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not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense .
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though not for everyone , the guys is a somber trip worth taking .
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viewed on its own terms , treasure planet is better-than-average family entertainment , but true fans of the stevenson's novel will likely prefer disney's more faithful 1950 live-action swashbuckling classic .
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flawed but worthy look at life in u . s . relocation camps .
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auto focus is not your standard hollywood bio-pic . schrader aims to present an unflinching look at one man's downfall , brought about by his lack of self-awareness .
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as ex-marine walter , who may or may not have shot kennedy , actor raymond j . barry is perfectly creepy and believable .
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a highly intriguing thriller , coupled with some ingenious plot devices and some lavishly built settings . . it's a worthwhile tutorial in quantum physics and slash-dash
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i walked away from this new version of e . t . just as i hoped i would -- with moist eyes .
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missteps take what was otherwise a fascinating , riveting story and send it down the path of the mundane .
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at its best early on as it plays the culture clashes between the brothers .
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the path ice age follows most closely , though , is the one established by warner bros . giant chuck jones , who died a matter of weeks before the movie's release .
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a stunning and overwhelmingly cogent case for kissinger as a calculating war criminal .
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this is christmas future for a lot of baby boomers .
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oliveira seems to pursue silent film representation with every mournful composition .
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the modern-day royals have nothing on these guys when it comes to scandals . it's only in fairy tales that princesses that are married for political reason live happily ever after .
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in other words , it's just another sports drama/character study . yet this one makes up for in heart what it lacks in outright newness . plus , like i already mentioned . . . it's robert duvall ! c'mon !
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an impeccable study in perversity .
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it's probably worth catching solely on its visual merits . if only it had the story to match .
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sex with strangers is fascinating . . .
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one of [herzog's] least inspired works .
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this is human comedy at its most amusing , interesting and confirming .
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angel presents events partly from the perspective of aurelie and christelle , and infuses the film with the sensibility of a particularly nightmarish fairytale .
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if [jaglom's] latest effort is not the director at his most sparkling , some of its repartee is still worth hearing .
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a rather brilliant little cult item : a pastiche of children's entertainment , superhero comics , and japanese animation .
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an elegant and sly deadpan comedy .
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humorous and heartfelt , douglas mcgrath's version of 'nicholas nickleby' left me feeling refreshed and hopeful . not many movies have that kind of impact on me these days .
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though the aboriginal aspect lends the ending an extraordinary poignancy , and the story itself could be played out in any working class community in the nation .
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the lively appeal of the last kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy .
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it seems impossible that an epic four-hour indian musical about a cricket game could be this good , but it is .
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i found myself liking the film , though in this case one man's treasure could prove to be another man's garbage .
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just about the surest bet for an all-around good time at the movies this summer .
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much credit must be given to the water-camera operating team of don king , sonny miller , and michael stewart . their work is fantastic .
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if you like blood , guts and crazy beasts stalking men with guns though . . . you will likely enjoy this monster .
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shyamalan takes a potentially trite and overused concept ( aliens come to earth ) and infuses it into a rustic , realistic , and altogether creepy tale of hidden invasion .
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dazzling and sugar-sweet , a blast of shallow magnificence that only sex , scandal , and a chorus line of dangerous damsels can deliver .
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a subtle , poignant picture of goodness that is flawed , compromised and sad .
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hawn and sarandon form an acting bond that makes the banger sisters a fascinating character study with laughs to spare .
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in imax in short , it's just as wonderful on the big screen .
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jacquot has filmed the opera exactly as the libretto directs , ideally capturing the opera's drama and lyricism .
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just what makes us happy , anyway ?
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less cinematically powerful than quietly and deeply moving , which is powerful in itself .
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insanely hilarious ! i haven't laughed that hard in years !
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miyazaki is one of world cinema's most wondrously gifted artists and storytellers .
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it is so refreshing to see robin williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he's been making for the last several years .
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delivers more than its fair share of saucy hilarity .
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the strength of the film lies in its two central performances by sven wollter as the stricken composer and viveka seldahl as his desperate violinist wife .
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holm . . . embodies the character with an effortlessly regal charisma .
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apesar de seus graves problemas , o filme consegue entreter .
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" the mothman prophecies " is a difficult film to shake from your conscience when night falls .
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. . . the story , like ravel's bolero , builds to a crescendo that encompasses many more paths than we started with .
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from spiritual rebirth to bruising defeat , vincent's odyssey resonates in a profound way , comparable to the classic films of jean renoir .
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goes a long way on hedonistic gusto .
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knows how to make our imagination wonder .
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it's up to you to decide whether to admire these people's dedication to their cause or be repelled by their dogmatism , manipulativeness and narrow , fearful view of american life .
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far from perfect , but its heart is in the right place . . . innocent and well-meaning .
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australian filmmaker david flatman uses the huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them .
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expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street .
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essentially an exceptionally well-written , well-edited , well-directed , well-acted , bald rip-off of aliens .
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a stirring tribute to the bravery and dedication of the world's reporters who willingly walk into the nightmare of war not only to record the events for posterity , but to help us clearly see the world of our making .
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a sweet-tempered comedy that forgoes the knee-jerk misogyny that passes for humor in so many teenage comedies .
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. . . there are enough moments of heartbreaking honesty to keep one glued to the screen .
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the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
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a chance to see three splendid actors turn a larky chase movie into an emotionally satisfying exploration of the very human need to be somebody , and to belong to somebody .
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so beautifully acted and directed , it's clear that washington most certainly has a new career ahead of him if he so chooses .
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writer-director burger imaginatively fans the embers of a dormant national grief and curiosity that has calcified into chronic cynicism and fear .
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brilliantly explores the conflict between following one's heart and following the demands of tradition .
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its cast full of caffeinated comedy performances more than make up for its logical loopholes , which fly by so fast there's no time to think about them anyway .
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other than the slightly flawed ( and fairly unbelievable ) finale , everything else is top shelf .
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a moving story of determination and the human spirit .
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the pianist is the film roman polanski may have been born to make .
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with a romantic comedy plotline straight from the ages , this cinderella story doesn't have a single surprise up its sleeve . but it does somehow manage to get you under its spell .
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it uses some of the figures from the real-life story to portray themselves in the film . the result is a powerful , naturally dramatic piece of low-budget filmmaking .
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a wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture .
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can i admit xxx is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure ?
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you'll end up moved .
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a modest pleasure that accomplishes its goals with ease and confidence .
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provides a very moving and revelatory footnote to the holocaust .
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if there's one big point to promises , it's that nothing can change while physical and psychological barriers keep the sides from speaking even one word to each other .
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can be viewed as pure composition and form -- film as music
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more honest about alzheimer's disease , i think , than iris .
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birot creates a drama with such a well-defined sense of place and age -- as in , 15 years old -- that the torments and angst become almost as operatic to us as they are to her characters .
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a deviant topical comedy which is funny from start to finish .
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no sophomore slump for director sam mendes , who segues from oscar winner to oscar-winning potential with a smooth sleight of hand .
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smarter than its commercials make it seem .
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this rush to profits has created a predictably efficient piece of business notable largely for its overwhelming creepiness , for an eagerness to create images you wish you hadn't seen , which , in this day and age , is of course the point .
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it's a sharp movie about otherwise dull subjects .
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cannon's confidence and laid-back good spirits are , with the drumming routines , among the film's saving graces .
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vera's three actors -- mollà , gil and bardem -- excel in insightful , empathetic performances .
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spielberg's first real masterpiece , it deserved all the hearts it won -- and wins still , 20 years later .
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the film is saved from aren't-kids-cute sentimentality by a warmth that isn't faked and a stately sense of composition .
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interacting eyeball-to-eyeball and toe-to-toe , hopkins and norton are a winning combination -- but fiennes steals 'red dragon' right from under their noses .
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the experience of watching blobby old-school cgi animation in this superlarge format is just surreal enough to be diverting .
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the salton sea has moments of inspired humour , though every scrap is of the darkest variety .
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if you liked such movies as notting hill , four weddings and a funeral , bridget jones' diary or high fidelity , then you won't want to miss about a boy .
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the film does give a pretty good overall picture of the situation in laramie following the murder of matthew shepard .
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a terrific insider look at the star-making machinery of tinseltown .
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one of the pleasures in walter's documentary . . . is the parade of veteran painters , confounded dealers , and miscellaneous bohos who expound upon the subject's mysterious personality without ever explaining him .
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having had the good sense to cast actors who are , generally speaking , adored by the movie-going public , khouri then gets terrific performances from them all .
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despite a story predictable enough to make the sound of music play like a nail-biting thriller , its heart is so much in the right place it is difficult to get really peeved at it .
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an intriguing and entertaining introduction to johnson .
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every once in a while , a movie will come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy
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