbert was as intense as it had ever been in Avonlea school, although it was not known in the class at large, but somehow the bitterness had gone out of it. Anne no longer wished to win for the sake of defeating Gilbert; rather, for the proud consciousness of a well-won victory over a worthy foeman. It would be worth while to win, but she no longer thought life would be insupportable if she did not. In spite of lessons the students found opportunities for pleasant times. Anne spent many of her spare hours at Beechwood and generally ate her Sunday dinners there and went to church with Miss Barry. The latter was, as she admitted, growing old, but her black eyes were not dim nor the vigor of her tongue in the least abated. But she never sharpened the latter on Anne, who continued to be a prime favorite with the critical old lady. "That Anne-girl improves all the time," she said. "I get tired of other girls--there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. I don't know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them." Then, almost before anybody realized it, spring had come; out in Avonlea the Mayflowers were peeping pinkly out on the sere barrens where snow-wreaths lingered; and the "mist of green" was on the woods and in the valleys. But in Charlottetown harassed Queen's students thought and talked only of examinations. "It doesn't seem possible that the term is nearly over," said Anne. "Why, last fall it seemed so long to look forward to--a whole winter of studies and classes. And here we are, with the exams looming up next week. Girls, sometimes I feel as if those exams meant everything, but when I look at the big buds swelling on those chestnut trees and the misty blue air at the end of the streets they don't seem half so important." Jane and Ruby and Josie, who had dropped in, did not take this view of it. To them the coming examinations were constantly very important indeed--far more important than chestnut buds or Maytime hazes. It was all very well for Anne, who was sure of passing at least, to have her moments of belittling them, but when your whole future depended on them--as the girls truly thought theirs did--you could not regard them philosophically. "I've lost seven pounds in the last two weeks," sighed Jane. "It's no use to say don't worry. I _will_ worry. Worrying helps you some--it seems as if you were doing something when you're worrying. It would be dreadful if I failed to get my license after going to Queen's all winter and spending so much money." "_I_ don't care," said Josie Pye. "If I don't pass this year I'm coming back next. My father can afford to send me. Anne, Frank Stockley says that Professor Tremaine said Gilbert Blythe was sure to get the medal and that Emily Clay would likely win the Avery scholarship." "That may make me feel badly tomorrow, Josie," laughed Anne, "but just now I honestly feel that as long as I know the violets are coming out all purple down in the hollow below Green Gables and that little ferns are poking their heads up in Lovers' Lane, it's not a great deal of difference whether I win the Avery or not. I've done my best and I begin to understand what is meant by the 'joy of the strife.' Next to trying and winning, the best thing is trying and failing. Girls, don't talk about exams! Look at that arch of pale green sky over those houses and picture to yourself what it must look like over the purply-dark beech-woods back of Avonlea." "What are you going to wear for commencement, Jane?" asked Ruby practically. Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers with its possibilities lurking rosily in the oncoming years--each year a rose of promise to be woven into an immortal chaplet. ----------CHAPTER 36--------- |ON the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you're glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.

cliffnotes

Produce a brief summary for chapter 37 based on the provided context.

chapter 37|chapter 38

One day, Matthew falls down suddenly. Marilla and Anne try to rouse Matthew as their hired man goes to get the doctor. However, Mrs. Rachel Lynde arrives at the house first; after taking Matthew's pulse, she says he is dead. When the doctor arrives, he confirms that Matthew has died and says it was likely an instantaneous death due to a sudden shock. They discover that the shock was the newspaper, which said that the bank where all of Marilla and Matthew's money was kept had failed. Neighbors come to the house all day to grieve Matthew and comfort Marilla and Anne. When night comes, the only ones who remain at the house are Marilla, Anne, the Barrys, and Mrs. Rachel Lynde. Diana offers to sleep with Anne, but Anne says she prefers to be alone so that she can try to realize that Matthew is really gone. Anne has not cried all day, but once she is alone, she thinks of Matthew saying he was proud of her and she begins to weep. Marilla hears Anne weeping and comes in to comfort her. Anne asks what they will do without Matthew, and Marilla responds that they have each other. Additionally, Marilla tells Anne that she loves her as if she were her own flesh and blood. Matthew's funeral is held two days later, and after that, Marilla and Anne try to carry on with life at Green Gables. Anne feels ashamed when she begins to find pleasure in things like flowers and visiting with Diana, but Mrs. Allan reassures her that Matthew would like to know that she is enjoying life. When Anne departs from Mrs. Allan's house, Mrs. Allan tells her that Marilla will be lonely when Anne goes away to college. When Anne gets home, Marilla tells her that she will go to have her eyes checked the next day. They talk amicably about Anne being grown-up and about what the other students in Anne's class will do next with their lives, and then Marilla tells Anne something that shocks her: she once dated Gilbert's father. Marilla says that they broke up because they had a quarrel and both were too stubborn to make up

----------CHAPTER 37--------- |MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew can't be dead; and the other half it seems as if he must have been dead for a long time and I've had this horrible dull ache ever since." Diana did not quite understand. Marilla's impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne's tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day's pain and excitement. In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew's face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I'm proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her. "There--there--don't cry so, dearie. It can't bring him back. It--it--isn't right to cry so. I knew that today, but I couldn't help it then. He'd always been such a good, kind brother to me--but God knows best." "Oh, just let me cry, Marilla," sobbed Anne. "The tears don't hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn't have Diana stay, she's good and kind and sweet--but it's not her sorrow--she's outside of it and she couldn't come close enough to my heart to help me. It's our sorrow--yours and mine. Oh, Marilla, what will we do without him?" "We've got each other, Anne. I don't know what I'd do if you weren't here--if you'd never come. Oh, Anne, I know I've been kind of strict and harsh with you maybe--but you mustn't think I didn't love you as well as Matthew did, for all that. I want to tell you now when I can. It's never been easy for me to say things out of my heart, but at times like this it's easier. I love you as dear as if you were my own flesh and blood and you've been my joy and comfort ever since you came to Green Gables." Two days afterwards they carried Matthew Cuthbert over his homestead threshold and away from the fields he had tilled and the orchards he had loved and the trees he had planted; and then Avonlea settled back to its usual placidity and even at Green Gables affairs slipped into their old groove and work was done and duties fulfilled with regularity as before, although always with the aching sense of "loss in all familiar things." Anne, new to grief, thought it almost sad that it could be so--that they _could_ go on in the old way without Matthew. She felt something like shame and remorse when she discovered that the sunrises behind the firs and the pale pink buds opening in the garden gave her the old inrush of gladness when she saw them--that Diana's visits were pleasant to her and that Diana's merry words and ways moved her to laughter and smiles--that, in brief, the beautiful world of blossom and love and friendship had lost none of its power to please her fancy and thrill her heart, that life still called to her with many insistent voices. "It seems like disloyalty to Matthew, somehow, to find pleasure in these things now that he has gone," she said wistfully to Mrs. Allan one evening when they were together in the manse garden. "I miss him so much--all the time--and yet, Mrs. Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn't to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew's grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." ----------CHAPTER 38--------- |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half, 'obstinate as a mule,' as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I'm going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As 'Josiah Allen's wife,' says, I shall be 'mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "'God's in his heaven, all's right with the world,'" whispered Anne softly.

cliffnotes

Create a compact summary that covers the main points of chapter 1, utilizing the provided context.

chapter 1|chapter 3

The first scene of the story opens on Mrs. Rachel Lynde, a housewife in the town of Avonlea who everyone knows...and who knows everyone. We're told that Mrs. Rachel Lynde is kind of the ultimate gossip. Her kitchen window looks out onto the only main road in the town of Avonlea, so she sees everyone who enters or leaves the town. Quick geography note: Avonlea is a made-up farming town on Prince Edward Island, which is off the coast of Nova Scotia, Canada . Suddenly, Rachel sees Matthew Cuthbert travelling town the road. Rachel Lynde analyzes every detail, Sherlock Holmes-style. Matthew's wearing a suit, which means he's leaving town, and he's travelling via buggy and sorrel mare , which means he'll be travelling far. She knew Matthew should be sowing his turnip seed because she heard him tell a store clerk that yesterday. Scandal-a-lous. Rachel decides to visit Matthew's sister Marilla at her house, Green Gables, to investigate. Marilla and Matthew live in an orchard house that's set far back from the road, near the woods. As she walks there, Rachel Lynde thinks that it's no wonder Matthew and Marilla are both a little odd--they see way more trees than they do people. Marilla Cuthbert takes Rachel into the kitchen, and Rachel keeps on sleuthing. She notices that there are three plates on the table but "every-day dishes" and only one kind of cake, so the company they're expecting can't be too fancy. Marilla tells Rachel Lynde that Matthew went to pick up a little boy from an orphan asylum in Nova Scotia . Cue the chapter title: Mrs. Rachel Lynde is surprised. Like, really surprised. Shocked. Marilla calmly explains that they've been thinking about this all winter, and that Matthew's getting older and needs help with the farm. A woman named Mrs. Alexander Spencer is picking up a girl from the orphanage and they asked her to bring back a boy for them, who Matthew will meet at the train station. Rachel Lynde goes all worst-case scenario and cites stories from the news about adopted orphans killing their new families. She reminds Marilla that they're bringing a strange boy into their house they know nothing about. Marilla points out that there are always risks with having a child, naturally or adopted. Rachel leaves to spread the gossip all over town, thinking about how sorry she feels for the orphan, since Marilla and Matthew are old, set in their ways, and don't know a thing about children.

----------CHAPTER 1--------- |MRS. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde--a meek little man whom Avonlea people called "Rachel Lynde's husband"--was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's enjoyment was spoiled. "I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he _never_ visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place _living_ at all. "It's just _staying_, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said 'no' flat to that. 'They may be all right--I'm not saying they're not--but no London street Arabs for me,' I said. 'Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it _on purpose_, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn't break him of it. If you had asked my advice in the matter--which you didn't do, Marilla--I'd have said for mercy's sake not to think of such a thing, that's what." This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind on anything that when he does I always feel it's my duty to give in. And as for the risk, there's risks in pretty near everything a body does in this world. There's risks in people's having children of their own if it comes to that--they don't always turn out well. And then Nova Scotia is right close to the Island. It isn't as if we were getting him from England or the States. He can't be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we're not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I'd never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, _she_ wouldn't shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell's and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla's relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel's pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I'm sorry for that poor young one and no mistake. Matthew and Marilla don't know anything about children and they'll expect him to be wiser and steadier that his own grandfather, if so be's he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there's never been one there, for Matthew and Marilla were grown up when the new house was built--if they ever _were_ children, which is hard to believe when one looks at them. I wouldn't be in that orphan's shoes for anything. My, but I pity him, that's what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. ----------CHAPTER 3--------- |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep.

cliffnotes

Produce a brief summary for chapter 5 based on the provided context.

chapter 4|chapter 5

Anne tells Marilla she's made up her mind to enjoy the drive and immediately starts talking about names again. They're driving down The Shore Road, a name Anne's okay with. She likes White Sands too, but the name she's really into is Avonlea. She thinks it sounds like music. Marilla tells Anne that since she's determined to talk, she might as well tell Marilla about her life. Anne's not so into that idea--she'd rather tell Marilla what she imagines about herself--but Marilla insists, so she begins. Anne was born to schoolteachers who were poor, from out of town, and didn't have any family. They both died of fever shortly after Anne was born. Mrs. Thomas, the woman who scrubbed her parents' house, took her in. Mrs. Thomas raised Anne to watch her four younger children . When Anne was eight, Mrs. Thomas's husband died, and Anne was passed off to Mrs. Hammond, to help watch her three sets of twins. Another family, another underage, unpaid job. She was there for two years, until Mr. Hammond died. The kids were divided among relatives, and Anne was put in the orphan asylum, where she stayed for four months until meeting Matthew. Anne had some schooling, enough to learn how to read. She loves memorizing poetry. Marilla asks Anne if the Mrs. Hammond and Thomas were good to her. Anne gets really flushed and says she thinks they meant to be. Okay, now Marilla starts to feel bad for Anne and actually considers keeping her.

----------CHAPTER 4--------- |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings," said Marilla as soon as she could get a word in edgewise. "Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I'm better at looking after children, though. I've had so much experience at that. It's such a pity you haven't any here for me to look after." "I don't feel as if I wanted any more children to look after than I've got at present. _You're_ problem enough in all conscience. What's to be done with you I don't know. Matthew is a most ridiculous man." "I think he's lovely," said Anne reproachfully. "He is so very sympathetic. He didn't mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You're both queer enough, if that's what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I've got enough to attend to this morning for I'll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You'll come with me and we'll settle what's to be done with you. After you've finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What's the matter now?" demanded Marilla. "I don't dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can't stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook I'll not be able to help loving it. It's hard enough now, so I won't make it any harder. I want to go out so much--everything seems to be calling to me, 'Anne, Anne, come out to us. Anne, Anne, we want a playmate'--but it's better not. There is no use in loving things if you have to be torn from them, is there? And it's so hard to keep from loving things, isn't it? That was why I was so glad when I thought I was going to live here. I thought I'd have so many things to love and nothing to hinder me. But that brief dream is over. I am resigned to my fate now, so I don't think I'll go out for fear I'll get unresigned again. What is the name of that geranium on the window-sill, please?" "That's the apple-scented geranium." "Oh, I don't mean that sort of a name. I mean just a name you gave it yourself. Didn't you give it a name? May I give it one then? May I call it--let me see--Bonny would do--may I call it Bonny while I'm here? Oh, do let me!" "Goodness, I don't care. But where on earth is the sense of naming a geranium?" "Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else? You wouldn't like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white. Of course, it won't always be in blossom, but one can imagine that it is, can't one?" "I never in all my life saw or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I'm wondering what on earth she'll say next. She'll be casting a spell over me, too. She's cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what's to be done with a man who just _looks?_" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly: "I'm going to drive over to White Sands and settle this thing. I'll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I'll set your tea out for you and I'll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won't talk back--unless it is a woman who won't. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed: "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. ----------CHAPTER 5--------- |DO you know," said Anne confidentially, "I've made up my mind to enjoy this drive. It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone. 'My life is a perfect graveyard of buried hopes.' That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said 'shore road' I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly. "If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting." "No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long after that, you see. She died of fever when I was just three months old. I do wish she'd lived long enough for me to remember calling her mother. I think it would be so sweet to say 'mother,' don't you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn't any relatives living. Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like. "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about. "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--'The Battle of Hohenlinden' and 'Edinburgh after Flodden,' and 'Bingen of the Rhine,' and most of the 'Lady of the Lake' and most of 'The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--'The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything."

cliffnotes

Create a compact summary that covers the main points of chapter 7, utilizing the provided context.

chapter 6|chapter 7

That night, Marilla instructs Anne on how to act at bedtime, i.e. fold her clothes and say her prayers. Anne tells Marilla that she never says her prayers. Marilla Cuthbert is, once again, surprised. Anne goes on to explain that she knows who God is but ever since Mrs. Thomas told her God made her hair red on purpose, she's been mad at him. Marilla tells Anne to thank God for her blessings and ask humbly for things she wants, so Anne asks God to let her stay at Green Gables and to make her good-looking when she grows up. She signs off "yours respectfully, Anne Shirley." Mic drop. Marilla tells Matthew later about the episode. She vows to get Anne a prayer book, and thinks about how her life has been easy until this point, but now her "time has come at last."

----------CHAPTER 6--------- |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and what isn't," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I'd rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne's history and the result of the interview with Mrs. Spencer. "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I'm willing--or have to be. I've been thinking over the idea until I've got kind of used to it. It seems a sort of duty. I've never brought up a child, especially a girl, and I dare say I'll make a terrible mess of it. But I'll do my best. So far as I'm concerned, Matthew, she may stay." Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it in that light, Marilla," he said. "She's such an interesting little thing." "It'd be more to the point if you could say she was a useful little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." ----------CHAPTER 7--------- |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed." "I never say any prayers," announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "'God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words. 'Infinite, eternal and unchangeable.' Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just _feel_ a prayer. Well, I'm ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love. "You're old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I'll do my best," promised Anne, burying her face in Marilla's lap. "Gracious heavenly Father--that's the way the ministers say it in church, so I suppose it's all right in private prayer, isn't it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I'm really extremely grateful for them. And that's all the blessings I can think of just now to thank Thee for. As for the things I want, they're so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley. "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, 'Amen' in place of 'yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it."

cliffnotes

Create a compact summary that covers the main points of chapter 9, utilizing the provided context.

chapter 8|chapter 9

Back to Mrs. Rachel Lynde. Remember her? The town gossip? We're told that the only reason she hasn't visited sooner to see Anne is that she's been ill until now. So Mrs. Rachel Lynde arrives at Green Gables, and after describing her illness to Marilla in great detail, she brings up Anne. And even before seeing her, Mrs. Lynde doesn't approve, reminding Marilla that she has no idea how to raise a child. Marilla calls Anne in to meet Mrs. Lynde. Anne arrives flushed from outside, still wearing her orphanage dress, with her hair all over the place. Mrs. Lynde tells Anne the Cuthberts couldn't have chosen her for her looks. She calls her skinny and homely , points out her freckles and compares her hair color to carrots. Anne doesn't take it lying down. She stomps her foot, tells Mrs. Lynde she hates her, calls her a rude, impolite, unfeeling woman, and asks her how she'd feel if someone told her she was fat, clumsy, and didn't have a spark of imagination. Predictably, Marilla sends Anne to her room. But once Anne's gone, Marilla tells Mrs. Lynde that she shouldn't have been so hard on her. Now Mrs. Lynde is really angry. She has a lot of snide things to say to say to Marilla as she leaves the house in an outrage, including suggesting that Anne should be hit with a switch as punishment. Marilla can't imagine whipping a child. But she does come up with a nice, humiliating punishment: she orders Anne to apologize to Mrs. Lynde and ask for forgiveness. Anne refuses, saying she'd rather be locked in a dungeon. She also asks Marilla to imagine how it must have felt to hear those things, which reminds Marilla of hearing something similar when she was a child. It made her feel bad for years. Still, Marilla sticks to her plan and tells Anne she can't leave her room until she apologizes.

----------CHAPTER 8--------- |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--"and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does. 'Our Father who art in heaven hallowed be Thy name.' That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. ----------CHAPTER 9--------- |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. But if you'll take my advice--which I suppose you won't do, although I've brought up ten children and buried two--you'll do that 'talking to' you mention with a fair-sized birch switch. I should think _that_ would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you'll come down to see me often as usual. But you can't expect me to visit here again in a hurry, if I'm liable to be flown at and insulted in such a fashion. It's something new in _my_ experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled _could_ be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne's disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel's own children could have borne smarting testimony--did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren't you ashamed of yourself?" "She hadn't any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn't any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you--thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I'm sure I don't know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there's such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can't help hoping other people don't quite think it is. I suppose you think I have an awful temper, but I couldn't help it. When she said those things something just rose right up in me and choked me. I _had_ to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she'll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don't say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We're not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they're rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you'll stay here in your room until you can tell me you're willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can't tell Mrs. Lynde I'm sorry I said those things to her. How can I? I'm _not_ sorry. I'm sorry I've vexed you; but I'm _glad_ I told her just what I did. It was a great satisfaction. I can't say I'm sorry when I'm not, can I? I can't even _imagine_ I'm sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You'll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn't seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne's stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh.

cliffnotes

Craft a concise overview of chapter 11 using the context provided.

chapter 10|chapter 11

Marilla has made some clothes for Anne. But unfortunately for Anne, they're very plain. The best thing Anne can think to say about them is that she will imagine that she likes them. Anne tells Marilla she was hoping for a dress with puffed sleeves. Puffed sleeves = trendy in the mid- to late-1800's . Marilla thinks Anne's desire is vain. She thinks clothes should be functional and nothing else. Marilla isn't feeling well, so she sends Anne to church by herself. She tells Anne to stop by Mrs. Lynde's and ask her where the family pew is. Anne leaves the house embarrassed of her plainness, but soon comes up with a crafty solution. She picks a bunch of flowers and puts them in her hat, so it looks like a flower wreath. Even though Anne might've looked boho chic by today's standards, the Avonlea girls in her Sunday school class think she looks ridiculous. When Anne returns home, she tells Marilla she didn't like Sunday school. Marilla is shocked. Then Anne goes into one of her speeches, telling Marilla all her thoughts about church and Sunday school. Some of Anne's thoughts: Mr. Bell's opening prayer was too long, the minister's sermon was uninteresting because he doesn't have enough imagination. Marilla secretly agrees with Anne but would never let her know.

----------CHAPTER 10--------- |MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. "It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. ----------CHAPTER 11--------- |WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!" said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia. "They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, 'way, 'way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said, 'Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn't, but I could recite, 'The Dog at His Master's Grave' if she liked. That's in the Third Royal Reader. It isn't a really truly religious piece of poetry, but it's so sad and melancholy that it might as well be. She said it wouldn't do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it's splendid. There are two lines in particular that just thrill me. "'Quick as the slaughtered squadrons fell In Midian's evil day.' "I don't know what 'squadrons' means nor 'Midian,' either, but it sounds _so_ tragical. I can hardly wait until next Sunday to recite it. I'll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I'd pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn't think he was a bit interesting. The trouble with him seems to be that he hasn't enough imagination. I didn't listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister's sermons and Mr. Bell's prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity.

cliffnotes

Generate a succinct summary for chapter 12 with the given context.

chapter 12|chapter 13

Marilla hears about Anne's flower crown at church and scolds Anne about it. Anne's upset because she had no idea that would have made Marilla mad. Marilla takes Anne next door to visit a girl her age, Diana Barry. Anne's nervous Diana won't like her but Marilla says it's Diana's strict mother that Anne should be worried about. When they arrive, Mrs. Barry sends Diana and Anne outside into their gorgeous flower garden. Anne immediately asks Diana if she will swear to be her friend forever. Wow, Anne. Get to know a girl first. After Anne explaining that swearing an oath is not the same thing as cursing, Diana agrees. They say their oath, and Diana says that Anne is "queer" , but she likes her anyway. On the walk home, Anne happily tells Marilla about the many plans she and Diana have made. Then Matthew shows up with chocolates from the store. Jackpot! Marilla's annoyed but lets Anne have them. Anne asks Marilla if she can give half of them to Diana. That night, Marilla tells Matthew that she's glad Anne's generous, because she hates stingy children. And she grudgingly admits she's getting fond of Anne.

----------CHAPTER 12--------- |IT was not until the next Friday that Marilla heard the story of the flower-wreathed hat. She came home from Mrs. Lynde's and called Anne to account. "Anne, Mrs. Rachel says you went to church last Sunday with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!" "Oh. I know pink and yellow aren't becoming to me," began Anne. "Becoming fiddlesticks! It was putting flowers on your hat at all, no matter what color they were, that was ridiculous. You are the most aggravating child!" "I don't see why it's any more ridiculous to wear flowers on your hat than on your dress," protested Anne. "Lots of little girls there had bouquets pinned on their dresses. What's the difference?" Marilla was not to be drawn from the safe concrete into dubious paths of the abstract. "Don't answer me back like that, Anne. It was very silly of you to do such a thing. Never let me catch you at such a trick again. Mrs. Rachel says she thought she would sink through the floor when she saw you come in all rigged out like that. She couldn't get near enough to tell you to take them off till it was too late. She says people talked about it something dreadful. Of course they would think I had no better sense than to let you go decked out like that." "Oh, I'm so sorry," said Anne, tears welling into her eyes. "I never thought you'd mind. The roses and buttercups were so sweet and pretty I thought they'd look lovely on my hat. Lots of the little girls had artificial flowers on their hats. I'm afraid I'm going to be a dreadful trial to you. Maybe you'd better send me back to the asylum. That would be terrible; I don't think I could endure it; most likely I would go into consumption; I'm so thin as it is, you see. But that would be better than being a trial to you." "Nonsense," said Marilla, vexed at herself for having made the child cry. "I don't want to send you back to the asylum, I'm sure. All I want is that you should behave like other little girls and not make yourself ridiculous. Don't cry any more. I've got some news for you. Diana Barry came home this afternoon. I'm going up to see if I can borrow a skirt pattern from Mrs. Barry, and if you like you can come with me and get acquainted with Diana." Anne rose to her feet, with clasped hands, the tears still glistening on her cheeks; the dish towel she had been hemming slipped unheeded to the floor. "Oh, Marilla, I'm frightened--now that it has come I'm actually frightened. What if she shouldn't like me! It would be the most tragical disappointment of my life." "Now, don't get into a fluster. And I do wish you wouldn't use such long words. It sounds so funny in a little girl. I guess Diana 'll like you well enough. It's her mother you've got to reckon with. If she doesn't like you it won't matter how much Diana does. If she has heard about your outburst to Mrs. Lynde and going to church with buttercups round your hat I don't know what she'll think of you. You must be polite and well behaved, and don't make any of your startling speeches. For pity's sake, if the child isn't actually trembling!" Anne _was_ trembling. Her face was pale and tense. "Oh, Marilla, you'd be excited, too, if you were going to meet a little girl you hoped to be your bosom friend and whose mother mightn't like you," she said as she hastened to get her hat. They went over to Orchard Slope by the short cut across the brook and up the firry hill grove. Mrs. Barry came to the kitchen door in answer to Marilla's knock. She was a tall black-eyed, black-haired woman, with a very resolute mouth. She had the reputation of being very strict with her children. "How do you do, Marilla?" she said cordially. "Come in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--"and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called 'Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." ----------CHAPTER 13--------- |IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more 'n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently. Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says, 'Blessed are they who expect nothing for they shall not be disappointed.' But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?"

cliffnotes

Generate a succinct summary for chapter 20 with the given context.

chapter 17|chapter 20

The chapter opens by describing a beautiful spring where the kids of Avonlea have a grand ol' time picking flowers. Anne tells Marilla all about their escapades, and also mentions that it's the year anniversary of her coming to Green Gables. Marilla tells Anne to go to the Barry house to ask for an apron pattern for Diana's mother. Anne asks if she can go in the morning. It turns out she and Diana have been pretending that the wood between their homes is haunted. Anne says she doesn't believe her imaginings in the daylight, but it's different when it's dark. Marilla decides to "cure" Anne of letting her imagination go too wild, and marches her outside, forcing her to walk into the woods. Anne walks through the woods, imagining goblins reaching for her the whole time. It doesn't help that that woods is already pretty creepy, with wailing wind and bats flying around. On her walk back, Anne closes her eyes the whole time. Anne tells Marilla that she'll be happy with commonplace places after this.

----------CHAPTER 17--------- |THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will," sobbed Diana, "and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said 'thou' and 'thee.' 'Thou' and 'thee' seem so much more romantic than 'you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her handkerchief. The apple lay untouched on her desk until the next morning, when little Timothy Andrews, who swept the school and kindled the fire, annexed it as one of his perquisites. Charlie Sloane's slate pencil, gorgeously bedizened with striped red and yellow paper, costing two cents where ordinary pencils cost only one, which he sent up to her after dinner hour, met with a more favorable reception. Anne was graciously pleased to accept it and rewarded the donor with a smile which exalted that infatuated youth straightway into the seventh heaven of delight and caused him to make such fearful errors in his dictation that Mr. Phillips kept him in after school to rewrite it. But as, The Caesar's pageant shorn of Brutus' bust Did but of Rome's best son remind her more, so the marked absence of any tribute or recognition from Diana Barry who was sitting with Gertie Pye embittered Anne's little triumph. "Diana might just have smiled at me once, I think," she mourned to Marilla that night. But the next morning a note most fearfully and wonderfully twisted and folded, and a small parcel were passed across to Anne. Dear Anne (ran the former) Mother says I'm not to play with you or talk to you even in school. It isn't my fault and don't be cross at me, because I love you as much as ever. I miss you awfully to tell all my secrets to and I don't like Gertie Pye one bit. I made you one of the new bookmarkers out of red tissue paper. They are awfully fashionable now and only three girls in school know how to make them. When you look at it remember Your true friend Diana Barry. Anne read the note, kissed the bookmark, and dispatched a prompt reply back to the other side of the school. My own darling Diana:-- Of course I am not cross at you because you have to obey your mother. Our spirits can commune. I shall keep your lovely present forever. Minnie Andrews is a very nice little girl--although she has no imagination--but after having been Diana's busum friend I cannot be Minnie's. Please excuse mistakes because my spelling isn't very good yet, although much improoved. Yours until death us do part Anne or Cordelia Shirley. P.S. I shall sleep with your letter under my pillow tonight. A. _or_ C.S. Marilla pessimistically expected more trouble since Anne had again begun to go to school. But none developed. Perhaps Anne caught something of the "model" spirit from Minnie Andrews; at least she got on very well with Mr. Phillips thenceforth. She flung herself into her studies heart and soul, determined not to be outdone in any class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat. Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of "the branches"--by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo. "It's perfectly awful stuff, Marilla," she groaned. "I'm sure I'll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I'm the worst dunce he ever saw at it. And Gil--I mean some of the others are so smart at it. It is extremely mortifying, Marilla. "Even Diana gets along better than I do. But I don't mind being beaten by Diana. Even although we meet as strangers now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" ----------CHAPTER 20--------- |SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say 'sweets to the sweet.' He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing 'My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne's freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark," cried Anne. "Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this."

cliffnotes

Craft a concise overview of chapter 23 using the context provided.

chapter 22|chapter 23|chapter 24

Another year, another Diana Barry birthday party. The scene is set: the girls are in the Barry garden after tea. They soon start daring each other to do things. In Avonlea, it's completely taboo to refuse a dare. Anne scorns Josie Pye when Josie successfully walks a fence in response to a dare, saying it isn't that impressive, and she knew a girl who could walk the ridgepole of a roof. See where this is going? Josie dares Anne to walk the ridgepole of the Barry roof. Diana begs Anne to refuse, but Anne's too proud. She tells Diana she can have her pearl bead ring if she dies, and climbs up to the roof. Anne walks a few steps, and then falls off. Luckily, she falls off the side where the roof extends low over a porch, so she doesn't die. But she's in a lot of pain. Mr. Barry has to carry her home. When Marilla sees Mr. Barry carrying Anne limp in his arms, she realizes she loves her. Not that she says so. But she's scared. Anne explains what happened, then faints from the pain. The doctor pronounces her ankle broken. He sets it, but she has to stay in bed for several weeks. Anne has many visitors for the next three weeks, but she's excited to get back to school and meet their new lady teacher.

----------CHAPTER 22--------- |AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. 'Miss Anne Shirley, Green Gables.' That is the first time I was ever called 'Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting. "Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her." ----------CHAPTER 23--------- |ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven't. I just felt that I couldn't bear Josie Pye's scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn't be very cross with me, Marilla. It's not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won't be able to go around for six or seven weeks and I'll miss the new lady teacher. She won't be new any more by the time I'm able to go to school. And Gil--everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I'll try to bear it all bravely if only you won't be cross with me, Marilla." "There, there, I'm not cross," said Marilla. "You're an unlucky child, there's no doubt about that; but as you say, you'll have the suffering of it. Here now, try and eat some supper." "Isn't it fortunate I've got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven't any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not solely dependent on it. She had many visitors and not a day passed without one or more of the schoolgirls dropping in to bring her flowers and books and tell her all the happenings in the juvenile world of Avonlea. "Everybody has been so good and kind, Marilla," sighed Anne happily, on the day when she could first limp across the floor. "It isn't very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have. Why, even Superintendent Bell came to see me, and he's really a very fine man. Not a kindred spirit, of course; but still I like him and I'm awfully sorry I ever criticized his prayers. I believe now he really does mean them, only he has got into the habit of saying them as if he didn't. He could get over that if he'd take a little trouble. I gave him a good broad hint. I told him how hard I tried to make my own little private prayers interesting. He told me all about the time he broke his ankle when he was a boy. It does seem so strange to think of Superintendent Bell ever being a boy. Even my imagination has its limits, for I can't imagine _that_. When I try to imagine him as a boy I see him with gray whiskers and spectacles, just as he looks in Sunday school, only small. Now, it's so easy to imagine Mrs. Allan as a little girl. Mrs. Allan has been to see me fourteen times. Isn't that something to be proud of, Marilla? When a minister's wife has so many claims on her time! She is such a cheerful person to have visit you, too. She never tells you it's your own fault and she hopes you'll be a better girl on account of it. Mrs. Lynde always told me that when she came to see me; and she said it in a kind of way that made me feel she might hope I'd be a better girl but didn't really believe I would. Even Josie Pye came to see me. I received her as politely as I could, because I think she was sorry she dared me to walk a ridgepole. If I had been killed she would had to carry a dark burden of remorse all her life. Diana has been a faithful friend. She's been over every day to cheer my lonely pillow. But oh, I shall be so glad when I can go to school for I've heard such exciting things about the new teacher. The girls all think she is perfectly sweet. Diana says she has the loveliest fair curly hair and such fascinating eyes. She dresses beautifully, and her sleeve puffs are bigger than anybody else's in Avonlea. Every other Friday afternoon she has recitations and everybody has to say a piece or take part in a dialogue. Oh, it's just glorious to think of it. Josie Pye says she hates it but that is just because Josie has so little imagination. Diana and Ruby Gillis and Jane Andrews are preparing a dialogue, called 'A Morning Visit,' for next Friday. And the Friday afternoons they don't have recitations Miss Stacy takes them all to the woods for a 'field' day and they study ferns and flowers and birds. And they have physical culture exercises every morning and evening. Mrs. Lynde says she never heard of such goings on and it all comes of having a lady teacher. But I think it must be splendid and I believe I shall find that Miss Stacy is a kindred spirit." "There's one thing plain to be seen, Anne," said Marilla, "and that is that your fall off the Barry roof hasn't injured your tongue at all." ----------CHAPTER 24--------- |IT was October again when Anne was ready to go back to school--a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain--amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through. The Birch Path was a canopy of yellow and the ferns were sear and brown all along it. There was a tang in the very air that inspired the hearts of small maidens tripping, unlike snails, swiftly and willingly to school; and it _was_ jolly to be back again at the little brown desk beside Diana, with Ruby Gillis nodding across the aisle and Carrie Sloane sending up notes and Julia Bell passing a "chew" of gum down from the back seat. Anne drew a long breath of happiness as she sharpened her pencil and arranged her picture cards in her desk. Life was certainly very interesting. In the new teacher she found another true and helpful friend. Miss Stacy was a bright, sympathetic young woman with the happy gift of winning and holding the affections of her pupils and bringing out the best that was in them mentally and morally. Anne expanded like a flower under this wholesome influence and carried home to the admiring Matthew and the critical Marilla glowing accounts of schoolwork and aims. "I love Miss Stacy with my whole heart, Marilla. She is so ladylike and she has such a sweet voice. When she pronounces my name I feel _instinctively_ that she's spelling it with an E. We had recitations this afternoon. I just wish you could have been there to hear me recite 'Mary, Queen of Scots.' I just put my whole soul into it. Ruby Gillis told me coming home that the way I said the line, 'Now for my father's arm,' she said, 'my woman's heart farewell,' just made her blood run cold." "Well now, you might recite it for me some of these days, out in the barn," suggested Matthew. "Of course I will," said Anne meditatively, "but I won't be able to do it so well, I know. It won't be so exciting as it is when you have a whole schoolful before you hanging breathlessly on your words. I know I won't be able to make your blood run cold." "Mrs. Lynde says it made _her_ blood run cold to see the boys climbing to the very tops of those big trees on Bell's hill after crows' nests last Friday," said Marilla. "I wonder at Miss Stacy for encouraging it." "But we wanted a crow's nest for nature study," explained Anne. "That was on our field afternoon. Field afternoons are splendid, Marilla. And Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones." "It's very vain of you to say so then. You'd better let your teacher say it." "But she _did_ say it, Marilla. And indeed I'm not vain about it. How can I be, when I'm such a dunce at geometry? Although I'm really beginning to see through it a little, too. Miss Stacy makes it so clear. Still, I'll never be good at it and I assure you it is a humbling reflection. But I love writing compositions. Mostly Miss Stacy lets us choose our own subjects; but next week we are to write a composition on some remarkable person. It's hard to choose among so many remarkable people who have lived. Mustn't it be splendid to be remarkable and have compositions written about you after you're dead? Oh, I would dearly love to be remarkable. I think when I grow up I'll be a trained nurse and go with the Red Crosses to the field of battle as a messenger of mercy. That is, if I don't go out as a foreign missionary. That would be very romantic, but one would have to be very good to be a missionary, and that would be a stumbling block. We have physical culture exercises every day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla's disapproval. Marilla thought it all rank foolishness. "It's just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don't approve of children's getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--'The Society for the Suppression of Gossip' and 'The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--'Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?" "All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out." Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne"--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world.

cliffnotes

Craft a concise overview of chapter 26 using the context provided.

chapter 26|chapter 27

Life feels flat and unexciting to the Avonlea students after the Christmas concert. Fast forward a few weeks to when Anne turns thirteen. She and Diana are walking through the woods talking about their composition assignments. They're supposed to write a story. Diana's daunted by the assignment, but Anne's already done hers. Anne tells Diana her entire amazingly melodramatic story. It's about two friends, Cordelia Montmorency and Geraldine Seymour, who love the same man, Bertram DeVere. We won't spoil the ending for you, but it's a tragedy. Anne and Diana start a story club where they write stories for practice. Eventually they add two other friends, Jane Andrews and Ruby Gillis. Jane's stories are too sensible, Ruby's have too much love in them, and Diana's have too many murders . But they all have a good time. They also send the stories to Josephine, who's very amused.

----------CHAPTER 26--------- |JUNIOR Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called 'The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, 'What do you say, darling pet, if we get hitched this fall?' And Susan said, 'Yes--no--I don't know--let me see'--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, 'Ha, ha, ha.' But Bertram saw it all and he at once plunged into the current, exclaiming, 'I will save thee, my peerless Geraldine.' But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." ----------CHAPTER 27--------- Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla, 'what a tangled web we weave when first we practice to deceive.' That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it.

cliffnotes

Create a compact summary that covers the main points of chapter 31, utilizing the provided context.

chapter 28|chapter 31

Anne gets to spend her summer almost completely outdoors. She considers it her last summer of being a child, and Marilla lets her run free because a doctor told Marilla she's too pale and needs fresh air. Anne has a conversation with Marilla about how some people make her want to be good, but Mrs. Lynde's lecturing makes her want to be the opposite. Marilla admits that she feels the same way. Anne's Queen's prep class studies for the entrance exams that will determine whether they'll get in to the school. Marilla notices how tall Anne has gotten and how grown up she looks. She actually cries to Matthew about how much she'll miss her. Marilla asks Anne why she doesn't use big words anymore. Anne says there's so much to learn now that she doesn't have time for big words.

----------CHAPTER 28--------- |OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. "I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had 'all her bright hair streaming down,' you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say, 'Sister, farewell forever,' and Ruby, you say, 'Farewell, sweet sister,' both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine 'lay as though she smiled.' That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said, 'Dear God, please take the flat close to a pile and I'll do the rest,' over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably have to depend on human aid to get back to dry land." The flat drifted under the bridge and then promptly sank in midstream. Ruby, Jane, and Diana, already awaiting it on the lower headland, saw it disappear before their very eyes and had not a doubt but that Anne had gone down with it. For a moment they stood still, white as sheets, frozen with horror at the tragedy; then, shrieking at the tops of their voices, they started on a frantic run up through the woods, never pausing as they crossed the main road to glance the way of the bridge. Anne, clinging desperately to her precarious foothold, saw their flying forms and heard their shrieks. Help would soon come, but meanwhile her position was a very uncomfortable one. The minutes passed by, each seeming an hour to the unfortunate lily maid. Why didn't somebody come? Where had the girls gone? Suppose they had fainted, one and all! Suppose nobody ever came! Suppose she grew so tired and cramped that she could hold on no longer! Anne looked at the wicked green depths below her, wavering with long, oily shadows, and shivered. Her imagination began to suggest all manner of gruesome possibilities to her. Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory! Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes. "Anne Shirley! How on earth did you get there?" he exclaimed. Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely difficult to be dignified under the circumstances! "What has happened, Anne?" asked Gilbert, taking up his oars. "We were playing Elaine" explained Anne frigidly, without even looking at her rescuer, "and I had to drift down to Camelot in the barge--I mean the flat. The flat began to leak and I climbed out on the pile. The girls went for help. Will you be kind enough to row me to the landing?" Gilbert obligingly rowed to the landing and Anne, disdaining assistance, sprang nimbly on shore. "I'm very much obliged to you," she said haughtily as she turned away. But Gilbert had also sprung from the boat and now laid a detaining hand on her arm. "Anne," he said hurriedly, "look here. Can't we be good friends? I'm awfully sorry I made fun of your hair that time. I didn't mean to vex you and I only meant it for a joke. Besides, it's so long ago. I think your hair is awfully pretty now--honest I do. Let's be friends." For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!" "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!" He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!" said Jane, finding breath enough for utterance at last. "Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word 'romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. The liniment cake mistake cured me of carelessness in cooking. Dyeing my hair cured me of vanity. I never think about my hair and nose now--at least, very seldom. And today's mistake is going to cure me of being too romantic. I have come to the conclusion that it is no use trying to be romantic in Avonlea. It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now. I feel quite sure that you will soon see a great improvement in me in this respect, Marilla." "I'm sure I hope so," said Marilla skeptically. But Matthew, who had been sitting mutely in his corner, laid a hand on Anne's shoulder when Marilla had gone out. "Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, keep a little of it." ----------CHAPTER 31--------- |ANNE had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover's Lane and the Dryad's Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne's gypsyings. The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was: "Keep that redheaded girl of yours in the open air all summer and don't let her read books until she gets more spring into her step." This message frightened Marilla wholesomely. She read Anne's death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart's content; and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," she declared as she brought her books down from the attic. "Oh, you good old friends, I'm glad to see your honest faces once more--yes, even you, geometry. I've had a perfectly beautiful summer, Marilla, and now I'm rejoicing as a strong man to run a race, as Mr. Allan said last Sunday. Doesn't Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up and then we'll be left and have to turn to and break in another green preacher. But I don't see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I'd be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers' hearts. Why can't women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn't got to that stage in Canada yet and she hoped we never would. But I don't see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I'm sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I've no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I'm with you or Mrs. Allan or Miss Stacy I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I'm with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn't to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it's because I'm really bad and unregenerate?" Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she'd have more of an influence for good, as you say yourself, if she didn't keep nagging people to do right. There should have been a special commandment against nagging. But there, I shouldn't talk so. Rachel is a good Christian woman and she means well. There isn't a kinder soul in Avonlea and she never shirks her share of work." "I'm very glad you feel the same," said Anne decidedly. "It's so encouraging. I shan't worry so much over that after this. But I dare say there'll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. You settle one question and there's another right after. There are so many things to be thought over and decided when you're beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It's a serious thing to grow up, isn't it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I'm sure it will be my own fault if I don't. I feel it's a great responsibility because I have only the one chance. If I don't grow up right I can't go back and begin over again. I've grown two inches this summer, Marilla. Mr. Gillis measured me at Ruby's party. I'm so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. Of course I know it wasn't really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I'll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It's worth something to have that," admitted Marilla. Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen's class gird up their loins for the fray, for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe's name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne's eager eyes. "Hills peeped o'er hill and Alps on Alps arose." Much of all this was due to Miss Stacy's tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor's dictum, no longer vetoed occasional outings. The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. Between times Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you've grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne's inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She's got to be such a big girl--and she'll probably be away from us next winter. I'll miss her terrible." "She'll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." "It won't be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can't understand these things!" There were other changes in Anne no less real than the physical change. For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don't chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don't know--I don't want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over. And somehow I don't want to use big words any more. It's almost a pity, isn't it, now that I'm really growing big enough to say them if I did want to. It's fun to be almost grown up in some ways, but it's not the kind of fun I expected, Marilla. There's so much to learn and do and think that there isn't time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I've got used to it now and I see it's so much better." "What has become of your story club? I haven't heard you speak of it for a long time." "The story club isn't in existence any longer. We hadn't time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won't let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You've only two more months before the Entrance," said Marilla. "Do you think you'll be able to get through?" Anne shivered. "I don't know. Sometimes I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them.

cliffnotes

Generate a succinct summary for chapter 32 with the given context.

chapter 32|chapter 34

It's the end of year: time for the entrance exams. Anne travels to Charlottetown to take them. In a letter to Diana, Anne describes everyone's initial fear right before the test starts, and how she thinks she's done on the tests so far. She secretly wants to beat Gilbert. All the kids in town are waiting to find out who scores higher. The pass list is supposed to come out in the paper. Anne waits in agony for three weeks. Diana manages to get her hands on a paper from a nearby town and runs it to Anne. Anne tied with Gilbert for first place, out of everyone on Prince Edward Island. Woo-hoo! Before they leave to tell their friends, Anne finds Matthew, Marilla, and Mrs. Lynde near the house and gives them the news first. Matthew says he knew it, Marilla tries to hide her extreme pride, and Mrs. Lynde says, very sincerely, "We're all proud of you."

----------CHAPTER 32--------- |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is." "It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over." Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. "Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says, 'If you can't be cheerful, be as cheerful as you can.' After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as long as she did. It was so kind of your Aunt Josephine to ask me to stay at Beechwood while I'm in town." "You'll write to me while you're in, won't you?" "I'll write Tuesday night and tell you how the first day goes," promised Anne. "I'll be haunting the post office Wednesday," vowed Diana. Anne went to town the following Monday and on Wednesday Diana haunted the post office, as agreed, and got her letter. "Dearest Diana" [wrote Anne], "Here it is Tuesday night and I'm writing this in the library at Beechwood. Last night I was horribly lonesome all alone in my room and wished so much you were with me. I couldn't 'cram' because I'd promised Miss Stacy not to, but it was as hard to keep from opening my history as it used to be to keep from reading a story before my lessons were learned. "This morning Miss Stacy came for me and we went to the Academy, calling for Jane and Ruby and Josie on our way. Ruby asked me to feel her hands and they were as cold as ice. Josie said I looked as if I hadn't slept a wink and she didn't believe I was strong enough to stand the grind of the teacher's course even if I did get through. There are times and seasons even yet when I don't feel that I've made any great headway in learning to like Josie Pye! "When we reached the Academy there were scores of students there from all over the Island. The first person we saw was Moody Spurgeon sitting on the steps and muttering away to himself. Jane asked him what on earth he was doing and he said he was repeating the multiplication table over and over to steady his nerves and for pity's sake not to interrupt him, because if he stopped for a moment he got frightened and forgot everything he ever knew, but the multiplication table kept all his facts firmly in their proper place! "When we were assigned to our rooms Miss Stacy had to leave us. Jane and I sat together and Jane was so composed that I envied her. No need of the multiplication table for good, steady, sensible Jane! I wondered if I looked as I felt and if they could hear my heart thumping clear across the room. Then a man came in and began distributing the English examination sheets. My hands grew cold then and my head fairly whirled around as I picked it up. Just one awful moment--Diana, I felt exactly as I did four years ago when I asked Marilla if I might stay at Green Gables--and then everything cleared up in my mind and my heart began beating again--I forgot to say that it had stopped altogether!--for I knew I could do something with _that_ paper anyhow. "At noon we went home for dinner and then back again for history in the afternoon. The history was a pretty hard paper and I got dreadfully mixed up in the dates. Still, I think I did fairly well today. But oh, Diana, tomorrow the geometry exam comes off and when I think of it it takes every bit of determination I possess to keep from opening my Euclid. If I thought the multiplication table would help me any I would recite it from now till tomorrow morning. "I went down to see the other girls this evening. On my way I met Moody Spurgeon wandering distractedly around. He said he knew he had failed in history and he was born to be a disappointment to his parents and he was going home on the morning train; and it would be easier to be a carpenter than a minister, anyhow. I cheered him up and persuaded him to stay to the end because it would be unfair to Miss Stacy if he didn't. Sometimes I have wished I was born a boy, but when I see Moody Spurgeon I'm always glad I'm a girl and not his sister. "Ruby was in hysterics when I reached their boardinghouse; she had just discovered a fearful mistake she had made in her English paper. When she recovered we went uptown and had an ice cream. How we wished you had been with us. "Oh, Diana, if only the geometry examination were over! But there, as Mrs. Lynde would say, the sun will go on rising and setting whether I fail in geometry or not. That is true but not especially comforting. I think I'd rather it didn't go on if I failed! "Yours devotedly, "Anne" The geometry examination and all the others were over in due time and Anne arrived home on Friday evening, rather tired but with an air of chastened triumph about her. Diana was over at Green Gables when she arrived and they met as if they had been parted for years. "You old darling, it's perfectly splendid to see you back again. It seems like an age since you went to town and oh, Anne, how did you get along?" "Pretty well, I think, in everything but the geometry. I don't know whether I passed in it or not and I have a creepy, crawly presentiment that I didn't. Oh, how good it is to be back! Green Gables is the dearest, loveliest spot in the world." "How did the others do?" "The girls say they know they didn't pass, but I think they did pretty well. Josie says the geometry was so easy a child of ten could do it! Moody Spurgeon still thinks he failed in history and Charlie says he failed in algebra. But we don't really know anything about it and won't until the pass list is out. That won't be for a fortnight. Fancy living a fortnight in such suspense! I wish I could go to sleep and never wake up until it is over." Diana knew it would be useless to ask how Gilbert Blythe had fared, so she merely said: "Oh, you'll pass all right. Don't worry." "I'd rather not pass at all than not come out pretty well up on the list," flashed Anne, by which she meant--and Diana knew she meant--that success would be incomplete and bitter if she did not come out ahead of Gilbert Blythe. With this end in view Anne had strained every nerve during the examinations. So had Gilbert. They had met and passed each other on the street a dozen times without any sign of recognition and every time Anne had held her head a little higher and wished a little more earnestly that she had made friends with Gilbert when he asked her, and vowed a little more determinedly to surpass him in the examination. She knew that all Avonlea junior was wondering which would come out first; she even knew that Jimmy Glover and Ned Wright had a bet on the question and that Josie Pye had said there was no doubt in the world that Gilbert would be first; and she felt that her humiliation would be unbearable if she failed. But she had another and nobler motive for wishing to do well. She wanted to "pass high" for the sake of Matthew and Marilla--especially Matthew. Matthew had declared to her his conviction that she "would beat the whole Island." That, Anne felt, was something it would be foolish to hope for even in the wildest dreams. But she did hope fervently that she would be among the first ten at least, so that she might see Matthew's kindly brown eyes gleam with pride in her achievement. That, she felt, would be a sweet reward indeed for all her hard work and patient grubbing among unimaginative equations and conjugations. At the end of the fortnight Anne took to "haunting" the post office also, in the distracted company of Jane, Ruby, and Josie, opening the Charlottetown dailies with shaking hands and cold, sinkaway feelings as bad as any experienced during the Entrance week. Charlie and Gilbert were not above doing this too, but Moody Spurgeon stayed resolutely away. "I haven't got the grit to go there and look at a paper in cold blood," he told Anne. "I'm just going to wait until somebody comes and tells me suddenly whether I've passed or not." When three weeks had gone by without the pass list appearing Anne began to feel that she really couldn't stand the strain much longer. Her appetite failed and her interest in Avonlea doings languished. Mrs. Lynde wanted to know what else you could expect with a Tory superintendent of education at the head of affairs, and Matthew, noting Anne's paleness and indifference and the lagging steps that bore her home from the post office every afternoon, began seriously to wonder if he hadn't better vote Grit at the next election. But one evening the news came. Anne was sitting at her open window, for the time forgetful of the woes of examinations and the cares of the world, as she drank in the beauty of the summer dusk, sweet-scented with flower breaths from the garden below and sibilant and rustling from the stir of poplars. The eastern sky above the firs was flushed faintly pink from the reflection of the west, and Anne was wondering dreamily if the spirit of color looked like that, when she saw Diana come flying down through the firs, over the log bridge, and up the slope, with a fluttering newspaper in her hand. Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. "Anne, you've passed," she cried, "passed the _very first_--you and Gilbert both--you're ties--but your name is first. Oh, I'm so proud!" Diana flung the paper on the table and herself on Anne's bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_, 'What if I should come out first?' quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne, "I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful." "Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. ----------CHAPTER 34--------- |THE next three weeks were busy ones at Green Gables, for Anne was getting ready to go to Queen's, and there was much sewing to be done, and many things to be talked over and arranged. Anne's outfit was ample and pretty, for Matthew saw to that, and Marilla for once made no objections whatever to anything he purchased or suggested. More--one evening she went up to the east gable with her arms full of a delicate pale green material. "Anne, here's something for a nice light dress for you. I don't suppose you really need it; you've plenty of pretty waists; but I thought maybe you'd like something real dressy to wear if you were asked out anywhere of an evening in town, to a party or anything like that. I hear that Jane and Ruby and Josie have got 'evening dresses,' as they call them, and I don't mean you shall be behind them. I got Mrs. Allan to help me pick it in town last week, and we'll get Emily Gillis to make it for you. Emily has got taste, and her fits aren't to be equaled." "Oh, Marilla, it's just lovely," said Anne. "Thank you so much. I don't believe you ought to be so kind to me--it's making it harder every day for me to go away." The green dress was made up with as many tucks and frills and shirrings as Emily's taste permitted. Anne put it on one evening for Matthew's and Marilla's benefit, and recited "The Maiden's Vow" for them in the kitchen. As Marilla watched the bright, animated face and graceful motions her thoughts went back to the evening Anne had arrived at Green Gables, and memory recalled a vivid picture of the odd, frightened child in her preposterous yellowish-brown wincey dress, the heartbreak looking out of her tearful eyes. Something in the memory brought tears to Marilla's own eyes. "I declare, my recitation has made you cry, Marilla," said Anne gaily stooping over Marilla's chair to drop a butterfly kiss on that lady's cheek. "Now, I call that a positive triumph." "No, I wasn't crying over your piece," said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. "I just couldn't help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You've grown up now and you're going away; and you look so tall and stylish and so--so--different altogether in that dress--as if you didn't belong in Avonlea at all--and I just got lonesome thinking it all over." "Marilla!" Anne sat down on Marilla's gingham lap, took Marilla's lined face between her hands, and looked gravely and tenderly into Marilla's eyes. "I'm not a bit changed--not really. I'm only just pruned down and branched out. The real _me_--back here--is just the same. It won't make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life." Anne laid her fresh young cheek against Marilla's faded one, and reached out a hand to pat Matthew's shoulder. Marilla would have given much just then to have possessed Anne's power of putting her feelings into words; but nature and habit had willed it otherwise, and she could only put her arms close about her girl and hold her tenderly to her heart, wishing that she need never let her go. Matthew, with a suspicious moisture in his eyes, got up and went out-of-doors. Under the stars of the blue summer night he walked agitatedly across the yard to the gate under the poplars. "Well now, I guess she ain't been much spoiled," he muttered, proudly. "I guess my putting in my oar occasional never did much harm after all. She's smart and pretty, and loving, too, which is better than all the rest. She's been a blessing to us, and there never was a luckier mistake than what Mrs. Spencer made--if it _was_ luck. I don't believe it was any such thing. It was Providence, because the Almighty saw we needed her, I reckon." The day finally came when Anne must go to town. She and Matthew drove in one fine September morning, after a tearful parting with Diana and an untearful practical one--on Marilla's side at least--with Marilla. But when Anne had gone Diana dried her tears and went to a beach picnic at White Sands with some of her Carmody cousins, where she contrived to enjoy herself tolerably well; while Marilla plunged fiercely into unnecessary work and kept at it all day long with the bitterest kind of heartache--the ache that burns and gnaws and cannot wash itself away in ready tears. But that night, when Marilla went to bed, acutely and miserably conscious that the little gable room at the end of the hall was untenanted by any vivid young life and unstirred by any soft breathing, she buried her face in her pillow, and wept for her girl in a passion of sobs that appalled her when she grew calm enough to reflect how very wicked it must be to take on so about a sinful fellow creature. Anne and the rest of the Avonlea scholars reached town just in time to hurry off to the Academy. That first day passed pleasantly enough in a whirl of excitement, meeting all the new students, learning to know the professors by sight and being assorted and organized into classes. Anne intended taking up the Second Year work being advised to do so by Miss Stacy; Gilbert Blythe elected to do the same. This meant getting a First Class teacher's license in one year instead of two, if they were successful; but it also meant much more and harder work. Jane, Ruby, Josie, Charlie, and Moody Spurgeon, not being troubled with the stirrings of ambition, were content to take up the Second Class work. Anne was conscious of a pang of loneliness when she found herself in a room with fifty other students, not one of whom she knew, except the tall, brown-haired boy across the room; and knowing him in the fashion she did, did not help her much, as she reflected pessimistically. Yet she was undeniably glad that they were in the same class; the old rivalry could still be carried on, and Anne would hardly have known what to do if it had been lacking. "I wouldn't feel comfortable without it," she thought. "Gilbert looks awfully determined. I suppose he's making up his mind, here and now, to win the medal. What a splendid chin he has! I never noticed it before. I do wish Jane and Ruby had gone in for First Class, too. I suppose I won't feel so much like a cat in a strange garret when I get acquainted, though. I wonder which of the girls here are going to be my friends. It's really an interesting speculation. Of course I promised Diana that no Queen's girl, no matter how much I liked her, should ever be as dear to me as she is; but I've lots of second-best affections to bestow. I like the look of that girl with the brown eyes and the crimson waist. She looks vivid and red-rosy; there's that pale, fair one gazing out of the window. She has lovely hair, and looks as if she knew a thing or two about dreams. I'd like to know them both--know them well--well enough to walk with my arm about their waists, and call them nicknames. But just now I don't know them and they don't know me, and probably don't want to know me particularly. Oh, it's lonesome!" It was lonesomer still when Anne found herself alone in her hall bedroom that night at twilight. She was not to board with the other girls, who all had relatives in town to take pity on them. Miss Josephine Barry would have liked to board her, but Beechwood was so far from the Academy that it was out of the question; so Miss Barry hunted up a boarding-house, assuring Matthew and Marilla that it was the very place for Anne. "The lady who keeps it is a reduced gentlewoman," explained Miss Barry. "Her husband was a British officer, and she is very careful what sort of boarders she takes. Anne will not meet with any objectionable persons under her roof. The table is good, and the house is near the Academy, in a quiet neighborhood." All this might be quite true, and indeed, proved to be so, but it did not materially help Anne in the first agony of homesickness that seized upon her. She looked dismally about her narrow little room, with its dull-papered, pictureless walls, its small iron bedstead and empty book-case; and a horrible choke came into her throat as she thought of her own white room at Green Gables, where she would have the pleasant consciousness of a great green still outdoors, of sweet peas growing in the garden, and moonlight falling on the orchard, of the brook below the slope and the spruce boughs tossing in the night wind beyond it, of a vast starry sky, and the light from Diana's window shining out through the gap in the trees. Here there was nothing of this; Anne knew that outside of her window was a hard street, with a network of telephone wires shutting out the sky, the tramp of alien feet, and a thousand lights gleaming on stranger faces. She knew that she was going to cry, and fought against it. "I _won't_ cry. It's silly--and weak--there's the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there's nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I'm going home next Friday, but that seems a hundred years away. Oh, Matthew is nearly home by now--and Marilla is at the gate, looking down the lane for him--six--seven--eight--oh, there's no use in counting them! They're coming in a flood presently. I can't cheer up--I don't _want_ to cheer up. It's nicer to be miserable!" The flood of tears would have come, no doubt, had not Josie Pye appeared at that moment. In the joy of seeing a familiar face Anne forgot that there had never been much love lost between her and Josie. As a part of Avonlea life even a Pye was welcome. "I'm so glad you came up," Anne said sincerely. "You've been crying," remarked Josie, with aggravating pity. "I suppose you're homesick--some people have so little self-control in that respect. I've no intention of being homesick, I can tell you. Town's too jolly after that poky old Avonlea. I wonder how I ever existed there so long. You shouldn't cry, Anne; it isn't becoming, for your nose and eyes get red, and then you seem _all_ red. I'd a perfectly scrumptious time in the Academy today. Our French professor is simply a duck. His moustache would give you kerwollowps of the heart. Have you anything eatable around, Anne? I'm literally starving. Ah, I guessed likely Marilla 'd load you up with cake. That's why I called round. Otherwise I'd have gone to the park to hear the band play with Frank Stockley. He boards same place as I do, and he's a sport. He noticed you in class today, and asked me who the red-headed girl was. I told him you were an orphan that the Cuthberts had adopted, and nobody knew very much about what you'd been before that." Anne was wondering if, after all, solitude and tears were not more satisfactory than Josie Pye's companionship when Jane and Ruby appeared, each with an inch of Queen's color ribbon--purple and scarlet--pinned proudly to her coat. As Josie was not "speaking" to Jane just then she had to subside into comparative harmlessness. "Well," said Jane with a sigh, "I feel as if I'd lived many moons since the morning. I ought to be home studying my Virgil--that horrid old professor gave us twenty lines to start in on tomorrow. But I simply couldn't settle down to study tonight. Anne, methinks I see the traces of tears. If you've been crying _do_ own up. It will restore my self-respect, for I was shedding tears freely before Ruby came along. I don't mind being a goose so much if somebody else is goosey, too. Cake? You'll give me a teeny piece, won't you? Thank you. It has the real Avonlea flavor." Ruby, perceiving the Queen's calendar lying on the table, wanted to know if Anne meant to try for the gold medal. Anne blushed and admitted she was thinking of it. "Oh, that reminds me," said Josie, "Queen's is to get one of the Avery scholarships after all. The word came today. Frank Stockley told me--his uncle is one of the board of governors, you know. It will be announced in the Academy tomorrow." An Avery scholarship! Anne felt her heart beat more quickly, and the horizons of her ambition shifted and broadened as if by magic. Before Josie had told the news Anne's highest pinnacle of aspiration had been a teacher's provincial license, First Class, at the end of the year, and perhaps the medal! But now in one moment Anne saw herself winning the Avery scholarship, taking an Arts course at Redmond College, and graduating in a gown and mortar board, before the echo of Josie's words had died away. For the Avery scholarship was in English, and Anne felt that here her foot was on native heath. A wealthy manufacturer of New Brunswick had died and left part of his fortune to endow a large number of scholarships to be distributed among the various high schools and academies of the Maritime Provinces, according to their respective standings. There had been much doubt whether one would be allotted to Queen's, but the matter was settled at last, and at the end of the year the graduate who made the highest mark in English and English Literature would win the scholarship--two hundred and fifty dollars a year for four years at Redmond College. No wonder that Anne went to bed that night with tingling cheeks! "I'll win that scholarship if hard work can do it," she resolved. "Wouldn't Matthew be proud if I got to be a B.A.? Oh, it's delightful to have ambitions. I'm so glad I have such a lot. And there never seems to be any end to them--that's the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting."

cliffnotes

Produce a brief summary for chapter 36 based on the provided context.

chapter 35|chapter 36

The final results are about to be posted and now Anne's worried. Then she and Gilbert are cheered. Gilbert wins the medal but Anne wins the scholarship. At commencement, Marilla, Matthew, and Aunt Josephine talk about how glad they are that they kept Anne, and how proud they are of her. Anne goes home reunites with Diana temporarily. She'll be starting at Redmond College in the fall. Marilla and Matthew aren't doing so well. Matthews been having a lot of problems with his heart, and Marilla has pain behind her eyes. Also, the bank that's holding all their money is in trouble. Anne has a beautiful day traipsing around Avonlea. At night, seeing Matthew walking slowly and bent, Anne wishes she were a boy so she could help him. But Matthew tells her that he'd rather have her than a dozen boys.

----------CHAPTER 35--------- |ANNE'S homesickness wore off, greatly helped in the wearing by her weekend visits home. As long as the open weather lasted the Avonlea students went out to Carmody on the new branch railway every Friday night. Diana and several other Avonlea young folks were generally on hand to meet them and they all walked over to Avonlea in a merry party. Anne thought those Friday evening gypsyings over the autumnal hills in the crisp golden air, with the homelights of Avonlea twinkling beyond, were the best and dearest hours in the whole week. Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly. "But I shouldn't think she was the sort of girl Gilbert would like," whispered Jane to Anne. Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions. Gilbert had ambitions, she knew, and Ruby Gillis did not seem the sort of person with whom such could be profitably discussed. There was no silly sentiment in Anne's ideas concerning Gilbert. Boys were to her, when she thought about them at all, merely possible good comrades. If she and Gilbert had been friends she would not have cared how many other friends he had nor with whom he walked. She had a genius for friendship; girl friends she had in plenty; but she had a vague consciousness that masculine friendship might also be a good thing to round out one's conceptions of companionship and furnish broader standpoints of judgment and comparison. Not that Anne could have put her feelings on the matter into just such clear definition. But she thought that if Gilbert had ever walked home with her from the train, over the crisp fields and along the ferny byways, they might have had many and merry and interesting conversations about the new world that was opening around them and their hopes and ambitions therein. Gilbert was a clever young fellow, with his own thoughts about things and a determination to get the best out of life and put the best into it. Ruby Gillis told Jane Andrews that she didn't understand half the things Gilbert Blythe said; he talked just like Anne Shirley did when she had a thoughtful fit on and for her part she didn't think it any fun to be bothering about books and that sort of thing when you didn't have to. Frank Stockley had lots more dash and go, but then he wasn't half as good-looking as Gilbert and she really couldn't decide which she liked best! In the Academy Anne gradually drew a little circle of friends about her, thoughtful, imaginative, ambitious students like herself. With the "rose-red" girl, Stella Maynard, and the "dream girl," Priscilla Grant, she soon became intimate, finding the latter pale spiritual-looking maiden to be full to the brim of mischief and pranks and fun, while the vivid, black-eyed Stella had a heartful of wistful dreams and fancies, as aerial and rainbow-like as Anne's own. After the Christmas holidays the Avonlea students gave up going home on Fridays and settled down to hard work. By this time all the Queen's scholars had gravitated into their own places in the ranks and the various classes had assumed distinct and settled shadings of individuality. Certain facts had become generally accepted. It was admitted that the medal contestants had practically narrowed down to three--Gilbert Blythe, Anne Shirley, and Lewis Wilson; the Avery scholarship was more doubtful, any one of a certain six being a possible winner. The bronze medal for mathematics was considered as good as won by a fat, funny little up-country boy with a bumpy forehead and a patched coat. Ruby Gillis was the handsomest girl of the year at the Academy; in the Second Year classes Stella Maynard carried off the palm for beauty, with small but critical minority in favor of Anne Shirley. Ethel Marr was admitted by all competent judges to have the most stylish modes of hair-dressing, and Jane Andrews--plain, plodding, conscientious Jane--carried off the honors in the domestic science course. Even Josie Pye attained a certain preeminence as the sharpest-tongued young lady in attendance at Queen's. So it may be fairly stated that Miss Stacy's old pupils held their own in the wider arena of the academical course. Anne worked hard and steadily. Her rivalry with Gilbert was as intense as it had ever been in Avonlea school, although it was not known in the class at large, but somehow the bitterness had gone out of it. Anne no longer wished to win for the sake of defeating Gilbert; rather, for the proud consciousness of a well-won victory over a worthy foeman. It would be worth while to win, but she no longer thought life would be insupportable if she did not. In spite of lessons the students found opportunities for pleasant times. Anne spent many of her spare hours at Beechwood and generally ate her Sunday dinners there and went to church with Miss Barry. The latter was, as she admitted, growing old, but her black eyes were not dim nor the vigor of her tongue in the least abated. But she never sharpened the latter on Anne, who continued to be a prime favorite with the critical old lady. "That Anne-girl improves all the time," she said. "I get tired of other girls--there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. I don't know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them." Then, almost before anybody realized it, spring had come; out in Avonlea the Mayflowers were peeping pinkly out on the sere barrens where snow-wreaths lingered; and the "mist of green" was on the woods and in the valleys. But in Charlottetown harassed Queen's students thought and talked only of examinations. "It doesn't seem possible that the term is nearly over," said Anne. "Why, last fall it seemed so long to look forward to--a whole winter of studies and classes. And here we are, with the exams looming up next week. Girls, sometimes I feel as if those exams meant everything, but when I look at the big buds swelling on those chestnut trees and the misty blue air at the end of the streets they don't seem half so important." Jane and Ruby and Josie, who had dropped in, did not take this view of it. To them the coming examinations were constantly very important indeed--far more important than chestnut buds or Maytime hazes. It was all very well for Anne, who was sure of passing at least, to have her moments of belittling them, but when your whole future depended on them--as the girls truly thought theirs did--you could not regard them philosophically. "I've lost seven pounds in the last two weeks," sighed Jane. "It's no use to say don't worry. I _will_ worry. Worrying helps you some--it seems as if you were doing something when you're worrying. It would be dreadful if I failed to get my license after going to Queen's all winter and spending so much money." "_I_ don't care," said Josie Pye. "If I don't pass this year I'm coming back next. My father can afford to send me. Anne, Frank Stockley says that Professor Tremaine said Gilbert Blythe was sure to get the medal and that Emily Clay would likely win the Avery scholarship." "That may make me feel badly tomorrow, Josie," laughed Anne, "but just now I honestly feel that as long as I know the violets are coming out all purple down in the hollow below Green Gables and that little ferns are poking their heads up in Lovers' Lane, it's not a great deal of difference whether I win the Avery or not. I've done my best and I begin to understand what is meant by the 'joy of the strife.' Next to trying and winning, the best thing is trying and failing. Girls, don't talk about exams! Look at that arch of pale green sky over those houses and picture to yourself what it must look like over the purply-dark beech-woods back of Avonlea." "What are you going to wear for commencement, Jane?" asked Ruby practically. Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers with its possibilities lurking rosily in the oncoming years--each year a rose of promise to be woven into an immortal chaplet. ----------CHAPTER 36--------- |ON the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you're glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.

cliffnotes

Craft a concise overview of chapter 38 using the context provided.

chapter 37|chapter 38

Anne finds Marilla with her head buried in her hands. Marilla has just found out that if she doesn't give up all eye-straining work she'll be blind in six months. She doesn't see the point of not working if she's going to be alone. A few days later, Marilla decides to sell Green Gables. Anne won't let her. She's made a decision of her own: to decline the scholarship. She's taken a teaching position a few towns over, so she can help Marilla. She'll drive to the school each day and board there on weeknights in the winter. Marilla knows she should argue but she's too grateful. A few days later, Mrs. Lynde tells Anne that Gilbert's given up his application for the Avonlea school so Anne can teach there and stay with Marilla. Anne runs into Gilbert while walking home from the graveyard. She thanks Gilbert for the school and admits that she's always regretted not forgiving him. They stay out talking for a half hour. Anne returns to her room in Green Gables. Even though her path has changed, she looks out the window and still sees possibility.

----------CHAPTER 37--------- |MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew can't be dead; and the other half it seems as if he must have been dead for a long time and I've had this horrible dull ache ever since." Diana did not quite understand. Marilla's impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne's tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day's pain and excitement. In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew's face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I'm proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her. "There--there--don't cry so, dearie. It can't bring him back. It--it--isn't right to cry so. I knew that today, but I couldn't help it then. He'd always been such a good, kind brother to me--but God knows best." "Oh, just let me cry, Marilla," sobbed Anne. "The tears don't hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn't have Diana stay, she's good and kind and sweet--but it's not her sorrow--she's outside of it and she couldn't come close enough to my heart to help me. It's our sorrow--yours and mine. Oh, Marilla, what will we do without him?" "We've got each other, Anne. I don't know what I'd do if you weren't here--if you'd never come. Oh, Anne, I know I've been kind of strict and harsh with you maybe--but you mustn't think I didn't love you as well as Matthew did, for all that. I want to tell you now when I can. It's never been easy for me to say things out of my heart, but at times like this it's easier. I love you as dear as if you were my own flesh and blood and you've been my joy and comfort ever since you came to Green Gables." Two days afterwards they carried Matthew Cuthbert over his homestead threshold and away from the fields he had tilled and the orchards he had loved and the trees he had planted; and then Avonlea settled back to its usual placidity and even at Green Gables affairs slipped into their old groove and work was done and duties fulfilled with regularity as before, although always with the aching sense of "loss in all familiar things." Anne, new to grief, thought it almost sad that it could be so--that they _could_ go on in the old way without Matthew. She felt something like shame and remorse when she discovered that the sunrises behind the firs and the pale pink buds opening in the garden gave her the old inrush of gladness when she saw them--that Diana's visits were pleasant to her and that Diana's merry words and ways moved her to laughter and smiles--that, in brief, the beautiful world of blossom and love and friendship had lost none of its power to please her fancy and thrill her heart, that life still called to her with many insistent voices. "It seems like disloyalty to Matthew, somehow, to find pleasure in these things now that he has gone," she said wistfully to Mrs. Allan one evening when they were together in the manse garden. "I miss him so much--all the time--and yet, Mrs. Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn't to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew's grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." ----------CHAPTER 38--------- |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half, 'obstinate as a mule,' as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I'm going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As 'Josiah Allen's wife,' says, I shall be 'mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "'God's in his heaven, all's right with the world,'" whispered Anne softly.

cliffnotes

Create a compact summary that covers the main points of chapter 1, utilizing the provided context.

chapter 1|chapter 3

Mrs. Rachel Lynde Is Surprised Isn't it splendid to think of all the things there are to find out about. It just makes me feel glad to be alive. Mrs. Rachel Lynde, the town busybody, lives with her meek husband on the main road of Avonlea, a small rural town in Prince Edward Island in Canada. Mrs. Rachel, as she is known, sits on her porch one afternoon in early June. She sees her neighbor, Matthew Cuthbert, leaving his home. This activity is surprising, since the painfully shy Matthew is known as a bit of a recluse. Even more surprising is that fact that he is wearing his best suit and driving his buggy, evidence that an important errand calls him away. Mrs. Rachel, her mind abuzz with questions, goes to the Cuthbert house to seek an explanation. Matthew and Marilla Cuthbert live tucked away on a farm called Green Gables. Marilla, though more talkative than Matthew, is severe and private. Her house and her appearance reflect this severity: the immaculate house seems too sterile for comfort, and Marilla has an angular face and tightly knotted hair. Despite her stiffness, however, something about her mouth suggests a natural, if undeveloped, sense of humor. When Mrs. Rachel asks about Matthew's errand, Marilla informs her that he is on his way to pick up the Cuthberts' new orphan from the train station. With Matthew getting older--he is sixty--they realized they needed help around the farm and decided to adopt a boy from the orphanage. This news shocks Mrs. Rachel, who launches into a monologue about the horror stories she has heard about orphans--a boy who set fire to his new home, another who used to suck eggs, and a girl who put strychnine in the well. Marilla acknowledges her concerns about bringing a stranger into the house, but she comforts herself with the knowledge that the boy will at least be Canadian and thus not too different from themselves. Marilla wonders why anyone would adopt a girl, since girls cannot work on farms

----------CHAPTER 1--------- |MRS. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies' eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde's Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde's door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky-white bloom, hummed over by a myriad of bees. Thomas Lynde--a meek little man whom Avonlea people called "Rachel Lynde's husband"--was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair's store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn't happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's enjoyment was spoiled. "I'll just step over to Green Gables after tea and find out from Marilla where he's gone and why," the worthy woman finally concluded. "He doesn't generally go to town this time of year and he _never_ visits; if he'd run out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde's Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert's father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place _living_ at all. "It's just _staying_, that's what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren't much company, though dear knows if they were there'd be enough of them. I'd ruther look at people. To be sure, they seem contented enough; but then, I suppose, they're used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without over-brimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew's white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn't it? Won't you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We're all pretty well," said Mrs. Rachel. "I was kind of afraid _you_ weren't, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor's." Marilla's lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor's curiosity. "Oh, no, I'm quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we've been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we'd get a boy. Matthew is getting up in years, you know--he's sixty--and he isn't so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it's got to be to get hired help. There's never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he's up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said 'no' flat to that. 'They may be all right--I'm not saying they're not--but no London street Arabs for me,' I said. 'Give me a native born at least. There'll be a risk, no matter who we get. But I'll feel easier in my mind and sleep sounder at nights if we get a born Canadian.' So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer's folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station--saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish thing--a risky thing, that's what. You don't know what you're getting. You're bringing a strange child into your house and home and you don't know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he's likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it _on purpose_, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn't break him of it. If you had asked my advice in the matter--which you didn't do, Marilla--I'd have said for mercy's sake not to think of such a thing, that's what." This Job's comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don't deny there's something in what you say, Rachel. I've had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It's so seldom Matthew sets his mind on anything that when he does I always feel it's my duty to give in. And as for the risk, there's risks in pretty near everything a body does in this world. There's risks in people's having children of their own if it comes to that--they don't always turn out well. And then Nova Scotia is right close to the Island. It isn't as if we were getting him from England or the States. He can't be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we're not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I'd never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, _she_ wouldn't shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell's and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla's relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel's pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I'm sorry for that poor young one and no mistake. Matthew and Marilla don't know anything about children and they'll expect him to be wiser and steadier that his own grandfather, if so be's he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there's never been one there, for Matthew and Marilla were grown up when the new house was built--if they ever _were_ children, which is hard to believe when one looks at them. I wouldn't be in that orphan's shoes for anything. My, but I pity him, that's what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. ----------CHAPTER 3--------- |MARILLA came briskly forward as Matthew opened the door. But when her eyes fell on the odd little figure in the stiff, ugly dress, with the long braids of red hair and the eager, luminous eyes, she stopped short in amazement. "Matthew Cuthbert, who's that?" she ejaculated. "Where is the boy?" "There wasn't any boy," said Matthew wretchedly. "There was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep.

cliffnotes

Produce a brief summary for chapter 5 based on the provided context.

chapter 4|chapter 5

Anne's History Anne announces that she is determined to enjoy the ride back to Mrs. Spencer's orphanage. Marilla, realizing that Anne must talk about something, decides to pick the topic herself, and asks Anne about her past. Anne says she would prefer to tell what she imagines about herself, as her imagination is so much richer than her history, but she agrees to tell her story. Her parents, Walter and Bertha Shirley, were teachers, and both died of fever when Anne was a baby. She was adopted by Mrs. Thomas, a poor woman with a drunken husband, who wanted Anne only so she would have help with her children. Eight years later, after the death of Mr. Thomas, Mrs. Thomas gave Anne to another poor woman, Mrs. Hammond, and Anne cared for Mrs. Hammond's three sets of twins. After two years, Mr. Hammond died, and Anne was sent to the orphanage, where she lived for four months. She received little schooling but compensated for her lack of formal education by reading voraciously. After hearing Anne's sad history, Marilla pities her for the first time. Anne, however, refuses to feel sorry for herself, crediting her various foster mothers with good intentions, even if the women were not always kind. Marilla begins to consider keeping Anne. She thinks Anne ladylike and supposes Anne could easily be trained out of her bad habits

----------CHAPTER 4--------- |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better get dressed and come down-stairs and never mind your imaginings," said Marilla as soon as she could get a word in edgewise. "Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes' time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla's requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I'm pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn't seem such a howling wilderness as it did last night. I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don't you think? You don't know what's going to happen through the day, and there's so much scope for imagination. But I'm glad it's not rainy today because it's easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It's all very well to read about sorrows and imagine yourself living through them heroically, but it's not so nice when you really come to have them, is it?" "For pity's sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child's body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew's way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I'm better at looking after children, though. I've had so much experience at that. It's such a pity you haven't any here for me to look after." "I don't feel as if I wanted any more children to look after than I've got at present. _You're_ problem enough in all conscience. What's to be done with you I don't know. Matthew is a most ridiculous man." "I think he's lovely," said Anne reproachfully. "He is so very sympathetic. He didn't mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You're both queer enough, if that's what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I've got enough to attend to this morning for I'll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You'll come with me and we'll settle what's to be done with you. After you've finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What's the matter now?" demanded Marilla. "I don't dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can't stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook I'll not be able to help loving it. It's hard enough now, so I won't make it any harder. I want to go out so much--everything seems to be calling to me, 'Anne, Anne, come out to us. Anne, Anne, we want a playmate'--but it's better not. There is no use in loving things if you have to be torn from them, is there? And it's so hard to keep from loving things, isn't it? That was why I was so glad when I thought I was going to live here. I thought I'd have so many things to love and nothing to hinder me. But that brief dream is over. I am resigned to my fate now, so I don't think I'll go out for fear I'll get unresigned again. What is the name of that geranium on the window-sill, please?" "That's the apple-scented geranium." "Oh, I don't mean that sort of a name. I mean just a name you gave it yourself. Didn't you give it a name? May I give it one then? May I call it--let me see--Bonny would do--may I call it Bonny while I'm here? Oh, do let me!" "Goodness, I don't care. But where on earth is the sense of naming a geranium?" "Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else? You wouldn't like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white. Of course, it won't always be in blossom, but one can imagine that it is, can't one?" "I never in all my life saw or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I'm wondering what on earth she'll say next. She'll be casting a spell over me, too. She's cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what's to be done with a man who just _looks?_" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly: "I'm going to drive over to White Sands and settle this thing. I'll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I'll set your tea out for you and I'll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won't talk back--unless it is a woman who won't. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed: "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. ----------CHAPTER 5--------- |DO you know," said Anne confidentially, "I've made up my mind to enjoy this drive. It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up _firmly_. I am not going to think about going back to the asylum while we're having our drive. I'm just going to think about the drive. Oh, look, there's one little early wild rose out! Isn't it lovely? Don't you think it must be glad to be a rose? Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely things. And isn't pink the most bewitching color in the world? I love it, but I can't wear it. Redheaded people can't wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone. 'My life is a perfect graveyard of buried hopes.' That's a sentence I read in a book once, and I say it over to comfort myself whenever I'm disappointed in anything." "I don't see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn't it? I'm rather glad I have one. Are we going across the Lake of Shining Waters today?" "We're not going over Barry's pond, if that's what you mean by your Lake of Shining Waters. We're going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said 'shore road' I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don't like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It's five miles; and as you're evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I _know_ about myself isn't really worth telling," said Anne eagerly. "If you'll only let me tell you what I _imagine_ about myself you'll think it ever so much more interesting." "No, I don't want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother's name was Bertha Shirley. Aren't Walter and Bertha lovely names? I'm so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn't it?" "I guess it doesn't matter what a person's name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don't know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I've never been able to believe it. I don't believe a rose _would_ be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I'm sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I've never seen that house, but I've imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn't you? I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn't live very long after that, you see. She died of fever when I was just three months old. I do wish she'd lived long enough for me to remember calling her mother. I think it would be so sweet to say 'mother,' don't you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn't any relatives living. Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand--reproachful-like. "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn't want me. Mrs. Thomas was at _her_ wits' end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I'm sure I could never have lived there if I hadn't had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is _too much_. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about. "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn't want me at the asylum, either; they said they were over-crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn't walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--'The Battle of Hohenlinden' and 'Edinburgh after Flodden,' and 'Bingen of the Rhine,' and most of the 'Lady of the Lake' and most of 'The Seasons' by James Thompson. Don't you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--'The Downfall of Poland'--that is just full of thrills. Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they _meant_ to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don't mind very much when they're not quite--always. They had a good deal to worry them, you know. It's a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don't you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne's history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew's unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She's got too much to say," thought Marilla, "but she might be trained out of that. And there's nothing rude or slangy in what she does say. She's ladylike. It's likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren't those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn't be a human girl. Don't you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one's nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer's place," said Anne mournfully. "I don't want to get there. Somehow, it will seem like the end of everything."

cliffnotes

Produce a brief summary for chapter 6 based on the provided context.

chapter 6|chapter 7

Marilla Makes Up Her Mind Marilla and Anne arrive at Mrs. Spencer's orphanage and explain the mistake. Mrs. Spencer apologizes and says that the situation will work out for the best anyway. Another woman, Mrs. Peter Blewett, wants to adopt a girl to help with her rambunctious children, so Anne can be handed over to her, allowing the Cuthberts to adopt the boy they originally wanted. This news does not please Marilla, for Mrs. Blewett is known for her nastiness and stinginess, and for driving her servants hard. Marilla feels a twinge of guilt at the thought of relinquishing Anne to her. Mrs. Blewett comes to borrow a recipe from Mrs. Spencer, and her presence terrifies Anne. Marilla takes Anne back to Green Gables, saying she needs time to think about the proposition. At home, she tells Matthew that she is willing to keep Anne if he agrees not to interfere with her child-rearing methods. Marilla admits to nervousness at the prospect of raising a girl but tells Matthew, "Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. Matthew, delighted by Marilla's decision, asks only that Marilla be good and kind to Anne. Marilla reflects that she has invited a challenge into her life. She cannot quite believe what she is about to do, and she is even more surprised that Matthew, famous for his fear of women, is so adamant about keeping Anne. She decides to wait until the following day to tell Anne of their decision

----------CHAPTER 6--------- |GET there they did, however, in due season. Mrs. Spencer lived in a big yellow house at White Sands Cove, and she came to the door with surprise and welcome mingled on her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you." Mrs. Blewett darted her eyes over Anne from head to foot. "How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and what isn't," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I'd rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne's history and the result of the interview with Mrs. Spencer. "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I'm willing--or have to be. I've been thinking over the idea until I've got kind of used to it. It seems a sort of duty. I've never brought up a child, especially a girl, and I dare say I'll make a terrible mess of it. But I'll do my best. So far as I'm concerned, Matthew, she may stay." Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it in that light, Marilla," he said. "She's such an interesting little thing." "It'd be more to the point if you could say she was a useful little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." ----------CHAPTER 7--------- |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed." "I never say any prayers," announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "'God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words. 'Infinite, eternal and unchangeable.' Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just _feel_ a prayer. Well, I'm ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love. "You're old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I'll do my best," promised Anne, burying her face in Marilla's lap. "Gracious heavenly Father--that's the way the ministers say it in church, so I suppose it's all right in private prayer, isn't it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I'm really extremely grateful for them. And that's all the blessings I can think of just now to thank Thee for. As for the things I want, they're so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley. "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I've just thought of it now. I should have said, 'Amen' in place of 'yours respectfully,' shouldn't I?--the way the ministers do. I'd forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it."

cliffnotes

Produce a brief summary for chapter 8 based on the provided context.

chapter 8|chapter 9

Anne's Bringing-Up Is Begun The next afternoon, Anne begs Marilla to tell her whether she can stay at Green Gables. Marilla makes Anne wash the dishcloth in hot water before announcing that she can stay. When Anne hears the good news, she cries with happiness, promising to be good and obedient, two qualities she senses Marilla values above all others. Anne asks whether she should continue to refer to Marilla as Miss Cuthbert or whether she might call her Aunt Marilla. Calling Marilla her aunt, says Anne, would be almost as good as having an actual relative. Marilla says Anne should call her Marilla. Afraid that Anne might repeat the prayer debacle of the previous night, Marilla instructs Anne to retrieve a copy of the Lord's Prayer from the next room and memorize it. Anne does not return for ten minutes. Marilla finds her kneeling before a picture entitled "Christ Blessing Little Children," rapt and starry-eyed. Anne is imagining herself as a little girl in the picture whom the other children ignore but who creeps into the crowd hoping for Christ's attention and blessing. Marilla chastises her for being irreverent, which surprises Anne. Anne sits at the kitchen table to memorize Lord's Prayer. She asks Marilla if she will have a "bosom friend" or "kindred spirit" at Avonlea. Marilla says a little girl named Diana Barry lives nearby, and Anne asks about Diana's hair color, saying red hair in a bosom friend would be unendurable. She tells Marilla about her previous best friends, both imaginary. At Mrs. Thomas's, she created an imaginary best friend to whom she spoke in the glass door of a bookcase. When she moved to Mrs. Hammond's, she found a new best friend in the echo of her own voice in a nearby valley. Marilla, fed up with Anne's chatter, sends her to her room, where she daydreams. She tries to imagine that she is Lady Cordelia Fitzgerald, but finding this persona unconvincing, she appeases herself with her new real name: Anne of Green Gables.

----------CHAPTER 8--------- |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly. "Do you never imagine things different from what they really are?" asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--"and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does. 'Our Father who art in heaven hallowed be Thy name.' That is just like a line of music. Oh, I'm so glad you thought of making me learn this, Miss--Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer. "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea." "Can I take the apple blossoms with me for company?" pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. ----------CHAPTER 9--------- |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. But if you'll take my advice--which I suppose you won't do, although I've brought up ten children and buried two--you'll do that 'talking to' you mention with a fair-sized birch switch. I should think _that_ would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you'll come down to see me often as usual. But you can't expect me to visit here again in a hurry, if I'm liable to be flown at and insulted in such a fashion. It's something new in _my_ experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled _could_ be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne's disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel's own children could have borne smarting testimony--did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren't you ashamed of yourself?" "She hadn't any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn't any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you--thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I'm sure I don't know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there's such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can't help hoping other people don't quite think it is. I suppose you think I have an awful temper, but I couldn't help it. When she said those things something just rose right up in me and choked me. I _had_ to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she'll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don't say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We're not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they're rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you'll stay here in your room until you can tell me you're willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can't tell Mrs. Lynde I'm sorry I said those things to her. How can I? I'm _not_ sorry. I'm sorry I've vexed you; but I'm _glad_ I told her just what I did. It was a great satisfaction. I can't say I'm sorry when I'm not, can I? I can't even _imagine_ I'm sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You'll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn't seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne's stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh.

cliffnotes

Create a compact summary that covers the main points of chapter 11, utilizing the provided context.

chapter 10|chapter 11

Anne's Impressions of Sunday School Marilla shows Anne the three new dresses she has made for her, all of which are ugly and none of which has the puffed sleeves that Anne wants. To make up for the ugliness of the dresses, Anne imagines they are as beautiful and ornate as the dresses she has seen other girls wearing. The next day, Anne goes to church and Sunday school alone, wearing one of her new dresses. On the way, she picks a bunch of flowers and decorates her otherwise plain hat with them, an eccentric adornment that causes other Avonlea churchgoers to scoff. After church, Anne reports to Marilla that the service did not impress her. She says that the minister's sermon, the prayer, and the Sunday school teacher's prim questions were all unimaginative. Anne was able to survive the boring morning only by looking out the window and daydreaming. Marilla scolds Anne for her inattention at church but inwardly agrees with her. Although she never articulates her own criticisms of the minister, Mr. Bentley, and the Sunday school teacher, Mr. Bell, she, like Anne, has always felt that the church service is boring and uninspiring

----------CHAPTER 10--------- |MARILLA said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne's behavior. "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old gossip," was Matthew's consolatory rejoinder. "Matthew Cuthbert, I'm astonished at you. You know that Anne's behavior was dreadful, and yet you take her part! I suppose you'll be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I'll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue," said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. "It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. ----------CHAPTER 11--------- |WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!" said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia. "They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, 'way, 'way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said, 'Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn't, but I could recite, 'The Dog at His Master's Grave' if she liked. That's in the Third Royal Reader. It isn't a really truly religious piece of poetry, but it's so sad and melancholy that it might as well be. She said it wouldn't do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it's splendid. There are two lines in particular that just thrill me. "'Quick as the slaughtered squadrons fell In Midian's evil day.' "I don't know what 'squadrons' means nor 'Midian,' either, but it sounds _so_ tragical. I can hardly wait until next Sunday to recite it. I'll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I'd pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn't think he was a bit interesting. The trouble with him seems to be that he hasn't enough imagination. I didn't listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister's sermons and Mr. Bell's prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity.

cliffnotes

Create a compact summary that covers the main points of chapter 13, utilizing the provided context.

chapter 12|chapter 13

The Delights of Anticipation Marilla fumes as she looks out the window and sees Anne talking to Matthew forty-five minutes after she was supposed to go inside and do chores. Marilla's anger diminishes as Anne bursts into the room and joyfully describes the Sunday school picnic planned for the following week. She cannot wait to attend and to have her first taste of ice cream. When Marilla agrees to let her attend and says she will bake a basket of food for Anne to take along, Anne flies into her arms and kisses her cheek. Marilla flushes with warmth, though she disguises her pleasure with an injunction to Anne to be more obedient. Anne talks excitedly about her adventures with Diana and especially about their playhouse in the woods, which is composed of discarded pieces of board and china. When Marilla tries to hush Anne and quell her excitement about the upcoming picnic, Anne replies that she would rather look forward to things and risk disappointment than follow advice from stodgy ladies like Mrs. Rachel who say, "Blessed are they who expect nothing for they shall not be disappointed. Anne says she was disappointed when she finally saw a diamond because it was not half as beautiful as she had imagined. She envisioned that a diamond was as colorful as the best amethyst, a stone that pleases both Anne and Marilla. Marilla has an amethyst brooch, her most prized possession, which she wears to church. Anne loves it so much that she begs Marilla to let her hold it for a minute

----------CHAPTER 12--------- |IT was not until the next Friday that Marilla heard the story of the flower-wreathed hat. She came home from Mrs. Lynde's and called Anne to account. "Anne, Mrs. Rachel says you went to church last Sunday with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!" "Oh. I know pink and yellow aren't becoming to me," began Anne. "Becoming fiddlesticks! It was putting flowers on your hat at all, no matter what color they were, that was ridiculous. You are the most aggravating child!" "I don't see why it's any more ridiculous to wear flowers on your hat than on your dress," protested Anne. "Lots of little girls there had bouquets pinned on their dresses. What's the difference?" Marilla was not to be drawn from the safe concrete into dubious paths of the abstract. "Don't answer me back like that, Anne. It was very silly of you to do such a thing. Never let me catch you at such a trick again. Mrs. Rachel says she thought she would sink through the floor when she saw you come in all rigged out like that. She couldn't get near enough to tell you to take them off till it was too late. She says people talked about it something dreadful. Of course they would think I had no better sense than to let you go decked out like that." "Oh, I'm so sorry," said Anne, tears welling into her eyes. "I never thought you'd mind. The roses and buttercups were so sweet and pretty I thought they'd look lovely on my hat. Lots of the little girls had artificial flowers on their hats. I'm afraid I'm going to be a dreadful trial to you. Maybe you'd better send me back to the asylum. That would be terrible; I don't think I could endure it; most likely I would go into consumption; I'm so thin as it is, you see. But that would be better than being a trial to you." "Nonsense," said Marilla, vexed at herself for having made the child cry. "I don't want to send you back to the asylum, I'm sure. All I want is that you should behave like other little girls and not make yourself ridiculous. Don't cry any more. I've got some news for you. Diana Barry came home this afternoon. I'm going up to see if I can borrow a skirt pattern from Mrs. Barry, and if you like you can come with me and get acquainted with Diana." Anne rose to her feet, with clasped hands, the tears still glistening on her cheeks; the dish towel she had been hemming slipped unheeded to the floor. "Oh, Marilla, I'm frightened--now that it has come I'm actually frightened. What if she shouldn't like me! It would be the most tragical disappointment of my life." "Now, don't get into a fluster. And I do wish you wouldn't use such long words. It sounds so funny in a little girl. I guess Diana 'll like you well enough. It's her mother you've got to reckon with. If she doesn't like you it won't matter how much Diana does. If she has heard about your outburst to Mrs. Lynde and going to church with buttercups round your hat I don't know what she'll think of you. You must be polite and well behaved, and don't make any of your startling speeches. For pity's sake, if the child isn't actually trembling!" Anne _was_ trembling. Her face was pale and tense. "Oh, Marilla, you'd be excited, too, if you were going to meet a little girl you hoped to be your bosom friend and whose mother mightn't like you," she said as she hastened to get her hat. They went over to Orchard Slope by the short cut across the brook and up the firry hill grove. Mrs. Barry came to the kitchen door in answer to Marilla's knock. She was a tall black-eyed, black-haired woman, with a very resolute mouth. She had the reputation of being very strict with her children. "How do you do, Marilla?" she said cordially. "Come in. And this is the little girl you have adopted, I suppose?" "Yes, this is Anne Shirley," said Marilla. "Spelled with an E," gasped Anne, who, tremulous and excited as she was, was determined there should be no misunderstanding on that important point. Mrs. Barry, not hearing or not comprehending, merely shook hands and said kindly: "How are you?" "I am well in body although considerable rumpled up in spirit, thank you ma'am," said Anne gravely. Then aside to Marilla in an audible whisper, "There wasn't anything startling in that, was there, Marilla?" Diana was sitting on the sofa, reading a book which she dropped when the callers entered. She was a very pretty little girl, with her mother's black eyes and hair, and rosy cheeks, and the merry expression which was her inheritance from her father. "This is my little girl Diana," said Mrs. Barry. "Diana, you might take Anne out into the garden and show her your flowers. It will be better for you than straining your eyes over that book. She reads entirely too much--" this to Marilla as the little girls went out--"and I can't prevent her, for her father aids and abets her. She's always poring over a book. I'm glad she has the prospect of a playmate--perhaps it will take her more out-of-doors." Outside in the garden, which was full of mellow sunset light streaming through the dark old firs to the west of it, stood Anne and Diana, gazing bashfully at each other over a clump of gorgeous tiger lilies. The Barry garden was a bowery wilderness of flowers which would have delighted Anne's heart at any time less fraught with destiny. It was encircled by huge old willows and tall firs, beneath which flourished flowers that loved the shade. Prim, right-angled paths neatly bordered with clamshells, intersected it like moist red ribbons and in the beds between old-fashioned flowers ran riot. There were rosy bleeding-hearts and great splendid crimson peonies; white, fragrant narcissi and thorny, sweet Scotch roses; pink and blue and white columbines and lilac-tinted Bouncing Bets; clumps of southernwood and ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called 'Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't," said Anne eagerly. "I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." ----------CHAPTER 13--------- |IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more 'n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently. Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her workbasket and sitting down before a little heap of red and white diamonds with a sigh. "I think some kinds of sewing would be nice; but there's no scope for imagination in patchwork. It's just one little seam after another and you never seem to be getting anywhere. But of course I'd rather be Anne of Green Gables sewing patchwork than Anne of any other place with nothing to do but play. I wish time went as quick sewing patches as it does when I'm playing with Diana, though. Oh, we do have such elegant times, Marilla. I have to furnish most of the imagination, but I'm well able to do that. Diana is simply perfect in every other way. You know that little piece of land across the brook that runs up between our farm and Mr. Barry's. It belongs to Mr. William Bell, and right in the corner there is a little ring of white birch trees--the most romantic spot, Marilla. Diana and I have our playhouse there. We call it Idlewild. Isn't that a poetical name? I assure you it took me some time to think it out. I stayed awake nearly a whole night before I invented it. Then, just as I was dropping off to sleep, it came like an inspiration. Diana was _enraptured_ when she heard it. We have got our house fixed up elegantly. You must come and see it, Marilla--won't you? We have great big stones, all covered with moss, for seats, and boards from tree to tree for shelves. And we have all our dishes on them. Of course, they're all broken but it's the easiest thing in the world to imagine that they are whole. There's a piece of a plate with a spray of red and yellow ivy on it that is especially beautiful. We keep it in the parlor and we have the fairy glass there, too. The fairy glass is as lovely as a dream. Diana found it out in the woods behind their chicken house. It's all full of rainbows--just little young rainbows that haven't grown big yet--and Diana's mother told her it was broken off a hanging lamp they once had. But it's nice to imagine the fairies lost it one night when they had a ball, so we call it the fairy glass. Matthew is going to make us a table. Oh, we have named that little round pool over in Mr. Barry's field Willowmere. I got that name out of the book Diana lent me. That was a thrilling book, Marilla. The heroine had five lovers. I'd be satisfied with one, wouldn't you? She was very handsome and she went through great tribulations. She could faint as easy as anything. I'd love to be able to faint, wouldn't you, Marilla? It's so romantic. But I'm really very healthy for all I'm so thin. I believe I'm getting fatter, though. Don't you think I am? I look at my elbows every morning when I get up to see if any dimples are coming. Diana is having a new dress made with elbow sleeves. She is going to wear it to the picnic. Oh, I do hope it will be fine next Wednesday. I don't feel that I could endure the disappointment if anything happened to prevent me from getting to the picnic. I suppose I'd live through it, but I'm certain it would be a lifelong sorrow. It wouldn't matter if I got to a hundred picnics in after years; they wouldn't make up for missing this one. They're going to have boats on the Lake of Shining Waters--and ice cream, as I told you. I have never tasted ice cream. Diana tried to explain what it was like, but I guess ice cream is one of those things that are beyond imagination." "Anne, you have talked even on for ten minutes by the clock," said Marilla. "Now, just for curiosity's sake, see if you can hold your tongue for the same length of time." Anne held her tongue as desired. But for the rest of the week she talked picnic and thought picnic and dreamed picnic. On Saturday it rained and she worked herself up into such a frantic state lest it should keep on raining until and over Wednesday that Marilla made her sew an extra patchwork square by way of steadying her nerves. On Sunday Anne confided to Marilla on the way home from church that she grew actually cold all over with excitement when the minister announced the picnic from the pulpit. "Such a thrill as went up and down my back, Marilla! I don't think I'd ever really believed until then that there was honestly going to be a picnic. I couldn't help fearing I'd only imagined it. But when a minister says a thing in the pulpit you just have to believe it." "You set your heart too much on things, Anne," said Marilla, with a sigh. "I'm afraid there'll be a great many disappointments in store for you through life." "Oh, Marilla, looking forward to things is half the pleasure of them," exclaimed Anne. "You mayn't get the things themselves; but nothing can prevent you from having the fun of looking forward to them. Mrs. Lynde says, 'Blessed are they who expect nothing for they shall not be disappointed.' But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?"

cliffnotes

Craft a concise overview of chapter 17 using the context provided.

chapter 17|chapter 20

A New Interest in Life One afternoon, Anne spies Diana outside beckoning to her. Anne rushes out, and Diana tells her she is still forbidden to play with Anne so she has come to say goodbye. The two have a sentimental, melodramatic parting. When Diana cries that she loves her bosom friend, Anne says, "Nobody ever has loved me since I can remember. Oh, this is. a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Anne asks for a lock of Diana's black hair to keep as a memento. To combat her despair over losing Diana, Anne decides to return to school. There, she can look at Diana even though the two are forbidden to talk or play together. Anne's classmates welcome her back with open arms and little gifts. Some of the girls send her plums, bottles, or copied poems, and two admiring boys, Charlie Sloane and Gilbert Blythe, pass her a slate pencil and an apple, respectively. Anne graciously accepts Charlie's gift but ostentatiously ignores Gilbert's offering. One day, to Anne's dismay, she and Gilbert are tied as top student, and Mr. Phillips writes both of their names on the board

----------CHAPTER 17--------- |THE next afternoon Anne, bending over her patchwork at the kitchen window, happened to glance out and beheld Diana down by the Dryad's Bubble beckoning mysteriously. In a trice Anne was out of the house and flying down to the hollow, astonishment and hope struggling in her expressive eyes. But the hope faded when she saw Diana's dejected countenance. "Your mother hasn't relented?" she gasped. Diana shook her head mournfully. "No; and oh, Anne, she says I'm never to play with you again. I've cried and cried and I told her it wasn't your fault, but it wasn't any use. I had ever such a time coaxing her to let me come down and say good-bye to you. She said I was only to stay ten minutes and she's timing me by the clock." "Ten minutes isn't very long to say an eternal farewell in," said Anne tearfully. "Oh, Diana, will you promise faithfully never to forget me, the friend of your youth, no matter what dearer friends may caress thee?" "Indeed I will," sobbed Diana, "and I'll never have another bosom friend--I don't want to have. I couldn't love anybody as I love you." "Oh, Diana," cried Anne, clasping her hands, "do you _love_ me?" "Why, of course I do. Didn't you know that?" "No." Anne drew a long breath. "I thought you _liked_ me of course but I never hoped you _loved_ me. Why, Diana, I didn't think anybody could love me. Nobody ever has loved me since I can remember. Oh, this is wonderful! It's a ray of light which will forever shine on the darkness of a path severed from thee, Diana. Oh, just say it once again." "I love you devotedly, Anne," said Diana stanchly, "and I always will, you may be sure of that." "And I will always love thee, Diana," said Anne, solemnly extending her hand. "In the years to come thy memory will shine like a star over my lonely life, as that last story we read together says. Diana, wilt thou give me a lock of thy jet-black tresses in parting to treasure forevermore?" "Have you got anything to cut it with?" queried Diana, wiping away the tears which Anne's affecting accents had caused to flow afresh, and returning to practicalities. "Yes. I've got my patchwork scissors in my apron pocket fortunately," said Anne. She solemnly clipped one of Diana's curls. "Fare thee well, my beloved friend. Henceforth we must be as strangers though living side by side. But my heart will ever be faithful to thee." Anne stood and watched Diana out of sight, mournfully waving her hand to the latter whenever she turned to look back. Then she returned to the house, not a little consoled for the time being by this romantic parting. "It is all over," she informed Marilla. "I shall never have another friend. I'm really worse off than ever before, for I haven't Katie Maurice and Violetta now. And even if I had it wouldn't be the same. Somehow, little dream girls are not satisfying after a real friend. Diana and I had such an affecting farewell down by the spring. It will be sacred in my memory forever. I used the most pathetic language I could think of and said 'thou' and 'thee.' 'Thou' and 'thee' seem so much more romantic than 'you.' Diana gave me a lock of her hair and I'm going to sew it up in a little bag and wear it around my neck all my life. Please see that it is buried with me, for I don't believe I'll live very long. Perhaps when she sees me lying cold and dead before her Mrs. Barry may feel remorse for what she has done and will let Diana come to my funeral." "I don't think there is much fear of your dying of grief as long as you can talk, Anne," said Marilla unsympathetically. The following Monday Anne surprised Marilla by coming down from her room with her basket of books on her arm and hip and her lips primmed up into a line of determination. "I'm going back to school," she announced. "That is all there is left in life for me, now that my friend has been ruthlessly torn from me. In school I can look at her and muse over days departed." "You'd better muse over your lessons and sums," said Marilla, concealing her delight at this development of the situation. "If you're going back to school I hope we'll hear no more of breaking slates over people's heads and such carryings on. Behave yourself and do just what your teacher tells you." "I'll try to be a model pupil," agreed Anne dolefully. "There won't be much fun in it, I expect. Mr. Phillips said Minnie Andrews was a model pupil and there isn't a spark of imagination or life in her. She is just dull and poky and never seems to have a good time. But I feel so depressed that perhaps it will come easy to me now. I'm going round by the road. I couldn't bear to go by the Birch Path all alone. I should weep bitter tears if I did." Anne was welcomed back to school with open arms. Her imagination had been sorely missed in games, her voice in the singing and her dramatic ability in the perusal aloud of books at dinner hour. Ruby Gillis smuggled three blue plums over to her during testament reading; Ella May MacPherson gave her an enormous yellow pansy cut from the covers of a floral catalogue--a species of desk decoration much prized in Avonlea school. Sophia Sloane offered to teach her a perfectly elegant new pattern of knit lace, so nice for trimming aprons. Katie Boulter gave her a perfume bottle to keep slate water in, and Julia Bell copied carefully on a piece of pale pink paper scalloped on the edges the following effusion: When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far. "It's so nice to be appreciated," sighed Anne rapturously to Marilla that night. The girls were not the only scholars who "appreciated" her. When Anne went to her seat after dinner hour--she had been told by Mr. Phillips to sit with the model Minnie Andrews--she found on her desk a big luscious "strawberry apple." Anne caught it up all ready to take a bite when she remembered that the only place in Avonlea where strawberry apples grew was in the old Blythe orchard on the other side of the Lake of Shining Waters. Anne dropped the apple as if it were a red-hot coal and ostentatiously wiped her fingers on her handkerchief. The apple lay untouched on her desk until the next morning, when little Timothy Andrews, who swept the school and kindled the fire, annexed it as one of his perquisites. Charlie Sloane's slate pencil, gorgeously bedizened with striped red and yellow paper, costing two cents where ordinary pencils cost only one, which he sent up to her after dinner hour, met with a more favorable reception. Anne was graciously pleased to accept it and rewarded the donor with a smile which exalted that infatuated youth straightway into the seventh heaven of delight and caused him to make such fearful errors in his dictation that Mr. Phillips kept him in after school to rewrite it. But as, The Caesar's pageant shorn of Brutus' bust Did but of Rome's best son remind her more, so the marked absence of any tribute or recognition from Diana Barry who was sitting with Gertie Pye embittered Anne's little triumph. "Diana might just have smiled at me once, I think," she mourned to Marilla that night. But the next morning a note most fearfully and wonderfully twisted and folded, and a small parcel were passed across to Anne. Dear Anne (ran the former) Mother says I'm not to play with you or talk to you even in school. It isn't my fault and don't be cross at me, because I love you as much as ever. I miss you awfully to tell all my secrets to and I don't like Gertie Pye one bit. I made you one of the new bookmarkers out of red tissue paper. They are awfully fashionable now and only three girls in school know how to make them. When you look at it remember Your true friend Diana Barry. Anne read the note, kissed the bookmark, and dispatched a prompt reply back to the other side of the school. My own darling Diana:-- Of course I am not cross at you because you have to obey your mother. Our spirits can commune. I shall keep your lovely present forever. Minnie Andrews is a very nice little girl--although she has no imagination--but after having been Diana's busum friend I cannot be Minnie's. Please excuse mistakes because my spelling isn't very good yet, although much improoved. Yours until death us do part Anne or Cordelia Shirley. P.S. I shall sleep with your letter under my pillow tonight. A. _or_ C.S. Marilla pessimistically expected more trouble since Anne had again begun to go to school. But none developed. Perhaps Anne caught something of the "model" spirit from Minnie Andrews; at least she got on very well with Mr. Phillips thenceforth. She flung herself into her studies heart and soul, determined not to be outdone in any class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When the written examinations at the end of each month were held the suspense was terrible. The first month Gilbert came out three marks ahead. The second Anne beat him by five. But her triumph was marred by the fact that Gilbert congratulated her heartily before the whole school. It would have been ever so much sweeter to her if he had felt the sting of his defeat. Mr. Phillips might not be a very good teacher; but a pupil so inflexibly determined on learning as Anne was could hardly escape making progress under any kind of teacher. By the end of the term Anne and Gilbert were both promoted into the fifth class and allowed to begin studying the elements of "the branches"--by which Latin, geometry, French, and algebra were meant. In geometry Anne met her Waterloo. "It's perfectly awful stuff, Marilla," she groaned. "I'm sure I'll never be able to make head or tail of it. There is no scope for imagination in it at all. Mr. Phillips says I'm the worst dunce he ever saw at it. And Gil--I mean some of the others are so smart at it. It is extremely mortifying, Marilla. "Even Diana gets along better than I do. But I don't mind being beaten by Diana. Even although we meet as strangers now I still love her with an _inextinguishable_ love. It makes me very sad at times to think about her. But really, Marilla, one can't stay sad very long in such an interesting world, can one?" ----------CHAPTER 20--------- |SPRING had come once more to Green Gables--the beautiful capricious, reluctant Canadian spring, lingering along through April and May in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red budded and little curly ferns pushed up around the Dryad's Bubble. Away up in the barrens, behind Mr. Silas Sloane's place, the Mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil. "I'm so sorry for people who live in lands where there are no Mayflowers," said Anne. "Diana says perhaps they have something better, but there couldn't be anything better than Mayflowers, could there, Marilla? And Diana says if they don't know what they are like they don't miss them. But I think that is the saddest thing of all. I think it would be _tragic_, Marilla, not to know what Mayflowers are like and _not_ to miss them. Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer and this is their heaven. But we had a splendid time today, Marilla. We had our lunch down in a big mossy hollow by an old well--such a _romantic_ spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty did because he wouldn't take a dare. Nobody would in school. It is very _fashionable_ to dare. Mr. Phillips gave all the Mayflowers he found to Prissy Andrews and I heard him to say 'sweets to the sweet.' He got that out of a book, I know; but it shows he has some imagination. I was offered some Mayflowers too, but I rejected them with scorn. I can't tell you the person's name because I have vowed never to let it cross my lips. We made wreaths of the Mayflowers and put them on our hats; and when the time came to go home we marched in procession down the road, two by two, with our bouquets and wreaths, singing 'My Home on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas Sloane's folks rushed out to see us and everybody we met on the road stopped and stared after us. We made a real sensation." "Not much wonder! Such silly doings!" was Marilla's response. After the Mayflowers came the violets, and Violet Vale was empurpled with them. Anne walked through it on her way to school with reverent steps and worshiping eyes, as if she trod on holy ground. "Somehow," she told Diana, "when I'm going through here I don't really care whether Gil--whether anybody gets ahead of me in class or not. But when I'm up in school it's all different and I care as much as ever. There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting." One June evening, when the orchards were pink blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom. In all essential respects the little gable chamber was unchanged. The walls were as white, the pincushion as hard, the chairs as stiffly and yellowly upright as ever. Yet the whole character of the room was altered. It was full of a new vital, pulsing personality that seemed to pervade it and to be quite independent of schoolgirl books and dresses and ribbons, and even of the cracked blue jug full of apple blossoms on the table. It was as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine. Presently Marilla came briskly in with some of Anne's freshly ironed school aprons. She hung them over a chair and sat down with a short sigh. She had had one of her headaches that afternoon, and although the pain had gone she felt weak and "tuckered out," as she expressed it. Anne looked at her with eyes limpid with sympathy. "I do truly wish I could have had the headache in your place, Marilla. I would have endured it joyfully for your sake." "I guess you did your part in attending to the work and letting me rest," said Marilla. "You seem to have got on fairly well and made fewer mistakes than usual. Of course it wasn't exactly necessary to starch Matthew's handkerchiefs! And most people when they put a pie in the oven to warm up for dinner take it out and eat it when it gets hot instead of leaving it to be burned to a crisp. But that doesn't seem to be your way evidently." Headaches always left Marilla somewhat sarcastic. "Oh, I'm so sorry," said Anne penitently. "I never thought about that pie from the moment I put it in the oven till now, although I felt _instinctively_ that there was something missing on the dinner table. I was firmly resolved, when you left me in charge this morning, not to imagine anything, but keep my thoughts on facts. I did pretty well until I put the pie in, and then an irresistible temptation came to me to imagine I was an enchanted princess shut up in a lonely tower with a handsome knight riding to my rescue on a coal-black steed. So that is how I came to forget the pie. I didn't know I starched the handkerchiefs. All the time I was ironing I was trying to think of a name for a new island Diana and I have discovered up the brook. It's the most ravishing spot, Marilla. There are two maple trees on it and the brook flows right around it. At last it struck me that it would be splendid to call it Victoria Island because we found it on the Queen's birthday. Both Diana and I are very loyal. But I'm sorry about that pie and the handkerchiefs. I wanted to be extra good today because it's an anniversary. Do you remember what happened this day last year, Marilla?" "No, I can't think of anything special." "Oh, Marilla, it was the day I came to Green Gables. I shall never forget it. It was the turning point in my life. Of course it wouldn't seem so important to you. I've been here for a year and I've been so happy. Of course, I've had my troubles, but one can live down troubles. Are you sorry you kept me, Marilla?" "No, I can't say I'm sorry," said Marilla, who sometimes wondered how she could have lived before Anne came to Green Gables, "no, not exactly sorry. If you've finished your lessons, Anne, I want you to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern." "Oh--it's--it's too dark," cried Anne. "Too dark? Why, it's only twilight. And goodness knows you've gone over often enough after dark." "I'll go over early in the morning," said Anne eagerly. "I'll get up at sunrise and go over, Marilla." "What has got into your head now, Anne Shirley? I want that pattern to cut out your new apron this evening. Go at once and be smart too." "I'll have to go around by the road, then," said Anne, taking up her hat reluctantly. "Go by the road and waste half an hour! I'd like to catch you!" "I can't go through the Haunted Wood, Marilla," cried Anne desperately. Marilla stared. "The Haunted Wood! Are you crazy? What under the canopy is the Haunted Wood?" "The spruce wood over the brook," said Anne in a whisper. "Fiddlesticks! There is no such thing as a haunted wood anywhere. Who has been telling you such stuff?" "Nobody," confessed Anne. "Diana and I just imagined the wood was haunted. All the places around here are so--so--_commonplace_. We just got this up for our own amusement. We began it in April. A haunted wood is so very romantic, Marilla. We chose the spruce grove because it's so gloomy. Oh, we have imagined the most harrowing things. There's a white lady walks along the brook just about this time of the night and wrings her hands and utters wailing cries. She appears when there is to be a death in the family. And the ghost of a little murdered child haunts the corner up by Idlewild; it creeps up behind you and lays its cold fingers on your hand--so. Oh, Marilla, it gives me a shudder to think of it. And there's a headless man stalks up and down the path and skeletons glower at you between the boughs. Oh, Marilla, I wouldn't go through the Haunted Wood after dark now for anything. I'd be sure that white things would reach out from behind the trees and grab me." "Did ever anyone hear the like!" ejaculated Marilla, who had listened in dumb amazement. "Anne Shirley, do you mean to tell me you believe all that wicked nonsense of your own imagination?" "Not believe _exactly_," faltered Anne. "At least, I don't believe it in daylight. But after dark, Marilla, it's different. That is when ghosts walk." "There are no such things as ghosts, Anne." "Oh, but there are, Marilla," cried Anne eagerly. "I know people who have seen them. And they are respectable people. Charlie Sloane says that his grandmother saw his grandfather driving home the cows one night after he'd been buried for a year. You know Charlie Sloane's grandmother wouldn't tell a story for anything. She's a very religious woman. And Mrs. Thomas's father was pursued home one night by a lamb of fire with its head cut off hanging by a strip of skin. He said he knew it was the spirit of his brother and that it was a warning he would die within nine days. He didn't, but he died two years after, so you see it was really true. And Ruby Gillis says--" "Anne Shirley," interrupted Marilla firmly, "I never want to hear you talking in this fashion again. I've had my doubts about that imagination of yours right along, and if this is going to be the outcome of it, I won't countenance any such doings. You'll go right over to Barry's, and you'll go through that spruce grove, just for a lesson and a warning to you. And never let me hear a word out of your head about haunted woods again." Anne might plead and cry as she liked--and did, for her terror was very real. Her imagination had run away with her and she held the spruce grove in mortal dread after nightfall. But Marilla was inexorable. She marched the shrinking ghost-seer down to the spring and ordered her to proceed straightaway over the bridge and into the dusky retreats of wailing ladies and headless specters beyond. "Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would you feel like if a white thing did snatch me up and carry me off?" "I'll risk it," said Marilla unfeelingly. "You know I always mean what I say. I'll cure you of imagining ghosts into places. March, now." Anne marched. That is, she stumbled over the bridge and went shuddering up the horrible dim path beyond. Anne never forgot that walk. Bitterly did she repent the license she had given to her imagination. The goblins of her fancy lurked in every shadow about her, reaching out their cold, fleshless hands to grasp the terrified small girl who had called them into being. A white strip of birch bark blowing up from the hollow over the brown floor of the grove made her heart stand still. The long-drawn wail of two old boughs rubbing against each other brought out the perspiration in beads on her forehead. The swoop of bats in the darkness over her was as the wings of unearthly creatures. When she reached Mr. William Bell's field she fled across it as if pursued by an army of white things, and arrived at the Barry kitchen door so out of breath that she could hardly gasp out her request for the apron pattern. Diana was away so that she had no excuse to linger. The dreadful return journey had to be faced. Anne went back over it with shut eyes, preferring to take the risk of dashing her brains out among the boughs to that of seeing a white thing. When she finally stumbled over the log bridge she drew one long shivering breath of relief. "Well, so nothing caught you?" said Marilla unsympathetically. "Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented with c-c-commonplace places after this."

cliffnotes

Produce a brief summary for chapter 23 based on the provided context.

chapter 22|chapter 23|chapter 24

Anne Comes to Grief in an Affair of Honor At the end of summer, Diana Barry invites all the girls in the Sunday school class to her house for a party. Tired of their usual songs and games, the girls decide to embark on more adventurous activities. They dare each other to hop around the yard on one foot or climb a tree. Josie Pye, a sly girl whom Diana and Anne dislike, dares Anne to walk the ridgepole of the Barry's kitchen roof. Diana tries to dissuade Anne from performing such a difficult dare, but Anne feels her honor is at stake, so she climbs to the top of the roof. She manages to walk a few steps before losing her balance, falling to the ground, and breaking her ankle. All the girls rush to her side, shrieking and crying. When Marilla sees Mr. Barry carrying Anne back to Green Gables, she is terrified that something serious has happened. She realizes for the first time how much Anne means to her. Anne rests in bed for seven weeks and is pleased to find that many people in Avonlea care enough about her to visit. From her friends she hears all about the new teacher, Miss Stacy, who dresses beautifully and organizes recitations, nature walks, and physical exercises for her class. Anne thinks her new teacher will be a kindred spirit

----------CHAPTER 22--------- |AND what are your eyes popping out of your head about. Now?" asked Marilla, when Anne had just come in from a run to the post office. "Have you discovered another kindred spirit?" Excitement hung around Anne like a garment, shone in her eyes, kindled in every feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. 'Miss Anne Shirley, Green Gables.' That is the first time I was ever called 'Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting. "Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her." ----------CHAPTER 23--------- |ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven't. I just felt that I couldn't bear Josie Pye's scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn't be very cross with me, Marilla. It's not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won't be able to go around for six or seven weeks and I'll miss the new lady teacher. She won't be new any more by the time I'm able to go to school. And Gil--everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I'll try to bear it all bravely if only you won't be cross with me, Marilla." "There, there, I'm not cross," said Marilla. "You're an unlucky child, there's no doubt about that; but as you say, you'll have the suffering of it. Here now, try and eat some supper." "Isn't it fortunate I've got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven't any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not solely dependent on it. She had many visitors and not a day passed without one or more of the schoolgirls dropping in to bring her flowers and books and tell her all the happenings in the juvenile world of Avonlea. "Everybody has been so good and kind, Marilla," sighed Anne happily, on the day when she could first limp across the floor. "It isn't very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have. Why, even Superintendent Bell came to see me, and he's really a very fine man. Not a kindred spirit, of course; but still I like him and I'm awfully sorry I ever criticized his prayers. I believe now he really does mean them, only he has got into the habit of saying them as if he didn't. He could get over that if he'd take a little trouble. I gave him a good broad hint. I told him how hard I tried to make my own little private prayers interesting. He told me all about the time he broke his ankle when he was a boy. It does seem so strange to think of Superintendent Bell ever being a boy. Even my imagination has its limits, for I can't imagine _that_. When I try to imagine him as a boy I see him with gray whiskers and spectacles, just as he looks in Sunday school, only small. Now, it's so easy to imagine Mrs. Allan as a little girl. Mrs. Allan has been to see me fourteen times. Isn't that something to be proud of, Marilla? When a minister's wife has so many claims on her time! She is such a cheerful person to have visit you, too. She never tells you it's your own fault and she hopes you'll be a better girl on account of it. Mrs. Lynde always told me that when she came to see me; and she said it in a kind of way that made me feel she might hope I'd be a better girl but didn't really believe I would. Even Josie Pye came to see me. I received her as politely as I could, because I think she was sorry she dared me to walk a ridgepole. If I had been killed she would had to carry a dark burden of remorse all her life. Diana has been a faithful friend. She's been over every day to cheer my lonely pillow. But oh, I shall be so glad when I can go to school for I've heard such exciting things about the new teacher. The girls all think she is perfectly sweet. Diana says she has the loveliest fair curly hair and such fascinating eyes. She dresses beautifully, and her sleeve puffs are bigger than anybody else's in Avonlea. Every other Friday afternoon she has recitations and everybody has to say a piece or take part in a dialogue. Oh, it's just glorious to think of it. Josie Pye says she hates it but that is just because Josie has so little imagination. Diana and Ruby Gillis and Jane Andrews are preparing a dialogue, called 'A Morning Visit,' for next Friday. And the Friday afternoons they don't have recitations Miss Stacy takes them all to the woods for a 'field' day and they study ferns and flowers and birds. And they have physical culture exercises every morning and evening. Mrs. Lynde says she never heard of such goings on and it all comes of having a lady teacher. But I think it must be splendid and I believe I shall find that Miss Stacy is a kindred spirit." "There's one thing plain to be seen, Anne," said Marilla, "and that is that your fall off the Barry roof hasn't injured your tongue at all." ----------CHAPTER 24--------- |IT was October again when Anne was ready to go back to school--a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain--amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through. The Birch Path was a canopy of yellow and the ferns were sear and brown all along it. There was a tang in the very air that inspired the hearts of small maidens tripping, unlike snails, swiftly and willingly to school; and it _was_ jolly to be back again at the little brown desk beside Diana, with Ruby Gillis nodding across the aisle and Carrie Sloane sending up notes and Julia Bell passing a "chew" of gum down from the back seat. Anne drew a long breath of happiness as she sharpened her pencil and arranged her picture cards in her desk. Life was certainly very interesting. In the new teacher she found another true and helpful friend. Miss Stacy was a bright, sympathetic young woman with the happy gift of winning and holding the affections of her pupils and bringing out the best that was in them mentally and morally. Anne expanded like a flower under this wholesome influence and carried home to the admiring Matthew and the critical Marilla glowing accounts of schoolwork and aims. "I love Miss Stacy with my whole heart, Marilla. She is so ladylike and she has such a sweet voice. When she pronounces my name I feel _instinctively_ that she's spelling it with an E. We had recitations this afternoon. I just wish you could have been there to hear me recite 'Mary, Queen of Scots.' I just put my whole soul into it. Ruby Gillis told me coming home that the way I said the line, 'Now for my father's arm,' she said, 'my woman's heart farewell,' just made her blood run cold." "Well now, you might recite it for me some of these days, out in the barn," suggested Matthew. "Of course I will," said Anne meditatively, "but I won't be able to do it so well, I know. It won't be so exciting as it is when you have a whole schoolful before you hanging breathlessly on your words. I know I won't be able to make your blood run cold." "Mrs. Lynde says it made _her_ blood run cold to see the boys climbing to the very tops of those big trees on Bell's hill after crows' nests last Friday," said Marilla. "I wonder at Miss Stacy for encouraging it." "But we wanted a crow's nest for nature study," explained Anne. "That was on our field afternoon. Field afternoons are splendid, Marilla. And Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones." "It's very vain of you to say so then. You'd better let your teacher say it." "But she _did_ say it, Marilla. And indeed I'm not vain about it. How can I be, when I'm such a dunce at geometry? Although I'm really beginning to see through it a little, too. Miss Stacy makes it so clear. Still, I'll never be good at it and I assure you it is a humbling reflection. But I love writing compositions. Mostly Miss Stacy lets us choose our own subjects; but next week we are to write a composition on some remarkable person. It's hard to choose among so many remarkable people who have lived. Mustn't it be splendid to be remarkable and have compositions written about you after you're dead? Oh, I would dearly love to be remarkable. I think when I grow up I'll be a trained nurse and go with the Red Crosses to the field of battle as a messenger of mercy. That is, if I don't go out as a foreign missionary. That would be very romantic, but one would have to be very good to be a missionary, and that would be a stumbling block. We have physical culture exercises every day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla's disapproval. Marilla thought it all rank foolishness. "It's just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don't approve of children's getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There's precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn't it all right? Of course it's real nice to be getting up a concert. We're going to have six choruses and Diana is to sing a solo. I'm in two dialogues--'The Society for the Suppression of Gossip' and 'The Fairy Queen.' The boys are going to have a dialogue too. And I'm to have two recitations, Marilla. I just tremble when I think of it, but it's a nice thrilly kind of tremble. And we're to have a tableau at the last--'Faith, Hope and Charity.' Diana and Ruby and I are to be in it, all draped in white with flowing hair. I'm to be Hope, with my hands clasped--so--and my eyes uplifted. I'm going to practice my recitations in the garret. Don't be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it's really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn't get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I'm to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven't any of my own. It's necessary for fairies to have slippers, you know. You couldn't imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don't you hope your little Anne will distinguish herself?" "All I hope is that you'll behave yourself. I'll be heartily glad when all this fuss is over and you'll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it's a marvel it's not clean worn out." Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it's going to be a pretty good concert. And I expect you'll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla's exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne"--Marilla's phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world.

cliffnotes

Produce a brief summary for chapter 26 based on the provided context.

chapter 26|chapter 27

The Story Club Is Formed After the excitement of the Christmas concert, the Avonlea students return to their normal, humdrum patterns. Anne, now almost thirteen, vows to improve herself by imitating Mrs. Allan, refraining from saying uncharitable things and trying to do good. For school, the students are assigned to write a piece of fiction and a composition about a walk in the winter. These assignments displease Marilla because they rely on imagination rather than memorization. They elate Anne, however, and she completes her original story early. Diana moans that she does not have enough imagination to do the assignment. To help Diana cultivate her imagination and to practice her own writing, Anne proposes that the two girls start a story club. Two of their friends, Jane Andrews and Ruby Gillis, eventually join, and the girls spend their time inventing romantic, melodramatic storylines

----------CHAPTER 26--------- |JUNIOR Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called 'The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, 'What do you say, darling pet, if we get hitched this fall?' And Susan said, 'Yes--no--I don't know--let me see'--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, 'Ha, ha, ha.' But Bertram saw it all and he at once plunged into the current, exclaiming, 'I will save thee, my peerless Geraldine.' But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn't hard for I've millions of ideas." "I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put on your lessons. Reading stories is bad enough but writing them is worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." ----------CHAPTER 27--------- Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they'll never forget this. They will think I am not respectable. Oh, Marilla, 'what a tangled web we weave when first we practice to deceive.' That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I _cannot_ face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne's unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly: "It's no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can't go out with it looking like that." Anne's lips quivered, but she realized the bitter truth of Marilla's remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I'm sure I wouldn't mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you've dyed it a dreadful color, is there? I'm going to weep all the time you're cutting it off, if it won't interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I'll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I'd do penance for being wicked that way. I'll look at myself every time I come to my room and see how ugly I am. And I won't try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne's clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn't say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It's hard to be told you look like a scarecrow and I wanted to say something back. But I didn't. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn't it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it's better to be good. I know it is, but it's sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I'll have to see a doctor about them. As for your chatter, I don't know that I mind it--I've got so used to it." Which was Marilla's way of saying that she liked to hear it.

cliffnotes

Create a compact summary that covers the main points of chapter 28, utilizing the provided context.

chapter 28|chapter 31

An Unfortunate Lily Maid Anne, Diana, Ruby, and Jane enact a scene from a poem by Alfred Lord Tennyson in which the corpse of a character named Elaine is sent down a river in a barge. Though Anne does not look like Elaine, who has golden hair, she gets the part because none of the other girls want to drift down the pond alone in Mr. Barry's little boat. The girls recite romantic farewells and send Anne's unmoving body down the pond. For a few minutes, Anne revels in the romance of the situation, but she then feels water at her back. The boat has a leak, but Anne remains calm and prays for God to bring the boat close to one of the bridge piles so she can grab on and wait for help. The girls see the boat sink, and, thinking that Anne has sunk with it, they run screaming for help. Anne is able to get to a bridge pile, however, where she hangs on and waits uncomfortably for help. Just when Anne begins to think she cannot hold on any longer, Gilbert Blythe rows up and rescues her. After depositing her safely on the bank, he makes a friendly overture, apologizing again for calling her "Carrots" when they first met and complimenting the auburn color her hair has become. For a moment, Anne hesitates and considers befriending her sworn enemy. But she then recalls her humiliation during the "Carrots" incident and declares she will never become friends with him. Gilbert storms off. Meanwhile, Diana and Jane cannot find any adults to help and have become frantic. Ruby, always inclined toward hysteria, grieves at the Barry house. When Diana and Jane return to the pond, they are relieved that Anne is safe and thrilled by the romance of her rescue by Gilbert. Anne, however, orders Jane never to say the word "romantic" again.

----------CHAPTER 28--------- |OF course you must be Elaine, Anne," said Diana. "I could never have the courage to float down there." "Nor I," said Ruby Gillis, with a shiver. "I don't mind floating down when there's two or three of us in the flat and we can sit up. It's fun then. But to lie down and pretend I was dead--I just couldn't. I'd die really of fright." "Of course it would be romantic," conceded Jane Andrews, "but I know I couldn't keep still. I'd be popping up every minute or so to see where I was and if I wasn't drifting too far out. And you know, Anne, that would spoil the effect." "But it's so ridiculous to have a redheaded Elaine," mourned Anne. "I'm not afraid to float down and I'd love to be Elaine. But it's ridiculous just the same. Ruby ought to be Elaine because she is so fair and has such lovely long golden hair--Elaine had 'all her bright hair streaming down,' you know. And Elaine was the lily maid. Now, a red-haired person cannot be a lily maid." "Your complexion is just as fair as Ruby's," said Diana earnestly, "and your hair is ever so much darker than it used to be before you cut it." "Oh, do you really think so?" exclaimed Anne, flushing sensitively with delight. "I've sometimes thought it was myself--but I never dared to ask anyone for fear she would tell me it wasn't. Do you think it could be called auburn now, Diana?" "Yes, and I think it is real pretty," said Diana, looking admiringly at the short, silky curls that clustered over Anne's head and were held in place by a very jaunty black velvet ribbon and bow. They were standing on the bank of the pond, below Orchard Slope, where a little headland fringed with birches ran out from the bank; at its tip was a small wooden platform built out into the water for the convenience of fishermen and duck hunters. Ruby and Jane were spending the midsummer afternoon with Diana, and Anne had come over to play with them. Anne and Diana had spent most of their playtime that summer on and about the pond. Idlewild was a thing of the past, Mr. Bell having ruthlessly cut down the little circle of trees in his back pasture in the spring. Anne had sat among the stumps and wept, not without an eye to the romance of it; but she was speedily consoled, for, after all, as she and Diana said, big girls of thirteen, going on fourteen, were too old for such childish amusements as playhouses, and there were more fascinating sports to be found about the pond. It was splendid to fish for trout over the bridge and the two girls learned to row themselves about in the little flat-bottomed dory Mr. Barry kept for duck shooting. It was Anne's idea that they dramatize Elaine. They had studied Tennyson's poem in school the preceding winter, the Superintendent of Education having prescribed it in the English course for the Prince Edward Island schools. They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present. Anne's plan was hailed with enthusiasm. The girls had discovered that if the flat were pushed off from the landing place it would drift down with the current under the bridge and finally strand itself on another headland lower down which ran out at a curve in the pond. They had often gone down like this and nothing could be more convenient for playing Elaine. "Well, I'll be Elaine," said Anne, yielding reluctantly, for, although she would have been delighted to play the principal character, yet her artistic sense demanded fitness for it and this, she felt, her limitations made impossible. "Ruby, you must be King Arthur and Jane will be Guinevere and Diana must be Lancelot. But first you must be the brothers and the father. We can't have the old dumb servitor because there isn't room for two in the flat when one is lying down. We must pall the barge all its length in blackest samite. That old black shawl of your mother's will be just the thing, Diana." The black shawl having been procured, Anne spread it over the flat and then lay down on the bottom, with closed eyes and hands folded over her breast. "Oh, she does look really dead," whispered Ruby Gillis nervously, watching the still, white little face under the flickering shadows of the birches. "It makes me feel frightened, girls. Do you suppose it's really right to act like this? Mrs. Lynde says that all play-acting is abominably wicked." "Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely. "It spoils the effect because this is hundreds of years before Mrs. Lynde was born. Jane, you arrange this. It's silly for Elaine to be talking when she's dead." Jane rose to the occasion. Cloth of gold for coverlet there was none, but an old piano scarf of yellow Japanese crepe was an excellent substitute. A white lily was not obtainable just then, but the effect of a tall blue iris placed in one of Anne's folded hands was all that could be desired. "Now, she's all ready," said Jane. "We must kiss her quiet brows and, Diana, you say, 'Sister, farewell forever,' and Ruby, you say, 'Farewell, sweet sister,' both of you as sorrowfully as you possibly can. Anne, for goodness sake smile a little. You know Elaine 'lay as though she smiled.' That's better. Now push the flat off." The flat was accordingly pushed off, scraping roughly over an old embedded stake in the process. Diana and Jane and Ruby only waited long enough to see it caught in the current and headed for the bridge before scampering up through the woods, across the road, and down to the lower headland where, as Lancelot and Guinevere and the King, they were to be in readiness to receive the lily maid. For a few minutes Anne, drifting slowly down, enjoyed the romance of her situation to the full. Then something happened not at all romantic. The flat began to leak. In a very few moments it was necessary for Elaine to scramble to her feet, pick up her cloth of gold coverlet and pall of blackest samite and gaze blankly at a big crack in the bottom of her barge through which the water was literally pouring. That sharp stake at the landing had torn off the strip of batting nailed on the flat. Anne did not know this, but it did not take her long to realize that she was in a dangerous plight. At this rate the flat would fill and sink long before it could drift to the lower headland. Where were the oars? Left behind at the landing! Anne gave one gasping little scream which nobody ever heard; she was white to the lips, but she did not lose her self-possession. There was one chance--just one. "I was horribly frightened," she told Mrs. Allan the next day, "and it seemed like years while the flat was drifting down to the bridge and the water rising in it every moment. I prayed, Mrs. Allan, most earnestly, but I didn't shut my eyes to pray, for I knew the only way God could save me was to let the flat float close enough to one of the bridge piles for me to climb up on it. You know the piles are just old tree trunks and there are lots of knots and old branch stubs on them. It was proper to pray, but I had to do my part by watching out and right well I knew it. I just said, 'Dear God, please take the flat close to a pile and I'll do the rest,' over and over again. Under such circumstances you don't think much about making a flowery prayer. But mine was answered, for the flat bumped right into a pile for a minute and I flung the scarf and the shawl over my shoulder and scrambled up on a big providential stub. And there I was, Mrs. Allan, clinging to that slippery old pile with no way of getting up or down. It was a very unromantic position, but I didn't think about that at the time. You don't think much about romance when you have just escaped from a watery grave. I said a grateful prayer at once and then I gave all my attention to holding on tight, for I knew I should probably have to depend on human aid to get back to dry land." The flat drifted under the bridge and then promptly sank in midstream. Ruby, Jane, and Diana, already awaiting it on the lower headland, saw it disappear before their very eyes and had not a doubt but that Anne had gone down with it. For a moment they stood still, white as sheets, frozen with horror at the tragedy; then, shrieking at the tops of their voices, they started on a frantic run up through the woods, never pausing as they crossed the main road to glance the way of the bridge. Anne, clinging desperately to her precarious foothold, saw their flying forms and heard their shrieks. Help would soon come, but meanwhile her position was a very uncomfortable one. The minutes passed by, each seeming an hour to the unfortunate lily maid. Why didn't somebody come? Where had the girls gone? Suppose they had fainted, one and all! Suppose nobody ever came! Suppose she grew so tired and cramped that she could hold on no longer! Anne looked at the wicked green depths below her, wavering with long, oily shadows, and shivered. Her imagination began to suggest all manner of gruesome possibilities to her. Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory! Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes. "Anne Shirley! How on earth did you get there?" he exclaimed. Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely difficult to be dignified under the circumstances! "What has happened, Anne?" asked Gilbert, taking up his oars. "We were playing Elaine" explained Anne frigidly, without even looking at her rescuer, "and I had to drift down to Camelot in the barge--I mean the flat. The flat began to leak and I climbed out on the pile. The girls went for help. Will you be kind enough to row me to the landing?" Gilbert obligingly rowed to the landing and Anne, disdaining assistance, sprang nimbly on shore. "I'm very much obliged to you," she said haughtily as she turned away. But Gilbert had also sprung from the boat and now laid a detaining hand on her arm. "Anne," he said hurriedly, "look here. Can't we be good friends? I'm awfully sorry I made fun of your hair that time. I didn't mean to vex you and I only meant it for a joke. Besides, it's so long ago. I think your hair is awfully pretty now--honest I do. Let's be friends." For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!" "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!" He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!" said Jane, finding breath enough for utterance at last. "Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word 'romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. The liniment cake mistake cured me of carelessness in cooking. Dyeing my hair cured me of vanity. I never think about my hair and nose now--at least, very seldom. And today's mistake is going to cure me of being too romantic. I have come to the conclusion that it is no use trying to be romantic in Avonlea. It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now. I feel quite sure that you will soon see a great improvement in me in this respect, Marilla." "I'm sure I hope so," said Marilla skeptically. But Matthew, who had been sitting mutely in his corner, laid a hand on Anne's shoulder when Marilla had gone out. "Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, keep a little of it." ----------CHAPTER 31--------- |ANNE had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover's Lane and the Dryad's Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne's gypsyings. The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was: "Keep that redheaded girl of yours in the open air all summer and don't let her read books until she gets more spring into her step." This message frightened Marilla wholesomely. She read Anne's death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart's content; and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," she declared as she brought her books down from the attic. "Oh, you good old friends, I'm glad to see your honest faces once more--yes, even you, geometry. I've had a perfectly beautiful summer, Marilla, and now I'm rejoicing as a strong man to run a race, as Mr. Allan said last Sunday. Doesn't Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up and then we'll be left and have to turn to and break in another green preacher. But I don't see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I'd be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers' hearts. Why can't women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn't got to that stage in Canada yet and she hoped we never would. But I don't see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I'm sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I've no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I'm with you or Mrs. Allan or Miss Stacy I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I'm with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn't to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it's because I'm really bad and unregenerate?" Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she'd have more of an influence for good, as you say yourself, if she didn't keep nagging people to do right. There should have been a special commandment against nagging. But there, I shouldn't talk so. Rachel is a good Christian woman and she means well. There isn't a kinder soul in Avonlea and she never shirks her share of work." "I'm very glad you feel the same," said Anne decidedly. "It's so encouraging. I shan't worry so much over that after this. But I dare say there'll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. You settle one question and there's another right after. There are so many things to be thought over and decided when you're beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It's a serious thing to grow up, isn't it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I'm sure it will be my own fault if I don't. I feel it's a great responsibility because I have only the one chance. If I don't grow up right I can't go back and begin over again. I've grown two inches this summer, Marilla. Mr. Gillis measured me at Ruby's party. I'm so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. Of course I know it wasn't really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I'll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It's worth something to have that," admitted Marilla. Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen's class gird up their loins for the fray, for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe's name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne's eager eyes. "Hills peeped o'er hill and Alps on Alps arose." Much of all this was due to Miss Stacy's tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor's dictum, no longer vetoed occasional outings. The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. Between times Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you've grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne's inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She's got to be such a big girl--and she'll probably be away from us next winter. I'll miss her terrible." "She'll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." "It won't be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can't understand these things!" There were other changes in Anne no less real than the physical change. For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don't chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don't know--I don't want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over. And somehow I don't want to use big words any more. It's almost a pity, isn't it, now that I'm really growing big enough to say them if I did want to. It's fun to be almost grown up in some ways, but it's not the kind of fun I expected, Marilla. There's so much to learn and do and think that there isn't time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I've got used to it now and I see it's so much better." "What has become of your story club? I haven't heard you speak of it for a long time." "The story club isn't in existence any longer. We hadn't time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won't let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You've only two more months before the Entrance," said Marilla. "Do you think you'll be able to get through?" Anne shivered. "I don't know. Sometimes I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them.

cliffnotes

Produce a brief summary for chapter 32 based on the provided context.

chapter 32|chapter 34

The Pass List Is Out The end of June marks the end of Miss Stacy's tenure and Anne's time at Avonlea School. Anne and Diana walk home, weeping that their time together as child scholars has ended. Though Anne is paralyzed by nervousness about her upcoming entrance exam, she dutifully follows Miss Stacy's advice and avoids cramming during the week of the exam. After the first day of the exam, she writes Diana a letter from Charlottetown, relating the students' nervousness and comparing her own sense of foreboding to her fear when she first asked Marilla if she could stay at Green Gables. Anne returns to Avonlea and greets Diana as though they had been apart for years. She spends an agonizing three weeks waiting for the results of the exam. Although Anne feels she has passed, she claims she would rather not pass at all than be beaten by her rival, Gilbert. Finally, the newspaper comes out with the results: Anne and Gilbert have tied for first place in the entire island, and all the Avonlea scholars have passed. Matthew, Marilla, Mrs. Rachel, and Diana are enormously proud of Anne's success.

----------CHAPTER 32--------- |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is." "It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over." Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. "Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says, 'If you can't be cheerful, be as cheerful as you can.' After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as long as she did. It was so kind of your Aunt Josephine to ask me to stay at Beechwood while I'm in town." "You'll write to me while you're in, won't you?" "I'll write Tuesday night and tell you how the first day goes," promised Anne. "I'll be haunting the post office Wednesday," vowed Diana. Anne went to town the following Monday and on Wednesday Diana haunted the post office, as agreed, and got her letter. "Dearest Diana" [wrote Anne], "Here it is Tuesday night and I'm writing this in the library at Beechwood. Last night I was horribly lonesome all alone in my room and wished so much you were with me. I couldn't 'cram' because I'd promised Miss Stacy not to, but it was as hard to keep from opening my history as it used to be to keep from reading a story before my lessons were learned. "This morning Miss Stacy came for me and we went to the Academy, calling for Jane and Ruby and Josie on our way. Ruby asked me to feel her hands and they were as cold as ice. Josie said I looked as if I hadn't slept a wink and she didn't believe I was strong enough to stand the grind of the teacher's course even if I did get through. There are times and seasons even yet when I don't feel that I've made any great headway in learning to like Josie Pye! "When we reached the Academy there were scores of students there from all over the Island. The first person we saw was Moody Spurgeon sitting on the steps and muttering away to himself. Jane asked him what on earth he was doing and he said he was repeating the multiplication table over and over to steady his nerves and for pity's sake not to interrupt him, because if he stopped for a moment he got frightened and forgot everything he ever knew, but the multiplication table kept all his facts firmly in their proper place! "When we were assigned to our rooms Miss Stacy had to leave us. Jane and I sat together and Jane was so composed that I envied her. No need of the multiplication table for good, steady, sensible Jane! I wondered if I looked as I felt and if they could hear my heart thumping clear across the room. Then a man came in and began distributing the English examination sheets. My hands grew cold then and my head fairly whirled around as I picked it up. Just one awful moment--Diana, I felt exactly as I did four years ago when I asked Marilla if I might stay at Green Gables--and then everything cleared up in my mind and my heart began beating again--I forgot to say that it had stopped altogether!--for I knew I could do something with _that_ paper anyhow. "At noon we went home for dinner and then back again for history in the afternoon. The history was a pretty hard paper and I got dreadfully mixed up in the dates. Still, I think I did fairly well today. But oh, Diana, tomorrow the geometry exam comes off and when I think of it it takes every bit of determination I possess to keep from opening my Euclid. If I thought the multiplication table would help me any I would recite it from now till tomorrow morning. "I went down to see the other girls this evening. On my way I met Moody Spurgeon wandering distractedly around. He said he knew he had failed in history and he was born to be a disappointment to his parents and he was going home on the morning train; and it would be easier to be a carpenter than a minister, anyhow. I cheered him up and persuaded him to stay to the end because it would be unfair to Miss Stacy if he didn't. Sometimes I have wished I was born a boy, but when I see Moody Spurgeon I'm always glad I'm a girl and not his sister. "Ruby was in hysterics when I reached their boardinghouse; she had just discovered a fearful mistake she had made in her English paper. When she recovered we went uptown and had an ice cream. How we wished you had been with us. "Oh, Diana, if only the geometry examination were over! But there, as Mrs. Lynde would say, the sun will go on rising and setting whether I fail in geometry or not. That is true but not especially comforting. I think I'd rather it didn't go on if I failed! "Yours devotedly, "Anne" The geometry examination and all the others were over in due time and Anne arrived home on Friday evening, rather tired but with an air of chastened triumph about her. Diana was over at Green Gables when she arrived and they met as if they had been parted for years. "You old darling, it's perfectly splendid to see you back again. It seems like an age since you went to town and oh, Anne, how did you get along?" "Pretty well, I think, in everything but the geometry. I don't know whether I passed in it or not and I have a creepy, crawly presentiment that I didn't. Oh, how good it is to be back! Green Gables is the dearest, loveliest spot in the world." "How did the others do?" "The girls say they know they didn't pass, but I think they did pretty well. Josie says the geometry was so easy a child of ten could do it! Moody Spurgeon still thinks he failed in history and Charlie says he failed in algebra. But we don't really know anything about it and won't until the pass list is out. That won't be for a fortnight. Fancy living a fortnight in such suspense! I wish I could go to sleep and never wake up until it is over." Diana knew it would be useless to ask how Gilbert Blythe had fared, so she merely said: "Oh, you'll pass all right. Don't worry." "I'd rather not pass at all than not come out pretty well up on the list," flashed Anne, by which she meant--and Diana knew she meant--that success would be incomplete and bitter if she did not come out ahead of Gilbert Blythe. With this end in view Anne had strained every nerve during the examinations. So had Gilbert. They had met and passed each other on the street a dozen times without any sign of recognition and every time Anne had held her head a little higher and wished a little more earnestly that she had made friends with Gilbert when he asked her, and vowed a little more determinedly to surpass him in the examination. She knew that all Avonlea junior was wondering which would come out first; she even knew that Jimmy Glover and Ned Wright had a bet on the question and that Josie Pye had said there was no doubt in the world that Gilbert would be first; and she felt that her humiliation would be unbearable if she failed. But she had another and nobler motive for wishing to do well. She wanted to "pass high" for the sake of Matthew and Marilla--especially Matthew. Matthew had declared to her his conviction that she "would beat the whole Island." That, Anne felt, was something it would be foolish to hope for even in the wildest dreams. But she did hope fervently that she would be among the first ten at least, so that she might see Matthew's kindly brown eyes gleam with pride in her achievement. That, she felt, would be a sweet reward indeed for all her hard work and patient grubbing among unimaginative equations and conjugations. At the end of the fortnight Anne took to "haunting" the post office also, in the distracted company of Jane, Ruby, and Josie, opening the Charlottetown dailies with shaking hands and cold, sinkaway feelings as bad as any experienced during the Entrance week. Charlie and Gilbert were not above doing this too, but Moody Spurgeon stayed resolutely away. "I haven't got the grit to go there and look at a paper in cold blood," he told Anne. "I'm just going to wait until somebody comes and tells me suddenly whether I've passed or not." When three weeks had gone by without the pass list appearing Anne began to feel that she really couldn't stand the strain much longer. Her appetite failed and her interest in Avonlea doings languished. Mrs. Lynde wanted to know what else you could expect with a Tory superintendent of education at the head of affairs, and Matthew, noting Anne's paleness and indifference and the lagging steps that bore her home from the post office every afternoon, began seriously to wonder if he hadn't better vote Grit at the next election. But one evening the news came. Anne was sitting at her open window, for the time forgetful of the woes of examinations and the cares of the world, as she drank in the beauty of the summer dusk, sweet-scented with flower breaths from the garden below and sibilant and rustling from the stir of poplars. The eastern sky above the firs was flushed faintly pink from the reflection of the west, and Anne was wondering dreamily if the spirit of color looked like that, when she saw Diana come flying down through the firs, over the log bridge, and up the slope, with a fluttering newspaper in her hand. Anne sprang to her feet, knowing at once what that paper contained. The pass list was out! Her head whirled and her heart beat until it hurt her. She could not move a step. It seemed an hour to her before Diana came rushing along the hall and burst into the room without even knocking, so great was her excitement. "Anne, you've passed," she cried, "passed the _very first_--you and Gilbert both--you're ties--but your name is first. Oh, I'm so proud!" Diana flung the paper on the table and herself on Anne's bed, utterly breathless and incapable of further speech. Anne lighted the lamp, oversetting the match safe and using up half a dozen matches before her shaking hands could accomplish the task. Then she snatched up the paper. Yes, she had passed--there was her name at the very top of a list of two hundred! That moment was worth living for. "You did just splendidly, Anne," puffed Diana, recovering sufficiently to sit up and speak, for Anne, starry eyed and rapt, had not uttered a word. "Father brought the paper home from Bright River not ten minutes ago--it came out on the afternoon train, you know, and won't be here till tomorrow by mail--and when I saw the pass list I just rushed over like a wild thing. You've all passed, every one of you, Moody Spurgeon and all, although he's conditioned in history. Jane and Ruby did pretty well--they're halfway up--and so did Charlie. Josie just scraped through with three marks to spare, but you'll see she'll put on as many airs as if she'd led. Won't Miss Stacy be delighted? Oh, Anne, what does it feel like to see your name at the head of a pass list like that? If it were me I know I'd go crazy with joy. I am pretty near crazy as it is, but you're as calm and cool as a spring evening." "I'm just dazzled inside," said Anne. "I want to say a hundred things, and I can't find words to say them in. I never dreamed of this--yes, I did too, just once! I let myself think _once_, 'What if I should come out first?' quakingly, you know, for it seemed so vain and presumptuous to think I could lead the Island. Excuse me a minute, Diana. I must run right out to the field to tell Matthew. Then we'll go up the road and tell the good news to the others." They hurried to the hayfield below the barn where Matthew was coiling hay, and, as luck would have it, Mrs. Lynde was talking to Marilla at the lane fence. "Oh, Matthew," exclaimed Anne, "I've passed and I'm first--or one of the first! I'm not vain, but I'm thankful." "Well now, I always said it," said Matthew, gazing at the pass list delightedly. "I knew you could beat them all easy." "You've done pretty well, I must say, Anne," said Marilla, trying to hide her extreme pride in Anne from Mrs. Rachel's critical eye. But that good soul said heartily: "I just guess she has done well, and far be it from me to be backward in saying it. You're a credit to your friends, Anne, that's what, and we're all proud of you." That night Anne, who had wound up the delightful evening with a serious little talk with Mrs. Allan at the manse, knelt sweetly by her open window in a great sheen of moonshine and murmured a prayer of gratitude and aspiration that came straight from her heart. There was in it thankfulness for the past and reverent petition for the future; and when she slept on her white pillow her dreams were as fair and bright and beautiful as maidenhood might desire. ----------CHAPTER 34--------- |THE next three weeks were busy ones at Green Gables, for Anne was getting ready to go to Queen's, and there was much sewing to be done, and many things to be talked over and arranged. Anne's outfit was ample and pretty, for Matthew saw to that, and Marilla for once made no objections whatever to anything he purchased or suggested. More--one evening she went up to the east gable with her arms full of a delicate pale green material. "Anne, here's something for a nice light dress for you. I don't suppose you really need it; you've plenty of pretty waists; but I thought maybe you'd like something real dressy to wear if you were asked out anywhere of an evening in town, to a party or anything like that. I hear that Jane and Ruby and Josie have got 'evening dresses,' as they call them, and I don't mean you shall be behind them. I got Mrs. Allan to help me pick it in town last week, and we'll get Emily Gillis to make it for you. Emily has got taste, and her fits aren't to be equaled." "Oh, Marilla, it's just lovely," said Anne. "Thank you so much. I don't believe you ought to be so kind to me--it's making it harder every day for me to go away." The green dress was made up with as many tucks and frills and shirrings as Emily's taste permitted. Anne put it on one evening for Matthew's and Marilla's benefit, and recited "The Maiden's Vow" for them in the kitchen. As Marilla watched the bright, animated face and graceful motions her thoughts went back to the evening Anne had arrived at Green Gables, and memory recalled a vivid picture of the odd, frightened child in her preposterous yellowish-brown wincey dress, the heartbreak looking out of her tearful eyes. Something in the memory brought tears to Marilla's own eyes. "I declare, my recitation has made you cry, Marilla," said Anne gaily stooping over Marilla's chair to drop a butterfly kiss on that lady's cheek. "Now, I call that a positive triumph." "No, I wasn't crying over your piece," said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. "I just couldn't help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You've grown up now and you're going away; and you look so tall and stylish and so--so--different altogether in that dress--as if you didn't belong in Avonlea at all--and I just got lonesome thinking it all over." "Marilla!" Anne sat down on Marilla's gingham lap, took Marilla's lined face between her hands, and looked gravely and tenderly into Marilla's eyes. "I'm not a bit changed--not really. I'm only just pruned down and branched out. The real _me_--back here--is just the same. It won't make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life." Anne laid her fresh young cheek against Marilla's faded one, and reached out a hand to pat Matthew's shoulder. Marilla would have given much just then to have possessed Anne's power of putting her feelings into words; but nature and habit had willed it otherwise, and she could only put her arms close about her girl and hold her tenderly to her heart, wishing that she need never let her go. Matthew, with a suspicious moisture in his eyes, got up and went out-of-doors. Under the stars of the blue summer night he walked agitatedly across the yard to the gate under the poplars. "Well now, I guess she ain't been much spoiled," he muttered, proudly. "I guess my putting in my oar occasional never did much harm after all. She's smart and pretty, and loving, too, which is better than all the rest. She's been a blessing to us, and there never was a luckier mistake than what Mrs. Spencer made--if it _was_ luck. I don't believe it was any such thing. It was Providence, because the Almighty saw we needed her, I reckon." The day finally came when Anne must go to town. She and Matthew drove in one fine September morning, after a tearful parting with Diana and an untearful practical one--on Marilla's side at least--with Marilla. But when Anne had gone Diana dried her tears and went to a beach picnic at White Sands with some of her Carmody cousins, where she contrived to enjoy herself tolerably well; while Marilla plunged fiercely into unnecessary work and kept at it all day long with the bitterest kind of heartache--the ache that burns and gnaws and cannot wash itself away in ready tears. But that night, when Marilla went to bed, acutely and miserably conscious that the little gable room at the end of the hall was untenanted by any vivid young life and unstirred by any soft breathing, she buried her face in her pillow, and wept for her girl in a passion of sobs that appalled her when she grew calm enough to reflect how very wicked it must be to take on so about a sinful fellow creature. Anne and the rest of the Avonlea scholars reached town just in time to hurry off to the Academy. That first day passed pleasantly enough in a whirl of excitement, meeting all the new students, learning to know the professors by sight and being assorted and organized into classes. Anne intended taking up the Second Year work being advised to do so by Miss Stacy; Gilbert Blythe elected to do the same. This meant getting a First Class teacher's license in one year instead of two, if they were successful; but it also meant much more and harder work. Jane, Ruby, Josie, Charlie, and Moody Spurgeon, not being troubled with the stirrings of ambition, were content to take up the Second Class work. Anne was conscious of a pang of loneliness when she found herself in a room with fifty other students, not one of whom she knew, except the tall, brown-haired boy across the room; and knowing him in the fashion she did, did not help her much, as she reflected pessimistically. Yet she was undeniably glad that they were in the same class; the old rivalry could still be carried on, and Anne would hardly have known what to do if it had been lacking. "I wouldn't feel comfortable without it," she thought. "Gilbert looks awfully determined. I suppose he's making up his mind, here and now, to win the medal. What a splendid chin he has! I never noticed it before. I do wish Jane and Ruby had gone in for First Class, too. I suppose I won't feel so much like a cat in a strange garret when I get acquainted, though. I wonder which of the girls here are going to be my friends. It's really an interesting speculation. Of course I promised Diana that no Queen's girl, no matter how much I liked her, should ever be as dear to me as she is; but I've lots of second-best affections to bestow. I like the look of that girl with the brown eyes and the crimson waist. She looks vivid and red-rosy; there's that pale, fair one gazing out of the window. She has lovely hair, and looks as if she knew a thing or two about dreams. I'd like to know them both--know them well--well enough to walk with my arm about their waists, and call them nicknames. But just now I don't know them and they don't know me, and probably don't want to know me particularly. Oh, it's lonesome!" It was lonesomer still when Anne found herself alone in her hall bedroom that night at twilight. She was not to board with the other girls, who all had relatives in town to take pity on them. Miss Josephine Barry would have liked to board her, but Beechwood was so far from the Academy that it was out of the question; so Miss Barry hunted up a boarding-house, assuring Matthew and Marilla that it was the very place for Anne. "The lady who keeps it is a reduced gentlewoman," explained Miss Barry. "Her husband was a British officer, and she is very careful what sort of boarders she takes. Anne will not meet with any objectionable persons under her roof. The table is good, and the house is near the Academy, in a quiet neighborhood." All this might be quite true, and indeed, proved to be so, but it did not materially help Anne in the first agony of homesickness that seized upon her. She looked dismally about her narrow little room, with its dull-papered, pictureless walls, its small iron bedstead and empty book-case; and a horrible choke came into her throat as she thought of her own white room at Green Gables, where she would have the pleasant consciousness of a great green still outdoors, of sweet peas growing in the garden, and moonlight falling on the orchard, of the brook below the slope and the spruce boughs tossing in the night wind beyond it, of a vast starry sky, and the light from Diana's window shining out through the gap in the trees. Here there was nothing of this; Anne knew that outside of her window was a hard street, with a network of telephone wires shutting out the sky, the tramp of alien feet, and a thousand lights gleaming on stranger faces. She knew that she was going to cry, and fought against it. "I _won't_ cry. It's silly--and weak--there's the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there's nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I'm going home next Friday, but that seems a hundred years away. Oh, Matthew is nearly home by now--and Marilla is at the gate, looking down the lane for him--six--seven--eight--oh, there's no use in counting them! They're coming in a flood presently. I can't cheer up--I don't _want_ to cheer up. It's nicer to be miserable!" The flood of tears would have come, no doubt, had not Josie Pye appeared at that moment. In the joy of seeing a familiar face Anne forgot that there had never been much love lost between her and Josie. As a part of Avonlea life even a Pye was welcome. "I'm so glad you came up," Anne said sincerely. "You've been crying," remarked Josie, with aggravating pity. "I suppose you're homesick--some people have so little self-control in that respect. I've no intention of being homesick, I can tell you. Town's too jolly after that poky old Avonlea. I wonder how I ever existed there so long. You shouldn't cry, Anne; it isn't becoming, for your nose and eyes get red, and then you seem _all_ red. I'd a perfectly scrumptious time in the Academy today. Our French professor is simply a duck. His moustache would give you kerwollowps of the heart. Have you anything eatable around, Anne? I'm literally starving. Ah, I guessed likely Marilla 'd load you up with cake. That's why I called round. Otherwise I'd have gone to the park to hear the band play with Frank Stockley. He boards same place as I do, and he's a sport. He noticed you in class today, and asked me who the red-headed girl was. I told him you were an orphan that the Cuthberts had adopted, and nobody knew very much about what you'd been before that." Anne was wondering if, after all, solitude and tears were not more satisfactory than Josie Pye's companionship when Jane and Ruby appeared, each with an inch of Queen's color ribbon--purple and scarlet--pinned proudly to her coat. As Josie was not "speaking" to Jane just then she had to subside into comparative harmlessness. "Well," said Jane with a sigh, "I feel as if I'd lived many moons since the morning. I ought to be home studying my Virgil--that horrid old professor gave us twenty lines to start in on tomorrow. But I simply couldn't settle down to study tonight. Anne, methinks I see the traces of tears. If you've been crying _do_ own up. It will restore my self-respect, for I was shedding tears freely before Ruby came along. I don't mind being a goose so much if somebody else is goosey, too. Cake? You'll give me a teeny piece, won't you? Thank you. It has the real Avonlea flavor." Ruby, perceiving the Queen's calendar lying on the table, wanted to know if Anne meant to try for the gold medal. Anne blushed and admitted she was thinking of it. "Oh, that reminds me," said Josie, "Queen's is to get one of the Avery scholarships after all. The word came today. Frank Stockley told me--his uncle is one of the board of governors, you know. It will be announced in the Academy tomorrow." An Avery scholarship! Anne felt her heart beat more quickly, and the horizons of her ambition shifted and broadened as if by magic. Before Josie had told the news Anne's highest pinnacle of aspiration had been a teacher's provincial license, First Class, at the end of the year, and perhaps the medal! But now in one moment Anne saw herself winning the Avery scholarship, taking an Arts course at Redmond College, and graduating in a gown and mortar board, before the echo of Josie's words had died away. For the Avery scholarship was in English, and Anne felt that here her foot was on native heath. A wealthy manufacturer of New Brunswick had died and left part of his fortune to endow a large number of scholarships to be distributed among the various high schools and academies of the Maritime Provinces, according to their respective standings. There had been much doubt whether one would be allotted to Queen's, but the matter was settled at last, and at the end of the year the graduate who made the highest mark in English and English Literature would win the scholarship--two hundred and fifty dollars a year for four years at Redmond College. No wonder that Anne went to bed that night with tingling cheeks! "I'll win that scholarship if hard work can do it," she resolved. "Wouldn't Matthew be proud if I got to be a B.A.? Oh, it's delightful to have ambitions. I'm so glad I have such a lot. And there never seems to be any end to them--that's the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting."

cliffnotes

Create a compact summary that covers the main points of chapter 35, utilizing the provided context.

chapter 35|chapter 36

The Winter at Queen's All the Beyond was hers with its possibilities lurking rosily in the oncoming years--each year a rose of promise to be woven into an immortal chaplet. Anne's homesickness wears off as the school year progresses. Midway through the year, the scholars at Queen's Academy stop their weekend visits to Avonlea and prepare for exams in the spring. Anne finds that though she is as ambitious as ever, her rivalry with Gilbert has lost some of its power. The thought of defeating him academically still excites her because he is a worthy opponent, but she no longer cares about beating him just to humiliate him. In fact, she secretly wishes to be friends with him. Seeing him walking with Ruby Gillis all the time makes her wonder what Gilbert sees in Ruby, since Ruby has none of the ambition or thoughtfulness that Anne and Gilbert share. Anne's circle of friends expands as she meets other girls in her class. She also continues her friendship with Aunt Josephine. At the end of the term, while all the other girls are nervous about exams, Anne forgets about the pressure of school and enjoys the beautiful sights of spring. Next to trying and winning, the best thing is trying and failing

----------CHAPTER 35--------- |ANNE'S homesickness wore off, greatly helped in the wearing by her weekend visits home. As long as the open weather lasted the Avonlea students went out to Carmody on the new branch railway every Friday night. Diana and several other Avonlea young folks were generally on hand to meet them and they all walked over to Avonlea in a merry party. Anne thought those Friday evening gypsyings over the autumnal hills in the crisp golden air, with the homelights of Avonlea twinkling beyond, were the best and dearest hours in the whole week. Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly. "But I shouldn't think she was the sort of girl Gilbert would like," whispered Jane to Anne. Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions. Gilbert had ambitions, she knew, and Ruby Gillis did not seem the sort of person with whom such could be profitably discussed. There was no silly sentiment in Anne's ideas concerning Gilbert. Boys were to her, when she thought about them at all, merely possible good comrades. If she and Gilbert had been friends she would not have cared how many other friends he had nor with whom he walked. She had a genius for friendship; girl friends she had in plenty; but she had a vague consciousness that masculine friendship might also be a good thing to round out one's conceptions of companionship and furnish broader standpoints of judgment and comparison. Not that Anne could have put her feelings on the matter into just such clear definition. But she thought that if Gilbert had ever walked home with her from the train, over the crisp fields and along the ferny byways, they might have had many and merry and interesting conversations about the new world that was opening around them and their hopes and ambitions therein. Gilbert was a clever young fellow, with his own thoughts about things and a determination to get the best out of life and put the best into it. Ruby Gillis told Jane Andrews that she didn't understand half the things Gilbert Blythe said; he talked just like Anne Shirley did when she had a thoughtful fit on and for her part she didn't think it any fun to be bothering about books and that sort of thing when you didn't have to. Frank Stockley had lots more dash and go, but then he wasn't half as good-looking as Gilbert and she really couldn't decide which she liked best! In the Academy Anne gradually drew a little circle of friends about her, thoughtful, imaginative, ambitious students like herself. With the "rose-red" girl, Stella Maynard, and the "dream girl," Priscilla Grant, she soon became intimate, finding the latter pale spiritual-looking maiden to be full to the brim of mischief and pranks and fun, while the vivid, black-eyed Stella had a heartful of wistful dreams and fancies, as aerial and rainbow-like as Anne's own. After the Christmas holidays the Avonlea students gave up going home on Fridays and settled down to hard work. By this time all the Queen's scholars had gravitated into their own places in the ranks and the various classes had assumed distinct and settled shadings of individuality. Certain facts had become generally accepted. It was admitted that the medal contestants had practically narrowed down to three--Gilbert Blythe, Anne Shirley, and Lewis Wilson; the Avery scholarship was more doubtful, any one of a certain six being a possible winner. The bronze medal for mathematics was considered as good as won by a fat, funny little up-country boy with a bumpy forehead and a patched coat. Ruby Gillis was the handsomest girl of the year at the Academy; in the Second Year classes Stella Maynard carried off the palm for beauty, with small but critical minority in favor of Anne Shirley. Ethel Marr was admitted by all competent judges to have the most stylish modes of hair-dressing, and Jane Andrews--plain, plodding, conscientious Jane--carried off the honors in the domestic science course. Even Josie Pye attained a certain preeminence as the sharpest-tongued young lady in attendance at Queen's. So it may be fairly stated that Miss Stacy's old pupils held their own in the wider arena of the academical course. Anne worked hard and steadily. Her rivalry with Gilbert was as intense as it had ever been in Avonlea school, although it was not known in the class at large, but somehow the bitterness had gone out of it. Anne no longer wished to win for the sake of defeating Gilbert; rather, for the proud consciousness of a well-won victory over a worthy foeman. It would be worth while to win, but she no longer thought life would be insupportable if she did not. In spite of lessons the students found opportunities for pleasant times. Anne spent many of her spare hours at Beechwood and generally ate her Sunday dinners there and went to church with Miss Barry. The latter was, as she admitted, growing old, but her black eyes were not dim nor the vigor of her tongue in the least abated. But she never sharpened the latter on Anne, who continued to be a prime favorite with the critical old lady. "That Anne-girl improves all the time," she said. "I get tired of other girls--there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. I don't know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them." Then, almost before anybody realized it, spring had come; out in Avonlea the Mayflowers were peeping pinkly out on the sere barrens where snow-wreaths lingered; and the "mist of green" was on the woods and in the valleys. But in Charlottetown harassed Queen's students thought and talked only of examinations. "It doesn't seem possible that the term is nearly over," said Anne. "Why, last fall it seemed so long to look forward to--a whole winter of studies and classes. And here we are, with the exams looming up next week. Girls, sometimes I feel as if those exams meant everything, but when I look at the big buds swelling on those chestnut trees and the misty blue air at the end of the streets they don't seem half so important." Jane and Ruby and Josie, who had dropped in, did not take this view of it. To them the coming examinations were constantly very important indeed--far more important than chestnut buds or Maytime hazes. It was all very well for Anne, who was sure of passing at least, to have her moments of belittling them, but when your whole future depended on them--as the girls truly thought theirs did--you could not regard them philosophically. "I've lost seven pounds in the last two weeks," sighed Jane. "It's no use to say don't worry. I _will_ worry. Worrying helps you some--it seems as if you were doing something when you're worrying. It would be dreadful if I failed to get my license after going to Queen's all winter and spending so much money." "_I_ don't care," said Josie Pye. "If I don't pass this year I'm coming back next. My father can afford to send me. Anne, Frank Stockley says that Professor Tremaine said Gilbert Blythe was sure to get the medal and that Emily Clay would likely win the Avery scholarship." "That may make me feel badly tomorrow, Josie," laughed Anne, "but just now I honestly feel that as long as I know the violets are coming out all purple down in the hollow below Green Gables and that little ferns are poking their heads up in Lovers' Lane, it's not a great deal of difference whether I win the Avery or not. I've done my best and I begin to understand what is meant by the 'joy of the strife.' Next to trying and winning, the best thing is trying and failing. Girls, don't talk about exams! Look at that arch of pale green sky over those houses and picture to yourself what it must look like over the purply-dark beech-woods back of Avonlea." "What are you going to wear for commencement, Jane?" asked Ruby practically. Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers with its possibilities lurking rosily in the oncoming years--each year a rose of promise to be woven into an immortal chaplet. ----------CHAPTER 36--------- |ON the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you're glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully. "Why won't you take things easier?" "Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.

cliffnotes

Generate a succinct summary for chapter 37 with the given context.

The Reaper Whose Name Is Death Marilla sees Matthew's gray, sad face and calls to him sharply. At that moment, Anne sees him collapse at the threshold of Green Gables. Marilla and Anne try to revive him, but he dies instantly of a shock-induced heart attack. The shock came from reading a notice that Abbey Bank, where the Cuthberts keep all their money, has failed. For the first time, Matthew becomes the center of Avonlea's attention as friends visit and run errands for Marilla and Anne. Marilla grieves with impassioned sobs, but Anne cannot muster tears that first day and suffers from a dull inner ache. Marilla hears her weeping in the middle of the night and goes to comfort her. In a rare moment of spoken affection, Marilla tells Anne that despite her own harsh ways, she loves Anne and cannot imagine life without her. When the pain of Matthew's death becomes less immediate, Anne finds herself enjoying her friends' company and life at Green Gables. Feeling guilty, she confesses to Mrs. Allan that she is thrilled by life but feels she should not be happy because of Matthew's death. Mrs. Allan tells her that Matthew would want her to be happy. She muses to Anne that in the autumn Marilla will be terribly lonely at Green Gables. Sitting together at Green Gables, Marilla and Anne reminisce about the ridiculous incidents of Anne's childhood. Marilla comments on how attractive and grown-up Gilbert Blythe looked at church the previous Sunday. She reveals that she and Gilbert's father, John Blythe, courted when they were young, but after a fight she was too stubborn to forgive him and she lost him, much to her regret

----------CHAPTER 37--------- |MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's face. "I think you won't misunderstand me when I say I want to be alone. I'm not afraid. I haven't been alone one minute since it happened--and I want to be. I want to be quite silent and quiet and try to realize it. I can't realize it. Half the time it seems to me that Matthew can't be dead; and the other half it seems as if he must have been dead for a long time and I've had this horrible dull ache ever since." Diana did not quite understand. Marilla's impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne's tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow. Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills--no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day's pain and excitement. In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew's face smiling at her as he had smiled when they parted at the gate that last evening--she could hear his voice saying, "My girl--my girl that I'm proud of." Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her. "There--there--don't cry so, dearie. It can't bring him back. It--it--isn't right to cry so. I knew that today, but I couldn't help it then. He'd always been such a good, kind brother to me--but God knows best." "Oh, just let me cry, Marilla," sobbed Anne. "The tears don't hurt me like that ache did. Stay here for a little while with me and keep your arm round me--so. I couldn't have Diana stay, she's good and kind and sweet--but it's not her sorrow--she's outside of it and she couldn't come close enough to my heart to help me. It's our sorrow--yours and mine. Oh, Marilla, what will we do without him?" "We've got each other, Anne. I don't know what I'd do if you weren't here--if you'd never come. Oh, Anne, I know I've been kind of strict and harsh with you maybe--but you mustn't think I didn't love you as well as Matthew did, for all that. I want to tell you now when I can. It's never been easy for me to say things out of my heart, but at times like this it's easier. I love you as dear as if you were my own flesh and blood and you've been my joy and comfort ever since you came to Green Gables." Two days afterwards they carried Matthew Cuthbert over his homestead threshold and away from the fields he had tilled and the orchards he had loved and the trees he had planted; and then Avonlea settled back to its usual placidity and even at Green Gables affairs slipped into their old groove and work was done and duties fulfilled with regularity as before, although always with the aching sense of "loss in all familiar things." Anne, new to grief, thought it almost sad that it could be so--that they _could_ go on in the old way without Matthew. She felt something like shame and remorse when she discovered that the sunrises behind the firs and the pale pink buds opening in the garden gave her the old inrush of gladness when she saw them--that Diana's visits were pleasant to her and that Diana's merry words and ways moved her to laughter and smiles--that, in brief, the beautiful world of blossom and love and friendship had lost none of its power to please her fancy and thrill her heart, that life still called to her with many insistent voices. "It seems like disloyalty to Matthew, somehow, to find pleasure in these things now that he has gone," she said wistfully to Mrs. Allan one evening when they were together in the manse garden. "I miss him so much--all the time--and yet, Mrs. Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn't to." "When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you," said Mrs. Allan gently. "He is just away now; and he likes to know it just the same. I am sure we should not shut our hearts against the healing influences that nature offers us. But I can understand your feeling. I think we all experience the same thing. We resent the thought that anything can please us when someone we love is no longer here to share the pleasure with us, and we almost feel as if we were unfaithful to our sorrow when we find our interest in life returning to us." "I was down to the graveyard to plant a rosebush on Matthew's grave this afternoon," said Anne dreamily. "I took a slip of the little white Scotch rosebush his mother brought out from Scotland long ago; Matthew always liked those roses the best--they were so small and sweet on their thorny stems. It made me feel glad that I could plant it by his grave--as if I were doing something that must please him in taking it there to be near him. I hope he has roses like them in heaven. Perhaps the souls of all those little white roses that he has loved so many summers were all there to meet him. I must go home now. Marilla is all alone and she gets lonely at twilight." "She will be lonelier still, I fear, when you go away again to college," said Mrs. Allan. Anne did not reply; she said good night and went slowly back to green Gables. Marilla was sitting on the front door-steps and Anne sat down beside her. The door was open behind them, held back by a big pink conch shell with hints of sea sunsets in its smooth inner convolutions. Anne gathered some sprays of pale-yellow honeysuckle and put them in her hair. She liked the delicious hint of fragrance, as some aerial benediction, above her every time she moved. "Doctor Spencer was here while you were away," Marilla said. "He says that the specialist will be in town tomorrow and he insists that I must go in and have my eyes examined. I suppose I'd better go and have it over. I'll be more than thankful if the man can give me the right kind of glasses to suit my eyes. You won't mind staying here alone while I'm away, will you? Martin will have to drive me in and there's ironing and baking to do." "I shall be all right. Diana will come over for company for me. I shall attend to the ironing and baking beautifully--you needn't fear that I'll starch the handkerchiefs or flavor the cake with liniment." Marilla laughed. "What a girl you were for making mistakes in them days, Anne. You were always getting into scrapes. I did use to think you were possessed. Do you mind the time you dyed your hair?" "Yes, indeed. I shall never forget it," smiled Anne, touching the heavy braid of hair that was wound about her shapely head. "I laugh a little now sometimes when I think what a worry my hair used to be to me--but I don't laugh _much_, because it was a very real trouble then. I did suffer terribly over my hair and my freckles. My freckles are really gone; and people are nice enough to tell me my hair is auburn now--all but Josie Pye. She informed me yesterday that she really thought it was redder than ever, or at least my black dress made it look redder, and she asked me if people who had red hair ever got used to having it. Marilla, I've almost decided to give up trying to like Josie Pye. I've made what I would once have called a heroic effort to like her, but Josie Pye won't _be_ liked." "Josie is a Pye," said Marilla sharply, "so she can't help being disagreeable. I suppose people of that kind serve some useful purpose in society, but I must say I don't know what it is any more than I know the use of thistles. Is Josie going to teach?" "No, she is going back to Queen's next year. So are Moody Spurgeon and Charlie Sloane. Jane and Ruby are going to teach and they have both got schools--Jane at Newbridge and Ruby at some place up west." "Gilbert Blythe is going to teach too, isn't he?" "Yes"--briefly. "What a nice-looking fellow he is," said Marilla absently. "I saw him in church last Sunday and he seemed so tall and manly. He looks a lot like his father did at the same age. John Blythe was a nice boy. We used to be real good friends, he and I. People called him my beau." Anne looked up with swift interest. "Oh, Marilla--and what happened?--why didn't you--" "We had a quarrel. I wouldn't forgive him when he asked me to. I meant to, after awhile--but I was sulky and angry and I wanted to punish him first. He never came back--the Blythes were all mighty independent. But I always felt--rather sorry. I've always kind of wished I'd forgiven him when I had the chance." "So you've had a bit of romance in your life, too," said Anne softly. "Yes, I suppose you might call it that. You wouldn't think so to look at me, would you? But you never can tell about people from their outsides. Everybody has forgot about me and John. I'd forgotten myself. But it all came back to me when I saw Gilbert last Sunday." ----------CHAPTER 38--------- |MARILLA went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne's heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don't know," said Marilla wearily, looking up. "I suppose I am tired but I haven't thought about it. It's not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I'm careful not to cry, and if I wear the glasses he's given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don't he says I'll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could _not_ speak. Then she said bravely, but with a catch in her voice: "Marilla, _don't_ think of it. You know he has given you hope. If you are careful you won't lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don't call it much hope," said Marilla bitterly. "What am I to live for if I can't read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can't help that when I get lonesome. But there, it's no good talking about it. If you'll get me a cup of tea I'll be thankful. I'm about done out. Don't say anything about this to any one for a spell yet, anyway. I can't bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller--a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla's face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist's prohibition and her voice broke as she said: "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don't mean to sell Green Gables!" "Anne, I don't know what else is to be done. I've thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can't. I may lose my sight altogether; and anyway I'll not be fit to run things. Oh, I never thought I'd live to see the day when I'd have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there's some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won't bring much--it's small and the buildings are old. But it'll be enough for me to live on I reckon. I'm thankful you're provided for with that scholarship, Anne. I'm sorry you won't have a home to come to in your vacations, that's all, but I suppose you'll manage somehow." Marilla broke down and wept bitterly. "You mustn't sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn't have to. But you can see for yourself. I can't stay here alone. I'd go crazy with trouble and loneliness. And my sight would go--I know it would." "You won't have to stay here alone, Marilla. I'll be with you. I'm not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I'm not going to take the scholarship. I decided so the night after you came home from town. You surely don't think I could leave you alone in your trouble, Marilla, after all you've done for me. I've been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won't have any bother over that. And I'm going to teach. I've applied for the school here--but I don't expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won't be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We'll keep a horse for that. Oh, I have it all planned out, Marilla. And I'll read to you and keep you cheered up. You sha'n't be dull or lonesome. And we'll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can't let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I'm _not_ going to Redmond; and I _am_ going to stay here and teach. Don't you worry about me a bit." "But your ambitions--and--" "I'm just as ambitious as ever. Only, I've changed the object of my ambitions. I'm going to be a good teacher--and I'm going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I've dozens of plans, Marilla. I've been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I'm going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don't feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can't prevent me. I'm sixteen and a half, 'obstinate as a mule,' as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don't you go pitying me. I don't like to be pitied, and there is no need for it. I'm heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you'd given me new life. I guess I ought to stick out and make you go to college--but I know I can't, so I ain't going to try. I'll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla's eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl's eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I'm getting glad to sit down. I've been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It's a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you've given up your notion of going to college. I was real glad to hear it. You've got as much education now as a woman can be comfortable with. I don't believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I'm going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I'm going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you'll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I'm not going to overdo things. As 'Josiah Allen's wife,' says, I shall be 'mejum'. But I'll have lots of spare time in the long winter evenings, and I've no vocation for fancy work. I'm going to teach over at Carmody, you know." "I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "'God's in his heaven, all's right with the world,'" whispered Anne softly.

Around the World in 80 Da

cliffnotes

Produce a brief summary for chapter 3 based on the provided context.

chapter 1|chapter 2|chapter 3

Phileas Fogg, reached the Reform Club, an imposing edifice in Pall Mall. He repaired at once to the dining room and took his place at the habitual table. His breakfast is minutely described. He then spent a considerable amount of time reading newspapers. Dinner passed as breakfast had done, and Mr. Fogg reappeared in the reading room. Mr. Fogg's usual partners at whist appear and they all begin to discuss a famous robbery that had recently taken place at a bank in London. Phileas joins this conversation when he says that - 'The Daily Telegraph says that he is a gentleman." The affair, which formed the subject, was this - A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table. When the money was not found even at five o'clock, the amount was passed to the account of profit and loss. As soon as the robbery was discovered, picked detectives hastened off to various ports, inspired by the proffered reward of two thousand pounds, and five per cent on the sum that might be recovered. There were real grounds for supposing that the thief did not belong to a professional band but was a gentleman. The papers and clubs were full of the affair, and everywhere people were discussing the probabilities of a successful pursuit; and the Reform Club was especially agitated, several of its members being Bank officials. Ralph and Stuart, both whist players argue whether the thief would be caught or not. Stuart questions - 'Where could he go, then?'' Ralph replies - "Oh, I don't know that. The world is big enough." It is here that Fogg once again joins the conversation, when he says - "It was once,". Phileas Fogg is questioned as to what he means by 'once' and then the conversation proceeds in such a way that Mr. Fogg declares that it is possible to go around the world in eighty days. John Sullivan supports this conjecture and shows the group the estimate made by the Daily Telegraph that claims that a journey round the world can be done in eighty days. Mr. Stuart thinks that the journey may sound plausible theoretically but is not feasible practically. He dares Mr. Fogg to complete such a feat himself and in his excitement, he puts a wager of four thousand. Phileas Fogg insists that he can carry out the exercise and says - "A true Englishman doesn't joke when he is talking about so serious a thing as a wager," He bets twenty thousand pounds against anyone that he will make the tour of the world in eighty days or less. "We accept," replied Messrs. Stuart, Fallentin, Sullivan, Flanagan, and Ralph, after consulting each other. Mr. Fogg decides to take the train to Dover that very evening and tells his challengers that he would be back in the Reform Club, on Saturday, the 21 st of December. A memorandum of the wager was at once drawn up and signed by the six parties. The party offered to suspend the game so that Mr. Fogg might make his preparations for departure but the latter is calm and insists on playing some more.

----------CHAPTER 1--------- Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington Gardens, the house in which Sheridan died in 1814. He was one of the most noticeable members of the Reform Club, though he seemed always to avoid attracting attention; an enigmatical personage, about whom little was known, except that he was a polished man of the world. People said that he resembled Byron--at least that his head was Byronic; but he was a bearded, tranquil Byron, who might live on a thousand years without growing old. Certainly an Englishman, it was more doubtful whether Phileas Fogg was a Londoner. He was never seen on 'Change, nor at the Bank, nor in the counting-rooms of the "City"; no ships ever came into London docks of which he was the owner; he had no public employment; he had never been entered at any of the Inns of Court, either at the Temple, or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded in the Court of Chancery, or in the Exchequer, or the Queen's Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan's Association, or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the English capital, from the Harmonic to that of the Entomologists, founded mainly for the purpose of abolishing pernicious insects. Phileas Fogg was a member of the Reform, and that was all. The way in which he got admission to this exclusive club was simple enough. He was recommended by the Barings, with whom he had an open credit. His cheques were regularly paid at sight from his account current, which was always flush. Was Phileas Fogg rich? Undoubtedly. But those who knew him best could not imagine how he had made his fortune, and Mr. Fogg was the last person to whom to apply for the information. He was not lavish, nor, on the contrary, avaricious; for, whenever he knew that money was needed for a noble, useful, or benevolent purpose, he supplied it quietly and sometimes anonymously. He was, in short, the least communicative of men. He talked very little, and seemed all the more mysterious for his taciturn manner. His daily habits were quite open to observation; but whatever he did was so exactly the same thing that he had always done before, that the wits of the curious were fairly puzzled. Had he travelled? It was likely, for no one seemed to know the world more familiarly; there was no spot so secluded that he did not appear to have an intimate acquaintance with it. He often corrected, with a few clear words, the thousand conjectures advanced by members of the club as to lost and unheard-of travellers, pointing out the true probabilities, and seeming as if gifted with a sort of second sight, so often did events justify his predictions. He must have travelled everywhere, at least in the spirit. It was at least certain that Phileas Fogg had not absented himself from London for many years. Those who were honoured by a better acquaintance with him than the rest, declared that nobody could pretend to have ever seen him anywhere else. His sole pastimes were reading the papers and playing whist. He often won at this game, which, as a silent one, harmonised with his nature; but his winnings never went into his purse, being reserved as a fund for his charities. Mr. Fogg played, not to win, but for the sake of playing. The game was in his eyes a contest, a struggle with a difficulty, yet a motionless, unwearying struggle, congenial to his tastes. Phileas Fogg was not known to have either wife or children, which may happen to the most honest people; either relatives or near friends, which is certainly more unusual. He lived alone in his house in Saville Row, whither none penetrated. A single domestic sufficed to serve him. He breakfasted and dined at the club, at hours mathematically fixed, in the same room, at the same table, never taking his meals with other members, much less bringing a guest with him; and went home at exactly midnight, only to retire at once to bed. He never used the cosy chambers which the Reform provides for its favoured members. He passed ten hours out of the twenty-four in Saville Row, either in sleeping or making his toilet. When he chose to take a walk it was with a regular step in the entrance hall with its mosaic flooring, or in the circular gallery with its dome supported by twenty red porphyry Ionic columns, and illumined by blue painted windows. When he breakfasted or dined all the resources of the club--its kitchens and pantries, its buttery and dairy--aided to crowd his table with their most succulent stores; he was served by the gravest waiters, in dress coats, and shoes with swan-skin soles, who proffered the viands in special porcelain, and on the finest linen; club decanters, of a lost mould, contained his sherry, his port, and his cinnamon-spiced claret; while his beverages were refreshingly cooled with ice, brought at great cost from the American lakes. If to live in this style is to be eccentric, it must be confessed that there is something good in eccentricity. The mansion in Saville Row, though not sumptuous, was exceedingly comfortable. The habits of its occupant were such as to demand but little from the sole domestic, but Phileas Fogg required him to be almost superhumanly prompt and regular. On this very 2nd of October he had dismissed James Forster, because that luckless youth had brought him shaving-water at eighty-four degrees Fahrenheit instead of eighty-six; and he was awaiting his successor, who was due at the house between eleven and half-past. Phileas Fogg was seated squarely in his armchair, his feet close together like those of a grenadier on parade, his hands resting on his knees, his body straight, his head erect; he was steadily watching a complicated clock which indicated the hours, the minutes, the seconds, the days, the months, and the years. At exactly half-past eleven Mr. Fogg would, according to his daily habit, quit Saville Row, and repair to the Reform. A rap at this moment sounded on the door of the cosy apartment where Phileas Fogg was seated, and James Forster, the dismissed servant, appeared. "The new servant," said he. A young man of thirty advanced and bowed. "You are a Frenchman, I believe," asked Phileas Fogg, "and your name is John?" "Jean, if monsieur pleases," replied the newcomer, "Jean Passepartout, a surname which has clung to me because I have a natural aptness for going out of one business into another. I believe I'm honest, monsieur, but, to be outspoken, I've had several trades. I've been an itinerant singer, a circus-rider, when I used to vault like Leotard, and dance on a rope like Blondin. Then I got to be a professor of gymnastics, so as to make better use of my talents; and then I was a sergeant fireman at Paris, and assisted at many a big fire. But I quitted France five years ago, and, wishing to taste the sweets of domestic life, took service as a valet here in England. Finding myself out of place, and hearing that Monsieur Phileas Fogg was the most exact and settled gentleman in the United Kingdom, I have come to monsieur in the hope of living with him a tranquil life, and forgetting even the name of Passepartout." "Passepartout suits me," responded Mr. Fogg. "You are well recommended to me; I hear a good report of you. You know my conditions?" "Yes, monsieur." "Good! What time is it?" "Twenty-two minutes after eleven," returned Passepartout, drawing an enormous silver watch from the depths of his pocket. "You are too slow," said Mr. Fogg. "Pardon me, monsieur, it is impossible--" "You are four minutes too slow. No matter; it's enough to mention the error. Now from this moment, twenty-nine minutes after eleven, a.m., this Wednesday, 2nd October, you are in my service." Phileas Fogg got up, took his hat in his left hand, put it on his head with an automatic motion, and went off without a word. Passepartout heard the street door shut once; it was his new master going out. He heard it shut again; it was his predecessor, James Forster, departing in his turn. Passepartout remained alone in the house in Saville Row. ----------CHAPTER 2--------- "Faith," muttered Passepartout, somewhat flurried, "I've seen people at Madame Tussaud's as lively as my new master!" Madame Tussaud's "people," let it be said, are of wax, and are much visited in London; speech is all that is wanting to make them human. During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well-shaped figure; his hair and whiskers were light, his forehead compact and unwrinkled, his face rather pale, his teeth magnificent. His countenance possessed in the highest degree what physiognomists call "repose in action," a quality of those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg seemed a perfect type of that English composure which Angelica Kauffmann has so skilfully represented on canvas. Seen in the various phases of his daily life, he gave the idea of being perfectly well-balanced, as exactly regulated as a Leroy chronometer. Phileas Fogg was, indeed, exactitude personified, and this was betrayed even in the expression of his very hands and feet; for in men, as well as in animals, the limbs themselves are expressive of the passions. He was so exact that he was never in a hurry, was always ready, and was economical alike of his steps and his motions. He never took one step too many, and always went to his destination by the shortest cut; he made no superfluous gestures, and was never seen to be moved or agitated. He was the most deliberate person in the world, yet always reached his destination at the exact moment. He lived alone, and, so to speak, outside of every social relation; and as he knew that in this world account must be taken of friction, and that friction retards, he never rubbed against anybody. As for Passepartout, he was a true Parisian of Paris. Since he had abandoned his own country for England, taking service as a valet, he had in vain searched for a master after his own heart. Passepartout was by no means one of those pert dunces depicted by Moliere with a bold gaze and a nose held high in the air; he was an honest fellow, with a pleasant face, lips a trifle protruding, soft-mannered and serviceable, with a good round head, such as one likes to see on the shoulders of a friend. His eyes were blue, his complexion rubicund, his figure almost portly and well-built, his body muscular, and his physical powers fully developed by the exercises of his younger days. His brown hair was somewhat tumbled; for, while the ancient sculptors are said to have known eighteen methods of arranging Minerva's tresses, Passepartout was familiar with but one of dressing his own: three strokes of a large-tooth comb completed his toilet. It would be rash to predict how Passepartout's lively nature would agree with Mr. Fogg. It was impossible to tell whether the new servant would turn out as absolutely methodical as his master required; experience alone could solve the question. Passepartout had been a sort of vagrant in his early years, and now yearned for repose; but so far he had failed to find it, though he had already served in ten English houses. But he could not take root in any of these; with chagrin, he found his masters invariably whimsical and irregular, constantly running about the country, or on the look-out for adventure. His last master, young Lord Longferry, Member of Parliament, after passing his nights in the Haymarket taverns, was too often brought home in the morning on policemen's shoulders. Passepartout, desirous of respecting the gentleman whom he served, ventured a mild remonstrance on such conduct; which, being ill-received, he took his leave. Hearing that Mr. Phileas Fogg was looking for a servant, and that his life was one of unbroken regularity, that he neither travelled nor stayed from home overnight, he felt sure that this would be the place he was after. He presented himself, and was accepted, as has been seen. At half-past eleven, then, Passepartout found himself alone in the house in Saville Row. He began its inspection without delay, scouring it from cellar to garret. So clean, well-arranged, solemn a mansion pleased him; it seemed to him like a snail's shell, lighted and warmed by gas, which sufficed for both these purposes. When Passepartout reached the second story he recognised at once the room which he was to inhabit, and he was well satisfied with it. Electric bells and speaking-tubes afforded communication with the lower stories; while on the mantel stood an electric clock, precisely like that in Mr. Fogg's bedchamber, both beating the same second at the same instant. "That's good, that'll do," said Passepartout to himself. He suddenly observed, hung over the clock, a card which, upon inspection, proved to be a programme of the daily routine of the house. It comprised all that was required of the servant, from eight in the morning, exactly at which hour Phileas Fogg rose, till half-past eleven, when he left the house for the Reform Club--all the details of service, the tea and toast at twenty-three minutes past eight, the shaving-water at thirty-seven minutes past nine, and the toilet at twenty minutes before ten. Everything was regulated and foreseen that was to be done from half-past eleven a.m. till midnight, the hour at which the methodical gentleman retired. Mr. Fogg's wardrobe was amply supplied and in the best taste. Each pair of trousers, coat, and vest bore a number, indicating the time of year and season at which they were in turn to be laid out for wearing; and the same system was applied to the master's shoes. In short, the house in Saville Row, which must have been a very temple of disorder and unrest under the illustrious but dissipated Sheridan, was cosiness, comfort, and method idealised. There was no study, nor were there books, which would have been quite useless to Mr. Fogg; for at the Reform two libraries, one of general literature and the other of law and politics, were at his service. A moderate-sized safe stood in his bedroom, constructed so as to defy fire as well as burglars; but Passepartout found neither arms nor hunting weapons anywhere; everything betrayed the most tranquil and peaceable habits. Having scrutinised the house from top to bottom, he rubbed his hands, a broad smile overspread his features, and he said joyfully, "This is just what I wanted! Ah, we shall get on together, Mr. Fogg and I! What a domestic and regular gentleman! A real machine; well, I don't mind serving a machine." ----------CHAPTER 3--------- Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table, the cover of which had already been laid for him. His breakfast consisted of a side-dish, a broiled fish with Reading sauce, a scarlet slice of roast beef garnished with mushrooms, a rhubarb and gooseberry tart, and a morsel of Cheshire cheese, the whole being washed down with several cups of tea, for which the Reform is famous. He rose at thirteen minutes to one, and directed his steps towards the large hall, a sumptuous apartment adorned with lavishly-framed paintings. A flunkey handed him an uncut Times, which he proceeded to cut with a skill which betrayed familiarity with this delicate operation. The perusal of this paper absorbed Phileas Fogg until a quarter before four, whilst the Standard, his next task, occupied him till the dinner hour. Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the reading-room and sat down to the Pall Mall at twenty minutes before six. Half an hour later several members of the Reform came in and drew up to the fireplace, where a coal fire was steadily burning. They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer; John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer; and Gauthier Ralph, one of the Directors of the Bank of England--all rich and highly respectable personages, even in a club which comprises the princes of English trade and finance. "Well, Ralph," said Thomas Flanagan, "what about that robbery?" "Oh," replied Stuart, "the Bank will lose the money." "On the contrary," broke in Ralph, "I hope we may put our hands on the robber. Skilful detectives have been sent to all the principal ports of America and the Continent, and he'll be a clever fellow if he slips through their fingers." "But have you got the robber's description?" asked Stuart. "In the first place, he is no robber at all," returned Ralph, positively. "What! a fellow who makes off with fifty-five thousand pounds, no robber?" "No." "Perhaps he's a manufacturer, then." "The Daily Telegraph says that he is a gentleman." It was Phileas Fogg, whose head now emerged from behind his newspapers, who made this remark. He bowed to his friends, and entered into the conversation. The affair which formed its subject, and which was town talk, had occurred three days before at the Bank of England. A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table, that functionary being at the moment engaged in registering the receipt of three shillings and sixpence. Of course, he could not have his eyes everywhere. Let it be observed that the Bank of England reposes a touching confidence in the honesty of the public. There are neither guards nor gratings to protect its treasures; gold, silver, banknotes are freely exposed, at the mercy of the first comer. A keen observer of English customs relates that, being in one of the rooms of the Bank one day, he had the curiosity to examine a gold ingot weighing some seven or eight pounds. He took it up, scrutinised it, passed it to his neighbour, he to the next man, and so on until the ingot, going from hand to hand, was transferred to the end of a dark entry; nor did it return to its place for half an hour. Meanwhile, the cashier had not so much as raised his head. But in the present instance things had not gone so smoothly. The package of notes not being found when five o'clock sounded from the ponderous clock in the "drawing office," the amount was passed to the account of profit and loss. As soon as the robbery was discovered, picked detectives hastened off to Liverpool, Glasgow, Havre, Suez, Brindisi, New York, and other ports, inspired by the proffered reward of two thousand pounds, and five per cent. on the sum that might be recovered. Detectives were also charged with narrowly watching those who arrived at or left London by rail, and a judicial examination was at once entered upon. There were real grounds for supposing, as the Daily Telegraph said, that the thief did not belong to a professional band. On the day of the robbery a well-dressed gentleman of polished manners, and with a well-to-do air, had been observed going to and fro in the paying room where the crime was committed. A description of him was easily procured and sent to the detectives; and some hopeful spirits, of whom Ralph was one, did not despair of his apprehension. The papers and clubs were full of the affair, and everywhere people were discussing the probabilities of a successful pursuit; and the Reform Club was especially agitated, several of its members being Bank officials. Ralph would not concede that the work of the detectives was likely to be in vain, for he thought that the prize offered would greatly stimulate their zeal and activity. But Stuart was far from sharing this confidence; and, as they placed themselves at the whist-table, they continued to argue the matter. Stuart and Flanagan played together, while Phileas Fogg had Fallentin for his partner. As the game proceeded the conversation ceased, excepting between the rubbers, when it revived again. "I maintain," said Stuart, "that the chances are in favour of the thief, who must be a shrewd fellow." "Well, but where can he fly to?" asked Ralph. "No country is safe for him." "Pshaw!" "Where could he go, then?" "Oh, I don't know that. The world is big enough." "It was once," said Phileas Fogg, in a low tone. "Cut, sir," he added, handing the cards to Thomas Flanagan. The discussion fell during the rubber, after which Stuart took up its thread. "What do you mean by `once'? Has the world grown smaller?" "Certainly," returned Ralph. "I agree with Mr. Fogg. The world has grown smaller, since a man can now go round it ten times more quickly than a hundred years ago. And that is why the search for this thief will be more likely to succeed." "And also why the thief can get away more easily." "Be so good as to play, Mr. Stuart," said Phileas Fogg. But the incredulous Stuart was not convinced, and when the hand was finished, said eagerly: "You have a strange way, Ralph, of proving that the world has grown smaller. So, because you can go round it in three months--" "In eighty days," interrupted Phileas Fogg. "That is true, gentlemen," added John Sullivan. "Only eighty days, now that the section between Rothal and Allahabad, on the Great Indian Peninsula Railway, has been opened. Here is the estimate made by the Daily Telegraph: From London to Suez via Mont Cenis and Brindisi, by rail and steamboats ................. 7 days From Suez to Bombay, by steamer .................... 13 " From Bombay to Calcutta, by rail ................... 3 " From Calcutta to Hong Kong, by steamer ............. 13 " From Hong Kong to Yokohama (Japan), by steamer ..... 6 " From Yokohama to San Francisco, by steamer ......... 22 " From San Francisco to New York, by rail ............. 7 " From New York to London, by steamer and rail ........ 9 " ------ Total ............................................ 80 days." "Yes, in eighty days!" exclaimed Stuart, who in his excitement made a false deal. "But that doesn't take into account bad weather, contrary winds, shipwrecks, railway accidents, and so on." "All included," returned Phileas Fogg, continuing to play despite the discussion. "But suppose the Hindoos or Indians pull up the rails," replied Stuart; "suppose they stop the trains, pillage the luggage-vans, and scalp the passengers!" "All included," calmly retorted Fogg; adding, as he threw down the cards, "Two trumps." Stuart, whose turn it was to deal, gathered them up, and went on: "You are right, theoretically, Mr. Fogg, but practically--" "Practically also, Mr. Stuart." "I'd like to see you do it in eighty days." "It depends on you. Shall we go?" "Heaven preserve me! But I would wager four thousand pounds that such a journey, made under these conditions, is impossible." "Quite possible, on the contrary," returned Mr. Fogg. "Well, make it, then!" "The journey round the world in eighty days?" "Yes." "I should like nothing better." "When?" "At once. Only I warn you that I shall do it at your expense." "It's absurd!" cried Stuart, who was beginning to be annoyed at the persistency of his friend. "Come, let's go on with the game." "Deal over again, then," said Phileas Fogg. "There's a false deal." Stuart took up the pack with a feverish hand; then suddenly put them down again. "Well, Mr. Fogg," said he, "it shall be so: I will wager the four thousand on it." "Calm yourself, my dear Stuart," said Fallentin. "It's only a joke." "When I say I'll wager," returned Stuart, "I mean it." "All right," said Mr. Fogg; and, turning to the others, he continued: "I have a deposit of twenty thousand at Baring's which I will willingly risk upon it." "Twenty thousand pounds!" cried Sullivan. "Twenty thousand pounds, which you would lose by a single accidental delay!" "The unforeseen does not exist," quietly replied Phileas Fogg. "But, Mr. Fogg, eighty days are only the estimate of the least possible time in which the journey can be made." "A well-used minimum suffices for everything." "But, in order not to exceed it, you must jump mathematically from the trains upon the steamers, and from the steamers upon the trains again." "I will jump--mathematically." "You are joking." "A true Englishman doesn't joke when he is talking about so serious a thing as a wager," replied Phileas Fogg, solemnly. "I will bet twenty thousand pounds against anyone who wishes that I will make the tour of the world in eighty days or less; in nineteen hundred and twenty hours, or a hundred and fifteen thousand two hundred minutes. Do you accept?" "We accept," replied Messrs. Stuart, Fallentin, Sullivan, Flanagan, and Ralph, after consulting each other. "Good," said Mr. Fogg. "The train leaves for Dover at a quarter before nine. I will take it." "This very evening?" asked Stuart. "This very evening," returned Phileas Fogg. He took out and consulted a pocket almanac, and added, "As today is Wednesday, the 2nd of October, I shall be due in London in this very room of the Reform Club, on Saturday, the 21st of December, at a quarter before nine p.m.; or else the twenty thousand pounds, now deposited in my name at Baring's, will belong to you, in fact and in right, gentlemen. Here is a cheque for the amount." A memorandum of the wager was at once drawn up and signed by the six parties, during which Phileas Fogg preserved a stoical composure. He certainly did not bet to win, and had only staked the twenty thousand pounds, half of his fortune, because he foresaw that he might have to expend the other half to carry out this difficult, not to say unattainable, project. As for his antagonists, they seemed much agitated; not so much by the value of their stake, as because they had some scruples about betting under conditions so difficult to their friend. The clock struck seven, and the party offered to suspend the game so that Mr. Fogg might make his preparations for departure. "I am quite ready now," was his tranquil response. "Diamonds are trumps: be so good as to play, gentlemen."

cliffnotes

Generate a succinct summary for chapter 5 with the given context.

chapter 4|chapter 5|chapter 6|chapter 7|chapter 8

Phileas Fogg rightly suspected that his departure from London would create a lively sensation. The news of the bet spread through the Reform Club, and got into the papers throughout England. The boasted "tour of the world" was talked about, disputed and argued by many. Some took sides with Phileas Fogg, but the large majority shook their heads and declared against him. Those who did not support him declared, that the tour of the world could be made, but only theoretically. Numerous articles in papers debated the question of the possibility of such a journey. The ladies supported Fogg after seeing a picture of his handsome figure. At last a long article appeared, on the 7 th of October, in the bulletin of the Royal Geographical Society, which treated the question from every point of view, and demonstrated the utter folly of the enterprise. It showed how Fogg would have to mathematically jump from trains to ships and so on to be able to accomplish the task at hand. It pointed out the many obstacles that would be faced. This article made a great deal of noise, and, being copied into all the papers, seriously depressed the advocates of the rash tourist. England is the world of betting men, who are of a higher class than mere gamblers. Not only the members of the Reform, but the general public, made heavy wagers for or against Phileas Fogg, who was set down in the betting books as if he were a race-horse. Bonds were issued, and made their appearance on 'Change. Though after the article, the value of Fogg stock declined. Lord Albemarle, an elderly paralytic gentleman, was now the only advocate of Phileas Fogg left. He felt that if the journey could be accomplished, an Englishman should complete it first. The Fogg party dwindled more and more, everybody was going against him, and the bets stood a hundred and fifty and two hundred to one; and a week after his departure an incident occurred which deprived him of backers at any price.The commissioner of police received the following telegraphic dispatch:- Suez. Rowan, Chief of Police, Scotland Yard, London. 'Am shadowing bank thief, Phileas Fogg. Send without delay warrant for arrest Bombay .Detective Fix' The effect of this dispatch was instantaneous. The polished gentleman disappeared to give place to the bank robber. His photograph was minutely examined, and it betrayed, feature by feature, the description of the robber which had been provided to the police. The mysterious habits of Phileas Fogg were recalled; his solitary ways, his sudden departure; and it seemed clear that, in undertaking a tour round the world on the pretext of a wager, he had no other end in view than to elude the detectives, and throw them off his track.

----------CHAPTER 4--------- Having won twenty guineas at whist, and taken leave of his friends, Phileas Fogg, at twenty-five minutes past seven, left the Reform Club. Passepartout, who had conscientiously studied the programme of his duties, was more than surprised to see his master guilty of the inexactness of appearing at this unaccustomed hour; for, according to rule, he was not due in Saville Row until precisely midnight. Mr. Fogg repaired to his bedroom, and called out, "Passepartout!" Passepartout did not reply. It could not be he who was called; it was not the right hour. "Passepartout!" repeated Mr. Fogg, without raising his voice. Passepartout made his appearance. "I've called you twice," observed his master. "But it is not midnight," responded the other, showing his watch. "I know it; I don't blame you. We start for Dover and Calais in ten minutes." A puzzled grin overspread Passepartout's round face; clearly he had not comprehended his master. "Monsieur is going to leave home?" "Yes," returned Phileas Fogg. "We are going round the world." Passepartout opened wide his eyes, raised his eyebrows, held up his hands, and seemed about to collapse, so overcome was he with stupefied astonishment. "Round the world!" he murmured. "In eighty days," responded Mr. Fogg. "So we haven't a moment to lose." "But the trunks?" gasped Passepartout, unconsciously swaying his head from right to left. "We'll have no trunks; only a carpet-bag, with two shirts and three pairs of stockings for me, and the same for you. We'll buy our clothes on the way. Bring down my mackintosh and traveling-cloak, and some stout shoes, though we shall do little walking. Make haste!" Passepartout tried to reply, but could not. He went out, mounted to his own room, fell into a chair, and muttered: "That's good, that is! And I, who wanted to remain quiet!" He mechanically set about making the preparations for departure. Around the world in eighty days! Was his master a fool? No. Was this a joke, then? They were going to Dover; good! To Calais; good again! After all, Passepartout, who had been away from France five years, would not be sorry to set foot on his native soil again. Perhaps they would go as far as Paris, and it would do his eyes good to see Paris once more. But surely a gentleman so chary of his steps would stop there; no doubt--but, then, it was none the less true that he was going away, this so domestic person hitherto! By eight o'clock Passepartout had packed the modest carpet-bag, containing the wardrobes of his master and himself; then, still troubled in mind, he carefully shut the door of his room, and descended to Mr. Fogg. Mr. Fogg was quite ready. Under his arm might have been observed a red-bound copy of Bradshaw's Continental Railway Steam Transit and General Guide, with its timetables showing the arrival and departure of steamers and railways. He took the carpet-bag, opened it, and slipped into it a goodly roll of Bank of England notes, which would pass wherever he might go. "You have forgotten nothing?" asked he. "Nothing, monsieur." "My mackintosh and cloak?" "Here they are." "Good! Take this carpet-bag," handing it to Passepartout. "Take good care of it, for there are twenty thousand pounds in it." Passepartout nearly dropped the bag, as if the twenty thousand pounds were in gold, and weighed him down. Master and man then descended, the street-door was double-locked, and at the end of Saville Row they took a cab and drove rapidly to Charing Cross. The cab stopped before the railway station at twenty minutes past eight. Passepartout jumped off the box and followed his master, who, after paying the cabman, was about to enter the station, when a poor beggar-woman, with a child in her arms, her naked feet smeared with mud, her head covered with a wretched bonnet, from which hung a tattered feather, and her shoulders shrouded in a ragged shawl, approached, and mournfully asked for alms. Mr. Fogg took out the twenty guineas he had just won at whist, and handed them to the beggar, saying, "Here, my good woman. I'm glad that I met you;" and passed on. Passepartout had a moist sensation about the eyes; his master's action touched his susceptible heart. Two first-class tickets for Paris having been speedily purchased, Mr. Fogg was crossing the station to the train, when he perceived his five friends of the Reform. "Well, gentlemen," said he, "I'm off, you see; and, if you will examine my passport when I get back, you will be able to judge whether I have accomplished the journey agreed upon." "Oh, that would be quite unnecessary, Mr. Fogg," said Ralph politely. "We will trust your word, as a gentleman of honour." "You do not forget when you are due in London again?" asked Stuart. "In eighty days; on Saturday, the 21st of December, 1872, at a quarter before nine p.m. Good-bye, gentlemen." Phileas Fogg and his servant seated themselves in a first-class carriage at twenty minutes before nine; five minutes later the whistle screamed, and the train slowly glided out of the station. The night was dark, and a fine, steady rain was falling. Phileas Fogg, snugly ensconced in his corner, did not open his lips. Passepartout, not yet recovered from his stupefaction, clung mechanically to the carpet-bag, with its enormous treasure. Just as the train was whirling through Sydenham, Passepartout suddenly uttered a cry of despair. "What's the matter?" asked Mr. Fogg. "Alas! In my hurry--I--I forgot--" "What?" "To turn off the gas in my room!" "Very well, young man," returned Mr. Fogg, coolly; "it will burn--at your expense." ----------CHAPTER 5--------- Phileas Fogg rightly suspected that his departure from London would create a lively sensation at the West End. The news of the bet spread through the Reform Club, and afforded an exciting topic of conversation to its members. From the club it soon got into the papers throughout England. The boasted "tour of the world" was talked about, disputed, argued with as much warmth as if the subject were another Alabama claim. Some took sides with Phileas Fogg, but the large majority shook their heads and declared against him; it was absurd, impossible, they declared, that the tour of the world could be made, except theoretically and on paper, in this minimum of time, and with the existing means of travelling. The Times, Standard, Morning Post, and Daily News, and twenty other highly respectable newspapers scouted Mr. Fogg's project as madness; the Daily Telegraph alone hesitatingly supported him. People in general thought him a lunatic, and blamed his Reform Club friends for having accepted a wager which betrayed the mental aberration of its proposer. Articles no less passionate than logical appeared on the question, for geography is one of the pet subjects of the English; and the columns devoted to Phileas Fogg's venture were eagerly devoured by all classes of readers. At first some rash individuals, principally of the gentler sex, espoused his cause, which became still more popular when the Illustrated London News came out with his portrait, copied from a photograph in the Reform Club. A few readers of the Daily Telegraph even dared to say, "Why not, after all? Stranger things have come to pass." At last a long article appeared, on the 7th of October, in the bulletin of the Royal Geographical Society, which treated the question from every point of view, and demonstrated the utter folly of the enterprise. Everything, it said, was against the travellers, every obstacle imposed alike by man and by nature. A miraculous agreement of the times of departure and arrival, which was impossible, was absolutely necessary to his success. He might, perhaps, reckon on the arrival of trains at the designated hours, in Europe, where the distances were relatively moderate; but when he calculated upon crossing India in three days, and the United States in seven, could he rely beyond misgiving upon accomplishing his task? There were accidents to machinery, the liability of trains to run off the line, collisions, bad weather, the blocking up by snow--were not all these against Phileas Fogg? Would he not find himself, when travelling by steamer in winter, at the mercy of the winds and fogs? Is it uncommon for the best ocean steamers to be two or three days behind time? But a single delay would suffice to fatally break the chain of communication; should Phileas Fogg once miss, even by an hour; a steamer, he would have to wait for the next, and that would irrevocably render his attempt vain. This article made a great deal of noise, and, being copied into all the papers, seriously depressed the advocates of the rash tourist. Everybody knows that England is the world of betting men, who are of a higher class than mere gamblers; to bet is in the English temperament. Not only the members of the Reform, but the general public, made heavy wagers for or against Phileas Fogg, who was set down in the betting books as if he were a race-horse. Bonds were issued, and made their appearance on 'Change; "Phileas Fogg bonds" were offered at par or at a premium, and a great business was done in them. But five days after the article in the bulletin of the Geographical Society appeared, the demand began to subside: "Phileas Fogg" declined. They were offered by packages, at first of five, then of ten, until at last nobody would take less than twenty, fifty, a hundred! Lord Albemarle, an elderly paralytic gentleman, was now the only advocate of Phileas Fogg left. This noble lord, who was fastened to his chair, would have given his fortune to be able to make the tour of the world, if it took ten years; and he bet five thousand pounds on Phileas Fogg. When the folly as well as the uselessness of the adventure was pointed out to him, he contented himself with replying, "If the thing is feasible, the first to do it ought to be an Englishman." The Fogg party dwindled more and more, everybody was going against him, and the bets stood a hundred and fifty and two hundred to one; and a week after his departure an incident occurred which deprived him of backers at any price. The commissioner of police was sitting in his office at nine o'clock one evening, when the following telegraphic dispatch was put into his hands: Suez to London. Rowan, Commissioner of Police, Scotland Yard: I've found the bank robber, Phileas Fogg. Send with out delay warrant of arrest to Bombay. Fix, Detective. The effect of this dispatch was instantaneous. The polished gentleman disappeared to give place to the bank robber. His photograph, which was hung with those of the rest of the members at the Reform Club, was minutely examined, and it betrayed, feature by feature, the description of the robber which had been provided to the police. The mysterious habits of Phileas Fogg were recalled; his solitary ways, his sudden departure; and it seemed clear that, in undertaking a tour round the world on the pretext of a wager, he had had no other end in view than to elude the detectives, and throw them off his track. ----------CHAPTER 6--------- The circumstances under which this telegraphic dispatch about Phileas Fogg was sent were as follows: The steamer Mongolia, belonging to the Peninsular and Oriental Company, built of iron, of two thousand eight hundred tons burden, and five hundred horse-power, was due at eleven o'clock a.m. on Wednesday, the 9th of October, at Suez. The Mongolia plied regularly between Brindisi and Bombay via the Suez Canal, and was one of the fastest steamers belonging to the company, always making more than ten knots an hour between Brindisi and Suez, and nine and a half between Suez and Bombay. Two men were promenading up and down the wharves, among the crowd of natives and strangers who were sojourning at this once straggling village--now, thanks to the enterprise of M. Lesseps, a fast-growing town. One was the British consul at Suez, who, despite the prophecies of the English Government, and the unfavourable predictions of Stephenson, was in the habit of seeing, from his office window, English ships daily passing to and fro on the great canal, by which the old roundabout route from England to India by the Cape of Good Hope was abridged by at least a half. The other was a small, slight-built personage, with a nervous, intelligent face, and bright eyes peering out from under eyebrows which he was incessantly twitching. He was just now manifesting unmistakable signs of impatience, nervously pacing up and down, and unable to stand still for a moment. This was Fix, one of the detectives who had been dispatched from England in search of the bank robber; it was his task to narrowly watch every passenger who arrived at Suez, and to follow up all who seemed to be suspicious characters, or bore a resemblance to the description of the criminal, which he had received two days before from the police headquarters at London. The detective was evidently inspired by the hope of obtaining the splendid reward which would be the prize of success, and awaited with a feverish impatience, easy to understand, the arrival of the steamer Mongolia. "So you say, consul," asked he for the twentieth time, "that this steamer is never behind time?" "No, Mr. Fix," replied the consul. "She was bespoken yesterday at Port Said, and the rest of the way is of no account to such a craft. I repeat that the Mongolia has been in advance of the time required by the company's regulations, and gained the prize awarded for excess of speed." "Does she come directly from Brindisi?" "Directly from Brindisi; she takes on the Indian mails there, and she left there Saturday at five p.m. Have patience, Mr. Fix; she will not be late. But really, I don't see how, from the description you have, you will be able to recognise your man, even if he is on board the Mongolia." "A man rather feels the presence of these fellows, consul, than recognises them. You must have a scent for them, and a scent is like a sixth sense which combines hearing, seeing, and smelling. I've arrested more than one of these gentlemen in my time, and, if my thief is on board, I'll answer for it; he'll not slip through my fingers." "I hope so, Mr. Fix, for it was a heavy robbery." "A magnificent robbery, consul; fifty-five thousand pounds! We don't often have such windfalls. Burglars are getting to be so contemptible nowadays! A fellow gets hung for a handful of shillings!" "Mr. Fix," said the consul, "I like your way of talking, and hope you'll succeed; but I fear you will find it far from easy. Don't you see, the description which you have there has a singular resemblance to an honest man?" "Consul," remarked the detective, dogmatically, "great robbers always resemble honest folks. Fellows who have rascally faces have only one course to take, and that is to remain honest; otherwise they would be arrested off-hand. The artistic thing is, to unmask honest countenances; it's no light task, I admit, but a real art." Mr. Fix evidently was not wanting in a tinge of self-conceit. Little by little the scene on the quay became more animated; sailors of various nations, merchants, ship-brokers, porters, fellahs, bustled to and fro as if the steamer were immediately expected. The weather was clear, and slightly chilly. The minarets of the town loomed above the houses in the pale rays of the sun. A jetty pier, some two thousand yards along, extended into the roadstead. A number of fishing-smacks and coasting boats, some retaining the fantastic fashion of ancient galleys, were discernible on the Red Sea. As he passed among the busy crowd, Fix, according to habit, scrutinised the passers-by with a keen, rapid glance. It was now half-past ten. "The steamer doesn't come!" he exclaimed, as the port clock struck. "She can't be far off now," returned his companion. "How long will she stop at Suez?" "Four hours; long enough to get in her coal. It is thirteen hundred and ten miles from Suez to Aden, at the other end of the Red Sea, and she has to take in a fresh coal supply." "And does she go from Suez directly to Bombay?" "Without putting in anywhere." "Good!" said Fix. "If the robber is on board he will no doubt get off at Suez, so as to reach the Dutch or French colonies in Asia by some other route. He ought to know that he would not be safe an hour in India, which is English soil." "Unless," objected the consul, "he is exceptionally shrewd. An English criminal, you know, is always better concealed in London than anywhere else." This observation furnished the detective food for thought, and meanwhile the consul went away to his office. Fix, left alone, was more impatient than ever, having a presentiment that the robber was on board the Mongolia. If he had indeed left London intending to reach the New World, he would naturally take the route via India, which was less watched and more difficult to watch than that of the Atlantic. But Fix's reflections were soon interrupted by a succession of sharp whistles, which announced the arrival of the Mongolia. The porters and fellahs rushed down the quay, and a dozen boats pushed off from the shore to go and meet the steamer. Soon her gigantic hull appeared passing along between the banks, and eleven o'clock struck as she anchored in the road. She brought an unusual number of passengers, some of whom remained on deck to scan the picturesque panorama of the town, while the greater part disembarked in the boats, and landed on the quay. Fix took up a position, and carefully examined each face and figure which made its appearance. Presently one of the passengers, after vigorously pushing his way through the importunate crowd of porters, came up to him and politely asked if he could point out the English consulate, at the same time showing a passport which he wished to have visaed. Fix instinctively took the passport, and with a rapid glance read the description of its bearer. An involuntary motion of surprise nearly escaped him, for the description in the passport was identical with that of the bank robber which he had received from Scotland Yard. "Is this your passport?" asked he. "No, it's my master's." "And your master is--" "He stayed on board." "But he must go to the consul's in person, so as to establish his identity." "Oh, is that necessary?" "Quite indispensable." "And where is the consulate?" "There, on the corner of the square," said Fix, pointing to a house two hundred steps off. "I'll go and fetch my master, who won't be much pleased, however, to be disturbed." The passenger bowed to Fix, and returned to the steamer. ----------CHAPTER 7--------- The detective passed down the quay, and rapidly made his way to the consul's office, where he was at once admitted to the presence of that official. "Consul," said he, without preamble, "I have strong reasons for believing that my man is a passenger on the Mongolia." And he narrated what had just passed concerning the passport. "Well, Mr. Fix," replied the consul, "I shall not be sorry to see the rascal's face; but perhaps he won't come here--that is, if he is the person you suppose him to be. A robber doesn't quite like to leave traces of his flight behind him; and, besides, he is not obliged to have his passport countersigned." "If he is as shrewd as I think he is, consul, he will come." "To have his passport visaed?" "Yes. Passports are only good for annoying honest folks, and aiding in the flight of rogues. I assure you it will be quite the thing for him to do; but I hope you will not visa the passport." "Why not? If the passport is genuine I have no right to refuse." "Still, I must keep this man here until I can get a warrant to arrest him from London." "Ah, that's your look-out. But I cannot--" The consul did not finish his sentence, for as he spoke a knock was heard at the door, and two strangers entered, one of whom was the servant whom Fix had met on the quay. The other, who was his master, held out his passport with the request that the consul would do him the favour to visa it. The consul took the document and carefully read it, whilst Fix observed, or rather devoured, the stranger with his eyes from a corner of the room. "You are Mr. Phileas Fogg?" said the consul, after reading the passport. "I am." "And this man is your servant?" "He is: a Frenchman, named Passepartout." "You are from London?" "Yes." "And you are going--" "To Bombay." "Very good, sir. You know that a visa is useless, and that no passport is required?" "I know it, sir," replied Phileas Fogg; "but I wish to prove, by your visa, that I came by Suez." "Very well, sir." The consul proceeded to sign and date the passport, after which he added his official seal. Mr. Fogg paid the customary fee, coldly bowed, and went out, followed by his servant. "Well?" queried the detective. "Well, he looks and acts like a perfectly honest man," replied the consul. "Possibly; but that is not the question. Do you think, consul, that this phlegmatic gentleman resembles, feature by feature, the robber whose description I have received?" "I concede that; but then, you know, all descriptions--" "I'll make certain of it," interrupted Fix. "The servant seems to me less mysterious than the master; besides, he's a Frenchman, and can't help talking. Excuse me for a little while, consul." Fix started off in search of Passepartout. Meanwhile Mr. Fogg, after leaving the consulate, repaired to the quay, gave some orders to Passepartout, went off to the Mongolia in a boat, and descended to his cabin. He took up his note-book, which contained the following memoranda: "Left London, Wednesday, October 2nd, at 8.45 p.m. "Reached Paris, Thursday, October 3rd, at 7.20 a.m. "Left Paris, Thursday, at 8.40 a.m. "Reached Turin by Mont Cenis, Friday, October 4th, at 6.35 a.m. "Left Turin, Friday, at 7.20 a.m. "Arrived at Brindisi, Saturday, October 5th, at 4 p.m. "Sailed on the Mongolia, Saturday, at 5 p.m. "Reached Suez, Wednesday, October 9th, at 11 a.m. "Total of hours spent, 158+; or, in days, six days and a half." These dates were inscribed in an itinerary divided into columns, indicating the month, the day of the month, and the day for the stipulated and actual arrivals at each principal point Paris, Brindisi, Suez, Bombay, Calcutta, Singapore, Hong Kong, Yokohama, San Francisco, New York, and London--from the 2nd of October to the 21st of December; and giving a space for setting down the gain made or the loss suffered on arrival at each locality. This methodical record thus contained an account of everything needed, and Mr. Fogg always knew whether he was behind-hand or in advance of his time. On this Friday, October 9th, he noted his arrival at Suez, and observed that he had as yet neither gained nor lost. He sat down quietly to breakfast in his cabin, never once thinking of inspecting the town, being one of those Englishmen who are wont to see foreign countries through the eyes of their domestics. ----------CHAPTER 8--------- Fix soon rejoined Passepartout, who was lounging and looking about on the quay, as if he did not feel that he, at least, was obliged not to see anything. "Well, my friend," said the detective, coming up with him, "is your passport visaed?" "Ah, it's you, is it, monsieur?" responded Passepartout. "Thanks, yes, the passport is all right." "And you are looking about you?" "Yes; but we travel so fast that I seem to be journeying in a dream. So this is Suez?" "Yes." "In Egypt?" "Certainly, in Egypt." "And in Africa?" "In Africa." "In Africa!" repeated Passepartout. "Just think, monsieur, I had no idea that we should go farther than Paris; and all that I saw of Paris was between twenty minutes past seven and twenty minutes before nine in the morning, between the Northern and the Lyons stations, through the windows of a car, and in a driving rain! How I regret not having seen once more Pere la Chaise and the circus in the Champs Elysees!" "You are in a great hurry, then?" "I am not, but my master is. By the way, I must buy some shoes and shirts. We came away without trunks, only with a carpet-bag." "I will show you an excellent shop for getting what you want." "Really, monsieur, you are very kind." And they walked off together, Passepartout chatting volubly as they went along. "Above all," said he; "don't let me lose the steamer." "You have plenty of time; it's only twelve o'clock." Passepartout pulled out his big watch. "Twelve!" he exclaimed; "why, it's only eight minutes before ten." "Your watch is slow." "My watch? A family watch, monsieur, which has come down from my great-grandfather! It doesn't vary five minutes in the year. It's a perfect chronometer, look you." "I see how it is," said Fix. "You have kept London time, which is two hours behind that of Suez. You ought to regulate your watch at noon in each country." "I regulate my watch? Never!" "Well, then, it will not agree with the sun." "So much the worse for the sun, monsieur. The sun will be wrong, then!" And the worthy fellow returned the watch to its fob with a defiant gesture. After a few minutes silence, Fix resumed: "You left London hastily, then?" "I rather think so! Last Friday at eight o'clock in the evening, Monsieur Fogg came home from his club, and three-quarters of an hour afterwards we were off." "But where is your master going?" "Always straight ahead. He is going round the world." "Round the world?" cried Fix. "Yes, and in eighty days! He says it is on a wager; but, between us, I don't believe a word of it. That wouldn't be common sense. There's something else in the wind." "Ah! Mr. Fogg is a character, is he?" "I should say he was." "Is he rich?" "No doubt, for he is carrying an enormous sum in brand new banknotes with him. And he doesn't spare the money on the way, either: he has offered a large reward to the engineer of the Mongolia if he gets us to Bombay well in advance of time." "And you have known your master a long time?" "Why, no; I entered his service the very day we left London." The effect of these replies upon the already suspicious and excited detective may be imagined. The hasty departure from London soon after the robbery; the large sum carried by Mr. Fogg; his eagerness to reach distant countries; the pretext of an eccentric and foolhardy bet--all confirmed Fix in his theory. He continued to pump poor Passepartout, and learned that he really knew little or nothing of his master, who lived a solitary existence in London, was said to be rich, though no one knew whence came his riches, and was mysterious and impenetrable in his affairs and habits. Fix felt sure that Phileas Fogg would not land at Suez, but was really going on to Bombay. "Is Bombay far from here?" asked Passepartout. "Pretty far. It is a ten days' voyage by sea." "And in what country is Bombay?" "India." "In Asia?" "Certainly." "The deuce! I was going to tell you there's one thing that worries me--my burner!" "What burner?" "My gas-burner, which I forgot to turn off, and which is at this moment burning at my expense. I have calculated, monsieur, that I lose two shillings every four and twenty hours, exactly sixpence more than I earn; and you will understand that the longer our journey--" Did Fix pay any attention to Passepartout's trouble about the gas? It is not probable. He was not listening, but was cogitating a project. Passepartout and he had now reached the shop, where Fix left his companion to make his purchases, after recommending him not to miss the steamer, and hurried back to the consulate. Now that he was fully convinced, Fix had quite recovered his equanimity. "Consul," said he, "I have no longer any doubt. I have spotted my man. He passes himself off as an odd stick who is going round the world in eighty days." "Then he's a sharp fellow," returned the consul, "and counts on returning to London after putting the police of the two countries off his track." "We'll see about that," replied Fix. "But are you not mistaken?" "I am not mistaken." "Why was this robber so anxious to prove, by the visa, that he had passed through Suez?" "Why? I have no idea; but listen to me." He reported in a few words the most important parts of his conversation with Passepartout. "In short," said the consul, "appearances are wholly against this man. And what are you going to do?" "Send a dispatch to London for a warrant of arrest to be dispatched instantly to Bombay, take passage on board the Mongolia, follow my rogue to India, and there, on English ground, arrest him politely, with my warrant in my hand, and my hand on his shoulder." Having uttered these words with a cool, careless air, the detective took leave of the consul, and repaired to the telegraph office, whence he sent the dispatch which we have seen to the London police office. A quarter of an hour later found Fix, with a small bag in his hand, proceeding on board the Mongolia; and, ere many moments longer, the noble steamer rode out at full steam upon the waters of the Red Sea.

cliffnotes

Craft a concise overview of chapter 10 using the context provided.

chapter 9|chapter 10

Verne writes about the land that Fogg and Passepartout have arrived to - India. Verne explains that British India, properly so called, only embraces seven hundred thousand square miles. He writes in the present tense that a considerable portion of India is still free from British authority; and there are certain ferocious rajahs in the interior that are absolutely independent. Verne goes on to write how the means of transportation within the Indian subcontinent have changed and become more modern and reliable. Formerly one was obliged to travel in India by the old cumbrous methods of going on foot or on horseback, in palanquins or unwieldy coaches; now fast steamboats ply on the Indus and the Ganges, and a great railway, with branch lines joining the main line at many points on its route, traverses the peninsula from Bombay to Calcutta in three days. The passengers of the Mongolia went ashore at half past four p.m.; at exactly eight the train would start for Calcutta. Mr. Fogg bid goodbye to his whist partners, left the steamer, gave his servant several errands to do and himself went to the passport office. Having transacted his business at the passport office, Phileas Fogg repaired quietly to the railway station, where he ordered dinner. After which Mr. Fogg quietly continued his dinner. Fix too had gone on shore shortly after Mr. Fogg, and his first destination was the headquarters of the Bombay police. He found that the passport had not reached the office. Fix was disappointed, and tried to obtain an order of arrest from the director of the Bombay police but was refused as the matter concerned the London office. Fix decided then to keep Fogg in sight and he was sure that the latter would remain in Bombay only. Passepartout however, had no sooner heard his master's orders on leaving the Mongolia than he saw at once that they were to leave Bombay as they had done Suez and Paris, and that the journey would be extended at least as far as Calcutta, and perhaps beyond that place. Passepartout went around the city. It happened to be the day of a Parsee festival. He watched the ceremonies with staring eyes and gaping mouth. His curiosity drew him farther off than he intended to go. He espied the splendid pagoda on Malabar Hill. He was ignorant that it is forbidden for Christians to enter certain Indian temples, and that even the faithful must not go in without taking off their shoes. The wise policy of the British Government severely punishes a disregard of the practices of the native religions. Passepartout, however, went in like a simple tourist, and was soon lost in admiration of the splendid Brahmin ornamentation, which everywhere met his eyes. He suddenly found himself sprawling on the sacred flagging. He looked up to behold three enraged priests, who tore off his shoes, and began to beat him with savage exclamations. Somehow, he managed to escape. Five minutes before eight, Passepartout, hatless, shoeless, rushed breathlessly into the station. Fix by then had seen that Mr. Fogg was really going to leave Bombay. He had resolved to follow the supposed robber to Calcutta, and further, if necessary. Passepartout did not observe the detective, but Fix heard him relate his adventures to Mr. Fogg. Fix was on the point of entering another carriage, when an idea struck him, which induced him to alter his plan. "No, I'll stay," he muttered. "An offence has been committed on Indian soil. I've got my man.'' Just then the locomotive started and the train passed out into the dark night.

----------CHAPTER 9--------- The distance between Suez and Aden is precisely thirteen hundred and ten miles, and the regulations of the company allow the steamers one hundred and thirty-eight hours in which to traverse it. The Mongolia, thanks to the vigorous exertions of the engineer, seemed likely, so rapid was her speed, to reach her destination considerably within that time. The greater part of the passengers from Brindisi were bound for India some for Bombay, others for Calcutta by way of Bombay, the nearest route thither, now that a railway crosses the Indian peninsula. Among the passengers was a number of officials and military officers of various grades, the latter being either attached to the regular British forces or commanding the Sepoy troops, and receiving high salaries ever since the central government has assumed the powers of the East India Company: for the sub-lieutenants get 280 pounds, brigadiers, 2,400 pounds, and generals of divisions, 4,000 pounds. What with the military men, a number of rich young Englishmen on their travels, and the hospitable efforts of the purser, the time passed quickly on the Mongolia. The best of fare was spread upon the cabin tables at breakfast, lunch, dinner, and the eight o'clock supper, and the ladies scrupulously changed their toilets twice a day; and the hours were whirled away, when the sea was tranquil, with music, dancing, and games. But the Red Sea is full of caprice, and often boisterous, like most long and narrow gulfs. When the wind came from the African or Asian coast the Mongolia, with her long hull, rolled fearfully. Then the ladies speedily disappeared below; the pianos were silent; singing and dancing suddenly ceased. Yet the good ship ploughed straight on, unretarded by wind or wave, towards the straits of Bab-el-Mandeb. What was Phileas Fogg doing all this time? It might be thought that, in his anxiety, he would be constantly watching the changes of the wind, the disorderly raging of the billows--every chance, in short, which might force the Mongolia to slacken her speed, and thus interrupt his journey. But, if he thought of these possibilities, he did not betray the fact by any outward sign. Always the same impassible member of the Reform Club, whom no incident could surprise, as unvarying as the ship's chronometers, and seldom having the curiosity even to go upon the deck, he passed through the memorable scenes of the Red Sea with cold indifference; did not care to recognise the historic towns and villages which, along its borders, raised their picturesque outlines against the sky; and betrayed no fear of the dangers of the Arabic Gulf, which the old historians always spoke of with horror, and upon which the ancient navigators never ventured without propitiating the gods by ample sacrifices. How did this eccentric personage pass his time on the Mongolia? He made his four hearty meals every day, regardless of the most persistent rolling and pitching on the part of the steamer; and he played whist indefatigably, for he had found partners as enthusiastic in the game as himself. A tax-collector, on the way to his post at Goa; the Rev. Decimus Smith, returning to his parish at Bombay; and a brigadier-general of the English army, who was about to rejoin his brigade at Benares, made up the party, and, with Mr. Fogg, played whist by the hour together in absorbing silence. As for Passepartout, he, too, had escaped sea-sickness, and took his meals conscientiously in the forward cabin. He rather enjoyed the voyage, for he was well fed and well lodged, took a great interest in the scenes through which they were passing, and consoled himself with the delusion that his master's whim would end at Bombay. He was pleased, on the day after leaving Suez, to find on deck the obliging person with whom he had walked and chatted on the quays. "If I am not mistaken," said he, approaching this person, with his most amiable smile, "you are the gentleman who so kindly volunteered to guide me at Suez?" "Ah! I quite recognise you. You are the servant of the strange Englishman--" "Just so, monsieur--" "Fix." "Monsieur Fix," resumed Passepartout, "I'm charmed to find you on board. Where are you bound?" "Like you, to Bombay." "That's capital! Have you made this trip before?" "Several times. I am one of the agents of the Peninsular Company." "Then you know India?" "Why yes," replied Fix, who spoke cautiously. "A curious place, this India?" "Oh, very curious. Mosques, minarets, temples, fakirs, pagodas, tigers, snakes, elephants! I hope you will have ample time to see the sights." "I hope so, Monsieur Fix. You see, a man of sound sense ought not to spend his life jumping from a steamer upon a railway train, and from a railway train upon a steamer again, pretending to make the tour of the world in eighty days! No; all these gymnastics, you may be sure, will cease at Bombay." "And Mr. Fogg is getting on well?" asked Fix, in the most natural tone in the world. "Quite well, and I too. I eat like a famished ogre; it's the sea air." "But I never see your master on deck." "Never; he hasn't the least curiosity." "Do you know, Mr. Passepartout, that this pretended tour in eighty days may conceal some secret errand--perhaps a diplomatic mission?" "Faith, Monsieur Fix, I assure you I know nothing about it, nor would I give half a crown to find out." After this meeting, Passepartout and Fix got into the habit of chatting together, the latter making it a point to gain the worthy man's confidence. He frequently offered him a glass of whiskey or pale ale in the steamer bar-room, which Passepartout never failed to accept with graceful alacrity, mentally pronouncing Fix the best of good fellows. Meanwhile the Mongolia was pushing forward rapidly; on the 13th, Mocha, surrounded by its ruined walls whereon date-trees were growing, was sighted, and on the mountains beyond were espied vast coffee-fields. Passepartout was ravished to behold this celebrated place, and thought that, with its circular walls and dismantled fort, it looked like an immense coffee-cup and saucer. The following night they passed through the Strait of Bab-el-Mandeb, which means in Arabic The Bridge of Tears, and the next day they put in at Steamer Point, north-west of Aden harbour, to take in coal. This matter of fuelling steamers is a serious one at such distances from the coal-mines; it costs the Peninsular Company some eight hundred thousand pounds a year. In these distant seas, coal is worth three or four pounds sterling a ton. The Mongolia had still sixteen hundred and fifty miles to traverse before reaching Bombay, and was obliged to remain four hours at Steamer Point to coal up. But this delay, as it was foreseen, did not affect Phileas Fogg's programme; besides, the Mongolia, instead of reaching Aden on the morning of the 15th, when she was due, arrived there on the evening of the 14th, a gain of fifteen hours. Mr. Fogg and his servant went ashore at Aden to have the passport again visaed; Fix, unobserved, followed them. The visa procured, Mr. Fogg returned on board to resume his former habits; while Passepartout, according to custom, sauntered about among the mixed population of Somalis, Banyans, Parsees, Jews, Arabs, and Europeans who comprise the twenty-five thousand inhabitants of Aden. He gazed with wonder upon the fortifications which make this place the Gibraltar of the Indian Ocean, and the vast cisterns where the English engineers were still at work, two thousand years after the engineers of Solomon. "Very curious, very curious," said Passepartout to himself, on returning to the steamer. "I see that it is by no means useless to travel, if a man wants to see something new." At six p.m. the Mongolia slowly moved out of the roadstead, and was soon once more on the Indian Ocean. She had a hundred and sixty-eight hours in which to reach Bombay, and the sea was favourable, the wind being in the north-west, and all sails aiding the engine. The steamer rolled but little, the ladies, in fresh toilets, reappeared on deck, and the singing and dancing were resumed. The trip was being accomplished most successfully, and Passepartout was enchanted with the congenial companion which chance had secured him in the person of the delightful Fix. On Sunday, October 20th, towards noon, they came in sight of the Indian coast: two hours later the pilot came on board. A range of hills lay against the sky in the horizon, and soon the rows of palms which adorn Bombay came distinctly into view. The steamer entered the road formed by the islands in the bay, and at half-past four she hauled up at the quays of Bombay. Phileas Fogg was in the act of finishing the thirty-third rubber of the voyage, and his partner and himself having, by a bold stroke, captured all thirteen of the tricks, concluded this fine campaign with a brilliant victory. The Mongolia was due at Bombay on the 22nd; she arrived on the 20th. This was a gain to Phileas Fogg of two days since his departure from London, and he calmly entered the fact in the itinerary, in the column of gains. ----------CHAPTER 10--------- Everybody knows that the great reversed triangle of land, with its base in the north and its apex in the south, which is called India, embraces fourteen hundred thousand square miles, upon which is spread unequally a population of one hundred and eighty millions of souls. The British Crown exercises a real and despotic dominion over the larger portion of this vast country, and has a governor-general stationed at Calcutta, governors at Madras, Bombay, and in Bengal, and a lieutenant-governor at Agra. But British India, properly so called, only embraces seven hundred thousand square miles, and a population of from one hundred to one hundred and ten millions of inhabitants. A considerable portion of India is still free from British authority; and there are certain ferocious rajahs in the interior who are absolutely independent. The celebrated East India Company was all-powerful from 1756, when the English first gained a foothold on the spot where now stands the city of Madras, down to the time of the great Sepoy insurrection. It gradually annexed province after province, purchasing them of the native chiefs, whom it seldom paid, and appointed the governor-general and his subordinates, civil and military. But the East India Company has now passed away, leaving the British possessions in India directly under the control of the Crown. The aspect of the country, as well as the manners and distinctions of race, is daily changing. Formerly one was obliged to travel in India by the old cumbrous methods of going on foot or on horseback, in palanquins or unwieldy coaches; now fast steamboats ply on the Indus and the Ganges, and a great railway, with branch lines joining the main line at many points on its route, traverses the peninsula from Bombay to Calcutta in three days. This railway does not run in a direct line across India. The distance between Bombay and Calcutta, as the bird flies, is only from one thousand to eleven hundred miles; but the deflections of the road increase this distance by more than a third. The general route of the Great Indian Peninsula Railway is as follows: Leaving Bombay, it passes through Salcette, crossing to the continent opposite Tannah, goes over the chain of the Western Ghauts, runs thence north-east as far as Burhampoor, skirts the nearly independent territory of Bundelcund, ascends to Allahabad, turns thence eastwardly, meeting the Ganges at Benares, then departs from the river a little, and, descending south-eastward by Burdivan and the French town of Chandernagor, has its terminus at Calcutta. The passengers of the Mongolia went ashore at half-past four p.m.; at exactly eight the train would start for Calcutta. Mr. Fogg, after bidding good-bye to his whist partners, left the steamer, gave his servant several errands to do, urged it upon him to be at the station promptly at eight, and, with his regular step, which beat to the second, like an astronomical clock, directed his steps to the passport office. As for the wonders of Bombay--its famous city hall, its splendid library, its forts and docks, its bazaars, mosques, synagogues, its Armenian churches, and the noble pagoda on Malabar Hill, with its two polygonal towers--he cared not a straw to see them. He would not deign to examine even the masterpieces of Elephanta, or the mysterious hypogea, concealed south-east from the docks, or those fine remains of Buddhist architecture, the Kanherian grottoes of the island of Salcette. Having transacted his business at the passport office, Phileas Fogg repaired quietly to the railway station, where he ordered dinner. Among the dishes served up to him, the landlord especially recommended a certain giblet of "native rabbit," on which he prided himself. Mr. Fogg accordingly tasted the dish, but, despite its spiced sauce, found it far from palatable. He rang for the landlord, and, on his appearance, said, fixing his clear eyes upon him, "Is this rabbit, sir?" "Yes, my lord," the rogue boldly replied, "rabbit from the jungles." "And this rabbit did not mew when he was killed?" "Mew, my lord! What, a rabbit mew! I swear to you--" "Be so good, landlord, as not to swear, but remember this: cats were formerly considered, in India, as sacred animals. That was a good time." "For the cats, my lord?" "Perhaps for the travellers as well!" After which Mr. Fogg quietly continued his dinner. Fix had gone on shore shortly after Mr. Fogg, and his first destination was the headquarters of the Bombay police. He made himself known as a London detective, told his business at Bombay, and the position of affairs relative to the supposed robber, and nervously asked if a warrant had arrived from London. It had not reached the office; indeed, there had not yet been time for it to arrive. Fix was sorely disappointed, and tried to obtain an order of arrest from the director of the Bombay police. This the director refused, as the matter concerned the London office, which alone could legally deliver the warrant. Fix did not insist, and was fain to resign himself to await the arrival of the important document; but he was determined not to lose sight of the mysterious rogue as long as he stayed in Bombay. He did not doubt for a moment, any more than Passepartout, that Phileas Fogg would remain there, at least until it was time for the warrant to arrive. Passepartout, however, had no sooner heard his master's orders on leaving the Mongolia than he saw at once that they were to leave Bombay as they had done Suez and Paris, and that the journey would be extended at least as far as Calcutta, and perhaps beyond that place. He began to ask himself if this bet that Mr. Fogg talked about was not really in good earnest, and whether his fate was not in truth forcing him, despite his love of repose, around the world in eighty days! Having purchased the usual quota of shirts and shoes, he took a leisurely promenade about the streets, where crowds of people of many nationalities--Europeans, Persians with pointed caps, Banyas with round turbans, Sindes with square bonnets, Parsees with black mitres, and long-robed Armenians--were collected. It happened to be the day of a Parsee festival. These descendants of the sect of Zoroaster--the most thrifty, civilised, intelligent, and austere of the East Indians, among whom are counted the richest native merchants of Bombay--were celebrating a sort of religious carnival, with processions and shows, in the midst of which Indian dancing-girls, clothed in rose-coloured gauze, looped up with gold and silver, danced airily, but with perfect modesty, to the sound of viols and the clanging of tambourines. It is needless to say that Passepartout watched these curious ceremonies with staring eyes and gaping mouth, and that his countenance was that of the greenest booby imaginable. Unhappily for his master, as well as himself, his curiosity drew him unconsciously farther off than he intended to go. At last, having seen the Parsee carnival wind away in the distance, he was turning his steps towards the station, when he happened to espy the splendid pagoda on Malabar Hill, and was seized with an irresistible desire to see its interior. He was quite ignorant that it is forbidden to Christians to enter certain Indian temples, and that even the faithful must not go in without first leaving their shoes outside the door. It may be said here that the wise policy of the British Government severely punishes a disregard of the practices of the native religions. Passepartout, however, thinking no harm, went in like a simple tourist, and was soon lost in admiration of the splendid Brahmin ornamentation which everywhere met his eyes, when of a sudden he found himself sprawling on the sacred flagging. He looked up to behold three enraged priests, who forthwith fell upon him; tore off his shoes, and began to beat him with loud, savage exclamations. The agile Frenchman was soon upon his feet again, and lost no time in knocking down two of his long-gowned adversaries with his fists and a vigorous application of his toes; then, rushing out of the pagoda as fast as his legs could carry him, he soon escaped the third priest by mingling with the crowd in the streets. At five minutes before eight, Passepartout, hatless, shoeless, and having in the squabble lost his package of shirts and shoes, rushed breathlessly into the station. Fix, who had followed Mr. Fogg to the station, and saw that he was really going to leave Bombay, was there, upon the platform. He had resolved to follow the supposed robber to Calcutta, and farther, if necessary. Passepartout did not observe the detective, who stood in an obscure corner; but Fix heard him relate his adventures in a few words to Mr. Fogg. "I hope that this will not happen again," said Phileas Fogg coldly, as he got into the train. Poor Passepartout, quite crestfallen, followed his master without a word. Fix was on the point of entering another carriage, when an idea struck him which induced him to alter his plan. "No, I'll stay," muttered he. "An offence has been committed on Indian soil. I've got my man." Just then the locomotive gave a sharp screech, and the train passed out into the darkness of the night.

cliffnotes

Create a compact summary that covers the main points of chapter 12, utilizing the provided context.

chapter 11|chapter 12

In order to shorten the journey, the guide passed to the left of the railway line, which was still in process of being built. The Parsee declared that they would gain twenty miles by striking directly through the forest. The swift trotting of the elephant horribly jostled Phileas Fogg and Sir Francis Cromarty. After two hours the guide stopped the elephant, and gave him an hour for rest. At noon, the Parsee gave the signal of departure. The country soon presented a very savage aspect. Verne writes a little about the area that they were passing through - All this portion of Bundelcund, is inhabited by a fanatical population, hardened in the most horrible practices of the Hindoo faith. The English have not been able to secure complete dominion over this territory, which is subject to the influence of rajahs, who are almost impossible to reach in their inaccessible mountain hideouts. The elephant is made to hurry away each time the mahout sees a band of people. Some thoughts troubled the worthy servant - Passepartout - What would Mr. Fogg do with the elephant when he got to Allahabad? As he deliberated on such issues, the principal chain of the Vindhias was crossed by eight in the evening, and another halt was made on the northern slope, in a ruined bungalow. They had gone nearly twenty-five miles that day, and an equal distance still separated them from the station of Allahabad. The group stops for the night. Nothing occurred during the night to disturb the slumberers, although occasional growls of panthers and chattering of monkeys broke the silence. The journey was resumed at six in the morning. Kiouni soon descended the lower spurs of the Vindhias, and towards noon they passed by the village of Kallenger, on the Cani, one of the branches of the Ganges. Allahabad was now only twelve miles away. They stopped under a clump of bananas. Then they entered a thick forest. They had not as yet had any unpleasant encounters, and the journey seemed on the point of being successfully accomplished, when the elephant suddenly stopped. They heard a confused murmur, which came through the thick branches. Passepartout was all eyes and ears. Mr. Fogg waited patiently without a word. The Parsee went to find out where the sounds came from. He soon returned, saying: "A procession of Brahmins is coming this way. We must prevent their seeing us, if possible." The guide unloosed the elephant and led him into a thicket, at the same time asking the travelers not to stir. He hoped that the procession would pass without having noticed them. The discordant tones of the voices and instruments drew nearer. The head of the procession soon appeared beneath the trees and here Verne describes the nature of the procession. Sir Francis Cromarty points out that the procession was that of goddess Kali. A group of old fakirs were making a wild ado round the statue; these were striped with ochre, and covered with cuts whence their blood issued drop by drop. Some Brahmins were leading a woman who faltered at every step. This woman was young, and as fair as a European. The procession also included the body of a dead man. Sir Francis watched the procession with a sad countenance, and, turning to the guide, said, "A suttee." Fogg had heard what Sir Francis said, and, as soon as the procession had disappeared, asked: "What is a suttee?" The general explained that a suttee is a human sacrifice, but a voluntary one. Passepartout is enraged by such an act. Fogg wonders aloud how come the British have not put an end to such practices. It is explained to him that areas such as this are out of the control of the British authorities. While Sir Francis was speaking, the guide shook his head several times, and now said: "The sacrifice which will take place tomorrow at dawn is not a voluntary one." He then goes on to talk about what he terms - the Bundelcund affair. He tells the others that this lady was being forced to commit suttee and that she had been doped on opium. The guide now led the elephant out of the thicket. Just at the moment that he was about to urge Kiouni forward, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said, "Suppose we save this woman." Sir Francis is surprised and Fogg explains that he has twelve hours to spare and that they can devote that time to try and save her.

----------CHAPTER 11--------- The train had started punctually. Among the passengers were a number of officers, Government officials, and opium and indigo merchants, whose business called them to the eastern coast. Passepartout rode in the same carriage with his master, and a third passenger occupied a seat opposite to them. This was Sir Francis Cromarty, one of Mr. Fogg's whist partners on the Mongolia, now on his way to join his corps at Benares. Sir Francis was a tall, fair man of fifty, who had greatly distinguished himself in the last Sepoy revolt. He made India his home, only paying brief visits to England at rare intervals; and was almost as familiar as a native with the customs, history, and character of India and its people. But Phileas Fogg, who was not travelling, but only describing a circumference, took no pains to inquire into these subjects; he was a solid body, traversing an orbit around the terrestrial globe, according to the laws of rational mechanics. He was at this moment calculating in his mind the number of hours spent since his departure from London, and, had it been in his nature to make a useless demonstration, would have rubbed his hands for satisfaction. Sir Francis Cromarty had observed the oddity of his travelling companion--although the only opportunity he had for studying him had been while he was dealing the cards, and between two rubbers--and questioned himself whether a human heart really beat beneath this cold exterior, and whether Phileas Fogg had any sense of the beauties of nature. The brigadier-general was free to mentally confess that, of all the eccentric persons he had ever met, none was comparable to this product of the exact sciences. Phileas Fogg had not concealed from Sir Francis his design of going round the world, nor the circumstances under which he set out; and the general only saw in the wager a useless eccentricity and a lack of sound common sense. In the way this strange gentleman was going on, he would leave the world without having done any good to himself or anybody else. An hour after leaving Bombay the train had passed the viaducts and the Island of Salcette, and had got into the open country. At Callyan they reached the junction of the branch line which descends towards south-eastern India by Kandallah and Pounah; and, passing Pauwell, they entered the defiles of the mountains, with their basalt bases, and their summits crowned with thick and verdant forests. Phileas Fogg and Sir Francis Cromarty exchanged a few words from time to time, and now Sir Francis, reviving the conversation, observed, "Some years ago, Mr. Fogg, you would have met with a delay at this point which would probably have lost you your wager." "How so, Sir Francis?" "Because the railway stopped at the base of these mountains, which the passengers were obliged to cross in palanquins or on ponies to Kandallah, on the other side." "Such a delay would not have deranged my plans in the least," said Mr. Fogg. "I have constantly foreseen the likelihood of certain obstacles." "But, Mr. Fogg," pursued Sir Francis, "you run the risk of having some difficulty about this worthy fellow's adventure at the pagoda." Passepartout, his feet comfortably wrapped in his travelling-blanket, was sound asleep and did not dream that anybody was talking about him. "The Government is very severe upon that kind of offence. It takes particular care that the religious customs of the Indians should be respected, and if your servant were caught--" "Very well, Sir Francis," replied Mr. Fogg; "if he had been caught he would have been condemned and punished, and then would have quietly returned to Europe. I don't see how this affair could have delayed his master." The conversation fell again. During the night the train left the mountains behind, and passed Nassik, and the next day proceeded over the flat, well-cultivated country of the Khandeish, with its straggling villages, above which rose the minarets of the pagodas. This fertile territory is watered by numerous small rivers and limpid streams, mostly tributaries of the Godavery. Passepartout, on waking and looking out, could not realise that he was actually crossing India in a railway train. The locomotive, guided by an English engineer and fed with English coal, threw out its smoke upon cotton, coffee, nutmeg, clove, and pepper plantations, while the steam curled in spirals around groups of palm-trees, in the midst of which were seen picturesque bungalows, viharis (sort of abandoned monasteries), and marvellous temples enriched by the exhaustless ornamentation of Indian architecture. Then they came upon vast tracts extending to the horizon, with jungles inhabited by snakes and tigers, which fled at the noise of the train; succeeded by forests penetrated by the railway, and still haunted by elephants which, with pensive eyes, gazed at the train as it passed. The travellers crossed, beyond Milligaum, the fatal country so often stained with blood by the sectaries of the goddess Kali. Not far off rose Ellora, with its graceful pagodas, and the famous Aurungabad, capital of the ferocious Aureng-Zeb, now the chief town of one of the detached provinces of the kingdom of the Nizam. It was thereabouts that Feringhea, the Thuggee chief, king of the stranglers, held his sway. These ruffians, united by a secret bond, strangled victims of every age in honour of the goddess Death, without ever shedding blood; there was a period when this part of the country could scarcely be travelled over without corpses being found in every direction. The English Government has succeeded in greatly diminishing these murders, though the Thuggees still exist, and pursue the exercise of their horrible rites. At half-past twelve the train stopped at Burhampoor where Passepartout was able to purchase some Indian slippers, ornamented with false pearls, in which, with evident vanity, he proceeded to encase his feet. The travellers made a hasty breakfast and started off for Assurghur, after skirting for a little the banks of the small river Tapty, which empties into the Gulf of Cambray, near Surat. Passepartout was now plunged into absorbing reverie. Up to his arrival at Bombay, he had entertained hopes that their journey would end there; but, now that they were plainly whirling across India at full speed, a sudden change had come over the spirit of his dreams. His old vagabond nature returned to him; the fantastic ideas of his youth once more took possession of him. He came to regard his master's project as intended in good earnest, believed in the reality of the bet, and therefore in the tour of the world and the necessity of making it without fail within the designated period. Already he began to worry about possible delays, and accidents which might happen on the way. He recognised himself as being personally interested in the wager, and trembled at the thought that he might have been the means of losing it by his unpardonable folly of the night before. Being much less cool-headed than Mr. Fogg, he was much more restless, counting and recounting the days passed over, uttering maledictions when the train stopped, and accusing it of sluggishness, and mentally blaming Mr. Fogg for not having bribed the engineer. The worthy fellow was ignorant that, while it was possible by such means to hasten the rate of a steamer, it could not be done on the railway. The train entered the defiles of the Sutpour Mountains, which separate the Khandeish from Bundelcund, towards evening. The next day Sir Francis Cromarty asked Passepartout what time it was; to which, on consulting his watch, he replied that it was three in the morning. This famous timepiece, always regulated on the Greenwich meridian, which was now some seventy-seven degrees westward, was at least four hours slow. Sir Francis corrected Passepartout's time, whereupon the latter made the same remark that he had done to Fix; and upon the general insisting that the watch should be regulated in each new meridian, since he was constantly going eastward, that is in the face of the sun, and therefore the days were shorter by four minutes for each degree gone over, Passepartout obstinately refused to alter his watch, which he kept at London time. It was an innocent delusion which could harm no one. The train stopped, at eight o'clock, in the midst of a glade some fifteen miles beyond Rothal, where there were several bungalows, and workmen's cabins. The conductor, passing along the carriages, shouted, "Passengers will get out here!" Phileas Fogg looked at Sir Francis Cromarty for an explanation; but the general could not tell what meant a halt in the midst of this forest of dates and acacias. Passepartout, not less surprised, rushed out and speedily returned, crying: "Monsieur, no more railway!" "What do you mean?" asked Sir Francis. "I mean to say that the train isn't going on." The general at once stepped out, while Phileas Fogg calmly followed him, and they proceeded together to the conductor. "Where are we?" asked Sir Francis. "At the hamlet of Kholby." "Do we stop here?" "Certainly. The railway isn't finished." "What! not finished?" "No. There's still a matter of fifty miles to be laid from here to Allahabad, where the line begins again." "But the papers announced the opening of the railway throughout." "What would you have, officer? The papers were mistaken." "Yet you sell tickets from Bombay to Calcutta," retorted Sir Francis, who was growing warm. "No doubt," replied the conductor; "but the passengers know that they must provide means of transportation for themselves from Kholby to Allahabad." Sir Francis was furious. Passepartout would willingly have knocked the conductor down, and did not dare to look at his master. "Sir Francis," said Mr. Fogg quietly, "we will, if you please, look about for some means of conveyance to Allahabad." "Mr. Fogg, this is a delay greatly to your disadvantage." "No, Sir Francis; it was foreseen." "What! You knew that the way--" "Not at all; but I knew that some obstacle or other would sooner or later arise on my route. Nothing, therefore, is lost. I have two days, which I have already gained, to sacrifice. A steamer leaves Calcutta for Hong Kong at noon, on the 25th. This is the 22nd, and we shall reach Calcutta in time." There was nothing to say to so confident a response. It was but too true that the railway came to a termination at this point. The papers were like some watches, which have a way of getting too fast, and had been premature in their announcement of the completion of the line. The greater part of the travellers were aware of this interruption, and, leaving the train, they began to engage such vehicles as the village could provide four-wheeled palkigharis, waggons drawn by zebus, carriages that looked like perambulating pagodas, palanquins, ponies, and what not. Mr. Fogg and Sir Francis Cromarty, after searching the village from end to end, came back without having found anything. "I shall go afoot," said Phileas Fogg. Passepartout, who had now rejoined his master, made a wry grimace, as he thought of his magnificent, but too frail Indian shoes. Happily he too had been looking about him, and, after a moment's hesitation, said, "Monsieur, I think I have found a means of conveyance." "What?" "An elephant! An elephant that belongs to an Indian who lives but a hundred steps from here." "Let's go and see the elephant," replied Mr. Fogg. They soon reached a small hut, near which, enclosed within some high palings, was the animal in question. An Indian came out of the hut, and, at their request, conducted them within the enclosure. The elephant, which its owner had reared, not for a beast of burden, but for warlike purposes, was half domesticated. The Indian had begun already, by often irritating him, and feeding him every three months on sugar and butter, to impart to him a ferocity not in his nature, this method being often employed by those who train the Indian elephants for battle. Happily, however, for Mr. Fogg, the animal's instruction in this direction had not gone far, and the elephant still preserved his natural gentleness. Kiouni--this was the name of the beast--could doubtless travel rapidly for a long time, and, in default of any other means of conveyance, Mr. Fogg resolved to hire him. But elephants are far from cheap in India, where they are becoming scarce, the males, which alone are suitable for circus shows, are much sought, especially as but few of them are domesticated. When therefore Mr. Fogg proposed to the Indian to hire Kiouni, he refused point-blank. Mr. Fogg persisted, offering the excessive sum of ten pounds an hour for the loan of the beast to Allahabad. Refused. Twenty pounds? Refused also. Forty pounds? Still refused. Passepartout jumped at each advance; but the Indian declined to be tempted. Yet the offer was an alluring one, for, supposing it took the elephant fifteen hours to reach Allahabad, his owner would receive no less than six hundred pounds sterling. Phileas Fogg, without getting in the least flurried, then proposed to purchase the animal outright, and at first offered a thousand pounds for him. The Indian, perhaps thinking he was going to make a great bargain, still refused. Sir Francis Cromarty took Mr. Fogg aside, and begged him to reflect before he went any further; to which that gentleman replied that he was not in the habit of acting rashly, that a bet of twenty thousand pounds was at stake, that the elephant was absolutely necessary to him, and that he would secure him if he had to pay twenty times his value. Returning to the Indian, whose small, sharp eyes, glistening with avarice, betrayed that with him it was only a question of how great a price he could obtain. Mr. Fogg offered first twelve hundred, then fifteen hundred, eighteen hundred, two thousand pounds. Passepartout, usually so rubicund, was fairly white with suspense. At two thousand pounds the Indian yielded. "What a price, good heavens!" cried Passepartout, "for an elephant." It only remained now to find a guide, which was comparatively easy. A young Parsee, with an intelligent face, offered his services, which Mr. Fogg accepted, promising so generous a reward as to materially stimulate his zeal. The elephant was led out and equipped. The Parsee, who was an accomplished elephant driver, covered his back with a sort of saddle-cloth, and attached to each of his flanks some curiously uncomfortable howdahs. Phileas Fogg paid the Indian with some banknotes which he extracted from the famous carpet-bag, a proceeding that seemed to deprive poor Passepartout of his vitals. Then he offered to carry Sir Francis to Allahabad, which the brigadier gratefully accepted, as one traveller the more would not be likely to fatigue the gigantic beast. Provisions were purchased at Kholby, and, while Sir Francis and Mr. Fogg took the howdahs on either side, Passepartout got astride the saddle-cloth between them. The Parsee perched himself on the elephant's neck, and at nine o'clock they set out from the village, the animal marching off through the dense forest of palms by the shortest cut. ----------CHAPTER 12--------- In order to shorten the journey, the guide passed to the left of the line where the railway was still in process of being built. This line, owing to the capricious turnings of the Vindhia Mountains, did not pursue a straight course. The Parsee, who was quite familiar with the roads and paths in the district, declared that they would gain twenty miles by striking directly through the forest. Phileas Fogg and Sir Francis Cromarty, plunged to the neck in the peculiar howdahs provided for them, were horribly jostled by the swift trotting of the elephant, spurred on as he was by the skilful Parsee; but they endured the discomfort with true British phlegm, talking little, and scarcely able to catch a glimpse of each other. As for Passepartout, who was mounted on the beast's back, and received the direct force of each concussion as he trod along, he was very careful, in accordance with his master's advice, to keep his tongue from between his teeth, as it would otherwise have been bitten off short. The worthy fellow bounced from the elephant's neck to his rump, and vaulted like a clown on a spring-board; yet he laughed in the midst of his bouncing, and from time to time took a piece of sugar out of his pocket, and inserted it in Kiouni's trunk, who received it without in the least slackening his regular trot. After two hours the guide stopped the elephant, and gave him an hour for rest, during which Kiouni, after quenching his thirst at a neighbouring spring, set to devouring the branches and shrubs round about him. Neither Sir Francis nor Mr. Fogg regretted the delay, and both descended with a feeling of relief. "Why, he's made of iron!" exclaimed the general, gazing admiringly on Kiouni. "Of forged iron," replied Passepartout, as he set about preparing a hasty breakfast. At noon the Parsee gave the signal of departure. The country soon presented a very savage aspect. Copses of dates and dwarf-palms succeeded the dense forests; then vast, dry plains, dotted with scanty shrubs, and sown with great blocks of syenite. All this portion of Bundelcund, which is little frequented by travellers, is inhabited by a fanatical population, hardened in the most horrible practices of the Hindoo faith. The English have not been able to secure complete dominion over this territory, which is subjected to the influence of rajahs, whom it is almost impossible to reach in their inaccessible mountain fastnesses. The travellers several times saw bands of ferocious Indians, who, when they perceived the elephant striding across-country, made angry and threatening motions. The Parsee avoided them as much as possible. Few animals were observed on the route; even the monkeys hurried from their path with contortions and grimaces which convulsed Passepartout with laughter. In the midst of his gaiety, however, one thought troubled the worthy servant. What would Mr. Fogg do with the elephant when he got to Allahabad? Would he carry him on with him? Impossible! The cost of transporting him would make him ruinously expensive. Would he sell him, or set him free? The estimable beast certainly deserved some consideration. Should Mr. Fogg choose to make him, Passepartout, a present of Kiouni, he would be very much embarrassed; and these thoughts did not cease worrying him for a long time. The principal chain of the Vindhias was crossed by eight in the evening, and another halt was made on the northern slope, in a ruined bungalow. They had gone nearly twenty-five miles that day, and an equal distance still separated them from the station of Allahabad. The night was cold. The Parsee lit a fire in the bungalow with a few dry branches, and the warmth was very grateful, provisions purchased at Kholby sufficed for supper, and the travellers ate ravenously. The conversation, beginning with a few disconnected phrases, soon gave place to loud and steady snores. The guide watched Kiouni, who slept standing, bolstering himself against the trunk of a large tree. Nothing occurred during the night to disturb the slumberers, although occasional growls from panthers and chatterings of monkeys broke the silence; the more formidable beasts made no cries or hostile demonstration against the occupants of the bungalow. Sir Francis slept heavily, like an honest soldier overcome with fatigue. Passepartout was wrapped in uneasy dreams of the bouncing of the day before. As for Mr. Fogg, he slumbered as peacefully as if he had been in his serene mansion in Saville Row. The journey was resumed at six in the morning; the guide hoped to reach Allahabad by evening. In that case, Mr. Fogg would only lose a part of the forty-eight hours saved since the beginning of the tour. Kiouni, resuming his rapid gait, soon descended the lower spurs of the Vindhias, and towards noon they passed by the village of Kallenger, on the Cani, one of the branches of the Ganges. The guide avoided inhabited places, thinking it safer to keep the open country, which lies along the first depressions of the basin of the great river. Allahabad was now only twelve miles to the north-east. They stopped under a clump of bananas, the fruit of which, as healthy as bread and as succulent as cream, was amply partaken of and appreciated. At two o'clock the guide entered a thick forest which extended several miles; he preferred to travel under cover of the woods. They had not as yet had any unpleasant encounters, and the journey seemed on the point of being successfully accomplished, when the elephant, becoming restless, suddenly stopped. It was then four o'clock. "What's the matter?" asked Sir Francis, putting out his head. "I don't know, officer," replied the Parsee, listening attentively to a confused murmur which came through the thick branches. The murmur soon became more distinct; it now seemed like a distant concert of human voices accompanied by brass instruments. Passepartout was all eyes and ears. Mr. Fogg patiently waited without a word. The Parsee jumped to the ground, fastened the elephant to a tree, and plunged into the thicket. He soon returned, saying: "A procession of Brahmins is coming this way. We must prevent their seeing us, if possible." The guide unloosed the elephant and led him into a thicket, at the same time asking the travellers not to stir. He held himself ready to bestride the animal at a moment's notice, should flight become necessary; but he evidently thought that the procession of the faithful would pass without perceiving them amid the thick foliage, in which they were wholly concealed. The discordant tones of the voices and instruments drew nearer, and now droning songs mingled with the sound of the tambourines and cymbals. The head of the procession soon appeared beneath the trees, a hundred paces away; and the strange figures who performed the religious ceremony were easily distinguished through the branches. First came the priests, with mitres on their heads, and clothed in long lace robes. They were surrounded by men, women, and children, who sang a kind of lugubrious psalm, interrupted at regular intervals by the tambourines and cymbals; while behind them was drawn a car with large wheels, the spokes of which represented serpents entwined with each other. Upon the car, which was drawn by four richly caparisoned zebus, stood a hideous statue with four arms, the body coloured a dull red, with haggard eyes, dishevelled hair, protruding tongue, and lips tinted with betel. It stood upright upon the figure of a prostrate and headless giant. Sir Francis, recognising the statue, whispered, "The goddess Kali; the goddess of love and death." "Of death, perhaps," muttered back Passepartout, "but of love--that ugly old hag? Never!" The Parsee made a motion to keep silence. A group of old fakirs were capering and making a wild ado round the statue; these were striped with ochre, and covered with cuts whence their blood issued drop by drop--stupid fanatics, who, in the great Indian ceremonies, still throw themselves under the wheels of Juggernaut. Some Brahmins, clad in all the sumptuousness of Oriental apparel, and leading a woman who faltered at every step, followed. This woman was young, and as fair as a European. Her head and neck, shoulders, ears, arms, hands, and toes were loaded down with jewels and gems with bracelets, earrings, and rings; while a tunic bordered with gold, and covered with a light muslin robe, betrayed the outline of her form. The guards who followed the young woman presented a violent contrast to her, armed as they were with naked sabres hung at their waists, and long damascened pistols, and bearing a corpse on a palanquin. It was the body of an old man, gorgeously arrayed in the habiliments of a rajah, wearing, as in life, a turban embroidered with pearls, a robe of tissue of silk and gold, a scarf of cashmere sewed with diamonds, and the magnificent weapons of a Hindoo prince. Next came the musicians and a rearguard of capering fakirs, whose cries sometimes drowned the noise of the instruments; these closed the procession. Sir Francis watched the procession with a sad countenance, and, turning to the guide, said, "A suttee." The Parsee nodded, and put his finger to his lips. The procession slowly wound under the trees, and soon its last ranks disappeared in the depths of the wood. The songs gradually died away; occasionally cries were heard in the distance, until at last all was silence again. Phileas Fogg had heard what Sir Francis said, and, as soon as the procession had disappeared, asked: "What is a suttee?" "A suttee," returned the general, "is a human sacrifice, but a voluntary one. The woman you have just seen will be burned to-morrow at the dawn of day." "Oh, the scoundrels!" cried Passepartout, who could not repress his indignation. "And the corpse?" asked Mr. Fogg. "Is that of the prince, her husband," said the guide; "an independent rajah of Bundelcund." "Is it possible," resumed Phileas Fogg, his voice betraying not the least emotion, "that these barbarous customs still exist in India, and that the English have been unable to put a stop to them?" "These sacrifices do not occur in the larger portion of India," replied Sir Francis; "but we have no power over these savage territories, and especially here in Bundelcund. The whole district north of the Vindhias is the theatre of incessant murders and pillage." "The poor wretch!" exclaimed Passepartout, "to be burned alive!" "Yes," returned Sir Francis, "burned alive. And, if she were not, you cannot conceive what treatment she would be obliged to submit to from her relatives. They would shave off her hair, feed her on a scanty allowance of rice, treat her with contempt; she would be looked upon as an unclean creature, and would die in some corner, like a scurvy dog. The prospect of so frightful an existence drives these poor creatures to the sacrifice much more than love or religious fanaticism. Sometimes, however, the sacrifice is really voluntary, and it requires the active interference of the Government to prevent it. Several years ago, when I was living at Bombay, a young widow asked permission of the governor to be burned along with her husband's body; but, as you may imagine, he refused. The woman left the town, took refuge with an independent rajah, and there carried out her self-devoted purpose." While Sir Francis was speaking, the guide shook his head several times, and now said: "The sacrifice which will take place to-morrow at dawn is not a voluntary one." "How do you know?" "Everybody knows about this affair in Bundelcund." "But the wretched creature did not seem to be making any resistance," observed Sir Francis. "That was because they had intoxicated her with fumes of hemp and opium." "But where are they taking her?" "To the pagoda of Pillaji, two miles from here; she will pass the night there." "And the sacrifice will take place--" "To-morrow, at the first light of dawn." The guide now led the elephant out of the thicket, and leaped upon his neck. Just at the moment that he was about to urge Kiouni forward with a peculiar whistle, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said, "Suppose we save this woman." "Save the woman, Mr. Fogg!" "I have yet twelve hours to spare; I can devote them to that." "Why, you are a man of heart!" "Sometimes," replied Phileas Fogg, quietly; "when I have the time."

cliffnotes

Generate a succinct summary for chapter 13 with the given context.

chapter 13|chapter 14

The project of rescuing the girl was a bold one, full of difficulty. Mr. Fogg was going to risk liberty and the success of his tour. But he did not hesitate, and he found in Sir Francis Cromarty an enthusiastic ally. As for Passepartout, he was ready for anything that might be proposed. He began to perceive a heart, a soul, under his master's icy exterior. He began to love Phileas Fogg. The Indian guide too agreed to take part in the rescue willingly. He gave an account of the victim, who, he said, was a celebrated beauty of the Parsee race, and the daughter of a wealthy Bombay merchant. Left an orphan, she was married against her will to the old rajah of Bundelcund; and after he died, knowing the fate that awaited her, she tried to escape but was retaken. Now, she was being forced to commit a sacrifice that she did not want to. The Parsee's narrative confirmed Mr. Fogg and his companions in their generous design and they form a plan of action. The guide was familiar with the pagoda of Pillaji, in which, as he declared, the young woman was imprisoned. It was certain that the abduction must be made that night, and not when, at break of day, the victim was led to her funeral pyre. Then no human intervention could save her. As soon as night fell, they decided to make a reconnaissance around the pagoda. The cries of the fakirs were just ceasing; the Indians were in the act of plunging themselves into the drunkenness caused by liquid opium mingled with hemp, and it might be possible to slip between them to the temple itself. The Parsee leads the little group stealthily toward the pagoda. Much to the guide's disappointment, the guards of the rajah, lighted by torches, were watching at the doors and marching around with swords; probably the priests, too, were watching within. The Parsee now convinced that it was impossible to force an entrance to the temple, advanced no farther, but led his companions back again. They stopped, and engaged in a whispered colloquy. They decide to wait and see whether the guards will sleep off. They waited till midnight; but no change took place among the guards. The other plan must be carried out; an opening in the walls of the pagoda must be made. After a last consultation, the guide announced that he was ready for the attempt, and advanced, followed by the others. They took a roundabout way, so as to get at the pagoda on the rear. The night was very dark. It was not enough to reach the walls; an opening in them must be accomplished, and to attain this purpose the party only had their pocketknives. Luckily the temple walls were built of brick and wood, which could be penetrated with little difficulty; after one brick had been taken out, the rest would yield easily. They set noiselessly to work. They were getting on rapidly, when suddenly a cry was heard in the interior of the temple, followed almost instantly by other cries replying from the outside. Passepartout and the guide stopped. The group hid in the woods and saw that guards came and stood at the rear of the temple too. The party was disappointed, having been interrupted in their work. The guide and Sir Francis feel that nothing can be done now but Fogg requests them to hold on till the morning to see whether they get a chance then. Sir Francis consented, however, to remain to the end of this terrible drama. The guide led them to the rear of the glade, where they were able to observe the sleeping groups. Meanwhile Passepartout is struck by an idea and he slips out. The hours passed and day approached. The slumbering multitude became animated, the tambourines sounded, songs and cries arose; the hour of the sacrifice had come. The doors of the pagoda swung open and Mr. Fogg and Sir Francis espied the victim. She seemed to be striving to escape from her executioner. The crowd began to move and the fakirs escorted the young woman with their wild, religious cries. Phileas Fogg and his companions, mingling in the rear ranks of the crowd, followed; and reached the banks of the stream. The rajah's corpse lay upon a pyre. In the semi-obscurity they saw the victim, quite senseless, stretched out beside her husband's body. Then a torch was brought, and the wood, heavily soaked with oil, instantly took fire. At this moment Sir Francis and the guide seized Phileas Fogg, who, in an instant of mad generosity, was about to rush upon the pyre. But he had quickly pushed them aside, when the whole scene suddenly changed. A cry of terror arose. The whole multitude prostrated themselves, terror-stricken, on the ground. The old rajah rose all of a sudden, like a ghost, took up his wife in his arms, and descended from the pyre in the midst of the clouds of smoke, which only heightened his ghostly appearance. Mr. Fogg and Sir Francis stood erect, the Parsee bowed his head, and Passepartout was, no doubt, scarcely less stupefied. The resuscitated rajah approached Sir Francis and Mr. Fogg, and, in an abrupt tone, said, "Let us be off!" It was Passepartout himself, who had slipped upon the pyre in the midst of the smoke and, profiting by the still overhanging darkness, had delivered the young woman from death! Soon, all four of the party had run into the woods, and the elephant was bearing them away at a rapid pace. The cries and noise, and a ball, which whizzed through Phileas Fogg's hat, apprised them that the trick had been discovered. The old rajah's body, now appeared upon the burning pyre; and the priests, recovered from their terror, perceived that an abduction had taken place. The soldiers fired a volley after the fugitives; but the latter rapidly increased the distance between them and before long found themselves beyond the reach of the bullets and arrows.

----------CHAPTER 13--------- The project was a bold one, full of difficulty, perhaps impracticable. Mr. Fogg was going to risk life, or at least liberty, and therefore the success of his tour. But he did not hesitate, and he found in Sir Francis Cromarty an enthusiastic ally. As for Passepartout, he was ready for anything that might be proposed. His master's idea charmed him; he perceived a heart, a soul, under that icy exterior. He began to love Phileas Fogg. There remained the guide: what course would he adopt? Would he not take part with the Indians? In default of his assistance, it was necessary to be assured of his neutrality. Sir Francis frankly put the question to him. "Officers," replied the guide, "I am a Parsee, and this woman is a Parsee. Command me as you will." "Excellent!" said Mr. Fogg. "However," resumed the guide, "it is certain, not only that we shall risk our lives, but horrible tortures, if we are taken." "That is foreseen," replied Mr. Fogg. "I think we must wait till night before acting." "I think so," said the guide. The worthy Indian then gave some account of the victim, who, he said, was a celebrated beauty of the Parsee race, and the daughter of a wealthy Bombay merchant. She had received a thoroughly English education in that city, and, from her manners and intelligence, would be thought an European. Her name was Aouda. Left an orphan, she was married against her will to the old rajah of Bundelcund; and, knowing the fate that awaited her, she escaped, was retaken, and devoted by the rajah's relatives, who had an interest in her death, to the sacrifice from which it seemed she could not escape. The Parsee's narrative only confirmed Mr. Fogg and his companions in their generous design. It was decided that the guide should direct the elephant towards the pagoda of Pillaji, which he accordingly approached as quickly as possible. They halted, half an hour afterwards, in a copse, some five hundred feet from the pagoda, where they were well concealed; but they could hear the groans and cries of the fakirs distinctly. They then discussed the means of getting at the victim. The guide was familiar with the pagoda of Pillaji, in which, as he declared, the young woman was imprisoned. Could they enter any of its doors while the whole party of Indians was plunged in a drunken sleep, or was it safer to attempt to make a hole in the walls? This could only be determined at the moment and the place themselves; but it was certain that the abduction must be made that night, and not when, at break of day, the victim was led to her funeral pyre. Then no human intervention could save her. As soon as night fell, about six o'clock, they decided to make a reconnaissance around the pagoda. The cries of the fakirs were just ceasing; the Indians were in the act of plunging themselves into the drunkenness caused by liquid opium mingled with hemp, and it might be possible to slip between them to the temple itself. The Parsee, leading the others, noiselessly crept through the wood, and in ten minutes they found themselves on the banks of a small stream, whence, by the light of the rosin torches, they perceived a pyre of wood, on the top of which lay the embalmed body of the rajah, which was to be burned with his wife. The pagoda, whose minarets loomed above the trees in the deepening dusk, stood a hundred steps away. "Come!" whispered the guide. He slipped more cautiously than ever through the brush, followed by his companions; the silence around was only broken by the low murmuring of the wind among the branches. Soon the Parsee stopped on the borders of the glade, which was lit up by the torches. The ground was covered by groups of the Indians, motionless in their drunken sleep; it seemed a battlefield strewn with the dead. Men, women, and children lay together. In the background, among the trees, the pagoda of Pillaji loomed distinctly. Much to the guide's disappointment, the guards of the rajah, lighted by torches, were watching at the doors and marching to and fro with naked sabres; probably the priests, too, were watching within. The Parsee, now convinced that it was impossible to force an entrance to the temple, advanced no farther, but led his companions back again. Phileas Fogg and Sir Francis Cromarty also saw that nothing could be attempted in that direction. They stopped, and engaged in a whispered colloquy. "It is only eight now," said the brigadier, "and these guards may also go to sleep." "It is not impossible," returned the Parsee. They lay down at the foot of a tree, and waited. The time seemed long; the guide ever and anon left them to take an observation on the edge of the wood, but the guards watched steadily by the glare of the torches, and a dim light crept through the windows of the pagoda. They waited till midnight; but no change took place among the guards, and it became apparent that their yielding to sleep could not be counted on. The other plan must be carried out; an opening in the walls of the pagoda must be made. It remained to ascertain whether the priests were watching by the side of their victim as assiduously as were the soldiers at the door. After a last consultation, the guide announced that he was ready for the attempt, and advanced, followed by the others. They took a roundabout way, so as to get at the pagoda on the rear. They reached the walls about half-past twelve, without having met anyone; here there was no guard, nor were there either windows or doors. The night was dark. The moon, on the wane, scarcely left the horizon, and was covered with heavy clouds; the height of the trees deepened the darkness. It was not enough to reach the walls; an opening in them must be accomplished, and to attain this purpose the party only had their pocket-knives. Happily the temple walls were built of brick and wood, which could be penetrated with little difficulty; after one brick had been taken out, the rest would yield easily. They set noiselessly to work, and the Parsee on one side and Passepartout on the other began to loosen the bricks so as to make an aperture two feet wide. They were getting on rapidly, when suddenly a cry was heard in the interior of the temple, followed almost instantly by other cries replying from the outside. Passepartout and the guide stopped. Had they been heard? Was the alarm being given? Common prudence urged them to retire, and they did so, followed by Phileas Fogg and Sir Francis. They again hid themselves in the wood, and waited till the disturbance, whatever it might be, ceased, holding themselves ready to resume their attempt without delay. But, awkwardly enough, the guards now appeared at the rear of the temple, and there installed themselves, in readiness to prevent a surprise. It would be difficult to describe the disappointment of the party, thus interrupted in their work. They could not now reach the victim; how, then, could they save her? Sir Francis shook his fists, Passepartout was beside himself, and the guide gnashed his teeth with rage. The tranquil Fogg waited, without betraying any emotion. "We have nothing to do but to go away," whispered Sir Francis. "Nothing but to go away," echoed the guide. "Stop," said Fogg. "I am only due at Allahabad tomorrow before noon." "But what can you hope to do?" asked Sir Francis. "In a few hours it will be daylight, and--" "The chance which now seems lost may present itself at the last moment." Sir Francis would have liked to read Phileas Fogg's eyes. What was this cool Englishman thinking of? Was he planning to make a rush for the young woman at the very moment of the sacrifice, and boldly snatch her from her executioners? This would be utter folly, and it was hard to admit that Fogg was such a fool. Sir Francis consented, however, to remain to the end of this terrible drama. The guide led them to the rear of the glade, where they were able to observe the sleeping groups. Meanwhile Passepartout, who had perched himself on the lower branches of a tree, was resolving an idea which had at first struck him like a flash, and which was now firmly lodged in his brain. He had commenced by saying to himself, "What folly!" and then he repeated, "Why not, after all? It's a chance,--perhaps the only one; and with such sots!" Thinking thus, he slipped, with the suppleness of a serpent, to the lowest branches, the ends of which bent almost to the ground. The hours passed, and the lighter shades now announced the approach of day, though it was not yet light. This was the moment. The slumbering multitude became animated, the tambourines sounded, songs and cries arose; the hour of the sacrifice had come. The doors of the pagoda swung open, and a bright light escaped from its interior, in the midst of which Mr. Fogg and Sir Francis espied the victim. She seemed, having shaken off the stupor of intoxication, to be striving to escape from her executioner. Sir Francis's heart throbbed; and, convulsively seizing Mr. Fogg's hand, found in it an open knife. Just at this moment the crowd began to move. The young woman had again fallen into a stupor caused by the fumes of hemp, and passed among the fakirs, who escorted her with their wild, religious cries. Phileas Fogg and his companions, mingling in the rear ranks of the crowd, followed; and in two minutes they reached the banks of the stream, and stopped fifty paces from the pyre, upon which still lay the rajah's corpse. In the semi-obscurity they saw the victim, quite senseless, stretched out beside her husband's body. Then a torch was brought, and the wood, heavily soaked with oil, instantly took fire. At this moment Sir Francis and the guide seized Phileas Fogg, who, in an instant of mad generosity, was about to rush upon the pyre. But he had quickly pushed them aside, when the whole scene suddenly changed. A cry of terror arose. The whole multitude prostrated themselves, terror-stricken, on the ground. The old rajah was not dead, then, since he rose of a sudden, like a spectre, took up his wife in his arms, and descended from the pyre in the midst of the clouds of smoke, which only heightened his ghostly appearance. Fakirs and soldiers and priests, seized with instant terror, lay there, with their faces on the ground, not daring to lift their eyes and behold such a prodigy. The inanimate victim was borne along by the vigorous arms which supported her, and which she did not seem in the least to burden. Mr. Fogg and Sir Francis stood erect, the Parsee bowed his head, and Passepartout was, no doubt, scarcely less stupefied. The resuscitated rajah approached Sir Francis and Mr. Fogg, and, in an abrupt tone, said, "Let us be off!" It was Passepartout himself, who had slipped upon the pyre in the midst of the smoke and, profiting by the still overhanging darkness, had delivered the young woman from death! It was Passepartout who, playing his part with a happy audacity, had passed through the crowd amid the general terror. A moment after all four of the party had disappeared in the woods, and the elephant was bearing them away at a rapid pace. But the cries and noise, and a ball which whizzed through Phileas Fogg's hat, apprised them that the trick had been discovered. The old rajah's body, indeed, now appeared upon the burning pyre; and the priests, recovered from their terror, perceived that an abduction had taken place. They hastened into the forest, followed by the soldiers, who fired a volley after the fugitives; but the latter rapidly increased the distance between them, and ere long found themselves beyond the reach of the bullets and arrows. ----------CHAPTER 14--------- The rash exploit had been accomplished; and for an hour Passepartout laughed gaily at his success. Sir Francis pressed the worthy fellow's hand, and his master said, "Well done!" which, from him, was high commendation; to which Passepartout replied that all the credit of the affair belonged to Mr. Fogg. As for him, he had only been struck with a "queer" idea; and he laughed to think that for a few moments he, Passepartout, the ex-gymnast, ex-sergeant fireman, had been the spouse of a charming woman, a venerable, embalmed rajah! As for the young Indian woman, she had been unconscious throughout of what was passing, and now, wrapped up in a travelling-blanket, was reposing in one of the howdahs. The elephant, thanks to the skilful guidance of the Parsee, was advancing rapidly through the still darksome forest, and, an hour after leaving the pagoda, had crossed a vast plain. They made a halt at seven o'clock, the young woman being still in a state of complete prostration. The guide made her drink a little brandy and water, but the drowsiness which stupefied her could not yet be shaken off. Sir Francis, who was familiar with the effects of the intoxication produced by the fumes of hemp, reassured his companions on her account. But he was more disturbed at the prospect of her future fate. He told Phileas Fogg that, should Aouda remain in India, she would inevitably fall again into the hands of her executioners. These fanatics were scattered throughout the county, and would, despite the English police, recover their victim at Madras, Bombay, or Calcutta. She would only be safe by quitting India for ever. Phileas Fogg replied that he would reflect upon the matter. The station at Allahabad was reached about ten o'clock, and, the interrupted line of railway being resumed, would enable them to reach Calcutta in less than twenty-four hours. Phileas Fogg would thus be able to arrive in time to take the steamer which left Calcutta the next day, October 25th, at noon, for Hong Kong. The young woman was placed in one of the waiting-rooms of the station, whilst Passepartout was charged with purchasing for her various articles of toilet, a dress, shawl, and some furs; for which his master gave him unlimited credit. Passepartout started off forthwith, and found himself in the streets of Allahabad, that is, the City of God, one of the most venerated in India, being built at the junction of the two sacred rivers, Ganges and Jumna, the waters of which attract pilgrims from every part of the peninsula. The Ganges, according to the legends of the Ramayana, rises in heaven, whence, owing to Brahma's agency, it descends to the earth. Passepartout made it a point, as he made his purchases, to take a good look at the city. It was formerly defended by a noble fort, which has since become a state prison; its commerce has dwindled away, and Passepartout in vain looked about him for such a bazaar as he used to frequent in Regent Street. At last he came upon an elderly, crusty Jew, who sold second-hand articles, and from whom he purchased a dress of Scotch stuff, a large mantle, and a fine otter-skin pelisse, for which he did not hesitate to pay seventy-five pounds. He then returned triumphantly to the station. The influence to which the priests of Pillaji had subjected Aouda began gradually to yield, and she became more herself, so that her fine eyes resumed all their soft Indian expression. When the poet-king, Ucaf Uddaul, celebrates the charms of the queen of Ahmehnagara, he speaks thus: "Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor." It is enough to say, without applying this poetical rhapsody to Aouda, that she was a charming woman, in all the European acceptation of the phrase. She spoke English with great purity, and the guide had not exaggerated in saying that the young Parsee had been transformed by her bringing up. The train was about to start from Allahabad, and Mr. Fogg proceeded to pay the guide the price agreed upon for his service, and not a farthing more; which astonished Passepartout, who remembered all that his master owed to the guide's devotion. He had, indeed, risked his life in the adventure at Pillaji, and, if he should be caught afterwards by the Indians, he would with difficulty escape their vengeance. Kiouni, also, must be disposed of. What should be done with the elephant, which had been so dearly purchased? Phileas Fogg had already determined this question. "Parsee," said he to the guide, "you have been serviceable and devoted. I have paid for your service, but not for your devotion. Would you like to have this elephant? He is yours." The guide's eyes glistened. "Your honour is giving me a fortune!" cried he. "Take him, guide," returned Mr. Fogg, "and I shall still be your debtor." "Good!" exclaimed Passepartout. "Take him, friend. Kiouni is a brave and faithful beast." And, going up to the elephant, he gave him several lumps of sugar, saying, "Here, Kiouni, here, here." The elephant grunted out his satisfaction, and, clasping Passepartout around the waist with his trunk, lifted him as high as his head. Passepartout, not in the least alarmed, caressed the animal, which replaced him gently on the ground. Soon after, Phileas Fogg, Sir Francis Cromarty, and Passepartout, installed in a carriage with Aouda, who had the best seat, were whirling at full speed towards Benares. It was a run of eighty miles, and was accomplished in two hours. During the journey, the young woman fully recovered her senses. What was her astonishment to find herself in this carriage, on the railway, dressed in European habiliments, and with travellers who were quite strangers to her! Her companions first set about fully reviving her with a little liquor, and then Sir Francis narrated to her what had passed, dwelling upon the courage with which Phileas Fogg had not hesitated to risk his life to save her, and recounting the happy sequel of the venture, the result of Passepartout's rash idea. Mr. Fogg said nothing; while Passepartout, abashed, kept repeating that "it wasn't worth telling." Aouda pathetically thanked her deliverers, rather with tears than words; her fine eyes interpreted her gratitude better than her lips. Then, as her thoughts strayed back to the scene of the sacrifice, and recalled the dangers which still menaced her, she shuddered with terror. Phileas Fogg understood what was passing in Aouda's mind, and offered, in order to reassure her, to escort her to Hong Kong, where she might remain safely until the affair was hushed up--an offer which she eagerly and gratefully accepted. She had, it seems, a Parsee relation, who was one of the principal merchants of Hong Kong, which is wholly an English city, though on an island on the Chinese coast. At half-past twelve the train stopped at Benares. The Brahmin legends assert that this city is built on the site of the ancient Casi, which, like Mahomet's tomb, was once suspended between heaven and earth; though the Benares of to-day, which the Orientalists call the Athens of India, stands quite unpoetically on the solid earth, Passepartout caught glimpses of its brick houses and clay huts, giving an aspect of desolation to the place, as the train entered it. Benares was Sir Francis Cromarty's destination, the troops he was rejoining being encamped some miles northward of the city. He bade adieu to Phileas Fogg, wishing him all success, and expressing the hope that he would come that way again in a less original but more profitable fashion. Mr. Fogg lightly pressed him by the hand. The parting of Aouda, who did not forget what she owed to Sir Francis, betrayed more warmth; and, as for Passepartout, he received a hearty shake of the hand from the gallant general. The railway, on leaving Benares, passed for a while along the valley of the Ganges. Through the windows of their carriage the travellers had glimpses of the diversified landscape of Behar, with its mountains clothed in verdure, its fields of barley, wheat, and corn, its jungles peopled with green alligators, its neat villages, and its still thickly-leaved forests. Elephants were bathing in the waters of the sacred river, and groups of Indians, despite the advanced season and chilly air, were performing solemnly their pious ablutions. These were fervent Brahmins, the bitterest foes of Buddhism, their deities being Vishnu, the solar god, Shiva, the divine impersonation of natural forces, and Brahma, the supreme ruler of priests and legislators. What would these divinities think of India, anglicised as it is to-day, with steamers whistling and scudding along the Ganges, frightening the gulls which float upon its surface, the turtles swarming along its banks, and the faithful dwelling upon its borders? The panorama passed before their eyes like a flash, save when the steam concealed it fitfully from the view; the travellers could scarcely discern the fort of Chupenie, twenty miles south-westward from Benares, the ancient stronghold of the rajahs of Behar; or Ghazipur and its famous rose-water factories; or the tomb of Lord Cornwallis, rising on the left bank of the Ganges; the fortified town of Buxar, or Patna, a large manufacturing and trading-place, where is held the principal opium market of India; or Monghir, a more than European town, for it is as English as Manchester or Birmingham, with its iron foundries, edgetool factories, and high chimneys puffing clouds of black smoke heavenward. Night came on; the train passed on at full speed, in the midst of the roaring of the tigers, bears, and wolves which fled before the locomotive; and the marvels of Bengal, Golconda ruined Gour, Murshedabad, the ancient capital, Burdwan, Hugly, and the French town of Chandernagor, where Passepartout would have been proud to see his country's flag flying, were hidden from their view in the darkness. Calcutta was reached at seven in the morning, and the packet left for Hong Kong at noon; so that Phileas Fogg had five hours before him. According to his journal, he was due at Calcutta on the 25th of October, and that was the exact date of his actual arrival. He was therefore neither behind-hand nor ahead of time. The two days gained between London and Bombay had been lost, as has been seen, in the journey across India. But it is not to be supposed that Phileas Fogg regretted them.

cliffnotes

Craft a concise overview of chapter 15 using the context provided.

chapter 15|chapter 16

Just as Fogg, Passepartout and Aouda are leaving the Calcutta station a policeman approaches them and asks Fogg and Passepartout to accompany him. Aouda too is given permission to accompany Fogg and Passepartout. They are taken in a 'palki gari' to an unpretentious looking house and told that they are to present themselves in front of a judge. When they are presented in court, the plaintiffs too are brought in and they turn out to be priests. Fogg assumes that these are the priests, who tried to sacrifice Aouda in the pagoda of Pillagi but he is mistaken. These are actually the priests from the pagoda of Bombay who got into a scuffle with Passepartout because he entered the holy place with his shoes on. It is explained by the author that Detective Fix had taken upon himself to advise the priests of Malabar Hill after fully grasping all the advantage he could derive from the unfortunate mistake of passepartout's. It is he who sends the priests in the next train to Calcutta in the pursuit of the culprit. It was Fix who had directed the policeman to take Fogg and Passepartout into custody. Judge Odadiah takes a note of the confession that had escaped Passepartout and condemns him to go to prison for 15 days and to pay a fine of three hundred pounds. Fogg too is condemned to prison and is asked to pay a fine. Fogg agrees to pay bail for himself and his servant. Passepartout is very disgusted with the fact that his master has to pay such a large sum of money. After taking back his shoes, Passepartout follows Fogg out of the courtroom. They immediately go to the Rangoon, the ship that was to leave for Hong Kong. Detective Fix is very angry because of Fogg's excessive spending. Since a percentage on the recovered is assigned as a reward for the detectives, Fix is worried that by the time the journey ends and Fogg is caught, there will be a very negligible amount left.

----------CHAPTER 15--------- The train entered the station, and Passepartout jumping out first, was followed by Mr. Fogg, who assisted his fair companion to descend. Phileas Fogg intended to proceed at once to the Hong Kong steamer, in order to get Aouda comfortably settled for the voyage. He was unwilling to leave her while they were still on dangerous ground. Just as he was leaving the station a policeman came up to him, and said, "Mr. Phileas Fogg?" "I am he." "Is this man your servant?" added the policeman, pointing to Passepartout. "Yes." "Be so good, both of you, as to follow me." Mr. Fogg betrayed no surprise whatever. The policeman was a representative of the law, and law is sacred to an Englishman. Passepartout tried to reason about the matter, but the policeman tapped him with his stick, and Mr. Fogg made him a signal to obey. "May this young lady go with us?" asked he. "She may," replied the policeman. Mr. Fogg, Aouda, and Passepartout were conducted to a palkigahri, a sort of four-wheeled carriage, drawn by two horses, in which they took their places and were driven away. No one spoke during the twenty minutes which elapsed before they reached their destination. They first passed through the "black town," with its narrow streets, its miserable, dirty huts, and squalid population; then through the "European town," which presented a relief in its bright brick mansions, shaded by coconut-trees and bristling with masts, where, although it was early morning, elegantly dressed horsemen and handsome equipages were passing back and forth. The carriage stopped before a modest-looking house, which, however, did not have the appearance of a private mansion. The policeman having requested his prisoners--for so, truly, they might be called--to descend, conducted them into a room with barred windows, and said: "You will appear before Judge Obadiah at half-past eight." He then retired, and closed the door. "Why, we are prisoners!" exclaimed Passepartout, falling into a chair. Aouda, with an emotion she tried to conceal, said to Mr. Fogg: "Sir, you must leave me to my fate! It is on my account that you receive this treatment, it is for having saved me!" Phileas Fogg contented himself with saying that it was impossible. It was quite unlikely that he should be arrested for preventing a suttee. The complainants would not dare present themselves with such a charge. There was some mistake. Moreover, he would not, in any event, abandon Aouda, but would escort her to Hong Kong. "But the steamer leaves at noon!" observed Passepartout, nervously. "We shall be on board by noon," replied his master, placidly. It was said so positively that Passepartout could not help muttering to himself, "Parbleu that's certain! Before noon we shall be on board." But he was by no means reassured. At half-past eight the door opened, the policeman appeared, and, requesting them to follow him, led the way to an adjoining hall. It was evidently a court-room, and a crowd of Europeans and natives already occupied the rear of the apartment. Mr. Fogg and his two companions took their places on a bench opposite the desks of the magistrate and his clerk. Immediately after, Judge Obadiah, a fat, round man, followed by the clerk, entered. He proceeded to take down a wig which was hanging on a nail, and put it hurriedly on his head. "The first case," said he. Then, putting his hand to his head, he exclaimed, "Heh! This is not my wig!" "No, your worship," returned the clerk, "it is mine." "My dear Mr. Oysterpuff, how can a judge give a wise sentence in a clerk's wig?" The wigs were exchanged. Passepartout was getting nervous, for the hands on the face of the big clock over the judge seemed to go around with terrible rapidity. "The first case," repeated Judge Obadiah. "Phileas Fogg?" demanded Oysterpuff. "I am here," replied Mr. Fogg. "Passepartout?" "Present," responded Passepartout. "Good," said the judge. "You have been looked for, prisoners, for two days on the trains from Bombay." "But of what are we accused?" asked Passepartout, impatiently. "You are about to be informed." "I am an English subject, sir," said Mr. Fogg, "and I have the right--" "Have you been ill-treated?" "Not at all." "Very well; let the complainants come in." A door was swung open by order of the judge, and three Indian priests entered. "That's it," muttered Passepartout; "these are the rogues who were going to burn our young lady." The priests took their places in front of the judge, and the clerk proceeded to read in a loud voice a complaint of sacrilege against Phileas Fogg and his servant, who were accused of having violated a place held consecrated by the Brahmin religion. "You hear the charge?" asked the judge. "Yes, sir," replied Mr. Fogg, consulting his watch, "and I admit it." "You admit it?" "I admit it, and I wish to hear these priests admit, in their turn, what they were going to do at the pagoda of Pillaji." The priests looked at each other; they did not seem to understand what was said. "Yes," cried Passepartout, warmly; "at the pagoda of Pillaji, where they were on the point of burning their victim." The judge stared with astonishment, and the priests were stupefied. "What victim?" said Judge Obadiah. "Burn whom? In Bombay itself?" "Bombay?" cried Passepartout. "Certainly. We are not talking of the pagoda of Pillaji, but of the pagoda of Malabar Hill, at Bombay." "And as a proof," added the clerk, "here are the desecrator's very shoes, which he left behind him." Whereupon he placed a pair of shoes on his desk. "My shoes!" cried Passepartout, in his surprise permitting this imprudent exclamation to escape him. The confusion of master and man, who had quite forgotten the affair at Bombay, for which they were now detained at Calcutta, may be imagined. Fix the detective, had foreseen the advantage which Passepartout's escapade gave him, and, delaying his departure for twelve hours, had consulted the priests of Malabar Hill. Knowing that the English authorities dealt very severely with this kind of misdemeanour, he promised them a goodly sum in damages, and sent them forward to Calcutta by the next train. Owing to the delay caused by the rescue of the young widow, Fix and the priests reached the Indian capital before Mr. Fogg and his servant, the magistrates having been already warned by a dispatch to arrest them should they arrive. Fix's disappointment when he learned that Phileas Fogg had not made his appearance in Calcutta may be imagined. He made up his mind that the robber had stopped somewhere on the route and taken refuge in the southern provinces. For twenty-four hours Fix watched the station with feverish anxiety; at last he was rewarded by seeing Mr. Fogg and Passepartout arrive, accompanied by a young woman, whose presence he was wholly at a loss to explain. He hastened for a policeman; and this was how the party came to be arrested and brought before Judge Obadiah. Had Passepartout been a little less preoccupied, he would have espied the detective ensconced in a corner of the court-room, watching the proceedings with an interest easily understood; for the warrant had failed to reach him at Calcutta, as it had done at Bombay and Suez. Judge Obadiah had unfortunately caught Passepartout's rash exclamation, which the poor fellow would have given the world to recall. "The facts are admitted?" asked the judge. "Admitted," replied Mr. Fogg, coldly. "Inasmuch," resumed the judge, "as the English law protects equally and sternly the religions of the Indian people, and as the man Passepartout has admitted that he violated the sacred pagoda of Malabar Hill, at Bombay, on the 20th of October, I condemn the said Passepartout to imprisonment for fifteen days and a fine of three hundred pounds." "Three hundred pounds!" cried Passepartout, startled at the largeness of the sum. "Silence!" shouted the constable. "And inasmuch," continued the judge, "as it is not proved that the act was not done by the connivance of the master with the servant, and as the master in any case must be held responsible for the acts of his paid servant, I condemn Phileas Fogg to a week's imprisonment and a fine of one hundred and fifty pounds." Fix rubbed his hands softly with satisfaction; if Phileas Fogg could be detained in Calcutta a week, it would be more than time for the warrant to arrive. Passepartout was stupefied. This sentence ruined his master. A wager of twenty thousand pounds lost, because he, like a precious fool, had gone into that abominable pagoda! Phileas Fogg, as self-composed as if the judgment did not in the least concern him, did not even lift his eyebrows while it was being pronounced. Just as the clerk was calling the next case, he rose, and said, "I offer bail." "You have that right," returned the judge. Fix's blood ran cold, but he resumed his composure when he heard the judge announce that the bail required for each prisoner would be one thousand pounds. "I will pay it at once," said Mr. Fogg, taking a roll of bank-bills from the carpet-bag, which Passepartout had by him, and placing them on the clerk's desk. "This sum will be restored to you upon your release from prison," said the judge. "Meanwhile, you are liberated on bail." "Come!" said Phileas Fogg to his servant. "But let them at least give me back my shoes!" cried Passepartout angrily. "Ah, these are pretty dear shoes!" he muttered, as they were handed to him. "More than a thousand pounds apiece; besides, they pinch my feet." Mr. Fogg, offering his arm to Aouda, then departed, followed by the crestfallen Passepartout. Fix still nourished hopes that the robber would not, after all, leave the two thousand pounds behind him, but would decide to serve out his week in jail, and issued forth on Mr. Fogg's traces. That gentleman took a carriage, and the party were soon landed on one of the quays. The Rangoon was moored half a mile off in the harbour, its signal of departure hoisted at the mast-head. Eleven o'clock was striking; Mr. Fogg was an hour in advance of time. Fix saw them leave the carriage and push off in a boat for the steamer, and stamped his feet with disappointment. "The rascal is off, after all!" he exclaimed. "Two thousand pounds sacrificed! He's as prodigal as a thief! I'll follow him to the end of the world if necessary; but, at the rate he is going on, the stolen money will soon be exhausted." The detective was not far wrong in making this conjecture. Since leaving London, what with travelling expenses, bribes, the purchase of the elephant, bails, and fines, Mr. Fogg had already spent more than five thousand pounds on the way, and the percentage of the sum recovered from the bank robber promised to the detectives, was rapidly diminishing. ----------CHAPTER 16--------- The Rangoon--one of the Peninsular and Oriental Company's boats plying in the Chinese and Japanese seas--was a screw steamer, built of iron, weighing about seventeen hundred and seventy tons, and with engines of four hundred horse-power. She was as fast, but not as well fitted up, as the Mongolia, and Aouda was not as comfortably provided for on board of her as Phileas Fogg could have wished. However, the trip from Calcutta to Hong Kong only comprised some three thousand five hundred miles, occupying from ten to twelve days, and the young woman was not difficult to please. During the first days of the journey Aouda became better acquainted with her protector, and constantly gave evidence of her deep gratitude for what he had done. The phlegmatic gentleman listened to her, apparently at least, with coldness, neither his voice nor his manner betraying the slightest emotion; but he seemed to be always on the watch that nothing should be wanting to Aouda's comfort. He visited her regularly each day at certain hours, not so much to talk himself, as to sit and hear her talk. He treated her with the strictest politeness, but with the precision of an automaton, the movements of which had been arranged for this purpose. Aouda did not quite know what to make of him, though Passepartout had given her some hints of his master's eccentricity, and made her smile by telling her of the wager which was sending him round the world. After all, she owed Phileas Fogg her life, and she always regarded him through the exalting medium of her gratitude. Aouda confirmed the Parsee guide's narrative of her touching history. She did, indeed, belong to the highest of the native races of India. Many of the Parsee merchants have made great fortunes there by dealing in cotton; and one of them, Sir Jametsee Jeejeebhoy, was made a baronet by the English government. Aouda was a relative of this great man, and it was his cousin, Jeejeeh, whom she hoped to join at Hong Kong. Whether she would find a protector in him she could not tell; but Mr. Fogg essayed to calm her anxieties, and to assure her that everything would be mathematically--he used the very word--arranged. Aouda fastened her great eyes, "clear as the sacred lakes of the Himalaya," upon him; but the intractable Fogg, as reserved as ever, did not seem at all inclined to throw himself into this lake. The first few days of the voyage passed prosperously, amid favourable weather and propitious winds, and they soon came in sight of the great Andaman, the principal of the islands in the Bay of Bengal, with its picturesque Saddle Peak, two thousand four hundred feet high, looming above the waters. The steamer passed along near the shores, but the savage Papuans, who are in the lowest scale of humanity, but are not, as has been asserted, cannibals, did not make their appearance. The panorama of the islands, as they steamed by them, was superb. Vast forests of palms, arecs, bamboo, teakwood, of the gigantic mimosa, and tree-like ferns covered the foreground, while behind, the graceful outlines of the mountains were traced against the sky; and along the coasts swarmed by thousands the precious swallows whose nests furnish a luxurious dish to the tables of the Celestial Empire. The varied landscape afforded by the Andaman Islands was soon passed, however, and the Rangoon rapidly approached the Straits of Malacca, which gave access to the China seas. What was detective Fix, so unluckily drawn on from country to country, doing all this while? He had managed to embark on the Rangoon at Calcutta without being seen by Passepartout, after leaving orders that, if the warrant should arrive, it should be forwarded to him at Hong Kong; and he hoped to conceal his presence to the end of the voyage. It would have been difficult to explain why he was on board without awakening Passepartout's suspicions, who thought him still at Bombay. But necessity impelled him, nevertheless, to renew his acquaintance with the worthy servant, as will be seen. All the detective's hopes and wishes were now centred on Hong Kong; for the steamer's stay at Singapore would be too brief to enable him to take any steps there. The arrest must be made at Hong Kong, or the robber would probably escape him for ever. Hong Kong was the last English ground on which he would set foot; beyond, China, Japan, America offered to Fogg an almost certain refuge. If the warrant should at last make its appearance at Hong Kong, Fix could arrest him and give him into the hands of the local police, and there would be no further trouble. But beyond Hong Kong, a simple warrant would be of no avail; an extradition warrant would be necessary, and that would result in delays and obstacles, of which the rascal would take advantage to elude justice. Fix thought over these probabilities during the long hours which he spent in his cabin, and kept repeating to himself, "Now, either the warrant will be at Hong Kong, in which case I shall arrest my man, or it will not be there; and this time it is absolutely necessary that I should delay his departure. I have failed at Bombay, and I have failed at Calcutta; if I fail at Hong Kong, my reputation is lost: Cost what it may, I must succeed! But how shall I prevent his departure, if that should turn out to be my last resource?" Fix made up his mind that, if worst came to worst, he would make a confidant of Passepartout, and tell him what kind of a fellow his master really was. That Passepartout was not Fogg's accomplice, he was very certain. The servant, enlightened by his disclosure, and afraid of being himself implicated in the crime, would doubtless become an ally of the detective. But this method was a dangerous one, only to be employed when everything else had failed. A word from Passepartout to his master would ruin all. The detective was therefore in a sore strait. But suddenly a new idea struck him. The presence of Aouda on the Rangoon, in company with Phileas Fogg, gave him new material for reflection. Who was this woman? What combination of events had made her Fogg's travelling companion? They had evidently met somewhere between Bombay and Calcutta; but where? Had they met accidentally, or had Fogg gone into the interior purposely in quest of this charming damsel? Fix was fairly puzzled. He asked himself whether there had not been a wicked elopement; and this idea so impressed itself upon his mind that he determined to make use of the supposed intrigue. Whether the young woman were married or not, he would be able to create such difficulties for Mr. Fogg at Hong Kong that he could not escape by paying any amount of money. But could he even wait till they reached Hong Kong? Fogg had an abominable way of jumping from one boat to another, and, before anything could be effected, might get full under way again for Yokohama. Fix decided that he must warn the English authorities, and signal the Rangoon before her arrival. This was easy to do, since the steamer stopped at Singapore, whence there is a telegraphic wire to Hong Kong. He finally resolved, moreover, before acting more positively, to question Passepartout. It would not be difficult to make him talk; and, as there was no time to lose, Fix prepared to make himself known. It was now the 30th of October, and on the following day the Rangoon was due at Singapore. Fix emerged from his cabin and went on deck. Passepartout was promenading up and down in the forward part of the steamer. The detective rushed forward with every appearance of extreme surprise, and exclaimed, "You here, on the Rangoon?" "What, Monsieur Fix, are you on board?" returned the really astonished Passepartout, recognising his crony of the Mongolia. "Why, I left you at Bombay, and here you are, on the way to Hong Kong! Are you going round the world too?" "No, no," replied Fix; "I shall stop at Hong Kong--at least for some days." "Hum!" said Passepartout, who seemed for an instant perplexed. "But how is it I have not seen you on board since we left Calcutta?" "Oh, a trifle of sea-sickness--I've been staying in my berth. The Gulf of Bengal does not agree with me as well as the Indian Ocean. And how is Mr. Fogg?" "As well and as punctual as ever, not a day behind time! But, Monsieur Fix, you don't know that we have a young lady with us." "A young lady?" replied the detective, not seeming to comprehend what was said. Passepartout thereupon recounted Aouda's history, the affair at the Bombay pagoda, the purchase of the elephant for two thousand pounds, the rescue, the arrest, and sentence of the Calcutta court, and the restoration of Mr. Fogg and himself to liberty on bail. Fix, who was familiar with the last events, seemed to be equally ignorant of all that Passepartout related; and the later was charmed to find so interested a listener. "But does your master propose to carry this young woman to Europe?" "Not at all. We are simply going to place her under the protection of one of her relatives, a rich merchant at Hong Kong." "Nothing to be done there," said Fix to himself, concealing his disappointment. "A glass of gin, Mr. Passepartout?" "Willingly, Monsieur Fix. We must at least have a friendly glass on board the Rangoon."

cliffnotes

Craft a concise overview of chapter 18 using the context provided.

chapter 17|chapter 18

The weather is rough in the latter days of the voyage to Hong Kong. Fogg remains calm, Passepartout is angry and Fix is delighted at the delay. Passepartout lends a helping hand in the ship. The Rangoon reaches Hong Kong a day later. A pilot informs Fogg that the Carnatic would leave Hong Kong for Yokohama and Fogg is pleased as he had thought that he had missed the ship. Fogg has some hours before boarding the Carnatic, so he takes Aouda to the Club Hotel in the meanwhile. He goes to look for her relative in the meanwhile but finds that the latter had left the city. It is decided then that Aouda will accompany Fogg to Europe and Passepartout is told to engage three cabins on the Carnatic.

----------CHAPTER 17--------- The detective and Passepartout met often on deck after this interview, though Fix was reserved, and did not attempt to induce his companion to divulge any more facts concerning Mr. Fogg. He caught a glimpse of that mysterious gentleman once or twice; but Mr. Fogg usually confined himself to the cabin, where he kept Aouda company, or, according to his inveterate habit, took a hand at whist. Passepartout began very seriously to conjecture what strange chance kept Fix still on the route that his master was pursuing. It was really worth considering why this certainly very amiable and complacent person, whom he had first met at Suez, had then encountered on board the Mongolia, who disembarked at Bombay, which he announced as his destination, and now turned up so unexpectedly on the Rangoon, was following Mr. Fogg's tracks step by step. What was Fix's object? Passepartout was ready to wager his Indian shoes--which he religiously preserved--that Fix would also leave Hong Kong at the same time with them, and probably on the same steamer. Passepartout might have cudgelled his brain for a century without hitting upon the real object which the detective had in view. He never could have imagined that Phileas Fogg was being tracked as a robber around the globe. But, as it is in human nature to attempt the solution of every mystery, Passepartout suddenly discovered an explanation of Fix's movements, which was in truth far from unreasonable. Fix, he thought, could only be an agent of Mr. Fogg's friends at the Reform Club, sent to follow him up, and to ascertain that he really went round the world as had been agreed upon. "It's clear!" repeated the worthy servant to himself, proud of his shrewdness. "He's a spy sent to keep us in view! That isn't quite the thing, either, to be spying Mr. Fogg, who is so honourable a man! Ah, gentlemen of the Reform, this shall cost you dear!" Passepartout, enchanted with his discovery, resolved to say nothing to his master, lest he should be justly offended at this mistrust on the part of his adversaries. But he determined to chaff Fix, when he had the chance, with mysterious allusions, which, however, need not betray his real suspicions. During the afternoon of Wednesday, 30th October, the Rangoon entered the Strait of Malacca, which separates the peninsula of that name from Sumatra. The mountainous and craggy islets intercepted the beauties of this noble island from the view of the travellers. The Rangoon weighed anchor at Singapore the next day at four a.m., to receive coal, having gained half a day on the prescribed time of her arrival. Phileas Fogg noted this gain in his journal, and then, accompanied by Aouda, who betrayed a desire for a walk on shore, disembarked. Fix, who suspected Mr. Fogg's every movement, followed them cautiously, without being himself perceived; while Passepartout, laughing in his sleeve at Fix's manoeuvres, went about his usual errands. The island of Singapore is not imposing in aspect, for there are no mountains; yet its appearance is not without attractions. It is a park checkered by pleasant highways and avenues. A handsome carriage, drawn by a sleek pair of New Holland horses, carried Phileas Fogg and Aouda into the midst of rows of palms with brilliant foliage, and of clove-trees, whereof the cloves form the heart of a half-open flower. Pepper plants replaced the prickly hedges of European fields; sago-bushes, large ferns with gorgeous branches, varied the aspect of this tropical clime; while nutmeg-trees in full foliage filled the air with a penetrating perfume. Agile and grinning bands of monkeys skipped about in the trees, nor were tigers wanting in the jungles. After a drive of two hours through the country, Aouda and Mr. Fogg returned to the town, which is a vast collection of heavy-looking, irregular houses, surrounded by charming gardens rich in tropical fruits and plants; and at ten o'clock they re-embarked, closely followed by the detective, who had kept them constantly in sight. Passepartout, who had been purchasing several dozen mangoes--a fruit as large as good-sized apples, of a dark-brown colour outside and a bright red within, and whose white pulp, melting in the mouth, affords gourmands a delicious sensation--was waiting for them on deck. He was only too glad to offer some mangoes to Aouda, who thanked him very gracefully for them. At eleven o'clock the Rangoon rode out of Singapore harbour, and in a few hours the high mountains of Malacca, with their forests, inhabited by the most beautifully-furred tigers in the world, were lost to view. Singapore is distant some thirteen hundred miles from the island of Hong Kong, which is a little English colony near the Chinese coast. Phileas Fogg hoped to accomplish the journey in six days, so as to be in time for the steamer which would leave on the 6th of November for Yokohama, the principal Japanese port. The Rangoon had a large quota of passengers, many of whom disembarked at Singapore, among them a number of Indians, Ceylonese, Chinamen, Malays, and Portuguese, mostly second-class travellers. The weather, which had hitherto been fine, changed with the last quarter of the moon. The sea rolled heavily, and the wind at intervals rose almost to a storm, but happily blew from the south-west, and thus aided the steamer's progress. The captain as often as possible put up his sails, and under the double action of steam and sail the vessel made rapid progress along the coasts of Anam and Cochin China. Owing to the defective construction of the Rangoon, however, unusual precautions became necessary in unfavourable weather; but the loss of time which resulted from this cause, while it nearly drove Passepartout out of his senses, did not seem to affect his master in the least. Passepartout blamed the captain, the engineer, and the crew, and consigned all who were connected with the ship to the land where the pepper grows. Perhaps the thought of the gas, which was remorselessly burning at his expense in Saville Row, had something to do with his hot impatience. "You are in a great hurry, then," said Fix to him one day, "to reach Hong Kong?" "A very great hurry!" "Mr. Fogg, I suppose, is anxious to catch the steamer for Yokohama?" "Terribly anxious." "You believe in this journey around the world, then?" "Absolutely. Don't you, Mr. Fix?" "I? I don't believe a word of it." "You're a sly dog!" said Passepartout, winking at him. This expression rather disturbed Fix, without his knowing why. Had the Frenchman guessed his real purpose? He knew not what to think. But how could Passepartout have discovered that he was a detective? Yet, in speaking as he did, the man evidently meant more than he expressed. Passepartout went still further the next day; he could not hold his tongue. "Mr. Fix," said he, in a bantering tone, "shall we be so unfortunate as to lose you when we get to Hong Kong?" "Why," responded Fix, a little embarrassed, "I don't know; perhaps--" "Ah, if you would only go on with us! An agent of the Peninsular Company, you know, can't stop on the way! You were only going to Bombay, and here you are in China. America is not far off, and from America to Europe is only a step." Fix looked intently at his companion, whose countenance was as serene as possible, and laughed with him. But Passepartout persisted in chaffing him by asking him if he made much by his present occupation. "Yes, and no," returned Fix; "there is good and bad luck in such things. But you must understand that I don't travel at my own expense." "Oh, I am quite sure of that!" cried Passepartout, laughing heartily. Fix, fairly puzzled, descended to his cabin and gave himself up to his reflections. He was evidently suspected; somehow or other the Frenchman had found out that he was a detective. But had he told his master? What part was he playing in all this: was he an accomplice or not? Was the game, then, up? Fix spent several hours turning these things over in his mind, sometimes thinking that all was lost, then persuading himself that Fogg was ignorant of his presence, and then undecided what course it was best to take. Nevertheless, he preserved his coolness of mind, and at last resolved to deal plainly with Passepartout. If he did not find it practicable to arrest Fogg at Hong Kong, and if Fogg made preparations to leave that last foothold of English territory, he, Fix, would tell Passepartout all. Either the servant was the accomplice of his master, and in this case the master knew of his operations, and he should fail; or else the servant knew nothing about the robbery, and then his interest would be to abandon the robber. Such was the situation between Fix and Passepartout. Meanwhile Phileas Fogg moved about above them in the most majestic and unconscious indifference. He was passing methodically in his orbit around the world, regardless of the lesser stars which gravitated around him. Yet there was near by what the astronomers would call a disturbing star, which might have produced an agitation in this gentleman's heart. But no! the charms of Aouda failed to act, to Passepartout's great surprise; and the disturbances, if they existed, would have been more difficult to calculate than those of Uranus which led to the discovery of Neptune. It was every day an increasing wonder to Passepartout, who read in Aouda's eyes the depths of her gratitude to his master. Phileas Fogg, though brave and gallant, must be, he thought, quite heartless. As to the sentiment which this journey might have awakened in him, there was clearly no trace of such a thing; while poor Passepartout existed in perpetual reveries. One day he was leaning on the railing of the engine-room, and was observing the engine, when a sudden pitch of the steamer threw the screw out of the water. The steam came hissing out of the valves; and this made Passepartout indignant. "The valves are not sufficiently charged!" he exclaimed. "We are not going. Oh, these English! If this was an American craft, we should blow up, perhaps, but we should at all events go faster!" ----------CHAPTER 18--------- The weather was bad during the latter days of the voyage. The wind, obstinately remaining in the north-west, blew a gale, and retarded the steamer. The Rangoon rolled heavily and the passengers became impatient of the long, monstrous waves which the wind raised before their path. A sort of tempest arose on the 3rd of November, the squall knocking the vessel about with fury, and the waves running high. The Rangoon reefed all her sails, and even the rigging proved too much, whistling and shaking amid the squall. The steamer was forced to proceed slowly, and the captain estimated that she would reach Hong Kong twenty hours behind time, and more if the storm lasted. Phileas Fogg gazed at the tempestuous sea, which seemed to be struggling especially to delay him, with his habitual tranquillity. He never changed countenance for an instant, though a delay of twenty hours, by making him too late for the Yokohama boat, would almost inevitably cause the loss of the wager. But this man of nerve manifested neither impatience nor annoyance; it seemed as if the storm were a part of his programme, and had been foreseen. Aouda was amazed to find him as calm as he had been from the first time she saw him. Fix did not look at the state of things in the same light. The storm greatly pleased him. His satisfaction would have been complete had the Rangoon been forced to retreat before the violence of wind and waves. Each delay filled him with hope, for it became more and more probable that Fogg would be obliged to remain some days at Hong Kong; and now the heavens themselves became his allies, with the gusts and squalls. It mattered not that they made him sea-sick--he made no account of this inconvenience; and, whilst his body was writhing under their effects, his spirit bounded with hopeful exultation. Passepartout was enraged beyond expression by the unpropitious weather. Everything had gone so well till now! Earth and sea had seemed to be at his master's service; steamers and railways obeyed him; wind and steam united to speed his journey. Had the hour of adversity come? Passepartout was as much excited as if the twenty thousand pounds were to come from his own pocket. The storm exasperated him, the gale made him furious, and he longed to lash the obstinate sea into obedience. Poor fellow! Fix carefully concealed from him his own satisfaction, for, had he betrayed it, Passepartout could scarcely have restrained himself from personal violence. Passepartout remained on deck as long as the tempest lasted, being unable to remain quiet below, and taking it into his head to aid the progress of the ship by lending a hand with the crew. He overwhelmed the captain, officers, and sailors, who could not help laughing at his impatience, with all sorts of questions. He wanted to know exactly how long the storm was going to last; whereupon he was referred to the barometer, which seemed to have no intention of rising. Passepartout shook it, but with no perceptible effect; for neither shaking nor maledictions could prevail upon it to change its mind. On the 4th, however, the sea became more calm, and the storm lessened its violence; the wind veered southward, and was once more favourable. Passepartout cleared up with the weather. Some of the sails were unfurled, and the Rangoon resumed its most rapid speed. The time lost could not, however, be regained. Land was not signalled until five o'clock on the morning of the 6th; the steamer was due on the 5th. Phileas Fogg was twenty-four hours behind-hand, and the Yokohama steamer would, of course, be missed. The pilot went on board at six, and took his place on the bridge, to guide the Rangoon through the channels to the port of Hong Kong. Passepartout longed to ask him if the steamer had left for Yokohama; but he dared not, for he wished to preserve the spark of hope, which still remained till the last moment. He had confided his anxiety to Fix who--the sly rascal!--tried to console him by saying that Mr. Fogg would be in time if he took the next boat; but this only put Passepartout in a passion. Mr. Fogg, bolder than his servant, did not hesitate to approach the pilot, and tranquilly ask him if he knew when a steamer would leave Hong Kong for Yokohama. "At high tide to-morrow morning," answered the pilot. "Ah!" said Mr. Fogg, without betraying any astonishment. Passepartout, who heard what passed, would willingly have embraced the pilot, while Fix would have been glad to twist his neck. "What is the steamer's name?" asked Mr. Fogg. "The Carnatic." "Ought she not to have gone yesterday?" "Yes, sir; but they had to repair one of her boilers, and so her departure was postponed till to-morrow." "Thank you," returned Mr. Fogg, descending mathematically to the saloon. Passepartout clasped the pilot's hand and shook it heartily in his delight, exclaiming, "Pilot, you are the best of good fellows!" The pilot probably does not know to this day why his responses won him this enthusiastic greeting. He remounted the bridge, and guided the steamer through the flotilla of junks, tankas, and fishing boats which crowd the harbour of Hong Kong. At one o'clock the Rangoon was at the quay, and the passengers were going ashore. Chance had strangely favoured Phileas Fogg, for had not the Carnatic been forced to lie over for repairing her boilers, she would have left on the 6th of November, and the passengers for Japan would have been obliged to await for a week the sailing of the next steamer. Mr. Fogg was, it is true, twenty-four hours behind his time; but this could not seriously imperil the remainder of his tour. The steamer which crossed the Pacific from Yokohama to San Francisco made a direct connection with that from Hong Kong, and it could not sail until the latter reached Yokohama; and if Mr. Fogg was twenty-four hours late on reaching Yokohama, this time would no doubt be easily regained in the voyage of twenty-two days across the Pacific. He found himself, then, about twenty-four hours behind-hand, thirty-five days after leaving London. The Carnatic was announced to leave Hong Kong at five the next morning. Mr. Fogg had sixteen hours in which to attend to his business there, which was to deposit Aouda safely with her wealthy relative. On landing, he conducted her to a palanquin, in which they repaired to the Club Hotel. A room was engaged for the young woman, and Mr. Fogg, after seeing that she wanted for nothing, set out in search of her cousin Jeejeeh. He instructed Passepartout to remain at the hotel until his return, that Aouda might not be left entirely alone. Mr. Fogg repaired to the Exchange, where, he did not doubt, every one would know so wealthy and considerable a personage as the Parsee merchant. Meeting a broker, he made the inquiry, to learn that Jeejeeh had left China two years before, and, retiring from business with an immense fortune, had taken up his residence in Europe--in Holland the broker thought, with the merchants of which country he had principally traded. Phileas Fogg returned to the hotel, begged a moment's conversation with Aouda, and without more ado, apprised her that Jeejeeh was no longer at Hong Kong, but probably in Holland. Aouda at first said nothing. She passed her hand across her forehead, and reflected a few moments. Then, in her sweet, soft voice, she said: "What ought I to do, Mr. Fogg?" "It is very simple," responded the gentleman. "Go on to Europe." "But I cannot intrude--" "You do not intrude, nor do you in the least embarrass my project. Passepartout!" "Monsieur." "Go to the Carnatic, and engage three cabins." Passepartout, delighted that the young woman, who was very gracious to him, was going to continue the journey with them, went off at a brisk gait to obey his master's order.

cliffnotes

Craft a concise overview of chapter 20 using the context provided.

chapter 19|chapter 20

After describing Passepartout's activities in Hong Kong, in this chapter, the fate of Fogg and Aouda is delineated. As Aouda was to travel with Fogg to Europe, many purchases had to be made for her. Fogg accompanies her for shopping at Hong Kong and Aouda is grateful. Then they retire comfortably to their hotel rooms and the next day they reach the dockyard in order to board the Carnatic. But, to their disappointment they learn that the ship has already left. Fix meets them and inquires about their servant as well as about the fact that they have missed the ship. He is happy that Fogg is delayed but Fogg being the determined man he is, he manages to find a ship called Tankadere that can take them to Shanghai. The trustworthy John Bunsby pilots the ship and Fogg is kind enough to ask detective Fix to take a seat in this hired ship as well. Fix agrees and the group leaves Hong Kong on the ship, with the destination of Shanghai in mind.

----------CHAPTER 19--------- Hong Kong is an island which came into the possession of the English by the Treaty of Nankin, after the war of 1842; and the colonising genius of the English has created upon it an important city and an excellent port. The island is situated at the mouth of the Canton River, and is separated by about sixty miles from the Portuguese town of Macao, on the opposite coast. Hong Kong has beaten Macao in the struggle for the Chinese trade, and now the greater part of the transportation of Chinese goods finds its depot at the former place. Docks, hospitals, wharves, a Gothic cathedral, a government house, macadamised streets, give to Hong Kong the appearance of a town in Kent or Surrey transferred by some strange magic to the antipodes. Passepartout wandered, with his hands in his pockets, towards the Victoria port, gazing as he went at the curious palanquins and other modes of conveyance, and the groups of Chinese, Japanese, and Europeans who passed to and fro in the streets. Hong Kong seemed to him not unlike Bombay, Calcutta, and Singapore, since, like them, it betrayed everywhere the evidence of English supremacy. At the Victoria port he found a confused mass of ships of all nations: English, French, American, and Dutch, men-of-war and trading vessels, Japanese and Chinese junks, sempas, tankas, and flower-boats, which formed so many floating parterres. Passepartout noticed in the crowd a number of the natives who seemed very old and were dressed in yellow. On going into a barber's to get shaved he learned that these ancient men were all at least eighty years old, at which age they are permitted to wear yellow, which is the Imperial colour. Passepartout, without exactly knowing why, thought this very funny. On reaching the quay where they were to embark on the Carnatic, he was not astonished to find Fix walking up and down. The detective seemed very much disturbed and disappointed. "This is bad," muttered Passepartout, "for the gentlemen of the Reform Club!" He accosted Fix with a merry smile, as if he had not perceived that gentleman's chagrin. The detective had, indeed, good reasons to inveigh against the bad luck which pursued him. The warrant had not come! It was certainly on the way, but as certainly it could not now reach Hong Kong for several days; and, this being the last English territory on Mr. Fogg's route, the robber would escape, unless he could manage to detain him. "Well, Monsieur Fix," said Passepartout, "have you decided to go with us so far as America?" "Yes," returned Fix, through his set teeth. "Good!" exclaimed Passepartout, laughing heartily. "I knew you could not persuade yourself to separate from us. Come and engage your berth." They entered the steamer office and secured cabins for four persons. The clerk, as he gave them the tickets, informed them that, the repairs on the Carnatic having been completed, the steamer would leave that very evening, and not next morning, as had been announced. "That will suit my master all the better," said Passepartout. "I will go and let him know." Fix now decided to make a bold move; he resolved to tell Passepartout all. It seemed to be the only possible means of keeping Phileas Fogg several days longer at Hong Kong. He accordingly invited his companion into a tavern which caught his eye on the quay. On entering, they found themselves in a large room handsomely decorated, at the end of which was a large camp-bed furnished with cushions. Several persons lay upon this bed in a deep sleep. At the small tables which were arranged about the room some thirty customers were drinking English beer, porter, gin, and brandy; smoking, the while, long red clay pipes stuffed with little balls of opium mingled with essence of rose. From time to time one of the smokers, overcome with the narcotic, would slip under the table, whereupon the waiters, taking him by the head and feet, carried and laid him upon the bed. The bed already supported twenty of these stupefied sots. Fix and Passepartout saw that they were in a smoking-house haunted by those wretched, cadaverous, idiotic creatures to whom the English merchants sell every year the miserable drug called opium, to the amount of one million four hundred thousand pounds--thousands devoted to one of the most despicable vices which afflict humanity! The Chinese government has in vain attempted to deal with the evil by stringent laws. It passed gradually from the rich, to whom it was at first exclusively reserved, to the lower classes, and then its ravages could not be arrested. Opium is smoked everywhere, at all times, by men and women, in the Celestial Empire; and, once accustomed to it, the victims cannot dispense with it, except by suffering horrible bodily contortions and agonies. A great smoker can smoke as many as eight pipes a day; but he dies in five years. It was in one of these dens that Fix and Passepartout, in search of a friendly glass, found themselves. Passepartout had no money, but willingly accepted Fix's invitation in the hope of returning the obligation at some future time. They ordered two bottles of port, to which the Frenchman did ample justice, whilst Fix observed him with close attention. They chatted about the journey, and Passepartout was especially merry at the idea that Fix was going to continue it with them. When the bottles were empty, however, he rose to go and tell his master of the change in the time of the sailing of the Carnatic. Fix caught him by the arm, and said, "Wait a moment." "What for, Mr. Fix?" "I want to have a serious talk with you." "A serious talk!" cried Passepartout, drinking up the little wine that was left in the bottom of his glass. "Well, we'll talk about it to-morrow; I haven't time now." "Stay! What I have to say concerns your master." Passepartout, at this, looked attentively at his companion. Fix's face seemed to have a singular expression. He resumed his seat. "What is it that you have to say?" Fix placed his hand upon Passepartout's arm, and, lowering his voice, said, "You have guessed who I am?" "Parbleu!" said Passepartout, smiling. "Then I'm going to tell you everything--" "Now that I know everything, my friend! Ah! that's very good. But go on, go on. First, though, let me tell you that those gentlemen have put themselves to a useless expense." "Useless!" said Fix. "You speak confidently. It's clear that you don't know how large the sum is." "Of course I do," returned Passepartout. "Twenty thousand pounds." "Fifty-five thousand!" answered Fix, pressing his companion's hand. "What!" cried the Frenchman. "Has Monsieur Fogg dared--fifty-five thousand pounds! Well, there's all the more reason for not losing an instant," he continued, getting up hastily. Fix pushed Passepartout back in his chair, and resumed: "Fifty-five thousand pounds; and if I succeed, I get two thousand pounds. If you'll help me, I'll let you have five hundred of them." "Help you?" cried Passepartout, whose eyes were standing wide open. "Yes; help me keep Mr. Fogg here for two or three days." "Why, what are you saying? Those gentlemen are not satisfied with following my master and suspecting his honour, but they must try to put obstacles in his way! I blush for them!" "What do you mean?" "I mean that it is a piece of shameful trickery. They might as well waylay Mr. Fogg and put his money in their pockets!" "That's just what we count on doing." "It's a conspiracy, then," cried Passepartout, who became more and more excited as the liquor mounted in his head, for he drank without perceiving it. "A real conspiracy! And gentlemen, too. Bah!" Fix began to be puzzled. "Members of the Reform Club!" continued Passepartout. "You must know, Monsieur Fix, that my master is an honest man, and that, when he makes a wager, he tries to win it fairly!" "But who do you think I am?" asked Fix, looking at him intently. "Parbleu! An agent of the members of the Reform Club, sent out here to interrupt my master's journey. But, though I found you out some time ago, I've taken good care to say nothing about it to Mr. Fogg." "He knows nothing, then?" "Nothing," replied Passepartout, again emptying his glass. The detective passed his hand across his forehead, hesitating before he spoke again. What should he do? Passepartout's mistake seemed sincere, but it made his design more difficult. It was evident that the servant was not the master's accomplice, as Fix had been inclined to suspect. "Well," said the detective to himself, "as he is not an accomplice, he will help me." He had no time to lose: Fogg must be detained at Hong Kong, so he resolved to make a clean breast of it. "Listen to me," said Fix abruptly. "I am not, as you think, an agent of the members of the Reform Club--" "Bah!" retorted Passepartout, with an air of raillery. "I am a police detective, sent out here by the London office." "You, a detective?" "I will prove it. Here is my commission." Passepartout was speechless with astonishment when Fix displayed this document, the genuineness of which could not be doubted. "Mr. Fogg's wager," resumed Fix, "is only a pretext, of which you and the gentlemen of the Reform are dupes. He had a motive for securing your innocent complicity." "But why?" "Listen. On the 28th of last September a robbery of fifty-five thousand pounds was committed at the Bank of England by a person whose description was fortunately secured. Here is his description; it answers exactly to that of Mr. Phileas Fogg." "What nonsense!" cried Passepartout, striking the table with his fist. "My master is the most honourable of men!" "How can you tell? You know scarcely anything about him. You went into his service the day he came away; and he came away on a foolish pretext, without trunks, and carrying a large amount in banknotes. And yet you are bold enough to assert that he is an honest man!" "Yes, yes," repeated the poor fellow, mechanically. "Would you like to be arrested as his accomplice?" Passepartout, overcome by what he had heard, held his head between his hands, and did not dare to look at the detective. Phileas Fogg, the saviour of Aouda, that brave and generous man, a robber! And yet how many presumptions there were against him! Passepartout essayed to reject the suspicions which forced themselves upon his mind; he did not wish to believe that his master was guilty. "Well, what do you want of me?" said he, at last, with an effort. "See here," replied Fix; "I have tracked Mr. Fogg to this place, but as yet I have failed to receive the warrant of arrest for which I sent to London. You must help me to keep him here in Hong Kong--" "I! But I--" "I will share with you the two thousand pounds reward offered by the Bank of England." "Never!" replied Passepartout, who tried to rise, but fell back, exhausted in mind and body. "Mr. Fix," he stammered, "even should what you say be true--if my master is really the robber you are seeking for--which I deny--I have been, am, in his service; I have seen his generosity and goodness; and I will never betray him--not for all the gold in the world. I come from a village where they don't eat that kind of bread!" "You refuse?" "I refuse." "Consider that I've said nothing," said Fix; "and let us drink." "Yes; let us drink!" Passepartout felt himself yielding more and more to the effects of the liquor. Fix, seeing that he must, at all hazards, be separated from his master, wished to entirely overcome him. Some pipes full of opium lay upon the table. Fix slipped one into Passepartout's hand. He took it, put it between his lips, lit it, drew several puffs, and his head, becoming heavy under the influence of the narcotic, fell upon the table. "At last!" said Fix, seeing Passepartout unconscious. "Mr. Fogg will not be informed of the Carnatic's departure; and, if he is, he will have to go without this cursed Frenchman!" And, after paying his bill, Fix left the tavern. ----------CHAPTER 20--------- While these events were passing at the opium-house, Mr. Fogg, unconscious of the danger he was in of losing the steamer, was quietly escorting Aouda about the streets of the English quarter, making the necessary purchases for the long voyage before them. It was all very well for an Englishman like Mr. Fogg to make the tour of the world with a carpet-bag; a lady could not be expected to travel comfortably under such conditions. He acquitted his task with characteristic serenity, and invariably replied to the remonstrances of his fair companion, who was confused by his patience and generosity: "It is in the interest of my journey--a part of my programme." The purchases made, they returned to the hotel, where they dined at a sumptuously served table-d'hote; after which Aouda, shaking hands with her protector after the English fashion, retired to her room for rest. Mr. Fogg absorbed himself throughout the evening in the perusal of The Times and Illustrated London News. Had he been capable of being astonished at anything, it would have been not to see his servant return at bedtime. But, knowing that the steamer was not to leave for Yokohama until the next morning, he did not disturb himself about the matter. When Passepartout did not appear the next morning to answer his master's bell, Mr. Fogg, not betraying the least vexation, contented himself with taking his carpet-bag, calling Aouda, and sending for a palanquin. It was then eight o'clock; at half-past nine, it being then high tide, the Carnatic would leave the harbour. Mr. Fogg and Aouda got into the palanquin, their luggage being brought after on a wheelbarrow, and half an hour later stepped upon the quay whence they were to embark. Mr. Fogg then learned that the Carnatic had sailed the evening before. He had expected to find not only the steamer, but his domestic, and was forced to give up both; but no sign of disappointment appeared on his face, and he merely remarked to Aouda, "It is an accident, madam; nothing more." At this moment a man who had been observing him attentively approached. It was Fix, who, bowing, addressed Mr. Fogg: "Were you not, like me, sir, a passenger by the Rangoon, which arrived yesterday?" "I was, sir," replied Mr. Fogg coldly. "But I have not the honour--" "Pardon me; I thought I should find your servant here." "Do you know where he is, sir?" asked Aouda anxiously. "What!" responded Fix, feigning surprise. "Is he not with you?" "No," said Aouda. "He has not made his appearance since yesterday. Could he have gone on board the Carnatic without us?" "Without you, madam?" answered the detective. "Excuse me, did you intend to sail in the Carnatic?" "Yes, sir." "So did I, madam, and I am excessively disappointed. The Carnatic, its repairs being completed, left Hong Kong twelve hours before the stated time, without any notice being given; and we must now wait a week for another steamer." As he said "a week" Fix felt his heart leap for joy. Fogg detained at Hong Kong for a week! There would be time for the warrant to arrive, and fortune at last favoured the representative of the law. His horror may be imagined when he heard Mr. Fogg say, in his placid voice, "But there are other vessels besides the Carnatic, it seems to me, in the harbour of Hong Kong." And, offering his arm to Aouda, he directed his steps toward the docks in search of some craft about to start. Fix, stupefied, followed; it seemed as if he were attached to Mr. Fogg by an invisible thread. Chance, however, appeared really to have abandoned the man it had hitherto served so well. For three hours Phileas Fogg wandered about the docks, with the determination, if necessary, to charter a vessel to carry him to Yokohama; but he could only find vessels which were loading or unloading, and which could not therefore set sail. Fix began to hope again. But Mr. Fogg, far from being discouraged, was continuing his search, resolved not to stop if he had to resort to Macao, when he was accosted by a sailor on one of the wharves. "Is your honour looking for a boat?" "Have you a boat ready to sail?" "Yes, your honour; a pilot-boat--No. 43--the best in the harbour." "Does she go fast?" "Between eight and nine knots the hour. Will you look at her?" "Yes." "Your honour will be satisfied with her. Is it for a sea excursion?" "No; for a voyage." "A voyage?" "Yes, will you agree to take me to Yokohama?" The sailor leaned on the railing, opened his eyes wide, and said, "Is your honour joking?" "No. I have missed the Carnatic, and I must get to Yokohama by the 14th at the latest, to take the boat for San Francisco." "I am sorry," said the sailor; "but it is impossible." "I offer you a hundred pounds per day, and an additional reward of two hundred pounds if I reach Yokohama in time." "Are you in earnest?" "Very much so." The pilot walked away a little distance, and gazed out to sea, evidently struggling between the anxiety to gain a large sum and the fear of venturing so far. Fix was in mortal suspense. Mr. Fogg turned to Aouda and asked her, "You would not be afraid, would you, madam?" "Not with you, Mr. Fogg," was her answer. The pilot now returned, shuffling his hat in his hands. "Well, pilot?" said Mr. Fogg. "Well, your honour," replied he, "I could not risk myself, my men, or my little boat of scarcely twenty tons on so long a voyage at this time of year. Besides, we could not reach Yokohama in time, for it is sixteen hundred and sixty miles from Hong Kong." "Only sixteen hundred," said Mr. Fogg. "It's the same thing." Fix breathed more freely. "But," added the pilot, "it might be arranged another way." Fix ceased to breathe at all. "How?" asked Mr. Fogg. "By going to Nagasaki, at the extreme south of Japan, or even to Shanghai, which is only eight hundred miles from here. In going to Shanghai we should not be forced to sail wide of the Chinese coast, which would be a great advantage, as the currents run northward, and would aid us." "Pilot," said Mr. Fogg, "I must take the American steamer at Yokohama, and not at Shanghai or Nagasaki." "Why not?" returned the pilot. "The San Francisco steamer does not start from Yokohama. It puts in at Yokohama and Nagasaki, but it starts from Shanghai." "You are sure of that?" "Perfectly." "And when does the boat leave Shanghai?" "On the 11th, at seven in the evening. We have, therefore, four days before us, that is ninety-six hours; and in that time, if we had good luck and a south-west wind, and the sea was calm, we could make those eight hundred miles to Shanghai." "And you could go--" "In an hour; as soon as provisions could be got aboard and the sails put up." "It is a bargain. Are you the master of the boat?" "Yes; John Bunsby, master of the Tankadere." "Would you like some earnest-money?" "If it would not put your honour out--" "Here are two hundred pounds on account sir," added Phileas Fogg, turning to Fix, "if you would like to take advantage--" "Thanks, sir; I was about to ask the favour." "Very well. In half an hour we shall go on board." "But poor Passepartout?" urged Aouda, who was much disturbed by the servant's disappearance. "I shall do all I can to find him," replied Phileas Fogg. While Fix, in a feverish, nervous state, repaired to the pilot-boat, the others directed their course to the police-station at Hong Kong. Phileas Fogg there gave Passepartout's description, and left a sum of money to be spent in the search for him. The same formalities having been gone through at the French consulate, and the palanquin having stopped at the hotel for the luggage, which had been sent back there, they returned to the wharf. It was now three o'clock; and pilot-boat No. 43, with its crew on board, and its provisions stored away, was ready for departure. The Tankadere was a neat little craft of twenty tons, as gracefully built as if she were a racing yacht. Her shining copper sheathing, her galvanised iron-work, her deck, white as ivory, betrayed the pride taken by John Bunsby in making her presentable. Her two masts leaned a trifle backward; she carried brigantine, foresail, storm-jib, and standing-jib, and was well rigged for running before the wind; and she seemed capable of brisk speed, which, indeed, she had already proved by gaining several prizes in pilot-boat races. The crew of the Tankadere was composed of John Bunsby, the master, and four hardy mariners, who were familiar with the Chinese seas. John Bunsby, himself, a man of forty-five or thereabouts, vigorous, sunburnt, with a sprightly expression of the eye, and energetic and self-reliant countenance, would have inspired confidence in the most timid. Phileas Fogg and Aouda went on board, where they found Fix already installed. Below deck was a square cabin, of which the walls bulged out in the form of cots, above a circular divan; in the centre was a table provided with a swinging lamp. The accommodation was confined, but neat. "I am sorry to have nothing better to offer you," said Mr. Fogg to Fix, who bowed without responding. The detective had a feeling akin to humiliation in profiting by the kindness of Mr. Fogg. "It's certain," thought he, "though rascal as he is, he is a polite one!" The sails and the English flag were hoisted at ten minutes past three. Mr. Fogg and Aouda, who were seated on deck, cast a last glance at the quay, in the hope of espying Passepartout. Fix was not without his fears lest chance should direct the steps of the unfortunate servant, whom he had so badly treated, in this direction; in which case an explanation the reverse of satisfactory to the detective must have ensued. But the Frenchman did not appear, and, without doubt, was still lying under the stupefying influence of the opium. John Bunsby, master, at length gave the order to start, and the Tankadere, taking the wind under her brigantine, foresail, and standing-jib, bounded briskly forward over the waves.

cliffnotes

Generate a succinct summary for chapter 22 with the given context.

chapter 21|chapter 22

In this chapter the focus shifts from what happens on the Tankadere to what happens on the Carnatic. Passepartout had managed to board the Carnatic in spite of his opium intoxication. He goes looking for Fogg on the ship but does not find either his master or Aouda. He starts feeling very angry about Fix for acting so deceitfully and for making him drunk. Passepartout reaches Yokohama on the 13 th and not having anything better to do once he was there, he starts to walk about aimlessly on the street. He felt completely stranded. After roaming the European quarter of the city, he moves to the Japanese quarter. This quarter is described quaintly. Passepartout reached the countryside as well and by now he was very hungry. When night came, he went back to the native part of the city and strolled about for some hours there. He saw 'yakoonins'- Japanese officers and laughed inwardly at them.

----------CHAPTER 21--------- This voyage of eight hundred miles was a perilous venture on a craft of twenty tons, and at that season of the year. The Chinese seas are usually boisterous, subject to terrible gales of wind, and especially during the equinoxes; and it was now early November. It would clearly have been to the master's advantage to carry his passengers to Yokohama, since he was paid a certain sum per day; but he would have been rash to attempt such a voyage, and it was imprudent even to attempt to reach Shanghai. But John Bunsby believed in the Tankadere, which rode on the waves like a seagull; and perhaps he was not wrong. Late in the day they passed through the capricious channels of Hong Kong, and the Tankadere, impelled by favourable winds, conducted herself admirably. "I do not need, pilot," said Phileas Fogg, when they got into the open sea, "to advise you to use all possible speed." "Trust me, your honour. We are carrying all the sail the wind will let us. The poles would add nothing, and are only used when we are going into port." "It's your trade, not mine, pilot, and I confide in you." Phileas Fogg, with body erect and legs wide apart, standing like a sailor, gazed without staggering at the swelling waters. The young woman, who was seated aft, was profoundly affected as she looked out upon the ocean, darkening now with the twilight, on which she had ventured in so frail a vessel. Above her head rustled the white sails, which seemed like great white wings. The boat, carried forward by the wind, seemed to be flying in the air. Night came. The moon was entering her first quarter, and her insufficient light would soon die out in the mist on the horizon. Clouds were rising from the east, and already overcast a part of the heavens. The pilot had hung out his lights, which was very necessary in these seas crowded with vessels bound landward; for collisions are not uncommon occurrences, and, at the speed she was going, the least shock would shatter the gallant little craft. Fix, seated in the bow, gave himself up to meditation. He kept apart from his fellow-travellers, knowing Mr. Fogg's taciturn tastes; besides, he did not quite like to talk to the man whose favours he had accepted. He was thinking, too, of the future. It seemed certain that Fogg would not stop at Yokohama, but would at once take the boat for San Francisco; and the vast extent of America would ensure him impunity and safety. Fogg's plan appeared to him the simplest in the world. Instead of sailing directly from England to the United States, like a common villain, he had traversed three quarters of the globe, so as to gain the American continent more surely; and there, after throwing the police off his track, he would quietly enjoy himself with the fortune stolen from the bank. But, once in the United States, what should he, Fix, do? Should he abandon this man? No, a hundred times no! Until he had secured his extradition, he would not lose sight of him for an hour. It was his duty, and he would fulfil it to the end. At all events, there was one thing to be thankful for; Passepartout was not with his master; and it was above all important, after the confidences Fix had imparted to him, that the servant should never have speech with his master. Phileas Fogg was also thinking of Passepartout, who had so strangely disappeared. Looking at the matter from every point of view, it did not seem to him impossible that, by some mistake, the man might have embarked on the Carnatic at the last moment; and this was also Aouda's opinion, who regretted very much the loss of the worthy fellow to whom she owed so much. They might then find him at Yokohama; for, if the Carnatic was carrying him thither, it would be easy to ascertain if he had been on board. A brisk breeze arose about ten o'clock; but, though it might have been prudent to take in a reef, the pilot, after carefully examining the heavens, let the craft remain rigged as before. The Tankadere bore sail admirably, as she drew a great deal of water, and everything was prepared for high speed in case of a gale. Mr. Fogg and Aouda descended into the cabin at midnight, having been already preceded by Fix, who had lain down on one of the cots. The pilot and crew remained on deck all night. At sunrise the next day, which was 8th November, the boat had made more than one hundred miles. The log indicated a mean speed of between eight and nine miles. The Tankadere still carried all sail, and was accomplishing her greatest capacity of speed. If the wind held as it was, the chances would be in her favour. During the day she kept along the coast, where the currents were favourable; the coast, irregular in profile, and visible sometimes across the clearings, was at most five miles distant. The sea was less boisterous, since the wind came off land--a fortunate circumstance for the boat, which would suffer, owing to its small tonnage, by a heavy surge on the sea. The breeze subsided a little towards noon, and set in from the south-west. The pilot put up his poles, but took them down again within two hours, as the wind freshened up anew. Mr. Fogg and Aouda, happily unaffected by the roughness of the sea, ate with a good appetite, Fix being invited to share their repast, which he accepted with secret chagrin. To travel at this man's expense and live upon his provisions was not palatable to him. Still, he was obliged to eat, and so he ate. When the meal was over, he took Mr. Fogg apart, and said, "sir"--this "sir" scorched his lips, and he had to control himself to avoid collaring this "gentleman"--"sir, you have been very kind to give me a passage on this boat. But, though my means will not admit of my expending them as freely as you, I must ask to pay my share--" "Let us not speak of that, sir," replied Mr. Fogg. "But, if I insist--" "No, sir," repeated Mr. Fogg, in a tone which did not admit of a reply. "This enters into my general expenses." Fix, as he bowed, had a stifled feeling, and, going forward, where he ensconced himself, did not open his mouth for the rest of the day. Meanwhile they were progressing famously, and John Bunsby was in high hope. He several times assured Mr. Fogg that they would reach Shanghai in time; to which that gentleman responded that he counted upon it. The crew set to work in good earnest, inspired by the reward to be gained. There was not a sheet which was not tightened, not a sail which was not vigorously hoisted; not a lurch could be charged to the man at the helm. They worked as desperately as if they were contesting in a Royal yacht regatta. By evening, the log showed that two hundred and twenty miles had been accomplished from Hong Kong, and Mr. Fogg might hope that he would be able to reach Yokohama without recording any delay in his journal; in which case, the many misadventures which had overtaken him since he left London would not seriously affect his journey. The Tankadere entered the Straits of Fo-Kien, which separate the island of Formosa from the Chinese coast, in the small hours of the night, and crossed the Tropic of Cancer. The sea was very rough in the straits, full of eddies formed by the counter-currents, and the chopping waves broke her course, whilst it became very difficult to stand on deck. At daybreak the wind began to blow hard again, and the heavens seemed to predict a gale. The barometer announced a speedy change, the mercury rising and falling capriciously; the sea also, in the south-east, raised long surges which indicated a tempest. The sun had set the evening before in a red mist, in the midst of the phosphorescent scintillations of the ocean. John Bunsby long examined the threatening aspect of the heavens, muttering indistinctly between his teeth. At last he said in a low voice to Mr. Fogg, "Shall I speak out to your honour?" "Of course." "Well, we are going to have a squall." "Is the wind north or south?" asked Mr. Fogg quietly. "South. Look! a typhoon is coming up." "Glad it's a typhoon from the south, for it will carry us forward." "Oh, if you take it that way," said John Bunsby, "I've nothing more to say." John Bunsby's suspicions were confirmed. At a less advanced season of the year the typhoon, according to a famous meteorologist, would have passed away like a luminous cascade of electric flame; but in the winter equinox it was to be feared that it would burst upon them with great violence. The pilot took his precautions in advance. He reefed all sail, the pole-masts were dispensed with; all hands went forward to the bows. A single triangular sail, of strong canvas, was hoisted as a storm-jib, so as to hold the wind from behind. Then they waited. John Bunsby had requested his passengers to go below; but this imprisonment in so narrow a space, with little air, and the boat bouncing in the gale, was far from pleasant. Neither Mr. Fogg, Fix, nor Aouda consented to leave the deck. The storm of rain and wind descended upon them towards eight o'clock. With but its bit of sail, the Tankadere was lifted like a feather by a wind, an idea of whose violence can scarcely be given. To compare her speed to four times that of a locomotive going on full steam would be below the truth. The boat scudded thus northward during the whole day, borne on by monstrous waves, preserving always, fortunately, a speed equal to theirs. Twenty times she seemed almost to be submerged by these mountains of water which rose behind her; but the adroit management of the pilot saved her. The passengers were often bathed in spray, but they submitted to it philosophically. Fix cursed it, no doubt; but Aouda, with her eyes fastened upon her protector, whose coolness amazed her, showed herself worthy of him, and bravely weathered the storm. As for Phileas Fogg, it seemed just as if the typhoon were a part of his programme. Up to this time the Tankadere had always held her course to the north; but towards evening the wind, veering three quarters, bore down from the north-west. The boat, now lying in the trough of the waves, shook and rolled terribly; the sea struck her with fearful violence. At night the tempest increased in violence. John Bunsby saw the approach of darkness and the rising of the storm with dark misgivings. He thought awhile, and then asked his crew if it was not time to slacken speed. After a consultation he approached Mr. Fogg, and said, "I think, your honour, that we should do well to make for one of the ports on the coast." "I think so too." "Ah!" said the pilot. "But which one?" "I know of but one," returned Mr. Fogg tranquilly. "And that is--" "Shanghai." The pilot, at first, did not seem to comprehend; he could scarcely realise so much determination and tenacity. Then he cried, "Well--yes! Your honour is right. To Shanghai!" So the Tankadere kept steadily on her northward track. The night was really terrible; it would be a miracle if the craft did not founder. Twice it could have been all over with her if the crew had not been constantly on the watch. Aouda was exhausted, but did not utter a complaint. More than once Mr. Fogg rushed to protect her from the violence of the waves. Day reappeared. The tempest still raged with undiminished fury; but the wind now returned to the south-east. It was a favourable change, and the Tankadere again bounded forward on this mountainous sea, though the waves crossed each other, and imparted shocks and counter-shocks which would have crushed a craft less solidly built. From time to time the coast was visible through the broken mist, but no vessel was in sight. The Tankadere was alone upon the sea. There were some signs of a calm at noon, and these became more distinct as the sun descended toward the horizon. The tempest had been as brief as terrific. The passengers, thoroughly exhausted, could now eat a little, and take some repose. The night was comparatively quiet. Some of the sails were again hoisted, and the speed of the boat was very good. The next morning at dawn they espied the coast, and John Bunsby was able to assert that they were not one hundred miles from Shanghai. A hundred miles, and only one day to traverse them! That very evening Mr. Fogg was due at Shanghai, if he did not wish to miss the steamer to Yokohama. Had there been no storm, during which several hours were lost, they would be at this moment within thirty miles of their destination. The wind grew decidedly calmer, and happily the sea fell with it. All sails were now hoisted, and at noon the Tankadere was within forty-five miles of Shanghai. There remained yet six hours in which to accomplish that distance. All on board feared that it could not be done, and every one--Phileas Fogg, no doubt, excepted--felt his heart beat with impatience. The boat must keep up an average of nine miles an hour, and the wind was becoming calmer every moment! It was a capricious breeze, coming from the coast, and after it passed the sea became smooth. Still, the Tankadere was so light, and her fine sails caught the fickle zephyrs so well, that, with the aid of the currents John Bunsby found himself at six o'clock not more than ten miles from the mouth of Shanghai River. Shanghai itself is situated at least twelve miles up the stream. At seven they were still three miles from Shanghai. The pilot swore an angry oath; the reward of two hundred pounds was evidently on the point of escaping him. He looked at Mr. Fogg. Mr. Fogg was perfectly tranquil; and yet his whole fortune was at this moment at stake. At this moment, also, a long black funnel, crowned with wreaths of smoke, appeared on the edge of the waters. It was the American steamer, leaving for Yokohama at the appointed time. "Confound her!" cried John Bunsby, pushing back the rudder with a desperate jerk. "Signal her!" said Phileas Fogg quietly. A small brass cannon stood on the forward deck of the Tankadere, for making signals in the fogs. It was loaded to the muzzle; but just as the pilot was about to apply a red-hot coal to the touchhole, Mr. Fogg said, "Hoist your flag!" The flag was run up at half-mast, and, this being the signal of distress, it was hoped that the American steamer, perceiving it, would change her course a little, so as to succour the pilot-boat. "Fire!" said Mr. Fogg. And the booming of the little cannon resounded in the air. ----------CHAPTER 22--------- The Carnatic, setting sail from Hong Kong at half-past six on the 7th of November, directed her course at full steam towards Japan. She carried a large cargo and a well-filled cabin of passengers. Two state-rooms in the rear were, however, unoccupied--those which had been engaged by Phileas Fogg. The next day a passenger with a half-stupefied eye, staggering gait, and disordered hair, was seen to emerge from the second cabin, and to totter to a seat on deck. It was Passepartout; and what had happened to him was as follows: Shortly after Fix left the opium den, two waiters had lifted the unconscious Passepartout, and had carried him to the bed reserved for the smokers. Three hours later, pursued even in his dreams by a fixed idea, the poor fellow awoke, and struggled against the stupefying influence of the narcotic. The thought of a duty unfulfilled shook off his torpor, and he hurried from the abode of drunkenness. Staggering and holding himself up by keeping against the walls, falling down and creeping up again, and irresistibly impelled by a kind of instinct, he kept crying out, "The Carnatic! the Carnatic!" The steamer lay puffing alongside the quay, on the point of starting. Passepartout had but few steps to go; and, rushing upon the plank, he crossed it, and fell unconscious on the deck, just as the Carnatic was moving off. Several sailors, who were evidently accustomed to this sort of scene, carried the poor Frenchman down into the second cabin, and Passepartout did not wake until they were one hundred and fifty miles away from China. Thus he found himself the next morning on the deck of the Carnatic, and eagerly inhaling the exhilarating sea-breeze. The pure air sobered him. He began to collect his sense, which he found a difficult task; but at last he recalled the events of the evening before, Fix's revelation, and the opium-house. "It is evident," said he to himself, "that I have been abominably drunk! What will Mr. Fogg say? At least I have not missed the steamer, which is the most important thing." Then, as Fix occurred to him: "As for that rascal, I hope we are well rid of him, and that he has not dared, as he proposed, to follow us on board the Carnatic. A detective on the track of Mr. Fogg, accused of robbing the Bank of England! Pshaw! Mr. Fogg is no more a robber than I am a murderer." Should he divulge Fix's real errand to his master? Would it do to tell the part the detective was playing? Would it not be better to wait until Mr. Fogg reached London again, and then impart to him that an agent of the metropolitan police had been following him round the world, and have a good laugh over it? No doubt; at least, it was worth considering. The first thing to do was to find Mr. Fogg, and apologise for his singular behaviour. Passepartout got up and proceeded, as well as he could with the rolling of the steamer, to the after-deck. He saw no one who resembled either his master or Aouda. "Good!" muttered he; "Aouda has not got up yet, and Mr. Fogg has probably found some partners at whist." He descended to the saloon. Mr. Fogg was not there. Passepartout had only, however, to ask the purser the number of his master's state-room. The purser replied that he did not know any passenger by the name of Fogg. "I beg your pardon," said Passepartout persistently. "He is a tall gentleman, quiet, and not very talkative, and has with him a young lady--" "There is no young lady on board," interrupted the purser. "Here is a list of the passengers; you may see for yourself." Passepartout scanned the list, but his master's name was not upon it. All at once an idea struck him. "Ah! am I on the Carnatic?" "Yes." "On the way to Yokohama?" "Certainly." Passepartout had for an instant feared that he was on the wrong boat; but, though he was really on the Carnatic, his master was not there. He fell thunderstruck on a seat. He saw it all now. He remembered that the time of sailing had been changed, that he should have informed his master of that fact, and that he had not done so. It was his fault, then, that Mr. Fogg and Aouda had missed the steamer. Yes, but it was still more the fault of the traitor who, in order to separate him from his master, and detain the latter at Hong Kong, had inveigled him into getting drunk! He now saw the detective's trick; and at this moment Mr. Fogg was certainly ruined, his bet was lost, and he himself perhaps arrested and imprisoned! At this thought Passepartout tore his hair. Ah, if Fix ever came within his reach, what a settling of accounts there would be! After his first depression, Passepartout became calmer, and began to study his situation. It was certainly not an enviable one. He found himself on the way to Japan, and what should he do when he got there? His pocket was empty; he had not a solitary shilling, not so much as a penny. His passage had fortunately been paid for in advance; and he had five or six days in which to decide upon his future course. He fell to at meals with an appetite, and ate for Mr. Fogg, Aouda, and himself. He helped himself as generously as if Japan were a desert, where nothing to eat was to be looked for. At dawn on the 13th the Carnatic entered the port of Yokohama. This is an important port of call in the Pacific, where all the mail-steamers, and those carrying travellers between North America, China, Japan, and the Oriental islands put in. It is situated in the bay of Yeddo, and at but a short distance from that second capital of the Japanese Empire, and the residence of the Tycoon, the civil Emperor, before the Mikado, the spiritual Emperor, absorbed his office in his own. The Carnatic anchored at the quay near the custom-house, in the midst of a crowd of ships bearing the flags of all nations. Passepartout went timidly ashore on this so curious territory of the Sons of the Sun. He had nothing better to do than, taking chance for his guide, to wander aimlessly through the streets of Yokohama. He found himself at first in a thoroughly European quarter, the houses having low fronts, and being adorned with verandas, beneath which he caught glimpses of neat peristyles. This quarter occupied, with its streets, squares, docks, and warehouses, all the space between the "promontory of the Treaty" and the river. Here, as at Hong Kong and Calcutta, were mixed crowds of all races, Americans and English, Chinamen and Dutchmen, mostly merchants ready to buy or sell anything. The Frenchman felt himself as much alone among them as if he had dropped down in the midst of Hottentots. He had, at least, one resource,--to call on the French and English consuls at Yokohama for assistance. But he shrank from telling the story of his adventures, intimately connected as it was with that of his master; and, before doing so, he determined to exhaust all other means of aid. As chance did not favour him in the European quarter, he penetrated that inhabited by the native Japanese, determined, if necessary, to push on to Yeddo. The Japanese quarter of Yokohama is called Benten, after the goddess of the sea, who is worshipped on the islands round about. There Passepartout beheld beautiful fir and cedar groves, sacred gates of a singular architecture, bridges half hid in the midst of bamboos and reeds, temples shaded by immense cedar-trees, holy retreats where were sheltered Buddhist priests and sectaries of Confucius, and interminable streets, where a perfect harvest of rose-tinted and red-cheeked children, who looked as if they had been cut out of Japanese screens, and who were playing in the midst of short-legged poodles and yellowish cats, might have been gathered. The streets were crowded with people. Priests were passing in processions, beating their dreary tambourines; police and custom-house officers with pointed hats encrusted with lac and carrying two sabres hung to their waists; soldiers, clad in blue cotton with white stripes, and bearing guns; the Mikado's guards, enveloped in silken doubles, hauberks and coats of mail; and numbers of military folk of all ranks--for the military profession is as much respected in Japan as it is despised in China--went hither and thither in groups and pairs. Passepartout saw, too, begging friars, long-robed pilgrims, and simple civilians, with their warped and jet-black hair, big heads, long busts, slender legs, short stature, and complexions varying from copper-colour to a dead white, but never yellow, like the Chinese, from whom the Japanese widely differ. He did not fail to observe the curious equipages--carriages and palanquins, barrows supplied with sails, and litters made of bamboo; nor the women--whom he thought not especially handsome--who took little steps with their little feet, whereon they wore canvas shoes, straw sandals, and clogs of worked wood, and who displayed tight-looking eyes, flat chests, teeth fashionably blackened, and gowns crossed with silken scarfs, tied in an enormous knot behind an ornament which the modern Parisian ladies seem to have borrowed from the dames of Japan. Passepartout wandered for several hours in the midst of this motley crowd, looking in at the windows of the rich and curious shops, the jewellery establishments glittering with quaint Japanese ornaments, the restaurants decked with streamers and banners, the tea-houses, where the odorous beverage was being drunk with saki, a liquor concocted from the fermentation of rice, and the comfortable smoking-houses, where they were puffing, not opium, which is almost unknown in Japan, but a very fine, stringy tobacco. He went on till he found himself in the fields, in the midst of vast rice plantations. There he saw dazzling camellias expanding themselves, with flowers which were giving forth their last colours and perfumes, not on bushes, but on trees, and within bamboo enclosures, cherry, plum, and apple trees, which the Japanese cultivate rather for their blossoms than their fruit, and which queerly-fashioned, grinning scarecrows protected from the sparrows, pigeons, ravens, and other voracious birds. On the branches of the cedars were perched large eagles; amid the foliage of the weeping willows were herons, solemnly standing on one leg; and on every hand were crows, ducks, hawks, wild birds, and a multitude of cranes, which the Japanese consider sacred, and which to their minds symbolise long life and prosperity. As he was strolling along, Passepartout espied some violets among the shrubs. "Good!" said he; "I'll have some supper." But, on smelling them, he found that they were odourless. "No chance there," thought he. The worthy fellow had certainly taken good care to eat as hearty a breakfast as possible before leaving the Carnatic; but, as he had been walking about all day, the demands of hunger were becoming importunate. He observed that the butchers stalls contained neither mutton, goat, nor pork; and, knowing also that it is a sacrilege to kill cattle, which are preserved solely for farming, he made up his mind that meat was far from plentiful in Yokohama--nor was he mistaken; and, in default of butcher's meat, he could have wished for a quarter of wild boar or deer, a partridge, or some quails, some game or fish, which, with rice, the Japanese eat almost exclusively. But he found it necessary to keep up a stout heart, and to postpone the meal he craved till the following morning. Night came, and Passepartout re-entered the native quarter, where he wandered through the streets, lit by vari-coloured lanterns, looking on at the dancers, who were executing skilful steps and boundings, and the astrologers who stood in the open air with their telescopes. Then he came to the harbour, which was lit up by the resin torches of the fishermen, who were fishing from their boats. The streets at last became quiet, and the patrol, the officers of which, in their splendid costumes, and surrounded by their suites, Passepartout thought seemed like ambassadors, succeeded the bustling crowd. Each time a company passed, Passepartout chuckled, and said to himself: "Good! another Japanese embassy departing for Europe!"

cliffnotes

Generate a succinct summary for chapter 24 with the given context.

chapter 23|chapter 24

In this chapter, is related what happens with Fogg when they sight the ship at Shanghai. Aouda, Fix and Fogg got on board the steamer, which resumed her journey to Yokohama. Fogg finds out on reaching Yokohama, that Passepartout too had reached the city, aboard the Carnatic. Fogg starts searching for Passepartout and finally finds him in Honorable Batulcar's performance. Aouda tells Passepartout about their journey aboard the Tankadere along with Fix but Passepartout betrays no sign of knowing Fix. Fogg hears Passepartout's story and gives him some money for garments. Fogg, Aouda and Passepartout sail in the 'General Grant' from Yokohama to San Francisco. The passengers and the journey on the ship is described. Aouda starts getting more and more drawn towards Fogg and Passepartout notices this. He likes Aouda and hopes that a relationship between his master and her would materialize. The technicalities of Fogg's travel are related. Fix in the meanwhile is aboard the General Grant too. But he is without warrant and is frustrated. On seeing Passepartout on the ship, he hides but they do come face to face one day. After Passepartout gives Fix a blow, the latter explains that he is determined to help Fogg reach England as early as possible because it is only in England that it can be decided whether Fogg is guilty or not. The both decide to be allies and Passepartout warns Fix not to be treacherous. After eleven days, the General Grant reaches San Francisco.

----------CHAPTER 23--------- The next morning poor, jaded, famished Passepartout said to himself that he must get something to eat at all hazards, and the sooner he did so the better. He might, indeed, sell his watch; but he would have starved first. Now or never he must use the strong, if not melodious voice which nature had bestowed upon him. He knew several French and English songs, and resolved to try them upon the Japanese, who must be lovers of music, since they were for ever pounding on their cymbals, tam-tams, and tambourines, and could not but appreciate European talent. It was, perhaps, rather early in the morning to get up a concert, and the audience prematurely aroused from their slumbers, might not possibly pay their entertainer with coin bearing the Mikado's features. Passepartout therefore decided to wait several hours; and, as he was sauntering along, it occurred to him that he would seem rather too well dressed for a wandering artist. The idea struck him to change his garments for clothes more in harmony with his project; by which he might also get a little money to satisfy the immediate cravings of hunger. The resolution taken, it remained to carry it out. It was only after a long search that Passepartout discovered a native dealer in old clothes, to whom he applied for an exchange. The man liked the European costume, and ere long Passepartout issued from his shop accoutred in an old Japanese coat, and a sort of one-sided turban, faded with long use. A few small pieces of silver, moreover, jingled in his pocket. "Good!" thought he. "I will imagine I am at the Carnival!" His first care, after being thus "Japanesed," was to enter a tea-house of modest appearance, and, upon half a bird and a little rice, to breakfast like a man for whom dinner was as yet a problem to be solved. "Now," thought he, when he had eaten heartily, "I mustn't lose my head. I can't sell this costume again for one still more Japanese. I must consider how to leave this country of the Sun, of which I shall not retain the most delightful of memories, as quickly as possible." It occurred to him to visit the steamers which were about to leave for America. He would offer himself as a cook or servant, in payment of his passage and meals. Once at San Francisco, he would find some means of going on. The difficulty was, how to traverse the four thousand seven hundred miles of the Pacific which lay between Japan and the New World. Passepartout was not the man to let an idea go begging, and directed his steps towards the docks. But, as he approached them, his project, which at first had seemed so simple, began to grow more and more formidable to his mind. What need would they have of a cook or servant on an American steamer, and what confidence would they put in him, dressed as he was? What references could he give? As he was reflecting in this wise, his eyes fell upon an immense placard which a sort of clown was carrying through the streets. This placard, which was in English, read as follows: ACROBATIC JAPANESE TROUPE, HONOURABLE WILLIAM BATULCAR, PROPRIETOR, LAST REPRESENTATIONS, PRIOR TO THEIR DEPARTURE TO THE UNITED STATES, OF THE LONG NOSES! LONG NOSES! UNDER THE DIRECT PATRONAGE OF THE GOD TINGOU! GREAT ATTRACTION! "The United States!" said Passepartout; "that's just what I want!" He followed the clown, and soon found himself once more in the Japanese quarter. A quarter of an hour later he stopped before a large cabin, adorned with several clusters of streamers, the exterior walls of which were designed to represent, in violent colours and without perspective, a company of jugglers. This was the Honourable William Batulcar's establishment. That gentleman was a sort of Barnum, the director of a troupe of mountebanks, jugglers, clowns, acrobats, equilibrists, and gymnasts, who, according to the placard, was giving his last performances before leaving the Empire of the Sun for the States of the Union. Passepartout entered and asked for Mr. Batulcar, who straightway appeared in person. "What do you want?" said he to Passepartout, whom he at first took for a native. "Would you like a servant, sir?" asked Passepartout. "A servant!" cried Mr. Batulcar, caressing the thick grey beard which hung from his chin. "I already have two who are obedient and faithful, have never left me, and serve me for their nourishment and here they are," added he, holding out his two robust arms, furrowed with veins as large as the strings of a bass-viol. "So I can be of no use to you?" "None." "The devil! I should so like to cross the Pacific with you!" "Ah!" said the Honourable Mr. Batulcar. "You are no more a Japanese than I am a monkey! Who are you dressed up in that way?" "A man dresses as he can." "That's true. You are a Frenchman, aren't you?" "Yes; a Parisian of Paris." "Then you ought to know how to make grimaces?" "Why," replied Passepartout, a little vexed that his nationality should cause this question, "we Frenchmen know how to make grimaces, it is true but not any better than the Americans do." "True. Well, if I can't take you as a servant, I can as a clown. You see, my friend, in France they exhibit foreign clowns, and in foreign parts French clowns." "Ah!" "You are pretty strong, eh?" "Especially after a good meal." "And you can sing?" "Yes," returned Passepartout, who had formerly been wont to sing in the streets. "But can you sing standing on your head, with a top spinning on your left foot, and a sabre balanced on your right?" "Humph! I think so," replied Passepartout, recalling the exercises of his younger days. "Well, that's enough," said the Honourable William Batulcar. The engagement was concluded there and then. Passepartout had at last found something to do. He was engaged to act in the celebrated Japanese troupe. It was not a very dignified position, but within a week he would be on his way to San Francisco. The performance, so noisily announced by the Honourable Mr. Batulcar, was to commence at three o'clock, and soon the deafening instruments of a Japanese orchestra resounded at the door. Passepartout, though he had not been able to study or rehearse a part, was designated to lend the aid of his sturdy shoulders in the great exhibition of the "human pyramid," executed by the Long Noses of the god Tingou. This "great attraction" was to close the performance. Before three o'clock the large shed was invaded by the spectators, comprising Europeans and natives, Chinese and Japanese, men, women and children, who precipitated themselves upon the narrow benches and into the boxes opposite the stage. The musicians took up a position inside, and were vigorously performing on their gongs, tam-tams, flutes, bones, tambourines, and immense drums. The performance was much like all acrobatic displays; but it must be confessed that the Japanese are the first equilibrists in the world. One, with a fan and some bits of paper, performed the graceful trick of the butterflies and the flowers; another traced in the air, with the odorous smoke of his pipe, a series of blue words, which composed a compliment to the audience; while a third juggled with some lighted candles, which he extinguished successively as they passed his lips, and relit again without interrupting for an instant his juggling. Another reproduced the most singular combinations with a spinning-top; in his hands the revolving tops seemed to be animated with a life of their own in their interminable whirling; they ran over pipe-stems, the edges of sabres, wires and even hairs stretched across the stage; they turned around on the edges of large glasses, crossed bamboo ladders, dispersed into all the corners, and produced strange musical effects by the combination of their various pitches of tone. The jugglers tossed them in the air, threw them like shuttlecocks with wooden battledores, and yet they kept on spinning; they put them into their pockets, and took them out still whirling as before. It is useless to describe the astonishing performances of the acrobats and gymnasts. The turning on ladders, poles, balls, barrels, &c., was executed with wonderful precision. But the principal attraction was the exhibition of the Long Noses, a show to which Europe is as yet a stranger. The Long Noses form a peculiar company, under the direct patronage of the god Tingou. Attired after the fashion of the Middle Ages, they bore upon their shoulders a splendid pair of wings; but what especially distinguished them was the long noses which were fastened to their faces, and the uses which they made of them. These noses were made of bamboo, and were five, six, and even ten feet long, some straight, others curved, some ribboned, and some having imitation warts upon them. It was upon these appendages, fixed tightly on their real noses, that they performed their gymnastic exercises. A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults. As a last scene, a "human pyramid" had been announced, in which fifty Long Noses were to represent the Car of Juggernaut. But, instead of forming a pyramid by mounting each other's shoulders, the artists were to group themselves on top of the noses. It happened that the performer who had hitherto formed the base of the Car had quitted the troupe, and as, to fill this part, only strength and adroitness were necessary, Passepartout had been chosen to take his place. The poor fellow really felt sad when--melancholy reminiscence of his youth!--he donned his costume, adorned with vari-coloured wings, and fastened to his natural feature a false nose six feet long. But he cheered up when he thought that this nose was winning him something to eat. He went upon the stage, and took his place beside the rest who were to compose the base of the Car of Juggernaut. They all stretched themselves on the floor, their noses pointing to the ceiling. A second group of artists disposed themselves on these long appendages, then a third above these, then a fourth, until a human monument reaching to the very cornices of the theatre soon arose on top of the noses. This elicited loud applause, in the midst of which the orchestra was just striking up a deafening air, when the pyramid tottered, the balance was lost, one of the lower noses vanished from the pyramid, and the human monument was shattered like a castle built of cards! It was Passepartout's fault. Abandoning his position, clearing the footlights without the aid of his wings, and, clambering up to the right-hand gallery, he fell at the feet of one of the spectators, crying, "Ah, my master! my master!" "You here?" "Myself." "Very well; then let us go to the steamer, young man!" Mr. Fogg, Aouda, and Passepartout passed through the lobby of the theatre to the outside, where they encountered the Honourable Mr. Batulcar, furious with rage. He demanded damages for the "breakage" of the pyramid; and Phileas Fogg appeased him by giving him a handful of banknotes. At half-past six, the very hour of departure, Mr. Fogg and Aouda, followed by Passepartout, who in his hurry had retained his wings, and nose six feet long, stepped upon the American steamer. ----------CHAPTER 24--------- What happened when the pilot-boat came in sight of Shanghai will be easily guessed. The signals made by the Tankadere had been seen by the captain of the Yokohama steamer, who, espying the flag at half-mast, had directed his course towards the little craft. Phileas Fogg, after paying the stipulated price of his passage to John Busby, and rewarding that worthy with the additional sum of five hundred and fifty pounds, ascended the steamer with Aouda and Fix; and they started at once for Nagasaki and Yokohama. They reached their destination on the morning of the 14th of November. Phileas Fogg lost no time in going on board the Carnatic, where he learned, to Aouda's great delight--and perhaps to his own, though he betrayed no emotion--that Passepartout, a Frenchman, had really arrived on her the day before. The San Francisco steamer was announced to leave that very evening, and it became necessary to find Passepartout, if possible, without delay. Mr. Fogg applied in vain to the French and English consuls, and, after wandering through the streets a long time, began to despair of finding his missing servant. Chance, or perhaps a kind of presentiment, at last led him into the Honourable Mr. Batulcar's theatre. He certainly would not have recognised Passepartout in the eccentric mountebank's costume; but the latter, lying on his back, perceived his master in the gallery. He could not help starting, which so changed the position of his nose as to bring the "pyramid" pell-mell upon the stage. All this Passepartout learned from Aouda, who recounted to him what had taken place on the voyage from Hong Kong to Shanghai on the Tankadere, in company with one Mr. Fix. Passepartout did not change countenance on hearing this name. He thought that the time had not yet arrived to divulge to his master what had taken place between the detective and himself; and, in the account he gave of his absence, he simply excused himself for having been overtaken by drunkenness, in smoking opium at a tavern in Hong Kong. Mr. Fogg heard this narrative coldly, without a word; and then furnished his man with funds necessary to obtain clothing more in harmony with his position. Within an hour the Frenchman had cut off his nose and parted with his wings, and retained nothing about him which recalled the sectary of the god Tingou. The steamer which was about to depart from Yokohama to San Francisco belonged to the Pacific Mail Steamship Company, and was named the General Grant. She was a large paddle-wheel steamer of two thousand five hundred tons; well equipped and very fast. The massive walking-beam rose and fell above the deck; at one end a piston-rod worked up and down; and at the other was a connecting-rod which, in changing the rectilinear motion to a circular one, was directly connected with the shaft of the paddles. The General Grant was rigged with three masts, giving a large capacity for sails, and thus materially aiding the steam power. By making twelve miles an hour, she would cross the ocean in twenty-one days. Phileas Fogg was therefore justified in hoping that he would reach San Francisco by the 2nd of December, New York by the 11th, and London on the 20th--thus gaining several hours on the fatal date of the 21st of December. There was a full complement of passengers on board, among them English, many Americans, a large number of coolies on their way to California, and several East Indian officers, who were spending their vacation in making the tour of the world. Nothing of moment happened on the voyage; the steamer, sustained on its large paddles, rolled but little, and the Pacific almost justified its name. Mr. Fogg was as calm and taciturn as ever. His young companion felt herself more and more attached to him by other ties than gratitude; his silent but generous nature impressed her more than she thought; and it was almost unconsciously that she yielded to emotions which did not seem to have the least effect upon her protector. Aouda took the keenest interest in his plans, and became impatient at any incident which seemed likely to retard his journey. She often chatted with Passepartout, who did not fail to perceive the state of the lady's heart; and, being the most faithful of domestics, he never exhausted his eulogies of Phileas Fogg's honesty, generosity, and devotion. He took pains to calm Aouda's doubts of a successful termination of the journey, telling her that the most difficult part of it had passed, that now they were beyond the fantastic countries of Japan and China, and were fairly on their way to civilised places again. A railway train from San Francisco to New York, and a transatlantic steamer from New York to Liverpool, would doubtless bring them to the end of this impossible journey round the world within the period agreed upon. On the ninth day after leaving Yokohama, Phileas Fogg had traversed exactly one half of the terrestrial globe. The General Grant passed, on the 23rd of November, the one hundred and eightieth meridian, and was at the very antipodes of London. Mr. Fogg had, it is true, exhausted fifty-two of the eighty days in which he was to complete the tour, and there were only twenty-eight left. But, though he was only half-way by the difference of meridians, he had really gone over two-thirds of the whole journey; for he had been obliged to make long circuits from London to Aden, from Aden to Bombay, from Calcutta to Singapore, and from Singapore to Yokohama. Could he have followed without deviation the fiftieth parallel, which is that of London, the whole distance would only have been about twelve thousand miles; whereas he would be forced, by the irregular methods of locomotion, to traverse twenty-six thousand, of which he had, on the 23rd of November, accomplished seventeen thousand five hundred. And now the course was a straight one, and Fix was no longer there to put obstacles in their way! It happened also, on the 23rd of November, that Passepartout made a joyful discovery. It will be remembered that the obstinate fellow had insisted on keeping his famous family watch at London time, and on regarding that of the countries he had passed through as quite false and unreliable. Now, on this day, though he had not changed the hands, he found that his watch exactly agreed with the ship's chronometers. His triumph was hilarious. He would have liked to know what Fix would say if he were aboard! "The rogue told me a lot of stories," repeated Passepartout, "about the meridians, the sun, and the moon! Moon, indeed! moonshine more likely! If one listened to that sort of people, a pretty sort of time one would keep! I was sure that the sun would some day regulate itself by my watch!" Passepartout was ignorant that, if the face of his watch had been divided into twenty-four hours, like the Italian clocks, he would have no reason for exultation; for the hands of his watch would then, instead of as now indicating nine o'clock in the morning, indicate nine o'clock in the evening, that is, the twenty-first hour after midnight precisely the difference between London time and that of the one hundred and eightieth meridian. But if Fix had been able to explain this purely physical effect, Passepartout would not have admitted, even if he had comprehended it. Moreover, if the detective had been on board at that moment, Passepartout would have joined issue with him on a quite different subject, and in an entirely different manner. Where was Fix at that moment? He was actually on board the General Grant. On reaching Yokohama, the detective, leaving Mr. Fogg, whom he expected to meet again during the day, had repaired at once to the English consulate, where he at last found the warrant of arrest. It had followed him from Bombay, and had come by the Carnatic, on which steamer he himself was supposed to be. Fix's disappointment may be imagined when he reflected that the warrant was now useless. Mr. Fogg had left English ground, and it was now necessary to procure his extradition! "Well," thought Fix, after a moment of anger, "my warrant is not good here, but it will be in England. The rogue evidently intends to return to his own country, thinking he has thrown the police off his track. Good! I will follow him across the Atlantic. As for the money, heaven grant there may be some left! But the fellow has already spent in travelling, rewards, trials, bail, elephants, and all sorts of charges, more than five thousand pounds. Yet, after all, the Bank is rich!" His course decided on, he went on board the General Grant, and was there when Mr. Fogg and Aouda arrived. To his utter amazement, he recognised Passepartout, despite his theatrical disguise. He quickly concealed himself in his cabin, to avoid an awkward explanation, and hoped--thanks to the number of passengers--to remain unperceived by Mr. Fogg's servant. On that very day, however, he met Passepartout face to face on the forward deck. The latter, without a word, made a rush for him, grasped him by the throat, and, much to the amusement of a group of Americans, who immediately began to bet on him, administered to the detective a perfect volley of blows, which proved the great superiority of French over English pugilistic skill. When Passepartout had finished, he found himself relieved and comforted. Fix got up in a somewhat rumpled condition, and, looking at his adversary, coldly said, "Have you done?" "For this time--yes." "Then let me have a word with you." "But I--" "In your master's interests." Passepartout seemed to be vanquished by Fix's coolness, for he quietly followed him, and they sat down aside from the rest of the passengers. "You have given me a thrashing," said Fix. "Good, I expected it. Now, listen to me. Up to this time I have been Mr. Fogg's adversary. I am now in his game." "Aha!" cried Passepartout; "you are convinced he is an honest man?" "No," replied Fix coldly, "I think him a rascal. Sh! don't budge, and let me speak. As long as Mr. Fogg was on English ground, it was for my interest to detain him there until my warrant of arrest arrived. I did everything I could to keep him back. I sent the Bombay priests after him, I got you intoxicated at Hong Kong, I separated you from him, and I made him miss the Yokohama steamer." Passepartout listened, with closed fists. "Now," resumed Fix, "Mr. Fogg seems to be going back to England. Well, I will follow him there. But hereafter I will do as much to keep obstacles out of his way as I have done up to this time to put them in his path. I've changed my game, you see, and simply because it was for my interest to change it. Your interest is the same as mine; for it is only in England that you will ascertain whether you are in the service of a criminal or an honest man." Passepartout listened very attentively to Fix, and was convinced that he spoke with entire good faith. "Are we friends?" asked the detective. "Friends?--no," replied Passepartout; "but allies, perhaps. At the least sign of treason, however, I'll twist your neck for you." "Agreed," said the detective quietly. Eleven days later, on the 3rd of December, the General Grant entered the bay of the Golden Gate, and reached San Francisco. Mr. Fogg had neither gained nor lost a single day.

cliffnotes

Produce a brief summary for chapter 26 based on the provided context.

chapter 25|chapter 26

The railway between New York and San Francisco is described along with the politics of it. The long artery, which has to be traversed in seven days to reach New York, is outlined. Then the train carriages are interestingly detailed. Passepartout and Fix are now distanced from each other. Passepartout is reserved and suspicious of Fix's trickery. For some time, the train journey is absolutely smooth and nothing extraordinary happens. The landscape that they are passing through is outlined. The travelers observe nature around them. There are vast prairies, mountains standing out on the horizon, and creeks with their seething, foaming waters. At three o'clock in the afternoon, a herd of ten or twelve thousand head of buffalo block the way. The train had to be stopped till the animals move out of the way. Passepartout was furious at the delay and wanted the engine driver to go at full speed, through these obstructing beasts. But the engine driver was sensible in not taking such a drastic step. The march of the bisons lasted three hours; after which the train started and then entered the territory of Utah, the curious land of Great Salt Lake and the Mormons.

----------CHAPTER 25--------- It was seven in the morning when Mr. Fogg, Aouda, and Passepartout set foot upon the American continent, if this name can be given to the floating quay upon which they disembarked. These quays, rising and falling with the tide, thus facilitate the loading and unloading of vessels. Alongside them were clippers of all sizes, steamers of all nationalities, and the steamboats, with several decks rising one above the other, which ply on the Sacramento and its tributaries. There were also heaped up the products of a commerce which extends to Mexico, Chili, Peru, Brazil, Europe, Asia, and all the Pacific islands. Passepartout, in his joy on reaching at last the American continent, thought he would manifest it by executing a perilous vault in fine style; but, tumbling upon some worm-eaten planks, he fell through them. Put out of countenance by the manner in which he thus "set foot" upon the New World, he uttered a loud cry, which so frightened the innumerable cormorants and pelicans that are always perched upon these movable quays, that they flew noisily away. Mr. Fogg, on reaching shore, proceeded to find out at what hour the first train left for New York, and learned that this was at six o'clock p.m.; he had, therefore, an entire day to spend in the Californian capital. Taking a carriage at a charge of three dollars, he and Aouda entered it, while Passepartout mounted the box beside the driver, and they set out for the International Hotel. From his exalted position Passepartout observed with much curiosity the wide streets, the low, evenly ranged houses, the Anglo-Saxon Gothic churches, the great docks, the palatial wooden and brick warehouses, the numerous conveyances, omnibuses, horse-cars, and upon the side-walks, not only Americans and Europeans, but Chinese and Indians. Passepartout was surprised at all he saw. San Francisco was no longer the legendary city of 1849--a city of banditti, assassins, and incendiaries, who had flocked hither in crowds in pursuit of plunder; a paradise of outlaws, where they gambled with gold-dust, a revolver in one hand and a bowie-knife in the other: it was now a great commercial emporium. The lofty tower of its City Hall overlooked the whole panorama of the streets and avenues, which cut each other at right-angles, and in the midst of which appeared pleasant, verdant squares, while beyond appeared the Chinese quarter, seemingly imported from the Celestial Empire in a toy-box. Sombreros and red shirts and plumed Indians were rarely to be seen; but there were silk hats and black coats everywhere worn by a multitude of nervously active, gentlemanly-looking men. Some of the streets--especially Montgomery Street, which is to San Francisco what Regent Street is to London, the Boulevard des Italiens to Paris, and Broadway to New York--were lined with splendid and spacious stores, which exposed in their windows the products of the entire world. When Passepartout reached the International Hotel, it did not seem to him as if he had left England at all. The ground floor of the hotel was occupied by a large bar, a sort of restaurant freely open to all passers-by, who might partake of dried beef, oyster soup, biscuits, and cheese, without taking out their purses. Payment was made only for the ale, porter, or sherry which was drunk. This seemed "very American" to Passepartout. The hotel refreshment-rooms were comfortable, and Mr. Fogg and Aouda, installing themselves at a table, were abundantly served on diminutive plates by negroes of darkest hue. After breakfast, Mr. Fogg, accompanied by Aouda, started for the English consulate to have his passport visaed. As he was going out, he met Passepartout, who asked him if it would not be well, before taking the train, to purchase some dozens of Enfield rifles and Colt's revolvers. He had been listening to stories of attacks upon the trains by the Sioux and Pawnees. Mr. Fogg thought it a useless precaution, but told him to do as he thought best, and went on to the consulate. He had not proceeded two hundred steps, however, when, "by the greatest chance in the world," he met Fix. The detective seemed wholly taken by surprise. What! Had Mr. Fogg and himself crossed the Pacific together, and not met on the steamer! At least Fix felt honoured to behold once more the gentleman to whom he owed so much, and, as his business recalled him to Europe, he should be delighted to continue the journey in such pleasant company. Mr. Fogg replied that the honour would be his; and the detective--who was determined not to lose sight of him--begged permission to accompany them in their walk about San Francisco--a request which Mr. Fogg readily granted. They soon found themselves in Montgomery Street, where a great crowd was collected; the side-walks, street, horsecar rails, the shop-doors, the windows of the houses, and even the roofs, were full of people. Men were going about carrying large posters, and flags and streamers were floating in the wind; while loud cries were heard on every hand. "Hurrah for Camerfield!" "Hurrah for Mandiboy!" It was a political meeting; at least so Fix conjectured, who said to Mr. Fogg, "Perhaps we had better not mingle with the crowd. There may be danger in it." "Yes," returned Mr. Fogg; "and blows, even if they are political are still blows." Fix smiled at this remark; and, in order to be able to see without being jostled about, the party took up a position on the top of a flight of steps situated at the upper end of Montgomery Street. Opposite them, on the other side of the street, between a coal wharf and a petroleum warehouse, a large platform had been erected in the open air, towards which the current of the crowd seemed to be directed. For what purpose was this meeting? What was the occasion of this excited assemblage? Phileas Fogg could not imagine. Was it to nominate some high official--a governor or member of Congress? It was not improbable, so agitated was the multitude before them. Just at this moment there was an unusual stir in the human mass. All the hands were raised in the air. Some, tightly closed, seemed to disappear suddenly in the midst of the cries--an energetic way, no doubt, of casting a vote. The crowd swayed back, the banners and flags wavered, disappeared an instant, then reappeared in tatters. The undulations of the human surge reached the steps, while all the heads floundered on the surface like a sea agitated by a squall. Many of the black hats disappeared, and the greater part of the crowd seemed to have diminished in height. "It is evidently a meeting," said Fix, "and its object must be an exciting one. I should not wonder if it were about the Alabama, despite the fact that that question is settled." "Perhaps," replied Mr. Fogg, simply. "At least, there are two champions in presence of each other, the Honourable Mr. Camerfield and the Honourable Mr. Mandiboy." Aouda, leaning upon Mr. Fogg's arm, observed the tumultuous scene with surprise, while Fix asked a man near him what the cause of it all was. Before the man could reply, a fresh agitation arose; hurrahs and excited shouts were heard; the staffs of the banners began to be used as offensive weapons; and fists flew about in every direction. Thumps were exchanged from the tops of the carriages and omnibuses which had been blocked up in the crowd. Boots and shoes went whirling through the air, and Mr. Fogg thought he even heard the crack of revolvers mingling in the din, the rout approached the stairway, and flowed over the lower step. One of the parties had evidently been repulsed; but the mere lookers-on could not tell whether Mandiboy or Camerfield had gained the upper hand. "It would be prudent for us to retire," said Fix, who was anxious that Mr. Fogg should not receive any injury, at least until they got back to London. "If there is any question about England in all this, and we were recognised, I fear it would go hard with us." "An English subject--" began Mr. Fogg. He did not finish his sentence; for a terrific hubbub now arose on the terrace behind the flight of steps where they stood, and there were frantic shouts of, "Hurrah for Mandiboy! Hip, hip, hurrah!" It was a band of voters coming to the rescue of their allies, and taking the Camerfield forces in flank. Mr. Fogg, Aouda, and Fix found themselves between two fires; it was too late to escape. The torrent of men, armed with loaded canes and sticks, was irresistible. Phileas Fogg and Fix were roughly hustled in their attempts to protect their fair companion; the former, as cool as ever, tried to defend himself with the weapons which nature has placed at the end of every Englishman's arm, but in vain. A big brawny fellow with a red beard, flushed face, and broad shoulders, who seemed to be the chief of the band, raised his clenched fist to strike Mr. Fogg, whom he would have given a crushing blow, had not Fix rushed in and received it in his stead. An enormous bruise immediately made its appearance under the detective's silk hat, which was completely smashed in. "Yankee!" exclaimed Mr. Fogg, darting a contemptuous look at the ruffian. "Englishman!" returned the other. "We will meet again!" "When you please." "What is your name?" "Phileas Fogg. And yours?" "Colonel Stamp Proctor." The human tide now swept by, after overturning Fix, who speedily got upon his feet again, though with tattered clothes. Happily, he was not seriously hurt. His travelling overcoat was divided into two unequal parts, and his trousers resembled those of certain Indians, which fit less compactly than they are easy to put on. Aouda had escaped unharmed, and Fix alone bore marks of the fray in his black and blue bruise. "Thanks," said Mr. Fogg to the detective, as soon as they were out of the crowd. "No thanks are necessary," replied. Fix; "but let us go." "Where?" "To a tailor's." Such a visit was, indeed, opportune. The clothing of both Mr. Fogg and Fix was in rags, as if they had themselves been actively engaged in the contest between Camerfield and Mandiboy. An hour after, they were once more suitably attired, and with Aouda returned to the International Hotel. Passepartout was waiting for his master, armed with half a dozen six-barrelled revolvers. When he perceived Fix, he knit his brows; but Aouda having, in a few words, told him of their adventure, his countenance resumed its placid expression. Fix evidently was no longer an enemy, but an ally; he was faithfully keeping his word. Dinner over, the coach which was to convey the passengers and their luggage to the station drew up to the door. As he was getting in, Mr. Fogg said to Fix, "You have not seen this Colonel Proctor again?" "No." "I will come back to America to find him," said Phileas Fogg calmly. "It would not be right for an Englishman to permit himself to be treated in that way, without retaliating." The detective smiled, but did not reply. It was clear that Mr. Fogg was one of those Englishmen who, while they do not tolerate duelling at home, fight abroad when their honour is attacked. At a quarter before six the travellers reached the station, and found the train ready to depart. As he was about to enter it, Mr. Fogg called a porter, and said to him: "My friend, was there not some trouble to-day in San Francisco?" "It was a political meeting, sir," replied the porter. "But I thought there was a great deal of disturbance in the streets." "It was only a meeting assembled for an election." "The election of a general-in-chief, no doubt?" asked Mr. Fogg. "No, sir; of a justice of the peace." Phileas Fogg got into the train, which started off at full speed. ----------CHAPTER 26--------- "From ocean to ocean"--so say the Americans; and these four words compose the general designation of the "great trunk line" which crosses the entire width of the United States. The Pacific Railroad is, however, really divided into two distinct lines: the Central Pacific, between San Francisco and Ogden, and the Union Pacific, between Ogden and Omaha. Five main lines connect Omaha with New York. New York and San Francisco are thus united by an uninterrupted metal ribbon, which measures no less than three thousand seven hundred and eighty-six miles. Between Omaha and the Pacific the railway crosses a territory which is still infested by Indians and wild beasts, and a large tract which the Mormons, after they were driven from Illinois in 1845, began to colonise. The journey from New York to San Francisco consumed, formerly, under the most favourable conditions, at least six months. It is now accomplished in seven days. It was in 1862 that, in spite of the Southern Members of Congress, who wished a more southerly route, it was decided to lay the road between the forty-first and forty-second parallels. President Lincoln himself fixed the end of the line at Omaha, in Nebraska. The work was at once commenced, and pursued with true American energy; nor did the rapidity with which it went on injuriously affect its good execution. The road grew, on the prairies, a mile and a half a day. A locomotive, running on the rails laid down the evening before, brought the rails to be laid on the morrow, and advanced upon them as fast as they were put in position. The Pacific Railroad is joined by several branches in Iowa, Kansas, Colorado, and Oregon. On leaving Omaha, it passes along the left bank of the Platte River as far as the junction of its northern branch, follows its southern branch, crosses the Laramie territory and the Wahsatch Mountains, turns the Great Salt Lake, and reaches Salt Lake City, the Mormon capital, plunges into the Tuilla Valley, across the American Desert, Cedar and Humboldt Mountains, the Sierra Nevada, and descends, via Sacramento, to the Pacific--its grade, even on the Rocky Mountains, never exceeding one hundred and twelve feet to the mile. Such was the road to be traversed in seven days, which would enable Phileas Fogg--at least, so he hoped--to take the Atlantic steamer at New York on the 11th for Liverpool. The car which he occupied was a sort of long omnibus on eight wheels, and with no compartments in the interior. It was supplied with two rows of seats, perpendicular to the direction of the train on either side of an aisle which conducted to the front and rear platforms. These platforms were found throughout the train, and the passengers were able to pass from one end of the train to the other. It was supplied with saloon cars, balcony cars, restaurants, and smoking-cars; theatre cars alone were wanting, and they will have these some day. Book and news dealers, sellers of edibles, drinkables, and cigars, who seemed to have plenty of customers, were continually circulating in the aisles. The train left Oakland station at six o'clock. It was already night, cold and cheerless, the heavens being overcast with clouds which seemed to threaten snow. The train did not proceed rapidly; counting the stoppages, it did not run more than twenty miles an hour, which was a sufficient speed, however, to enable it to reach Omaha within its designated time. There was but little conversation in the car, and soon many of the passengers were overcome with sleep. Passepartout found himself beside the detective; but he did not talk to him. After recent events, their relations with each other had grown somewhat cold; there could no longer be mutual sympathy or intimacy between them. Fix's manner had not changed; but Passepartout was very reserved, and ready to strangle his former friend on the slightest provocation. Snow began to fall an hour after they started, a fine snow, however, which happily could not obstruct the train; nothing could be seen from the windows but a vast, white sheet, against which the smoke of the locomotive had a greyish aspect. At eight o'clock a steward entered the car and announced that the time for going to bed had arrived; and in a few minutes the car was transformed into a dormitory. The backs of the seats were thrown back, bedsteads carefully packed were rolled out by an ingenious system, berths were suddenly improvised, and each traveller had soon at his disposition a comfortable bed, protected from curious eyes by thick curtains. The sheets were clean and the pillows soft. It only remained to go to bed and sleep which everybody did--while the train sped on across the State of California. The country between San Francisco and Sacramento is not very hilly. The Central Pacific, taking Sacramento for its starting-point, extends eastward to meet the road from Omaha. The line from San Francisco to Sacramento runs in a north-easterly direction, along the American River, which empties into San Pablo Bay. The one hundred and twenty miles between these cities were accomplished in six hours, and towards midnight, while fast asleep, the travellers passed through Sacramento; so that they saw nothing of that important place, the seat of the State government, with its fine quays, its broad streets, its noble hotels, squares, and churches. The train, on leaving Sacramento, and passing the junction, Roclin, Auburn, and Colfax, entered the range of the Sierra Nevada. 'Cisco was reached at seven in the morning; and an hour later the dormitory was transformed into an ordinary car, and the travellers could observe the picturesque beauties of the mountain region through which they were steaming. The railway track wound in and out among the passes, now approaching the mountain-sides, now suspended over precipices, avoiding abrupt angles by bold curves, plunging into narrow defiles, which seemed to have no outlet. The locomotive, its great funnel emitting a weird light, with its sharp bell, and its cow-catcher extended like a spur, mingled its shrieks and bellowings with the noise of torrents and cascades, and twined its smoke among the branches of the gigantic pines. There were few or no bridges or tunnels on the route. The railway turned around the sides of the mountains, and did not attempt to violate nature by taking the shortest cut from one point to another. The train entered the State of Nevada through the Carson Valley about nine o'clock, going always northeasterly; and at midday reached Reno, where there was a delay of twenty minutes for breakfast. From this point the road, running along Humboldt River, passed northward for several miles by its banks; then it turned eastward, and kept by the river until it reached the Humboldt Range, nearly at the extreme eastern limit of Nevada. Having breakfasted, Mr. Fogg and his companions resumed their places in the car, and observed the varied landscape which unfolded itself as they passed along the vast prairies, the mountains lining the horizon, and the creeks, with their frothy, foaming streams. Sometimes a great herd of buffaloes, massing together in the distance, seemed like a moveable dam. These innumerable multitudes of ruminating beasts often form an insurmountable obstacle to the passage of the trains; thousands of them have been seen passing over the track for hours together, in compact ranks. The locomotive is then forced to stop and wait till the road is once more clear. This happened, indeed, to the train in which Mr. Fogg was travelling. About twelve o'clock a troop of ten or twelve thousand head of buffalo encumbered the track. The locomotive, slackening its speed, tried to clear the way with its cow-catcher; but the mass of animals was too great. The buffaloes marched along with a tranquil gait, uttering now and then deafening bellowings. There was no use of interrupting them, for, having taken a particular direction, nothing can moderate and change their course; it is a torrent of living flesh which no dam could contain. The travellers gazed on this curious spectacle from the platforms; but Phileas Fogg, who had the most reason of all to be in a hurry, remained in his seat, and waited philosophically until it should please the buffaloes to get out of the way. Passepartout was furious at the delay they occasioned, and longed to discharge his arsenal of revolvers upon them. "What a country!" cried he. "Mere cattle stop the trains, and go by in a procession, just as if they were not impeding travel! Parbleu! I should like to know if Mr. Fogg foresaw this mishap in his programme! And here's an engineer who doesn't dare to run the locomotive into this herd of beasts!" The engineer did not try to overcome the obstacle, and he was wise. He would have crushed the first buffaloes, no doubt, with the cow-catcher; but the locomotive, however powerful, would soon have been checked, the train would inevitably have been thrown off the track, and would then have been helpless. The best course was to wait patiently, and regain the lost time by greater speed when the obstacle was removed. The procession of buffaloes lasted three full hours, and it was night before the track was clear. The last ranks of the herd were now passing over the rails, while the first had already disappeared below the southern horizon. It was eight o'clock when the train passed through the defiles of the Humboldt Range, and half-past nine when it penetrated Utah, the region of the Great Salt Lake, the singular colony of the Mormons.

cliffnotes

Craft a concise overview of chapter 28 using the context provided.

chapter 27|chapter 28

The train moves on a northerly course for an hour and it is in this area that the trains face the maximum difficulties. The train passes many streams, while Passepartout's impatience grows. During the night, there is heavy snow and Passepartout starts worrying. Meanwhile, Aouda had spotted Colonel Stamp Proctor on a station and was disturbed that Fogg might see him and get into an argument and fight. Aouda had begun to find Fogg very dear and her affection was growing. Aouda tells Fix and Passepartout about Colonel Proctor's presence on the train and they all agree that it would be best if Fogg were not to see the Colonel. Passepartout is surprised that Fix offers to fight with the Colonel on Fogg's behalf. Later, in order to keep Fogg in the compartment itself, Fix offers to start a game of whist. Fogg, Fix and Aouda begin to play together. The game continues for long, while the train moves forward through new terrain. The group has lunch in the compartment. Suddenly the train stops and the others are worried that Fogg will get up and go down to see what the cause of the delay is. But he doesn't get up and Passepartout goes to see what the problem is. The fact is that the train driver is told not to proceed ahead because a suspension bridge ahead, which is over rapids, is in a ruinous condition. There is a debate between the train personnel and the passengers as to what should be done. Finally, the group agrees that if the train is put on full speed, it would manage to get over the bridge. Passepartout suggests as this step is to be taken, the passengers should be told to get off and then the train should be put across the bridge at a fast pace. No one listens to him and the train speeds on to the bridge. Luckily nothing happens to the train and everybody is happy to get across safely. The bridge of course collapses and crashes into the rapids of Medicine Bow.

----------CHAPTER 27--------- During the night of the 5th of December, the train ran south-easterly for about fifty miles; then rose an equal distance in a north-easterly direction, towards the Great Salt Lake. Passepartout, about nine o'clock, went out upon the platform to take the air. The weather was cold, the heavens grey, but it was not snowing. The sun's disc, enlarged by the mist, seemed an enormous ring of gold, and Passepartout was amusing himself by calculating its value in pounds sterling, when he was diverted from this interesting study by a strange-looking personage who made his appearance on the platform. This personage, who had taken the train at Elko, was tall and dark, with black moustache, black stockings, a black silk hat, a black waistcoat, black trousers, a white cravat, and dogskin gloves. He might have been taken for a clergyman. He went from one end of the train to the other, and affixed to the door of each car a notice written in manuscript. Passepartout approached and read one of these notices, which stated that Elder William Hitch, Mormon missionary, taking advantage of his presence on train No. 48, would deliver a lecture on Mormonism in car No. 117, from eleven to twelve o'clock; and that he invited all who were desirous of being instructed concerning the mysteries of the religion of the "Latter Day Saints" to attend. "I'll go," said Passepartout to himself. He knew nothing of Mormonism except the custom of polygamy, which is its foundation. The news quickly spread through the train, which contained about one hundred passengers, thirty of whom, at most, attracted by the notice, ensconced themselves in car No. 117. Passepartout took one of the front seats. Neither Mr. Fogg nor Fix cared to attend. At the appointed hour Elder William Hitch rose, and, in an irritated voice, as if he had already been contradicted, said, "I tell you that Joe Smith is a martyr, that his brother Hiram is a martyr, and that the persecutions of the United States Government against the prophets will also make a martyr of Brigham Young. Who dares to say the contrary?" No one ventured to gainsay the missionary, whose excited tone contrasted curiously with his naturally calm visage. No doubt his anger arose from the hardships to which the Mormons were actually subjected. The government had just succeeded, with some difficulty, in reducing these independent fanatics to its rule. It had made itself master of Utah, and subjected that territory to the laws of the Union, after imprisoning Brigham Young on a charge of rebellion and polygamy. The disciples of the prophet had since redoubled their efforts, and resisted, by words at least, the authority of Congress. Elder Hitch, as is seen, was trying to make proselytes on the very railway trains. Then, emphasising his words with his loud voice and frequent gestures, he related the history of the Mormons from Biblical times: how that, in Israel, a Mormon prophet of the tribe of Joseph published the annals of the new religion, and bequeathed them to his son Mormon; how, many centuries later, a translation of this precious book, which was written in Egyptian, was made by Joseph Smith, junior, a Vermont farmer, who revealed himself as a mystical prophet in 1825; and how, in short, the celestial messenger appeared to him in an illuminated forest, and gave him the annals of the Lord. Several of the audience, not being much interested in the missionary's narrative, here left the car; but Elder Hitch, continuing his lecture, related how Smith, junior, with his father, two brothers, and a few disciples, founded the church of the "Latter Day Saints," which, adopted not only in America, but in England, Norway and Sweden, and Germany, counts many artisans, as well as men engaged in the liberal professions, among its members; how a colony was established in Ohio, a temple erected there at a cost of two hundred thousand dollars, and a town built at Kirkland; how Smith became an enterprising banker, and received from a simple mummy showman a papyrus scroll written by Abraham and several famous Egyptians. The Elder's story became somewhat wearisome, and his audience grew gradually less, until it was reduced to twenty passengers. But this did not disconcert the enthusiast, who proceeded with the story of Joseph Smith's bankruptcy in 1837, and how his ruined creditors gave him a coat of tar and feathers; his reappearance some years afterwards, more honourable and honoured than ever, at Independence, Missouri, the chief of a flourishing colony of three thousand disciples, and his pursuit thence by outraged Gentiles, and retirement into the Far West. Ten hearers only were now left, among them honest Passepartout, who was listening with all his ears. Thus he learned that, after long persecutions, Smith reappeared in Illinois, and in 1839 founded a community at Nauvoo, on the Mississippi, numbering twenty-five thousand souls, of which he became mayor, chief justice, and general-in-chief; that he announced himself, in 1843, as a candidate for the Presidency of the United States; and that finally, being drawn into ambuscade at Carthage, he was thrown into prison, and assassinated by a band of men disguised in masks. Passepartout was now the only person left in the car, and the Elder, looking him full in the face, reminded him that, two years after the assassination of Joseph Smith, the inspired prophet, Brigham Young, his successor, left Nauvoo for the banks of the Great Salt Lake, where, in the midst of that fertile region, directly on the route of the emigrants who crossed Utah on their way to California, the new colony, thanks to the polygamy practised by the Mormons, had flourished beyond expectations. "And this," added Elder William Hitch, "this is why the jealousy of Congress has been aroused against us! Why have the soldiers of the Union invaded the soil of Utah? Why has Brigham Young, our chief, been imprisoned, in contempt of all justice? Shall we yield to force? Never! Driven from Vermont, driven from Illinois, driven from Ohio, driven from Missouri, driven from Utah, we shall yet find some independent territory on which to plant our tents. And you, my brother," continued the Elder, fixing his angry eyes upon his single auditor, "will you not plant yours there, too, under the shadow of our flag?" "No!" replied Passepartout courageously, in his turn retiring from the car, and leaving the Elder to preach to vacancy. During the lecture the train had been making good progress, and towards half-past twelve it reached the northwest border of the Great Salt Lake. Thence the passengers could observe the vast extent of this interior sea, which is also called the Dead Sea, and into which flows an American Jordan. It is a picturesque expanse, framed in lofty crags in large strata, encrusted with white salt--a superb sheet of water, which was formerly of larger extent than now, its shores having encroached with the lapse of time, and thus at once reduced its breadth and increased its depth. The Salt Lake, seventy miles long and thirty-five wide, is situated three miles eight hundred feet above the sea. Quite different from Lake Asphaltite, whose depression is twelve hundred feet below the sea, it contains considerable salt, and one quarter of the weight of its water is solid matter, its specific weight being 1,170, and, after being distilled, 1,000. Fishes are, of course, unable to live in it, and those which descend through the Jordan, the Weber, and other streams soon perish. The country around the lake was well cultivated, for the Mormons are mostly farmers; while ranches and pens for domesticated animals, fields of wheat, corn, and other cereals, luxuriant prairies, hedges of wild rose, clumps of acacias and milk-wort, would have been seen six months later. Now the ground was covered with a thin powdering of snow. The train reached Ogden at two o'clock, where it rested for six hours, Mr. Fogg and his party had time to pay a visit to Salt Lake City, connected with Ogden by a branch road; and they spent two hours in this strikingly American town, built on the pattern of other cities of the Union, like a checker-board, "with the sombre sadness of right-angles," as Victor Hugo expresses it. The founder of the City of the Saints could not escape from the taste for symmetry which distinguishes the Anglo-Saxons. In this strange country, where the people are certainly not up to the level of their institutions, everything is done "squarely"--cities, houses, and follies. The travellers, then, were promenading, at three o'clock, about the streets of the town built between the banks of the Jordan and the spurs of the Wahsatch Range. They saw few or no churches, but the prophet's mansion, the court-house, and the arsenal, blue-brick houses with verandas and porches, surrounded by gardens bordered with acacias, palms, and locusts. A clay and pebble wall, built in 1853, surrounded the town; and in the principal street were the market and several hotels adorned with pavilions. The place did not seem thickly populated. The streets were almost deserted, except in the vicinity of the temple, which they only reached after having traversed several quarters surrounded by palisades. There were many women, which was easily accounted for by the "peculiar institution" of the Mormons; but it must not be supposed that all the Mormons are polygamists. They are free to marry or not, as they please; but it is worth noting that it is mainly the female citizens of Utah who are anxious to marry, as, according to the Mormon religion, maiden ladies are not admitted to the possession of its highest joys. These poor creatures seemed to be neither well off nor happy. Some--the more well-to-do, no doubt--wore short, open, black silk dresses, under a hood or modest shawl; others were habited in Indian fashion. Passepartout could not behold without a certain fright these women, charged, in groups, with conferring happiness on a single Mormon. His common sense pitied, above all, the husband. It seemed to him a terrible thing to have to guide so many wives at once across the vicissitudes of life, and to conduct them, as it were, in a body to the Mormon paradise with the prospect of seeing them in the company of the glorious Smith, who doubtless was the chief ornament of that delightful place, to all eternity. He felt decidedly repelled from such a vocation, and he imagined--perhaps he was mistaken--that the fair ones of Salt Lake City cast rather alarming glances on his person. Happily, his stay there was but brief. At four the party found themselves again at the station, took their places in the train, and the whistle sounded for starting. Just at the moment, however, that the locomotive wheels began to move, cries of "Stop! stop!" were heard. Trains, like time and tide, stop for no one. The gentleman who uttered the cries was evidently a belated Mormon. He was breathless with running. Happily for him, the station had neither gates nor barriers. He rushed along the track, jumped on the rear platform of the train, and fell, exhausted, into one of the seats. Passepartout, who had been anxiously watching this amateur gymnast, approached him with lively interest, and learned that he had taken flight after an unpleasant domestic scene. When the Mormon had recovered his breath, Passepartout ventured to ask him politely how many wives he had; for, from the manner in which he had decamped, it might be thought that he had twenty at least. "One, sir," replied the Mormon, raising his arms heavenward--"one, and that was enough!" ----------CHAPTER 28--------- The train, on leaving Great Salt Lake at Ogden, passed northward for an hour as far as Weber River, having completed nearly nine hundred miles from San Francisco. From this point it took an easterly direction towards the jagged Wahsatch Mountains. It was in the section included between this range and the Rocky Mountains that the American engineers found the most formidable difficulties in laying the road, and that the government granted a subsidy of forty-eight thousand dollars per mile, instead of sixteen thousand allowed for the work done on the plains. But the engineers, instead of violating nature, avoided its difficulties by winding around, instead of penetrating the rocks. One tunnel only, fourteen thousand feet in length, was pierced in order to arrive at the great basin. The track up to this time had reached its highest elevation at the Great Salt Lake. From this point it described a long curve, descending towards Bitter Creek Valley, to rise again to the dividing ridge of the waters between the Atlantic and the Pacific. There were many creeks in this mountainous region, and it was necessary to cross Muddy Creek, Green Creek, and others, upon culverts. Passepartout grew more and more impatient as they went on, while Fix longed to get out of this difficult region, and was more anxious than Phileas Fogg himself to be beyond the danger of delays and accidents, and set foot on English soil. At ten o'clock at night the train stopped at Fort Bridger station, and twenty minutes later entered Wyoming Territory, following the valley of Bitter Creek throughout. The next day, 7th December, they stopped for a quarter of an hour at Green River station. Snow had fallen abundantly during the night, but, being mixed with rain, it had half melted, and did not interrupt their progress. The bad weather, however, annoyed Passepartout; for the accumulation of snow, by blocking the wheels of the cars, would certainly have been fatal to Mr. Fogg's tour. "What an idea!" he said to himself. "Why did my master make this journey in winter? Couldn't he have waited for the good season to increase his chances?" While the worthy Frenchman was absorbed in the state of the sky and the depression of the temperature, Aouda was experiencing fears from a totally different cause. Several passengers had got off at Green River, and were walking up and down the platforms; and among these Aouda recognised Colonel Stamp Proctor, the same who had so grossly insulted Phileas Fogg at the San Francisco meeting. Not wishing to be recognised, the young woman drew back from the window, feeling much alarm at her discovery. She was attached to the man who, however coldly, gave her daily evidences of the most absolute devotion. She did not comprehend, perhaps, the depth of the sentiment with which her protector inspired her, which she called gratitude, but which, though she was unconscious of it, was really more than that. Her heart sank within her when she recognised the man whom Mr. Fogg desired, sooner or later, to call to account for his conduct. Chance alone, it was clear, had brought Colonel Proctor on this train; but there he was, and it was necessary, at all hazards, that Phileas Fogg should not perceive his adversary. Aouda seized a moment when Mr. Fogg was asleep to tell Fix and Passepartout whom she had seen. "That Proctor on this train!" cried Fix. "Well, reassure yourself, madam; before he settles with Mr. Fogg; he has got to deal with me! It seems to me that I was the more insulted of the two." "And, besides," added Passepartout, "I'll take charge of him, colonel as he is." "Mr. Fix," resumed Aouda, "Mr. Fogg will allow no one to avenge him. He said that he would come back to America to find this man. Should he perceive Colonel Proctor, we could not prevent a collision which might have terrible results. He must not see him." "You are right, madam," replied Fix; "a meeting between them might ruin all. Whether he were victorious or beaten, Mr. Fogg would be delayed, and--" "And," added Passepartout, "that would play the game of the gentlemen of the Reform Club. In four days we shall be in New York. Well, if my master does not leave this car during those four days, we may hope that chance will not bring him face to face with this confounded American. We must, if possible, prevent his stirring out of it." The conversation dropped. Mr. Fogg had just woke up, and was looking out of the window. Soon after Passepartout, without being heard by his master or Aouda, whispered to the detective, "Would you really fight for him?" "I would do anything," replied Fix, in a tone which betrayed determined will, "to get him back living to Europe!" Passepartout felt something like a shudder shoot through his frame, but his confidence in his master remained unbroken. Was there any means of detaining Mr. Fogg in the car, to avoid a meeting between him and the colonel? It ought not to be a difficult task, since that gentleman was naturally sedentary and little curious. The detective, at least, seemed to have found a way; for, after a few moments, he said to Mr. Fogg, "These are long and slow hours, sir, that we are passing on the railway." "Yes," replied Mr. Fogg; "but they pass." "You were in the habit of playing whist," resumed Fix, "on the steamers." "Yes; but it would be difficult to do so here. I have neither cards nor partners." "Oh, but we can easily buy some cards, for they are sold on all the American trains. And as for partners, if madam plays--" "Certainly, sir," Aouda quickly replied; "I understand whist. It is part of an English education." "I myself have some pretensions to playing a good game. Well, here are three of us, and a dummy--" "As you please, sir," replied Phileas Fogg, heartily glad to resume his favourite pastime even on the railway. Passepartout was dispatched in search of the steward, and soon returned with two packs of cards, some pins, counters, and a shelf covered with cloth. The game commenced. Aouda understood whist sufficiently well, and even received some compliments on her playing from Mr. Fogg. As for the detective, he was simply an adept, and worthy of being matched against his present opponent. "Now," thought Passepartout, "we've got him. He won't budge." At eleven in the morning the train had reached the dividing ridge of the waters at Bridger Pass, seven thousand five hundred and twenty-four feet above the level of the sea, one of the highest points attained by the track in crossing the Rocky Mountains. After going about two hundred miles, the travellers at last found themselves on one of those vast plains which extend to the Atlantic, and which nature has made so propitious for laying the iron road. On the declivity of the Atlantic basin the first streams, branches of the North Platte River, already appeared. The whole northern and eastern horizon was bounded by the immense semi-circular curtain which is formed by the southern portion of the Rocky Mountains, the highest being Laramie Peak. Between this and the railway extended vast plains, plentifully irrigated. On the right rose the lower spurs of the mountainous mass which extends southward to the sources of the Arkansas River, one of the great tributaries of the Missouri. At half-past twelve the travellers caught sight for an instant of Fort Halleck, which commands that section; and in a few more hours the Rocky Mountains were crossed. There was reason to hope, then, that no accident would mark the journey through this difficult country. The snow had ceased falling, and the air became crisp and cold. Large birds, frightened by the locomotive, rose and flew off in the distance. No wild beast appeared on the plain. It was a desert in its vast nakedness. After a comfortable breakfast, served in the car, Mr. Fogg and his partners had just resumed whist, when a violent whistling was heard, and the train stopped. Passepartout put his head out of the door, but saw nothing to cause the delay; no station was in view. Aouda and Fix feared that Mr. Fogg might take it into his head to get out; but that gentleman contented himself with saying to his servant, "See what is the matter." Passepartout rushed out of the car. Thirty or forty passengers had already descended, amongst them Colonel Stamp Proctor. The train had stopped before a red signal which blocked the way. The engineer and conductor were talking excitedly with a signal-man, whom the station-master at Medicine Bow, the next stopping place, had sent on before. The passengers drew around and took part in the discussion, in which Colonel Proctor, with his insolent manner, was conspicuous. Passepartout, joining the group, heard the signal-man say, "No! you can't pass. The bridge at Medicine Bow is shaky, and would not bear the weight of the train." This was a suspension-bridge thrown over some rapids, about a mile from the place where they now were. According to the signal-man, it was in a ruinous condition, several of the iron wires being broken; and it was impossible to risk the passage. He did not in any way exaggerate the condition of the bridge. It may be taken for granted that, rash as the Americans usually are, when they are prudent there is good reason for it. Passepartout, not daring to apprise his master of what he heard, listened with set teeth, immovable as a statue. "Hum!" cried Colonel Proctor; "but we are not going to stay here, I imagine, and take root in the snow?" "Colonel," replied the conductor, "we have telegraphed to Omaha for a train, but it is not likely that it will reach Medicine Bow in less than six hours." "Six hours!" cried Passepartout. "Certainly," returned the conductor, "besides, it will take us as long as that to reach Medicine Bow on foot." "But it is only a mile from here," said one of the passengers. "Yes, but it's on the other side of the river." "And can't we cross that in a boat?" asked the colonel. "That's impossible. The creek is swelled by the rains. It is a rapid, and we shall have to make a circuit of ten miles to the north to find a ford." The colonel launched a volley of oaths, denouncing the railway company and the conductor; and Passepartout, who was furious, was not disinclined to make common cause with him. Here was an obstacle, indeed, which all his master's banknotes could not remove. There was a general disappointment among the passengers, who, without reckoning the delay, saw themselves compelled to trudge fifteen miles over a plain covered with snow. They grumbled and protested, and would certainly have thus attracted Phileas Fogg's attention if he had not been completely absorbed in his game. Passepartout found that he could not avoid telling his master what had occurred, and, with hanging head, he was turning towards the car, when the engineer, a true Yankee, named Forster called out, "Gentlemen, perhaps there is a way, after all, to get over." "On the bridge?" asked a passenger. "On the bridge." "With our train?" "With our train." Passepartout stopped short, and eagerly listened to the engineer. "But the bridge is unsafe," urged the conductor. "No matter," replied Forster; "I think that by putting on the very highest speed we might have a chance of getting over." "The devil!" muttered Passepartout. But a number of the passengers were at once attracted by the engineer's proposal, and Colonel Proctor was especially delighted, and found the plan a very feasible one. He told stories about engineers leaping their trains over rivers without bridges, by putting on full steam; and many of those present avowed themselves of the engineer's mind. "We have fifty chances out of a hundred of getting over," said one. "Eighty! ninety!" Passepartout was astounded, and, though ready to attempt anything to get over Medicine Creek, thought the experiment proposed a little too American. "Besides," thought he, "there's a still more simple way, and it does not even occur to any of these people! Sir," said he aloud to one of the passengers, "the engineer's plan seems to me a little dangerous, but--" "Eighty chances!" replied the passenger, turning his back on him. "I know it," said Passepartout, turning to another passenger, "but a simple idea--" "Ideas are no use," returned the American, shrugging his shoulders, "as the engineer assures us that we can pass." "Doubtless," urged Passepartout, "we can pass, but perhaps it would be more prudent--" "What! Prudent!" cried Colonel Proctor, whom this word seemed to excite prodigiously. "At full speed, don't you see, at full speed!" "I know--I see," repeated Passepartout; "but it would be, if not more prudent, since that word displeases you, at least more natural--" "Who! What! What's the matter with this fellow?" cried several. The poor fellow did not know to whom to address himself. "Are you afraid?" asked Colonel Proctor. "I afraid? Very well; I will show these people that a Frenchman can be as American as they!" "All aboard!" cried the conductor. "Yes, all aboard!" repeated Passepartout, and immediately. "But they can't prevent me from thinking that it would be more natural for us to cross the bridge on foot, and let the train come after!" But no one heard this sage reflection, nor would anyone have acknowledged its justice. The passengers resumed their places in the cars. Passepartout took his seat without telling what had passed. The whist-players were quite absorbed in their game. The locomotive whistled vigorously; the engineer, reversing the steam, backed the train for nearly a mile--retiring, like a jumper, in order to take a longer leap. Then, with another whistle, he began to move forward; the train increased its speed, and soon its rapidity became frightful; a prolonged screech issued from the locomotive; the piston worked up and down twenty strokes to the second. They perceived that the whole train, rushing on at the rate of a hundred miles an hour, hardly bore upon the rails at all. And they passed over! It was like a flash. No one saw the bridge. The train leaped, so to speak, from one bank to the other, and the engineer could not stop it until it had gone five miles beyond the station. But scarcely had the train passed the river, when the bridge, completely ruined, fell with a crash into the rapids of Medicine Bow.

cliffnotes

Generate a succinct summary for chapter 29 with the given context.

chapter 29|chapter 30

The train pursues its course. Thirteen hundred and eighty two miles had now been traveled over from San Francisco in three days and three nights. Fogg and his partners were busy with cards, when suddenly Colonel Proctor is among them. He is rude and sarcastic to Fogg and there is a war of words. Fogg and the Colonel decide to duel with each other and Fogg wants to arrange for a meeting six months hence. But the Colonel wants to fight immediately and so they decide to do that at Plum Greek, a train stop. Fix is to be the second in the impending duel. But the guard rushes up to them at the station, saying that the train will not be stopping there. The guard suggests that the duo should fight in the train itself-in the carriages to the rear. Just before Fogg and the Colonel commence dueling the air is rent with savage yells and detonations. The train was being attacked by a band of Sioux who were armed with guns. They swarm the carriages and a fight between them and the passengers ensues. Aouda showed great courage and defended herself heroically. The guard who was fighting beside Fogg cried that if the train is not stopped, the Sioux would win. Passepartout hears this too and manages to slip under the train carriages. He removes the safety chains and a violent jolt separates the train and the engine. The train comes to a stand still near Kearney Fort station. The soldiers of the fort hear the firing and hurry up and the Sioux scampers away. But when the passengers are counted on the station platform, it is found that several are missing, including Passepartout.

----------CHAPTER 29--------- The train pursued its course, that evening, without interruption, passing Fort Saunders, crossing Cheyne Pass, and reaching Evans Pass. The road here attained the highest elevation of the journey, eight thousand and ninety-two feet above the level of the sea. The travellers had now only to descend to the Atlantic by limitless plains, levelled by nature. A branch of the "grand trunk" led off southward to Denver, the capital of Colorado. The country round about is rich in gold and silver, and more than fifty thousand inhabitants are already settled there. Thirteen hundred and eighty-two miles had been passed over from San Francisco, in three days and three nights; four days and nights more would probably bring them to New York. Phileas Fogg was not as yet behind-hand. During the night Camp Walbach was passed on the left; Lodge Pole Creek ran parallel with the road, marking the boundary between the territories of Wyoming and Colorado. They entered Nebraska at eleven, passed near Sedgwick, and touched at Julesburg, on the southern branch of the Platte River. It was here that the Union Pacific Railroad was inaugurated on the 23rd of October, 1867, by the chief engineer, General Dodge. Two powerful locomotives, carrying nine cars of invited guests, amongst whom was Thomas C. Durant, vice-president of the road, stopped at this point; cheers were given, the Sioux and Pawnees performed an imitation Indian battle, fireworks were let off, and the first number of the Railway Pioneer was printed by a press brought on the train. Thus was celebrated the inauguration of this great railroad, a mighty instrument of progress and civilisation, thrown across the desert, and destined to link together cities and towns which do not yet exist. The whistle of the locomotive, more powerful than Amphion's lyre, was about to bid them rise from American soil. Fort McPherson was left behind at eight in the morning, and three hundred and fifty-seven miles had yet to be traversed before reaching Omaha. The road followed the capricious windings of the southern branch of the Platte River, on its left bank. At nine the train stopped at the important town of North Platte, built between the two arms of the river, which rejoin each other around it and form a single artery, a large tributary, whose waters empty into the Missouri a little above Omaha. The one hundred and first meridian was passed. Mr. Fogg and his partners had resumed their game; no one--not even the dummy--complained of the length of the trip. Fix had begun by winning several guineas, which he seemed likely to lose; but he showed himself a not less eager whist-player than Mr. Fogg. During the morning, chance distinctly favoured that gentleman. Trumps and honours were showered upon his hands. Once, having resolved on a bold stroke, he was on the point of playing a spade, when a voice behind him said, "I should play a diamond." Mr. Fogg, Aouda, and Fix raised their heads, and beheld Colonel Proctor. Stamp Proctor and Phileas Fogg recognised each other at once. "Ah! it's you, is it, Englishman?" cried the colonel; "it's you who are going to play a spade!" "And who plays it," replied Phileas Fogg coolly, throwing down the ten of spades. "Well, it pleases me to have it diamonds," replied Colonel Proctor, in an insolent tone. He made a movement as if to seize the card which had just been played, adding, "You don't understand anything about whist." "Perhaps I do, as well as another," said Phileas Fogg, rising. "You have only to try, son of John Bull," replied the colonel. Aouda turned pale, and her blood ran cold. She seized Mr. Fogg's arm and gently pulled him back. Passepartout was ready to pounce upon the American, who was staring insolently at his opponent. But Fix got up, and, going to Colonel Proctor said, "You forget that it is I with whom you have to deal, sir; for it was I whom you not only insulted, but struck!" "Mr. Fix," said Mr. Fogg, "pardon me, but this affair is mine, and mine only. The colonel has again insulted me, by insisting that I should not play a spade, and he shall give me satisfaction for it." "When and where you will," replied the American, "and with whatever weapon you choose." Aouda in vain attempted to retain Mr. Fogg; as vainly did the detective endeavour to make the quarrel his. Passepartout wished to throw the colonel out of the window, but a sign from his master checked him. Phileas Fogg left the car, and the American followed him upon the platform. "Sir," said Mr. Fogg to his adversary, "I am in a great hurry to get back to Europe, and any delay whatever will be greatly to my disadvantage." "Well, what's that to me?" replied Colonel Proctor. "Sir," said Mr. Fogg, very politely, "after our meeting at San Francisco, I determined to return to America and find you as soon as I had completed the business which called me to England." "Really!" "Will you appoint a meeting for six months hence?" "Why not ten years hence?" "I say six months," returned Phileas Fogg; "and I shall be at the place of meeting promptly." "All this is an evasion," cried Stamp Proctor. "Now or never!" "Very good. You are going to New York?" "No." "To Chicago?" "No." "To Omaha?" "What difference is it to you? Do you know Plum Creek?" "No," replied Mr. Fogg. "It's the next station. The train will be there in an hour, and will stop there ten minutes. In ten minutes several revolver-shots could be exchanged." "Very well," said Mr. Fogg. "I will stop at Plum Creek." "And I guess you'll stay there too," added the American insolently. "Who knows?" replied Mr. Fogg, returning to the car as coolly as usual. He began to reassure Aouda, telling her that blusterers were never to be feared, and begged Fix to be his second at the approaching duel, a request which the detective could not refuse. Mr. Fogg resumed the interrupted game with perfect calmness. At eleven o'clock the locomotive's whistle announced that they were approaching Plum Creek station. Mr. Fogg rose, and, followed by Fix, went out upon the platform. Passepartout accompanied him, carrying a pair of revolvers. Aouda remained in the car, as pale as death. The door of the next car opened, and Colonel Proctor appeared on the platform, attended by a Yankee of his own stamp as his second. But just as the combatants were about to step from the train, the conductor hurried up, and shouted, "You can't get off, gentlemen!" "Why not?" asked the colonel. "We are twenty minutes late, and we shall not stop." "But I am going to fight a duel with this gentleman." "I am sorry," said the conductor; "but we shall be off at once. There's the bell ringing now." The train started. "I'm really very sorry, gentlemen," said the conductor. "Under any other circumstances I should have been happy to oblige you. But, after all, as you have not had time to fight here, why not fight as we go along?" "That wouldn't be convenient, perhaps, for this gentleman," said the colonel, in a jeering tone. "It would be perfectly so," replied Phileas Fogg. "Well, we are really in America," thought Passepartout, "and the conductor is a gentleman of the first order!" So muttering, he followed his master. The two combatants, their seconds, and the conductor passed through the cars to the rear of the train. The last car was only occupied by a dozen passengers, whom the conductor politely asked if they would not be so kind as to leave it vacant for a few moments, as two gentlemen had an affair of honour to settle. The passengers granted the request with alacrity, and straightway disappeared on the platform. The car, which was some fifty feet long, was very convenient for their purpose. The adversaries might march on each other in the aisle, and fire at their ease. Never was duel more easily arranged. Mr. Fogg and Colonel Proctor, each provided with two six-barrelled revolvers, entered the car. The seconds, remaining outside, shut them in. They were to begin firing at the first whistle of the locomotive. After an interval of two minutes, what remained of the two gentlemen would be taken from the car. Nothing could be more simple. Indeed, it was all so simple that Fix and Passepartout felt their hearts beating as if they would crack. They were listening for the whistle agreed upon, when suddenly savage cries resounded in the air, accompanied by reports which certainly did not issue from the car where the duellists were. The reports continued in front and the whole length of the train. Cries of terror proceeded from the interior of the cars. Colonel Proctor and Mr. Fogg, revolvers in hand, hastily quitted their prison, and rushed forward where the noise was most clamorous. They then perceived that the train was attacked by a band of Sioux. This was not the first attempt of these daring Indians, for more than once they had waylaid trains on the road. A hundred of them had, according to their habit, jumped upon the steps without stopping the train, with the ease of a clown mounting a horse at full gallop. The Sioux were armed with guns, from which came the reports, to which the passengers, who were almost all armed, responded by revolver-shots. The Indians had first mounted the engine, and half stunned the engineer and stoker with blows from their muskets. A Sioux chief, wishing to stop the train, but not knowing how to work the regulator, had opened wide instead of closing the steam-valve, and the locomotive was plunging forward with terrific velocity. The Sioux had at the same time invaded the cars, skipping like enraged monkeys over the roofs, thrusting open the doors, and fighting hand to hand with the passengers. Penetrating the baggage-car, they pillaged it, throwing the trunks out of the train. The cries and shots were constant. The travellers defended themselves bravely; some of the cars were barricaded, and sustained a siege, like moving forts, carried along at a speed of a hundred miles an hour. Aouda behaved courageously from the first. She defended herself like a true heroine with a revolver, which she shot through the broken windows whenever a savage made his appearance. Twenty Sioux had fallen mortally wounded to the ground, and the wheels crushed those who fell upon the rails as if they had been worms. Several passengers, shot or stunned, lay on the seats. It was necessary to put an end to the struggle, which had lasted for ten minutes, and which would result in the triumph of the Sioux if the train was not stopped. Fort Kearney station, where there was a garrison, was only two miles distant; but, that once passed, the Sioux would be masters of the train between Fort Kearney and the station beyond. The conductor was fighting beside Mr. Fogg, when he was shot and fell. At the same moment he cried, "Unless the train is stopped in five minutes, we are lost!" "It shall be stopped," said Phileas Fogg, preparing to rush from the car. "Stay, monsieur," cried Passepartout; "I will go." Mr. Fogg had not time to stop the brave fellow, who, opening a door unperceived by the Indians, succeeded in slipping under the car; and while the struggle continued and the balls whizzed across each other over his head, he made use of his old acrobatic experience, and with amazing agility worked his way under the cars, holding on to the chains, aiding himself by the brakes and edges of the sashes, creeping from one car to another with marvellous skill, and thus gaining the forward end of the train. There, suspended by one hand between the baggage-car and the tender, with the other he loosened the safety chains; but, owing to the traction, he would never have succeeded in unscrewing the yoking-bar, had not a violent concussion jolted this bar out. The train, now detached from the engine, remained a little behind, whilst the locomotive rushed forward with increased speed. Carried on by the force already acquired, the train still moved for several minutes; but the brakes were worked and at last they stopped, less than a hundred feet from Kearney station. The soldiers of the fort, attracted by the shots, hurried up; the Sioux had not expected them, and decamped in a body before the train entirely stopped. But when the passengers counted each other on the station platform several were found missing; among others the courageous Frenchman, whose devotion had just saved them. ----------CHAPTER 30--------- Three passengers including Passepartout had disappeared. Had they been killed in the struggle? Were they taken prisoners by the Sioux? It was impossible to tell. There were many wounded, but none mortally. Colonel Proctor was one of the most seriously hurt; he had fought bravely, and a ball had entered his groin. He was carried into the station with the other wounded passengers, to receive such attention as could be of avail. Aouda was safe; and Phileas Fogg, who had been in the thickest of the fight, had not received a scratch. Fix was slightly wounded in the arm. But Passepartout was not to be found, and tears coursed down Aouda's cheeks. All the passengers had got out of the train, the wheels of which were stained with blood. From the tyres and spokes hung ragged pieces of flesh. As far as the eye could reach on the white plain behind, red trails were visible. The last Sioux were disappearing in the south, along the banks of Republican River. Mr. Fogg, with folded arms, remained motionless. He had a serious decision to make. Aouda, standing near him, looked at him without speaking, and he understood her look. If his servant was a prisoner, ought he not to risk everything to rescue him from the Indians? "I will find him, living or dead," said he quietly to Aouda. "Ah, Mr.--Mr. Fogg!" cried she, clasping his hands and covering them with tears. "Living," added Mr. Fogg, "if we do not lose a moment." Phileas Fogg, by this resolution, inevitably sacrificed himself; he pronounced his own doom. The delay of a single day would make him lose the steamer at New York, and his bet would be certainly lost. But as he thought, "It is my duty," he did not hesitate. The commanding officer of Fort Kearney was there. A hundred of his soldiers had placed themselves in a position to defend the station, should the Sioux attack it. "Sir," said Mr. Fogg to the captain, "three passengers have disappeared." "Dead?" asked the captain. "Dead or prisoners; that is the uncertainty which must be solved. Do you propose to pursue the Sioux?" "That's a serious thing to do, sir," returned the captain. "These Indians may retreat beyond the Arkansas, and I cannot leave the fort unprotected." "The lives of three men are in question, sir," said Phileas Fogg. "Doubtless; but can I risk the lives of fifty men to save three?" "I don't know whether you can, sir; but you ought to do so." "Nobody here," returned the other, "has a right to teach me my duty." "Very well," said Mr. Fogg, coldly. "I will go alone." "You, sir!" cried Fix, coming up; "you go alone in pursuit of the Indians?" "Would you have me leave this poor fellow to perish--him to whom every one present owes his life? I shall go." "No, sir, you shall not go alone," cried the captain, touched in spite of himself. "No! you are a brave man. Thirty volunteers!" he added, turning to the soldiers. The whole company started forward at once. The captain had only to pick his men. Thirty were chosen, and an old sergeant placed at their head. "Thanks, captain," said Mr. Fogg. "Will you let me go with you?" asked Fix. "Do as you please, sir. But if you wish to do me a favour, you will remain with Aouda. In case anything should happen to me--" A sudden pallor overspread the detective's face. Separate himself from the man whom he had so persistently followed step by step! Leave him to wander about in this desert! Fix gazed attentively at Mr. Fogg, and, despite his suspicions and of the struggle which was going on within him, he lowered his eyes before that calm and frank look. "I will stay," said he. A few moments after, Mr. Fogg pressed the young woman's hand, and, having confided to her his precious carpet-bag, went off with the sergeant and his little squad. But, before going, he had said to the soldiers, "My friends, I will divide five thousand dollars among you, if we save the prisoners." It was then a little past noon. Aouda retired to a waiting-room, and there she waited alone, thinking of the simple and noble generosity, the tranquil courage of Phileas Fogg. He had sacrificed his fortune, and was now risking his life, all without hesitation, from duty, in silence. Fix did not have the same thoughts, and could scarcely conceal his agitation. He walked feverishly up and down the platform, but soon resumed his outward composure. He now saw the folly of which he had been guilty in letting Fogg go alone. What! This man, whom he had just followed around the world, was permitted now to separate himself from him! He began to accuse and abuse himself, and, as if he were director of police, administered to himself a sound lecture for his greenness. "I have been an idiot!" he thought, "and this man will see it. He has gone, and won't come back! But how is it that I, Fix, who have in my pocket a warrant for his arrest, have been so fascinated by him? Decidedly, I am nothing but an ass!" So reasoned the detective, while the hours crept by all too slowly. He did not know what to do. Sometimes he was tempted to tell Aouda all; but he could not doubt how the young woman would receive his confidences. What course should he take? He thought of pursuing Fogg across the vast white plains; it did not seem impossible that he might overtake him. Footsteps were easily printed on the snow! But soon, under a new sheet, every imprint would be effaced. Fix became discouraged. He felt a sort of insurmountable longing to abandon the game altogether. He could now leave Fort Kearney station, and pursue his journey homeward in peace. Towards two o'clock in the afternoon, while it was snowing hard, long whistles were heard approaching from the east. A great shadow, preceded by a wild light, slowly advanced, appearing still larger through the mist, which gave it a fantastic aspect. No train was expected from the east, neither had there been time for the succour asked for by telegraph to arrive; the train from Omaha to San Francisco was not due till the next day. The mystery was soon explained. The locomotive, which was slowly approaching with deafening whistles, was that which, having been detached from the train, had continued its route with such terrific rapidity, carrying off the unconscious engineer and stoker. It had run several miles, when, the fire becoming low for want of fuel, the steam had slackened; and it had finally stopped an hour after, some twenty miles beyond Fort Kearney. Neither the engineer nor the stoker was dead, and, after remaining for some time in their swoon, had come to themselves. The train had then stopped. The engineer, when he found himself in the desert, and the locomotive without cars, understood what had happened. He could not imagine how the locomotive had become separated from the train; but he did not doubt that the train left behind was in distress. He did not hesitate what to do. It would be prudent to continue on to Omaha, for it would be dangerous to return to the train, which the Indians might still be engaged in pillaging. Nevertheless, he began to rebuild the fire in the furnace; the pressure again mounted, and the locomotive returned, running backwards to Fort Kearney. This it was which was whistling in the mist. The travellers were glad to see the locomotive resume its place at the head of the train. They could now continue the journey so terribly interrupted. Aouda, on seeing the locomotive come up, hurried out of the station, and asked the conductor, "Are you going to start?" "At once, madam." "But the prisoners, our unfortunate fellow-travellers--" "I cannot interrupt the trip," replied the conductor. "We are already three hours behind time." "And when will another train pass here from San Francisco?" "To-morrow evening, madam." "To-morrow evening! But then it will be too late! We must wait--" "It is impossible," responded the conductor. "If you wish to go, please get in." "I will not go," said Aouda. Fix had heard this conversation. A little while before, when there was no prospect of proceeding on the journey, he had made up his mind to leave Fort Kearney; but now that the train was there, ready to start, and he had only to take his seat in the car, an irresistible influence held him back. The station platform burned his feet, and he could not stir. The conflict in his mind again began; anger and failure stifled him. He wished to struggle on to the end. Meanwhile the passengers and some of the wounded, among them Colonel Proctor, whose injuries were serious, had taken their places in the train. The buzzing of the over-heated boiler was heard, and the steam was escaping from the valves. The engineer whistled, the train started, and soon disappeared, mingling its white smoke with the eddies of the densely falling snow. The detective had remained behind. Several hours passed. The weather was dismal, and it was very cold. Fix sat motionless on a bench in the station; he might have been thought asleep. Aouda, despite the storm, kept coming out of the waiting-room, going to the end of the platform, and peering through the tempest of snow, as if to pierce the mist which narrowed the horizon around her, and to hear, if possible, some welcome sound. She heard and saw nothing. Then she would return, chilled through, to issue out again after the lapse of a few moments, but always in vain. Evening came, and the little band had not returned. Where could they be? Had they found the Indians, and were they having a conflict with them, or were they still wandering amid the mist? The commander of the fort was anxious, though he tried to conceal his apprehensions. As night approached, the snow fell less plentifully, but it became intensely cold. Absolute silence rested on the plains. Neither flight of bird nor passing of beast troubled the perfect calm. Throughout the night Aouda, full of sad forebodings, her heart stifled with anguish, wandered about on the verge of the plains. Her imagination carried her far off, and showed her innumerable dangers. What she suffered through the long hours it would be impossible to describe. Fix remained stationary in the same place, but did not sleep. Once a man approached and spoke to him, and the detective merely replied by shaking his head. Thus the night passed. At dawn, the half-extinguished disc of the sun rose above a misty horizon; but it was now possible to recognise objects two miles off. Phileas Fogg and the squad had gone southward; in the south all was still vacancy. It was then seven o'clock. The captain, who was really alarmed, did not know what course to take. Should he send another detachment to the rescue of the first? Should he sacrifice more men, with so few chances of saving those already sacrificed? His hesitation did not last long, however. Calling one of his lieutenants, he was on the point of ordering a reconnaissance, when gunshots were heard. Was it a signal? The soldiers rushed out of the fort, and half a mile off they perceived a little band returning in good order. Mr. Fogg was marching at their head, and just behind him were Passepartout and the other two travellers, rescued from the Sioux. They had met and fought the Indians ten miles south of Fort Kearney. Shortly before the detachment arrived, Passepartout and his companions had begun to struggle with their captors, three of whom the Frenchman had felled with his fists, when his master and the soldiers hastened up to their relief. All were welcomed with joyful cries. Phileas Fogg distributed the reward he had promised to the soldiers, while Passepartout, not without reason, muttered to himself, "It must certainly be confessed that I cost my master dear!" Fix, without saying a word, looked at Mr. Fogg, and it would have been difficult to analyse the thoughts which struggled within him. As for Aouda, she took her protector's hand and pressed it in her own, too much moved to speak. Meanwhile, Passepartout was looking about for the train; he thought he should find it there, ready to start for Omaha, and he hoped that the time lost might be regained. "The train! the train!" cried he. "Gone," replied Fix. "And when does the next train pass here?" said Phileas Fogg. "Not till this evening." "Ah!" returned the impassible gentleman quietly.

cliffnotes

Generate a succinct summary for chapter 32 with the given context.

chapter 31|chapter 32

Fogg's last hope seemed to have gone with the 'China', the boat that leaves for Liverpool from New York. Passepartout is crushed by the fact that the boat has been missed because of him. Fogg merely says that they will decide the next day, on what needs to be done. They stay the night at a Hotel and the next day, Fogg leaves the hotel alone, in order to look for a ship. He sees a trading vessel of fine lines-the 'Henrietta' and goes to meet the Captain. Fogg wants to know, whether the Captain-Andrew Speedy-will take passengers to Liverpool. The latter refuses but Fogg manages to strike a deal, for a journey to Bordeaux. He offers two thousand dollars for each person and there are four. Thus, the foursome-Fogg, Aouda, Passepartout and Fix board the ship-Henrietta-for Bordeaux.

----------CHAPTER 31--------- Phileas Fogg found himself twenty hours behind time. Passepartout, the involuntary cause of this delay, was desperate. He had ruined his master! At this moment the detective approached Mr. Fogg, and, looking him intently in the face, said: "Seriously, sir, are you in great haste?" "Quite seriously." "I have a purpose in asking," resumed Fix. "Is it absolutely necessary that you should be in New York on the 11th, before nine o'clock in the evening, the time that the steamer leaves for Liverpool?" "It is absolutely necessary." "And, if your journey had not been interrupted by these Indians, you would have reached New York on the morning of the 11th?" "Yes; with eleven hours to spare before the steamer left." "Good! you are therefore twenty hours behind. Twelve from twenty leaves eight. You must regain eight hours. Do you wish to try to do so?" "On foot?" asked Mr. Fogg. "No; on a sledge," replied Fix. "On a sledge with sails. A man has proposed such a method to me." It was the man who had spoken to Fix during the night, and whose offer he had refused. Phileas Fogg did not reply at once; but Fix, having pointed out the man, who was walking up and down in front of the station, Mr. Fogg went up to him. An instant after, Mr. Fogg and the American, whose name was Mudge, entered a hut built just below the fort. There Mr. Fogg examined a curious vehicle, a kind of frame on two long beams, a little raised in front like the runners of a sledge, and upon which there was room for five or six persons. A high mast was fixed on the frame, held firmly by metallic lashings, to which was attached a large brigantine sail. This mast held an iron stay upon which to hoist a jib-sail. Behind, a sort of rudder served to guide the vehicle. It was, in short, a sledge rigged like a sloop. During the winter, when the trains are blocked up by the snow, these sledges make extremely rapid journeys across the frozen plains from one station to another. Provided with more sails than a cutter, and with the wind behind them, they slip over the surface of the prairies with a speed equal if not superior to that of the express trains. Mr. Fogg readily made a bargain with the owner of this land-craft. The wind was favourable, being fresh, and blowing from the west. The snow had hardened, and Mudge was very confident of being able to transport Mr. Fogg in a few hours to Omaha. Thence the trains eastward run frequently to Chicago and New York. It was not impossible that the lost time might yet be recovered; and such an opportunity was not to be rejected. Not wishing to expose Aouda to the discomforts of travelling in the open air, Mr. Fogg proposed to leave her with Passepartout at Fort Kearney, the servant taking upon himself to escort her to Europe by a better route and under more favourable conditions. But Aouda refused to separate from Mr. Fogg, and Passepartout was delighted with her decision; for nothing could induce him to leave his master while Fix was with him. It would be difficult to guess the detective's thoughts. Was this conviction shaken by Phileas Fogg's return, or did he still regard him as an exceedingly shrewd rascal, who, his journey round the world completed, would think himself absolutely safe in England? Perhaps Fix's opinion of Phileas Fogg was somewhat modified; but he was nevertheless resolved to do his duty, and to hasten the return of the whole party to England as much as possible. At eight o'clock the sledge was ready to start. The passengers took their places on it, and wrapped themselves up closely in their travelling-cloaks. The two great sails were hoisted, and under the pressure of the wind the sledge slid over the hardened snow with a velocity of forty miles an hour. The distance between Fort Kearney and Omaha, as the birds fly, is at most two hundred miles. If the wind held good, the distance might be traversed in five hours; if no accident happened the sledge might reach Omaha by one o'clock. What a journey! The travellers, huddled close together, could not speak for the cold, intensified by the rapidity at which they were going. The sledge sped on as lightly as a boat over the waves. When the breeze came skimming the earth the sledge seemed to be lifted off the ground by its sails. Mudge, who was at the rudder, kept in a straight line, and by a turn of his hand checked the lurches which the vehicle had a tendency to make. All the sails were up, and the jib was so arranged as not to screen the brigantine. A top-mast was hoisted, and another jib, held out to the wind, added its force to the other sails. Although the speed could not be exactly estimated, the sledge could not be going at less than forty miles an hour. "If nothing breaks," said Mudge, "we shall get there!" Mr. Fogg had made it for Mudge's interest to reach Omaha within the time agreed on, by the offer of a handsome reward. The prairie, across which the sledge was moving in a straight line, was as flat as a sea. It seemed like a vast frozen lake. The railroad which ran through this section ascended from the south-west to the north-west by Great Island, Columbus, an important Nebraska town, Schuyler, and Fremont, to Omaha. It followed throughout the right bank of the Platte River. The sledge, shortening this route, took a chord of the arc described by the railway. Mudge was not afraid of being stopped by the Platte River, because it was frozen. The road, then, was quite clear of obstacles, and Phileas Fogg had but two things to fear--an accident to the sledge, and a change or calm in the wind. But the breeze, far from lessening its force, blew as if to bend the mast, which, however, the metallic lashings held firmly. These lashings, like the chords of a stringed instrument, resounded as if vibrated by a violin bow. The sledge slid along in the midst of a plaintively intense melody. "Those chords give the fifth and the octave," said Mr. Fogg. These were the only words he uttered during the journey. Aouda, cosily packed in furs and cloaks, was sheltered as much as possible from the attacks of the freezing wind. As for Passepartout, his face was as red as the sun's disc when it sets in the mist, and he laboriously inhaled the biting air. With his natural buoyancy of spirits, he began to hope again. They would reach New York on the evening, if not on the morning, of the 11th, and there was still some chances that it would be before the steamer sailed for Liverpool. Passepartout even felt a strong desire to grasp his ally, Fix, by the hand. He remembered that it was the detective who procured the sledge, the only means of reaching Omaha in time; but, checked by some presentiment, he kept his usual reserve. One thing, however, Passepartout would never forget, and that was the sacrifice which Mr. Fogg had made, without hesitation, to rescue him from the Sioux. Mr. Fogg had risked his fortune and his life. No! His servant would never forget that! While each of the party was absorbed in reflections so different, the sledge flew past over the vast carpet of snow. The creeks it passed over were not perceived. Fields and streams disappeared under the uniform whiteness. The plain was absolutely deserted. Between the Union Pacific road and the branch which unites Kearney with Saint Joseph it formed a great uninhabited island. Neither village, station, nor fort appeared. From time to time they sped by some phantom-like tree, whose white skeleton twisted and rattled in the wind. Sometimes flocks of wild birds rose, or bands of gaunt, famished, ferocious prairie-wolves ran howling after the sledge. Passepartout, revolver in hand, held himself ready to fire on those which came too near. Had an accident then happened to the sledge, the travellers, attacked by these beasts, would have been in the most terrible danger; but it held on its even course, soon gained on the wolves, and ere long left the howling band at a safe distance behind. About noon Mudge perceived by certain landmarks that he was crossing the Platte River. He said nothing, but he felt certain that he was now within twenty miles of Omaha. In less than an hour he left the rudder and furled his sails, whilst the sledge, carried forward by the great impetus the wind had given it, went on half a mile further with its sails unspread. It stopped at last, and Mudge, pointing to a mass of roofs white with snow, said: "We have got there!" Arrived! Arrived at the station which is in daily communication, by numerous trains, with the Atlantic seaboard! Passepartout and Fix jumped off, stretched their stiffened limbs, and aided Mr. Fogg and the young woman to descend from the sledge. Phileas Fogg generously rewarded Mudge, whose hand Passepartout warmly grasped, and the party directed their steps to the Omaha railway station. The Pacific Railroad proper finds its terminus at this important Nebraska town. Omaha is connected with Chicago by the Chicago and Rock Island Railroad, which runs directly east, and passes fifty stations. A train was ready to start when Mr. Fogg and his party reached the station, and they only had time to get into the cars. They had seen nothing of Omaha; but Passepartout confessed to himself that this was not to be regretted, as they were not travelling to see the sights. The train passed rapidly across the State of Iowa, by Council Bluffs, Des Moines, and Iowa City. During the night it crossed the Mississippi at Davenport, and by Rock Island entered Illinois. The next day, which was the 10th, at four o'clock in the evening, it reached Chicago, already risen from its ruins, and more proudly seated than ever on the borders of its beautiful Lake Michigan. Nine hundred miles separated Chicago from New York; but trains are not wanting at Chicago. Mr. Fogg passed at once from one to the other, and the locomotive of the Pittsburgh, Fort Wayne, and Chicago Railway left at full speed, as if it fully comprehended that that gentleman had no time to lose. It traversed Indiana, Ohio, Pennsylvania, and New Jersey like a flash, rushing through towns with antique names, some of which had streets and car-tracks, but as yet no houses. At last the Hudson came into view; and, at a quarter-past eleven in the evening of the 11th, the train stopped in the station on the right bank of the river, before the very pier of the Cunard line. The China, for Liverpool, had started three-quarters of an hour before! ----------CHAPTER 32--------- The China, in leaving, seemed to have carried off Phileas Fogg's last hope. None of the other steamers were able to serve his projects. The Pereire, of the French Transatlantic Company, whose admirable steamers are equal to any in speed and comfort, did not leave until the 14th; the Hamburg boats did not go directly to Liverpool or London, but to Havre; and the additional trip from Havre to Southampton would render Phileas Fogg's last efforts of no avail. The Inman steamer did not depart till the next day, and could not cross the Atlantic in time to save the wager. Mr. Fogg learned all this in consulting his Bradshaw, which gave him the daily movements of the trans-Atlantic steamers. Passepartout was crushed; it overwhelmed him to lose the boat by three-quarters of an hour. It was his fault, for, instead of helping his master, he had not ceased putting obstacles in his path! And when he recalled all the incidents of the tour, when he counted up the sums expended in pure loss and on his own account, when he thought that the immense stake, added to the heavy charges of this useless journey, would completely ruin Mr. Fogg, he overwhelmed himself with bitter self-accusations. Mr. Fogg, however, did not reproach him; and, on leaving the Cunard pier, only said: "We will consult about what is best to-morrow. Come." The party crossed the Hudson in the Jersey City ferryboat, and drove in a carriage to the St. Nicholas Hotel, on Broadway. Rooms were engaged, and the night passed, briefly to Phileas Fogg, who slept profoundly, but very long to Aouda and the others, whose agitation did not permit them to rest. The next day was the 12th of December. From seven in the morning of the 12th to a quarter before nine in the evening of the 21st there were nine days, thirteen hours, and forty-five minutes. If Phileas Fogg had left in the China, one of the fastest steamers on the Atlantic, he would have reached Liverpool, and then London, within the period agreed upon. Mr. Fogg left the hotel alone, after giving Passepartout instructions to await his return, and inform Aouda to be ready at an instant's notice. He proceeded to the banks of the Hudson, and looked about among the vessels moored or anchored in the river, for any that were about to depart. Several had departure signals, and were preparing to put to sea at morning tide; for in this immense and admirable port there is not one day in a hundred that vessels do not set out for every quarter of the globe. But they were mostly sailing vessels, of which, of course, Phileas Fogg could make no use. He seemed about to give up all hope, when he espied, anchored at the Battery, a cable's length off at most, a trading vessel, with a screw, well-shaped, whose funnel, puffing a cloud of smoke, indicated that she was getting ready for departure. Phileas Fogg hailed a boat, got into it, and soon found himself on board the Henrietta, iron-hulled, wood-built above. He ascended to the deck, and asked for the captain, who forthwith presented himself. He was a man of fifty, a sort of sea-wolf, with big eyes, a complexion of oxidised copper, red hair and thick neck, and a growling voice. "The captain?" asked Mr. Fogg. "I am the captain." "I am Phileas Fogg, of London." "And I am Andrew Speedy, of Cardiff." "You are going to put to sea?" "In an hour." "You are bound for--" "Bordeaux." "And your cargo?" "No freight. Going in ballast." "Have you any passengers?" "No passengers. Never have passengers. Too much in the way." "Is your vessel a swift one?" "Between eleven and twelve knots. The Henrietta, well known." "Will you carry me and three other persons to Liverpool?" "To Liverpool? Why not to China?" "I said Liverpool." "No!" "No?" "No. I am setting out for Bordeaux, and shall go to Bordeaux." "Money is no object?" "None." The captain spoke in a tone which did not admit of a reply. "But the owners of the Henrietta--" resumed Phileas Fogg. "The owners are myself," replied the captain. "The vessel belongs to me." "I will freight it for you." "No." "I will buy it of you." "No." Phileas Fogg did not betray the least disappointment; but the situation was a grave one. It was not at New York as at Hong Kong, nor with the captain of the Henrietta as with the captain of the Tankadere. Up to this time money had smoothed away every obstacle. Now money failed. Still, some means must be found to cross the Atlantic on a boat, unless by balloon--which would have been venturesome, besides not being capable of being put in practice. It seemed that Phileas Fogg had an idea, for he said to the captain, "Well, will you carry me to Bordeaux?" "No, not if you paid me two hundred dollars." "I offer you two thousand." "Apiece?" "Apiece." "And there are four of you?" "Four." Captain Speedy began to scratch his head. There were eight thousand dollars to gain, without changing his route; for which it was well worth conquering the repugnance he had for all kinds of passengers. Besides, passengers at two thousand dollars are no longer passengers, but valuable merchandise. "I start at nine o'clock," said Captain Speedy, simply. "Are you and your party ready?" "We will be on board at nine o'clock," replied, no less simply, Mr. Fogg. It was half-past eight. To disembark from the Henrietta, jump into a hack, hurry to the St. Nicholas, and return with Aouda, Passepartout, and even the inseparable Fix was the work of a brief time, and was performed by Mr. Fogg with the coolness which never abandoned him. They were on board when the Henrietta made ready to weigh anchor. When Passepartout heard what this last voyage was going to cost, he uttered a prolonged "Oh!" which extended throughout his vocal gamut. As for Fix, he said to himself that the Bank of England would certainly not come out of this affair well indemnified. When they reached England, even if Mr. Fogg did not throw some handfuls of bank-bills into the sea, more than seven thousand pounds would have been spent!

cliffnotes

Generate a succinct summary for chapter 35 with the given context.

chapter 33|chapter 34|chapter 35

Fogg, Aouda and Passepartout return to the Savile Row house. Fogg seems calm outwardly though his fortune had completely dwindled. A room in the house was set apart for Aouda. Aouda and Passepartout are both worried about Fogg as they expect him to do something rash. Passepartout continues to feel guilty and even tells Fogg that he is sorry. But Fogg blames no one. The day passes by wearily. In the evening, Fogg meets Aouda and Fogg talks about giving some money to her in order that she may maintain her position. As the course of the conversation goes, Aouda asks Fogg whether he would like to have her as his wife. He confesses his own love for her. Passepartout is called and asked to give due notice to the Reverend Samuel Wilson, so that Fogg and Aouda may be married the next day, that is Monday.

----------CHAPTER 33--------- An hour after, the Henrietta passed the lighthouse which marks the entrance of the Hudson, turned the point of Sandy Hook, and put to sea. During the day she skirted Long Island, passed Fire Island, and directed her course rapidly eastward. At noon the next day, a man mounted the bridge to ascertain the vessel's position. It might be thought that this was Captain Speedy. Not the least in the world. It was Phileas Fogg, Esquire. As for Captain Speedy, he was shut up in his cabin under lock and key, and was uttering loud cries, which signified an anger at once pardonable and excessive. What had happened was very simple. Phileas Fogg wished to go to Liverpool, but the captain would not carry him there. Then Phileas Fogg had taken passage for Bordeaux, and, during the thirty hours he had been on board, had so shrewdly managed with his banknotes that the sailors and stokers, who were only an occasional crew, and were not on the best terms with the captain, went over to him in a body. This was why Phileas Fogg was in command instead of Captain Speedy; why the captain was a prisoner in his cabin; and why, in short, the Henrietta was directing her course towards Liverpool. It was very clear, to see Mr. Fogg manage the craft, that he had been a sailor. How the adventure ended will be seen anon. Aouda was anxious, though she said nothing. As for Passepartout, he thought Mr. Fogg's manoeuvre simply glorious. The captain had said "between eleven and twelve knots," and the Henrietta confirmed his prediction. If, then--for there were "ifs" still--the sea did not become too boisterous, if the wind did not veer round to the east, if no accident happened to the boat or its machinery, the Henrietta might cross the three thousand miles from New York to Liverpool in the nine days, between the 12th and the 21st of December. It is true that, once arrived, the affair on board the Henrietta, added to that of the Bank of England, might create more difficulties for Mr. Fogg than he imagined or could desire. During the first days, they went along smoothly enough. The sea was not very unpropitious, the wind seemed stationary in the north-east, the sails were hoisted, and the Henrietta ploughed across the waves like a real trans-Atlantic steamer. Passepartout was delighted. His master's last exploit, the consequences of which he ignored, enchanted him. Never had the crew seen so jolly and dexterous a fellow. He formed warm friendships with the sailors, and amazed them with his acrobatic feats. He thought they managed the vessel like gentlemen, and that the stokers fired up like heroes. His loquacious good-humour infected everyone. He had forgotten the past, its vexations and delays. He only thought of the end, so nearly accomplished; and sometimes he boiled over with impatience, as if heated by the furnaces of the Henrietta. Often, also, the worthy fellow revolved around Fix, looking at him with a keen, distrustful eye; but he did not speak to him, for their old intimacy no longer existed. Fix, it must be confessed, understood nothing of what was going on. The conquest of the Henrietta, the bribery of the crew, Fogg managing the boat like a skilled seaman, amazed and confused him. He did not know what to think. For, after all, a man who began by stealing fifty-five thousand pounds might end by stealing a vessel; and Fix was not unnaturally inclined to conclude that the Henrietta under Fogg's command, was not going to Liverpool at all, but to some part of the world where the robber, turned into a pirate, would quietly put himself in safety. The conjecture was at least a plausible one, and the detective began to seriously regret that he had embarked on the affair. As for Captain Speedy, he continued to howl and growl in his cabin; and Passepartout, whose duty it was to carry him his meals, courageous as he was, took the greatest precautions. Mr. Fogg did not seem even to know that there was a captain on board. On the 13th they passed the edge of the Banks of Newfoundland, a dangerous locality; during the winter, especially, there are frequent fogs and heavy gales of wind. Ever since the evening before the barometer, suddenly falling, had indicated an approaching change in the atmosphere; and during the night the temperature varied, the cold became sharper, and the wind veered to the south-east. This was a misfortune. Mr. Fogg, in order not to deviate from his course, furled his sails and increased the force of the steam; but the vessel's speed slackened, owing to the state of the sea, the long waves of which broke against the stern. She pitched violently, and this retarded her progress. The breeze little by little swelled into a tempest, and it was to be feared that the Henrietta might not be able to maintain herself upright on the waves. Passepartout's visage darkened with the skies, and for two days the poor fellow experienced constant fright. But Phileas Fogg was a bold mariner, and knew how to maintain headway against the sea; and he kept on his course, without even decreasing his steam. The Henrietta, when she could not rise upon the waves, crossed them, swamping her deck, but passing safely. Sometimes the screw rose out of the water, beating its protruding end, when a mountain of water raised the stern above the waves; but the craft always kept straight ahead. The wind, however, did not grow as boisterous as might have been feared; it was not one of those tempests which burst, and rush on with a speed of ninety miles an hour. It continued fresh, but, unhappily, it remained obstinately in the south-east, rendering the sails useless. The 16th of December was the seventy-fifth day since Phileas Fogg's departure from London, and the Henrietta had not yet been seriously delayed. Half of the voyage was almost accomplished, and the worst localities had been passed. In summer, success would have been well-nigh certain. In winter, they were at the mercy of the bad season. Passepartout said nothing; but he cherished hope in secret, and comforted himself with the reflection that, if the wind failed them, they might still count on the steam. On this day the engineer came on deck, went up to Mr. Fogg, and began to speak earnestly with him. Without knowing why it was a presentiment, perhaps Passepartout became vaguely uneasy. He would have given one of his ears to hear with the other what the engineer was saying. He finally managed to catch a few words, and was sure he heard his master say, "You are certain of what you tell me?" "Certain, sir," replied the engineer. "You must remember that, since we started, we have kept up hot fires in all our furnaces, and, though we had coal enough to go on short steam from New York to Bordeaux, we haven't enough to go with all steam from New York to Liverpool." "I will consider," replied Mr. Fogg. Passepartout understood it all; he was seized with mortal anxiety. The coal was giving out! "Ah, if my master can get over that," muttered he, "he'll be a famous man!" He could not help imparting to Fix what he had overheard. "Then you believe that we really are going to Liverpool?" "Of course." "Ass!" replied the detective, shrugging his shoulders and turning on his heel. Passepartout was on the point of vigorously resenting the epithet, the reason of which he could not for the life of him comprehend; but he reflected that the unfortunate Fix was probably very much disappointed and humiliated in his self-esteem, after having so awkwardly followed a false scent around the world, and refrained. And now what course would Phileas Fogg adopt? It was difficult to imagine. Nevertheless he seemed to have decided upon one, for that evening he sent for the engineer, and said to him, "Feed all the fires until the coal is exhausted." A few moments after, the funnel of the Henrietta vomited forth torrents of smoke. The vessel continued to proceed with all steam on; but on the 18th, the engineer, as he had predicted, announced that the coal would give out in the course of the day. "Do not let the fires go down," replied Mr. Fogg. "Keep them up to the last. Let the valves be filled." Towards noon Phileas Fogg, having ascertained their position, called Passepartout, and ordered him to go for Captain Speedy. It was as if the honest fellow had been commanded to unchain a tiger. He went to the poop, saying to himself, "He will be like a madman!" In a few moments, with cries and oaths, a bomb appeared on the poop-deck. The bomb was Captain Speedy. It was clear that he was on the point of bursting. "Where are we?" were the first words his anger permitted him to utter. Had the poor man been an apoplectic, he could never have recovered from his paroxysm of wrath. "Where are we?" he repeated, with purple face. "Seven hundred and seven miles from Liverpool," replied Mr. Fogg, with imperturbable calmness. "Pirate!" cried Captain Speedy. "I have sent for you, sir--" "Pickaroon!" "--sir," continued Mr. Fogg, "to ask you to sell me your vessel." "No! By all the devils, no!" "But I shall be obliged to burn her." "Burn the Henrietta!" "Yes; at least the upper part of her. The coal has given out." "Burn my vessel!" cried Captain Speedy, who could scarcely pronounce the words. "A vessel worth fifty thousand dollars!" "Here are sixty thousand," replied Phileas Fogg, handing the captain a roll of bank-bills. This had a prodigious effect on Andrew Speedy. An American can scarcely remain unmoved at the sight of sixty thousand dollars. The captain forgot in an instant his anger, his imprisonment, and all his grudges against his passenger. The Henrietta was twenty years old; it was a great bargain. The bomb would not go off after all. Mr. Fogg had taken away the match. "And I shall still have the iron hull," said the captain in a softer tone. "The iron hull and the engine. Is it agreed?" "Agreed." And Andrew Speedy, seizing the banknotes, counted them and consigned them to his pocket. During this colloquy, Passepartout was as white as a sheet, and Fix seemed on the point of having an apoplectic fit. Nearly twenty thousand pounds had been expended, and Fogg left the hull and engine to the captain, that is, near the whole value of the craft! It was true, however, that fifty-five thousand pounds had been stolen from the Bank. When Andrew Speedy had pocketed the money, Mr. Fogg said to him, "Don't let this astonish you, sir. You must know that I shall lose twenty thousand pounds, unless I arrive in London by a quarter before nine on the evening of the 21st of December. I missed the steamer at New York, and as you refused to take me to Liverpool--" "And I did well!" cried Andrew Speedy; "for I have gained at least forty thousand dollars by it!" He added, more sedately, "Do you know one thing, Captain--" "Fogg." "Captain Fogg, you've got something of the Yankee about you." And, having paid his passenger what he considered a high compliment, he was going away, when Mr. Fogg said, "The vessel now belongs to me?" "Certainly, from the keel to the truck of the masts--all the wood, that is." "Very well. Have the interior seats, bunks, and frames pulled down, and burn them." It was necessary to have dry wood to keep the steam up to the adequate pressure, and on that day the poop, cabins, bunks, and the spare deck were sacrificed. On the next day, the 19th of December, the masts, rafts, and spars were burned; the crew worked lustily, keeping up the fires. Passepartout hewed, cut, and sawed away with all his might. There was a perfect rage for demolition. The railings, fittings, the greater part of the deck, and top sides disappeared on the 20th, and the Henrietta was now only a flat hulk. But on this day they sighted the Irish coast and Fastnet Light. By ten in the evening they were passing Queenstown. Phileas Fogg had only twenty-four hours more in which to get to London; that length of time was necessary to reach Liverpool, with all steam on. And the steam was about to give out altogether! "Sir," said Captain Speedy, who was now deeply interested in Mr. Fogg's project, "I really commiserate you. Everything is against you. We are only opposite Queenstown." "Ah," said Mr. Fogg, "is that place where we see the lights Queenstown?" "Yes." "Can we enter the harbour?" "Not under three hours. Only at high tide." "Stay," replied Mr. Fogg calmly, without betraying in his features that by a supreme inspiration he was about to attempt once more to conquer ill-fortune. Queenstown is the Irish port at which the trans-Atlantic steamers stop to put off the mails. These mails are carried to Dublin by express trains always held in readiness to start; from Dublin they are sent on to Liverpool by the most rapid boats, and thus gain twelve hours on the Atlantic steamers. Phileas Fogg counted on gaining twelve hours in the same way. Instead of arriving at Liverpool the next evening by the Henrietta, he would be there by noon, and would therefore have time to reach London before a quarter before nine in the evening. The Henrietta entered Queenstown Harbour at one o'clock in the morning, it then being high tide; and Phileas Fogg, after being grasped heartily by the hand by Captain Speedy, left that gentleman on the levelled hulk of his craft, which was still worth half what he had sold it for. The party went on shore at once. Fix was greatly tempted to arrest Mr. Fogg on the spot; but he did not. Why? What struggle was going on within him? Had he changed his mind about "his man"? Did he understand that he had made a grave mistake? He did not, however, abandon Mr. Fogg. They all got upon the train, which was just ready to start, at half-past one; at dawn of day they were in Dublin; and they lost no time in embarking on a steamer which, disdaining to rise upon the waves, invariably cut through them. Phileas Fogg at last disembarked on the Liverpool quay, at twenty minutes before twelve, 21st December. He was only six hours distant from London. But at this moment Fix came up, put his hand upon Mr. Fogg's shoulder, and, showing his warrant, said, "You are really Phileas Fogg?" "I am." "I arrest you in the Queen's name!" ----------CHAPTER 34--------- Phileas Fogg was in prison. He had been shut up in the Custom House, and he was to be transferred to London the next day. Passepartout, when he saw his master arrested, would have fallen upon Fix had he not been held back by some policemen. Aouda was thunderstruck at the suddenness of an event which she could not understand. Passepartout explained to her how it was that the honest and courageous Fogg was arrested as a robber. The young woman's heart revolted against so heinous a charge, and when she saw that she could attempt to do nothing to save her protector, she wept bitterly. As for Fix, he had arrested Mr. Fogg because it was his duty, whether Mr. Fogg were guilty or not. The thought then struck Passepartout, that he was the cause of this new misfortune! Had he not concealed Fix's errand from his master? When Fix revealed his true character and purpose, why had he not told Mr. Fogg? If the latter had been warned, he would no doubt have given Fix proof of his innocence, and satisfied him of his mistake; at least, Fix would not have continued his journey at the expense and on the heels of his master, only to arrest him the moment he set foot on English soil. Passepartout wept till he was blind, and felt like blowing his brains out. Aouda and he had remained, despite the cold, under the portico of the Custom House. Neither wished to leave the place; both were anxious to see Mr. Fogg again. That gentleman was really ruined, and that at the moment when he was about to attain his end. This arrest was fatal. Having arrived at Liverpool at twenty minutes before twelve on the 21st of December, he had till a quarter before nine that evening to reach the Reform Club, that is, nine hours and a quarter; the journey from Liverpool to London was six hours. If anyone, at this moment, had entered the Custom House, he would have found Mr. Fogg seated, motionless, calm, and without apparent anger, upon a wooden bench. He was not, it is true, resigned; but this last blow failed to force him into an outward betrayal of any emotion. Was he being devoured by one of those secret rages, all the more terrible because contained, and which only burst forth, with an irresistible force, at the last moment? No one could tell. There he sat, calmly waiting--for what? Did he still cherish hope? Did he still believe, now that the door of this prison was closed upon him, that he would succeed? However that may have been, Mr. Fogg carefully put his watch upon the table, and observed its advancing hands. Not a word escaped his lips, but his look was singularly set and stern. The situation, in any event, was a terrible one, and might be thus stated: if Phileas Fogg was honest he was ruined; if he was a knave, he was caught. Did escape occur to him? Did he examine to see if there were any practicable outlet from his prison? Did he think of escaping from it? Possibly; for once he walked slowly around the room. But the door was locked, and the window heavily barred with iron rods. He sat down again, and drew his journal from his pocket. On the line where these words were written, "21st December, Saturday, Liverpool," he added, "80th day, 11.40 a.m.," and waited. The Custom House clock struck one. Mr. Fogg observed that his watch was two hours too fast. Two hours! Admitting that he was at this moment taking an express train, he could reach London and the Reform Club by a quarter before nine, p.m. His forehead slightly wrinkled. At thirty-three minutes past two he heard a singular noise outside, then a hasty opening of doors. Passepartout's voice was audible, and immediately after that of Fix. Phileas Fogg's eyes brightened for an instant. The door swung open, and he saw Passepartout, Aouda, and Fix, who hurried towards him. Fix was out of breath, and his hair was in disorder. He could not speak. "Sir," he stammered, "sir--forgive me--most--unfortunate resemblance--robber arrested three days ago--you are free!" Phileas Fogg was free! He walked to the detective, looked him steadily in the face, and with the only rapid motion he had ever made in his life, or which he ever would make, drew back his arms, and with the precision of a machine knocked Fix down. "Well hit!" cried Passepartout, "Parbleu! that's what you might call a good application of English fists!" Fix, who found himself on the floor, did not utter a word. He had only received his deserts. Mr. Fogg, Aouda, and Passepartout left the Custom House without delay, got into a cab, and in a few moments descended at the station. Phileas Fogg asked if there was an express train about to leave for London. It was forty minutes past two. The express train had left thirty-five minutes before. Phileas Fogg then ordered a special train. There were several rapid locomotives on hand; but the railway arrangements did not permit the special train to leave until three o'clock. At that hour Phileas Fogg, having stimulated the engineer by the offer of a generous reward, at last set out towards London with Aouda and his faithful servant. It was necessary to make the journey in five hours and a half; and this would have been easy on a clear road throughout. But there were forced delays, and when Mr. Fogg stepped from the train at the terminus, all the clocks in London were striking ten minutes before nine. Having made the tour of the world, he was behind-hand five minutes. He had lost the wager! ----------CHAPTER 35--------- The dwellers in Saville Row would have been surprised the next day, if they had been told that Phileas Fogg had returned home. His doors and windows were still closed, no appearance of change was visible. After leaving the station, Mr. Fogg gave Passepartout instructions to purchase some provisions, and quietly went to his domicile. He bore his misfortune with his habitual tranquillity. Ruined! And by the blundering of the detective! After having steadily traversed that long journey, overcome a hundred obstacles, braved many dangers, and still found time to do some good on his way, to fail near the goal by a sudden event which he could not have foreseen, and against which he was unarmed; it was terrible! But a few pounds were left of the large sum he had carried with him. There only remained of his fortune the twenty thousand pounds deposited at Barings, and this amount he owed to his friends of the Reform Club. So great had been the expense of his tour that, even had he won, it would not have enriched him; and it is probable that he had not sought to enrich himself, being a man who rather laid wagers for honour's sake than for the stake proposed. But this wager totally ruined him. Mr. Fogg's course, however, was fully decided upon; he knew what remained for him to do. A room in the house in Saville Row was set apart for Aouda, who was overwhelmed with grief at her protector's misfortune. From the words which Mr. Fogg dropped, she saw that he was meditating some serious project. Knowing that Englishmen governed by a fixed idea sometimes resort to the desperate expedient of suicide, Passepartout kept a narrow watch upon his master, though he carefully concealed the appearance of so doing. First of all, the worthy fellow had gone up to his room, and had extinguished the gas burner, which had been burning for eighty days. He had found in the letter-box a bill from the gas company, and he thought it more than time to put a stop to this expense, which he had been doomed to bear. The night passed. Mr. Fogg went to bed, but did he sleep? Aouda did not once close her eyes. Passepartout watched all night, like a faithful dog, at his master's door. Mr. Fogg called him in the morning, and told him to get Aouda's breakfast, and a cup of tea and a chop for himself. He desired Aouda to excuse him from breakfast and dinner, as his time would be absorbed all day in putting his affairs to rights. In the evening he would ask permission to have a few moment's conversation with the young lady. Passepartout, having received his orders, had nothing to do but obey them. He looked at his imperturbable master, and could scarcely bring his mind to leave him. His heart was full, and his conscience tortured by remorse; for he accused himself more bitterly than ever of being the cause of the irretrievable disaster. Yes! if he had warned Mr. Fogg, and had betrayed Fix's projects to him, his master would certainly not have given the detective passage to Liverpool, and then-- Passepartout could hold in no longer. "My master! Mr. Fogg!" he cried, "why do you not curse me? It was my fault that--" "I blame no one," returned Phileas Fogg, with perfect calmness. "Go!" Passepartout left the room, and went to find Aouda, to whom he delivered his master's message. "Madam," he added, "I can do nothing myself--nothing! I have no influence over my master; but you, perhaps--" "What influence could I have?" replied Aouda. "Mr. Fogg is influenced by no one. Has he ever understood that my gratitude to him is overflowing? Has he ever read my heart? My friend, he must not be left alone an instant! You say he is going to speak with me this evening?" "Yes, madam; probably to arrange for your protection and comfort in England." "We shall see," replied Aouda, becoming suddenly pensive. Throughout this day (Sunday) the house in Saville Row was as if uninhabited, and Phileas Fogg, for the first time since he had lived in that house, did not set out for his club when Westminster clock struck half-past eleven. Why should he present himself at the Reform? His friends no longer expected him there. As Phileas Fogg had not appeared in the saloon on the evening before (Saturday, the 21st of December, at a quarter before nine), he had lost his wager. It was not even necessary that he should go to his bankers for the twenty thousand pounds; for his antagonists already had his cheque in their hands, and they had only to fill it out and send it to the Barings to have the amount transferred to their credit. Mr. Fogg, therefore, had no reason for going out, and so he remained at home. He shut himself up in his room, and busied himself putting his affairs in order. Passepartout continually ascended and descended the stairs. The hours were long for him. He listened at his master's door, and looked through the keyhole, as if he had a perfect right so to do, and as if he feared that something terrible might happen at any moment. Sometimes he thought of Fix, but no longer in anger. Fix, like all the world, had been mistaken in Phileas Fogg, and had only done his duty in tracking and arresting him; while he, Passepartout. . . . This thought haunted him, and he never ceased cursing his miserable folly. Finding himself too wretched to remain alone, he knocked at Aouda's door, went into her room, seated himself, without speaking, in a corner, and looked ruefully at the young woman. Aouda was still pensive. About half-past seven in the evening Mr. Fogg sent to know if Aouda would receive him, and in a few moments he found himself alone with her. Phileas Fogg took a chair, and sat down near the fireplace, opposite Aouda. No emotion was visible on his face. Fogg returned was exactly the Fogg who had gone away; there was the same calm, the same impassibility. He sat several minutes without speaking; then, bending his eyes on Aouda, "Madam," said he, "will you pardon me for bringing you to England?" "I, Mr. Fogg!" replied Aouda, checking the pulsations of her heart. "Please let me finish," returned Mr. Fogg. "When I decided to bring you far away from the country which was so unsafe for you, I was rich, and counted on putting a portion of my fortune at your disposal; then your existence would have been free and happy. But now I am ruined." "I know it, Mr. Fogg," replied Aouda; "and I ask you in my turn, will you forgive me for having followed you, and--who knows?--for having, perhaps, delayed you, and thus contributed to your ruin?" "Madam, you could not remain in India, and your safety could only be assured by bringing you to such a distance that your persecutors could not take you." "So, Mr. Fogg," resumed Aouda, "not content with rescuing me from a terrible death, you thought yourself bound to secure my comfort in a foreign land?" "Yes, madam; but circumstances have been against me. Still, I beg to place the little I have left at your service." "But what will become of you, Mr. Fogg?" "As for me, madam," replied the gentleman, coldly, "I have need of nothing." "But how do you look upon the fate, sir, which awaits you?" "As I am in the habit of doing." "At least," said Aouda, "want should not overtake a man like you. Your friends--" "I have no friends, madam." "Your relatives--" "I have no longer any relatives." "I pity you, then, Mr. Fogg, for solitude is a sad thing, with no heart to which to confide your griefs. They say, though, that misery itself, shared by two sympathetic souls, may be borne with patience." "They say so, madam." "Mr. Fogg," said Aouda, rising and seizing his hand, "do you wish at once a kinswoman and friend? Will you have me for your wife?" Mr. Fogg, at this, rose in his turn. There was an unwonted light in his eyes, and a slight trembling of his lips. Aouda looked into his face. The sincerity, rectitude, firmness, and sweetness of this soft glance of a noble woman, who could dare all to save him to whom she owed all, at first astonished, then penetrated him. He shut his eyes for an instant, as if to avoid her look. When he opened them again, "I love you!" he said, simply. "Yes, by all that is holiest, I love you, and I am entirely yours!" "Ah!" cried Aouda, pressing his hand to her heart. Passepartout was summoned and appeared immediately. Mr. Fogg still held Aouda's hand in his own; Passepartout understood, and his big, round face became as radiant as the tropical sun at its zenith. Mr. Fogg asked him if it was not too late to notify the Reverend Samuel Wilson, of Marylebone parish, that evening. Passepartout smiled his most genial smile, and said, "Never too late." It was five minutes past eight. "Will it be for to-morrow, Monday?" "For to-morrow, Monday," said Mr. Fogg, turning to Aouda. "Yes; for to-morrow, Monday," she replied. Passepartout hurried off as fast as his legs could carry him.

cliffnotes

Craft a concise overview of chapter 37 using the context provided.

In this chapter it is explained how Phileas Fogg happened to make it on time to the Reform Club. We are taken back to the time when Passepartout is asked to arrange for Fogg and Aouda's marriage. When he goes to meet the clergyman, he realizes that the marriage cannot take place the next day, because it is a Sunday. It is not a Monday, as Fogg, Aouda and Passepartout think. They learn that they have made a mistake of a day and that they had reached London, twenty-four hours before time. Passepartout runs to his master and pulls him from the house, in order to send him to the Club on time. Fogg manages to reach the Club at the stipulated time. We are then told how the mistake of a day was made. It was to do with Fogg having gained time while traveling eastward. Fogg does not have much money left though. The thousand pounds that remained, he divided between Passepartout and Fix. Aouda and Fogg get married the day after the marriage Passepartout tells Fogg excitedly that they might have gone round the world in 78 days if they had not gone through India. But Fogg answers that then he would not have met Aouda and she would not have been his wife. Verne tells us in the end that Fogg had won something more important than money, by traveling around the world. He had won a charming woman, who made him the happiest of men.

----------CHAPTER 36--------- It is time to relate what a change took place in English public opinion when it transpired that the real bankrobber, a certain James Strand, had been arrested, on the 17th day of December, at Edinburgh. Three days before, Phileas Fogg had been a criminal, who was being desperately followed up by the police; now he was an honourable gentleman, mathematically pursuing his eccentric journey round the world. The papers resumed their discussion about the wager; all those who had laid bets, for or against him, revived their interest, as if by magic; the "Phileas Fogg bonds" again became negotiable, and many new wagers were made. Phileas Fogg's name was once more at a premium on 'Change. His five friends of the Reform Club passed these three days in a state of feverish suspense. Would Phileas Fogg, whom they had forgotten, reappear before their eyes! Where was he at this moment? The 17th of December, the day of James Strand's arrest, was the seventy-sixth since Phileas Fogg's departure, and no news of him had been received. Was he dead? Had he abandoned the effort, or was he continuing his journey along the route agreed upon? And would he appear on Saturday, the 21st of December, at a quarter before nine in the evening, on the threshold of the Reform Club saloon? The anxiety in which, for three days, London society existed, cannot be described. Telegrams were sent to America and Asia for news of Phileas Fogg. Messengers were dispatched to the house in Saville Row morning and evening. No news. The police were ignorant what had become of the detective, Fix, who had so unfortunately followed up a false scent. Bets increased, nevertheless, in number and value. Phileas Fogg, like a racehorse, was drawing near his last turning-point. The bonds were quoted, no longer at a hundred below par, but at twenty, at ten, and at five; and paralytic old Lord Albemarle bet even in his favour. A great crowd was collected in Pall Mall and the neighbouring streets on Saturday evening; it seemed like a multitude of brokers permanently established around the Reform Club. Circulation was impeded, and everywhere disputes, discussions, and financial transactions were going on. The police had great difficulty in keeping back the crowd, and as the hour when Phileas Fogg was due approached, the excitement rose to its highest pitch. The five antagonists of Phileas Fogg had met in the great saloon of the club. John Sullivan and Samuel Fallentin, the bankers, Andrew Stuart, the engineer, Gauthier Ralph, the director of the Bank of England, and Thomas Flanagan, the brewer, one and all waited anxiously. When the clock indicated twenty minutes past eight, Andrew Stuart got up, saying, "Gentlemen, in twenty minutes the time agreed upon between Mr. Fogg and ourselves will have expired." "What time did the last train arrive from Liverpool?" asked Thomas Flanagan. "At twenty-three minutes past seven," replied Gauthier Ralph; "and the next does not arrive till ten minutes after twelve." "Well, gentlemen," resumed Andrew Stuart, "if Phileas Fogg had come in the 7:23 train, he would have got here by this time. We can, therefore, regard the bet as won." "Wait; don't let us be too hasty," replied Samuel Fallentin. "You know that Mr. Fogg is very eccentric. His punctuality is well known; he never arrives too soon, or too late; and I should not be surprised if he appeared before us at the last minute." "Why," said Andrew Stuart nervously, "if I should see him, I should not believe it was he." "The fact is," resumed Thomas Flanagan, "Mr. Fogg's project was absurdly foolish. Whatever his punctuality, he could not prevent the delays which were certain to occur; and a delay of only two or three days would be fatal to his tour." "Observe, too," added John Sullivan, "that we have received no intelligence from him, though there are telegraphic lines all along his route." "He has lost, gentleman," said Andrew Stuart, "he has a hundred times lost! You know, besides, that the China the only steamer he could have taken from New York to get here in time arrived yesterday. I have seen a list of the passengers, and the name of Phileas Fogg is not among them. Even if we admit that fortune has favoured him, he can scarcely have reached America. I think he will be at least twenty days behind-hand, and that Lord Albemarle will lose a cool five thousand." "It is clear," replied Gauthier Ralph; "and we have nothing to do but to present Mr. Fogg's cheque at Barings to-morrow." At this moment, the hands of the club clock pointed to twenty minutes to nine. "Five minutes more," said Andrew Stuart. The five gentlemen looked at each other. Their anxiety was becoming intense; but, not wishing to betray it, they readily assented to Mr. Fallentin's proposal of a rubber. "I wouldn't give up my four thousand of the bet," said Andrew Stuart, as he took his seat, "for three thousand nine hundred and ninety-nine." The clock indicated eighteen minutes to nine. The players took up their cards, but could not keep their eyes off the clock. Certainly, however secure they felt, minutes had never seemed so long to them! "Seventeen minutes to nine," said Thomas Flanagan, as he cut the cards which Ralph handed to him. Then there was a moment of silence. The great saloon was perfectly quiet; but the murmurs of the crowd outside were heard, with now and then a shrill cry. The pendulum beat the seconds, which each player eagerly counted, as he listened, with mathematical regularity. "Sixteen minutes to nine!" said John Sullivan, in a voice which betrayed his emotion. One minute more, and the wager would be won. Andrew Stuart and his partners suspended their game. They left their cards, and counted the seconds. At the fortieth second, nothing. At the fiftieth, still nothing. At the fifty-fifth, a loud cry was heard in the street, followed by applause, hurrahs, and some fierce growls. The players rose from their seats. At the fifty-seventh second the door of the saloon opened; and the pendulum had not beat the sixtieth second when Phileas Fogg appeared, followed by an excited crowd who had forced their way through the club doors, and in his calm voice, said, "Here I am, gentlemen!" ----------CHAPTER 37--------- IN WHICH IT IS SHOWN THAT PHILEAS FOGG GAINED NOTHING BY HIS TOUR AROUND THE WORLD, UNLESS IT WERE HAPPINESS Yes; Phileas Fogg in person. The reader will remember that at five minutes past eight in the evening--about five and twenty hours after the arrival of the travellers in London--Passepartout had been sent by his master to engage the services of the Reverend Samuel Wilson in a certain marriage ceremony, which was to take place the next day. Passepartout went on his errand enchanted. He soon reached the clergyman's house, but found him not at home. Passepartout waited a good twenty minutes, and when he left the reverend gentleman, it was thirty-five minutes past eight. But in what a state he was! With his hair in disorder, and without his hat, he ran along the street as never man was seen to run before, overturning passers-by, rushing over the sidewalk like a waterspout. In three minutes he was in Saville Row again, and staggered back into Mr. Fogg's room. He could not speak. "What is the matter?" asked Mr. Fogg. "My master!" gasped Passepartout--"marriage--impossible--" "Impossible?" "Impossible--for to-morrow." "Why so?" "Because to-morrow--is Sunday!" "Monday," replied Mr. Fogg. "No--to-day is Saturday." "Saturday? Impossible!" "Yes, yes, yes, yes!" cried Passepartout. "You have made a mistake of one day! We arrived twenty-four hours ahead of time; but there are only ten minutes left!" Passepartout had seized his master by the collar, and was dragging him along with irresistible force. Phileas Fogg, thus kidnapped, without having time to think, left his house, jumped into a cab, promised a hundred pounds to the cabman, and, having run over two dogs and overturned five carriages, reached the Reform Club. The clock indicated a quarter before nine when he appeared in the great saloon. Phileas Fogg had accomplished the journey round the world in eighty days! Phileas Fogg had won his wager of twenty thousand pounds! How was it that a man so exact and fastidious could have made this error of a day? How came he to think that he had arrived in London on Saturday, the twenty-first day of December, when it was really Friday, the twentieth, the seventy-ninth day only from his departure? The cause of the error is very simple. Phileas Fogg had, without suspecting it, gained one day on his journey, and this merely because he had travelled constantly eastward; he would, on the contrary, have lost a day had he gone in the opposite direction, that is, westward. In journeying eastward he had gone towards the sun, and the days therefore diminished for him as many times four minutes as he crossed degrees in this direction. There are three hundred and sixty degrees on the circumference of the earth; and these three hundred and sixty degrees, multiplied by four minutes, gives precisely twenty-four hours--that is, the day unconsciously gained. In other words, while Phileas Fogg, going eastward, saw the sun pass the meridian eighty times, his friends in London only saw it pass the meridian seventy-nine times. This is why they awaited him at the Reform Club on Saturday, and not Sunday, as Mr. Fogg thought. And Passepartout's famous family watch, which had always kept London time, would have betrayed this fact, if it had marked the days as well as the hours and the minutes! Phileas Fogg, then, had won the twenty thousand pounds; but, as he had spent nearly nineteen thousand on the way, the pecuniary gain was small. His object was, however, to be victorious, and not to win money. He divided the one thousand pounds that remained between Passepartout and the unfortunate Fix, against whom he cherished no grudge. He deducted, however, from Passepartout's share the cost of the gas which had burned in his room for nineteen hundred and twenty hours, for the sake of regularity. That evening, Mr. Fogg, as tranquil and phlegmatic as ever, said to Aouda: "Is our marriage still agreeable to you?" "Mr. Fogg," replied she, "it is for me to ask that question. You were ruined, but now you are rich again." "Pardon me, madam; my fortune belongs to you. If you had not suggested our marriage, my servant would not have gone to the Reverend Samuel Wilson's, I should not have been apprised of my error, and--" "Dear Mr. Fogg!" said the young woman. "Dear Aouda!" replied Phileas Fogg. It need not be said that the marriage took place forty-eight hours after, and that Passepartout, glowing and dazzling, gave the bride away. Had he not saved her, and was he not entitled to this honour? The next day, as soon as it was light, Passepartout rapped vigorously at his master's door. Mr. Fogg opened it, and asked, "What's the matter, Passepartout?" "What is it, sir? Why, I've just this instant found out--" "What?" "That we might have made the tour of the world in only seventy-eight days." "No doubt," returned Mr. Fogg, "by not crossing India. But if I had not crossed India, I should not have saved Aouda; she would not have been my wife, and--" Mr. Fogg quietly shut the door. Phileas Fogg had won his wager, and had made his journey around the world in eighty days. To do this he had employed every means of conveyance--steamers, railways, carriages, yachts, trading-vessels, sledges, elephants. The eccentric gentleman had throughout displayed all his marvellous qualities of coolness and exactitude. But what then? What had he really gained by all this trouble? What had he brought back from this long and weary journey? Nothing, say you? Perhaps so; nothing but a charming woman, who, strange as it may appear, made him the happiest of men! Truly, would you not for less than that make the tour around the world?

Around the World in Eight

cliffnotes

Create a compact summary that covers the main points of chapter 3, utilizing the provided context.

chapter 1|chapter 2|chapter 3

Phileas Fogg reaches the Reform Club, his personal hangout, and takes breakfast in the dining room where he always does, at the same table, every day. He reads the newspapers and has lunch there, too, then goes to the reading room where he joins his friends for their usual game of whist. The group of men discusses a bank robbery. Phileas remarks that he just read in the newspaper that the bank robber is "a gentleman." Fifty-five thousand pounds was taken from a cashier's table, but the theft wasn't discovered until 5:00PM. Detectives were sent to each port in England to see if the money might be recovered. A reward of 2,000 pounds was offered to recover the stolen money. Everyone in town is gossiping about the money being recovered and whether, in fact, it was stolen by--gasp--a gentleman. The men playing whist discuss whether it's possible to go around the world in eighty days. One of Fogg's friends dares him to complete such a feat, and he wagers four thousand pounds. Fogg insists that he can do it and declares that "A true Englishman doesn't joke when he is talking about so serious a thing as a wager." He ups the bet to 20,000 pounds. Bam. Fogg decides to grab the next train to Dover and tells the group that he'll see them all back in the Reform club on Saturday, the 21st of December. To make things all official-like, the six men sign an agreement. The friends suggest that Phileas go home and pack, but Fogg dismisses this and tells them he hasn't finished playing cards yet.

----------CHAPTER 1--------- Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington Gardens, the house in which Sheridan died in 1814. He was one of the most noticeable members of the Reform Club, though he seemed always to avoid attracting attention; an enigmatical personage, about whom little was known, except that he was a polished man of the world. People said that he resembled Byron--at least that his head was Byronic; but he was a bearded, tranquil Byron, who might live on a thousand years without growing old. Certainly an Englishman, it was more doubtful whether Phileas Fogg was a Londoner. He was never seen on 'Change, nor at the Bank, nor in the counting-rooms of the "City"; no ships ever came into London docks of which he was the owner; he had no public employment; he had never been entered at any of the Inns of Court, either at the Temple, or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded in the Court of Chancery, or in the Exchequer, or the Queen's Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange to the scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, the Artisan's Association, or the Institution of Arts and Sciences. He belonged, in fact, to none of the numerous societies which swarm in the English capital, from the Harmonic to that of the Entomologists, founded mainly for the purpose of abolishing pernicious insects. Phileas Fogg was a member of the Reform, and that was all. The way in which he got admission to this exclusive club was simple enough. He was recommended by the Barings, with whom he had an open credit. His cheques were regularly paid at sight from his account current, which was always flush. Was Phileas Fogg rich? Undoubtedly. But those who knew him best could not imagine how he had made his fortune, and Mr. Fogg was the last person to whom to apply for the information. He was not lavish, nor, on the contrary, avaricious; for, whenever he knew that money was needed for a noble, useful, or benevolent purpose, he supplied it quietly and sometimes anonymously. He was, in short, the least communicative of men. He talked very little, and seemed all the more mysterious for his taciturn manner. His daily habits were quite open to observation; but whatever he did was so exactly the same thing that he had always done before, that the wits of the curious were fairly puzzled. Had he travelled? It was likely, for no one seemed to know the world more familiarly; there was no spot so secluded that he did not appear to have an intimate acquaintance with it. He often corrected, with a few clear words, the thousand conjectures advanced by members of the club as to lost and unheard-of travellers, pointing out the true probabilities, and seeming as if gifted with a sort of second sight, so often did events justify his predictions. He must have travelled everywhere, at least in the spirit. It was at least certain that Phileas Fogg had not absented himself from London for many years. Those who were honoured by a better acquaintance with him than the rest, declared that nobody could pretend to have ever seen him anywhere else. His sole pastimes were reading the papers and playing whist. He often won at this game, which, as a silent one, harmonised with his nature; but his winnings never went into his purse, being reserved as a fund for his charities. Mr. Fogg played, not to win, but for the sake of playing. The game was in his eyes a contest, a struggle with a difficulty, yet a motionless, unwearying struggle, congenial to his tastes. Phileas Fogg was not known to have either wife or children, which may happen to the most honest people; either relatives or near friends, which is certainly more unusual. He lived alone in his house in Saville Row, whither none penetrated. A single domestic sufficed to serve him. He breakfasted and dined at the club, at hours mathematically fixed, in the same room, at the same table, never taking his meals with other members, much less bringing a guest with him; and went home at exactly midnight, only to retire at once to bed. He never used the cosy chambers which the Reform provides for its favoured members. He passed ten hours out of the twenty-four in Saville Row, either in sleeping or making his toilet. When he chose to take a walk it was with a regular step in the entrance hall with its mosaic flooring, or in the circular gallery with its dome supported by twenty red porphyry Ionic columns, and illumined by blue painted windows. When he breakfasted or dined all the resources of the club--its kitchens and pantries, its buttery and dairy--aided to crowd his table with their most succulent stores; he was served by the gravest waiters, in dress coats, and shoes with swan-skin soles, who proffered the viands in special porcelain, and on the finest linen; club decanters, of a lost mould, contained his sherry, his port, and his cinnamon-spiced claret; while his beverages were refreshingly cooled with ice, brought at great cost from the American lakes. If to live in this style is to be eccentric, it must be confessed that there is something good in eccentricity. The mansion in Saville Row, though not sumptuous, was exceedingly comfortable. The habits of its occupant were such as to demand but little from the sole domestic, but Phileas Fogg required him to be almost superhumanly prompt and regular. On this very 2nd of October he had dismissed James Forster, because that luckless youth had brought him shaving-water at eighty-four degrees Fahrenheit instead of eighty-six; and he was awaiting his successor, who was due at the house between eleven and half-past. Phileas Fogg was seated squarely in his armchair, his feet close together like those of a grenadier on parade, his hands resting on his knees, his body straight, his head erect; he was steadily watching a complicated clock which indicated the hours, the minutes, the seconds, the days, the months, and the years. At exactly half-past eleven Mr. Fogg would, according to his daily habit, quit Saville Row, and repair to the Reform. A rap at this moment sounded on the door of the cosy apartment where Phileas Fogg was seated, and James Forster, the dismissed servant, appeared. "The new servant," said he. A young man of thirty advanced and bowed. "You are a Frenchman, I believe," asked Phileas Fogg, "and your name is John?" "Jean, if monsieur pleases," replied the newcomer, "Jean Passepartout, a surname which has clung to me because I have a natural aptness for going out of one business into another. I believe I'm honest, monsieur, but, to be outspoken, I've had several trades. I've been an itinerant singer, a circus-rider, when I used to vault like Leotard, and dance on a rope like Blondin. Then I got to be a professor of gymnastics, so as to make better use of my talents; and then I was a sergeant fireman at Paris, and assisted at many a big fire. But I quitted France five years ago, and, wishing to taste the sweets of domestic life, took service as a valet here in England. Finding myself out of place, and hearing that Monsieur Phileas Fogg was the most exact and settled gentleman in the United Kingdom, I have come to monsieur in the hope of living with him a tranquil life, and forgetting even the name of Passepartout." "Passepartout suits me," responded Mr. Fogg. "You are well recommended to me; I hear a good report of you. You know my conditions?" "Yes, monsieur." "Good! What time is it?" "Twenty-two minutes after eleven," returned Passepartout, drawing an enormous silver watch from the depths of his pocket. "You are too slow," said Mr. Fogg. "Pardon me, monsieur, it is impossible--" "You are four minutes too slow. No matter; it's enough to mention the error. Now from this moment, twenty-nine minutes after eleven, a.m., this Wednesday, 2nd October, you are in my service." Phileas Fogg got up, took his hat in his left hand, put it on his head with an automatic motion, and went off without a word. Passepartout heard the street door shut once; it was his new master going out. He heard it shut again; it was his predecessor, James Forster, departing in his turn. Passepartout remained alone in the house in Saville Row. ----------CHAPTER 2--------- "Faith," muttered Passepartout, somewhat flurried, "I've seen people at Madame Tussaud's as lively as my new master!" Madame Tussaud's "people," let it be said, are of wax, and are much visited in London; speech is all that is wanting to make them human. During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well-shaped figure; his hair and whiskers were light, his forehead compact and unwrinkled, his face rather pale, his teeth magnificent. His countenance possessed in the highest degree what physiognomists call "repose in action," a quality of those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg seemed a perfect type of that English composure which Angelica Kauffmann has so skilfully represented on canvas. Seen in the various phases of his daily life, he gave the idea of being perfectly well-balanced, as exactly regulated as a Leroy chronometer. Phileas Fogg was, indeed, exactitude personified, and this was betrayed even in the expression of his very hands and feet; for in men, as well as in animals, the limbs themselves are expressive of the passions. He was so exact that he was never in a hurry, was always ready, and was economical alike of his steps and his motions. He never took one step too many, and always went to his destination by the shortest cut; he made no superfluous gestures, and was never seen to be moved or agitated. He was the most deliberate person in the world, yet always reached his destination at the exact moment. He lived alone, and, so to speak, outside of every social relation; and as he knew that in this world account must be taken of friction, and that friction retards, he never rubbed against anybody. As for Passepartout, he was a true Parisian of Paris. Since he had abandoned his own country for England, taking service as a valet, he had in vain searched for a master after his own heart. Passepartout was by no means one of those pert dunces depicted by Moliere with a bold gaze and a nose held high in the air; he was an honest fellow, with a pleasant face, lips a trifle protruding, soft-mannered and serviceable, with a good round head, such as one likes to see on the shoulders of a friend. His eyes were blue, his complexion rubicund, his figure almost portly and well-built, his body muscular, and his physical powers fully developed by the exercises of his younger days. His brown hair was somewhat tumbled; for, while the ancient sculptors are said to have known eighteen methods of arranging Minerva's tresses, Passepartout was familiar with but one of dressing his own: three strokes of a large-tooth comb completed his toilet. It would be rash to predict how Passepartout's lively nature would agree with Mr. Fogg. It was impossible to tell whether the new servant would turn out as absolutely methodical as his master required; experience alone could solve the question. Passepartout had been a sort of vagrant in his early years, and now yearned for repose; but so far he had failed to find it, though he had already served in ten English houses. But he could not take root in any of these; with chagrin, he found his masters invariably whimsical and irregular, constantly running about the country, or on the look-out for adventure. His last master, young Lord Longferry, Member of Parliament, after passing his nights in the Haymarket taverns, was too often brought home in the morning on policemen's shoulders. Passepartout, desirous of respecting the gentleman whom he served, ventured a mild remonstrance on such conduct; which, being ill-received, he took his leave. Hearing that Mr. Phileas Fogg was looking for a servant, and that his life was one of unbroken regularity, that he neither travelled nor stayed from home overnight, he felt sure that this would be the place he was after. He presented himself, and was accepted, as has been seen. At half-past eleven, then, Passepartout found himself alone in the house in Saville Row. He began its inspection without delay, scouring it from cellar to garret. So clean, well-arranged, solemn a mansion pleased him; it seemed to him like a snail's shell, lighted and warmed by gas, which sufficed for both these purposes. When Passepartout reached the second story he recognised at once the room which he was to inhabit, and he was well satisfied with it. Electric bells and speaking-tubes afforded communication with the lower stories; while on the mantel stood an electric clock, precisely like that in Mr. Fogg's bedchamber, both beating the same second at the same instant. "That's good, that'll do," said Passepartout to himself. He suddenly observed, hung over the clock, a card which, upon inspection, proved to be a programme of the daily routine of the house. It comprised all that was required of the servant, from eight in the morning, exactly at which hour Phileas Fogg rose, till half-past eleven, when he left the house for the Reform Club--all the details of service, the tea and toast at twenty-three minutes past eight, the shaving-water at thirty-seven minutes past nine, and the toilet at twenty minutes before ten. Everything was regulated and foreseen that was to be done from half-past eleven a.m. till midnight, the hour at which the methodical gentleman retired. Mr. Fogg's wardrobe was amply supplied and in the best taste. Each pair of trousers, coat, and vest bore a number, indicating the time of year and season at which they were in turn to be laid out for wearing; and the same system was applied to the master's shoes. In short, the house in Saville Row, which must have been a very temple of disorder and unrest under the illustrious but dissipated Sheridan, was cosiness, comfort, and method idealised. There was no study, nor were there books, which would have been quite useless to Mr. Fogg; for at the Reform two libraries, one of general literature and the other of law and politics, were at his service. A moderate-sized safe stood in his bedroom, constructed so as to defy fire as well as burglars; but Passepartout found neither arms nor hunting weapons anywhere; everything betrayed the most tranquil and peaceable habits. Having scrutinised the house from top to bottom, he rubbed his hands, a broad smile overspread his features, and he said joyfully, "This is just what I wanted! Ah, we shall get on together, Mr. Fogg and I! What a domestic and regular gentleman! A real machine; well, I don't mind serving a machine." ----------CHAPTER 3--------- Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions. He repaired at once to the dining-room, the nine windows of which open upon a tasteful garden, where the trees were already gilded with an autumn colouring; and took his place at the habitual table, the cover of which had already been laid for him. His breakfast consisted of a side-dish, a broiled fish with Reading sauce, a scarlet slice of roast beef garnished with mushrooms, a rhubarb and gooseberry tart, and a morsel of Cheshire cheese, the whole being washed down with several cups of tea, for which the Reform is famous. He rose at thirteen minutes to one, and directed his steps towards the large hall, a sumptuous apartment adorned with lavishly-framed paintings. A flunkey handed him an uncut Times, which he proceeded to cut with a skill which betrayed familiarity with this delicate operation. The perusal of this paper absorbed Phileas Fogg until a quarter before four, whilst the Standard, his next task, occupied him till the dinner hour. Dinner passed as breakfast had done, and Mr. Fogg re-appeared in the reading-room and sat down to the Pall Mall at twenty minutes before six. Half an hour later several members of the Reform came in and drew up to the fireplace, where a coal fire was steadily burning. They were Mr. Fogg's usual partners at whist: Andrew Stuart, an engineer; John Sullivan and Samuel Fallentin, bankers; Thomas Flanagan, a brewer; and Gauthier Ralph, one of the Directors of the Bank of England--all rich and highly respectable personages, even in a club which comprises the princes of English trade and finance. "Well, Ralph," said Thomas Flanagan, "what about that robbery?" "Oh," replied Stuart, "the Bank will lose the money." "On the contrary," broke in Ralph, "I hope we may put our hands on the robber. Skilful detectives have been sent to all the principal ports of America and the Continent, and he'll be a clever fellow if he slips through their fingers." "But have you got the robber's description?" asked Stuart. "In the first place, he is no robber at all," returned Ralph, positively. "What! a fellow who makes off with fifty-five thousand pounds, no robber?" "No." "Perhaps he's a manufacturer, then." "The Daily Telegraph says that he is a gentleman." It was Phileas Fogg, whose head now emerged from behind his newspapers, who made this remark. He bowed to his friends, and entered into the conversation. The affair which formed its subject, and which was town talk, had occurred three days before at the Bank of England. A package of banknotes, to the value of fifty-five thousand pounds, had been taken from the principal cashier's table, that functionary being at the moment engaged in registering the receipt of three shillings and sixpence. Of course, he could not have his eyes everywhere. Let it be observed that the Bank of England reposes a touching confidence in the honesty of the public. There are neither guards nor gratings to protect its treasures; gold, silver, banknotes are freely exposed, at the mercy of the first comer. A keen observer of English customs relates that, being in one of the rooms of the Bank one day, he had the curiosity to examine a gold ingot weighing some seven or eight pounds. He took it up, scrutinised it, passed it to his neighbour, he to the next man, and so on until the ingot, going from hand to hand, was transferred to the end of a dark entry; nor did it return to its place for half an hour. Meanwhile, the cashier had not so much as raised his head. But in the present instance things had not gone so smoothly. The package of notes not being found when five o'clock sounded from the ponderous clock in the "drawing office," the amount was passed to the account of profit and loss. As soon as the robbery was discovered, picked detectives hastened off to Liverpool, Glasgow, Havre, Suez, Brindisi, New York, and other ports, inspired by the proffered reward of two thousand pounds, and five per cent. on the sum that might be recovered. Detectives were also charged with narrowly watching those who arrived at or left London by rail, and a judicial examination was at once entered upon. There were real grounds for supposing, as the Daily Telegraph said, that the thief did not belong to a professional band. On the day of the robbery a well-dressed gentleman of polished manners, and with a well-to-do air, had been observed going to and fro in the paying room where the crime was committed. A description of him was easily procured and sent to the detectives; and some hopeful spirits, of whom Ralph was one, did not despair of his apprehension. The papers and clubs were full of the affair, and everywhere people were discussing the probabilities of a successful pursuit; and the Reform Club was especially agitated, several of its members being Bank officials. Ralph would not concede that the work of the detectives was likely to be in vain, for he thought that the prize offered would greatly stimulate their zeal and activity. But Stuart was far from sharing this confidence; and, as they placed themselves at the whist-table, they continued to argue the matter. Stuart and Flanagan played together, while Phileas Fogg had Fallentin for his partner. As the game proceeded the conversation ceased, excepting between the rubbers, when it revived again. "I maintain," said Stuart, "that the chances are in favour of the thief, who must be a shrewd fellow." "Well, but where can he fly to?" asked Ralph. "No country is safe for him." "Pshaw!" "Where could he go, then?" "Oh, I don't know that. The world is big enough." "It was once," said Phileas Fogg, in a low tone. "Cut, sir," he added, handing the cards to Thomas Flanagan. The discussion fell during the rubber, after which Stuart took up its thread. "What do you mean by `once'? Has the world grown smaller?" "Certainly," returned Ralph. "I agree with Mr. Fogg. The world has grown smaller, since a man can now go round it ten times more quickly than a hundred years ago. And that is why the search for this thief will be more likely to succeed." "And also why the thief can get away more easily." "Be so good as to play, Mr. Stuart," said Phileas Fogg. But the incredulous Stuart was not convinced, and when the hand was finished, said eagerly: "You have a strange way, Ralph, of proving that the world has grown smaller. So, because you can go round it in three months--" "In eighty days," interrupted Phileas Fogg. "That is true, gentlemen," added John Sullivan. "Only eighty days, now that the section between Rothal and Allahabad, on the Great Indian Peninsula Railway, has been opened. Here is the estimate made by the Daily Telegraph: From London to Suez via Mont Cenis and Brindisi, by rail and steamboats ................. 7 days From Suez to Bombay, by steamer .................... 13 " From Bombay to Calcutta, by rail ................... 3 " From Calcutta to Hong Kong, by steamer ............. 13 " From Hong Kong to Yokohama (Japan), by steamer ..... 6 " From Yokohama to San Francisco, by steamer ......... 22 " From San Francisco to New York, by rail ............. 7 " From New York to London, by steamer and rail ........ 9 " ------ Total ............................................ 80 days." "Yes, in eighty days!" exclaimed Stuart, who in his excitement made a false deal. "But that doesn't take into account bad weather, contrary winds, shipwrecks, railway accidents, and so on." "All included," returned Phileas Fogg, continuing to play despite the discussion. "But suppose the Hindoos or Indians pull up the rails," replied Stuart; "suppose they stop the trains, pillage the luggage-vans, and scalp the passengers!" "All included," calmly retorted Fogg; adding, as he threw down the cards, "Two trumps." Stuart, whose turn it was to deal, gathered them up, and went on: "You are right, theoretically, Mr. Fogg, but practically--" "Practically also, Mr. Stuart." "I'd like to see you do it in eighty days." "It depends on you. Shall we go?" "Heaven preserve me! But I would wager four thousand pounds that such a journey, made under these conditions, is impossible." "Quite possible, on the contrary," returned Mr. Fogg. "Well, make it, then!" "The journey round the world in eighty days?" "Yes." "I should like nothing better." "When?" "At once. Only I warn you that I shall do it at your expense." "It's absurd!" cried Stuart, who was beginning to be annoyed at the persistency of his friend. "Come, let's go on with the game." "Deal over again, then," said Phileas Fogg. "There's a false deal." Stuart took up the pack with a feverish hand; then suddenly put them down again. "Well, Mr. Fogg," said he, "it shall be so: I will wager the four thousand on it." "Calm yourself, my dear Stuart," said Fallentin. "It's only a joke." "When I say I'll wager," returned Stuart, "I mean it." "All right," said Mr. Fogg; and, turning to the others, he continued: "I have a deposit of twenty thousand at Baring's which I will willingly risk upon it." "Twenty thousand pounds!" cried Sullivan. "Twenty thousand pounds, which you would lose by a single accidental delay!" "The unforeseen does not exist," quietly replied Phileas Fogg. "But, Mr. Fogg, eighty days are only the estimate of the least possible time in which the journey can be made." "A well-used minimum suffices for everything." "But, in order not to exceed it, you must jump mathematically from the trains upon the steamers, and from the steamers upon the trains again." "I will jump--mathematically." "You are joking." "A true Englishman doesn't joke when he is talking about so serious a thing as a wager," replied Phileas Fogg, solemnly. "I will bet twenty thousand pounds against anyone who wishes that I will make the tour of the world in eighty days or less; in nineteen hundred and twenty hours, or a hundred and fifteen thousand two hundred minutes. Do you accept?" "We accept," replied Messrs. Stuart, Fallentin, Sullivan, Flanagan, and Ralph, after consulting each other. "Good," said Mr. Fogg. "The train leaves for Dover at a quarter before nine. I will take it." "This very evening?" asked Stuart. "This very evening," returned Phileas Fogg. He took out and consulted a pocket almanac, and added, "As today is Wednesday, the 2nd of October, I shall be due in London in this very room of the Reform Club, on Saturday, the 21st of December, at a quarter before nine p.m.; or else the twenty thousand pounds, now deposited in my name at Baring's, will belong to you, in fact and in right, gentlemen. Here is a cheque for the amount." A memorandum of the wager was at once drawn up and signed by the six parties, during which Phileas Fogg preserved a stoical composure. He certainly did not bet to win, and had only staked the twenty thousand pounds, half of his fortune, because he foresaw that he might have to expend the other half to carry out this difficult, not to say unattainable, project. As for his antagonists, they seemed much agitated; not so much by the value of their stake, as because they had some scruples about betting under conditions so difficult to their friend. The clock struck seven, and the party offered to suspend the game so that Mr. Fogg might make his preparations for departure. "I am quite ready now," was his tranquil response. "Diamonds are trumps: be so good as to play, gentlemen."

cliffnotes

Produce a brief summary for chapter 5 based on the provided context.

chapter 4|chapter 5|chapter 6|chapter 7|chapter 8

News is spreading about Phileas taking on "the challenge" of racing around the world in eighty days or under . Nobody really thinks he can do it, except the ladies who appreciate his rashness and bold adventurous spirit--cue sighing and fainting. There are more bets around the gambling clubs in England for and against Phileas completing his journey. One Detective Fix of Scotland Yard has been sent to follow and apprehend Phileas Fogg on charges of suspected bank robbery. People are starting to think that Phileas Fogg just might be the robber in question because of his odd ways and his similarity in features to the thief.

----------CHAPTER 4--------- Having won twenty guineas at whist, and taken leave of his friends, Phileas Fogg, at twenty-five minutes past seven, left the Reform Club. Passepartout, who had conscientiously studied the programme of his duties, was more than surprised to see his master guilty of the inexactness of appearing at this unaccustomed hour; for, according to rule, he was not due in Saville Row until precisely midnight. Mr. Fogg repaired to his bedroom, and called out, "Passepartout!" Passepartout did not reply. It could not be he who was called; it was not the right hour. "Passepartout!" repeated Mr. Fogg, without raising his voice. Passepartout made his appearance. "I've called you twice," observed his master. "But it is not midnight," responded the other, showing his watch. "I know it; I don't blame you. We start for Dover and Calais in ten minutes." A puzzled grin overspread Passepartout's round face; clearly he had not comprehended his master. "Monsieur is going to leave home?" "Yes," returned Phileas Fogg. "We are going round the world." Passepartout opened wide his eyes, raised his eyebrows, held up his hands, and seemed about to collapse, so overcome was he with stupefied astonishment. "Round the world!" he murmured. "In eighty days," responded Mr. Fogg. "So we haven't a moment to lose." "But the trunks?" gasped Passepartout, unconsciously swaying his head from right to left. "We'll have no trunks; only a carpet-bag, with two shirts and three pairs of stockings for me, and the same for you. We'll buy our clothes on the way. Bring down my mackintosh and traveling-cloak, and some stout shoes, though we shall do little walking. Make haste!" Passepartout tried to reply, but could not. He went out, mounted to his own room, fell into a chair, and muttered: "That's good, that is! And I, who wanted to remain quiet!" He mechanically set about making the preparations for departure. Around the world in eighty days! Was his master a fool? No. Was this a joke, then? They were going to Dover; good! To Calais; good again! After all, Passepartout, who had been away from France five years, would not be sorry to set foot on his native soil again. Perhaps they would go as far as Paris, and it would do his eyes good to see Paris once more. But surely a gentleman so chary of his steps would stop there; no doubt--but, then, it was none the less true that he was going away, this so domestic person hitherto! By eight o'clock Passepartout had packed the modest carpet-bag, containing the wardrobes of his master and himself; then, still troubled in mind, he carefully shut the door of his room, and descended to Mr. Fogg. Mr. Fogg was quite ready. Under his arm might have been observed a red-bound copy of Bradshaw's Continental Railway Steam Transit and General Guide, with its timetables showing the arrival and departure of steamers and railways. He took the carpet-bag, opened it, and slipped into it a goodly roll of Bank of England notes, which would pass wherever he might go. "You have forgotten nothing?" asked he. "Nothing, monsieur." "My mackintosh and cloak?" "Here they are." "Good! Take this carpet-bag," handing it to Passepartout. "Take good care of it, for there are twenty thousand pounds in it." Passepartout nearly dropped the bag, as if the twenty thousand pounds were in gold, and weighed him down. Master and man then descended, the street-door was double-locked, and at the end of Saville Row they took a cab and drove rapidly to Charing Cross. The cab stopped before the railway station at twenty minutes past eight. Passepartout jumped off the box and followed his master, who, after paying the cabman, was about to enter the station, when a poor beggar-woman, with a child in her arms, her naked feet smeared with mud, her head covered with a wretched bonnet, from which hung a tattered feather, and her shoulders shrouded in a ragged shawl, approached, and mournfully asked for alms. Mr. Fogg took out the twenty guineas he had just won at whist, and handed them to the beggar, saying, "Here, my good woman. I'm glad that I met you;" and passed on. Passepartout had a moist sensation about the eyes; his master's action touched his susceptible heart. Two first-class tickets for Paris having been speedily purchased, Mr. Fogg was crossing the station to the train, when he perceived his five friends of the Reform. "Well, gentlemen," said he, "I'm off, you see; and, if you will examine my passport when I get back, you will be able to judge whether I have accomplished the journey agreed upon." "Oh, that would be quite unnecessary, Mr. Fogg," said Ralph politely. "We will trust your word, as a gentleman of honour." "You do not forget when you are due in London again?" asked Stuart. "In eighty days; on Saturday, the 21st of December, 1872, at a quarter before nine p.m. Good-bye, gentlemen." Phileas Fogg and his servant seated themselves in a first-class carriage at twenty minutes before nine; five minutes later the whistle screamed, and the train slowly glided out of the station. The night was dark, and a fine, steady rain was falling. Phileas Fogg, snugly ensconced in his corner, did not open his lips. Passepartout, not yet recovered from his stupefaction, clung mechanically to the carpet-bag, with its enormous treasure. Just as the train was whirling through Sydenham, Passepartout suddenly uttered a cry of despair. "What's the matter?" asked Mr. Fogg. "Alas! In my hurry--I--I forgot--" "What?" "To turn off the gas in my room!" "Very well, young man," returned Mr. Fogg, coolly; "it will burn--at your expense." ----------CHAPTER 5--------- Phileas Fogg rightly suspected that his departure from London would create a lively sensation at the West End. The news of the bet spread through the Reform Club, and afforded an exciting topic of conversation to its members. From the club it soon got into the papers throughout England. The boasted "tour of the world" was talked about, disputed, argued with as much warmth as if the subject were another Alabama claim. Some took sides with Phileas Fogg, but the large majority shook their heads and declared against him; it was absurd, impossible, they declared, that the tour of the world could be made, except theoretically and on paper, in this minimum of time, and with the existing means of travelling. The Times, Standard, Morning Post, and Daily News, and twenty other highly respectable newspapers scouted Mr. Fogg's project as madness; the Daily Telegraph alone hesitatingly supported him. People in general thought him a lunatic, and blamed his Reform Club friends for having accepted a wager which betrayed the mental aberration of its proposer. Articles no less passionate than logical appeared on the question, for geography is one of the pet subjects of the English; and the columns devoted to Phileas Fogg's venture were eagerly devoured by all classes of readers. At first some rash individuals, principally of the gentler sex, espoused his cause, which became still more popular when the Illustrated London News came out with his portrait, copied from a photograph in the Reform Club. A few readers of the Daily Telegraph even dared to say, "Why not, after all? Stranger things have come to pass." At last a long article appeared, on the 7th of October, in the bulletin of the Royal Geographical Society, which treated the question from every point of view, and demonstrated the utter folly of the enterprise. Everything, it said, was against the travellers, every obstacle imposed alike by man and by nature. A miraculous agreement of the times of departure and arrival, which was impossible, was absolutely necessary to his success. He might, perhaps, reckon on the arrival of trains at the designated hours, in Europe, where the distances were relatively moderate; but when he calculated upon crossing India in three days, and the United States in seven, could he rely beyond misgiving upon accomplishing his task? There were accidents to machinery, the liability of trains to run off the line, collisions, bad weather, the blocking up by snow--were not all these against Phileas Fogg? Would he not find himself, when travelling by steamer in winter, at the mercy of the winds and fogs? Is it uncommon for the best ocean steamers to be two or three days behind time? But a single delay would suffice to fatally break the chain of communication; should Phileas Fogg once miss, even by an hour; a steamer, he would have to wait for the next, and that would irrevocably render his attempt vain. This article made a great deal of noise, and, being copied into all the papers, seriously depressed the advocates of the rash tourist. Everybody knows that England is the world of betting men, who are of a higher class than mere gamblers; to bet is in the English temperament. Not only the members of the Reform, but the general public, made heavy wagers for or against Phileas Fogg, who was set down in the betting books as if he were a race-horse. Bonds were issued, and made their appearance on 'Change; "Phileas Fogg bonds" were offered at par or at a premium, and a great business was done in them. But five days after the article in the bulletin of the Geographical Society appeared, the demand began to subside: "Phileas Fogg" declined. They were offered by packages, at first of five, then of ten, until at last nobody would take less than twenty, fifty, a hundred! Lord Albemarle, an elderly paralytic gentleman, was now the only advocate of Phileas Fogg left. This noble lord, who was fastened to his chair, would have given his fortune to be able to make the tour of the world, if it took ten years; and he bet five thousand pounds on Phileas Fogg. When the folly as well as the uselessness of the adventure was pointed out to him, he contented himself with replying, "If the thing is feasible, the first to do it ought to be an Englishman." The Fogg party dwindled more and more, everybody was going against him, and the bets stood a hundred and fifty and two hundred to one; and a week after his departure an incident occurred which deprived him of backers at any price. The commissioner of police was sitting in his office at nine o'clock one evening, when the following telegraphic dispatch was put into his hands: Suez to London. Rowan, Commissioner of Police, Scotland Yard: I've found the bank robber, Phileas Fogg. Send with out delay warrant of arrest to Bombay. Fix, Detective. The effect of this dispatch was instantaneous. The polished gentleman disappeared to give place to the bank robber. His photograph, which was hung with those of the rest of the members at the Reform Club, was minutely examined, and it betrayed, feature by feature, the description of the robber which had been provided to the police. The mysterious habits of Phileas Fogg were recalled; his solitary ways, his sudden departure; and it seemed clear that, in undertaking a tour round the world on the pretext of a wager, he had had no other end in view than to elude the detectives, and throw them off his track. ----------CHAPTER 6--------- The circumstances under which this telegraphic dispatch about Phileas Fogg was sent were as follows: The steamer Mongolia, belonging to the Peninsular and Oriental Company, built of iron, of two thousand eight hundred tons burden, and five hundred horse-power, was due at eleven o'clock a.m. on Wednesday, the 9th of October, at Suez. The Mongolia plied regularly between Brindisi and Bombay via the Suez Canal, and was one of the fastest steamers belonging to the company, always making more than ten knots an hour between Brindisi and Suez, and nine and a half between Suez and Bombay. Two men were promenading up and down the wharves, among the crowd of natives and strangers who were sojourning at this once straggling village--now, thanks to the enterprise of M. Lesseps, a fast-growing town. One was the British consul at Suez, who, despite the prophecies of the English Government, and the unfavourable predictions of Stephenson, was in the habit of seeing, from his office window, English ships daily passing to and fro on the great canal, by which the old roundabout route from England to India by the Cape of Good Hope was abridged by at least a half. The other was a small, slight-built personage, with a nervous, intelligent face, and bright eyes peering out from under eyebrows which he was incessantly twitching. He was just now manifesting unmistakable signs of impatience, nervously pacing up and down, and unable to stand still for a moment. This was Fix, one of the detectives who had been dispatched from England in search of the bank robber; it was his task to narrowly watch every passenger who arrived at Suez, and to follow up all who seemed to be suspicious characters, or bore a resemblance to the description of the criminal, which he had received two days before from the police headquarters at London. The detective was evidently inspired by the hope of obtaining the splendid reward which would be the prize of success, and awaited with a feverish impatience, easy to understand, the arrival of the steamer Mongolia. "So you say, consul," asked he for the twentieth time, "that this steamer is never behind time?" "No, Mr. Fix," replied the consul. "She was bespoken yesterday at Port Said, and the rest of the way is of no account to such a craft. I repeat that the Mongolia has been in advance of the time required by the company's regulations, and gained the prize awarded for excess of speed." "Does she come directly from Brindisi?" "Directly from Brindisi; she takes on the Indian mails there, and she left there Saturday at five p.m. Have patience, Mr. Fix; she will not be late. But really, I don't see how, from the description you have, you will be able to recognise your man, even if he is on board the Mongolia." "A man rather feels the presence of these fellows, consul, than recognises them. You must have a scent for them, and a scent is like a sixth sense which combines hearing, seeing, and smelling. I've arrested more than one of these gentlemen in my time, and, if my thief is on board, I'll answer for it; he'll not slip through my fingers." "I hope so, Mr. Fix, for it was a heavy robbery." "A magnificent robbery, consul; fifty-five thousand pounds! We don't often have such windfalls. Burglars are getting to be so contemptible nowadays! A fellow gets hung for a handful of shillings!" "Mr. Fix," said the consul, "I like your way of talking, and hope you'll succeed; but I fear you will find it far from easy. Don't you see, the description which you have there has a singular resemblance to an honest man?" "Consul," remarked the detective, dogmatically, "great robbers always resemble honest folks. Fellows who have rascally faces have only one course to take, and that is to remain honest; otherwise they would be arrested off-hand. The artistic thing is, to unmask honest countenances; it's no light task, I admit, but a real art." Mr. Fix evidently was not wanting in a tinge of self-conceit. Little by little the scene on the quay became more animated; sailors of various nations, merchants, ship-brokers, porters, fellahs, bustled to and fro as if the steamer were immediately expected. The weather was clear, and slightly chilly. The minarets of the town loomed above the houses in the pale rays of the sun. A jetty pier, some two thousand yards along, extended into the roadstead. A number of fishing-smacks and coasting boats, some retaining the fantastic fashion of ancient galleys, were discernible on the Red Sea. As he passed among the busy crowd, Fix, according to habit, scrutinised the passers-by with a keen, rapid glance. It was now half-past ten. "The steamer doesn't come!" he exclaimed, as the port clock struck. "She can't be far off now," returned his companion. "How long will she stop at Suez?" "Four hours; long enough to get in her coal. It is thirteen hundred and ten miles from Suez to Aden, at the other end of the Red Sea, and she has to take in a fresh coal supply." "And does she go from Suez directly to Bombay?" "Without putting in anywhere." "Good!" said Fix. "If the robber is on board he will no doubt get off at Suez, so as to reach the Dutch or French colonies in Asia by some other route. He ought to know that he would not be safe an hour in India, which is English soil." "Unless," objected the consul, "he is exceptionally shrewd. An English criminal, you know, is always better concealed in London than anywhere else." This observation furnished the detective food for thought, and meanwhile the consul went away to his office. Fix, left alone, was more impatient than ever, having a presentiment that the robber was on board the Mongolia. If he had indeed left London intending to reach the New World, he would naturally take the route via India, which was less watched and more difficult to watch than that of the Atlantic. But Fix's reflections were soon interrupted by a succession of sharp whistles, which announced the arrival of the Mongolia. The porters and fellahs rushed down the quay, and a dozen boats pushed off from the shore to go and meet the steamer. Soon her gigantic hull appeared passing along between the banks, and eleven o'clock struck as she anchored in the road. She brought an unusual number of passengers, some of whom remained on deck to scan the picturesque panorama of the town, while the greater part disembarked in the boats, and landed on the quay. Fix took up a position, and carefully examined each face and figure which made its appearance. Presently one of the passengers, after vigorously pushing his way through the importunate crowd of porters, came up to him and politely asked if he could point out the English consulate, at the same time showing a passport which he wished to have visaed. Fix instinctively took the passport, and with a rapid glance read the description of its bearer. An involuntary motion of surprise nearly escaped him, for the description in the passport was identical with that of the bank robber which he had received from Scotland Yard. "Is this your passport?" asked he. "No, it's my master's." "And your master is--" "He stayed on board." "But he must go to the consul's in person, so as to establish his identity." "Oh, is that necessary?" "Quite indispensable." "And where is the consulate?" "There, on the corner of the square," said Fix, pointing to a house two hundred steps off. "I'll go and fetch my master, who won't be much pleased, however, to be disturbed." The passenger bowed to Fix, and returned to the steamer. ----------CHAPTER 7--------- The detective passed down the quay, and rapidly made his way to the consul's office, where he was at once admitted to the presence of that official. "Consul," said he, without preamble, "I have strong reasons for believing that my man is a passenger on the Mongolia." And he narrated what had just passed concerning the passport. "Well, Mr. Fix," replied the consul, "I shall not be sorry to see the rascal's face; but perhaps he won't come here--that is, if he is the person you suppose him to be. A robber doesn't quite like to leave traces of his flight behind him; and, besides, he is not obliged to have his passport countersigned." "If he is as shrewd as I think he is, consul, he will come." "To have his passport visaed?" "Yes. Passports are only good for annoying honest folks, and aiding in the flight of rogues. I assure you it will be quite the thing for him to do; but I hope you will not visa the passport." "Why not? If the passport is genuine I have no right to refuse." "Still, I must keep this man here until I can get a warrant to arrest him from London." "Ah, that's your look-out. But I cannot--" The consul did not finish his sentence, for as he spoke a knock was heard at the door, and two strangers entered, one of whom was the servant whom Fix had met on the quay. The other, who was his master, held out his passport with the request that the consul would do him the favour to visa it. The consul took the document and carefully read it, whilst Fix observed, or rather devoured, the stranger with his eyes from a corner of the room. "You are Mr. Phileas Fogg?" said the consul, after reading the passport. "I am." "And this man is your servant?" "He is: a Frenchman, named Passepartout." "You are from London?" "Yes." "And you are going--" "To Bombay." "Very good, sir. You know that a visa is useless, and that no passport is required?" "I know it, sir," replied Phileas Fogg; "but I wish to prove, by your visa, that I came by Suez." "Very well, sir." The consul proceeded to sign and date the passport, after which he added his official seal. Mr. Fogg paid the customary fee, coldly bowed, and went out, followed by his servant. "Well?" queried the detective. "Well, he looks and acts like a perfectly honest man," replied the consul. "Possibly; but that is not the question. Do you think, consul, that this phlegmatic gentleman resembles, feature by feature, the robber whose description I have received?" "I concede that; but then, you know, all descriptions--" "I'll make certain of it," interrupted Fix. "The servant seems to me less mysterious than the master; besides, he's a Frenchman, and can't help talking. Excuse me for a little while, consul." Fix started off in search of Passepartout. Meanwhile Mr. Fogg, after leaving the consulate, repaired to the quay, gave some orders to Passepartout, went off to the Mongolia in a boat, and descended to his cabin. He took up his note-book, which contained the following memoranda: "Left London, Wednesday, October 2nd, at 8.45 p.m. "Reached Paris, Thursday, October 3rd, at 7.20 a.m. "Left Paris, Thursday, at 8.40 a.m. "Reached Turin by Mont Cenis, Friday, October 4th, at 6.35 a.m. "Left Turin, Friday, at 7.20 a.m. "Arrived at Brindisi, Saturday, October 5th, at 4 p.m. "Sailed on the Mongolia, Saturday, at 5 p.m. "Reached Suez, Wednesday, October 9th, at 11 a.m. "Total of hours spent, 158+; or, in days, six days and a half." These dates were inscribed in an itinerary divided into columns, indicating the month, the day of the month, and the day for the stipulated and actual arrivals at each principal point Paris, Brindisi, Suez, Bombay, Calcutta, Singapore, Hong Kong, Yokohama, San Francisco, New York, and London--from the 2nd of October to the 21st of December; and giving a space for setting down the gain made or the loss suffered on arrival at each locality. This methodical record thus contained an account of everything needed, and Mr. Fogg always knew whether he was behind-hand or in advance of his time. On this Friday, October 9th, he noted his arrival at Suez, and observed that he had as yet neither gained nor lost. He sat down quietly to breakfast in his cabin, never once thinking of inspecting the town, being one of those Englishmen who are wont to see foreign countries through the eyes of their domestics. ----------CHAPTER 8--------- Fix soon rejoined Passepartout, who was lounging and looking about on the quay, as if he did not feel that he, at least, was obliged not to see anything. "Well, my friend," said the detective, coming up with him, "is your passport visaed?" "Ah, it's you, is it, monsieur?" responded Passepartout. "Thanks, yes, the passport is all right." "And you are looking about you?" "Yes; but we travel so fast that I seem to be journeying in a dream. So this is Suez?" "Yes." "In Egypt?" "Certainly, in Egypt." "And in Africa?" "In Africa." "In Africa!" repeated Passepartout. "Just think, monsieur, I had no idea that we should go farther than Paris; and all that I saw of Paris was between twenty minutes past seven and twenty minutes before nine in the morning, between the Northern and the Lyons stations, through the windows of a car, and in a driving rain! How I regret not having seen once more Pere la Chaise and the circus in the Champs Elysees!" "You are in a great hurry, then?" "I am not, but my master is. By the way, I must buy some shoes and shirts. We came away without trunks, only with a carpet-bag." "I will show you an excellent shop for getting what you want." "Really, monsieur, you are very kind." And they walked off together, Passepartout chatting volubly as they went along. "Above all," said he; "don't let me lose the steamer." "You have plenty of time; it's only twelve o'clock." Passepartout pulled out his big watch. "Twelve!" he exclaimed; "why, it's only eight minutes before ten." "Your watch is slow." "My watch? A family watch, monsieur, which has come down from my great-grandfather! It doesn't vary five minutes in the year. It's a perfect chronometer, look you." "I see how it is," said Fix. "You have kept London time, which is two hours behind that of Suez. You ought to regulate your watch at noon in each country." "I regulate my watch? Never!" "Well, then, it will not agree with the sun." "So much the worse for the sun, monsieur. The sun will be wrong, then!" And the worthy fellow returned the watch to its fob with a defiant gesture. After a few minutes silence, Fix resumed: "You left London hastily, then?" "I rather think so! Last Friday at eight o'clock in the evening, Monsieur Fogg came home from his club, and three-quarters of an hour afterwards we were off." "But where is your master going?" "Always straight ahead. He is going round the world." "Round the world?" cried Fix. "Yes, and in eighty days! He says it is on a wager; but, between us, I don't believe a word of it. That wouldn't be common sense. There's something else in the wind." "Ah! Mr. Fogg is a character, is he?" "I should say he was." "Is he rich?" "No doubt, for he is carrying an enormous sum in brand new banknotes with him. And he doesn't spare the money on the way, either: he has offered a large reward to the engineer of the Mongolia if he gets us to Bombay well in advance of time." "And you have known your master a long time?" "Why, no; I entered his service the very day we left London." The effect of these replies upon the already suspicious and excited detective may be imagined. The hasty departure from London soon after the robbery; the large sum carried by Mr. Fogg; his eagerness to reach distant countries; the pretext of an eccentric and foolhardy bet--all confirmed Fix in his theory. He continued to pump poor Passepartout, and learned that he really knew little or nothing of his master, who lived a solitary existence in London, was said to be rich, though no one knew whence came his riches, and was mysterious and impenetrable in his affairs and habits. Fix felt sure that Phileas Fogg would not land at Suez, but was really going on to Bombay. "Is Bombay far from here?" asked Passepartout. "Pretty far. It is a ten days' voyage by sea." "And in what country is Bombay?" "India." "In Asia?" "Certainly." "The deuce! I was going to tell you there's one thing that worries me--my burner!" "What burner?" "My gas-burner, which I forgot to turn off, and which is at this moment burning at my expense. I have calculated, monsieur, that I lose two shillings every four and twenty hours, exactly sixpence more than I earn; and you will understand that the longer our journey--" Did Fix pay any attention to Passepartout's trouble about the gas? It is not probable. He was not listening, but was cogitating a project. Passepartout and he had now reached the shop, where Fix left his companion to make his purchases, after recommending him not to miss the steamer, and hurried back to the consulate. Now that he was fully convinced, Fix had quite recovered his equanimity. "Consul," said he, "I have no longer any doubt. I have spotted my man. He passes himself off as an odd stick who is going round the world in eighty days." "Then he's a sharp fellow," returned the consul, "and counts on returning to London after putting the police of the two countries off his track." "We'll see about that," replied Fix. "But are you not mistaken?" "I am not mistaken." "Why was this robber so anxious to prove, by the visa, that he had passed through Suez?" "Why? I have no idea; but listen to me." He reported in a few words the most important parts of his conversation with Passepartout. "In short," said the consul, "appearances are wholly against this man. And what are you going to do?" "Send a dispatch to London for a warrant of arrest to be dispatched instantly to Bombay, take passage on board the Mongolia, follow my rogue to India, and there, on English ground, arrest him politely, with my warrant in my hand, and my hand on his shoulder." Having uttered these words with a cool, careless air, the detective took leave of the consul, and repaired to the telegraph office, whence he sent the dispatch which we have seen to the London police office. A quarter of an hour later found Fix, with a small bag in his hand, proceeding on board the Mongolia; and, ere many moments longer, the noble steamer rode out at full steam upon the waters of the Red Sea.

cliffnotes

Generate a succinct summary for chapter 9 with the given context.

chapter 9|chapter 10

The passengers on board the steamship are mostly bound for India. Some are military men, and a number of them are rich young Englishmen who are traveling. There are a lot of parties that Phileas does not attend. The storms on the Red Sea don't bother him, and he doesn't frequent the deck to view the sights. Phileas does find some companions eager to play whist with him, and he plays tirelessly. Passepartout suffers from seasickness but is glad of the voyage because he is well-fed and housed. He loved seeing the sights but truly expected their voyage would end in Bombay when Phileas had had enough of their travels. He finds Detective Fix on board and chats with him, thinking him a friend. With a successful voyage across the Red Sea, the Mongolia has actually gained fifteen hours when it docks at Aden. Passepartout and Fogg go ashore to get their passport validated again while Fix follows them. On October 20, the steamer docks in Bombay just as Fogg finishes winning his game of whist. Fogg has gained two days since leaving London, and he enters this calmly into his itinerary.

----------CHAPTER 9--------- The distance between Suez and Aden is precisely thirteen hundred and ten miles, and the regulations of the company allow the steamers one hundred and thirty-eight hours in which to traverse it. The Mongolia, thanks to the vigorous exertions of the engineer, seemed likely, so rapid was her speed, to reach her destination considerably within that time. The greater part of the passengers from Brindisi were bound for India some for Bombay, others for Calcutta by way of Bombay, the nearest route thither, now that a railway crosses the Indian peninsula. Among the passengers was a number of officials and military officers of various grades, the latter being either attached to the regular British forces or commanding the Sepoy troops, and receiving high salaries ever since the central government has assumed the powers of the East India Company: for the sub-lieutenants get 280 pounds, brigadiers, 2,400 pounds, and generals of divisions, 4,000 pounds. What with the military men, a number of rich young Englishmen on their travels, and the hospitable efforts of the purser, the time passed quickly on the Mongolia. The best of fare was spread upon the cabin tables at breakfast, lunch, dinner, and the eight o'clock supper, and the ladies scrupulously changed their toilets twice a day; and the hours were whirled away, when the sea was tranquil, with music, dancing, and games. But the Red Sea is full of caprice, and often boisterous, like most long and narrow gulfs. When the wind came from the African or Asian coast the Mongolia, with her long hull, rolled fearfully. Then the ladies speedily disappeared below; the pianos were silent; singing and dancing suddenly ceased. Yet the good ship ploughed straight on, unretarded by wind or wave, towards the straits of Bab-el-Mandeb. What was Phileas Fogg doing all this time? It might be thought that, in his anxiety, he would be constantly watching the changes of the wind, the disorderly raging of the billows--every chance, in short, which might force the Mongolia to slacken her speed, and thus interrupt his journey. But, if he thought of these possibilities, he did not betray the fact by any outward sign. Always the same impassible member of the Reform Club, whom no incident could surprise, as unvarying as the ship's chronometers, and seldom having the curiosity even to go upon the deck, he passed through the memorable scenes of the Red Sea with cold indifference; did not care to recognise the historic towns and villages which, along its borders, raised their picturesque outlines against the sky; and betrayed no fear of the dangers of the Arabic Gulf, which the old historians always spoke of with horror, and upon which the ancient navigators never ventured without propitiating the gods by ample sacrifices. How did this eccentric personage pass his time on the Mongolia? He made his four hearty meals every day, regardless of the most persistent rolling and pitching on the part of the steamer; and he played whist indefatigably, for he had found partners as enthusiastic in the game as himself. A tax-collector, on the way to his post at Goa; the Rev. Decimus Smith, returning to his parish at Bombay; and a brigadier-general of the English army, who was about to rejoin his brigade at Benares, made up the party, and, with Mr. Fogg, played whist by the hour together in absorbing silence. As for Passepartout, he, too, had escaped sea-sickness, and took his meals conscientiously in the forward cabin. He rather enjoyed the voyage, for he was well fed and well lodged, took a great interest in the scenes through which they were passing, and consoled himself with the delusion that his master's whim would end at Bombay. He was pleased, on the day after leaving Suez, to find on deck the obliging person with whom he had walked and chatted on the quays. "If I am not mistaken," said he, approaching this person, with his most amiable smile, "you are the gentleman who so kindly volunteered to guide me at Suez?" "Ah! I quite recognise you. You are the servant of the strange Englishman--" "Just so, monsieur--" "Fix." "Monsieur Fix," resumed Passepartout, "I'm charmed to find you on board. Where are you bound?" "Like you, to Bombay." "That's capital! Have you made this trip before?" "Several times. I am one of the agents of the Peninsular Company." "Then you know India?" "Why yes," replied Fix, who spoke cautiously. "A curious place, this India?" "Oh, very curious. Mosques, minarets, temples, fakirs, pagodas, tigers, snakes, elephants! I hope you will have ample time to see the sights." "I hope so, Monsieur Fix. You see, a man of sound sense ought not to spend his life jumping from a steamer upon a railway train, and from a railway train upon a steamer again, pretending to make the tour of the world in eighty days! No; all these gymnastics, you may be sure, will cease at Bombay." "And Mr. Fogg is getting on well?" asked Fix, in the most natural tone in the world. "Quite well, and I too. I eat like a famished ogre; it's the sea air." "But I never see your master on deck." "Never; he hasn't the least curiosity." "Do you know, Mr. Passepartout, that this pretended tour in eighty days may conceal some secret errand--perhaps a diplomatic mission?" "Faith, Monsieur Fix, I assure you I know nothing about it, nor would I give half a crown to find out." After this meeting, Passepartout and Fix got into the habit of chatting together, the latter making it a point to gain the worthy man's confidence. He frequently offered him a glass of whiskey or pale ale in the steamer bar-room, which Passepartout never failed to accept with graceful alacrity, mentally pronouncing Fix the best of good fellows. Meanwhile the Mongolia was pushing forward rapidly; on the 13th, Mocha, surrounded by its ruined walls whereon date-trees were growing, was sighted, and on the mountains beyond were espied vast coffee-fields. Passepartout was ravished to behold this celebrated place, and thought that, with its circular walls and dismantled fort, it looked like an immense coffee-cup and saucer. The following night they passed through the Strait of Bab-el-Mandeb, which means in Arabic The Bridge of Tears, and the next day they put in at Steamer Point, north-west of Aden harbour, to take in coal. This matter of fuelling steamers is a serious one at such distances from the coal-mines; it costs the Peninsular Company some eight hundred thousand pounds a year. In these distant seas, coal is worth three or four pounds sterling a ton. The Mongolia had still sixteen hundred and fifty miles to traverse before reaching Bombay, and was obliged to remain four hours at Steamer Point to coal up. But this delay, as it was foreseen, did not affect Phileas Fogg's programme; besides, the Mongolia, instead of reaching Aden on the morning of the 15th, when she was due, arrived there on the evening of the 14th, a gain of fifteen hours. Mr. Fogg and his servant went ashore at Aden to have the passport again visaed; Fix, unobserved, followed them. The visa procured, Mr. Fogg returned on board to resume his former habits; while Passepartout, according to custom, sauntered about among the mixed population of Somalis, Banyans, Parsees, Jews, Arabs, and Europeans who comprise the twenty-five thousand inhabitants of Aden. He gazed with wonder upon the fortifications which make this place the Gibraltar of the Indian Ocean, and the vast cisterns where the English engineers were still at work, two thousand years after the engineers of Solomon. "Very curious, very curious," said Passepartout to himself, on returning to the steamer. "I see that it is by no means useless to travel, if a man wants to see something new." At six p.m. the Mongolia slowly moved out of the roadstead, and was soon once more on the Indian Ocean. She had a hundred and sixty-eight hours in which to reach Bombay, and the sea was favourable, the wind being in the north-west, and all sails aiding the engine. The steamer rolled but little, the ladies, in fresh toilets, reappeared on deck, and the singing and dancing were resumed. The trip was being accomplished most successfully, and Passepartout was enchanted with the congenial companion which chance had secured him in the person of the delightful Fix. On Sunday, October 20th, towards noon, they came in sight of the Indian coast: two hours later the pilot came on board. A range of hills lay against the sky in the horizon, and soon the rows of palms which adorn Bombay came distinctly into view. The steamer entered the road formed by the islands in the bay, and at half-past four she hauled up at the quays of Bombay. Phileas Fogg was in the act of finishing the thirty-third rubber of the voyage, and his partner and himself having, by a bold stroke, captured all thirteen of the tricks, concluded this fine campaign with a brilliant victory. The Mongolia was due at Bombay on the 22nd; she arrived on the 20th. This was a gain to Phileas Fogg of two days since his departure from London, and he calmly entered the fact in the itinerary, in the column of gains. ----------CHAPTER 10--------- Everybody knows that the great reversed triangle of land, with its base in the north and its apex in the south, which is called India, embraces fourteen hundred thousand square miles, upon which is spread unequally a population of one hundred and eighty millions of souls. The British Crown exercises a real and despotic dominion over the larger portion of this vast country, and has a governor-general stationed at Calcutta, governors at Madras, Bombay, and in Bengal, and a lieutenant-governor at Agra. But British India, properly so called, only embraces seven hundred thousand square miles, and a population of from one hundred to one hundred and ten millions of inhabitants. A considerable portion of India is still free from British authority; and there are certain ferocious rajahs in the interior who are absolutely independent. The celebrated East India Company was all-powerful from 1756, when the English first gained a foothold on the spot where now stands the city of Madras, down to the time of the great Sepoy insurrection. It gradually annexed province after province, purchasing them of the native chiefs, whom it seldom paid, and appointed the governor-general and his subordinates, civil and military. But the East India Company has now passed away, leaving the British possessions in India directly under the control of the Crown. The aspect of the country, as well as the manners and distinctions of race, is daily changing. Formerly one was obliged to travel in India by the old cumbrous methods of going on foot or on horseback, in palanquins or unwieldy coaches; now fast steamboats ply on the Indus and the Ganges, and a great railway, with branch lines joining the main line at many points on its route, traverses the peninsula from Bombay to Calcutta in three days. This railway does not run in a direct line across India. The distance between Bombay and Calcutta, as the bird flies, is only from one thousand to eleven hundred miles; but the deflections of the road increase this distance by more than a third. The general route of the Great Indian Peninsula Railway is as follows: Leaving Bombay, it passes through Salcette, crossing to the continent opposite Tannah, goes over the chain of the Western Ghauts, runs thence north-east as far as Burhampoor, skirts the nearly independent territory of Bundelcund, ascends to Allahabad, turns thence eastwardly, meeting the Ganges at Benares, then departs from the river a little, and, descending south-eastward by Burdivan and the French town of Chandernagor, has its terminus at Calcutta. The passengers of the Mongolia went ashore at half-past four p.m.; at exactly eight the train would start for Calcutta. Mr. Fogg, after bidding good-bye to his whist partners, left the steamer, gave his servant several errands to do, urged it upon him to be at the station promptly at eight, and, with his regular step, which beat to the second, like an astronomical clock, directed his steps to the passport office. As for the wonders of Bombay--its famous city hall, its splendid library, its forts and docks, its bazaars, mosques, synagogues, its Armenian churches, and the noble pagoda on Malabar Hill, with its two polygonal towers--he cared not a straw to see them. He would not deign to examine even the masterpieces of Elephanta, or the mysterious hypogea, concealed south-east from the docks, or those fine remains of Buddhist architecture, the Kanherian grottoes of the island of Salcette. Having transacted his business at the passport office, Phileas Fogg repaired quietly to the railway station, where he ordered dinner. Among the dishes served up to him, the landlord especially recommended a certain giblet of "native rabbit," on which he prided himself. Mr. Fogg accordingly tasted the dish, but, despite its spiced sauce, found it far from palatable. He rang for the landlord, and, on his appearance, said, fixing his clear eyes upon him, "Is this rabbit, sir?" "Yes, my lord," the rogue boldly replied, "rabbit from the jungles." "And this rabbit did not mew when he was killed?" "Mew, my lord! What, a rabbit mew! I swear to you--" "Be so good, landlord, as not to swear, but remember this: cats were formerly considered, in India, as sacred animals. That was a good time." "For the cats, my lord?" "Perhaps for the travellers as well!" After which Mr. Fogg quietly continued his dinner. Fix had gone on shore shortly after Mr. Fogg, and his first destination was the headquarters of the Bombay police. He made himself known as a London detective, told his business at Bombay, and the position of affairs relative to the supposed robber, and nervously asked if a warrant had arrived from London. It had not reached the office; indeed, there had not yet been time for it to arrive. Fix was sorely disappointed, and tried to obtain an order of arrest from the director of the Bombay police. This the director refused, as the matter concerned the London office, which alone could legally deliver the warrant. Fix did not insist, and was fain to resign himself to await the arrival of the important document; but he was determined not to lose sight of the mysterious rogue as long as he stayed in Bombay. He did not doubt for a moment, any more than Passepartout, that Phileas Fogg would remain there, at least until it was time for the warrant to arrive. Passepartout, however, had no sooner heard his master's orders on leaving the Mongolia than he saw at once that they were to leave Bombay as they had done Suez and Paris, and that the journey would be extended at least as far as Calcutta, and perhaps beyond that place. He began to ask himself if this bet that Mr. Fogg talked about was not really in good earnest, and whether his fate was not in truth forcing him, despite his love of repose, around the world in eighty days! Having purchased the usual quota of shirts and shoes, he took a leisurely promenade about the streets, where crowds of people of many nationalities--Europeans, Persians with pointed caps, Banyas with round turbans, Sindes with square bonnets, Parsees with black mitres, and long-robed Armenians--were collected. It happened to be the day of a Parsee festival. These descendants of the sect of Zoroaster--the most thrifty, civilised, intelligent, and austere of the East Indians, among whom are counted the richest native merchants of Bombay--were celebrating a sort of religious carnival, with processions and shows, in the midst of which Indian dancing-girls, clothed in rose-coloured gauze, looped up with gold and silver, danced airily, but with perfect modesty, to the sound of viols and the clanging of tambourines. It is needless to say that Passepartout watched these curious ceremonies with staring eyes and gaping mouth, and that his countenance was that of the greenest booby imaginable. Unhappily for his master, as well as himself, his curiosity drew him unconsciously farther off than he intended to go. At last, having seen the Parsee carnival wind away in the distance, he was turning his steps towards the station, when he happened to espy the splendid pagoda on Malabar Hill, and was seized with an irresistible desire to see its interior. He was quite ignorant that it is forbidden to Christians to enter certain Indian temples, and that even the faithful must not go in without first leaving their shoes outside the door. It may be said here that the wise policy of the British Government severely punishes a disregard of the practices of the native religions. Passepartout, however, thinking no harm, went in like a simple tourist, and was soon lost in admiration of the splendid Brahmin ornamentation which everywhere met his eyes, when of a sudden he found himself sprawling on the sacred flagging. He looked up to behold three enraged priests, who forthwith fell upon him; tore off his shoes, and began to beat him with loud, savage exclamations. The agile Frenchman was soon upon his feet again, and lost no time in knocking down two of his long-gowned adversaries with his fists and a vigorous application of his toes; then, rushing out of the pagoda as fast as his legs could carry him, he soon escaped the third priest by mingling with the crowd in the streets. At five minutes before eight, Passepartout, hatless, shoeless, and having in the squabble lost his package of shirts and shoes, rushed breathlessly into the station. Fix, who had followed Mr. Fogg to the station, and saw that he was really going to leave Bombay, was there, upon the platform. He had resolved to follow the supposed robber to Calcutta, and farther, if necessary. Passepartout did not observe the detective, who stood in an obscure corner; but Fix heard him relate his adventures in a few words to Mr. Fogg. "I hope that this will not happen again," said Phileas Fogg coldly, as he got into the train. Poor Passepartout, quite crestfallen, followed his master without a word. Fix was on the point of entering another carriage, when an idea struck him which induced him to alter his plan. "No, I'll stay," muttered he. "An offence has been committed on Indian soil. I've got my man." Just then the locomotive gave a sharp screech, and the train passed out into the darkness of the night.

cliffnotes

Generate a succinct summary for chapter 11 with the given context.

chapter 11|chapter 12

On the train to Calcutta there are a bunch of soldiers, government men, and merchants . Sir Francis Cromarty sits with Passepartout and Phileas Fogg on the train. He was one of the people playing whist with Fogg when they were on board the Mongolia. Sir Francis tries to tell all he knows about India, but Fogg isn't interested. Sir Francis begins to observe that perhaps Fogg really doesn't have a heart beneath his cold exterior and that he doesn't seem keen on the beauties of nature. He thinks the wager of going around the world is silly and makes no sense. He worries that Phileas will eventually grow old and die never doing any good to himself or anyone else. Cromarty warns Passepartout and Fogg that they might get in trouble with the British government if it's found out that Passepartout entered the holy pagoda in Bombay. Fogg is dismissive and doesn't think it will be a problem. When the train stops at Burhampoor, Passepartout grabs himself some comfy Indian footwear. After breakfast he thinks a lot about the wager and concludes that Fogg really isn't joking; he plans to go all the way around the world. Suddenly the conductor shouts that everyone needs to disembark because the railway isn't complete until they reach Allahabad. Passepartout is terribly upset and wants to punch someone, while Fogg calmly starts formulating another plan. Passepartout later is able to secure transportation by elephant, but not without it costing Fogg two thousand pounds. Sir Francis begs Fogg not to pay such a crazy price, but Fogg calmly asks him if he has another idea. No? An elephant it is then. A young Parsee guide joins their group and Fogg offers him a good reward should they all make it out of the jungle alive. The elephant's name is Kiouni. Fogg offers to escort Cromarty to Allahabad via his new elephant and Cromarty agrees. Fogg and Cromarty take seats in the "howdah" baskets on either side of the elephant, with Passepartout astride its back and the Parsee riding on the neck. They start off through the jungle via a shortcut that the Parsee knows.

----------CHAPTER 11--------- The train had started punctually. Among the passengers were a number of officers, Government officials, and opium and indigo merchants, whose business called them to the eastern coast. Passepartout rode in the same carriage with his master, and a third passenger occupied a seat opposite to them. This was Sir Francis Cromarty, one of Mr. Fogg's whist partners on the Mongolia, now on his way to join his corps at Benares. Sir Francis was a tall, fair man of fifty, who had greatly distinguished himself in the last Sepoy revolt. He made India his home, only paying brief visits to England at rare intervals; and was almost as familiar as a native with the customs, history, and character of India and its people. But Phileas Fogg, who was not travelling, but only describing a circumference, took no pains to inquire into these subjects; he was a solid body, traversing an orbit around the terrestrial globe, according to the laws of rational mechanics. He was at this moment calculating in his mind the number of hours spent since his departure from London, and, had it been in his nature to make a useless demonstration, would have rubbed his hands for satisfaction. Sir Francis Cromarty had observed the oddity of his travelling companion--although the only opportunity he had for studying him had been while he was dealing the cards, and between two rubbers--and questioned himself whether a human heart really beat beneath this cold exterior, and whether Phileas Fogg had any sense of the beauties of nature. The brigadier-general was free to mentally confess that, of all the eccentric persons he had ever met, none was comparable to this product of the exact sciences. Phileas Fogg had not concealed from Sir Francis his design of going round the world, nor the circumstances under which he set out; and the general only saw in the wager a useless eccentricity and a lack of sound common sense. In the way this strange gentleman was going on, he would leave the world without having done any good to himself or anybody else. An hour after leaving Bombay the train had passed the viaducts and the Island of Salcette, and had got into the open country. At Callyan they reached the junction of the branch line which descends towards south-eastern India by Kandallah and Pounah; and, passing Pauwell, they entered the defiles of the mountains, with their basalt bases, and their summits crowned with thick and verdant forests. Phileas Fogg and Sir Francis Cromarty exchanged a few words from time to time, and now Sir Francis, reviving the conversation, observed, "Some years ago, Mr. Fogg, you would have met with a delay at this point which would probably have lost you your wager." "How so, Sir Francis?" "Because the railway stopped at the base of these mountains, which the passengers were obliged to cross in palanquins or on ponies to Kandallah, on the other side." "Such a delay would not have deranged my plans in the least," said Mr. Fogg. "I have constantly foreseen the likelihood of certain obstacles." "But, Mr. Fogg," pursued Sir Francis, "you run the risk of having some difficulty about this worthy fellow's adventure at the pagoda." Passepartout, his feet comfortably wrapped in his travelling-blanket, was sound asleep and did not dream that anybody was talking about him. "The Government is very severe upon that kind of offence. It takes particular care that the religious customs of the Indians should be respected, and if your servant were caught--" "Very well, Sir Francis," replied Mr. Fogg; "if he had been caught he would have been condemned and punished, and then would have quietly returned to Europe. I don't see how this affair could have delayed his master." The conversation fell again. During the night the train left the mountains behind, and passed Nassik, and the next day proceeded over the flat, well-cultivated country of the Khandeish, with its straggling villages, above which rose the minarets of the pagodas. This fertile territory is watered by numerous small rivers and limpid streams, mostly tributaries of the Godavery. Passepartout, on waking and looking out, could not realise that he was actually crossing India in a railway train. The locomotive, guided by an English engineer and fed with English coal, threw out its smoke upon cotton, coffee, nutmeg, clove, and pepper plantations, while the steam curled in spirals around groups of palm-trees, in the midst of which were seen picturesque bungalows, viharis (sort of abandoned monasteries), and marvellous temples enriched by the exhaustless ornamentation of Indian architecture. Then they came upon vast tracts extending to the horizon, with jungles inhabited by snakes and tigers, which fled at the noise of the train; succeeded by forests penetrated by the railway, and still haunted by elephants which, with pensive eyes, gazed at the train as it passed. The travellers crossed, beyond Milligaum, the fatal country so often stained with blood by the sectaries of the goddess Kali. Not far off rose Ellora, with its graceful pagodas, and the famous Aurungabad, capital of the ferocious Aureng-Zeb, now the chief town of one of the detached provinces of the kingdom of the Nizam. It was thereabouts that Feringhea, the Thuggee chief, king of the stranglers, held his sway. These ruffians, united by a secret bond, strangled victims of every age in honour of the goddess Death, without ever shedding blood; there was a period when this part of the country could scarcely be travelled over without corpses being found in every direction. The English Government has succeeded in greatly diminishing these murders, though the Thuggees still exist, and pursue the exercise of their horrible rites. At half-past twelve the train stopped at Burhampoor where Passepartout was able to purchase some Indian slippers, ornamented with false pearls, in which, with evident vanity, he proceeded to encase his feet. The travellers made a hasty breakfast and started off for Assurghur, after skirting for a little the banks of the small river Tapty, which empties into the Gulf of Cambray, near Surat. Passepartout was now plunged into absorbing reverie. Up to his arrival at Bombay, he had entertained hopes that their journey would end there; but, now that they were plainly whirling across India at full speed, a sudden change had come over the spirit of his dreams. His old vagabond nature returned to him; the fantastic ideas of his youth once more took possession of him. He came to regard his master's project as intended in good earnest, believed in the reality of the bet, and therefore in the tour of the world and the necessity of making it without fail within the designated period. Already he began to worry about possible delays, and accidents which might happen on the way. He recognised himself as being personally interested in the wager, and trembled at the thought that he might have been the means of losing it by his unpardonable folly of the night before. Being much less cool-headed than Mr. Fogg, he was much more restless, counting and recounting the days passed over, uttering maledictions when the train stopped, and accusing it of sluggishness, and mentally blaming Mr. Fogg for not having bribed the engineer. The worthy fellow was ignorant that, while it was possible by such means to hasten the rate of a steamer, it could not be done on the railway. The train entered the defiles of the Sutpour Mountains, which separate the Khandeish from Bundelcund, towards evening. The next day Sir Francis Cromarty asked Passepartout what time it was; to which, on consulting his watch, he replied that it was three in the morning. This famous timepiece, always regulated on the Greenwich meridian, which was now some seventy-seven degrees westward, was at least four hours slow. Sir Francis corrected Passepartout's time, whereupon the latter made the same remark that he had done to Fix; and upon the general insisting that the watch should be regulated in each new meridian, since he was constantly going eastward, that is in the face of the sun, and therefore the days were shorter by four minutes for each degree gone over, Passepartout obstinately refused to alter his watch, which he kept at London time. It was an innocent delusion which could harm no one. The train stopped, at eight o'clock, in the midst of a glade some fifteen miles beyond Rothal, where there were several bungalows, and workmen's cabins. The conductor, passing along the carriages, shouted, "Passengers will get out here!" Phileas Fogg looked at Sir Francis Cromarty for an explanation; but the general could not tell what meant a halt in the midst of this forest of dates and acacias. Passepartout, not less surprised, rushed out and speedily returned, crying: "Monsieur, no more railway!" "What do you mean?" asked Sir Francis. "I mean to say that the train isn't going on." The general at once stepped out, while Phileas Fogg calmly followed him, and they proceeded together to the conductor. "Where are we?" asked Sir Francis. "At the hamlet of Kholby." "Do we stop here?" "Certainly. The railway isn't finished." "What! not finished?" "No. There's still a matter of fifty miles to be laid from here to Allahabad, where the line begins again." "But the papers announced the opening of the railway throughout." "What would you have, officer? The papers were mistaken." "Yet you sell tickets from Bombay to Calcutta," retorted Sir Francis, who was growing warm. "No doubt," replied the conductor; "but the passengers know that they must provide means of transportation for themselves from Kholby to Allahabad." Sir Francis was furious. Passepartout would willingly have knocked the conductor down, and did not dare to look at his master. "Sir Francis," said Mr. Fogg quietly, "we will, if you please, look about for some means of conveyance to Allahabad." "Mr. Fogg, this is a delay greatly to your disadvantage." "No, Sir Francis; it was foreseen." "What! You knew that the way--" "Not at all; but I knew that some obstacle or other would sooner or later arise on my route. Nothing, therefore, is lost. I have two days, which I have already gained, to sacrifice. A steamer leaves Calcutta for Hong Kong at noon, on the 25th. This is the 22nd, and we shall reach Calcutta in time." There was nothing to say to so confident a response. It was but too true that the railway came to a termination at this point. The papers were like some watches, which have a way of getting too fast, and had been premature in their announcement of the completion of the line. The greater part of the travellers were aware of this interruption, and, leaving the train, they began to engage such vehicles as the village could provide four-wheeled palkigharis, waggons drawn by zebus, carriages that looked like perambulating pagodas, palanquins, ponies, and what not. Mr. Fogg and Sir Francis Cromarty, after searching the village from end to end, came back without having found anything. "I shall go afoot," said Phileas Fogg. Passepartout, who had now rejoined his master, made a wry grimace, as he thought of his magnificent, but too frail Indian shoes. Happily he too had been looking about him, and, after a moment's hesitation, said, "Monsieur, I think I have found a means of conveyance." "What?" "An elephant! An elephant that belongs to an Indian who lives but a hundred steps from here." "Let's go and see the elephant," replied Mr. Fogg. They soon reached a small hut, near which, enclosed within some high palings, was the animal in question. An Indian came out of the hut, and, at their request, conducted them within the enclosure. The elephant, which its owner had reared, not for a beast of burden, but for warlike purposes, was half domesticated. The Indian had begun already, by often irritating him, and feeding him every three months on sugar and butter, to impart to him a ferocity not in his nature, this method being often employed by those who train the Indian elephants for battle. Happily, however, for Mr. Fogg, the animal's instruction in this direction had not gone far, and the elephant still preserved his natural gentleness. Kiouni--this was the name of the beast--could doubtless travel rapidly for a long time, and, in default of any other means of conveyance, Mr. Fogg resolved to hire him. But elephants are far from cheap in India, where they are becoming scarce, the males, which alone are suitable for circus shows, are much sought, especially as but few of them are domesticated. When therefore Mr. Fogg proposed to the Indian to hire Kiouni, he refused point-blank. Mr. Fogg persisted, offering the excessive sum of ten pounds an hour for the loan of the beast to Allahabad. Refused. Twenty pounds? Refused also. Forty pounds? Still refused. Passepartout jumped at each advance; but the Indian declined to be tempted. Yet the offer was an alluring one, for, supposing it took the elephant fifteen hours to reach Allahabad, his owner would receive no less than six hundred pounds sterling. Phileas Fogg, without getting in the least flurried, then proposed to purchase the animal outright, and at first offered a thousand pounds for him. The Indian, perhaps thinking he was going to make a great bargain, still refused. Sir Francis Cromarty took Mr. Fogg aside, and begged him to reflect before he went any further; to which that gentleman replied that he was not in the habit of acting rashly, that a bet of twenty thousand pounds was at stake, that the elephant was absolutely necessary to him, and that he would secure him if he had to pay twenty times his value. Returning to the Indian, whose small, sharp eyes, glistening with avarice, betrayed that with him it was only a question of how great a price he could obtain. Mr. Fogg offered first twelve hundred, then fifteen hundred, eighteen hundred, two thousand pounds. Passepartout, usually so rubicund, was fairly white with suspense. At two thousand pounds the Indian yielded. "What a price, good heavens!" cried Passepartout, "for an elephant." It only remained now to find a guide, which was comparatively easy. A young Parsee, with an intelligent face, offered his services, which Mr. Fogg accepted, promising so generous a reward as to materially stimulate his zeal. The elephant was led out and equipped. The Parsee, who was an accomplished elephant driver, covered his back with a sort of saddle-cloth, and attached to each of his flanks some curiously uncomfortable howdahs. Phileas Fogg paid the Indian with some banknotes which he extracted from the famous carpet-bag, a proceeding that seemed to deprive poor Passepartout of his vitals. Then he offered to carry Sir Francis to Allahabad, which the brigadier gratefully accepted, as one traveller the more would not be likely to fatigue the gigantic beast. Provisions were purchased at Kholby, and, while Sir Francis and Mr. Fogg took the howdahs on either side, Passepartout got astride the saddle-cloth between them. The Parsee perched himself on the elephant's neck, and at nine o'clock they set out from the village, the animal marching off through the dense forest of palms by the shortest cut. ----------CHAPTER 12--------- In order to shorten the journey, the guide passed to the left of the line where the railway was still in process of being built. This line, owing to the capricious turnings of the Vindhia Mountains, did not pursue a straight course. The Parsee, who was quite familiar with the roads and paths in the district, declared that they would gain twenty miles by striking directly through the forest. Phileas Fogg and Sir Francis Cromarty, plunged to the neck in the peculiar howdahs provided for them, were horribly jostled by the swift trotting of the elephant, spurred on as he was by the skilful Parsee; but they endured the discomfort with true British phlegm, talking little, and scarcely able to catch a glimpse of each other. As for Passepartout, who was mounted on the beast's back, and received the direct force of each concussion as he trod along, he was very careful, in accordance with his master's advice, to keep his tongue from between his teeth, as it would otherwise have been bitten off short. The worthy fellow bounced from the elephant's neck to his rump, and vaulted like a clown on a spring-board; yet he laughed in the midst of his bouncing, and from time to time took a piece of sugar out of his pocket, and inserted it in Kiouni's trunk, who received it without in the least slackening his regular trot. After two hours the guide stopped the elephant, and gave him an hour for rest, during which Kiouni, after quenching his thirst at a neighbouring spring, set to devouring the branches and shrubs round about him. Neither Sir Francis nor Mr. Fogg regretted the delay, and both descended with a feeling of relief. "Why, he's made of iron!" exclaimed the general, gazing admiringly on Kiouni. "Of forged iron," replied Passepartout, as he set about preparing a hasty breakfast. At noon the Parsee gave the signal of departure. The country soon presented a very savage aspect. Copses of dates and dwarf-palms succeeded the dense forests; then vast, dry plains, dotted with scanty shrubs, and sown with great blocks of syenite. All this portion of Bundelcund, which is little frequented by travellers, is inhabited by a fanatical population, hardened in the most horrible practices of the Hindoo faith. The English have not been able to secure complete dominion over this territory, which is subjected to the influence of rajahs, whom it is almost impossible to reach in their inaccessible mountain fastnesses. The travellers several times saw bands of ferocious Indians, who, when they perceived the elephant striding across-country, made angry and threatening motions. The Parsee avoided them as much as possible. Few animals were observed on the route; even the monkeys hurried from their path with contortions and grimaces which convulsed Passepartout with laughter. In the midst of his gaiety, however, one thought troubled the worthy servant. What would Mr. Fogg do with the elephant when he got to Allahabad? Would he carry him on with him? Impossible! The cost of transporting him would make him ruinously expensive. Would he sell him, or set him free? The estimable beast certainly deserved some consideration. Should Mr. Fogg choose to make him, Passepartout, a present of Kiouni, he would be very much embarrassed; and these thoughts did not cease worrying him for a long time. The principal chain of the Vindhias was crossed by eight in the evening, and another halt was made on the northern slope, in a ruined bungalow. They had gone nearly twenty-five miles that day, and an equal distance still separated them from the station of Allahabad. The night was cold. The Parsee lit a fire in the bungalow with a few dry branches, and the warmth was very grateful, provisions purchased at Kholby sufficed for supper, and the travellers ate ravenously. The conversation, beginning with a few disconnected phrases, soon gave place to loud and steady snores. The guide watched Kiouni, who slept standing, bolstering himself against the trunk of a large tree. Nothing occurred during the night to disturb the slumberers, although occasional growls from panthers and chatterings of monkeys broke the silence; the more formidable beasts made no cries or hostile demonstration against the occupants of the bungalow. Sir Francis slept heavily, like an honest soldier overcome with fatigue. Passepartout was wrapped in uneasy dreams of the bouncing of the day before. As for Mr. Fogg, he slumbered as peacefully as if he had been in his serene mansion in Saville Row. The journey was resumed at six in the morning; the guide hoped to reach Allahabad by evening. In that case, Mr. Fogg would only lose a part of the forty-eight hours saved since the beginning of the tour. Kiouni, resuming his rapid gait, soon descended the lower spurs of the Vindhias, and towards noon they passed by the village of Kallenger, on the Cani, one of the branches of the Ganges. The guide avoided inhabited places, thinking it safer to keep the open country, which lies along the first depressions of the basin of the great river. Allahabad was now only twelve miles to the north-east. They stopped under a clump of bananas, the fruit of which, as healthy as bread and as succulent as cream, was amply partaken of and appreciated. At two o'clock the guide entered a thick forest which extended several miles; he preferred to travel under cover of the woods. They had not as yet had any unpleasant encounters, and the journey seemed on the point of being successfully accomplished, when the elephant, becoming restless, suddenly stopped. It was then four o'clock. "What's the matter?" asked Sir Francis, putting out his head. "I don't know, officer," replied the Parsee, listening attentively to a confused murmur which came through the thick branches. The murmur soon became more distinct; it now seemed like a distant concert of human voices accompanied by brass instruments. Passepartout was all eyes and ears. Mr. Fogg patiently waited without a word. The Parsee jumped to the ground, fastened the elephant to a tree, and plunged into the thicket. He soon returned, saying: "A procession of Brahmins is coming this way. We must prevent their seeing us, if possible." The guide unloosed the elephant and led him into a thicket, at the same time asking the travellers not to stir. He held himself ready to bestride the animal at a moment's notice, should flight become necessary; but he evidently thought that the procession of the faithful would pass without perceiving them amid the thick foliage, in which they were wholly concealed. The discordant tones of the voices and instruments drew nearer, and now droning songs mingled with the sound of the tambourines and cymbals. The head of the procession soon appeared beneath the trees, a hundred paces away; and the strange figures who performed the religious ceremony were easily distinguished through the branches. First came the priests, with mitres on their heads, and clothed in long lace robes. They were surrounded by men, women, and children, who sang a kind of lugubrious psalm, interrupted at regular intervals by the tambourines and cymbals; while behind them was drawn a car with large wheels, the spokes of which represented serpents entwined with each other. Upon the car, which was drawn by four richly caparisoned zebus, stood a hideous statue with four arms, the body coloured a dull red, with haggard eyes, dishevelled hair, protruding tongue, and lips tinted with betel. It stood upright upon the figure of a prostrate and headless giant. Sir Francis, recognising the statue, whispered, "The goddess Kali; the goddess of love and death." "Of death, perhaps," muttered back Passepartout, "but of love--that ugly old hag? Never!" The Parsee made a motion to keep silence. A group of old fakirs were capering and making a wild ado round the statue; these were striped with ochre, and covered with cuts whence their blood issued drop by drop--stupid fanatics, who, in the great Indian ceremonies, still throw themselves under the wheels of Juggernaut. Some Brahmins, clad in all the sumptuousness of Oriental apparel, and leading a woman who faltered at every step, followed. This woman was young, and as fair as a European. Her head and neck, shoulders, ears, arms, hands, and toes were loaded down with jewels and gems with bracelets, earrings, and rings; while a tunic bordered with gold, and covered with a light muslin robe, betrayed the outline of her form. The guards who followed the young woman presented a violent contrast to her, armed as they were with naked sabres hung at their waists, and long damascened pistols, and bearing a corpse on a palanquin. It was the body of an old man, gorgeously arrayed in the habiliments of a rajah, wearing, as in life, a turban embroidered with pearls, a robe of tissue of silk and gold, a scarf of cashmere sewed with diamonds, and the magnificent weapons of a Hindoo prince. Next came the musicians and a rearguard of capering fakirs, whose cries sometimes drowned the noise of the instruments; these closed the procession. Sir Francis watched the procession with a sad countenance, and, turning to the guide, said, "A suttee." The Parsee nodded, and put his finger to his lips. The procession slowly wound under the trees, and soon its last ranks disappeared in the depths of the wood. The songs gradually died away; occasionally cries were heard in the distance, until at last all was silence again. Phileas Fogg had heard what Sir Francis said, and, as soon as the procession had disappeared, asked: "What is a suttee?" "A suttee," returned the general, "is a human sacrifice, but a voluntary one. The woman you have just seen will be burned to-morrow at the dawn of day." "Oh, the scoundrels!" cried Passepartout, who could not repress his indignation. "And the corpse?" asked Mr. Fogg. "Is that of the prince, her husband," said the guide; "an independent rajah of Bundelcund." "Is it possible," resumed Phileas Fogg, his voice betraying not the least emotion, "that these barbarous customs still exist in India, and that the English have been unable to put a stop to them?" "These sacrifices do not occur in the larger portion of India," replied Sir Francis; "but we have no power over these savage territories, and especially here in Bundelcund. The whole district north of the Vindhias is the theatre of incessant murders and pillage." "The poor wretch!" exclaimed Passepartout, "to be burned alive!" "Yes," returned Sir Francis, "burned alive. And, if she were not, you cannot conceive what treatment she would be obliged to submit to from her relatives. They would shave off her hair, feed her on a scanty allowance of rice, treat her with contempt; she would be looked upon as an unclean creature, and would die in some corner, like a scurvy dog. The prospect of so frightful an existence drives these poor creatures to the sacrifice much more than love or religious fanaticism. Sometimes, however, the sacrifice is really voluntary, and it requires the active interference of the Government to prevent it. Several years ago, when I was living at Bombay, a young widow asked permission of the governor to be burned along with her husband's body; but, as you may imagine, he refused. The woman left the town, took refuge with an independent rajah, and there carried out her self-devoted purpose." While Sir Francis was speaking, the guide shook his head several times, and now said: "The sacrifice which will take place to-morrow at dawn is not a voluntary one." "How do you know?" "Everybody knows about this affair in Bundelcund." "But the wretched creature did not seem to be making any resistance," observed Sir Francis. "That was because they had intoxicated her with fumes of hemp and opium." "But where are they taking her?" "To the pagoda of Pillaji, two miles from here; she will pass the night there." "And the sacrifice will take place--" "To-morrow, at the first light of dawn." The guide now led the elephant out of the thicket, and leaped upon his neck. Just at the moment that he was about to urge Kiouni forward with a peculiar whistle, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said, "Suppose we save this woman." "Save the woman, Mr. Fogg!" "I have yet twelve hours to spare; I can devote them to that." "Why, you are a man of heart!" "Sometimes," replied Phileas Fogg, quietly; "when I have the time."

cliffnotes

Create a compact summary that covers the main points of chapter 13, utilizing the provided context.

chapter 13|chapter 14

Phileas Fogg decides to make time for a daring rescue in the middle of his world tour. Long story short, the religious ceremony our adventurers witness from the back of their elephant is a "suttee," an ancient practice of burning the body of a dead rajah along with his possessions Often the woman would be drugged with opium so she'd cooperate with the ceremony that would burn her alive. If she escaped, her family would shun her and she'd starve to death and be forced to shave off all her hair . Phileas, Passepartout, and Sir Francis learn from their elephant guide that the woman is an Indian princess. The princess is heavily guarded in the pagoda of Pillaji, and the adventurers wait all night to figure out a plan for rescue. They decide to try tunneling through the old building, but are stopped when the guards awaken. Passepartout has an idea and slips quietly away. Distressed, they watch the next morning as the drugged woman is led upon the funeral pyre and it is lit. Phileas and Sir Francis are just about to rush the pyre when suddenly the dead rajah sits up and grabs the princess, dragging her through the crowd toward them. It seems that during the night Passepartout had the creative idea to impersonate the dead body to achieve the daring rescue. The party runs away into the woods and the elephant crashes through the jungle at a frantic pace. Escape is achieved.

----------CHAPTER 13--------- The project was a bold one, full of difficulty, perhaps impracticable. Mr. Fogg was going to risk life, or at least liberty, and therefore the success of his tour. But he did not hesitate, and he found in Sir Francis Cromarty an enthusiastic ally. As for Passepartout, he was ready for anything that might be proposed. His master's idea charmed him; he perceived a heart, a soul, under that icy exterior. He began to love Phileas Fogg. There remained the guide: what course would he adopt? Would he not take part with the Indians? In default of his assistance, it was necessary to be assured of his neutrality. Sir Francis frankly put the question to him. "Officers," replied the guide, "I am a Parsee, and this woman is a Parsee. Command me as you will." "Excellent!" said Mr. Fogg. "However," resumed the guide, "it is certain, not only that we shall risk our lives, but horrible tortures, if we are taken." "That is foreseen," replied Mr. Fogg. "I think we must wait till night before acting." "I think so," said the guide. The worthy Indian then gave some account of the victim, who, he said, was a celebrated beauty of the Parsee race, and the daughter of a wealthy Bombay merchant. She had received a thoroughly English education in that city, and, from her manners and intelligence, would be thought an European. Her name was Aouda. Left an orphan, she was married against her will to the old rajah of Bundelcund; and, knowing the fate that awaited her, she escaped, was retaken, and devoted by the rajah's relatives, who had an interest in her death, to the sacrifice from which it seemed she could not escape. The Parsee's narrative only confirmed Mr. Fogg and his companions in their generous design. It was decided that the guide should direct the elephant towards the pagoda of Pillaji, which he accordingly approached as quickly as possible. They halted, half an hour afterwards, in a copse, some five hundred feet from the pagoda, where they were well concealed; but they could hear the groans and cries of the fakirs distinctly. They then discussed the means of getting at the victim. The guide was familiar with the pagoda of Pillaji, in which, as he declared, the young woman was imprisoned. Could they enter any of its doors while the whole party of Indians was plunged in a drunken sleep, or was it safer to attempt to make a hole in the walls? This could only be determined at the moment and the place themselves; but it was certain that the abduction must be made that night, and not when, at break of day, the victim was led to her funeral pyre. Then no human intervention could save her. As soon as night fell, about six o'clock, they decided to make a reconnaissance around the pagoda. The cries of the fakirs were just ceasing; the Indians were in the act of plunging themselves into the drunkenness caused by liquid opium mingled with hemp, and it might be possible to slip between them to the temple itself. The Parsee, leading the others, noiselessly crept through the wood, and in ten minutes they found themselves on the banks of a small stream, whence, by the light of the rosin torches, they perceived a pyre of wood, on the top of which lay the embalmed body of the rajah, which was to be burned with his wife. The pagoda, whose minarets loomed above the trees in the deepening dusk, stood a hundred steps away. "Come!" whispered the guide. He slipped more cautiously than ever through the brush, followed by his companions; the silence around was only broken by the low murmuring of the wind among the branches. Soon the Parsee stopped on the borders of the glade, which was lit up by the torches. The ground was covered by groups of the Indians, motionless in their drunken sleep; it seemed a battlefield strewn with the dead. Men, women, and children lay together. In the background, among the trees, the pagoda of Pillaji loomed distinctly. Much to the guide's disappointment, the guards of the rajah, lighted by torches, were watching at the doors and marching to and fro with naked sabres; probably the priests, too, were watching within. The Parsee, now convinced that it was impossible to force an entrance to the temple, advanced no farther, but led his companions back again. Phileas Fogg and Sir Francis Cromarty also saw that nothing could be attempted in that direction. They stopped, and engaged in a whispered colloquy. "It is only eight now," said the brigadier, "and these guards may also go to sleep." "It is not impossible," returned the Parsee. They lay down at the foot of a tree, and waited. The time seemed long; the guide ever and anon left them to take an observation on the edge of the wood, but the guards watched steadily by the glare of the torches, and a dim light crept through the windows of the pagoda. They waited till midnight; but no change took place among the guards, and it became apparent that their yielding to sleep could not be counted on. The other plan must be carried out; an opening in the walls of the pagoda must be made. It remained to ascertain whether the priests were watching by the side of their victim as assiduously as were the soldiers at the door. After a last consultation, the guide announced that he was ready for the attempt, and advanced, followed by the others. They took a roundabout way, so as to get at the pagoda on the rear. They reached the walls about half-past twelve, without having met anyone; here there was no guard, nor were there either windows or doors. The night was dark. The moon, on the wane, scarcely left the horizon, and was covered with heavy clouds; the height of the trees deepened the darkness. It was not enough to reach the walls; an opening in them must be accomplished, and to attain this purpose the party only had their pocket-knives. Happily the temple walls were built of brick and wood, which could be penetrated with little difficulty; after one brick had been taken out, the rest would yield easily. They set noiselessly to work, and the Parsee on one side and Passepartout on the other began to loosen the bricks so as to make an aperture two feet wide. They were getting on rapidly, when suddenly a cry was heard in the interior of the temple, followed almost instantly by other cries replying from the outside. Passepartout and the guide stopped. Had they been heard? Was the alarm being given? Common prudence urged them to retire, and they did so, followed by Phileas Fogg and Sir Francis. They again hid themselves in the wood, and waited till the disturbance, whatever it might be, ceased, holding themselves ready to resume their attempt without delay. But, awkwardly enough, the guards now appeared at the rear of the temple, and there installed themselves, in readiness to prevent a surprise. It would be difficult to describe the disappointment of the party, thus interrupted in their work. They could not now reach the victim; how, then, could they save her? Sir Francis shook his fists, Passepartout was beside himself, and the guide gnashed his teeth with rage. The tranquil Fogg waited, without betraying any emotion. "We have nothing to do but to go away," whispered Sir Francis. "Nothing but to go away," echoed the guide. "Stop," said Fogg. "I am only due at Allahabad tomorrow before noon." "But what can you hope to do?" asked Sir Francis. "In a few hours it will be daylight, and--" "The chance which now seems lost may present itself at the last moment." Sir Francis would have liked to read Phileas Fogg's eyes. What was this cool Englishman thinking of? Was he planning to make a rush for the young woman at the very moment of the sacrifice, and boldly snatch her from her executioners? This would be utter folly, and it was hard to admit that Fogg was such a fool. Sir Francis consented, however, to remain to the end of this terrible drama. The guide led them to the rear of the glade, where they were able to observe the sleeping groups. Meanwhile Passepartout, who had perched himself on the lower branches of a tree, was resolving an idea which had at first struck him like a flash, and which was now firmly lodged in his brain. He had commenced by saying to himself, "What folly!" and then he repeated, "Why not, after all? It's a chance,--perhaps the only one; and with such sots!" Thinking thus, he slipped, with the suppleness of a serpent, to the lowest branches, the ends of which bent almost to the ground. The hours passed, and the lighter shades now announced the approach of day, though it was not yet light. This was the moment. The slumbering multitude became animated, the tambourines sounded, songs and cries arose; the hour of the sacrifice had come. The doors of the pagoda swung open, and a bright light escaped from its interior, in the midst of which Mr. Fogg and Sir Francis espied the victim. She seemed, having shaken off the stupor of intoxication, to be striving to escape from her executioner. Sir Francis's heart throbbed; and, convulsively seizing Mr. Fogg's hand, found in it an open knife. Just at this moment the crowd began to move. The young woman had again fallen into a stupor caused by the fumes of hemp, and passed among the fakirs, who escorted her with their wild, religious cries. Phileas Fogg and his companions, mingling in the rear ranks of the crowd, followed; and in two minutes they reached the banks of the stream, and stopped fifty paces from the pyre, upon which still lay the rajah's corpse. In the semi-obscurity they saw the victim, quite senseless, stretched out beside her husband's body. Then a torch was brought, and the wood, heavily soaked with oil, instantly took fire. At this moment Sir Francis and the guide seized Phileas Fogg, who, in an instant of mad generosity, was about to rush upon the pyre. But he had quickly pushed them aside, when the whole scene suddenly changed. A cry of terror arose. The whole multitude prostrated themselves, terror-stricken, on the ground. The old rajah was not dead, then, since he rose of a sudden, like a spectre, took up his wife in his arms, and descended from the pyre in the midst of the clouds of smoke, which only heightened his ghostly appearance. Fakirs and soldiers and priests, seized with instant terror, lay there, with their faces on the ground, not daring to lift their eyes and behold such a prodigy. The inanimate victim was borne along by the vigorous arms which supported her, and which she did not seem in the least to burden. Mr. Fogg and Sir Francis stood erect, the Parsee bowed his head, and Passepartout was, no doubt, scarcely less stupefied. The resuscitated rajah approached Sir Francis and Mr. Fogg, and, in an abrupt tone, said, "Let us be off!" It was Passepartout himself, who had slipped upon the pyre in the midst of the smoke and, profiting by the still overhanging darkness, had delivered the young woman from death! It was Passepartout who, playing his part with a happy audacity, had passed through the crowd amid the general terror. A moment after all four of the party had disappeared in the woods, and the elephant was bearing them away at a rapid pace. But the cries and noise, and a ball which whizzed through Phileas Fogg's hat, apprised them that the trick had been discovered. The old rajah's body, indeed, now appeared upon the burning pyre; and the priests, recovered from their terror, perceived that an abduction had taken place. They hastened into the forest, followed by the soldiers, who fired a volley after the fugitives; but the latter rapidly increased the distance between them, and ere long found themselves beyond the reach of the bullets and arrows. ----------CHAPTER 14--------- The rash exploit had been accomplished; and for an hour Passepartout laughed gaily at his success. Sir Francis pressed the worthy fellow's hand, and his master said, "Well done!" which, from him, was high commendation; to which Passepartout replied that all the credit of the affair belonged to Mr. Fogg. As for him, he had only been struck with a "queer" idea; and he laughed to think that for a few moments he, Passepartout, the ex-gymnast, ex-sergeant fireman, had been the spouse of a charming woman, a venerable, embalmed rajah! As for the young Indian woman, she had been unconscious throughout of what was passing, and now, wrapped up in a travelling-blanket, was reposing in one of the howdahs. The elephant, thanks to the skilful guidance of the Parsee, was advancing rapidly through the still darksome forest, and, an hour after leaving the pagoda, had crossed a vast plain. They made a halt at seven o'clock, the young woman being still in a state of complete prostration. The guide made her drink a little brandy and water, but the drowsiness which stupefied her could not yet be shaken off. Sir Francis, who was familiar with the effects of the intoxication produced by the fumes of hemp, reassured his companions on her account. But he was more disturbed at the prospect of her future fate. He told Phileas Fogg that, should Aouda remain in India, she would inevitably fall again into the hands of her executioners. These fanatics were scattered throughout the county, and would, despite the English police, recover their victim at Madras, Bombay, or Calcutta. She would only be safe by quitting India for ever. Phileas Fogg replied that he would reflect upon the matter. The station at Allahabad was reached about ten o'clock, and, the interrupted line of railway being resumed, would enable them to reach Calcutta in less than twenty-four hours. Phileas Fogg would thus be able to arrive in time to take the steamer which left Calcutta the next day, October 25th, at noon, for Hong Kong. The young woman was placed in one of the waiting-rooms of the station, whilst Passepartout was charged with purchasing for her various articles of toilet, a dress, shawl, and some furs; for which his master gave him unlimited credit. Passepartout started off forthwith, and found himself in the streets of Allahabad, that is, the City of God, one of the most venerated in India, being built at the junction of the two sacred rivers, Ganges and Jumna, the waters of which attract pilgrims from every part of the peninsula. The Ganges, according to the legends of the Ramayana, rises in heaven, whence, owing to Brahma's agency, it descends to the earth. Passepartout made it a point, as he made his purchases, to take a good look at the city. It was formerly defended by a noble fort, which has since become a state prison; its commerce has dwindled away, and Passepartout in vain looked about him for such a bazaar as he used to frequent in Regent Street. At last he came upon an elderly, crusty Jew, who sold second-hand articles, and from whom he purchased a dress of Scotch stuff, a large mantle, and a fine otter-skin pelisse, for which he did not hesitate to pay seventy-five pounds. He then returned triumphantly to the station. The influence to which the priests of Pillaji had subjected Aouda began gradually to yield, and she became more herself, so that her fine eyes resumed all their soft Indian expression. When the poet-king, Ucaf Uddaul, celebrates the charms of the queen of Ahmehnagara, he speaks thus: "Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor." It is enough to say, without applying this poetical rhapsody to Aouda, that she was a charming woman, in all the European acceptation of the phrase. She spoke English with great purity, and the guide had not exaggerated in saying that the young Parsee had been transformed by her bringing up. The train was about to start from Allahabad, and Mr. Fogg proceeded to pay the guide the price agreed upon for his service, and not a farthing more; which astonished Passepartout, who remembered all that his master owed to the guide's devotion. He had, indeed, risked his life in the adventure at Pillaji, and, if he should be caught afterwards by the Indians, he would with difficulty escape their vengeance. Kiouni, also, must be disposed of. What should be done with the elephant, which had been so dearly purchased? Phileas Fogg had already determined this question. "Parsee," said he to the guide, "you have been serviceable and devoted. I have paid for your service, but not for your devotion. Would you like to have this elephant? He is yours." The guide's eyes glistened. "Your honour is giving me a fortune!" cried he. "Take him, guide," returned Mr. Fogg, "and I shall still be your debtor." "Good!" exclaimed Passepartout. "Take him, friend. Kiouni is a brave and faithful beast." And, going up to the elephant, he gave him several lumps of sugar, saying, "Here, Kiouni, here, here." The elephant grunted out his satisfaction, and, clasping Passepartout around the waist with his trunk, lifted him as high as his head. Passepartout, not in the least alarmed, caressed the animal, which replaced him gently on the ground. Soon after, Phileas Fogg, Sir Francis Cromarty, and Passepartout, installed in a carriage with Aouda, who had the best seat, were whirling at full speed towards Benares. It was a run of eighty miles, and was accomplished in two hours. During the journey, the young woman fully recovered her senses. What was her astonishment to find herself in this carriage, on the railway, dressed in European habiliments, and with travellers who were quite strangers to her! Her companions first set about fully reviving her with a little liquor, and then Sir Francis narrated to her what had passed, dwelling upon the courage with which Phileas Fogg had not hesitated to risk his life to save her, and recounting the happy sequel of the venture, the result of Passepartout's rash idea. Mr. Fogg said nothing; while Passepartout, abashed, kept repeating that "it wasn't worth telling." Aouda pathetically thanked her deliverers, rather with tears than words; her fine eyes interpreted her gratitude better than her lips. Then, as her thoughts strayed back to the scene of the sacrifice, and recalled the dangers which still menaced her, she shuddered with terror. Phileas Fogg understood what was passing in Aouda's mind, and offered, in order to reassure her, to escort her to Hong Kong, where she might remain safely until the affair was hushed up--an offer which she eagerly and gratefully accepted. She had, it seems, a Parsee relation, who was one of the principal merchants of Hong Kong, which is wholly an English city, though on an island on the Chinese coast. At half-past twelve the train stopped at Benares. The Brahmin legends assert that this city is built on the site of the ancient Casi, which, like Mahomet's tomb, was once suspended between heaven and earth; though the Benares of to-day, which the Orientalists call the Athens of India, stands quite unpoetically on the solid earth, Passepartout caught glimpses of its brick houses and clay huts, giving an aspect of desolation to the place, as the train entered it. Benares was Sir Francis Cromarty's destination, the troops he was rejoining being encamped some miles northward of the city. He bade adieu to Phileas Fogg, wishing him all success, and expressing the hope that he would come that way again in a less original but more profitable fashion. Mr. Fogg lightly pressed him by the hand. The parting of Aouda, who did not forget what she owed to Sir Francis, betrayed more warmth; and, as for Passepartout, he received a hearty shake of the hand from the gallant general. The railway, on leaving Benares, passed for a while along the valley of the Ganges. Through the windows of their carriage the travellers had glimpses of the diversified landscape of Behar, with its mountains clothed in verdure, its fields of barley, wheat, and corn, its jungles peopled with green alligators, its neat villages, and its still thickly-leaved forests. Elephants were bathing in the waters of the sacred river, and groups of Indians, despite the advanced season and chilly air, were performing solemnly their pious ablutions. These were fervent Brahmins, the bitterest foes of Buddhism, their deities being Vishnu, the solar god, Shiva, the divine impersonation of natural forces, and Brahma, the supreme ruler of priests and legislators. What would these divinities think of India, anglicised as it is to-day, with steamers whistling and scudding along the Ganges, frightening the gulls which float upon its surface, the turtles swarming along its banks, and the faithful dwelling upon its borders? The panorama passed before their eyes like a flash, save when the steam concealed it fitfully from the view; the travellers could scarcely discern the fort of Chupenie, twenty miles south-westward from Benares, the ancient stronghold of the rajahs of Behar; or Ghazipur and its famous rose-water factories; or the tomb of Lord Cornwallis, rising on the left bank of the Ganges; the fortified town of Buxar, or Patna, a large manufacturing and trading-place, where is held the principal opium market of India; or Monghir, a more than European town, for it is as English as Manchester or Birmingham, with its iron foundries, edgetool factories, and high chimneys puffing clouds of black smoke heavenward. Night came on; the train passed on at full speed, in the midst of the roaring of the tigers, bears, and wolves which fled before the locomotive; and the marvels of Bengal, Golconda ruined Gour, Murshedabad, the ancient capital, Burdwan, Hugly, and the French town of Chandernagor, where Passepartout would have been proud to see his country's flag flying, were hidden from their view in the darkness. Calcutta was reached at seven in the morning, and the packet left for Hong Kong at noon; so that Phileas Fogg had five hours before him. According to his journal, he was due at Calcutta on the 25th of October, and that was the exact date of his actual arrival. He was therefore neither behind-hand nor ahead of time. The two days gained between London and Bombay had been lost, as has been seen, in the journey across India. But it is not to be supposed that Phileas Fogg regretted them.

cliffnotes

Craft a concise overview of chapter 16 using the context provided.

chapter 15|chapter 16

The ship has 3,500 miles to go between Calcutta and Hong Kong. During this time, Aouda becomes better acquainted with Phileas Fogg. She thinks he's an "automaton." He reassures her that they'll find her cousin in Hong Kong. The ship passes the Great Andaman and the Straits of Malacca. Fix plans to arrest Fogg in Hong Kong. However, he makes a friend of Passepartout and gets him talking. Passepartout tells Fix about what happened in India and that Aouda will be accompanying them to Hong Kong.

----------CHAPTER 15--------- The train entered the station, and Passepartout jumping out first, was followed by Mr. Fogg, who assisted his fair companion to descend. Phileas Fogg intended to proceed at once to the Hong Kong steamer, in order to get Aouda comfortably settled for the voyage. He was unwilling to leave her while they were still on dangerous ground. Just as he was leaving the station a policeman came up to him, and said, "Mr. Phileas Fogg?" "I am he." "Is this man your servant?" added the policeman, pointing to Passepartout. "Yes." "Be so good, both of you, as to follow me." Mr. Fogg betrayed no surprise whatever. The policeman was a representative of the law, and law is sacred to an Englishman. Passepartout tried to reason about the matter, but the policeman tapped him with his stick, and Mr. Fogg made him a signal to obey. "May this young lady go with us?" asked he. "She may," replied the policeman. Mr. Fogg, Aouda, and Passepartout were conducted to a palkigahri, a sort of four-wheeled carriage, drawn by two horses, in which they took their places and were driven away. No one spoke during the twenty minutes which elapsed before they reached their destination. They first passed through the "black town," with its narrow streets, its miserable, dirty huts, and squalid population; then through the "European town," which presented a relief in its bright brick mansions, shaded by coconut-trees and bristling with masts, where, although it was early morning, elegantly dressed horsemen and handsome equipages were passing back and forth. The carriage stopped before a modest-looking house, which, however, did not have the appearance of a private mansion. The policeman having requested his prisoners--for so, truly, they might be called--to descend, conducted them into a room with barred windows, and said: "You will appear before Judge Obadiah at half-past eight." He then retired, and closed the door. "Why, we are prisoners!" exclaimed Passepartout, falling into a chair. Aouda, with an emotion she tried to conceal, said to Mr. Fogg: "Sir, you must leave me to my fate! It is on my account that you receive this treatment, it is for having saved me!" Phileas Fogg contented himself with saying that it was impossible. It was quite unlikely that he should be arrested for preventing a suttee. The complainants would not dare present themselves with such a charge. There was some mistake. Moreover, he would not, in any event, abandon Aouda, but would escort her to Hong Kong. "But the steamer leaves at noon!" observed Passepartout, nervously. "We shall be on board by noon," replied his master, placidly. It was said so positively that Passepartout could not help muttering to himself, "Parbleu that's certain! Before noon we shall be on board." But he was by no means reassured. At half-past eight the door opened, the policeman appeared, and, requesting them to follow him, led the way to an adjoining hall. It was evidently a court-room, and a crowd of Europeans and natives already occupied the rear of the apartment. Mr. Fogg and his two companions took their places on a bench opposite the desks of the magistrate and his clerk. Immediately after, Judge Obadiah, a fat, round man, followed by the clerk, entered. He proceeded to take down a wig which was hanging on a nail, and put it hurriedly on his head. "The first case," said he. Then, putting his hand to his head, he exclaimed, "Heh! This is not my wig!" "No, your worship," returned the clerk, "it is mine." "My dear Mr. Oysterpuff, how can a judge give a wise sentence in a clerk's wig?" The wigs were exchanged. Passepartout was getting nervous, for the hands on the face of the big clock over the judge seemed to go around with terrible rapidity. "The first case," repeated Judge Obadiah. "Phileas Fogg?" demanded Oysterpuff. "I am here," replied Mr. Fogg. "Passepartout?" "Present," responded Passepartout. "Good," said the judge. "You have been looked for, prisoners, for two days on the trains from Bombay." "But of what are we accused?" asked Passepartout, impatiently. "You are about to be informed." "I am an English subject, sir," said Mr. Fogg, "and I have the right--" "Have you been ill-treated?" "Not at all." "Very well; let the complainants come in." A door was swung open by order of the judge, and three Indian priests entered. "That's it," muttered Passepartout; "these are the rogues who were going to burn our young lady." The priests took their places in front of the judge, and the clerk proceeded to read in a loud voice a complaint of sacrilege against Phileas Fogg and his servant, who were accused of having violated a place held consecrated by the Brahmin religion. "You hear the charge?" asked the judge. "Yes, sir," replied Mr. Fogg, consulting his watch, "and I admit it." "You admit it?" "I admit it, and I wish to hear these priests admit, in their turn, what they were going to do at the pagoda of Pillaji." The priests looked at each other; they did not seem to understand what was said. "Yes," cried Passepartout, warmly; "at the pagoda of Pillaji, where they were on the point of burning their victim." The judge stared with astonishment, and the priests were stupefied. "What victim?" said Judge Obadiah. "Burn whom? In Bombay itself?" "Bombay?" cried Passepartout. "Certainly. We are not talking of the pagoda of Pillaji, but of the pagoda of Malabar Hill, at Bombay." "And as a proof," added the clerk, "here are the desecrator's very shoes, which he left behind him." Whereupon he placed a pair of shoes on his desk. "My shoes!" cried Passepartout, in his surprise permitting this imprudent exclamation to escape him. The confusion of master and man, who had quite forgotten the affair at Bombay, for which they were now detained at Calcutta, may be imagined. Fix the detective, had foreseen the advantage which Passepartout's escapade gave him, and, delaying his departure for twelve hours, had consulted the priests of Malabar Hill. Knowing that the English authorities dealt very severely with this kind of misdemeanour, he promised them a goodly sum in damages, and sent them forward to Calcutta by the next train. Owing to the delay caused by the rescue of the young widow, Fix and the priests reached the Indian capital before Mr. Fogg and his servant, the magistrates having been already warned by a dispatch to arrest them should they arrive. Fix's disappointment when he learned that Phileas Fogg had not made his appearance in Calcutta may be imagined. He made up his mind that the robber had stopped somewhere on the route and taken refuge in the southern provinces. For twenty-four hours Fix watched the station with feverish anxiety; at last he was rewarded by seeing Mr. Fogg and Passepartout arrive, accompanied by a young woman, whose presence he was wholly at a loss to explain. He hastened for a policeman; and this was how the party came to be arrested and brought before Judge Obadiah. Had Passepartout been a little less preoccupied, he would have espied the detective ensconced in a corner of the court-room, watching the proceedings with an interest easily understood; for the warrant had failed to reach him at Calcutta, as it had done at Bombay and Suez. Judge Obadiah had unfortunately caught Passepartout's rash exclamation, which the poor fellow would have given the world to recall. "The facts are admitted?" asked the judge. "Admitted," replied Mr. Fogg, coldly. "Inasmuch," resumed the judge, "as the English law protects equally and sternly the religions of the Indian people, and as the man Passepartout has admitted that he violated the sacred pagoda of Malabar Hill, at Bombay, on the 20th of October, I condemn the said Passepartout to imprisonment for fifteen days and a fine of three hundred pounds." "Three hundred pounds!" cried Passepartout, startled at the largeness of the sum. "Silence!" shouted the constable. "And inasmuch," continued the judge, "as it is not proved that the act was not done by the connivance of the master with the servant, and as the master in any case must be held responsible for the acts of his paid servant, I condemn Phileas Fogg to a week's imprisonment and a fine of one hundred and fifty pounds." Fix rubbed his hands softly with satisfaction; if Phileas Fogg could be detained in Calcutta a week, it would be more than time for the warrant to arrive. Passepartout was stupefied. This sentence ruined his master. A wager of twenty thousand pounds lost, because he, like a precious fool, had gone into that abominable pagoda! Phileas Fogg, as self-composed as if the judgment did not in the least concern him, did not even lift his eyebrows while it was being pronounced. Just as the clerk was calling the next case, he rose, and said, "I offer bail." "You have that right," returned the judge. Fix's blood ran cold, but he resumed his composure when he heard the judge announce that the bail required for each prisoner would be one thousand pounds. "I will pay it at once," said Mr. Fogg, taking a roll of bank-bills from the carpet-bag, which Passepartout had by him, and placing them on the clerk's desk. "This sum will be restored to you upon your release from prison," said the judge. "Meanwhile, you are liberated on bail." "Come!" said Phileas Fogg to his servant. "But let them at least give me back my shoes!" cried Passepartout angrily. "Ah, these are pretty dear shoes!" he muttered, as they were handed to him. "More than a thousand pounds apiece; besides, they pinch my feet." Mr. Fogg, offering his arm to Aouda, then departed, followed by the crestfallen Passepartout. Fix still nourished hopes that the robber would not, after all, leave the two thousand pounds behind him, but would decide to serve out his week in jail, and issued forth on Mr. Fogg's traces. That gentleman took a carriage, and the party were soon landed on one of the quays. The Rangoon was moored half a mile off in the harbour, its signal of departure hoisted at the mast-head. Eleven o'clock was striking; Mr. Fogg was an hour in advance of time. Fix saw them leave the carriage and push off in a boat for the steamer, and stamped his feet with disappointment. "The rascal is off, after all!" he exclaimed. "Two thousand pounds sacrificed! He's as prodigal as a thief! I'll follow him to the end of the world if necessary; but, at the rate he is going on, the stolen money will soon be exhausted." The detective was not far wrong in making this conjecture. Since leaving London, what with travelling expenses, bribes, the purchase of the elephant, bails, and fines, Mr. Fogg had already spent more than five thousand pounds on the way, and the percentage of the sum recovered from the bank robber promised to the detectives, was rapidly diminishing. ----------CHAPTER 16--------- The Rangoon--one of the Peninsular and Oriental Company's boats plying in the Chinese and Japanese seas--was a screw steamer, built of iron, weighing about seventeen hundred and seventy tons, and with engines of four hundred horse-power. She was as fast, but not as well fitted up, as the Mongolia, and Aouda was not as comfortably provided for on board of her as Phileas Fogg could have wished. However, the trip from Calcutta to Hong Kong only comprised some three thousand five hundred miles, occupying from ten to twelve days, and the young woman was not difficult to please. During the first days of the journey Aouda became better acquainted with her protector, and constantly gave evidence of her deep gratitude for what he had done. The phlegmatic gentleman listened to her, apparently at least, with coldness, neither his voice nor his manner betraying the slightest emotion; but he seemed to be always on the watch that nothing should be wanting to Aouda's comfort. He visited her regularly each day at certain hours, not so much to talk himself, as to sit and hear her talk. He treated her with the strictest politeness, but with the precision of an automaton, the movements of which had been arranged for this purpose. Aouda did not quite know what to make of him, though Passepartout had given her some hints of his master's eccentricity, and made her smile by telling her of the wager which was sending him round the world. After all, she owed Phileas Fogg her life, and she always regarded him through the exalting medium of her gratitude. Aouda confirmed the Parsee guide's narrative of her touching history. She did, indeed, belong to the highest of the native races of India. Many of the Parsee merchants have made great fortunes there by dealing in cotton; and one of them, Sir Jametsee Jeejeebhoy, was made a baronet by the English government. Aouda was a relative of this great man, and it was his cousin, Jeejeeh, whom she hoped to join at Hong Kong. Whether she would find a protector in him she could not tell; but Mr. Fogg essayed to calm her anxieties, and to assure her that everything would be mathematically--he used the very word--arranged. Aouda fastened her great eyes, "clear as the sacred lakes of the Himalaya," upon him; but the intractable Fogg, as reserved as ever, did not seem at all inclined to throw himself into this lake. The first few days of the voyage passed prosperously, amid favourable weather and propitious winds, and they soon came in sight of the great Andaman, the principal of the islands in the Bay of Bengal, with its picturesque Saddle Peak, two thousand four hundred feet high, looming above the waters. The steamer passed along near the shores, but the savage Papuans, who are in the lowest scale of humanity, but are not, as has been asserted, cannibals, did not make their appearance. The panorama of the islands, as they steamed by them, was superb. Vast forests of palms, arecs, bamboo, teakwood, of the gigantic mimosa, and tree-like ferns covered the foreground, while behind, the graceful outlines of the mountains were traced against the sky; and along the coasts swarmed by thousands the precious swallows whose nests furnish a luxurious dish to the tables of the Celestial Empire. The varied landscape afforded by the Andaman Islands was soon passed, however, and the Rangoon rapidly approached the Straits of Malacca, which gave access to the China seas. What was detective Fix, so unluckily drawn on from country to country, doing all this while? He had managed to embark on the Rangoon at Calcutta without being seen by Passepartout, after leaving orders that, if the warrant should arrive, it should be forwarded to him at Hong Kong; and he hoped to conceal his presence to the end of the voyage. It would have been difficult to explain why he was on board without awakening Passepartout's suspicions, who thought him still at Bombay. But necessity impelled him, nevertheless, to renew his acquaintance with the worthy servant, as will be seen. All the detective's hopes and wishes were now centred on Hong Kong; for the steamer's stay at Singapore would be too brief to enable him to take any steps there. The arrest must be made at Hong Kong, or the robber would probably escape him for ever. Hong Kong was the last English ground on which he would set foot; beyond, China, Japan, America offered to Fogg an almost certain refuge. If the warrant should at last make its appearance at Hong Kong, Fix could arrest him and give him into the hands of the local police, and there would be no further trouble. But beyond Hong Kong, a simple warrant would be of no avail; an extradition warrant would be necessary, and that would result in delays and obstacles, of which the rascal would take advantage to elude justice. Fix thought over these probabilities during the long hours which he spent in his cabin, and kept repeating to himself, "Now, either the warrant will be at Hong Kong, in which case I shall arrest my man, or it will not be there; and this time it is absolutely necessary that I should delay his departure. I have failed at Bombay, and I have failed at Calcutta; if I fail at Hong Kong, my reputation is lost: Cost what it may, I must succeed! But how shall I prevent his departure, if that should turn out to be my last resource?" Fix made up his mind that, if worst came to worst, he would make a confidant of Passepartout, and tell him what kind of a fellow his master really was. That Passepartout was not Fogg's accomplice, he was very certain. The servant, enlightened by his disclosure, and afraid of being himself implicated in the crime, would doubtless become an ally of the detective. But this method was a dangerous one, only to be employed when everything else had failed. A word from Passepartout to his master would ruin all. The detective was therefore in a sore strait. But suddenly a new idea struck him. The presence of Aouda on the Rangoon, in company with Phileas Fogg, gave him new material for reflection. Who was this woman? What combination of events had made her Fogg's travelling companion? They had evidently met somewhere between Bombay and Calcutta; but where? Had they met accidentally, or had Fogg gone into the interior purposely in quest of this charming damsel? Fix was fairly puzzled. He asked himself whether there had not been a wicked elopement; and this idea so impressed itself upon his mind that he determined to make use of the supposed intrigue. Whether the young woman were married or not, he would be able to create such difficulties for Mr. Fogg at Hong Kong that he could not escape by paying any amount of money. But could he even wait till they reached Hong Kong? Fogg had an abominable way of jumping from one boat to another, and, before anything could be effected, might get full under way again for Yokohama. Fix decided that he must warn the English authorities, and signal the Rangoon before her arrival. This was easy to do, since the steamer stopped at Singapore, whence there is a telegraphic wire to Hong Kong. He finally resolved, moreover, before acting more positively, to question Passepartout. It would not be difficult to make him talk; and, as there was no time to lose, Fix prepared to make himself known. It was now the 30th of October, and on the following day the Rangoon was due at Singapore. Fix emerged from his cabin and went on deck. Passepartout was promenading up and down in the forward part of the steamer. The detective rushed forward with every appearance of extreme surprise, and exclaimed, "You here, on the Rangoon?" "What, Monsieur Fix, are you on board?" returned the really astonished Passepartout, recognising his crony of the Mongolia. "Why, I left you at Bombay, and here you are, on the way to Hong Kong! Are you going round the world too?" "No, no," replied Fix; "I shall stop at Hong Kong--at least for some days." "Hum!" said Passepartout, who seemed for an instant perplexed. "But how is it I have not seen you on board since we left Calcutta?" "Oh, a trifle of sea-sickness--I've been staying in my berth. The Gulf of Bengal does not agree with me as well as the Indian Ocean. And how is Mr. Fogg?" "As well and as punctual as ever, not a day behind time! But, Monsieur Fix, you don't know that we have a young lady with us." "A young lady?" replied the detective, not seeming to comprehend what was said. Passepartout thereupon recounted Aouda's history, the affair at the Bombay pagoda, the purchase of the elephant for two thousand pounds, the rescue, the arrest, and sentence of the Calcutta court, and the restoration of Mr. Fogg and himself to liberty on bail. Fix, who was familiar with the last events, seemed to be equally ignorant of all that Passepartout related; and the later was charmed to find so interested a listener. "But does your master propose to carry this young woman to Europe?" "Not at all. We are simply going to place her under the protection of one of her relatives, a rich merchant at Hong Kong." "Nothing to be done there," said Fix to himself, concealing his disappointment. "A glass of gin, Mr. Passepartout?" "Willingly, Monsieur Fix. We must at least have a friendly glass on board the Rangoon."

cliffnotes

Produce a brief summary for chapter 18 based on the provided context.

chapter 17|chapter 18

The ship tosses about in some really rough weather, but Phileas Fogg remains calm and practical as always. The Rangoon docks at Hong Kong a day late and Fogg worries he will miss the ship for Yokohama. But a pilot informs him that the Carnatic will leave in time for him to board. Phew. Fogg takes Aouda to the Club Hotel and then goes out to look for her relative. He finds that the uncle has left the city--bummer--so now the hot Indian princess will have to accompany Phileas to Europe. Geez, that's so inconvenient. Passepartout is told to grab three cabins on the Carnatic.

----------CHAPTER 17--------- The detective and Passepartout met often on deck after this interview, though Fix was reserved, and did not attempt to induce his companion to divulge any more facts concerning Mr. Fogg. He caught a glimpse of that mysterious gentleman once or twice; but Mr. Fogg usually confined himself to the cabin, where he kept Aouda company, or, according to his inveterate habit, took a hand at whist. Passepartout began very seriously to conjecture what strange chance kept Fix still on the route that his master was pursuing. It was really worth considering why this certainly very amiable and complacent person, whom he had first met at Suez, had then encountered on board the Mongolia, who disembarked at Bombay, which he announced as his destination, and now turned up so unexpectedly on the Rangoon, was following Mr. Fogg's tracks step by step. What was Fix's object? Passepartout was ready to wager his Indian shoes--which he religiously preserved--that Fix would also leave Hong Kong at the same time with them, and probably on the same steamer. Passepartout might have cudgelled his brain for a century without hitting upon the real object which the detective had in view. He never could have imagined that Phileas Fogg was being tracked as a robber around the globe. But, as it is in human nature to attempt the solution of every mystery, Passepartout suddenly discovered an explanation of Fix's movements, which was in truth far from unreasonable. Fix, he thought, could only be an agent of Mr. Fogg's friends at the Reform Club, sent to follow him up, and to ascertain that he really went round the world as had been agreed upon. "It's clear!" repeated the worthy servant to himself, proud of his shrewdness. "He's a spy sent to keep us in view! That isn't quite the thing, either, to be spying Mr. Fogg, who is so honourable a man! Ah, gentlemen of the Reform, this shall cost you dear!" Passepartout, enchanted with his discovery, resolved to say nothing to his master, lest he should be justly offended at this mistrust on the part of his adversaries. But he determined to chaff Fix, when he had the chance, with mysterious allusions, which, however, need not betray his real suspicions. During the afternoon of Wednesday, 30th October, the Rangoon entered the Strait of Malacca, which separates the peninsula of that name from Sumatra. The mountainous and craggy islets intercepted the beauties of this noble island from the view of the travellers. The Rangoon weighed anchor at Singapore the next day at four a.m., to receive coal, having gained half a day on the prescribed time of her arrival. Phileas Fogg noted this gain in his journal, and then, accompanied by Aouda, who betrayed a desire for a walk on shore, disembarked. Fix, who suspected Mr. Fogg's every movement, followed them cautiously, without being himself perceived; while Passepartout, laughing in his sleeve at Fix's manoeuvres, went about his usual errands. The island of Singapore is not imposing in aspect, for there are no mountains; yet its appearance is not without attractions. It is a park checkered by pleasant highways and avenues. A handsome carriage, drawn by a sleek pair of New Holland horses, carried Phileas Fogg and Aouda into the midst of rows of palms with brilliant foliage, and of clove-trees, whereof the cloves form the heart of a half-open flower. Pepper plants replaced the prickly hedges of European fields; sago-bushes, large ferns with gorgeous branches, varied the aspect of this tropical clime; while nutmeg-trees in full foliage filled the air with a penetrating perfume. Agile and grinning bands of monkeys skipped about in the trees, nor were tigers wanting in the jungles. After a drive of two hours through the country, Aouda and Mr. Fogg returned to the town, which is a vast collection of heavy-looking, irregular houses, surrounded by charming gardens rich in tropical fruits and plants; and at ten o'clock they re-embarked, closely followed by the detective, who had kept them constantly in sight. Passepartout, who had been purchasing several dozen mangoes--a fruit as large as good-sized apples, of a dark-brown colour outside and a bright red within, and whose white pulp, melting in the mouth, affords gourmands a delicious sensation--was waiting for them on deck. He was only too glad to offer some mangoes to Aouda, who thanked him very gracefully for them. At eleven o'clock the Rangoon rode out of Singapore harbour, and in a few hours the high mountains of Malacca, with their forests, inhabited by the most beautifully-furred tigers in the world, were lost to view. Singapore is distant some thirteen hundred miles from the island of Hong Kong, which is a little English colony near the Chinese coast. Phileas Fogg hoped to accomplish the journey in six days, so as to be in time for the steamer which would leave on the 6th of November for Yokohama, the principal Japanese port. The Rangoon had a large quota of passengers, many of whom disembarked at Singapore, among them a number of Indians, Ceylonese, Chinamen, Malays, and Portuguese, mostly second-class travellers. The weather, which had hitherto been fine, changed with the last quarter of the moon. The sea rolled heavily, and the wind at intervals rose almost to a storm, but happily blew from the south-west, and thus aided the steamer's progress. The captain as often as possible put up his sails, and under the double action of steam and sail the vessel made rapid progress along the coasts of Anam and Cochin China. Owing to the defective construction of the Rangoon, however, unusual precautions became necessary in unfavourable weather; but the loss of time which resulted from this cause, while it nearly drove Passepartout out of his senses, did not seem to affect his master in the least. Passepartout blamed the captain, the engineer, and the crew, and consigned all who were connected with the ship to the land where the pepper grows. Perhaps the thought of the gas, which was remorselessly burning at his expense in Saville Row, had something to do with his hot impatience. "You are in a great hurry, then," said Fix to him one day, "to reach Hong Kong?" "A very great hurry!" "Mr. Fogg, I suppose, is anxious to catch the steamer for Yokohama?" "Terribly anxious." "You believe in this journey around the world, then?" "Absolutely. Don't you, Mr. Fix?" "I? I don't believe a word of it." "You're a sly dog!" said Passepartout, winking at him. This expression rather disturbed Fix, without his knowing why. Had the Frenchman guessed his real purpose? He knew not what to think. But how could Passepartout have discovered that he was a detective? Yet, in speaking as he did, the man evidently meant more than he expressed. Passepartout went still further the next day; he could not hold his tongue. "Mr. Fix," said he, in a bantering tone, "shall we be so unfortunate as to lose you when we get to Hong Kong?" "Why," responded Fix, a little embarrassed, "I don't know; perhaps--" "Ah, if you would only go on with us! An agent of the Peninsular Company, you know, can't stop on the way! You were only going to Bombay, and here you are in China. America is not far off, and from America to Europe is only a step." Fix looked intently at his companion, whose countenance was as serene as possible, and laughed with him. But Passepartout persisted in chaffing him by asking him if he made much by his present occupation. "Yes, and no," returned Fix; "there is good and bad luck in such things. But you must understand that I don't travel at my own expense." "Oh, I am quite sure of that!" cried Passepartout, laughing heartily. Fix, fairly puzzled, descended to his cabin and gave himself up to his reflections. He was evidently suspected; somehow or other the Frenchman had found out that he was a detective. But had he told his master? What part was he playing in all this: was he an accomplice or not? Was the game, then, up? Fix spent several hours turning these things over in his mind, sometimes thinking that all was lost, then persuading himself that Fogg was ignorant of his presence, and then undecided what course it was best to take. Nevertheless, he preserved his coolness of mind, and at last resolved to deal plainly with Passepartout. If he did not find it practicable to arrest Fogg at Hong Kong, and if Fogg made preparations to leave that last foothold of English territory, he, Fix, would tell Passepartout all. Either the servant was the accomplice of his master, and in this case the master knew of his operations, and he should fail; or else the servant knew nothing about the robbery, and then his interest would be to abandon the robber. Such was the situation between Fix and Passepartout. Meanwhile Phileas Fogg moved about above them in the most majestic and unconscious indifference. He was passing methodically in his orbit around the world, regardless of the lesser stars which gravitated around him. Yet there was near by what the astronomers would call a disturbing star, which might have produced an agitation in this gentleman's heart. But no! the charms of Aouda failed to act, to Passepartout's great surprise; and the disturbances, if they existed, would have been more difficult to calculate than those of Uranus which led to the discovery of Neptune. It was every day an increasing wonder to Passepartout, who read in Aouda's eyes the depths of her gratitude to his master. Phileas Fogg, though brave and gallant, must be, he thought, quite heartless. As to the sentiment which this journey might have awakened in him, there was clearly no trace of such a thing; while poor Passepartout existed in perpetual reveries. One day he was leaning on the railing of the engine-room, and was observing the engine, when a sudden pitch of the steamer threw the screw out of the water. The steam came hissing out of the valves; and this made Passepartout indignant. "The valves are not sufficiently charged!" he exclaimed. "We are not going. Oh, these English! If this was an American craft, we should blow up, perhaps, but we should at all events go faster!" ----------CHAPTER 18--------- The weather was bad during the latter days of the voyage. The wind, obstinately remaining in the north-west, blew a gale, and retarded the steamer. The Rangoon rolled heavily and the passengers became impatient of the long, monstrous waves which the wind raised before their path. A sort of tempest arose on the 3rd of November, the squall knocking the vessel about with fury, and the waves running high. The Rangoon reefed all her sails, and even the rigging proved too much, whistling and shaking amid the squall. The steamer was forced to proceed slowly, and the captain estimated that she would reach Hong Kong twenty hours behind time, and more if the storm lasted. Phileas Fogg gazed at the tempestuous sea, which seemed to be struggling especially to delay him, with his habitual tranquillity. He never changed countenance for an instant, though a delay of twenty hours, by making him too late for the Yokohama boat, would almost inevitably cause the loss of the wager. But this man of nerve manifested neither impatience nor annoyance; it seemed as if the storm were a part of his programme, and had been foreseen. Aouda was amazed to find him as calm as he had been from the first time she saw him. Fix did not look at the state of things in the same light. The storm greatly pleased him. His satisfaction would have been complete had the Rangoon been forced to retreat before the violence of wind and waves. Each delay filled him with hope, for it became more and more probable that Fogg would be obliged to remain some days at Hong Kong; and now the heavens themselves became his allies, with the gusts and squalls. It mattered not that they made him sea-sick--he made no account of this inconvenience; and, whilst his body was writhing under their effects, his spirit bounded with hopeful exultation. Passepartout was enraged beyond expression by the unpropitious weather. Everything had gone so well till now! Earth and sea had seemed to be at his master's service; steamers and railways obeyed him; wind and steam united to speed his journey. Had the hour of adversity come? Passepartout was as much excited as if the twenty thousand pounds were to come from his own pocket. The storm exasperated him, the gale made him furious, and he longed to lash the obstinate sea into obedience. Poor fellow! Fix carefully concealed from him his own satisfaction, for, had he betrayed it, Passepartout could scarcely have restrained himself from personal violence. Passepartout remained on deck as long as the tempest lasted, being unable to remain quiet below, and taking it into his head to aid the progress of the ship by lending a hand with the crew. He overwhelmed the captain, officers, and sailors, who could not help laughing at his impatience, with all sorts of questions. He wanted to know exactly how long the storm was going to last; whereupon he was referred to the barometer, which seemed to have no intention of rising. Passepartout shook it, but with no perceptible effect; for neither shaking nor maledictions could prevail upon it to change its mind. On the 4th, however, the sea became more calm, and the storm lessened its violence; the wind veered southward, and was once more favourable. Passepartout cleared up with the weather. Some of the sails were unfurled, and the Rangoon resumed its most rapid speed. The time lost could not, however, be regained. Land was not signalled until five o'clock on the morning of the 6th; the steamer was due on the 5th. Phileas Fogg was twenty-four hours behind-hand, and the Yokohama steamer would, of course, be missed. The pilot went on board at six, and took his place on the bridge, to guide the Rangoon through the channels to the port of Hong Kong. Passepartout longed to ask him if the steamer had left for Yokohama; but he dared not, for he wished to preserve the spark of hope, which still remained till the last moment. He had confided his anxiety to Fix who--the sly rascal!--tried to console him by saying that Mr. Fogg would be in time if he took the next boat; but this only put Passepartout in a passion. Mr. Fogg, bolder than his servant, did not hesitate to approach the pilot, and tranquilly ask him if he knew when a steamer would leave Hong Kong for Yokohama. "At high tide to-morrow morning," answered the pilot. "Ah!" said Mr. Fogg, without betraying any astonishment. Passepartout, who heard what passed, would willingly have embraced the pilot, while Fix would have been glad to twist his neck. "What is the steamer's name?" asked Mr. Fogg. "The Carnatic." "Ought she not to have gone yesterday?" "Yes, sir; but they had to repair one of her boilers, and so her departure was postponed till to-morrow." "Thank you," returned Mr. Fogg, descending mathematically to the saloon. Passepartout clasped the pilot's hand and shook it heartily in his delight, exclaiming, "Pilot, you are the best of good fellows!" The pilot probably does not know to this day why his responses won him this enthusiastic greeting. He remounted the bridge, and guided the steamer through the flotilla of junks, tankas, and fishing boats which crowd the harbour of Hong Kong. At one o'clock the Rangoon was at the quay, and the passengers were going ashore. Chance had strangely favoured Phileas Fogg, for had not the Carnatic been forced to lie over for repairing her boilers, she would have left on the 6th of November, and the passengers for Japan would have been obliged to await for a week the sailing of the next steamer. Mr. Fogg was, it is true, twenty-four hours behind his time; but this could not seriously imperil the remainder of his tour. The steamer which crossed the Pacific from Yokohama to San Francisco made a direct connection with that from Hong Kong, and it could not sail until the latter reached Yokohama; and if Mr. Fogg was twenty-four hours late on reaching Yokohama, this time would no doubt be easily regained in the voyage of twenty-two days across the Pacific. He found himself, then, about twenty-four hours behind-hand, thirty-five days after leaving London. The Carnatic was announced to leave Hong Kong at five the next morning. Mr. Fogg had sixteen hours in which to attend to his business there, which was to deposit Aouda safely with her wealthy relative. On landing, he conducted her to a palanquin, in which they repaired to the Club Hotel. A room was engaged for the young woman, and Mr. Fogg, after seeing that she wanted for nothing, set out in search of her cousin Jeejeeh. He instructed Passepartout to remain at the hotel until his return, that Aouda might not be left entirely alone. Mr. Fogg repaired to the Exchange, where, he did not doubt, every one would know so wealthy and considerable a personage as the Parsee merchant. Meeting a broker, he made the inquiry, to learn that Jeejeeh had left China two years before, and, retiring from business with an immense fortune, had taken up his residence in Europe--in Holland the broker thought, with the merchants of which country he had principally traded. Phileas Fogg returned to the hotel, begged a moment's conversation with Aouda, and without more ado, apprised her that Jeejeeh was no longer at Hong Kong, but probably in Holland. Aouda at first said nothing. She passed her hand across her forehead, and reflected a few moments. Then, in her sweet, soft voice, she said: "What ought I to do, Mr. Fogg?" "It is very simple," responded the gentleman. "Go on to Europe." "But I cannot intrude--" "You do not intrude, nor do you in the least embarrass my project. Passepartout!" "Monsieur." "Go to the Carnatic, and engage three cabins." Passepartout, delighted that the young woman, who was very gracious to him, was going to continue the journey with them, went off at a brisk gait to obey his master's order.

cliffnotes

Create a compact summary that covers the main points of chapter 19, utilizing the provided context.

chapter 19|chapter 20

Passepartout goes roaming about Hong Kong and spies Detective Fix. Fix is disappointed because the arrest warrant for Fogg has not yet arrived; he offers Passepartout a drink and tells him the secret mission to arrest Fogg. Poor Passepartout doesn't understand what Fix is really saying, though. They are talking from two ends of the same story: While Fix is talking about the robbery, Passepartout is referring to Fix being an agent of the Reform club. When all the circle talking is finally over, Passepartout finally understands Fix's real purpose . He gets super ticked-off and keeps drinking, swearing he doesn't believe an inch of the detective's story. Then Fix slips Passepartout some opium so he won't be able to let the cat out of the bag to Fogg.

----------CHAPTER 19--------- Hong Kong is an island which came into the possession of the English by the Treaty of Nankin, after the war of 1842; and the colonising genius of the English has created upon it an important city and an excellent port. The island is situated at the mouth of the Canton River, and is separated by about sixty miles from the Portuguese town of Macao, on the opposite coast. Hong Kong has beaten Macao in the struggle for the Chinese trade, and now the greater part of the transportation of Chinese goods finds its depot at the former place. Docks, hospitals, wharves, a Gothic cathedral, a government house, macadamised streets, give to Hong Kong the appearance of a town in Kent or Surrey transferred by some strange magic to the antipodes. Passepartout wandered, with his hands in his pockets, towards the Victoria port, gazing as he went at the curious palanquins and other modes of conveyance, and the groups of Chinese, Japanese, and Europeans who passed to and fro in the streets. Hong Kong seemed to him not unlike Bombay, Calcutta, and Singapore, since, like them, it betrayed everywhere the evidence of English supremacy. At the Victoria port he found a confused mass of ships of all nations: English, French, American, and Dutch, men-of-war and trading vessels, Japanese and Chinese junks, sempas, tankas, and flower-boats, which formed so many floating parterres. Passepartout noticed in the crowd a number of the natives who seemed very old and were dressed in yellow. On going into a barber's to get shaved he learned that these ancient men were all at least eighty years old, at which age they are permitted to wear yellow, which is the Imperial colour. Passepartout, without exactly knowing why, thought this very funny. On reaching the quay where they were to embark on the Carnatic, he was not astonished to find Fix walking up and down. The detective seemed very much disturbed and disappointed. "This is bad," muttered Passepartout, "for the gentlemen of the Reform Club!" He accosted Fix with a merry smile, as if he had not perceived that gentleman's chagrin. The detective had, indeed, good reasons to inveigh against the bad luck which pursued him. The warrant had not come! It was certainly on the way, but as certainly it could not now reach Hong Kong for several days; and, this being the last English territory on Mr. Fogg's route, the robber would escape, unless he could manage to detain him. "Well, Monsieur Fix," said Passepartout, "have you decided to go with us so far as America?" "Yes," returned Fix, through his set teeth. "Good!" exclaimed Passepartout, laughing heartily. "I knew you could not persuade yourself to separate from us. Come and engage your berth." They entered the steamer office and secured cabins for four persons. The clerk, as he gave them the tickets, informed them that, the repairs on the Carnatic having been completed, the steamer would leave that very evening, and not next morning, as had been announced. "That will suit my master all the better," said Passepartout. "I will go and let him know." Fix now decided to make a bold move; he resolved to tell Passepartout all. It seemed to be the only possible means of keeping Phileas Fogg several days longer at Hong Kong. He accordingly invited his companion into a tavern which caught his eye on the quay. On entering, they found themselves in a large room handsomely decorated, at the end of which was a large camp-bed furnished with cushions. Several persons lay upon this bed in a deep sleep. At the small tables which were arranged about the room some thirty customers were drinking English beer, porter, gin, and brandy; smoking, the while, long red clay pipes stuffed with little balls of opium mingled with essence of rose. From time to time one of the smokers, overcome with the narcotic, would slip under the table, whereupon the waiters, taking him by the head and feet, carried and laid him upon the bed. The bed already supported twenty of these stupefied sots. Fix and Passepartout saw that they were in a smoking-house haunted by those wretched, cadaverous, idiotic creatures to whom the English merchants sell every year the miserable drug called opium, to the amount of one million four hundred thousand pounds--thousands devoted to one of the most despicable vices which afflict humanity! The Chinese government has in vain attempted to deal with the evil by stringent laws. It passed gradually from the rich, to whom it was at first exclusively reserved, to the lower classes, and then its ravages could not be arrested. Opium is smoked everywhere, at all times, by men and women, in the Celestial Empire; and, once accustomed to it, the victims cannot dispense with it, except by suffering horrible bodily contortions and agonies. A great smoker can smoke as many as eight pipes a day; but he dies in five years. It was in one of these dens that Fix and Passepartout, in search of a friendly glass, found themselves. Passepartout had no money, but willingly accepted Fix's invitation in the hope of returning the obligation at some future time. They ordered two bottles of port, to which the Frenchman did ample justice, whilst Fix observed him with close attention. They chatted about the journey, and Passepartout was especially merry at the idea that Fix was going to continue it with them. When the bottles were empty, however, he rose to go and tell his master of the change in the time of the sailing of the Carnatic. Fix caught him by the arm, and said, "Wait a moment." "What for, Mr. Fix?" "I want to have a serious talk with you." "A serious talk!" cried Passepartout, drinking up the little wine that was left in the bottom of his glass. "Well, we'll talk about it to-morrow; I haven't time now." "Stay! What I have to say concerns your master." Passepartout, at this, looked attentively at his companion. Fix's face seemed to have a singular expression. He resumed his seat. "What is it that you have to say?" Fix placed his hand upon Passepartout's arm, and, lowering his voice, said, "You have guessed who I am?" "Parbleu!" said Passepartout, smiling. "Then I'm going to tell you everything--" "Now that I know everything, my friend! Ah! that's very good. But go on, go on. First, though, let me tell you that those gentlemen have put themselves to a useless expense." "Useless!" said Fix. "You speak confidently. It's clear that you don't know how large the sum is." "Of course I do," returned Passepartout. "Twenty thousand pounds." "Fifty-five thousand!" answered Fix, pressing his companion's hand. "What!" cried the Frenchman. "Has Monsieur Fogg dared--fifty-five thousand pounds! Well, there's all the more reason for not losing an instant," he continued, getting up hastily. Fix pushed Passepartout back in his chair, and resumed: "Fifty-five thousand pounds; and if I succeed, I get two thousand pounds. If you'll help me, I'll let you have five hundred of them." "Help you?" cried Passepartout, whose eyes were standing wide open. "Yes; help me keep Mr. Fogg here for two or three days." "Why, what are you saying? Those gentlemen are not satisfied with following my master and suspecting his honour, but they must try to put obstacles in his way! I blush for them!" "What do you mean?" "I mean that it is a piece of shameful trickery. They might as well waylay Mr. Fogg and put his money in their pockets!" "That's just what we count on doing." "It's a conspiracy, then," cried Passepartout, who became more and more excited as the liquor mounted in his head, for he drank without perceiving it. "A real conspiracy! And gentlemen, too. Bah!" Fix began to be puzzled. "Members of the Reform Club!" continued Passepartout. "You must know, Monsieur Fix, that my master is an honest man, and that, when he makes a wager, he tries to win it fairly!" "But who do you think I am?" asked Fix, looking at him intently. "Parbleu! An agent of the members of the Reform Club, sent out here to interrupt my master's journey. But, though I found you out some time ago, I've taken good care to say nothing about it to Mr. Fogg." "He knows nothing, then?" "Nothing," replied Passepartout, again emptying his glass. The detective passed his hand across his forehead, hesitating before he spoke again. What should he do? Passepartout's mistake seemed sincere, but it made his design more difficult. It was evident that the servant was not the master's accomplice, as Fix had been inclined to suspect. "Well," said the detective to himself, "as he is not an accomplice, he will help me." He had no time to lose: Fogg must be detained at Hong Kong, so he resolved to make a clean breast of it. "Listen to me," said Fix abruptly. "I am not, as you think, an agent of the members of the Reform Club--" "Bah!" retorted Passepartout, with an air of raillery. "I am a police detective, sent out here by the London office." "You, a detective?" "I will prove it. Here is my commission." Passepartout was speechless with astonishment when Fix displayed this document, the genuineness of which could not be doubted. "Mr. Fogg's wager," resumed Fix, "is only a pretext, of which you and the gentlemen of the Reform are dupes. He had a motive for securing your innocent complicity." "But why?" "Listen. On the 28th of last September a robbery of fifty-five thousand pounds was committed at the Bank of England by a person whose description was fortunately secured. Here is his description; it answers exactly to that of Mr. Phileas Fogg." "What nonsense!" cried Passepartout, striking the table with his fist. "My master is the most honourable of men!" "How can you tell? You know scarcely anything about him. You went into his service the day he came away; and he came away on a foolish pretext, without trunks, and carrying a large amount in banknotes. And yet you are bold enough to assert that he is an honest man!" "Yes, yes," repeated the poor fellow, mechanically. "Would you like to be arrested as his accomplice?" Passepartout, overcome by what he had heard, held his head between his hands, and did not dare to look at the detective. Phileas Fogg, the saviour of Aouda, that brave and generous man, a robber! And yet how many presumptions there were against him! Passepartout essayed to reject the suspicions which forced themselves upon his mind; he did not wish to believe that his master was guilty. "Well, what do you want of me?" said he, at last, with an effort. "See here," replied Fix; "I have tracked Mr. Fogg to this place, but as yet I have failed to receive the warrant of arrest for which I sent to London. You must help me to keep him here in Hong Kong--" "I! But I--" "I will share with you the two thousand pounds reward offered by the Bank of England." "Never!" replied Passepartout, who tried to rise, but fell back, exhausted in mind and body. "Mr. Fix," he stammered, "even should what you say be true--if my master is really the robber you are seeking for--which I deny--I have been, am, in his service; I have seen his generosity and goodness; and I will never betray him--not for all the gold in the world. I come from a village where they don't eat that kind of bread!" "You refuse?" "I refuse." "Consider that I've said nothing," said Fix; "and let us drink." "Yes; let us drink!" Passepartout felt himself yielding more and more to the effects of the liquor. Fix, seeing that he must, at all hazards, be separated from his master, wished to entirely overcome him. Some pipes full of opium lay upon the table. Fix slipped one into Passepartout's hand. He took it, put it between his lips, lit it, drew several puffs, and his head, becoming heavy under the influence of the narcotic, fell upon the table. "At last!" said Fix, seeing Passepartout unconscious. "Mr. Fogg will not be informed of the Carnatic's departure; and, if he is, he will have to go without this cursed Frenchman!" And, after paying his bill, Fix left the tavern. ----------CHAPTER 20--------- While these events were passing at the opium-house, Mr. Fogg, unconscious of the danger he was in of losing the steamer, was quietly escorting Aouda about the streets of the English quarter, making the necessary purchases for the long voyage before them. It was all very well for an Englishman like Mr. Fogg to make the tour of the world with a carpet-bag; a lady could not be expected to travel comfortably under such conditions. He acquitted his task with characteristic serenity, and invariably replied to the remonstrances of his fair companion, who was confused by his patience and generosity: "It is in the interest of my journey--a part of my programme." The purchases made, they returned to the hotel, where they dined at a sumptuously served table-d'hote; after which Aouda, shaking hands with her protector after the English fashion, retired to her room for rest. Mr. Fogg absorbed himself throughout the evening in the perusal of The Times and Illustrated London News. Had he been capable of being astonished at anything, it would have been not to see his servant return at bedtime. But, knowing that the steamer was not to leave for Yokohama until the next morning, he did not disturb himself about the matter. When Passepartout did not appear the next morning to answer his master's bell, Mr. Fogg, not betraying the least vexation, contented himself with taking his carpet-bag, calling Aouda, and sending for a palanquin. It was then eight o'clock; at half-past nine, it being then high tide, the Carnatic would leave the harbour. Mr. Fogg and Aouda got into the palanquin, their luggage being brought after on a wheelbarrow, and half an hour later stepped upon the quay whence they were to embark. Mr. Fogg then learned that the Carnatic had sailed the evening before. He had expected to find not only the steamer, but his domestic, and was forced to give up both; but no sign of disappointment appeared on his face, and he merely remarked to Aouda, "It is an accident, madam; nothing more." At this moment a man who had been observing him attentively approached. It was Fix, who, bowing, addressed Mr. Fogg: "Were you not, like me, sir, a passenger by the Rangoon, which arrived yesterday?" "I was, sir," replied Mr. Fogg coldly. "But I have not the honour--" "Pardon me; I thought I should find your servant here." "Do you know where he is, sir?" asked Aouda anxiously. "What!" responded Fix, feigning surprise. "Is he not with you?" "No," said Aouda. "He has not made his appearance since yesterday. Could he have gone on board the Carnatic without us?" "Without you, madam?" answered the detective. "Excuse me, did you intend to sail in the Carnatic?" "Yes, sir." "So did I, madam, and I am excessively disappointed. The Carnatic, its repairs being completed, left Hong Kong twelve hours before the stated time, without any notice being given; and we must now wait a week for another steamer." As he said "a week" Fix felt his heart leap for joy. Fogg detained at Hong Kong for a week! There would be time for the warrant to arrive, and fortune at last favoured the representative of the law. His horror may be imagined when he heard Mr. Fogg say, in his placid voice, "But there are other vessels besides the Carnatic, it seems to me, in the harbour of Hong Kong." And, offering his arm to Aouda, he directed his steps toward the docks in search of some craft about to start. Fix, stupefied, followed; it seemed as if he were attached to Mr. Fogg by an invisible thread. Chance, however, appeared really to have abandoned the man it had hitherto served so well. For three hours Phileas Fogg wandered about the docks, with the determination, if necessary, to charter a vessel to carry him to Yokohama; but he could only find vessels which were loading or unloading, and which could not therefore set sail. Fix began to hope again. But Mr. Fogg, far from being discouraged, was continuing his search, resolved not to stop if he had to resort to Macao, when he was accosted by a sailor on one of the wharves. "Is your honour looking for a boat?" "Have you a boat ready to sail?" "Yes, your honour; a pilot-boat--No. 43--the best in the harbour." "Does she go fast?" "Between eight and nine knots the hour. Will you look at her?" "Yes." "Your honour will be satisfied with her. Is it for a sea excursion?" "No; for a voyage." "A voyage?" "Yes, will you agree to take me to Yokohama?" The sailor leaned on the railing, opened his eyes wide, and said, "Is your honour joking?" "No. I have missed the Carnatic, and I must get to Yokohama by the 14th at the latest, to take the boat for San Francisco." "I am sorry," said the sailor; "but it is impossible." "I offer you a hundred pounds per day, and an additional reward of two hundred pounds if I reach Yokohama in time." "Are you in earnest?" "Very much so." The pilot walked away a little distance, and gazed out to sea, evidently struggling between the anxiety to gain a large sum and the fear of venturing so far. Fix was in mortal suspense. Mr. Fogg turned to Aouda and asked her, "You would not be afraid, would you, madam?" "Not with you, Mr. Fogg," was her answer. The pilot now returned, shuffling his hat in his hands. "Well, pilot?" said Mr. Fogg. "Well, your honour," replied he, "I could not risk myself, my men, or my little boat of scarcely twenty tons on so long a voyage at this time of year. Besides, we could not reach Yokohama in time, for it is sixteen hundred and sixty miles from Hong Kong." "Only sixteen hundred," said Mr. Fogg. "It's the same thing." Fix breathed more freely. "But," added the pilot, "it might be arranged another way." Fix ceased to breathe at all. "How?" asked Mr. Fogg. "By going to Nagasaki, at the extreme south of Japan, or even to Shanghai, which is only eight hundred miles from here. In going to Shanghai we should not be forced to sail wide of the Chinese coast, which would be a great advantage, as the currents run northward, and would aid us." "Pilot," said Mr. Fogg, "I must take the American steamer at Yokohama, and not at Shanghai or Nagasaki." "Why not?" returned the pilot. "The San Francisco steamer does not start from Yokohama. It puts in at Yokohama and Nagasaki, but it starts from Shanghai." "You are sure of that?" "Perfectly." "And when does the boat leave Shanghai?" "On the 11th, at seven in the evening. We have, therefore, four days before us, that is ninety-six hours; and in that time, if we had good luck and a south-west wind, and the sea was calm, we could make those eight hundred miles to Shanghai." "And you could go--" "In an hour; as soon as provisions could be got aboard and the sails put up." "It is a bargain. Are you the master of the boat?" "Yes; John Bunsby, master of the Tankadere." "Would you like some earnest-money?" "If it would not put your honour out--" "Here are two hundred pounds on account sir," added Phileas Fogg, turning to Fix, "if you would like to take advantage--" "Thanks, sir; I was about to ask the favour." "Very well. In half an hour we shall go on board." "But poor Passepartout?" urged Aouda, who was much disturbed by the servant's disappearance. "I shall do all I can to find him," replied Phileas Fogg. While Fix, in a feverish, nervous state, repaired to the pilot-boat, the others directed their course to the police-station at Hong Kong. Phileas Fogg there gave Passepartout's description, and left a sum of money to be spent in the search for him. The same formalities having been gone through at the French consulate, and the palanquin having stopped at the hotel for the luggage, which had been sent back there, they returned to the wharf. It was now three o'clock; and pilot-boat No. 43, with its crew on board, and its provisions stored away, was ready for departure. The Tankadere was a neat little craft of twenty tons, as gracefully built as if she were a racing yacht. Her shining copper sheathing, her galvanised iron-work, her deck, white as ivory, betrayed the pride taken by John Bunsby in making her presentable. Her two masts leaned a trifle backward; she carried brigantine, foresail, storm-jib, and standing-jib, and was well rigged for running before the wind; and she seemed capable of brisk speed, which, indeed, she had already proved by gaining several prizes in pilot-boat races. The crew of the Tankadere was composed of John Bunsby, the master, and four hardy mariners, who were familiar with the Chinese seas. John Bunsby, himself, a man of forty-five or thereabouts, vigorous, sunburnt, with a sprightly expression of the eye, and energetic and self-reliant countenance, would have inspired confidence in the most timid. Phileas Fogg and Aouda went on board, where they found Fix already installed. Below deck was a square cabin, of which the walls bulged out in the form of cots, above a circular divan; in the centre was a table provided with a swinging lamp. The accommodation was confined, but neat. "I am sorry to have nothing better to offer you," said Mr. Fogg to Fix, who bowed without responding. The detective had a feeling akin to humiliation in profiting by the kindness of Mr. Fogg. "It's certain," thought he, "though rascal as he is, he is a polite one!" The sails and the English flag were hoisted at ten minutes past three. Mr. Fogg and Aouda, who were seated on deck, cast a last glance at the quay, in the hope of espying Passepartout. Fix was not without his fears lest chance should direct the steps of the unfortunate servant, whom he had so badly treated, in this direction; in which case an explanation the reverse of satisfactory to the detective must have ensued. But the Frenchman did not appear, and, without doubt, was still lying under the stupefying influence of the opium. John Bunsby, master, at length gave the order to start, and the Tankadere, taking the wind under her brigantine, foresail, and standing-jib, bounded briskly forward over the waves.

cliffnotes

Craft a concise overview of chapter 21 using the context provided.

chapter 21|chapter 22

A furious storm strikes, and even though Phileas encourages the captain of the Tankadere to go as fast as he can, the travelers are overcome with worry that they will not get to Japan in time for the next ship. Aouda is neither afraid nor seasick during the storm and remains extremely brave. Fix feels bad about doping Passepartout, because Fogg has been so kind in paying for his travel. Just as they are about to pull into the harbor at Shanghai, they see the American ship they were supposed to catch there. Fogg asks the shipmaster to signal the American liner to see if they will be allowed to board it.

----------CHAPTER 21--------- This voyage of eight hundred miles was a perilous venture on a craft of twenty tons, and at that season of the year. The Chinese seas are usually boisterous, subject to terrible gales of wind, and especially during the equinoxes; and it was now early November. It would clearly have been to the master's advantage to carry his passengers to Yokohama, since he was paid a certain sum per day; but he would have been rash to attempt such a voyage, and it was imprudent even to attempt to reach Shanghai. But John Bunsby believed in the Tankadere, which rode on the waves like a seagull; and perhaps he was not wrong. Late in the day they passed through the capricious channels of Hong Kong, and the Tankadere, impelled by favourable winds, conducted herself admirably. "I do not need, pilot," said Phileas Fogg, when they got into the open sea, "to advise you to use all possible speed." "Trust me, your honour. We are carrying all the sail the wind will let us. The poles would add nothing, and are only used when we are going into port." "It's your trade, not mine, pilot, and I confide in you." Phileas Fogg, with body erect and legs wide apart, standing like a sailor, gazed without staggering at the swelling waters. The young woman, who was seated aft, was profoundly affected as she looked out upon the ocean, darkening now with the twilight, on which she had ventured in so frail a vessel. Above her head rustled the white sails, which seemed like great white wings. The boat, carried forward by the wind, seemed to be flying in the air. Night came. The moon was entering her first quarter, and her insufficient light would soon die out in the mist on the horizon. Clouds were rising from the east, and already overcast a part of the heavens. The pilot had hung out his lights, which was very necessary in these seas crowded with vessels bound landward; for collisions are not uncommon occurrences, and, at the speed she was going, the least shock would shatter the gallant little craft. Fix, seated in the bow, gave himself up to meditation. He kept apart from his fellow-travellers, knowing Mr. Fogg's taciturn tastes; besides, he did not quite like to talk to the man whose favours he had accepted. He was thinking, too, of the future. It seemed certain that Fogg would not stop at Yokohama, but would at once take the boat for San Francisco; and the vast extent of America would ensure him impunity and safety. Fogg's plan appeared to him the simplest in the world. Instead of sailing directly from England to the United States, like a common villain, he had traversed three quarters of the globe, so as to gain the American continent more surely; and there, after throwing the police off his track, he would quietly enjoy himself with the fortune stolen from the bank. But, once in the United States, what should he, Fix, do? Should he abandon this man? No, a hundred times no! Until he had secured his extradition, he would not lose sight of him for an hour. It was his duty, and he would fulfil it to the end. At all events, there was one thing to be thankful for; Passepartout was not with his master; and it was above all important, after the confidences Fix had imparted to him, that the servant should never have speech with his master. Phileas Fogg was also thinking of Passepartout, who had so strangely disappeared. Looking at the matter from every point of view, it did not seem to him impossible that, by some mistake, the man might have embarked on the Carnatic at the last moment; and this was also Aouda's opinion, who regretted very much the loss of the worthy fellow to whom she owed so much. They might then find him at Yokohama; for, if the Carnatic was carrying him thither, it would be easy to ascertain if he had been on board. A brisk breeze arose about ten o'clock; but, though it might have been prudent to take in a reef, the pilot, after carefully examining the heavens, let the craft remain rigged as before. The Tankadere bore sail admirably, as she drew a great deal of water, and everything was prepared for high speed in case of a gale. Mr. Fogg and Aouda descended into the cabin at midnight, having been already preceded by Fix, who had lain down on one of the cots. The pilot and crew remained on deck all night. At sunrise the next day, which was 8th November, the boat had made more than one hundred miles. The log indicated a mean speed of between eight and nine miles. The Tankadere still carried all sail, and was accomplishing her greatest capacity of speed. If the wind held as it was, the chances would be in her favour. During the day she kept along the coast, where the currents were favourable; the coast, irregular in profile, and visible sometimes across the clearings, was at most five miles distant. The sea was less boisterous, since the wind came off land--a fortunate circumstance for the boat, which would suffer, owing to its small tonnage, by a heavy surge on the sea. The breeze subsided a little towards noon, and set in from the south-west. The pilot put up his poles, but took them down again within two hours, as the wind freshened up anew. Mr. Fogg and Aouda, happily unaffected by the roughness of the sea, ate with a good appetite, Fix being invited to share their repast, which he accepted with secret chagrin. To travel at this man's expense and live upon his provisions was not palatable to him. Still, he was obliged to eat, and so he ate. When the meal was over, he took Mr. Fogg apart, and said, "sir"--this "sir" scorched his lips, and he had to control himself to avoid collaring this "gentleman"--"sir, you have been very kind to give me a passage on this boat. But, though my means will not admit of my expending them as freely as you, I must ask to pay my share--" "Let us not speak of that, sir," replied Mr. Fogg. "But, if I insist--" "No, sir," repeated Mr. Fogg, in a tone which did not admit of a reply. "This enters into my general expenses." Fix, as he bowed, had a stifled feeling, and, going forward, where he ensconced himself, did not open his mouth for the rest of the day. Meanwhile they were progressing famously, and John Bunsby was in high hope. He several times assured Mr. Fogg that they would reach Shanghai in time; to which that gentleman responded that he counted upon it. The crew set to work in good earnest, inspired by the reward to be gained. There was not a sheet which was not tightened, not a sail which was not vigorously hoisted; not a lurch could be charged to the man at the helm. They worked as desperately as if they were contesting in a Royal yacht regatta. By evening, the log showed that two hundred and twenty miles had been accomplished from Hong Kong, and Mr. Fogg might hope that he would be able to reach Yokohama without recording any delay in his journal; in which case, the many misadventures which had overtaken him since he left London would not seriously affect his journey. The Tankadere entered the Straits of Fo-Kien, which separate the island of Formosa from the Chinese coast, in the small hours of the night, and crossed the Tropic of Cancer. The sea was very rough in the straits, full of eddies formed by the counter-currents, and the chopping waves broke her course, whilst it became very difficult to stand on deck. At daybreak the wind began to blow hard again, and the heavens seemed to predict a gale. The barometer announced a speedy change, the mercury rising and falling capriciously; the sea also, in the south-east, raised long surges which indicated a tempest. The sun had set the evening before in a red mist, in the midst of the phosphorescent scintillations of the ocean. John Bunsby long examined the threatening aspect of the heavens, muttering indistinctly between his teeth. At last he said in a low voice to Mr. Fogg, "Shall I speak out to your honour?" "Of course." "Well, we are going to have a squall." "Is the wind north or south?" asked Mr. Fogg quietly. "South. Look! a typhoon is coming up." "Glad it's a typhoon from the south, for it will carry us forward." "Oh, if you take it that way," said John Bunsby, "I've nothing more to say." John Bunsby's suspicions were confirmed. At a less advanced season of the year the typhoon, according to a famous meteorologist, would have passed away like a luminous cascade of electric flame; but in the winter equinox it was to be feared that it would burst upon them with great violence. The pilot took his precautions in advance. He reefed all sail, the pole-masts were dispensed with; all hands went forward to the bows. A single triangular sail, of strong canvas, was hoisted as a storm-jib, so as to hold the wind from behind. Then they waited. John Bunsby had requested his passengers to go below; but this imprisonment in so narrow a space, with little air, and the boat bouncing in the gale, was far from pleasant. Neither Mr. Fogg, Fix, nor Aouda consented to leave the deck. The storm of rain and wind descended upon them towards eight o'clock. With but its bit of sail, the Tankadere was lifted like a feather by a wind, an idea of whose violence can scarcely be given. To compare her speed to four times that of a locomotive going on full steam would be below the truth. The boat scudded thus northward during the whole day, borne on by monstrous waves, preserving always, fortunately, a speed equal to theirs. Twenty times she seemed almost to be submerged by these mountains of water which rose behind her; but the adroit management of the pilot saved her. The passengers were often bathed in spray, but they submitted to it philosophically. Fix cursed it, no doubt; but Aouda, with her eyes fastened upon her protector, whose coolness amazed her, showed herself worthy of him, and bravely weathered the storm. As for Phileas Fogg, it seemed just as if the typhoon were a part of his programme. Up to this time the Tankadere had always held her course to the north; but towards evening the wind, veering three quarters, bore down from the north-west. The boat, now lying in the trough of the waves, shook and rolled terribly; the sea struck her with fearful violence. At night the tempest increased in violence. John Bunsby saw the approach of darkness and the rising of the storm with dark misgivings. He thought awhile, and then asked his crew if it was not time to slacken speed. After a consultation he approached Mr. Fogg, and said, "I think, your honour, that we should do well to make for one of the ports on the coast." "I think so too." "Ah!" said the pilot. "But which one?" "I know of but one," returned Mr. Fogg tranquilly. "And that is--" "Shanghai." The pilot, at first, did not seem to comprehend; he could scarcely realise so much determination and tenacity. Then he cried, "Well--yes! Your honour is right. To Shanghai!" So the Tankadere kept steadily on her northward track. The night was really terrible; it would be a miracle if the craft did not founder. Twice it could have been all over with her if the crew had not been constantly on the watch. Aouda was exhausted, but did not utter a complaint. More than once Mr. Fogg rushed to protect her from the violence of the waves. Day reappeared. The tempest still raged with undiminished fury; but the wind now returned to the south-east. It was a favourable change, and the Tankadere again bounded forward on this mountainous sea, though the waves crossed each other, and imparted shocks and counter-shocks which would have crushed a craft less solidly built. From time to time the coast was visible through the broken mist, but no vessel was in sight. The Tankadere was alone upon the sea. There were some signs of a calm at noon, and these became more distinct as the sun descended toward the horizon. The tempest had been as brief as terrific. The passengers, thoroughly exhausted, could now eat a little, and take some repose. The night was comparatively quiet. Some of the sails were again hoisted, and the speed of the boat was very good. The next morning at dawn they espied the coast, and John Bunsby was able to assert that they were not one hundred miles from Shanghai. A hundred miles, and only one day to traverse them! That very evening Mr. Fogg was due at Shanghai, if he did not wish to miss the steamer to Yokohama. Had there been no storm, during which several hours were lost, they would be at this moment within thirty miles of their destination. The wind grew decidedly calmer, and happily the sea fell with it. All sails were now hoisted, and at noon the Tankadere was within forty-five miles of Shanghai. There remained yet six hours in which to accomplish that distance. All on board feared that it could not be done, and every one--Phileas Fogg, no doubt, excepted--felt his heart beat with impatience. The boat must keep up an average of nine miles an hour, and the wind was becoming calmer every moment! It was a capricious breeze, coming from the coast, and after it passed the sea became smooth. Still, the Tankadere was so light, and her fine sails caught the fickle zephyrs so well, that, with the aid of the currents John Bunsby found himself at six o'clock not more than ten miles from the mouth of Shanghai River. Shanghai itself is situated at least twelve miles up the stream. At seven they were still three miles from Shanghai. The pilot swore an angry oath; the reward of two hundred pounds was evidently on the point of escaping him. He looked at Mr. Fogg. Mr. Fogg was perfectly tranquil; and yet his whole fortune was at this moment at stake. At this moment, also, a long black funnel, crowned with wreaths of smoke, appeared on the edge of the waters. It was the American steamer, leaving for Yokohama at the appointed time. "Confound her!" cried John Bunsby, pushing back the rudder with a desperate jerk. "Signal her!" said Phileas Fogg quietly. A small brass cannon stood on the forward deck of the Tankadere, for making signals in the fogs. It was loaded to the muzzle; but just as the pilot was about to apply a red-hot coal to the touchhole, Mr. Fogg said, "Hoist your flag!" The flag was run up at half-mast, and, this being the signal of distress, it was hoped that the American steamer, perceiving it, would change her course a little, so as to succour the pilot-boat. "Fire!" said Mr. Fogg. And the booming of the little cannon resounded in the air. ----------CHAPTER 22--------- The Carnatic, setting sail from Hong Kong at half-past six on the 7th of November, directed her course at full steam towards Japan. She carried a large cargo and a well-filled cabin of passengers. Two state-rooms in the rear were, however, unoccupied--those which had been engaged by Phileas Fogg. The next day a passenger with a half-stupefied eye, staggering gait, and disordered hair, was seen to emerge from the second cabin, and to totter to a seat on deck. It was Passepartout; and what had happened to him was as follows: Shortly after Fix left the opium den, two waiters had lifted the unconscious Passepartout, and had carried him to the bed reserved for the smokers. Three hours later, pursued even in his dreams by a fixed idea, the poor fellow awoke, and struggled against the stupefying influence of the narcotic. The thought of a duty unfulfilled shook off his torpor, and he hurried from the abode of drunkenness. Staggering and holding himself up by keeping against the walls, falling down and creeping up again, and irresistibly impelled by a kind of instinct, he kept crying out, "The Carnatic! the Carnatic!" The steamer lay puffing alongside the quay, on the point of starting. Passepartout had but few steps to go; and, rushing upon the plank, he crossed it, and fell unconscious on the deck, just as the Carnatic was moving off. Several sailors, who were evidently accustomed to this sort of scene, carried the poor Frenchman down into the second cabin, and Passepartout did not wake until they were one hundred and fifty miles away from China. Thus he found himself the next morning on the deck of the Carnatic, and eagerly inhaling the exhilarating sea-breeze. The pure air sobered him. He began to collect his sense, which he found a difficult task; but at last he recalled the events of the evening before, Fix's revelation, and the opium-house. "It is evident," said he to himself, "that I have been abominably drunk! What will Mr. Fogg say? At least I have not missed the steamer, which is the most important thing." Then, as Fix occurred to him: "As for that rascal, I hope we are well rid of him, and that he has not dared, as he proposed, to follow us on board the Carnatic. A detective on the track of Mr. Fogg, accused of robbing the Bank of England! Pshaw! Mr. Fogg is no more a robber than I am a murderer." Should he divulge Fix's real errand to his master? Would it do to tell the part the detective was playing? Would it not be better to wait until Mr. Fogg reached London again, and then impart to him that an agent of the metropolitan police had been following him round the world, and have a good laugh over it? No doubt; at least, it was worth considering. The first thing to do was to find Mr. Fogg, and apologise for his singular behaviour. Passepartout got up and proceeded, as well as he could with the rolling of the steamer, to the after-deck. He saw no one who resembled either his master or Aouda. "Good!" muttered he; "Aouda has not got up yet, and Mr. Fogg has probably found some partners at whist." He descended to the saloon. Mr. Fogg was not there. Passepartout had only, however, to ask the purser the number of his master's state-room. The purser replied that he did not know any passenger by the name of Fogg. "I beg your pardon," said Passepartout persistently. "He is a tall gentleman, quiet, and not very talkative, and has with him a young lady--" "There is no young lady on board," interrupted the purser. "Here is a list of the passengers; you may see for yourself." Passepartout scanned the list, but his master's name was not upon it. All at once an idea struck him. "Ah! am I on the Carnatic?" "Yes." "On the way to Yokohama?" "Certainly." Passepartout had for an instant feared that he was on the wrong boat; but, though he was really on the Carnatic, his master was not there. He fell thunderstruck on a seat. He saw it all now. He remembered that the time of sailing had been changed, that he should have informed his master of that fact, and that he had not done so. It was his fault, then, that Mr. Fogg and Aouda had missed the steamer. Yes, but it was still more the fault of the traitor who, in order to separate him from his master, and detain the latter at Hong Kong, had inveigled him into getting drunk! He now saw the detective's trick; and at this moment Mr. Fogg was certainly ruined, his bet was lost, and he himself perhaps arrested and imprisoned! At this thought Passepartout tore his hair. Ah, if Fix ever came within his reach, what a settling of accounts there would be! After his first depression, Passepartout became calmer, and began to study his situation. It was certainly not an enviable one. He found himself on the way to Japan, and what should he do when he got there? His pocket was empty; he had not a solitary shilling, not so much as a penny. His passage had fortunately been paid for in advance; and he had five or six days in which to decide upon his future course. He fell to at meals with an appetite, and ate for Mr. Fogg, Aouda, and himself. He helped himself as generously as if Japan were a desert, where nothing to eat was to be looked for. At dawn on the 13th the Carnatic entered the port of Yokohama. This is an important port of call in the Pacific, where all the mail-steamers, and those carrying travellers between North America, China, Japan, and the Oriental islands put in. It is situated in the bay of Yeddo, and at but a short distance from that second capital of the Japanese Empire, and the residence of the Tycoon, the civil Emperor, before the Mikado, the spiritual Emperor, absorbed his office in his own. The Carnatic anchored at the quay near the custom-house, in the midst of a crowd of ships bearing the flags of all nations. Passepartout went timidly ashore on this so curious territory of the Sons of the Sun. He had nothing better to do than, taking chance for his guide, to wander aimlessly through the streets of Yokohama. He found himself at first in a thoroughly European quarter, the houses having low fronts, and being adorned with verandas, beneath which he caught glimpses of neat peristyles. This quarter occupied, with its streets, squares, docks, and warehouses, all the space between the "promontory of the Treaty" and the river. Here, as at Hong Kong and Calcutta, were mixed crowds of all races, Americans and English, Chinamen and Dutchmen, mostly merchants ready to buy or sell anything. The Frenchman felt himself as much alone among them as if he had dropped down in the midst of Hottentots. He had, at least, one resource,--to call on the French and English consuls at Yokohama for assistance. But he shrank from telling the story of his adventures, intimately connected as it was with that of his master; and, before doing so, he determined to exhaust all other means of aid. As chance did not favour him in the European quarter, he penetrated that inhabited by the native Japanese, determined, if necessary, to push on to Yeddo. The Japanese quarter of Yokohama is called Benten, after the goddess of the sea, who is worshipped on the islands round about. There Passepartout beheld beautiful fir and cedar groves, sacred gates of a singular architecture, bridges half hid in the midst of bamboos and reeds, temples shaded by immense cedar-trees, holy retreats where were sheltered Buddhist priests and sectaries of Confucius, and interminable streets, where a perfect harvest of rose-tinted and red-cheeked children, who looked as if they had been cut out of Japanese screens, and who were playing in the midst of short-legged poodles and yellowish cats, might have been gathered. The streets were crowded with people. Priests were passing in processions, beating their dreary tambourines; police and custom-house officers with pointed hats encrusted with lac and carrying two sabres hung to their waists; soldiers, clad in blue cotton with white stripes, and bearing guns; the Mikado's guards, enveloped in silken doubles, hauberks and coats of mail; and numbers of military folk of all ranks--for the military profession is as much respected in Japan as it is despised in China--went hither and thither in groups and pairs. Passepartout saw, too, begging friars, long-robed pilgrims, and simple civilians, with their warped and jet-black hair, big heads, long busts, slender legs, short stature, and complexions varying from copper-colour to a dead white, but never yellow, like the Chinese, from whom the Japanese widely differ. He did not fail to observe the curious equipages--carriages and palanquins, barrows supplied with sails, and litters made of bamboo; nor the women--whom he thought not especially handsome--who took little steps with their little feet, whereon they wore canvas shoes, straw sandals, and clogs of worked wood, and who displayed tight-looking eyes, flat chests, teeth fashionably blackened, and gowns crossed with silken scarfs, tied in an enormous knot behind an ornament which the modern Parisian ladies seem to have borrowed from the dames of Japan. Passepartout wandered for several hours in the midst of this motley crowd, looking in at the windows of the rich and curious shops, the jewellery establishments glittering with quaint Japanese ornaments, the restaurants decked with streamers and banners, the tea-houses, where the odorous beverage was being drunk with saki, a liquor concocted from the fermentation of rice, and the comfortable smoking-houses, where they were puffing, not opium, which is almost unknown in Japan, but a very fine, stringy tobacco. He went on till he found himself in the fields, in the midst of vast rice plantations. There he saw dazzling camellias expanding themselves, with flowers which were giving forth their last colours and perfumes, not on bushes, but on trees, and within bamboo enclosures, cherry, plum, and apple trees, which the Japanese cultivate rather for their blossoms than their fruit, and which queerly-fashioned, grinning scarecrows protected from the sparrows, pigeons, ravens, and other voracious birds. On the branches of the cedars were perched large eagles; amid the foliage of the weeping willows were herons, solemnly standing on one leg; and on every hand were crows, ducks, hawks, wild birds, and a multitude of cranes, which the Japanese consider sacred, and which to their minds symbolise long life and prosperity. As he was strolling along, Passepartout espied some violets among the shrubs. "Good!" said he; "I'll have some supper." But, on smelling them, he found that they were odourless. "No chance there," thought he. The worthy fellow had certainly taken good care to eat as hearty a breakfast as possible before leaving the Carnatic; but, as he had been walking about all day, the demands of hunger were becoming importunate. He observed that the butchers stalls contained neither mutton, goat, nor pork; and, knowing also that it is a sacrilege to kill cattle, which are preserved solely for farming, he made up his mind that meat was far from plentiful in Yokohama--nor was he mistaken; and, in default of butcher's meat, he could have wished for a quarter of wild boar or deer, a partridge, or some quails, some game or fish, which, with rice, the Japanese eat almost exclusively. But he found it necessary to keep up a stout heart, and to postpone the meal he craved till the following morning. Night came, and Passepartout re-entered the native quarter, where he wandered through the streets, lit by vari-coloured lanterns, looking on at the dancers, who were executing skilful steps and boundings, and the astrologers who stood in the open air with their telescopes. Then he came to the harbour, which was lit up by the resin torches of the fishermen, who were fishing from their boats. The streets at last became quiet, and the patrol, the officers of which, in their splendid costumes, and surrounded by their suites, Passepartout thought seemed like ambassadors, succeeded the bustling crowd. Each time a company passed, Passepartout chuckled, and said to himself: "Good! another Japanese embassy departing for Europe!"

cliffnotes

Create a compact summary that covers the main points of chapter 24, utilizing the provided context.

chapter 23|chapter 24

Aouda, Fix, and Fogg are able to grab the ship bound for Yokohama and leave the Tankadere, but not without making its master a little bit richer. Phileas learns that Passepartout did arrive in Japan aboard the Carnatic, and Aouda is thrilled to learn he is in the country. Fogg searches for Passepartout and finds him with the acting troupe. Aouda tells Passepartout about all that happened on the Tankadere, but Passepartout keeps his secret about the roofie situation. Phileas resupplies Passepartout with clothes, and the three once again set sail, this time aboard the General Grant, which is bound for San Francisco. Fix boards the General Grant as well, the warrant for Phileas Fogg's arrest having been lost in Japan. He's totally frustrated, because once on American soil, British law no longer holds any authority--he'll actually have to wait until Fogg is in England again to take him into custody. One day Fix and Passepartout come face to face on deck. Passepartout rushes Fix and tries to strangle him in front of a group of Americans . Passepartout pummels Fix and then lets him up when he feels good and satisfied. Fix asks for a small chat after the fistfight, and Passepartout grudgingly agrees. Fix tells him he is actually on Phileas's side. He says he won't get in Fogg's way anymore , but he'll arrest him in England and Passepartout can see for himself whether Fogg is innocent or not.

----------CHAPTER 23--------- The next morning poor, jaded, famished Passepartout said to himself that he must get something to eat at all hazards, and the sooner he did so the better. He might, indeed, sell his watch; but he would have starved first. Now or never he must use the strong, if not melodious voice which nature had bestowed upon him. He knew several French and English songs, and resolved to try them upon the Japanese, who must be lovers of music, since they were for ever pounding on their cymbals, tam-tams, and tambourines, and could not but appreciate European talent. It was, perhaps, rather early in the morning to get up a concert, and the audience prematurely aroused from their slumbers, might not possibly pay their entertainer with coin bearing the Mikado's features. Passepartout therefore decided to wait several hours; and, as he was sauntering along, it occurred to him that he would seem rather too well dressed for a wandering artist. The idea struck him to change his garments for clothes more in harmony with his project; by which he might also get a little money to satisfy the immediate cravings of hunger. The resolution taken, it remained to carry it out. It was only after a long search that Passepartout discovered a native dealer in old clothes, to whom he applied for an exchange. The man liked the European costume, and ere long Passepartout issued from his shop accoutred in an old Japanese coat, and a sort of one-sided turban, faded with long use. A few small pieces of silver, moreover, jingled in his pocket. "Good!" thought he. "I will imagine I am at the Carnival!" His first care, after being thus "Japanesed," was to enter a tea-house of modest appearance, and, upon half a bird and a little rice, to breakfast like a man for whom dinner was as yet a problem to be solved. "Now," thought he, when he had eaten heartily, "I mustn't lose my head. I can't sell this costume again for one still more Japanese. I must consider how to leave this country of the Sun, of which I shall not retain the most delightful of memories, as quickly as possible." It occurred to him to visit the steamers which were about to leave for America. He would offer himself as a cook or servant, in payment of his passage and meals. Once at San Francisco, he would find some means of going on. The difficulty was, how to traverse the four thousand seven hundred miles of the Pacific which lay between Japan and the New World. Passepartout was not the man to let an idea go begging, and directed his steps towards the docks. But, as he approached them, his project, which at first had seemed so simple, began to grow more and more formidable to his mind. What need would they have of a cook or servant on an American steamer, and what confidence would they put in him, dressed as he was? What references could he give? As he was reflecting in this wise, his eyes fell upon an immense placard which a sort of clown was carrying through the streets. This placard, which was in English, read as follows: ACROBATIC JAPANESE TROUPE, HONOURABLE WILLIAM BATULCAR, PROPRIETOR, LAST REPRESENTATIONS, PRIOR TO THEIR DEPARTURE TO THE UNITED STATES, OF THE LONG NOSES! LONG NOSES! UNDER THE DIRECT PATRONAGE OF THE GOD TINGOU! GREAT ATTRACTION! "The United States!" said Passepartout; "that's just what I want!" He followed the clown, and soon found himself once more in the Japanese quarter. A quarter of an hour later he stopped before a large cabin, adorned with several clusters of streamers, the exterior walls of which were designed to represent, in violent colours and without perspective, a company of jugglers. This was the Honourable William Batulcar's establishment. That gentleman was a sort of Barnum, the director of a troupe of mountebanks, jugglers, clowns, acrobats, equilibrists, and gymnasts, who, according to the placard, was giving his last performances before leaving the Empire of the Sun for the States of the Union. Passepartout entered and asked for Mr. Batulcar, who straightway appeared in person. "What do you want?" said he to Passepartout, whom he at first took for a native. "Would you like a servant, sir?" asked Passepartout. "A servant!" cried Mr. Batulcar, caressing the thick grey beard which hung from his chin. "I already have two who are obedient and faithful, have never left me, and serve me for their nourishment and here they are," added he, holding out his two robust arms, furrowed with veins as large as the strings of a bass-viol. "So I can be of no use to you?" "None." "The devil! I should so like to cross the Pacific with you!" "Ah!" said the Honourable Mr. Batulcar. "You are no more a Japanese than I am a monkey! Who are you dressed up in that way?" "A man dresses as he can." "That's true. You are a Frenchman, aren't you?" "Yes; a Parisian of Paris." "Then you ought to know how to make grimaces?" "Why," replied Passepartout, a little vexed that his nationality should cause this question, "we Frenchmen know how to make grimaces, it is true but not any better than the Americans do." "True. Well, if I can't take you as a servant, I can as a clown. You see, my friend, in France they exhibit foreign clowns, and in foreign parts French clowns." "Ah!" "You are pretty strong, eh?" "Especially after a good meal." "And you can sing?" "Yes," returned Passepartout, who had formerly been wont to sing in the streets. "But can you sing standing on your head, with a top spinning on your left foot, and a sabre balanced on your right?" "Humph! I think so," replied Passepartout, recalling the exercises of his younger days. "Well, that's enough," said the Honourable William Batulcar. The engagement was concluded there and then. Passepartout had at last found something to do. He was engaged to act in the celebrated Japanese troupe. It was not a very dignified position, but within a week he would be on his way to San Francisco. The performance, so noisily announced by the Honourable Mr. Batulcar, was to commence at three o'clock, and soon the deafening instruments of a Japanese orchestra resounded at the door. Passepartout, though he had not been able to study or rehearse a part, was designated to lend the aid of his sturdy shoulders in the great exhibition of the "human pyramid," executed by the Long Noses of the god Tingou. This "great attraction" was to close the performance. Before three o'clock the large shed was invaded by the spectators, comprising Europeans and natives, Chinese and Japanese, men, women and children, who precipitated themselves upon the narrow benches and into the boxes opposite the stage. The musicians took up a position inside, and were vigorously performing on their gongs, tam-tams, flutes, bones, tambourines, and immense drums. The performance was much like all acrobatic displays; but it must be confessed that the Japanese are the first equilibrists in the world. One, with a fan and some bits of paper, performed the graceful trick of the butterflies and the flowers; another traced in the air, with the odorous smoke of his pipe, a series of blue words, which composed a compliment to the audience; while a third juggled with some lighted candles, which he extinguished successively as they passed his lips, and relit again without interrupting for an instant his juggling. Another reproduced the most singular combinations with a spinning-top; in his hands the revolving tops seemed to be animated with a life of their own in their interminable whirling; they ran over pipe-stems, the edges of sabres, wires and even hairs stretched across the stage; they turned around on the edges of large glasses, crossed bamboo ladders, dispersed into all the corners, and produced strange musical effects by the combination of their various pitches of tone. The jugglers tossed them in the air, threw them like shuttlecocks with wooden battledores, and yet they kept on spinning; they put them into their pockets, and took them out still whirling as before. It is useless to describe the astonishing performances of the acrobats and gymnasts. The turning on ladders, poles, balls, barrels, &c., was executed with wonderful precision. But the principal attraction was the exhibition of the Long Noses, a show to which Europe is as yet a stranger. The Long Noses form a peculiar company, under the direct patronage of the god Tingou. Attired after the fashion of the Middle Ages, they bore upon their shoulders a splendid pair of wings; but what especially distinguished them was the long noses which were fastened to their faces, and the uses which they made of them. These noses were made of bamboo, and were five, six, and even ten feet long, some straight, others curved, some ribboned, and some having imitation warts upon them. It was upon these appendages, fixed tightly on their real noses, that they performed their gymnastic exercises. A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults. As a last scene, a "human pyramid" had been announced, in which fifty Long Noses were to represent the Car of Juggernaut. But, instead of forming a pyramid by mounting each other's shoulders, the artists were to group themselves on top of the noses. It happened that the performer who had hitherto formed the base of the Car had quitted the troupe, and as, to fill this part, only strength and adroitness were necessary, Passepartout had been chosen to take his place. The poor fellow really felt sad when--melancholy reminiscence of his youth!--he donned his costume, adorned with vari-coloured wings, and fastened to his natural feature a false nose six feet long. But he cheered up when he thought that this nose was winning him something to eat. He went upon the stage, and took his place beside the rest who were to compose the base of the Car of Juggernaut. They all stretched themselves on the floor, their noses pointing to the ceiling. A second group of artists disposed themselves on these long appendages, then a third above these, then a fourth, until a human monument reaching to the very cornices of the theatre soon arose on top of the noses. This elicited loud applause, in the midst of which the orchestra was just striking up a deafening air, when the pyramid tottered, the balance was lost, one of the lower noses vanished from the pyramid, and the human monument was shattered like a castle built of cards! It was Passepartout's fault. Abandoning his position, clearing the footlights without the aid of his wings, and, clambering up to the right-hand gallery, he fell at the feet of one of the spectators, crying, "Ah, my master! my master!" "You here?" "Myself." "Very well; then let us go to the steamer, young man!" Mr. Fogg, Aouda, and Passepartout passed through the lobby of the theatre to the outside, where they encountered the Honourable Mr. Batulcar, furious with rage. He demanded damages for the "breakage" of the pyramid; and Phileas Fogg appeased him by giving him a handful of banknotes. At half-past six, the very hour of departure, Mr. Fogg and Aouda, followed by Passepartout, who in his hurry had retained his wings, and nose six feet long, stepped upon the American steamer. ----------CHAPTER 24--------- What happened when the pilot-boat came in sight of Shanghai will be easily guessed. The signals made by the Tankadere had been seen by the captain of the Yokohama steamer, who, espying the flag at half-mast, had directed his course towards the little craft. Phileas Fogg, after paying the stipulated price of his passage to John Busby, and rewarding that worthy with the additional sum of five hundred and fifty pounds, ascended the steamer with Aouda and Fix; and they started at once for Nagasaki and Yokohama. They reached their destination on the morning of the 14th of November. Phileas Fogg lost no time in going on board the Carnatic, where he learned, to Aouda's great delight--and perhaps to his own, though he betrayed no emotion--that Passepartout, a Frenchman, had really arrived on her the day before. The San Francisco steamer was announced to leave that very evening, and it became necessary to find Passepartout, if possible, without delay. Mr. Fogg applied in vain to the French and English consuls, and, after wandering through the streets a long time, began to despair of finding his missing servant. Chance, or perhaps a kind of presentiment, at last led him into the Honourable Mr. Batulcar's theatre. He certainly would not have recognised Passepartout in the eccentric mountebank's costume; but the latter, lying on his back, perceived his master in the gallery. He could not help starting, which so changed the position of his nose as to bring the "pyramid" pell-mell upon the stage. All this Passepartout learned from Aouda, who recounted to him what had taken place on the voyage from Hong Kong to Shanghai on the Tankadere, in company with one Mr. Fix. Passepartout did not change countenance on hearing this name. He thought that the time had not yet arrived to divulge to his master what had taken place between the detective and himself; and, in the account he gave of his absence, he simply excused himself for having been overtaken by drunkenness, in smoking opium at a tavern in Hong Kong. Mr. Fogg heard this narrative coldly, without a word; and then furnished his man with funds necessary to obtain clothing more in harmony with his position. Within an hour the Frenchman had cut off his nose and parted with his wings, and retained nothing about him which recalled the sectary of the god Tingou. The steamer which was about to depart from Yokohama to San Francisco belonged to the Pacific Mail Steamship Company, and was named the General Grant. She was a large paddle-wheel steamer of two thousand five hundred tons; well equipped and very fast. The massive walking-beam rose and fell above the deck; at one end a piston-rod worked up and down; and at the other was a connecting-rod which, in changing the rectilinear motion to a circular one, was directly connected with the shaft of the paddles. The General Grant was rigged with three masts, giving a large capacity for sails, and thus materially aiding the steam power. By making twelve miles an hour, she would cross the ocean in twenty-one days. Phileas Fogg was therefore justified in hoping that he would reach San Francisco by the 2nd of December, New York by the 11th, and London on the 20th--thus gaining several hours on the fatal date of the 21st of December. There was a full complement of passengers on board, among them English, many Americans, a large number of coolies on their way to California, and several East Indian officers, who were spending their vacation in making the tour of the world. Nothing of moment happened on the voyage; the steamer, sustained on its large paddles, rolled but little, and the Pacific almost justified its name. Mr. Fogg was as calm and taciturn as ever. His young companion felt herself more and more attached to him by other ties than gratitude; his silent but generous nature impressed her more than she thought; and it was almost unconsciously that she yielded to emotions which did not seem to have the least effect upon her protector. Aouda took the keenest interest in his plans, and became impatient at any incident which seemed likely to retard his journey. She often chatted with Passepartout, who did not fail to perceive the state of the lady's heart; and, being the most faithful of domestics, he never exhausted his eulogies of Phileas Fogg's honesty, generosity, and devotion. He took pains to calm Aouda's doubts of a successful termination of the journey, telling her that the most difficult part of it had passed, that now they were beyond the fantastic countries of Japan and China, and were fairly on their way to civilised places again. A railway train from San Francisco to New York, and a transatlantic steamer from New York to Liverpool, would doubtless bring them to the end of this impossible journey round the world within the period agreed upon. On the ninth day after leaving Yokohama, Phileas Fogg had traversed exactly one half of the terrestrial globe. The General Grant passed, on the 23rd of November, the one hundred and eightieth meridian, and was at the very antipodes of London. Mr. Fogg had, it is true, exhausted fifty-two of the eighty days in which he was to complete the tour, and there were only twenty-eight left. But, though he was only half-way by the difference of meridians, he had really gone over two-thirds of the whole journey; for he had been obliged to make long circuits from London to Aden, from Aden to Bombay, from Calcutta to Singapore, and from Singapore to Yokohama. Could he have followed without deviation the fiftieth parallel, which is that of London, the whole distance would only have been about twelve thousand miles; whereas he would be forced, by the irregular methods of locomotion, to traverse twenty-six thousand, of which he had, on the 23rd of November, accomplished seventeen thousand five hundred. And now the course was a straight one, and Fix was no longer there to put obstacles in their way! It happened also, on the 23rd of November, that Passepartout made a joyful discovery. It will be remembered that the obstinate fellow had insisted on keeping his famous family watch at London time, and on regarding that of the countries he had passed through as quite false and unreliable. Now, on this day, though he had not changed the hands, he found that his watch exactly agreed with the ship's chronometers. His triumph was hilarious. He would have liked to know what Fix would say if he were aboard! "The rogue told me a lot of stories," repeated Passepartout, "about the meridians, the sun, and the moon! Moon, indeed! moonshine more likely! If one listened to that sort of people, a pretty sort of time one would keep! I was sure that the sun would some day regulate itself by my watch!" Passepartout was ignorant that, if the face of his watch had been divided into twenty-four hours, like the Italian clocks, he would have no reason for exultation; for the hands of his watch would then, instead of as now indicating nine o'clock in the morning, indicate nine o'clock in the evening, that is, the twenty-first hour after midnight precisely the difference between London time and that of the one hundred and eightieth meridian. But if Fix had been able to explain this purely physical effect, Passepartout would not have admitted, even if he had comprehended it. Moreover, if the detective had been on board at that moment, Passepartout would have joined issue with him on a quite different subject, and in an entirely different manner. Where was Fix at that moment? He was actually on board the General Grant. On reaching Yokohama, the detective, leaving Mr. Fogg, whom he expected to meet again during the day, had repaired at once to the English consulate, where he at last found the warrant of arrest. It had followed him from Bombay, and had come by the Carnatic, on which steamer he himself was supposed to be. Fix's disappointment may be imagined when he reflected that the warrant was now useless. Mr. Fogg had left English ground, and it was now necessary to procure his extradition! "Well," thought Fix, after a moment of anger, "my warrant is not good here, but it will be in England. The rogue evidently intends to return to his own country, thinking he has thrown the police off his track. Good! I will follow him across the Atlantic. As for the money, heaven grant there may be some left! But the fellow has already spent in travelling, rewards, trials, bail, elephants, and all sorts of charges, more than five thousand pounds. Yet, after all, the Bank is rich!" His course decided on, he went on board the General Grant, and was there when Mr. Fogg and Aouda arrived. To his utter amazement, he recognised Passepartout, despite his theatrical disguise. He quickly concealed himself in his cabin, to avoid an awkward explanation, and hoped--thanks to the number of passengers--to remain unperceived by Mr. Fogg's servant. On that very day, however, he met Passepartout face to face on the forward deck. The latter, without a word, made a rush for him, grasped him by the throat, and, much to the amusement of a group of Americans, who immediately began to bet on him, administered to the detective a perfect volley of blows, which proved the great superiority of French over English pugilistic skill. When Passepartout had finished, he found himself relieved and comforted. Fix got up in a somewhat rumpled condition, and, looking at his adversary, coldly said, "Have you done?" "For this time--yes." "Then let me have a word with you." "But I--" "In your master's interests." Passepartout seemed to be vanquished by Fix's coolness, for he quietly followed him, and they sat down aside from the rest of the passengers. "You have given me a thrashing," said Fix. "Good, I expected it. Now, listen to me. Up to this time I have been Mr. Fogg's adversary. I am now in his game." "Aha!" cried Passepartout; "you are convinced he is an honest man?" "No," replied Fix coldly, "I think him a rascal. Sh! don't budge, and let me speak. As long as Mr. Fogg was on English ground, it was for my interest to detain him there until my warrant of arrest arrived. I did everything I could to keep him back. I sent the Bombay priests after him, I got you intoxicated at Hong Kong, I separated you from him, and I made him miss the Yokohama steamer." Passepartout listened, with closed fists. "Now," resumed Fix, "Mr. Fogg seems to be going back to England. Well, I will follow him there. But hereafter I will do as much to keep obstacles out of his way as I have done up to this time to put them in his path. I've changed my game, you see, and simply because it was for my interest to change it. Your interest is the same as mine; for it is only in England that you will ascertain whether you are in the service of a criminal or an honest man." Passepartout listened very attentively to Fix, and was convinced that he spoke with entire good faith. "Are we friends?" asked the detective. "Friends?--no," replied Passepartout; "but allies, perhaps. At the least sign of treason, however, I'll twist your neck for you." "Agreed," said the detective quietly. Eleven days later, on the 3rd of December, the General Grant entered the bay of the Golden Gate, and reached San Francisco. Mr. Fogg had neither gained nor lost a single day.