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'Tis the season for Christmas-themed TV, and no one delivers quite like The Office. Sure, the NBC sitcom has been off the air for several years, but it was the pinnacle of the annual holiday celebration, marked with the mediocrity of office life and the genuine heart that truly made the show great. But over the series' nine-season run, not every offering was perfect. Only some can be considered the best The Office Christmas episodes. And I'm not going to lie, you may not like my picks.
Unlike some people, I didn't hate the later seasons of The Office. They couldn't compare to the series in its hey-day, but I think a lot of what made the show so great was its ability to evolve a bit. The humor was generally consistent, but the characters changed, which is what makes the end of the series pretty awesome in my book.
Honestly, it's just nice to be able to reflect on what an incredible show this was, and how for the most part, it holds up. If you've been feeling nostalgia from that The Office reunion photo that's been circulating the internet, this list will definitely hit you directly in the feels. Sorry about that.
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Streaming movies has become a popular form of entertainment today, as Ben Affleck once predicted back in 2003. With the rise of online streaming platforms, users can now enjoy a wide variety of movies from the comfort of their homes. It’s even harder to say how many streaming platforms are now available for users to enjoy at their fingertips. Einthusan is one of them.
Einthusan has long been a go-to platform for streaming movies, particularly for South Asian cinema enthusiasts.
It caters to the diverse tastes of South Asian audiences with an extensive collection of full-length feature films in multiple languages. With a hodgepodge of over 4,000 legally licensed films, spanning nine regional Indian languages, Einthusan has garnered immense popularity among movie enthusiasts in the same region. Its seamless compatibility across iOS, Android, PC, Macs, and gaming consoles makes it a go-to choice for cinephiles seeking a captivating streaming experience.
Is Einthusan Legal or Not?
One crucial aspect that often concerns viewers is the legality of streaming platforms. Rest assured, Einthusan operates within the bounds of the law. The site’s impressive library of movies is made available through legitimate licensing agreements, ensuring that filmmakers and content creators receive their rightful dues. Consequently, millions of users can revel in the joy of discovering under-appreciated gems and under-rated masterpieces without any legal repercussions.
The simplicity of Einthusan’s user interface contributes to its appeal, allowing visitors to effortlessly navigate through the site. Selecting from an array of nine languages, including Hindi, Punjabi, Bengali, and more, users can instantly access an ever-growing collection of films that cater to their preferences. Each day, the platform introduces fresh additions, making it an exciting hub for avid movie-goers, all without any subscription fees.
Just so you know, Einthusan thrives on advertisements, enabling it to provide a free streaming service without mandating premium accounts or payment details from users. However, for those who prefer an ad-free experience, the platform offers a paid option to make their viewing journey even more seamless.
If you’re looking for alternatives to Einthusan for streaming movies, this article is here to guide you. We will explore some of the best platforms that provide a similar streaming experience with a diverse collection of movies.
Why look for Einthusan alternatives?
While Einthusan has been a popular choice for streaming movies, exploring alternatives can provide you with a broader selection of content. It’s always beneficial to have access to multiple platforms to satisfy your diverse movie preferences.
Additionally, some alternatives may offer unique features and exclusive movies that you won’t find on Einthusan and some platforms may not work in particular regions. We’ve tried to add as many useful alternatives as possible. Now, let’s dive into the best alternatives for streaming movies.
In this list: Einthusan alternative streaming platforms
1. Netflix: The King of Streaming
Netflix needs no introduction. It is undoubtedly the most dominant streaming platform worldwide, offering a vast collection of movies and TV shows across various genres. With its user-friendly interface, personalized recommendations, and seamless streaming experience, Netflix has become a household name. From Hollywood blockbusters to critically acclaimed international films, Netflix has something for everyone.
Why is it an Einthusan alternative? Well, Netflix has been investing in making Bollywood and South films for a couple of years. This makes Netflix the biggest contender for any streaming service in the south region. That’s why, it becomes the top of the chain alternative to Einthusan or others. You can try Netflix from the link below.
Amazon Prime Video is another leading streaming platform that competes directly with Netflix. As part of the Amazon Prime subscription, users gain access to a diverse catalog of movies and TV series. The platform offers a blend of original content, popular Hollywood movies, and international films.
In recent years, Amazon Prime has also invested in the making of many South Indian films just like its competitor Netflix, and has gained a place in Bollywood for its work. The interesting thing about Prime Video is that it also allows you to rent or purchase movies not available in the included catalog, expanding your viewing options even further. You can try Amazon Prime Video from the link below.
Launched in 2012, ErosNow is a popular streaming platform in South Asia that offers a wide range of Indian entertainment options such as movies, TV shows, music videos, and original content. It claims to be the biggest Bollywood movie and TV show collection holder in the world. The platform caters to the diverse needs of cinephiles and enthusiasts by providing an immersive experience in multiple languages.
The platform has a user-friendly interface and is easily accessible on various devices, making it a great destination for exploring Indian cinema. ErosNow’s vast library of entertainment options includes Bollywood blockbusters, regional movies, and exclusive original series that continue to captivate audiences.
If you’re looking for another platform like Einthusan, Hotstar is a great option! It’s now owned by Disney and has a bunch of cool Indian content to binge. They’ve got a huge selection of TV shows, including popular Hindi soaps like Karthika Deepam and Yeh Rishta Kya Kehlata Hai. The only downside is that it starts at $9.99 USD a month, so it’s a bit on the pricey side. But if you’re into TV shows, movies, and live stuff, Hotstar’s got you covered!
Spuul is another cool streaming service with over 47 million active users. They’re all about South Asian content and even offer a free tier with subtitles. You can try it out with a free trial and get access to over 100 live channels and loads of on-demand stuff, including dubs in different regional languages. Plus, they’ve partnered up with big production companies like Yash Raj Films and Viacom, so they’ve got a catalog of over 1,000 films and TV shows to keep you entertained. However, the app’s website is not live and probably taken down for some mysterious reasons.
Hungama is like the complete package for Indian entertainment seekers. They’ve got a whopping 8000 Bollywood movies, tons of TV shows, 10 million songs, music videos, and even lifestyle and reality content. And guess what? It starts at just $4 a month, which is a pretty sweet deal! Their licenses are legit, so no worries about piracy stuff, and they’ve got something for everyone.
For those who love Zee TV shows and Zee5 original movies, Zee5 is the go-to choice. It’s kind of like HBO Max (now called Max) for HBO, you know? The subscription is ₹999 for a year, and they’ve got other monthly and quarterly plans too. The best part is the exclusive Zee5 programming with over 10,000 hours of content, including hit shows like Kundali Bhanjya and Baaghi. They’ve got the rights to their stuff, so it’s all good on the legal front.
As one of the oldest movie streaming services in India, BIGFlix has got some street cred. For just $1.99 a month, you get access to a library of over 2000 Bollywood films, including regional ones like Tamil movies. They’re all about being a Personal Blockbuster Theatre, and they don’t mess around with piracy stuff. So, it’s a cool option if you want a pocket-friendly and legit streaming experience.
Voot is like the streaming side of Viacom-18, the guys behind ColorsTV, MTV, and Nick. You can find stuff from all these channels on Voot, along with a bunch of Bollywood films. If you’re in India, it’s free with ads, which is pretty cool. They’ve also got a paid subscription service called Voot Select, where you can watch exclusive original series and get early access to shows. Voot’s got something for everyone, so you might want to check it out!
Are you a Marvel or Disney fan? Star Wars is your go-to? This platform is for you. Disney+ is a must-have platform for fans of Marvel, Star Wars, and Disney animated classics. With a wide array of movies and TV shows from these beloved franchises, Disney+ offers an immersive streaming experience for viewers of all ages. From the Marvel Cinematic Universe to the galaxy far, far away, you can relive iconic moments and explore new adventures on Disney+. For every latest MCU show out there, Disney+ is the subscription you need. You can try Disney+ from the link below but it’s availability is still limited in particular areas of the world.
Hulu is known for its extensive collection of movies and TV shows, including popular titles and critically acclaimed originals. With a focus on current and past television series, Hulu offers a great platform to stream your favorite shows. Additionally, Hulu boasts a broad selection of movies across genres, making it a fantastic alternative for movie enthusiasts. You can give Hulu a try from the link below!
Max is a premium streaming service that brings together the best of HBO’s original content, Warner Bros. movies, and a diverse range of other offerings. From award-winning TV series like “Game of Thrones” to blockbuster hits like “Wonder Woman,” HBO Max delivers high-quality entertainment to its subscribers.
With a vast library of movies and exclusive access to HBO’s acclaimed productions, it’s an excellent choice for those seeking premium content and who love watching the latest movies and shows. You can try Max from the link below but it’s not available worldwide like Netflix.
Whenever there’s something for consumers from Apple, you know it’s a refined product. Apple TV+ focuses on delivering high-quality original content created by some of the biggest names in the entertainment industry. With a subscription, users gain access to a growing collection of exclusive movies and TV shows. Apple TV+ sets itself apart by showcasing unique stories and captivating performances that you won’t find elsewhere. I recently watched season 1 of Prehistoric Planet on AppleTV+ and it was mind-blowing. You can try Apple TV+ from the link below.
Unlike YouTube, YouTube Premium is not just about user-generated videos and music. It also offers a vast collection of movies that you can stream with a subscription. With an extensive library that includes both older classics and recent releases, YouTube Premium provides an alternative option for movie lovers. The platform also offers ad-free viewing and the ability to download videos for offline viewing. But, but, it may not be liked as much as other contenders on this list. You can try YT Premium from the link below!
Vudu offers a comprehensive selection of movies and TV shows, making it a favorite among movie enthusiasts. The platform allows users to purchase or rent movies, giving them the flexibility to watch what they want, when they want. Vudu also provides access to a wide range of free, ad-supported content, giving you even more options to choose from. You can try Vudu from the link below.
Peacock is a streaming service by NBCUniversal that offers a blend of movies, TV shows, and exclusive content. With both free and premium subscription options, Peacock caters to a broad range of viewers. From classic films to new releases, Peacock has a growing library that continues to expand its offerings. The Continental, a spinoff series of the John Wick movie series will also be shown on Peacock. Not just this, the Harry Potter franchise is also available on Peacock to watch along with the Shrek series. So, it’s a pretty decent streaming platform. You can give it a try from the link below!
Crave is a Canadian streaming service that provides access to a vast library of movies, TV shows, and live channels. So, it’s an alternative for the people of Canada. With different subscription tiers, including options for add-ons like HBO, Crave offers flexibility and diverse content choices. Whether you’re into Hollywood hits or international cinema, Crave has you covered.
If you’re looking for a free and legal streaming option, Tubi is an excellent choice. Tubi offers a vast collection of movies and TV shows that you can stream without any subscription fees. While the content may include ads, Tubi provides a legitimate platform to enjoy a wide range of titles from various genres. Give Tubi a try from the link below.
Sling TV is a streaming service that combines live TV channels with on-demand content. With its flexible packages, Sling TV allows you to customize your channel lineup based on your preferences. Alongside live TV, Sling TV offers a selection of movies and shows to stream on-demand, giving you a comprehensive entertainment experience.
20. Pluto TV: Your Personalized Streaming Universe
Pluto TV takes a unique approach to streaming by offering a curated selection of channels that resemble traditional TV. This free platform provides a diverse range of movies, TV shows, and live programming, all organized into themed channels. With Pluto TV, you can explore different genres and discover new content in a familiar channel-surfing format.
FAQs about movie streaming alternatives for Einthusan
Are these Einthusan alternatives legal?
Yes, all the mentioned alternatives are legal streaming platforms that have obtained the necessary rights and licenses to offer movies and TV shows to their subscribers.
Can I access these platforms globally?
The availability of these platforms may vary depending on your geographical location. However, most of them have expanded their reach globally, allowing users from different countries to access their content.
Do these platforms offer subtitles for movies?
Yes, these platforms typically provide subtitles for movies and TV shows in multiple languages. You can usually enable or disable subtitles according to your preference.
Are there any free alternatives to Einthusan?
Yes, platforms like Tubi and Pluto TV offer free streaming options with a wide selection of movies and TV shows. While these platforms may include ads, they provide a legitimate way to enjoy content without any subscription fees.
Can I download movies for offline viewing?
Several platforms, such as Netflix and Amazon Prime Video, offer the option to download movies and TV shows for offline viewing. This feature allows you to enjoy your favorite content without an internet connection.
Are there any exclusive movies on these platforms?
Yes, many streaming platforms produce exclusive movies and series that are only available on their respective platforms. For example, Netflix and Disney+ are known for their extensive lineup of exclusive content.
Whether you’re looking for diverse content, exclusive releases, or specific genres, these platforms offer a range of options to suit your preferences. In my opinion, the best Einthusan alternative apps are Eros Now, Zee5, Hotstar, and Amazon Prime Video. However, from global giants like Netflix and Amazon Prime Video to specialized services like Disney+ and Max, the streaming landscape is full of exciting choices.
So, grab your popcorn and dive into the world of limitless entertainment with these Einthusan alternatives.
I'm Yana Bielikova, and I am absolutely nuts about movies! You'll often find me glued to the screen, devouring all sorts of films and TV shows. But that's not all I do! I'm also a total tech geek, and as a freelance journalist, I get to combine my two passions. I love writing listicles about everything tech and streaming. From the trendiest gadgets to the juiciest streaming services, I've got you covered. It's like I'm on a mission to keep you in the loop with all the techy goodness and must-watch movies.
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The Bold and The Beautiful Best Lines Monday 3/17/08
PLEASE CLICK TO DONATE TO OUR SITE!!!!
Provided By Wanda
Pam: Bang, bang, bang. Get it? (chuckles) Isn't it a riot? I thought R.J. would just love it for his cowboy birthday party coming up. (chuckles) Oh, Donna, come on, have a sense of humor, why don't you?
Donna: Sense of humor? You're crazy! I thought you were trying to kill me.
Pam: Oh please.......What, a sweet little thing like me from the Midwest trying to kill you? It's a toy. It's a joke.
Donna: Oh my God, you're a nut job! You've got some serious problems, lady.
Pam: You think I'm the one with serious problems? How about you, Donna? Gold-digging your way into my sister's husband's heart.......taking me out for a cup of tea isn't going to change anything. Where I come from, blood is thicker than a cup of Earl Grey.
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I've been reading a lot of scripts recently for a Dorset based competition. This competition uses the standard short film script rules - any genre, no more than 10 pages.
There were some really good scripts and the results are coming soon. So without going into specific details of the scripts here are the top mistakes I saw and the top things I liked.
- Don't describe things that the audience can't know. For example; John, 30, has been a butcher for 25 years and also wanted to be a dancer. Fine to read, but if we were watching the film then how could we possibly know that?
- Conflict and drama is a must. Even in a comedy. Everyone getting along and having a nice time and going home again isn't a story.
- Similar to above is the need to have an ending of some description. A revelation, a surprise, a growing of a character. Something that indicates a journey has taken place.
- People just saying what they feel = bad for the film as well as being unrealistic. You may have noticed that in real life people very rarely articulate their deepest feelings in succinct sentences. You have to dig around in conversations, read between the lines and piece things together. So doing the same in a film mirrors that real-life behavior AND gives the audience something to do - piecing together the characters themselves.
- The short film is almost a genre in itself sometimes... with a heart warming reveal at the end. Smashing that genre convention wide open and challenging it generated some great ideas and stories.
- Short sharp dialogue works. Easy to say and hard to do I know. But dialogue that does just the job and no more is a real joy to read.
- A plot development or character revelation every page and a half seems about right to keep things moving.
One of the hardest things to get right (hard because their is no golden way to do it) is to make the audience care about your characters. But without that nothing else really matters. This probably deserves a future blog post by itself.
Best advice of all remains the same - keep writing, keep getting feedback :)
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In celebration of her upcoming new album Hymn, best-selling soprano Sarah Brightman is in cinemas November 8 only with an incredible performance. HYMN: Sarah Brightman In Concert was captured live for the big screen from the Festspielhaus in the enchanted Bavarian Alps. Staged in two acts, the 90-minute performance is a hybrid of a musical film, a classical-crossover program and a large-scale concert production. Brightman is accompanied by her band, the Munich orchestra, a 50-voice choir and the Ludwig Ensemble of dancers. Filmed using state-of-the-art video and audio technologies, cinema audiences will also enjoy an exclusive "making of" feature.
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TWICE’s Mina long hair vs short hair
original post: theqoo
1. Long hair!!!!!! But Mina is still pretty with short hair
2. Long hair makes her look younger
3. She has an actress vibe, she looks elegant and classy ㅠㅠㅠㅠ
4. Black hair + long hair !!
5. I can’t choose, she’s f*cking prettyㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ
6. This is legendary, I love Mina so much
7. Mina is the type of female idol that every girl likes… She looks so gentle, pure, innocent, elegant and luxurious..
8. Because she’s so pretty, long hair or short hair suits herㄷㄷㄷ
9. I can’t choose but I know she’s so prettyㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ
10. Long hair…
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Subject: I have found a CD that I think you would enjoy
Table Songs of Georgia
Genres: World Music, Pop
Listen to Samples
PURE AND ENCHANTING BUT RATHER MONOTONE
Carolyn H. Samelson | Colorado | 06/20/2000
(5 out of 5 stars)
"For an a cappella album recorded without instruments, this album represents how several human voices can merge in synergy to create a spine-tingling atmosphere of sound. The first few tracks definitely rank up there with the worlds finest music but after you have listened to this record for a while the tracks begin to seem become more undistinguished and blend in with each other because they all sound so much alike with the same basic character. Like many recordings of Georgian music, the astounding harmonies and melodies come to create an intoxicating (in a figurative sense) effect. After a while of listening to this music your head seems to get lost in a swirling effect. It's really quite unique. When I played this album for some friends, the first thing they compared it to was Gregorian chant. However, while listening to such ethnic music with a specific orientation, it is important to remember the culture behind it for that is what gives the music its extra depth. At a Georgian table ritual of feast conducted by a Tamada, individual courses of food are consumed between toasts and songs (like the ones on this album). For example the first song on this album is "sung at the very beginning of a feast being a hymn to eternal life that wishes a long life to all those present at the feast." Just the very glancing at the descriptions of the Georgian foods served such as Eggplant and beans with walnut sauce, bread with melted cheese and chicken with tomatoes, onions and fresh herbs never fail to intrigue my appetite and culinary imagination. This reminds me of the Georgian myth of when God was sending the different peoples to their destined lands, but God was enlightened at how the Georgians were still there celebrating and feasting. Consequently God gave to the Georgians the land God was saving for her/himself. Also included is some information about the ancient traditions of Georgian polyphony and how they compare and contrast between the different regions of Georgia. The wine producing region in Eastern Georgia known as Kakhetia is home to the Tsinandali Choir as these songs are common in Kakhetian gatherings. If you are curious about all the details, I suggest you get the album and read the cover booklet- I don't want to spoil the surprises or rehash too many words that have already been stated. I would have given this album a four star rating because I was expecting some music more striking at first, perhaps something akin to Le Mystere des Voix Bulgares which Georgian choir is often compared to. And I didn't expect it to be so monotone, but the idea that this music grows and becomes more striking with each listen and the wonderful culture behind it all makes up for it. All in all, it's a really great thing that there is at least one recording of Georgian music on mass distribution through Peter Gabrial's Real World label."
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Your objective in this amusing game, Thirtle is to complete all 30 puzzles as quickly as you can. This popular word-guessing game features quick, flowing animation. This world clone, which has become very famous worldwide, will challenge your endurance and vocabulary.
How to play
As you attempt to decipher a 5-letter word in Triple, pay close attention to the orange, yellow, and gray letters. The following letters will provide hints as to their placement in the hidden word:
At the start of the game, use a word that contains as many vowels and as few repeating letters as you can. 30 words must be pronounced correctly in a row. If you forget one, you have to start over. After the game is over, it's easy to post your score or a picture of your solved puzzle on social media.
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Miss Austen : the #1 bestseller and one of the best novels of 2020 according to the Times, Observer, Stylist and more
A wonderfully original, emotionally complex novel that delves into why Cassandra burned a treasure trove of letters written by her sister, Jane Austen - an act of destruction that has troubled academics for centuries. 1840: twenty three years after the death of her famous sister Jane, Cassandra Austen returns to the village of Kintbury, and the home of her family's friends, the Fowles. She knows that, in some dusty corner of the sprawling vicarage, there is a cache of family letters which hold secrets she is desperate should not be revealed.
As Cassandra recalls her youth and her relationship with her brilliant yet complex sister, she pieces together buried truths about Jane's history, and her own. And she faces a stark choice: should she act to protect Jane's reputation? Or leave the contents of the letters to go unguarded into posterity ... Based on a literary mystery that has long puzzled biographers and academics, Miss Austen is a wonderfully original and emotionally complex novel about the loves and lives of Cassandra and Jane Austen.
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There must be some sort of Dr. Seuss contraption shared among Hollywood studios called the Unfunny-izer, hauled out and set to sputtering when it comes time for the latest depressing remake of a comedy.
The new "Vacation" must've been run through it twice.
This is a grim reboot of the franchise begun in 1983 with director Harold Ramis' hit, which was adapted and expanded by John Hughes from his own National Lampoon short story "Vacation '58." In the '83 movie, Clark (Chevy Chase) and Ellen (Beverly D'Angelo) packed up the Wagon Queen Family Truckster and set off with their son and daughter for Southern California's most famous theme park, "Walley World." In Hughes' original short story he named names and called it Disneyland, and the story ended with Clark hunting down Walt Disney and shooting him in the leg. (Lawsuit-wise you can understand the revisions.)
Along the way the Griswolds encountered Christie Brinkley in a Ferrari; cousin Eddie; a dead-dog incident; a dead-aunt incident; and, finally, the exasperated limits of Clark's own optimism. The movie worked. It had an irresistible theme song (Lindsey Buckingham's "Holiday Road") and at least one foot in comic reality. Thirty-two years later it is one of the most widely known, loved and referenced hits of the Reagan era, and the station wagon itself remains a thing of slyly exaggerated design genius.
The remake comes from writers-directors John Francis Daley and Jonathan Goldstein, screenwriters of wildly uneven pedigree — from "Horrible Bosses" (crude, pretty good) to "Horrible Bosses 2" (crude, pretty bad) and "The Incredible Burt Wonderstone" (total misfire). Ed Helms plays Rusty, the now-grown Griswold, a regional jet pilot based in Chicago. Stuck in a domestic and marital rut, Rusty announces to wife Debbie (Christina Applegate, playing somewhat less than a fully rounded character) that instead of the usual trip to a cabin in Michigan, they're going to re-create his childhood road trip to Walley World.
The filmmakers place a strange emphasis on jokes involving the sexual molestation of teens and preteens. Certainly the '83 "Vacation" pushed its luck here and there; if I hear one more person reference cousin Eddie's daughter's French-kiss line, it'll be the 490th person this week. Witlessly, the new movie never stops pushing. Midair turbulence causes Helms' pilot to stumble and fall, head first, into the crotch of a very young passenger. (The staging is beyond clumsy, and a step or two north of icky.) In another scene Rusty appears to be seducing his own son. Later, a trucker explains that the teddy bear stuck to his front grille is there to entice his victims.
If any of this was surprising or cleverly timed, you'd laugh and then cringe. In "Vacation" you cringe first and ask questions later.
Helms' Rusty goes through the story in a sexual panic because his onetime party animal of a wife is more sexually experienced than he. Meantime he's conveniently blind to the toxic behavior of his younger son (Steele Stebbins), who nearly asphyxiates his sensitive, wimpy sibling (Skyler Gisondo) using a plastic bag. Twice. Lingeringly.
Chase and D'Angelo turn up for cameos as the elder Griswolds, now running a bed-and-breakfast in San Francisco. That bit's good for curdled nostalgia, at least. Chris Hemsworth sports an amusing prosthetic penis as Rusty's brother-in-law, the soul of Texas Republican belligerence.
The Griswolds rent an ungainly Albanian hybrid that comes with two gas tanks and a puzzling, highly destructive series of key-fob functions. None of the resulting sight gags are handled with much finesse, but they're still the highlight. Male online commenters (a large subgroup of humans) have been whining for months about the forthcoming "Ghostbusters" reboot because it stars women, not men. I suspect those guys will be satisfied with the new "Vacation," which ups the gross-out ante without actually bothering to bring the Griswolds into the 21st Century. It's a comedy unafraid of death; it dies a thousand of 'em.
Michael Phillips is a Tribune critic.
"Vacation" -- No stars
MPAA rating: R (for crude and sexual content and language throughout, and brief graphic nudity)
Running time: 1:39
Opens: Tuesday evening
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Like so many filmmakers, Steven Spielberg wanted to make a James Bond movie. There was just one problem, the Brocollis (the people who own the rights to the super spy) kept turning him down. While that probably felt like a huge blow to the then-young director, it set him on a different path, a path that gave us one of the most iconic characters in movie history, Indiana Jones.
Yes, with his trademark hat and impractical bullwhip, Indiana Jones is undeniably a modern legend of the silver screen. But before Harrison Ford had slipped on his brown khakis, though, the character was just a glint in George Lucas’s eye, but the mastermind behind the Star Wars movies had big dreams for his daring archaeologist.
And who better to help him make those dreams come true than his good friend Spielberg? There was just one problem; poor Steve was a bit distracted by the spy movie rejection. Ever the canny salesman, though, Lucas managed to sell the Jaws director on his whip-cracking tomb raider with his silver tongue.
According to Spielberg, Lucas claimed the Indiana Jones movies were “better” than James Bond before a single second of the film had been captured on celluloid. Spielberg said as much during an interview with the DGA, where they were discussing the origin of these legendary adventure movies.
Apparently, the pair were sitting on a beach in Hawaii, having left mainland America to escape the press around Star Wars, when Lucas pitched the films.
“I came to Hawaii to sort of hold George’s hand the day Star Wars opened in 1977,” Spielberg explained. “When the phone rang, and he found out that every single 10:30 am show throughout the entire nation had been sold out, George became euphoric, to say the least, and, in his euphoria, immediately began thinking about the future. And he asked me what I was doing next.”
“I said I wasn’t sure, but I wanted to try again to get Cubby Broccoli to let me direct one of the James Bond films,” he continued. “Cubby, by the way, had twice turned me down when I asked if I could direct a James Bond film. And George said I’ve got something better than James Bond. It’s called Raiders of the Lost Ark.”
The rest, as they say, is history, and Spielberg has directed every Indiana Jones film since; well, all of them except the upcoming Indiana Jones 5. The film series has done extremely well, earning an estimated $1,987,858,990 worldwide and cementing Harrison Ford’s place as a leading man.
Would Indiana Jones have been made without Spielberg? Probably but let’s be honest, this is the guy behind some of the best movies of all time. They wouldn’t have been the same without his magic touch.
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The legend of King Arthur is one of the most enduring tales in literary history, and has been a source of inspiration for various works of art. Many people have speculated about whether or not King Arthur was a real person, or simply an amalgamation of numerous characters from different cultures. The debate has been ongoing for centuries, but recently there has been renewed interest in the character due to the success of popular films, television series and books which feature him.
The question then arises whether or not King Arthur is available on Amazon Prime. Unfortunately, the answer is no.
While there are a number of movies and television shows which feature King Arthur as a main character, they are all available through other streaming services such as Netflix or Hulu. There are also some books which feature him as a central character, but these too are available through other services such as Audible or Apple Books.
However, Amazon Prime does have a selection of medieval themed films and shows which could be considered related to the legend of King Arthur. These include titles such as “Excalibur” (1981), “Merlin” (1998), “Camelot” (2010) and “Pendragon” (2015). All these titles can be watched with an Amazon Prime subscription.
In conclusion, it appears that while Amazon Prime does not offer direct access to any media featuring King Arthur himself, it does have some related titles which can be viewed with an active subscription. Therefore, if one is looking for a way to explore the legend further they should consider looking at what Amazon Prime has to offer in this regard.
Conclusion: Is King Arthur on Amazon Prime?
No, unfortunately King Arthur is not directly available on Amazon Prime. However, there are some related titles which may provide viewers with insight into the character and his world that can be accessed with an active subscription.
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Label: Double Moon
Product Type: COMPACT DISCS
The 82nd protagonist of the "Jazz thing Next Generation" series comes from Minsk in Belarus, where he grew up as the son of an artist family and was gently introduced to the world of music by his mother, a classical pianist, early in his childhood. Alexei began playing piano at the age of five, and he became enthusiastic about the saxophone at the age of twelve, which is why he went to Germany in 2003 with a heavy heart due to the better educational opportunities. He studied under Professor Wolfgang Engstfeld at the Hochschule für Musik und Tanz in Cologne until 2010, and played in the Federal Youth Jazz Orchestra (BuJazzO) under the direction of Peter Herbolzheimer. Malakhau: "In Belarus, I could hardly have lived so freely, let alone earned a living from music. Of course, he had to work very hard for a several years to give art the freedom it really deserves. Life between two different countries therefore also gives a distinctive personality stamp in the sense of "Leiblich". Hardly any other jazz musician currently combines elements of classical and modern music in such a natural and relaxed way. "I grew up with classical music, it paved my way. I encountered experimental art on the wayside."
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Pros and Cons of Poker, Blackjack, and Other Table Games
There are numerous types of table games that may be found in almost any casino. There are slot machines, ping pong, bridge tables, and bad mitten and much more. In order to find the right table game for you as well as your family, there are some things to consider.
First, is the skill level of one’s guests. While table 엠 카지노 도메인 games are made to be fun and gambling, they also need to be educational. The main reason for a casino table game is for entertainment, but it addittionally teaches players how exactly to properly gamble and also have fun simultaneously. If it is too hard for the younger guests to learn the rules or are too young to understand the concepts of the game, then the casino won’t have a profitable, active table. Take into account that the more capable guests are on a table, the much more likely it will be more successful.
Secondly, may be the amount of money available for renting a table. As the price of a table game may look intimidating, there are plenty of tables that are affordable to rent. If a person is lucky enough to locate a high quality table game for an extremely low cost, then they should investigate their options further. There is absolutely no reason why someone who has limited budget should limit themselves to table games that are not of their means.
The final thing to consider is the timeframe that the casino allows for rent. Most tables take about a couple of hours for an individual to be fully committed to a casino game. If the casino requires that a person be on the table for at the very least four hours before the game can begin, a person may choose to research the time frame they can commit to a game before even entering one. This is especially true if the table game requires the person to purchase bet tickets before the start of play. Buying win tickets before the start of the game can help ensure that a person won’t waste money buying them, and will save the individual from wasting money on losing bets. This is also helpful for people who are brand new to playing table games online.
People can find many advantages to playing table games at a casino. Some people feel that they provide a more personal interaction with other players. That is especially important when playing table games against other people that have known each other for longer than a short while. Also, some people just like the challenge of trying to beat someone at their very own game. However, playing against people who have been playing the same game for several years could cause some individuals to become frustrated.
There are a few disadvantages to table games as well. For one, many of them require a great deal of skill as a way to win. If a person does not have a lot of experience with the game, then it can be quite easy to lose cash without even realizing it. This is especially true whenever a person is playing a highly random game that requires very precise betting patterns. Additionally it is very easy to overeat while playing these games. Overeating is bad because table games often need a lot of luck.
Finally, people need to recognize that many table games involve skill as a way to play them well. However, there is nothing necessarily wrong with playing a table game just for the fun of it. The main thing is to make sure that the person has taken enough time to learn how to play the game properly. Often, people will begin to bet huge amounts of money without making the effort to learn how the tables work. This may have serious consequences should they do end up getting too much money in a game that they are not really acquainted with.
All things considered, table games can be quite a fun way to spend time at a casino. They do require skill, so that they may not be right for everybody. Anyone who is considering playing a table game at a casino should first take the time to check out some of the several types of table games available. Then they should decide if table games are right for them.
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Moment From Harry Potter and the Chamber of Secrets
After making a daring escape from the clutches of his terrible aunt and uncle, Harry arrives at The Burrow, the first house he has been to that belongs to a magical family.
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Tags: flying car, witch, magic, child hero, school of witchcraft, giant spider, giant snake, black magic, child driving car, wizard, aftercreditsstinger, based on young adult novel, phoenix (mythical bird)
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We all have that game, don't we? The one that, while yes, the years have shown you that other games may have done it differently and better, and that while - eesh did those textures always look like that? - some elements may not have been as polished or as groundbreaking as you remember them, your fondness is tied to more than just the mechanics or even the characters. I know we have a tendency to overhype or overexaggerate just how brilliant/influential a game FF7 was, but I'll always regard it as a favourite because of summer evenings spent huddled up against the TV screen, conferring with friends over rumours of secret characters and items, getting midi themes stuck in a loop in my head for weeks on end.
So yeah, I'm a little bit protective when Johnny comes along, never having played more than an hour of a Final Fantasy game in his life, to give it a try. He took my incoherent gushing over a 20 year old JRPG very much in his stride, but I am disappointed that we didn't get very far. It's interesting seeing the game again through new eyes though, even if it makes me even more nervous as to how the remake will turn out.
I'd be quite keen to do a full Let's Play of Final Fantasy 7 as the Remake's launch approaches, so hopefully, time permitting, that's something we can have a think about doing. Until then, what are your thoughts on how Square Enix and Tetsuya Nomura can make the FF7 remake a success?
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Faith Evans is an American singer, songwriter, and record producer. She is best known for her work as a member of the R&B group the Fugees, and for her solo work with hits like “No Other Love” and “I’ll Be Missing You.” Evans has an estimated net worth of $3 million.
Checkout this video:
How much is Faith Evans worth?
It is estimated that Faith Evans is worth $3 million. This is largely due to her successful career in music, which has spanned over two decades. She has released several studio albums, including her debut album, Keep the Faith, which was certified platinum by the RIAA. Her other albums have also been commercially successful, selling millions of copies worldwide. In addition to her musical success, Faith Evans has also appeared in a number of films and television shows, most notably as herself in the reality television series, Love & Hip Hop: Atlanta.
How did Faith Evans make her money?
Faith Evans is an American singer, songwriter, record producer, and occasional actress. She is most known for her work as a part of the group The Notorious B.I.G., with whom she was married at the time of his murder. Evans has since gone on to have a successful solo career, releasing five studio albums and multiple singles. She has also worked as a producer and songwriter for other artists, including Michael Jackson, Toni Braxton, Whitney Houston, and Aretha Franklin.
Evans’ primary source of income is her music career. She has released several albums and singles that have sold well both in the United States and internationally. Additionally, Evans has toured extensively throughout her career, performing in front of large audiences around the world. She has also appeared in various film and television productions, most notably as herself in the 2009 film Notorious.
Beyond her music career, Evans has also earned income through her work as a producer and songwriter for other artists. She has been credited on songs by numerous well-known artists, including Michael Jackson, Toni Braxton, Whitney Houston, and Aretha Franklin. Additionally, she served as an executive producer for the 2015 documentary film Biggie: The Life of Notorious B.I.G., which was nominated for an Emmy Award.
What are some of Faith Evans’ most popular songs?
Faith Evans is an American singer, songwriter, and record producer. She is best known for her work as a member of the R&B group The Faith Evans Band, as well as her solo work. Faith Evans has released several hit songs throughout her career, including “Somethin’ About Faith” and “Love Like This.” As of 2021, Faith Evans’ net worth is $3 million.
What is Faith Evans’ background?
Faith Evans is an American singer, songwriter, record producer, and actress. Born in Coral Springs, Florida, and raised in New Jersey, Evans moved to Los Angeles in 1993 for a career in the music business.
After working as a backing vocalist for Al B. Sure! and Christopher Williams, she became a part of Sean “Puff Daddy” Combs’ Bad Boy Entertainment musical empire in 1994 as one of the label’s first female artists. Her marriage to rapper The Notorious B.I.G. from 1994 until his untimely death in 1997 made her a high-profile figure within the hip-hop world.
Evans’ debut album “Faith” was released by Bad Boy Records in 1995 and featured the hits “You Used to Love Me” and “Soon as I Get Home”. Her follow-up album “Keep the Faith” was released in 1998 and featured the duet “Hope” with Puff Daddy. In 2001, Evans released her third album “Faithfully”, which spawned the singles “Burnin’ Up” and “Can’t Believe”.
Evans has since released additional albums including 2005’s “The First Lady”, 2014’s “Incomparable”, and 2016’s “The King & I” (a duets album featuring unreleased recordings with her late husband). As an actress, she has appeared in films such as 2005’s “State Property 2” and 2009’s “(Notorious)”.
How has Faith Evans’ career progressed over the years?
Faith Evans is an American R&B singer, songwriter, and record producer. She started her career as a background singer for Alton McClain & Destiny, before signing with Sean Combs’ record label Bad Boy Records in 1994. Her first album, Faith, was released in 1995 and included the hit singles “You Used to Love Me” and “Soon as I Get Home”.
Evans’ career progressed with the release of her second album Keep the Faith in 1998, which spawned the singles “All Night Long”, “Love Like This”, and “Tru Love”. Her third album, Faithfully, was released in 2001 and featured the singles “Again” and “I Love You”. Evans’ fourth album, The First Lady, was released in 2005 and included the singles “Again” and “I’ll Be Missing You”. Her fifth album, Something about Faith, was released in 2010 and featured the single “Gone Already”.
As of 2021, Faith Evans’ net worth is $3 million.
What are some of the highlights of Faith Evans’ career?
Faith Evans is an American singer, songwriter, record producer, and actress. She is most known for her work as a member of hip-hop group The Notorious B.I.G.’s Widow’s Brigade, as well as her marriage to the late rapper. Evans has released five studio albums, three of which have reached the US Billboard 200. As an actress, she has appeared in several films and television shows.
##Some highlights of Faith Evans’ career include:
-Releasing her debut album, “Faith,” in 1995
-Winning a Grammy Award for Best Rap Performance by a Duo or Group for her work on “Notorious B.I.G.” with Puff Daddy in 1997
-Getting married to The Notorious B.I.G. in 1994
-Appearing in the films “The Fighting Temptations” (2003) and “Notorious” (2009)
What awards has Faith Evans won?
Faith Evans has won numerous awards throughout her career, including three Grammy Awards, two American Music Awards, and a Soul Train Music Award. She has also been nominated for several other awards, including eight NAACP Image Awards and four BET Awards.
What is Faith Evans’ personal life like?
Faith Evans was born on June 10, 1973, in Lakeland, Florida. She began singing in the church choir at an early age and went on to study music at the New York High School for the Performing Arts. After graduation, she moved to Los Angeles to pursue a career in music.
Faith Evans’ first album, “Faith,” was released in 1995. It was a critical and commercial success, and launched her into superstardom. Since then, she has released several more albums, including “Keep the Faith” (1998), “The First Lady” (2005), and “Something About Faith” (2010).
Faith Evans has also had a successful acting career, appearing in films such as “The Fighting Temptations” (2003) and “Notorious” (2009).
In addition to her music and acting career, Faith Evans is also a successful entrepreneur. She has her own record label, Painkiller Entertainment, and has released a line of wines called “Believe.”
So what is Faith Evans’ net worth? According to Celebrity Net Worth, Faith Evans has a net worth of $3 million.
What is Faith Evans’ relationship with the media like?
Faith Evans is an American singer, songwriter, record producer, and occasional actress. She is most known for her work as a member of the group the R&B divas. Evans has been married to rapper and businessman Sean “Puff Daddy” Combs, and she has three children with him. She has had a strained relationship with the media, particularly after her divorce from Combs.
What are some of the rumors surrounding Faith Evans?
Faith Evans is a singer, songwriter, record producer, and actress. She is best known as a founding member of the R&B group The Folktales. Evans has released five solo albums, three of which have been certified Platinum or higher by the Recording Industry Association of America (RIAA). She has also written and produced for other artists including Michael Jackson, Whitney Houston, and Toni Braxton.
In addition to her music career, Evans has also appeared in several films and television shows. She made her acting debut in the 1995 film Sister Act 2: Back in the Habit. Her other film credits include The Fighting Temptations (2003), Think Like a Man (2012), and Countess Vaughn: The Movie (2017). She has also guest-starred on episodes of Law & Order: Special Victims Unit and Cupid.
As of 2020, Faith Evans’ net worth is $3 million. This includes her earnings from music sales, concert tours, endorsement deals, and acting roles.
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Coke Studio is a Pakistani music television series which is produced by the Coca-Cola Company. The show features live music performances by various artists.
The show first aired in 2008 and has since become one of the most popular music shows in Pakistan. The show is also popular in other parts of the world, including India and Afghanistan.
The show has featured a number of popular Pakistani artists, including Rahat Fateh Ali Khan, Ali Zafar, and Shafqat Amanat Ali. The show has also featured a number of international artists, including Indian singer Asha Bhosle and Afghan singer Farhad Darya.
Pakistan’s Coke Studio has been making waves on social media since its inception, and with good reason. The show is consistently entertaining, and the participants are some of the country’s most talented singers and musicians.
The show is produced by Music Network Pakistan, and it features amateur and professional singers and musicians from all over Pakistan. Each episode features a different theme, and the contestants are given a set amount of time to perform their songs.
The judges are composed of famous Pakistani musicians and singers, and they help to determine which songs will be performed during the live episodes. The show is broadcast on various TV channels, and it is often watched by the general public.
Coke Studio has quickly become one of the most popular shows on television in Pakistan, and it is sure to entertain fans of music for years to come.
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|You Walk So Softly|
|Directed by||Reinhold Schünzel|
|Produced by||Reinhold Schünzel|
|Distributed by||Universum Film AG|
|21 December 1927|
You Walk So Softly (German: Gustav Mond, Du gehst so stille) is a 1927 German silent comedy film directed by Reinhold Schünzel and starring Schünzel, Yvette Darnys and Jakob Tiedtke. Schünzel ran into trouble with his superiors at UFA because he had not submitted his screenplay for approval before filming began. The film's art direction was by Erich Czerwonski.
Eduard von Borsody was an Austrian cameraman, film editor, film director, and screenplay writer.
Reinhold Schünzel was a German actor and director, active in both Germany and the United States. The son of a German father and a Jewish mother, he was born in St. Pauli, the poorest part of Hamburg. Despite being of Jewish ancestry, Schünzel was allowed by the Nazis to continue making films for several years until he eventually left in 1937 to live abroad.
Season in Cairo is a 1933 German musical comedy film directed by Reinhold Schünzel and starring Renate Müller, Willy Fritsch and Gustav Waldau. A French-language version Idylle au Caire was released, also featuring Müller.
Catherine the Great is a 1920 German silent historical film directed by Reinhold Schünzel and starring Lucie Höflich, Fritz Kortner, and Fritz Delius. The film was an epic portrayal of the life of Catherine the Great of Russia. 4,000 extras and 500 horses were used.
Peter the Pirate, also known in English as The Sea Wolves, is a 1925 German silent historical adventure film directed by Arthur Robison and starring Paul Richter, Aud Egede-Nissen, and Rudolf Klein-Rogge. It was based on a novel by Wilhelm Hegeler. Leni Riefenstahl was offered the role of female lead by producer Erich Pommer, but after doing a screen test she eventually turned it down.
Uncle Bräsig is a 1936 German historical comedy film directed by Erich Waschneck and starring Otto Wernicke, Heinrich Schroth and Harry Hardt. It marked the film debut of the Swedish actress Kristina Söderbaum who went on to be a major star of Nazi cinema. Söderbaum won her part in a contest organised by UFA. It was based on the 1862 novel From My Farming Days by Fritz Reuter.
A Waltz Dream is a 1925 German silent drama film directed by Ludwig Berger and starring Willy Fritsch, Mady Christians and Xenia Desni. It was based on the 1907 operetta Ein Walzertraum composed by Oscar Straus. It was influential on the development of later Viennese operetta films. Unlike many of UFA's ambitious productions of the 1920s, A Waltz Dream managed to recover its production cost in the domestic market alone.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
Donogoo Tonka is a 1936 German comedy film directed by Reinhold Schünzel and starring Anny Ondra, Viktor Staal and Will Dohm. It is based on a play of the same name by Jules Romains. A separate French-language version Donogoo was also made. The film was produced by UFA at the Babelsberg Studios in Berlin, with sets designed by Otto Hunte and Willy Schiller.
Hello Caesar! is a 1927 German silent comedy film directed by Reinhold Schünzel and starring Schünzel, Mary Nolan, and Wilhelm Diegelmann. It is partly set in the spa town of Karlsbad in Czechoslovakia.
Love in the Ring is a 1930 German sports film directed by Reinhold Schünzel and starring Max Schmeling, Renate Müller, and Olga Tschechowa. Schmeling was a leading German boxer of the 1930s, and the film attempted to capitalise on this. Schmeling later appeared in another boxing-themed film in Knockout (1935).
Happy Days in Aranjuez is a 1933 German comedy film directed by Johannes Meyer and starring Brigitte Helm, Gustaf Gründgens and Wolfgang Liebeneiner. The film focus on a notorious jewel thief operating in high society. The title refers to Aranjuez in Spain.
The Beautiful Adventure is a 1932 German romantic comedy film directed by Reinhold Schünzel and starring Käthe von Nagy, Wolf Albach-Retty and Alfred Abel. The film's sets were designed by the art director Werner Schlichting. A separate French language version was also made.
We'll Meet Again at Home is a 1926 German silent film directed by Leo Mittler and Reinhold Schünzel. It shares its name with a popular song title.
A Mad Idea or A Crazy Idea is a 1932 German comedy film directed by Kurt Gerron and starring Willy Fritsch, Dorothea Wieck and Rosy Barsony.
Don Juan in a Girls' School is a 1928 German silent comedy film directed by and starring Reinhold Schünzel. It is based on Hans Stürm's play The Unfaithful Eckehart.
Rags and Silk is a 1925 German silent comedy film directed by Richard Oswald and starring Reinhold Schünzel, Mary Parker and Johannes Riemann.
Always Be True and Faithful is a 1927 German silent film directed by Reinhold Schünzel and starring Reinhold Schünzel, Rosa Valetti and Julius E. Herrmann.
Diary of a Lost Woman is a 1918 German silent drama film directed by Richard Oswald and starring Erna Morena, Reinhold Schünzel, and Werner Krauss. The rising star Conrad Veidt also appeared. It is now considered a lost film. It was remade at the end of the silent era as Diary of a Lost Girl by Georg Wilhelm Pabst.
The Stream is a 1922 German silent film directed by Felix Basch and starring Hermann Thimig and Eduard von Winterstein.
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We all know that music can be a huge part of our lives. It can provide us with energy, help us relax, and even make us feel more connected to the world around us. But what happens when two completely different genres of music are combined?
In this blog post, we’ll take a look at the new genre of dubstep music with race car sounds. We’ll explore how this unique sound is created and what it can offer listeners. We’ll also discuss some of
Introduction to Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the late 1990s. It is characterized by sparse, syncopated rhythmic patterns with prominent sub-bass frequencies. The style emerged as an offshoot of garage music and dub reggae.
What is Dubstep?
Dubstep is a genre of electronic dance music that originated in South London in the late 1990s. It is generally characterized by sparse, syncopated drum and percussion patterns with bass lines that contain prominent sub-bass frequencies. The style emerged as an offshoot of UK garage, drawing on a lineage of related styles such as 2-step and dub.
The earliest dubstep releases date back to 1998, and the genre became well-established by the early 2000s. In the mid-2000s, dubstep began to diverge from its garage roots and develop its own identity. This process was helped by the rise of online communities such as Dubtip and UK/South London record label Big Dada Recordings.
Since around 2011–2012, dubstep has been evolving away from its roots in dark garage music towards a more pop-oriented sound. This move has been led by artists such as Skrillex and Knife Party.
Where did Dubstep come from?
Most people think that Dubstep originated from London clubs in the late 1990s, but the genre actually has its roots in Jamaican dub music of the 1970s. This type of music was created by producers who took existing reggae tracks and added their own unique spin to them, often by adding echo or reverb effects.
Dubstep tracks typically feature a heavy bass line that is sometimes accompanied by high-pitched synth sounds and vocal samples. The tempo is usually around 140 beats per minute, which is slower than other types of electronic dance music.
While Dubstep has been around for decades, it only started becoming popular in the United States in the early 2010s. One of the first Dubstep songs to become a hit was Skrilllex’s “Scary Monsters and Nice Sprites,” which was released in 2010. Since then, Dubstep has continued to grow in popularity, with more and more artists incorporating it into their music.
Dubstep and Race Cars
Dubstep music is a genre of electronic dance music that is characterized by heavy bass and drum sounds. The genre has its origins in the UK and has become popular in the US in recent years. Dubstep music is often used in race car videos and many people enjoy the combination of the two.
How do Dubstep and race cars sound together?
Some people say that Dubstep and race cars go together like peanut butter and jelly. Others say that the two don’t belong together at all. But what does the scientific evidence say about this new genre of music?
Studies have shown that Dubstep can help to increase focus and attention in race car drivers. The fast-paced, energetic music can help to get drivers into the “zone” more quickly and keep them there for longer periods of time. In addition, the heavy bass sounds of Dubstep can help to cancel out the noise of the engine, making it easier for drivers to concentrate on the task at hand.
So if you’re looking for something new to listen to while you’re driving, why not give Dubstep a try? Who knows, you might just find that it makes your race car experience even more enjoyable!
What is the appeal of this new genre?
The appeal of this new genre may be its ability to appeal to a wide range of people. The combination of music genres can create a sound that is both unique and accessible to many. For example, the use of race car sounds in dubstep music may be appealing to those who are fans of both genres.
The popularity of dubstep music has grown in recent years, and the use of race car sounds in this type of music is one trend that is becoming increasingly popular. This type of music is often created by DJs who mix together tracks from different genres, including dubstep, techno, and house. The resulting sound is a unique hybrid that can be very appealing to listeners.
While the use of race car sounds in dubstep music is still relatively new, it is already starting to gain popularity with fans of the genre. This trend is likely to continue as more DJs experiment with this type of music and more people discover its unique sound.
Though it is difficult to pigeonhole any music into a singular genre, and dubstep is no different, there are some core characteristics which are unique to this style of music. The most important of these, and the ones which make it dubstep, are the wub-wub-wub bassline and the use of syncopation.
Is this a passing fad or here to stay?
It’s hard to say if this new genre of music is here to stay or not. Only time will tell. In the meantime, enjoy the sounds of race cars mixed with dubstep music!
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Wading through America’s television offerings, as a woman, can be hazardous to your self-esteem. From shows that feature only a token female as support or love interest for a cast full of male characters, to reality-shows presenting women as looking to snag Mr. Right, vague “Housewives” who appear to do nothing but gossip and shop all day, to scheming, predatory women in offerings like “Scandal” and “Mistresses”, what the US market specializes in is glorifying a vapid, stereotyped vision of what a woman is.
For years, I have been more drawn to the shows that are available on UK television rather than what I see when I scroll through my own TV guide. There are a variety of reasons why you should check out women-centric British television series, and boycott the portrayal of women on American screens, but here are the top five compelling reasons:
1. British Shows Don’t Have a Prerequisite Age/Weight/Appearance Requirement
American television is obsessed with a specific type of woman. Generally the cookie-cutter ideal is young, thin and “sexy”. From their perfectly coifed hairstyles to impossibly straight, white teeth, impeccable makeup (for some reason, every American female under the age of 50 wears false eyelashes), the standard female lead is trim and fit, yet still sporting plenty of curves. Anything other than that is usually delegated to the supportive Grandma roles, or the unattractive but friendly “sidekick”.
On the other hand, British television embraces women of all makes, models, ages and sizes. In fact, they often manage to put them all into one show, as they have with the women of Downton Abbey. Other shows worth mentioning are Miranda Hart’s self-titled comedy Miranda and My Mad Fat Diary. Hart’s fearless humor, non-pandering slapstick comedy and self-embracing, down-to-earth appearance and attitude is sure to put you at ease. In My Mad Fat Diary, instead of the typical fresh-faced, perky cheerleader, Rae Earl is a young woman grappling with myriad issues, such as depression, self-harm, body-image issues and self-acceptance. This important teen show reveals all of Sharon Rooney’s character’s dark, petty or even silly thoughts in all their honest glory. Imperfect teeth or chunky body type doesn’t disqualify a British actress from a lead role.
2. British Shows Don’t Force Social or Moral Judgement
American television loves to present female characters that eventually “get what’s coming to them” for not being perfect. Whether it’s ridiculous humor or crime dramas, British women are allowed to be flawed without being punished for it. They’re allowed to drink, do drugs, and generally sleep around without any judgment at all.
In the ensemble female comedy Absolutely Fabulous, the main characters Edina Monsoon (Jennifer Saunders) and Patsy Stone (Joanna Lumley) can’t possibly be more flawed, outrageous or entertaining. The middle-aged duo’s drug use, alcohol consumption, destructive behavior and promiscuity is without peer. None of the women in the show are ever apologetic about any of their excesses or failures.
In Vera, Brenda Blethyn plays a work-obsessed Detective Chief Inspector (DCI) Vera Stanhope, who is driven by her own demons. She slogs along in a constant state of dishevelment. Forth-right, and undeniably fond of alcohol, she still has a calculating mind, and despite her short-tempered, prickly personality, she deeply cares about both her work and comrades.
The title should give you a clue what Coupling is about. The comedy features plenty of drinking and bed-hopping by the three main female characters, Susan, Sally and Jane, but they have little to no shame about any of it. British comedy also allows teenage girls to be just as crude, rude and ridiculous as the teenage boys in The Inbetweeners, as the hilarious Some Girls proves.
3. British Shows Feature Real, Complex Women
There’s more to women than the stereotyped roles of wife, career-woman, friend, lover, temptress, bitch, or support system, as American television would have us believe. In fact, in real-life we are the original multi-taskers who can be a combination of any or all of those at once, which British shows reflect in their female characters.
For example, in Broadchurch, a series about the search for a boy’s murderer, detective Ellie Miller (Olivia Colman) is a conflicted wife and mother who is dedicated to her job. Unlike the quirky, chirpy character she plays on Peep Show, Colman is pensive, deep, and definitely struggling inside. Likewise, Happy Valley is a gritty story about strong-willed police sergeant Catherine Cawood (Sarah Lancashire), who is attempting to come to terms with her daughter’s suicide, and Blue Murder’s Janine Lewis (Caroline Quentin), a single mother of four and detective, works at balancing issues raised by juggling her demanding career with battling her ex-husband and raising her young family.
While there are a variety of female leads as detectives, British female characters have other occupations during various time periods as well – The Bletchley Circle is about female codebreakers in a post-World War ll world, while Call the Midwife is set in a convent housing both young midwives and nuns, and The Crimson Field focuses on a volunteer World War l nurse. These shows feature women of every age group, and tackle issues such as health, sexuality, race, religion and female friendships with humor and strength, while exploring the dynamics of the roles women played in society during their respective time periods.
4. British Humor Isn’t Based on Gender Stereotypes
British humor really lets women shine, without making them the butt of jokes as women – their shortcomings and foibles are due to being human, not being female. For example, self-centered Hyacinth Bucket (who insists on being called “Mrs Bouquet”) is a social-climbing snob who never thinks about anyone but herself in Keeping Up Appearances. She is constantly being put upon by her lower-classed family’s behavior, such as sister Rose’s promiscuity and husband Richard’s lack of stately manners, yet she is portrayed as a likeable character despite her obvious narcissistic nature. Likewise, in AB/FAB, Patsy and Eddie are funny because they are Patsy and Eddie — not because they are portraying female stereotypes. Part of the appeal of flawed British characters is that it’s based on their individual personalities, not gender, and they don’t know they’re flawed, so it doesn’t get in the way.
5. British Shows Feature Independent Women
British television shows typically feature female characters that may perhaps struggle with relationships, but their lives don’t revolve around men. They are strong and self-reliant. In The Fall, Gillian Anderson shines as detective Stella Gibson – a relentless, brilliant, unabashed feminist. She never misses an opportunity to critique misogyny or call out sexist double standards, which cleverly deconstructs how the media so frequently portrays women. Other feminist heroes exist in detective Janet Scott (Lesley Sharp) and detective Rachel Bailey (Suranne Jones), lead by DC Gill Murray (Amelia Bullmore) in Scott & Bailey. The series was created specifically to provide female roles that weren’t the love-interest, side-kick, mother-of, wife-of or mistress-of male characters, but were fully developed, complete characters, rather than one-note plot devices or caricatures.
In contrast to the one-dimensional portrait of women blasted on American television, British TV provides realistic, positive, yet flawed female role models in period pieces, crime drama and comedy. From battlefield nurses, high school students, midwives and detectives to high-society, women of all ages, backgrounds and sensibilities are represented on British TV.
If you liked this article, check out our
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Diplomacy (50th Anniversary Edition)
From the Publisher...
The Classic Game of Intrigue, Trust, and Treachery!
At the turn of the 20th century, the seven Great European Powers engage in an intricate struggle for supremacy. Military forces invade and withdraw, shifting borders and altering empires with subtle maneuvers and daring gambits.
Form alliances and unhatch your traitorous plots as you negotiate and outwit—in a delicate balance of cooperation and competition—to gain dominance of the continent! In Diplomacy, your success hinges not on the luck of the dice, but your cunning and cleverness.
The 50th Anniversary Edition of Diplomacy contains:
30" x 20" Game Board
20 count strategy map pad
315 army, navy, and national control markers
24 page rulebook
more information at the Board Game Geek website
Customer Raves - Write your own Rave about this game!
(Click on a person's name or game group to see other raves by the same person or group.
|If you can find a group of seven players with lots of time (4-10 hours), this game can be fantastic. Don't set out thinking it's a game about lying, because it's not, it's a game about -diplomacy-. Get others to do what you want them to do, and get them to think it's their idea. Do everything you can to maintain honesty, and you'll do better than others who lie.
Best negotiation game around.
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Ready to take a trip down memory lane and relive the thrill of the 90s? Action movies of this era were nothing short of epic, with heart-pumping chases, explosive fight scenes, and unforgettable one-liners that have become a part of pop culture.
We've compiled a list of the top 10 best action movies of the 1990s that will take you back to the glory days of action cinema, starting with number 10.
1996 - 7.0 IMDb rating
Independence Day was a box office smash when it was released in 1996, and has since become a beloved classic that is watched and rewatched by fans all over the world. It’s a movie that will take you on an unforgettable adventure and leave you feeling inspired and uplifted, with its powerful themes of unity, bravery, and sacrifice.
What really sets Independence Day apart is its groundbreaking special effects and thrilling action sequences. The movie set a new standard for blockbuster movies with its massive scale and high-stakes action, culminating in a climactic battle that remains one of the most memorable scenes in cinematic history.
1994 - 7.3 IMDb rating
Speed is an action-packed thrill ride that will leave you on the edge of your seat from start to finish. It has become a beloved classic of the action genre, praised for its fast-paced excitement and thrilling performances.
From a daring freeway jump to a nail-biting bus jump, the movie delivers one heart-pumping scene after another, guaranteed to keep you at the edge of your seat from start to finish. And with a talented cast that includes Keanu Reeves and Sandra Bullock at their absolute best, the movie is an unforgettable cinematic experience.
1996 - 7.4 IMDb rating
Are you ready for a high-octane thrill ride that will keep you on the edge of your seat? Look no further than The Rock – a pulse-pounding action movie that delivers non-stop excitement from start to finish.
With legendary actors like Nicolas Cage, Sean Connery, and Ed Harris, the movie boasts a level of star power that few action movies can match. And with thrilling car chases, intense shootouts, and jaw-dropping explosions, The Rock delivers on the promise of adrenaline-fueled action in spades. If you're ready for a movie that will leave you breathless and wanting more, The Rock is a true action masterpiece that you won't want to miss!
1990 - 7.5 IMDb rating
Get ready for a mind-bending trip through the world of Total Recall, a movie that blurs the line between reality and fantasy in the best way possible. Total Recall is a beloved classic that has stood the test of time, loved by fans of sci-fi and action movies for its thrilling plot, imaginative world, and unforgettable performances.
And with Arnold Schwarzenegger at his action-packed best, this movie delivers on the promise of pulse-pounding adventure and heart-stopping suspense. So if you're ready for a movie that will keep you guessing until the very end, look no further than Total Recall. It's a true sci-fi masterpiece that you won't want to miss!
THE BOONDOCK SAINTS
1999 - 7.7 IMDb rating
The Boondock Saints is a movie that blends over-the-top action with dark comedy and unforgettable characters. This movie is a fast-paced and often hilarious thrill ride that doesn't shy away from violence or dark subject matter but still manages to be fun and entertaining throughout.
The Boondock Saints has gained a cult following over the years, praised for its unconventional style, memorable characters, and quotable dialogue. And with standout performances from its main cast, as well as supporting roles from Willem Dafoe and Billy Connolly, The Boondock Saints is a movie that leaves a lasting impression on its viewers.
1993 - 8.2 IMDb rating
Welcome to Jurassic Park, where the dinosaurs are real, and the danger is palpable. Jurassic Park is a groundbreaking movie that transports audiences to a world where science and nature collide, and the consequences are catastrophic.
But what really sets Jurassic Park apart is its groundbreaking special effects, which still hold up to this day. The movie features some of the most realistic and awe-inspiring depictions of dinosaurs ever seen on screen, bringing them to life in a way that captivates the imagination.
And with a talented cast that includes Sam Neill, Laura Dern, and Jeff Goldblum, Jurassic Park is a movie that balances thrills and adventure with deeper themes about the power of science and the dangers of playing God.
1995 - 8.3 IMDb rating
Heat is a crime thriller that sizzles with intensity and delivers some of the most memorable performances in cinematic history. The movie was directed by Michael Mann, known for his meticulous approach to filmmaking, and features some of the most realistic and gripping action scenes ever put to film.
And with outstanding performances from a star-studded cast that includes Robert De Niro, Al Pacino, Val Kilmer, and Jon Voight, Heat is a movie that raises the bar for crime thrillers and leaves a lasting impression on its viewers.
Heat has gained a reputation as one of the greatest crime movies ever made, praised for its unforgettable characters, thrilling action, and powerful themes about the nature of crime and the human condition.
LEON: THE PROFESSIONAL
1994 - 8.5 IMDb rating
Léon: The Professional is a movie that blends action and drama with unforgettable performances and a haunting score, giving you a cinematic experience that will leave you breathless.
What makes Léon: The Professional an outstanding movie is its powerful emotional core. The movie is as much a character study as it is an action movie, exploring the complex relationship between Léon and Mathilda and the toll that violence takes on their lives.
And with outstanding performances from Jean Reno and a young Natalie Portman, Léon: The Professional is a movie that sticks with you long after the credits roll. Add to that a haunting score by composer Eric Serra, and you have a movie that is both visually stunning and emotionally resonant.
TERMINATOR 2: JUDGMENT DAY
1991 - 8.6 IMDb rating
Terminator 2: Judgment Day is a timeless action classic that continues to captivate audiences to this day. This movie has it all – thrilling chase scenes, heart-stopping action, and an unforgettable cast of characters, including the iconic T-800 and Sarah Connor.
But what really sets Terminator 2 apart is its groundbreaking special effects. This movie pushed the boundaries of what was possible in filmmaking at the time, with revolutionary CGI that still holds up to this day. And let's not forget about the incredible performances from Arnold Schwarzenegger and Linda Hamilton, who bring their A-game to every scene.
1999 - 8.7 IMDb rating
Red pill or blue pill? The Matrix is not just a movie – it's a cultural phenomenon that revolutionized the way we think about science fiction and action cinema. It’s a breathtaking journey through a dystopian future where humanity is enslaved by sentient machines.
With its groundbreaking special effects and action choreography, this movie features some of the most iconic and memorable fight scenes in cinematic history, including the infamous bullet time sequence. And with a talented cast that includes Keanu Reeves, Laurence Fishburne, and Carrie-Anne Moss, The Matrix is a movie that will keep you engaged from start to finish.
There you have it – the top 10 best 1990s action movies that have stood the test of time and continue to captivate audiences to this day. Whether you're in the mood for pulse-pounding action, mind-bending sci-fi, or thought-provoking drama, the 1990s had it all when it came to action movies. And even decades later, these movies continue to inspire and entertain audiences with their unforgettable characters, thrilling set pieces, and powerful themes.
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to separate fact from fiction and focus on his contributions to the entertainment industry.
Nick Cannon is a highly successful actor, comedian, musician, and television host. Over the years, he has become a household name and has garnered a loyal fan base. However, his personal life has been the subject of much speculation and rumor recently.
One of the most noteworthy incidents involves model Bre Tiesi. In a recent episode of the hit reality show Selling Sunset, Tiesi claimed that Cannon had promised her a large sum of money, and that he had not delivered on that promise. Her comments have caused quite a stir in the entertainment world.
In response to Tiesi's allegations, Cannon has remained relatively quiet. However, her lawyer has spoken out on the matter, disputing Tiesi's claims and stating that Cannon never promised her any money. This has only added fuel to the fire, with some fans questioning the motives behind Tiesi's accusations.
Despite this recent controversy, Cannon's career continues to thrive. He is currently hosting the popular singing competition show The Masked Singer, and has a number of other projects in the works. He is also known for his philanthropic work, and has been a vocal advocate for social justice issues.
Although the drama surrounding Cannon's personal life may be frustrating, it is important
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In the ever growing landscape of online entertainment, streaming platforms have become the go-to end of the line for movie fanatic seeking convenient and diverse options. One such platform that has achieved popularity is Vegamovies. As we step into 2024, let’s range over what Vegamovies has to offer for avid movie watchers and why it has become a selected choice in the world of online streaming.
What Is Vegamovies?
Vegamovies is an online streaming platform that offers a user-friendly communication and an extensive library of movies, ranging from classic films to the most recent releases across various group. With a commitment to high-quality streaming, the platform provides options for different decision, including HD and 4K. Vegamovies regularly updates its content, guarantee users have access to the latest releases. Notably, the platform offers subtitle options in multiple languages and provides a labelling feature for non-English films, enhancing availability. A key feature of Vegamovies is its ad-free streaming experience, separate it from many free streaming platforms. While enjoying the benefits of Vegamovies, users are hearten to be mindful of legal and ethical considerations in accessing content. Overall, Vegamovies has become a favorite choice for movie enthusiasts seeking a seamless and Distinct online streaming experience.
Features of Vegamovies Apk
The Vegamovies APK brag several features that improve the overall streaming experience for users. This application provides a user-friendly interface, making cruising easy for both new and experienced users. The standout feature of Vegamovies APK is its broad movie library, offering a different range of films across various genres, including classics and the latest releases.
The APK assure a high-quality streaming experience, allowing users to choose different resolutions based on their internet connection and device ability, with options for HD and even 4K streaming. Vegamovies APK is usually updated to include the newest movie releases, retaining users in the loop with the latest cinematic offerings.
Another outstanding feature is the plurilingual support, providing subtitle options in various languages and labelling for non-English films. This enhances accessibility for a global audience, allowing them to enjoy movies in their selected language. Vegamovies APK analyze itself by offering an ad-free streaming experience, eliminating interruptions during content using up.
It’s necessary for users to be aware of legal and ethical deliberation when using the Vegamovies APK to access copyrighted content. Despite its features and comfort, responsible streaming practices are inspire to support legitimate and ethical streaming services. Overall, the Vegamovies APK stands out as a feature-rich application catering to the divergent preferences of movie lover.
How to Download Vegamovies Apk?
As of my last knowledge update in January 2022, it’s necessary to note that downloading and using APK files from third-party sources can move forward security risks to your device. These files may not be verified by official app stores and can certainly contain malware or agreement your data.
For security and safety reasons, it’s generally suggest to download apps only from approved app stores like Google Play Store for Android devices. If Vegamovies has an official app, you should be able to find and download it straight from the Google Play Store.
If, however, you are ascribing to an APK file from an official source and you’re assured in its authenticity, here’s a general guide on how to download and install an APK:
Adjust Security Settings:
Before downloading an APK, you might must to reconcile your device’s security settings. Go to “Settings,” then “Security” or “Privacy,” and set up the “Unknown Sources” choice. This allows you to install apps from origin other than the official app store.
Download the APK File:
- Find a reliable source to download the Vegamovies APK file. This might be the official website or another trusted platform.
Install the APK:
- Locate the downloaded APK file on your device and open it.
- Follow the on screen direction to complete the installation.
Adjust Security Settings (Optional):
- After installation, for security explanation, you may want to go back to your device’s safety settings and disable the “Unknown Sources” option.
Open the App:
- Once the installation is complete, you should see the Vegamovies app icon on your device’s home screen or app cabinet. Open the app and explore its features.
The Latest Bollywood Movies on Vegamovies
Here’s a general guide on how you might navigate the platform to find the latest Bollywood movies:
Visit Vegamovies Website:
- Go to the official Vegamovies website using a web browser.
Explore Movie Categories:
- Navigate to the Bollywood division or use the search feature to find Bollywood movies.
Check for Latest Releases:
- Look for a section that emphasize “Latest Releases” or “New Additions.” This is where you’re likely to find the most latest Bollywood films.
Use Filters or Search Bar:
- If the platform offers filters, you can sort movies by release date to see the newest additions. Alternatively, use the search bar to find specific Bollywood movies or browse by release date.
- Once you find a movie you’re curious in, click on it to read the account and check if it’s the latest release.
In conclusion, Vegamovies arise as a user-friendly flow platform with a diverse movie library, high-quality streaming options, and a Pledge to an ad-free experience. Its APK version lengthen these features to mobile users. The platform’s plurilingual support improve accessibility, offering subtitles and labelling options. While the APK may be available, users are give guidance to categorize official app stores for security reasons. Responsible streaming practices are encouraged, regarding legal and ethical considerations. As of my last update in January 2022, Vegamovies continues to be a remarkable choice for movie fanatic seeking a seamless and feature-rich online streaming experience.
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Supersnazz are a Japanese garage punk/alternative rock band that formed in 1990. The group are probably best known for their
1993 debut album, "Superstupid", which was released on the legendary alternative label, Sub Pop. Shortly after the release of
their 2008 album, "Get Down", Supersnazz seemed to disappear. In reality, they are still active, although mostly within Japan.
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The EP, or extended play, had run its course in America by the 1960s, but it was an established part of the UK rock ‘n roll scene, offering artists a chance to leak out a little more than a single to tease fans for the release of a new album or, perhaps, to get a musical tangent out of their system without the pressure of constructing an entire album around a possible lark. As you probably know, The Magical Mystery Tour album that Americans grew up with and that was released in German True Stereo by our friends in Germany was initially released in the UK as a double EP. The EP format was revived to some effect in both markets in the punk (often as 7″ EPs) and disco (think 12″ singles) scenes, but the coolest format ever, in my opinion, the classic vinyl, 10-inch EP that Epic tried to revive with a series that included The Clash‘s Black Market Clash and a decent Cheap Trick platter, did not take off. Too bad! One of my unfulfilled musical dreams is the release of a 10-inch EP that somehow pays homage to Captain Beefheart‘s Music in Sea Minor.
In the digital age the EP release may make more sense than ever. Think about how long it takes artists to release a new album. Think about how few songs from that album ever get played on the radio. Think about the short attention spans of iPod-equipped listeners who may have only loaded the initially catchiest handful of songs, that is, if they even bothered to download an entire album. Why shouldn’t artists release a handful of songs at a time as an EP, cut down on the wait between releases, and possibly generate more reviews and opportunities for lead tracks to get played on air? I don’t know if two artists, relative newcomer Jump Back Jake and Friend of the Hall Martin Newell had any of this in mind when putting together their latest EPs, but we’ll take ’em – and review ’em…after the jump.
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After nearly 40 years of recording, it's not unusual for Bob Dylan to issue an album that would be called the best of the year. He did it as recently as 1997 with his "Time Out of Mind."
What's unusual about the disarming "Love and Theft" (Columbia) is that he's released two great albums in a row -- something he hasn't done since "John Wesley Harding" followed "Blonde on Blonde" 35 years ago.
And like that pairing, his two latest studio albums are equally different in tone. While "Time Out of Mind" was spookily atmospheric, world-weary and honest about man's time on earth, "Love and Theft" is sprightly, stinging and tuneful while still as wryly observant.
Dylan, at 60, is further honing his humor on the dozen songs here, which run the gamut from "Highway 61" blues-rock fire to sweet string-band ditties. Each track makes an effort to reach back into the history of recorded music and make connections with America's past.
It was just a dim coincidence that the album was released Sept. 11; "Love and Theft" is almost pointedly non-political. To scour its rough-hewn lyrics for clues on our fate is pointless. Unusually sure-footed, with the same band that tirelessly backs him every night, the album shows an American icon at the top of his game, forging on, with no direction home.
"Love and Theft" tops our annual list of best albums. It's followed by:
"Essence" (Lost Highway),
The last few albums of Lucinda Williams have all been dazzling exhibits of raw pain and aching melody, sung with that affecting scratch in her voice. But years usually separated their release, which she obsessively reworked.
That "Essence" came so quickly suggests some sort of breakthrough.
Rarely has she honed the depths of loneliness as fearlessly as she does in the simply drawn songs here, paired with melodies that pierce the heart.
"Gold" (Lost Highway), Ryan Adams
The strongest new talent to emerge in the past year or so is the former frontman of Whiskeytown, who followed his low-key solo bow in late 2000 with the fabled final album of his band this year and, eventually, this impressive double-disc outing.
"Gold" shows his almost effortless style in blending '70s-era classic rock and singer-songwriter elements with his pointedly personal outlook for a wide-ranging and satisfying collection.
"Amnesiac" (Capitol), Radiohead
Part 2 of the groundbreaking sounds they created at the same time as 2000's remarkable "Kid A," the potent English band found more direction than on that barren, space-age landscape.
Here, skewed Dixieland and hints of the rock band they once were join the sound of the other spaceboot dropping.
"Is This It" (RCA), The Strokes
There are reasons to despair rock music, where, if charts are an indication, it seems to be fading into a sub genre for the first time since it emerged in the '50s. However obvious its influences, the New York band the Strokes sounds like an insurrection against the various forces of advancing pop and metal.
With a look from the '60s and a sound specific to the '70s, they've concocted an approach so audacious, it's divided rock audiences like no band since the Knack.
But it also comes with a set of songs so catchy, and delivered with such a sneer that it shouldn't be dismissed even if it all ends up to be play-acting. Play-acting should be so good.
The most unexpected comeback of the year may be from this quartet, inches from breakup before fans urged it back. Energized by the challenge, it turned up a sharp, short album with a green cover that was every bit up to the blue-toned album of the same name that was its 1994 debut.
After having helped single-handedly influencing a sub-genre (emo) that's been as good as any in keeping rock rolling, Weezer continues with an assurance we wouldn't have expected from formerly spotlight-shy Rivers Cuomo, once of Mansfield.
"Vespertine" (Elektra), Bjork
Carving out a body of work as delicate and precise as an ice sculpture, Bjork continues her singular journey with an album that refigures the music box as a leading instrument, capable even of the blues, in her magical world.
Plucked harps and celestial choirs join her, too, on an album that's devoid of dissonance or even drums.
"Miss E ... So Addictive" (Elektra), Missy Elliott
Hip-hop's most creative force may be this solid hitmaker from Virginia Beach who, with creative partner Timbaland, created one of the most recurring samples in music this year: The Oriental strings of her ubiquitous "Get Ur Freak On" ended up everywhere, backing artists from Nelly Furtado to Bubba Sparxxx. That was just one of a number of tracks that sparkle and pop and despite the occasional high-profile guest, never lose the focus on the big star herself.
"SmileSunset" (Mezzotint), Mark Mulcahy
Just as the prophet may never be recognized in his hometown, so does Mark Mulcahy turn out beautiful and haunting songs under our noses. Once the leader of one of the state's best bands ever, Miracle Legion, he's turning out strong songs with starkly different approaches on an album that's gotten some notice overseas but is scarcely stocked stateside.
"America: A Tribute to Heroes" (Columbia)
Not everything on this two-disc set works, but it's hard to beat the triple punch that begins the set -- and the unprecedented telethon where they were recorded. It starts with Bruce Springsteen's moving and stirring "My City of Ruins," saying everything about the World Trade Center tragedy (although it was written about Asbury Park the year before). It's followed by songs that were equally right for the moment, though they hadn't been written specifically for it either: Stevie Wonder's "Love's in Need of Love Today," in a marvelous arrangement with Take 6, and U2's knowing "Walk On," introduced with a bit of "Peace on Earth." Later, in conditions nobody had encountered before (recording in secret locations, not knowing if their buildings would be targeted, too), Neil Young comes on to inject a heartfelt version of John Lennon's "Imagine" that's far more effective than his later, too-specific "Let's Roll."
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It's been 4 years since I cut the cord and if you're looking to switch from traditional TV to streaming content, you will probably need a streaming device for your TV. Yes, you can watch content on your smartphone but nothing really beats the big screen. I personally own almost every possible streaming device that you can buy in India, in every room. If you are looking for a streaming device for your room, look no further than this list:
1. Apple TV
It's probably our go-to streaming box that supports every App out there. As a part of the Apple ecosystem, you get access to thousands of applications on Apple's App Store. Apart from applications, Apple TV can also support casual gaming and with Apple Arcade on its way, you will be able to play console-level games on this device. The Apple TV plays host to every essential app such as Netflix, Amazon Prime, YouTube and Hotstar. Apple is also launching its own video streaming service which you can read more about here. You can even get the 4K version if you own a 4K television.
2. Google Chromecast/Ultra
Chromecast is by far our favourite casting device that can take care of every streaming need. You can even mirror your Google Chrome tabs if you want to stream content from third-party sources. In fact, some of the video players on websites have direct native support for Chromecast. Applications such as Netflix, YouTube, and Hotstar can also stream content directly to Chromecast via your smart device or the Chrome browser. It even supports Google Assistant which is a nifty feature to have if you want to stream content effortlessly. Even though Google doesn't sell Chromecast Ultra officially in India, you can still get your hands on one through unofficial channels. It supports 4K streaming across all applications.
3. Amazon Fire TV
It's probably our least favourite streaming device on our list as we find the operating system clunky and slow. It does not have native support for YouTube, which is a big negative point for us. The original FireStick TV's remote is also notorious for draining out batteries extremely quickly. Make sure you always have spare batteries or rechargeable batteries handy. In terms of content, FireStick TV does have native support for Amazon Prime Video, Netflix and Hotstar. You can even use Kodi to manage your own library if you know what you're doing. There's also a 4K version available to buy which takes the viewing experience up by a notch.
4. Nvidia Shield TV
Nvidia Shield is a device that is focused on streaming video but also appeals to gamers who own an Nvidia GPU. Nvidia Shield TV supports 4K resolution and HDR streaming based on the Android TV platform. You can play games from Android's app store or stream your PC games over WiFi. For 4K streaming, it supports all the major OTT services besides Hotstar.
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Not only is Hitman Bang the genius behind BTS’s hit songs, but also a legendary children’s song!
Clever fans discovered that the famous Korean children’s song titled “Monkey” was actually composed by Bang PD!
The song is commonly used to teach children the Korean vowels.
Bang PD cleverly used a story of a monkey as lyrics to help them learn.
♪ Let’s pull on the ears of this troublesome monkey
Then the monkey started to scream a weird sound
Ahyauhyeoohyowooyooeuee x2 ♪
And the vocalist behind this playful song? 2AM’s Jo Kwon!
Bang PD produced the song under a cute name fit for children: Uncle Bang.
Children who grew up listening to that song are now listening to BTS’s hits that were composed by the same genius!
It’s amazing how much Bang PD continues to surprise his fans.
Check out Uncle Bang’s famous song below!
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Capturing the Butterfly
Have you ever wondered what you would do if you got a chance to go back in time and change one single thing? What if that small change completely altered history as we know it? This thought-provoking tale transcends the lives of Mina, Claudius and Pink, a lonely bear in hibernation. Be prepared to be transported to the 1950s where each character bravely changes their course and as a result, history is changed forever.
What small act can change the world so greatly, to make one pause to reflect on life’s choices?
Sharon K. Grosh ‘s second novel, Capturing The Butterfly, was inspired by a love of challenging reality and time. This allegorical magical realism novel takes the reader into the world of a pink bear, a bereft young mother, and a lovelorn woodsman, all following their hearts.
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Finally, Pakistan’s Silver screens are blessed to showcase Bollywood’s Classic Cult Movie “Sholay” starring Dharmendra and Amitabh Bachchan post 40 years of its production.
The Ramesh Sippy-directed action film, considered as an all-time blockbuster of Indian cinema, was released across the country by Geo films and Mandviwalla entertainment with a grand premiere in Karachi at the Neuplex, which was attended by several celebrities.
“‘Sholay’ has its legion of fans in Pakistan including that generation which grew old watching Indian movies on VCR’s when it was illegal to screen them in Pakistan,” film critic Omair Alavi told. “We have heard so much about the movie from our parents and older relatives so for them to watch the movie for the first time on the big screen in 3D and 2D is an unforgettable experience,” he said.
Nadeem Mandviwalla, the exporter and distributor of the film in Pakistan, said he was expecting “Sholay” to generate good business.
In the race of new movies ‘Sholay’ will have a classic audience who love Indian cinema.
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There was one weird coincidence for me as I read. Stout usually mentions some book that either Wolfe or one of the other characters is reading that is contemporary to the story, and he does that here, too. Usually, they're books that have long vanished from the public mind. This time, though, it was The Feminine Mystique, which was an odd reference to see just days after Betty Friedan died.
I mentioned that I snagged a copy of Barry Longyear's The City of Baraboo at Boskone. It's the prequel to both his Circus World stories, and to Elephant Song. Chronologically, it's the first book in the series, telling the tale of how O'Hara's Greater Shows came to be, and how they happened to be passing Momus when everything went to hell. Although published as a novel, it's really a collection of connected stories, similar to the route book that the character of Warts is hired to keep about a third of the way into the book. After that, Longyear fictional route book is mostly entries from the journal Warts is keeping on the history of the show. The stories are first contact tales, as the circus goes from planet to planet, figuring out how to extricate themselves from whatever unforeseen cultural problem they've managed to get into at each stop on the route. Like Circus World, it's a comedy, at least until the last section, and there are a few laugh out loud moments. The last section tells the tale of the shipwreck, and ends at about the same instant that Elephant Song starts. It's the weakest part of the book, because you already know things aren't going to end well this time, and because the tone shifts from light comedy to tragedy in the space of a page. It's also a bit rushed as a slew of problems and aftermaths are encountered in the space of just a few pages. Longyear probably would've been better off taking a little more space to tell the tale, and using it as the opening section of Elephant's Song instead. Other than that, though, it's well worth the read.
The Hall of Fame announced the election of a group of players and owners from the Negro Leagues to the Hall. Unfortunately, neither of the two nominees still alive to enjoy the honor, Buck O'Neil and Minnie Minoso, got picked, which saddens me.
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I’m Mitch Rubenstein…In 1989 Laurie Silvers and I came up with the idea of the Sci-Fi Channel. With a lot of hard work and partnering with legends like Star Trek creator Gene Roddenberry and Isaac Asimov, our dream came true in 1992.
After selling that business, we worked with best selling authors and media celebrities to create original comic book series and characters such as Leonard Nimoy's "Primortals", Isaac Asimov's "Ibots" and Gene Roddenberry's "Xander in Lost Universe".
We’ve since gone on to co-found and develop other online properties such as: Broadway.com, MovieTickets.com, and Hollywood.com
Shameful Plug: The New York Times best selling book series, "Net Force: Code War", our reboot of the Net Force Series (created by Tom Clancy and Steve Pieczenik) is out this week and available on Kindle.
Pic 1: http://imgur.com/ZL0OKDs
Pic 2: http://imgur.com/hoOiGqK
EDIT 1: I am no longer involved in operations of the network!
EDIT 2: please feel free to continue to leave questions! I'll come back over the weekend to continue
EDIT 3: Still going (as of Sat night)...will keep going as long as you keep asking!
EDIT 4: thank you for all the questions!
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Of all the classic monsters, I've always been particularly fond of Werewolves. While Young Marvin was still scared shitless of anything resembling supernatural, I always had an affinity for these beasts. Perhaps it was because of my love of animals, particularly dogs, but they just didn't seem as evil as vampires and ghosts.
Right now I'm 10 episodes deep into True Blood Season 3 (I don't get cable, so I've got to wait until the DVDs come out). It's a decent season, but something just doesn't sit right with me about their portrayal of my number one monsters. I think the problem is that they are just white trash dudes who turn into ordinary-looking wolves. The werewolf, as I prefer it, should be halfway between a man and a wolf. While Alan Ball and company give some reason or other for using real wolves for their werewolves, I can't help but suspect the real factor was money. It simply would have cost too much to use CGI, or better yet, some gnarly practical werewolf effects. But the fact is, they're just not very scary.
The sad truth is, True Blood's werewolves would get their asses handed to them by the Goddamned Twilight werewolves. Sure they're fluffy, but at least they're huge.
|Wouldja look at that fluffy bastard?|
So as a remedy for this, I've compiled this list of my top ten werewolves from all of filmdom. Keep in mind, this isn't a list of the absolute best werewolf movies, but rather the top ten werewolf designs from film.
#10 - Ginger Snaps
Van Helsing has always been a guilty pleasure of mine. It's over-acted, terribly convoluted, and little more than an excuse for an epic bout of werewolf vs vampire fisticuffs. But I'm addicted to it. It helps that it is one of the few horror movies I can share with my young sons, and their enthusiasm is contagious. But regardless of the relative merits of the film, I've always dug their pumped-up, gigantic, werewolves on steroids. You'd have the be Van Helsing himself to take down one of these things.
And still they'd manage to bite you. Yep, that's the legendary Van Helsing himself transformed into a lycanthrope and fixin' to kick some Drac-ass-ula. Scream Drac-ass-ula, Scream!
For my money, the Howling is the most terrifying werewolf movie ever, with some of the all-time best werewolves. They have always reminded me of the Big Bad Wolf, with their tall, pointed ears. These bastards tower above their victims, and Joe Dante films them with a master's sense of space, making you aware of their power and menace like no other. And yes, Dave Allen's stop-motion homage to Ray Harryhausen leaves something to be desired, but by and large, the visual effects are top-notch (for its time). All I know is that when I have nightmares of werewolves, this is what they look like. Well, except for the Dee Wallace Pomeranian werewolf at the end. But Hell, she was supposed to be sympathetic rather than menacing.
What do you mean WTF? Yeah the Anthony Hopkins werewolf is number one. Just look at him. He's both a scary-ass werewolf and Hannibal Lecter rolled into one. What I love is how this design pays homage to Jack Pierce's Wolfman, improves upon it, and is still recognizable as Anthony Hopkins. People accuse Sir Hopkins of phoning in his performance, but they're obviously brain-damaged. I've never seen him have so much damned fun with a role.
Whatever the film's shortcomings (and admittedly, there are many), it gave me everything I wanted to see. Spooky atmosphere, menacing monsters, and an epic showdown between Benicio del Toro and Anthony Hopkins. Add to that the stunning Emily Blunt and the always riveting Hugo Weaving, and what's not to love. I will say that if you caught this in the theater, you need to see the director's cut, if only for the scene where Anthony Hopkins eats an apple. Seriously. He eats an apple and stares at Emily Blunt without ever responding to her questions, and its the best scene of the film. You'll also see Max von Sydow pass the torch, er, wolf's head cane, to the new generation. The one drawback of the director's cut is that you have to suffer through del Toro's portrayal of Hamlet. I love Benicio, but somehow he can't pull off playing an actor. Embarrassing.
But he makes an excellent werewolf, and he earned my respect by making this movie happen through the sheer force of his love for the original. How can you hate on a Universal Monsters fan?
Also, did I mention the gore? I wasn't expecting this movie to be in the least bit gory, but when the werewolf starts tearing shit up at the gypsy camp, the blood flows freely. Your great-grandfather's wolfman this is not.
Oh shit, did I just dis Jack? While I've always dug his werewolf movie, it's just a tad understated for my taste. It's good - I like it, and it would definitely make my top twelve, but I'm just not blown away by its werewolf design. Hate me if you will.
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What States Allow Gambling In Au
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Over the years, darts has generated itself a pretty exciting following with a variety of things to bet on. If the banker’s total value is seven, roulette. You can also use the spacebar to buy tickets or reveal all of the signs, which is always a bad idea. The slot machines are available in various themes and denominations, represent a cherry and provide a payment.
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Genre: irish indie rockPlay genre
Irish indie rock music is a genre that combines elements of alternative rock, post-punk, and garage rock. It is characterized by raw, energetic instrumentation and introspective, poetic lyrics that often touch on themes of identity, politics, and social issues. The genre has gained popularity in recent years, with a new wave of Irish indie rock bands emerging on the scene. These bands are known for their distinctive sound, which blends classic rock influences with modern sensibilities, and their ability to capture the spirit of Ireland's vibrant music scene.
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Net-flix has attracted more than 20 million subscribers, more than 20,000 movies and television shows for its online service, and more than its share of headaches in Hollywood.
That will probably change. Retail giants such as Wal-Mart Stores, Amazon.com, and Best Buy, Internet television provider Hulu, and satellite broadcaster Dish Network are weighing plans to launch online subscription video services or expand nascent ones to take on Netflix, people with knowledge of the matter said.
Such moves would win cheers in Hollywood, where many are worried that Netflix is amassing too much clout. Some also believe that Netflix's fast-growing customer base is buying fewer DVDs and watching less television, contributing to the financial struggles of studios.
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Many moons ago, I answered the panicked call of a friend asking me to fill in on drums for his band at a graduation party occurring the next night. The fact that I'm a guitarist notwithstanding, it was a fun time, and much partying was done that thankfully was preserved on videotaped for posterity. Later, in the wee hours, we watched the entire tape and relived the party while waiting for the fatigue and libations to claim our consciousness for the evening.
The reason I mention this is because one thing we didn't do is package our party tape up as a DVD and score distribution through a major national retail chain, but that's pretty much what the producers of Star Wait have done. As a result, what we have here is a good document of - but a poor documentary about - the queue of fans that convened in front of Grauman's Chinese Theater in Hollywood to commemorate the release of Star Wars: Attack of the Clones in 2002.
For 74 rambling and tedious minutes, we're introduced to a menagerie of characters such as Josh (the eventually winner of the first spot in line with his 30 days worth of line time) and Grimlock (who refers to himself in the third-person like a politician) as they share in the experience of living on Hollywood Blvd., off-and-on for six weeks, starting in April 2002. They make lightsabers out of metal tubing and PVC pipe, get tattoos that the "spoiler-free" people don't even know the meaning of (it's a symbol from Zam Wessel's costume) and generally babble on about nothing particularly interesting.
That I'm even writing this review instead of receiving treatment for gouging my eyes out is due to the fact that I was able to watch this at a faster speed on my laptop, thus shortening the misery to under an hour. (Audio and video grading was done on my usual home theater review setup.) If I couldn't stand most of these people for an hour, what must it have been like to hang out with them for weeks?
Where Star Wait fails as a documentary is in providing a structure to what it's showing us. Until it gets down to the last few days, we have no idea when the footage we're seeing was shot; we don't learn how these people can afford to spend so much time on line instead of doing things like going to work; and most crucially, no one seems to have a good explanation as to why Star Wars is so important in their lives that they're willing to endure the hardships of living on the street and sneaking into a nearby mall to use the bathroom to see this movie?
At one point, George Lucas calls the pay phone that's been commandeered by the squatters, but it's almost a footnote. Later, when Elijah Wood and Freaks and Geeks star Samm Levine are shown visiting, they aren't even identified. Without narration or more informative subtitles, we're presented with a string of loosely connected anecdotes but no overarching point. Viewers sympathetic to these fans will likely be bored by all this and people who think that people who do this are nothing but losers will not find anything to dissuade them from their preconceptions.
If this was merely a project thrown together by fanboys, it would explain (if not excuse) the shoddiness of the narrative, so I was really surprised to find out that director Michael Rotman is an Emmy Award nominated writer and established professional in the television business. That someone of his presumed qualifications assembled something more suited to a cable access program is baffling.
There are a few amusing moments, such as when a punk band taunts the line only to get beat down by one of the "Star Wars nerds." Anti-social line member Josh shouts, "Go back to Hot Topic!" as they scurry off, but we also see him nearly pick a fight with another line member for no given reason. And in case you're wondering, there are girls in the line and couples are shown who met in the 1999 lines for The Phantom Menace and through message boards.
With a captive supply of interview subjects available for weeks, the makings of a comprehensive documentary about dedicated Star Wars fans was there for the taking, but instead of an engaging look at some interesting oddballs, Star Wait is little more than a party tape that is only meaningful to those who were at that party.
Score: 3 out of 10
Shot on consumer-grade camcorders, I feared that this would be an aliased, jagged mess with plenty of interlacing errors, but in reality it looks pretty good, comparable to what you'd see on an episode of Cops. Color and details are very good and artifacts are minimal - of course it's not reference quality, but I've seen higher-budget productions with far worse mastering jobs. (The combing in the screenshots wasn't visible during playback.)
Score: 7 out of 10
Languages and Audio
Audio comes in one flavor only: English stereo without subtitles. Considering it was shot with on-camera mikes, on location on a sidewalk, it does a respectable job of capturing the interviews well enough to be heard. While there's environmental background noise on the track, there's no hiss or hum on the disc.
Score: 6 out of 10
The disc comes in a standard keepcase without an insert.
As thin as the feature is, the extras are abundant starting with the four commentary options available starting with the Special Guests section which has members of the original cast of Mystery Science Theater 3000, Jason Guy (The Christian on Big Brother 3), Paul F. Tompkins (Mr. Show), Freaks and Geeks stars John Daley and Samm Levine, and The Simpsons producer Dana Gould, among others, joining Rotman to riff on selected episodes.
There wasn't time (or interest) to listen to them all, but there are some funny comments to be found, especially from two of the members of the punk band that got beaten up. (Note that this chapter's - Nerds Gone Wild - explanation is misspelled on the menu.)
The Line Members option has a few of the featured line members (duh) adding some context to what we see that the film itself lacked. Grimlock regales us with further legends of his, uh, lightsaber heroics (ahem) but others are more useful, in not particularly enlightening.
Even more useful is the commentary by Rotman and editor Adam Schenck as they really talk about all the stuff that should have been in the film as explanatory title cards. Seriously, if they'd only put up some text explaining what was going on in the scenes we were watching, it could've doubled their feature score.
Totally useless is the commentary with Amy Allen, the performer who plays Aayla Secura, the blue-skinned Twi'lek Jedi/hottie in Clones and Sith. With no insight on the people in line or the making of the films she appeared in, she's contributes less to this DVD than a Kevin Smith commentary on a reisuue of Road House. (A little joke for you Clerks X DVD owners out there.)
In the DVD Extras area is Star Wait Again, a 16-minute short that catches up with some of the line members as they wait in line again even though Revenge of the Sith wasn't shown at the Chinese this time. Mostly it's an update as to what people have been up to and Grimlock is still a tool.
The Extra Scenes section has 17 pieces totaling up to 69 minutes that are even more banal than what was in the finished film. While a few humorous comments are included, by the time I got to the Chainmail Lightsaber Fights clip, I was overwhelmed with such a rush of superiority over these dorks - and I consider myself a unrepentant geek - that I just had to stop before I turned into Ogre from Revenge of the Nerds. ("Nerds!!!")
Score: 6 out of 10
The Bottom Line
If you waited in line in the Spring of 2002 to see Attack of the Clones, your commemorative DVD is now available. For anyone else wondering why people would do such a thing, you'll just have to keep wondering unless you listen to the commentaries.
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Közzétéve: 2014. augusztus 20.
This is actually a pretty good game. It does not present the most accurate or detailed portrail of the War but it is fairly enjoyable. The game feel slike it would be right at home on the Xbox 360 or Xbox 1. That does not mean its a bad game or it plays like crap o nthe PC but that it definitely is more of an arcade game based around conflicts in the Pacific then an actualy simulation of said conflict and its planes.
What is refreshing about this game that unlike many others that offer unlimited ammo and tell you where to go, and point to you what to do the game has limited resouces and actually requires you to think and pay attention. (Oh my gosh no way!!!). So during a patrol mission for example like mission #2 you are told to spot the enemy. You have to take off and actually look for them insead of the game pointing it out ot you. I understand that this mechanic for some of you might not be appealing but I find it a breath of fresh air in a world of games that keep telling me what to do to a point that I don't even have to engage mentaly anymore.
Another nice touch is that durring combat you have limited amunition. For example you might have 5 planes in a single engagement and each will have 1100 ammo. If you happen to run out of ammo you are screwed for that plane and he might get shot down. What you can do is switch and take control of any of the other planes by hitting the back button on the controller. This is a pretty cool mechanic and quite fun.
The graphics are very good in this game especially the water. The game is colorful, the sky looks and feels beautiful and the planes at least the conckpits look good. When you dive you will see the cockpit shaking and hear some windsheer. Explosions look good and enemy planes behave, break up and fall apart in unpredictable and random ways.
I am playing the game on an xbox 360 controller. The game can also be played using the mouse and ising the keyboard. All control options allow for basic (arcaade) and simulation controls.
The music/score for the game is good although the few missions I have done so far a little repetative. It sounds like a movie score, being very cinematic. The game reminds me of a Michael Bay movie when in combat with the cinematic score, and good visuals.
I think that this is a good game and I am enjoying it then again I don't have unrealistic expectations n where everything is either great or ♥♥♥♥ and nothing in between. The game is fun if you feel like playing a WW2 non hardcore sim/arcade game that deals with the Pacific theater.
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In his downtime during the recording of the Stereophonics’ sixth album, frontman Kelly Jones put together a ten-track solo album, each song titled with a different girl’s first name. Only The Names Have Been Changed is a melancholy chronicle detailing the stories of ten women in Jones’ signature half-tabloid/half-diary narrative.
It may be bare, but survives as a compelling late-night journal.
Ever since the endless possibilities Jones wrote about the woman in "Traffic" on the Stereophonics’ first album, Word Gets Around, he’s displayed a knack for making common stories interesting. "Emily" is about a girl in a diamond store being whisked off her feet. "Katie" is a dark, sultry tune about a girl looking for her fix. As he always has, Jones plays the omnipresent narrator of what he considers everyday life.
The other feature that keeps the album afloat is Jones’ uncommonly powerful rock voice, which provides more than an excuse for the minimal guitar strumming. He stretches his vocal cords most on "Violet", an acoustic, on-the-roof wail, and "Suzy", a dark, languishing what-if. "Jean" finishes the album on a strong note, a quick-hitting strum that Jones’ voice coasts away on. If nothing else, Only The Names Have Been Changed is another opportunity to hear one of the most distinctive rock voices of Jones’ generation.
As it’s not a particularly proper release, and was recorded over the matter of a couple days, Only The Names Have Been Changed is more of a bonus album between Stereophonics releases than anything. Kelly Jones gets a moment to himself in empty surroundings, and only his most basic guitar and vocal work get the spotlight. Throughout this album, though, Jones has no problem filling it, and it’s a hearty way to fill the time until the ‘Phonics next one.
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Discover the captivating world of AZNude, your ultimate destination for indulging in the allure of celebrity nudity. Immerse yourself in an ever-expanding universe that showcases the alluring stars from movies and series, each one radiating their own unique charm.At AZNude, we pride ourselves on providing a vast collection of high-quality content that is available to you completely free of charge. Delve into our extensive library where thousands of images and videos await your exploration, capturing those captivating moments when celebrities shed their inhibitions and embrace alluring vulnerability.
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Welcome to AZNude – your sanctuary where celebrities from all corners of film and television converge, bringing you moments of unbridled passion, tender vulnerability, and inspiring artistic expression. Immerse yourself in this ever-growing universe and witness how stars shine brightly when they shed both their clothing and inhibitions. Explore AZNude today and unlock an enticing realm where celebrity nudity reigns supreme.
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Everyone has sung, " You Are My Sunshine" to someone they love, or at least said it. But Chris Stapleton and his Wife Morgane Stapleton just took cute to a whole new level with their rendition of the lullaby.
Nowadays, it's not uncommon to see viral stories all over the internet sharing the newest iPhone designs and it being from some random unaccredited site and having features that Apple would never actually use.
You can be confident that you know exactly what a song is about. Then, you watch the music video and all of your confidence fades away. Music videos are glimpses into the background of every song and even more so the artist that performs them...
The debate about if and when an artist should share their music on free streaming platforms like YouTube or Spotify is as simple as the philosophical “If a tree falls in the woods …” question. Your favorite artist may write and record the best country song ever, but if no one hears it, did he really?
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At the National Theatre on October 2nd I went to see the live performance of ‘Jane Eyre’, an interpreted production by the director Sally Cookson, who directed other productions in London’s West End such as ‘Hetty Feather’ and ‘Stick Man’. The play took place in the National Theatre on London’s South Bank, and was a extremely different interpretation of Charlotte Brontë’s classic novel which was accepted by the audience with great enthusam.
- National Theatre, South Bank
- October 2nd
- Sally Cookson
- Cookson also directed Hetty Feather and Stick Man
- Different/abstract interpretation of class novel
- Charlotte Brontë
The ambiguity of the play held an air of hope and wishfulness, capturing the audience's attention almost immediately, whether this was caused by the unlikely stage set up and the grand piano placed quite obviously amongst the singular structure that resembled the look of a childhood climbing frame right in the centre of the stage, however the plays new-age look captured the attention and hearts of the audience watching it as it drew us in to cry and laugh and fear for the feisty Jane Eyre.
- Hope and wishfulness
- Capturing audiences attention
- Unsusal stage set up
- Childhood climbing frame stage
- New age look
- Fiesty Jane Eyre
There was no grand house set up created to kid the audience into believing they we in ‘Gateshead’ being quite seers of Jane’s abusive childhood, just a simple one build structure that, even in its most abstract form, became so heavily symbolic and well thought through by Cookson and Michael Vale the set designer.
- No grand house set up
- Jane's abusive childhood
- Abstract form
- Heavily symblolic
- Micheal Vale - set designer
With Cookson and Vale as director and set designer, the newest interpretation of Jane Eyre also had Aideen Malone as the lighting designer. The three as a team created a beautiful, once again abstract and unique lighting technique that became very obvious and very clear the audience. Through use of clear white curtains surrounding the stage in a boxed in fashion, the lighting was placed behinding the curtains and reflected through, this was clearly emphasized in the act one, in the scene early on where young Jane Eyre gets thrown into the Red Room by her wicked aunt, where her uncle died years before. With dulled lighting and a red glow coming through the curtains the audience were able to join Jane in her anxiety and panic in the scene.
- Aideen Malone - lighting designer
- Unique lighting techniques
- White curtains in a boxed fashion
- Lighting behind curtain
- Use red room as an example
The effectiveness of staging and atmosphere of the set were selected beautifully with obvious care and taken to make sure that the beauty and harshness of the time were captured in every minuet of the play. The stage held very few props which kept the setting of the play very simplistic and minimalist but also suggested the notion of how Jane never really had very much herself and so continued to remain without even when she is a governess for Mr. Rochester in act four.
- Effectiveness of staging + atmosphere
- Minimalist set - simplistic
- Suggest how Jane had very little as her own
- Even when becoming a governess for Mr. Rochester
Throughout the play, symbolic features were used to help the audience identify, whether having read the book or not, the time period of Jane’s life they were watching. For example, when Jane had been sent to school, little girls school pinafores were hung from the ceiling and were removed when Jane left to go to Thornfield Hall, where they were replaced with strings of lights that could be interpreted to being hung there and lit as the possibility of Thornfield Hall being the lighter time in her life.
- Symbolic features showing the stages in Jane's life
- School set - pinafores hanging
- Thornfield Hall - string of lights hanging
- Lights could represent it being a lighter and more hopeful time in Jane's life
The colours used for the set and for costume and the minimal props used were very basic and bland, which was interpretively used to ensure the attention of the audience was drawn to actors and what was being said rather than how the set was coloured and the detail of the actors costumes, the set designer and costume designer would have had to work syncfully together to create the element of minimalism to both the costume and the set.
- Colours used for set and costume
- Minimal props
- Used to ensure audiences attention to acting
- Set/Costume desinger worked together to create minimalist effect
The costumes themselves remained neutral throughout, for all characters, multi rolling or not, all characters kept the same outfit with a small addition to highlight the the character transformation that was made, the only character that had a noticeably non changed costume was Mr. Rochester’s wife who was also the only character that had any strong sense of colour to her costume which was created to add a sense of presence and foreboding has her dress was a deep rich red.
- Costumes neutral
- Multi rolling characters simple - small additions to highlight character change
- Mr. Rochester's wife only character with no costume change strong colour of costume
- Rich red dress
- Created a presence and foreboding
The genre of the piece captured the original tragic romance genre and Victorian heart ache that Brontë originally intended for her book and was transferred beautifully on stage by Cookson who fed into more of Jane’s childhood fiestness, adding a sense of early feminism to the piece through means of scripting as well as posture, this was also picked up on it the Guardian's review of the show, saying that “Sally Cookson presents a picture of exultant feminism in Jane Eyre”.
- Genre captured the orinigal tragic romance
- Victorian heart ache that Bronte often wrote in the style of
- Transfurred well onto stage
- Cookson fed into Jane's childhood fiestness
- Early feminism theme through script + posture
- Guardian's review "Sally Cookson presents a picture of exultant feminism in Jane Eyre"
The effect the early feminist, tragic romance had on the audience was clearly impacted via use of the music and the power that went with the music choices and timings, joint with lighting and special effects such as real fire on stage, the genre was powerfully translatable to the audience whether familiar to the book or not. The set choice was cleverly devised; through use to a wooden structure resembling a climbing frame the audience were able to see deeper meaning into the use of the abstract structure that held many different elements of levels as well as highlighting the child still within Jane’s character and the children constantly around Jane through the production.
- Early feminist
- Tragic romance
- Impacted via the use of the music and power
- Music choices/timing
- Lighting and special effects eg fire on stage
- Wooden structure resembling a climbing frame - deeper meaning abstract structure
Ella Cory-Wright wrote for culture review that “you are confronted by a tangle of wooden objects; ladders, an enormous kitchen table, walkways, stools. Tucked up in a corner is a drum-kit, double-bass and piano” this description of the initial meeting of the stage is beautifully accurate and a good description of the original reaction to the stage set up.
- Ella Cory-Wright wrote for Culture Review
- “you are confronted by a tangle of wooden objects; ladders, an enormous kitchen table, walkways, stools. Tucked up in a corner is a drum-kit, double-bass and piano”
- Description of the oringinal meeting of the stage set up
- Quote describes stage set up well
Lighting and the different levels of lighting heavily influenced the mood of the scenes, reflecting whether Jane was anxious or angry or scared, the lighting was very clear into aiding the audience's interpretation of what was going on and how Jane was feeling. The lighting also reflected the different times of day and where Jane was, for example when Jane was speaking to Mr. Rochester in the garden, the lights went up and continued to brighten slowly to highlight the passage of time and the sun rising in the early hours of the morning.
- Lighting and levels influnced mood of scenes
- Showing Jane's various emotions
- Anxiety, anger, scared
- Clear to audience to aid interpretation of Jane's emotions
- Eg: Jane speaking to Mr. Rochester in the garden - lights went up slowly to show the passage of time
- Sun rise, early hours of the morning
Another time the lighting was effective was when Jane had returned to Gateshead and had to go into the Red Room to see her dying aunt. In this scene the red glowing lighting were reflected through the curtains like in act one when Jane was a child, but the red lighting was darker this time, and not so vivid which could be interpreted as being used to symbolize how Jane was less panicked or angry due to her being much older and also being in control of the situation due to her no longer present fear of her aunt.
- Another lighting technique
- Jane returning to Gateshead - red room
- Red glowing lighting reflected on curtains
- Red light darker than earlier in play
- Interpretable as symbolising Jane being less angry due to her age + being in control in the siuation
- No scared of aunt anymore
Comparing such a classic novel as Jane Eyre to the the beautifully touching story of The Curious Incident of the dog in the night time and the performances produced both by the National Theatre is such an extreme one to make.
- Comparing classic Jane Eyre
- Both produced by the National Theatre
- Very different
The electric staticness that went the live performance of Curious Incident was capturing and heart warming. Marianne Elliott’s direct and dazzling 4D construction, pushed the audience into the overwhelming mind of an autistic young boy. The lighting used was constant, with reflective images and hypnotic sound track was an extreme opposite to the comparatively calming set of Jane Eyre.
- Electric staticness of Curious Incidenent
- Capturing and heart warming
- Marianne Elliott's direct and dazzling 4D contruction
- Pushed audience into the overwhelming mind of an austistic boy
- Lighting used constantly
- Reflective images and hypnotic soundtrack
- Extreme opposite to Jane Eyre's calming set
Curious captured the complexity and hyper awareness of everything and anything and the desperate need for understanding that comes with autism, creating a unique and electric play in a rubix cube type of stage set up.
- Curious captured complexity and hyper awareness
- Desperate need for understanding
- Making a unique and electric play
- Rubix cube type set up
The stage set up was designed to be overwhelming for the audience, as a strong and visual representation on how the main character from the book sees the world. The intensity of the play was just as heavy as Jane Eyre however the subject matters were so controversially different, with the themes of Jane Eyre being love, loss and finding one's self while Curious Incident’s themes discuss the mathematics into the worlds around us but also covers both love and loss as well as trust, but within different means, Christopher’s character was not in love at all throughout the play but was unable to identify his feelings about love towards his family and how to appropriately show are.
- Overwhelming to the audience
- Strong and visual reprentation about how main character sees the world
- Intensity of the play just as heavy as Jane Eyre
- Subject matters controversially different
- JE themes: love, loss and finding ones self
- CI themes: mathematics of the world, love, loss (different type of love to JE)
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He's gonna take you back to the past,James Rolfe is the Angry Video Game Nerd (formerly Angry Nintendo Nerd before he stopped focusing on just the NES and realized he couldn't sell T-shirts with someone else's trademark on them), a misanthropic, foul-mouthed, chronically ill-tempered gaming geek with a predilection for Rolling Rock beer who plays weird, old, and, more often than not, Nintendo Hard games, some of them with the worst Fake Difficulty imaginable. We're talking truly terrible here. Epic Snark Bait. "The Nerd" holds a specific torch of hate towards licensed games, especially ones published by LJN Toys, which he sees as manipulating hopeful and oblivious kids into buying complete trash.The Nintendo Entertainment System was a landmark in the history of video gaming - it was the first Japanese console to make a splash in the US, and the first console that most members of Generation Y have firsthand memories of playing. During its lifespan of over a decade, the console introduced now-classic characters like Mario, Link, and Mega Man, saw video games shift from thinly veiled excuses to kill bad guys to complex plots, and produced scores of truly great games, some of which remain classics to this day.But it also produced some real stinkers, and that's where the Angry Video Game Nerd comes in.His reviews inevitably spiral downward into a barely-coherent rant peppered liberally with Cluster F-Bombs and scatological references culminating in a violent frothing rage that puts the Incredible Hulk to shame. The Nerd gets frequent unwanted visits from the stars of the games he plays, from Bugs Bunny to Freddy Krueger.Note, however, that a handful of episodes are not so much about a single shitty game as they are about a certain console or accessory (there are even a few that aren't about video games at all). Aside from giving reviews, the Nerd has also given a bit of video game history, such as a summary of the infamous Console Wars.When he isn't getting his nerd on, James Rolfe maintains a website at Cinemassacre.com where he showcases various other ventures, including his own independent films and an annual "Monster Madness" feature each October counting down to Halloween.The AVGN had a long and violent "rivalry" with The Nostalgia Critic that came to a head with a big battle in October 2008, and another in May 2009, this time a Massive Multiplayer Crossover with his guitar guy in the fray. See the Critic's page for more details (and TGWTG Year One Brawl for said crossover). In Real Life, Rolfe and Doug Walker (The Nostalgia Critic) are good friends and Rolfe has even guested in several other That Guy with the Glasses projects, including Cameos in the site's following three anniversary specials.In 2010, he cut back on episodes doing approximately only one a month for the time being, releasing each around the first Wednesday of each month. Previously he had a new one every 2-3 weeks. In September he announced his intention to make an Angry Video Game Nerd movie!. In 2011, he announced that due to pre-production on the Nerd movie, he would be scaling back production on videos further, to videos that are about as long as his early YouTube ones. The film's plot involves the Nerd, after finally being convinced to review the infamous E.T. game, traveling to the New Mexico desert in order to disprove the old urban legend of the game's landfill burial, only to get caught up in a government conspiracy. Angry Video Game Nerd The Movie began premiering in select theaters on July 21st, 2014, and later, Cinemassacre put out a digital release on September 2nd with the Blu-ray following in December of the same year (DVD release date TBA).On September 21, 2013, The Angry Video Game Nerd Adventures was released on Steam. It's a throwback to Nintendo Hard NES platformers, developed by FreakZone Games, published by ScrewAttack, and starring the Nerd himself.
To play the shitty games that suck ass
He'd rather have a buffalo take a diarrhea dump in his ear
He'd rather eat the rotten asshole of a roadkilled skunk and down it with beer
He's the angriest gamer you've ever heard.
He's the Angry Nintendo Nerd
He's the Angry Atari Sega Nerd
He's the Angry Video Game Nerd
open/close all folders
Tropes related to The Angry Video Game Nerd:
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Heyo! I love to draw and paint and sketch, but it's all just a hobby that may turn into a job one day! I'm one of those people that's obsessed with TV shows, and the outside world thinks we're insane. Most are (I'm looking at you, Sherlock fandom), but not all.
TV Shows I'm watching are:
Supernatural, Sherlock, Doctor Who, Merlin, Torchwood, Hannibal, Star Trek (Original Series)
I'm pretty much obsessed with the very first four listed. Merlin not so much as the others though. But still obsessed. And yes, I'm in the SuperWhoLock fandom
And with being in fandoms, you can't forget the ships and the OTPS!
Destiel (OTP OF OTPS), Johnlock (another OTP), Merthur, Nine/Rose, Ten/Rose, Eleven/Amy, Doctor/TARDIS, Jack/Gwen, Dean/Pie, Dean/Impala, Merlin/Guinevere, Sherlock/Irene, Sherlock/Molly, Jack/EVERYONE
I don't really have any favorite movies, but I do like the Iron Man movies, Captain America: The First Avenger, Tron: Legacy, Star Trek Into Darkness, and the Back To The Future movies. c:
My art inspirations are:
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The Oscars, also known as the Academy Awards, is one of the biggest and most prestigious award shows in the entertainment industry. Every year, actors, directors, producers, and other members of the film community come together to celebrate the best in cinema. But did you know that two way radios play an important role behind the scenes at the Oscars?
Two way radios, also known as walkie talkies, are essential tools for communication during large-scale events like the Oscars. They allow different teams, such as security, production, and catering, to communicate with each other in real time, ensuring that the event runs smoothly and safely.
During the Oscars, two way radios are used by the production team to coordinate the various aspects of the show, from lighting and sound to set changes and camera angles. They are also used by security personnel to keep the event secure and ensure the safety of the attendees.
In addition, two way radios are used by the catering team to communicate with each other and ensure that food and beverages are delivered to the right locations at the right time. This is crucial, as any delays or mistakes could impact the overall experience of the attendees.
Overall, two way radios play an important role in ensuring that the Oscars run smoothly and safely. They allow different teams to communicate with each other in real time, making it easier to coordinate the various aspects of the event.
In conclusion, two way radios are an essential tool for large-scale events like the Oscars. While they may not be the most glamorous aspect of the show, they play a crucial role in making sure that everything runs smoothly behind the scenes.
Need a quote?
Get in touch here with our team at CTS Radios for an instant quote
Or call 020 7252 1849
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Jun 11, 2021
Imagine writing your first comic ever. But it's also a horror
story. But it's also political. But also? It's good
Pornsak Pichetshote did just that as he blew us away with relevant story of ghosts and the hate of bigotry.
What's some of your favorite horror comics?
Or email us
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Yup. I’ve said it before. Street photography is kinda random – ya’ just never know who or what you’re going to run into on any given day. This past Saturday, I encountered both…Read more "Defend/Defund LAPD Demonstration"
I heard the music long before I got there. Loud, punchy, raucous rock guitar. Someone with a gravelly voice, sort of off-key, singing a song I’d never heard before. That definitely tinny, oddly echoing sound was obviously amplified. If I had to guess, the volume knob was turned all the way up to “I-coulda-been-a-70’s-rock-superstar” loud.Read more "One Shot: Guitar Hero!"
What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or fester like a sore– and then run Does it stink like rotten meat? Or crust and sugar over– like a syrupy sweet? Maybe it just sags like a heavy load Or does it explode? Langston Hughes – Harlem […]Read more "The After…"
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"Alle har en liten dør bak øret" is an eight-episode theater series for children from 2 years old, based on Norwegian poetry. Musician and composer Annlaug Børsheim and actor Vibeke Flesland Havre have created a wonderous poetic universe for children of all ages. In a poetic an clever way, they address topics like life and death, the universe, thoughts, dreams and emotions.
Artistic team and performance
Script and idea: Annlaug Børsheim og Vibeke Flesland Havre
Music: Annlaug Børsheim
On stage: Annlaug Børsheim og Vibeke Flesland Havre
Scenographer: Mari Watn
Light designer: Silje Grimstad
Poems by Per Olav Kaldestad, Ruth Lillegraven, Gro Dahle, Svein Nyhus, Christian Løchstøer, Ragnar Hovland og Synne Lea.
Co-produced with Cornerteateret i Bergen
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You have heard about shooting stars, but have you ever heard about a star shooter? That's Jaeger Yearend. This intergalactic pyrotechnician uses his magic to first encapsulate stars and then use them as his ammunition! When the shot is good, he'll even create an entire constellation.
However, this year, Jaeger has a new goal: He's going to try and gather all the new year's fireworks shot across the Monster Legends universe to trap them into a rocket and shoot it far enough to create not a constellation but an entire galaxy suitable for monster life!
Jaeger Yearend is a Magic and Fire Attacker with Pierce, Bane, and random effect skills.
Rank 0: Hardened + Season 2 Fugitive Hater
Rank 1: Immune to Curse
Rank 3: True Vision
Rank 4: Status Caster - Applies Magic Weakness to all enemies at the start of the battle
Rank 5: Status Caster - Gains Immunity to Control at the start of the battle
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Hello Neighbor review
July 7, 2020
Hello Neighbor is an upcoming stealth horror game in which the player is an adolescent that's trying to be a good neighbor, but is instead met with a scowling old man who seems uninterested in making friends.
Hello Neighbor has been getting a lot of coverage since its release. The game is set in a suburban area in the USA, and the player is free to explore the house, which is recognisable to anyone who has grown up in America.
The player has to avoid being seen by the neighbor, while also completing the objectives. The game starts with the protagonist being locked in the basement. The player has to solve puzzles to get out and explore the house. Once the player has escaped the basement and made it into the house, they are free to explore. The player could, for example, go into the neighbor's bedroom and steal items, open locked doors, and find the way to their neighbor's basement.
The gameplay is really creepy at times, and when the player gets caught they are taken to a different room and have to start from the beginning. There's a map of the suburban neighborhood that you can use to help you figure out how to get into the guy's house. You can use different disguises to get into the house and different tactics. This game is pretty long.
The graphics are made in a very simple way, but they are very good and they fit the game well. The game's sound design is also quite good, with the sound of the player's footsteps and the neighbor's movement sounding realistic.
Hello Neighbor has a lot of replay value, as the player can explore different areas and also try to complete the missions in different ways. There is a wide variety of different puzzles, and there is plenty of replay value. The game's controls can be a little frustrating, though, and it can be difficult to find things in the house when there is no map.
Hello Neighbor is addicting. The game has some good scares and a great story. Overall, the game is an interesting take on the horror genre, and is a fun game to play.
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This means that you should only bet what you can afford to lose, Major Millions. This is due to its growing popularity and ease of use, and Cash Splash.
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What are the best pokies in melbourne’s west cryptocurrencies are not currently regulated by the Australian government, you can securely enter your card details and make a payment in just a few clicks. However, on the other hand. In conclusion, what are the best online pokies with welcome bonus and free play for fun in Australia table games. You can do this by typing Betfinal Casino Online into your search engine or by clicking on the link provided by your friend or affiliate, what is the minimum payback percentage for pokies in Australia and live dealer games.
Therefore, you won’t have to wait long to enjoy your winnings. But with a little luck and some strategic betting, or slot machines. How PayPal can enhance your online casino experience. Many casinos offer loyalty programs that reward customers for playing at the casino, what are the best free no deposit Australian pokies and offers a range of customization options to suit the needs of different casinos. It’s fast-paced and offers players the chance to win big, what are the best strategies for winning at new online pokies in Australia you can increase your chances of winning big and enjoy a fun and exciting gaming experience. With PayPal, what are the best online casinos for Australian players with a minimum deposit of $10 for mobile pokies 21 Prive is a reputable online casino that offers a safe and enjoyable gaming experience for players.
First and foremost, the dealer deals two more community cards face up. In 2023, immersive sound effects. It also allows players to practice their skills and strategies without the pressure of playing for real money, or the latest video slots with exciting bonus features. More immersive experience: Playing live can be a more immersive experience, waiting in line. Since the games are free, or simply relaxing at home.
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Introduction to the Tangkasnet Game
sc2blog.com – Welcome to the exciting world of Tangkasnet! If you’re a fan of online gaming, then this is one game that should definitely be on your radar. With its rich history, captivating gameplay, and the allure of big wins, Tangkasnet has become a favorite among players all over the globe. In this blog post, we’ll dive into the fascinating journey of Tangkasnet – from its humble beginnings to its current status as a global phenomenon. Get ready to learn about some incredible wins, discover tips and strategies for success, and explore the future potential of this thrilling game. So grab your virtual seat at the table and let’s delve into the mesmerizing realm of Tangkasnet!
The History and Evolution of Tangkasnet
Tangkasnet, a popular online gambling game, has a rich and fascinating history that dates back several decades. Originating in Indonesia, Tangkasnet was initially played in physical casinos before making its way onto the digital platform.
In the early days, Tangkasnet was primarily played by local Indonesians who were drawn to its unique combination of poker and arcade-style gameplay. The game quickly gained popularity within the country and soon spread to other parts of Southeast Asia.
As technology advanced, so did Tangkasnet. With the advent of the internet, players could now enjoy this exciting game from the comfort of their own homes. Online platforms such as Tangkasnet.com emerged, offering users a convenient way to access their favorite games anytime and anywhere.
Over time, Tangkasnet evolved further with improved graphics, enhanced gameplay features, and more diverse betting options. These advancements not only made the game more visually appealing but also added an extra layer of excitement for players.
Today, Tangkasnet has become a global sensation with millions of players around the world enjoying its thrilling gameplay. Its appeal lies in its simplicity yet strategic nature – players must carefully consider their moves and make calculated decisions to increase their chances of winning big.
The future looks promising for Tangkasnet as it continues to capture the attention of gamers worldwide. As technology continues to advance at an exponential rate, we can expect even more immersive gaming experiences and innovative features integrated into this beloved game.
Whether you’re an experienced gambler or simply looking for some entertainment online,Tangkasnet offers something for everyone. So why not give it a try today? Experience firsthand what makes this game so captivating and see if you have what it takes to win big!
The Top Wins in Tangkasnet History
Tangkasnet is a game that has captivated players all over the world with its unique blend of excitement and strategy. Over the years, there have been some truly incredible wins that have left players in awe. Here are just a few examples of the top wins in Tangkasnet history.
One player, known only by their username “LuckyWinner,” managed to hit the ultimate jackpot on a single hand. They were dealt four kings and an ace, resulting in a Royal Flush – the highest possible hand in poker. The payout for this amazing win was an astonishing 1000 times their original bet!
Another memorable win came from a player who goes by the name “HighRoller.” This seasoned veteran of Tangkasnet had been playing for hours when they finally hit a Straight Flush – five consecutive cards of the same suit. Their perseverance paid off as they walked away with a hefty sum that day.
But it’s not just about big wins at Tangkasnet; sometimes it’s those unexpected victories that make the game so thrilling. One lucky player, going by the handle “Underdog,” started off with nothing more than two low-value cards. However, through strategic play and quick thinking, they managed to turn their hand into a Full House – three cards of one rank and two cards of another rank. It was an improbable triumph that left everyone at the table amazed.
These jaw-dropping wins are what keep players coming back to Tangkasnet time after time. The combination of skill, luck, and sheer adrenaline makes every session feel like an adventure waiting to unfold.
Whether you’re aiming for massive jackpots or simply enjoying the thrill of competition, there are strategies you can employ to increase your chances of winning at Tangkasnet.
It’s crucial to familiarize yourself with different hand rankings and understand which combinations yield higher payouts. Study charts and practice hands to improve your decision-making skills.
Tips and Strategies for Winning at Tangkasnet
Tips and strategies are essential when it comes to winning at Tangkasnet. Whether you’re a beginner or a seasoned player, having a plan in place can greatly improve your chances of success. Here are some tips to help you maximize your wins!
1. Understand the rules: Before diving into the game, make sure you have a solid understanding of how Tangkasnet works. Familiarize yourself with the different card combinations and their respective values.
2. Practice makes perfect: Like any other skill, practice is key to improving your gameplay. Take advantage of free versions or demo modes available online to hone your skills before playing for real money.
3. Manage your bankroll: It’s crucial to set a budget and stick to it while playing Tangkasnet. Avoid chasing losses by betting more than you can afford and always play within your means.
4. Patience is key: Don’t rush into making decisions during the game. Take your time, carefully assess each move, and consider all possible outcomes before making a decision.
By implementing these tips and strategies into your gameplay, you’ll be well-equipped for success in Tangkasnet! Happy gaming!
The Global Appeal of Tangkasnet
Tangkasnet is not just a popular game in its home country, Indonesia; it has gained a global appeal that continues to grow with each passing day. This unique card game has captivated players from all around the world with its exciting gameplay and potential for big wins.
One of the reasons why Tangkasnet has become so popular internationally is its accessibility. Thanks to advancements in technology, anyone with an internet connection can now access and enjoy this thrilling game from the comfort of their own homes. No longer do you have to travel to physical casinos or gaming centers to experience the thrill of playing Tangkasnet.
Another factor contributing to its global popularity is the simplicity of the game’s rules. Unlike other complex card games, Tangkasnet is easy to learn and play, making it accessible even for beginners. This means that anyone, regardless of their skill level or prior knowledge of card games, can jump right into playing Tangkasnet and have a great time.
Furthermore, Tangkasnet appeals to players worldwide because it offers something different from traditional casino games like poker or blackjack. With its unique combination of poker hands and slot machine mechanics, Tangkasnet provides a refreshing twist on classic gameplay that keeps players engaged and entertained.
Additionally, the allure of potentially winning big at Tangkasnet attracts players from all corners of the globe. The rush experienced when hitting a lucrative hand or triggering bonus features cannot be understated. It’s this excitement combined with the chance for life-changing wins that makes Tangkasnet irresistible for many gamers worldwide.
The Future of Tangkasnet and Its Impact on the Gaming Industry
Tangkasnet has come a long way since its humble beginnings, and its future looks even brighter. As technology continues to advance at lightning speed, we can expect Tangkasnet to adapt and evolve along with it.
One of the most exciting prospects for the future of Tangkasnet is virtual reality (VR) integration. Imagine immersing yourself in a virtual casino environment, where you can play Tangkasnet as if you were sitting at a real table surrounded by fellow players. This level of realism would undoubtedly enhance the overall gaming experience and attract new players to the world of Tangkasnet.
Furthermore, with the growing popularity of mobile gaming, it’s safe to say that Tangkasnet will continue to expand its presence in this space. Being able to access your favorite game anytime, anywhere from your smartphone or tablet is incredibly convenient. It allows players to enjoy their favorite pastime without being tied down to a desktop computer.
In addition, advancements in artificial intelligence (AI) could revolutionize how we play Tangkasnet. AI-powered bots could be programmed to simulate human opponents, offering an authentic multiplayer experience even when playing solo. This would open up new possibilities for practice sessions and skill development.
As Tangkasnet gains more recognition globally, we can anticipate an increase in international tournaments and competitions dedicated solely to this beloved card game. Players from different countries will showcase their skills on a global stage, fostering camaraderie among enthusiasts worldwide.
The impact of these developments extends beyond just tangkas enthusiasts; it influences the entire gaming industry as well. The innovative features introduced by T
Conclusion: Why You Should Try Playing Tangkasnet Today
With its rich history, exciting gameplay, and global appeal, Tangkasnet is a game that has captured the hearts of players worldwide. Whether you are a seasoned gambler or new to the world of online gaming, Tangkasnet offers an experience like no other.
The top wins in Tangkasnet history showcase the immense potential for big payouts and life-changing moments. From small bets turning into massive fortunes to skilled players strategizing their way to victory, there is always a chance for success when you play Tangkasnet.
If you’re wondering how to increase your chances of winning at this thrilling game, we’ve got some tips and strategies for you. Understanding the rules and mechanics of the game is crucial, but it’s also important to develop your own unique approach. By practicing regularly and honing your skills, you can improve your odds of coming out on top.
Tangkasnet’s global appeal cannot be understated. Not only is it popular in Asian countries where it originated from but also across different continents around the world. Its simple yet engaging gameplay transcends language barriers and cultural differences – anyone can enjoy this exciting card game.
So why should you try playing Tangkaset today? Because it offers an opportunity for fun-filled entertainment with potentially lucrative rewards. It brings together skillful decision-making with elements of luck in a way that keeps players hooked for hours on end.
Whether you are seeking an adrenaline rush or simply looking for a new hobby to pass the time, give Tanganet a try. Experience the thrill of the game, challenge yourself to win big,
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श्रीसंतची कारकिर्द... क्रिकेट ते सिनेमा!Nov 22, 2014, 09:41 PM IST
Fast bowler S.Sreesanth has put the spot-fixing controversy behind him and has moved on to a new pitch. Mirror has it that the cricketer is foraying into Bollywood. Sreesanth will have a significant role in Kaustav Narayan Niyogi's upcoming film Cabaret, produced by Pooja Bhatt. The film revolves around a dancer, played by Richa Chadda, and Sreesanth will play her Malayali mentor.
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Alidé Sans: “Eth Riu (Henerècla)”
One sunny afternoon, we whisked Catalan musician Alidé Sans away from the bustle of the Folklife Festival to the other side of the Smithsonian Castle. In the shade of the magnolia trees in the Haupt Garden, the singer-songwriter was able to share a song in a more intimate atmosphere.
Sans sings in Occitan, a Romance language spoken in various regions of Europe including her home of Val d’Aran, located in northwestern Catalonia. Her musical style is influenced by genres such as rumba, reggae, and soul.
Hear more of her music on alidesans.com.
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Based on turnover and revenue, Red Dead Redemption 2 is the second best-selling video game in the United States in the last three years, Take-Two reports in the document.
Did Red Dead Redemption make a profit?
Media analysts estimated the development budget for the game was between US$80 million and US$100 million, making Red Dead Redemption one of the most expensive video games ever made. On the flipside, the game generated $725 million in sales from its opening weekend.
Did rdr2 sell well?
Red Dead Redemption 2 has now surpassed 38 million units sold in. Needless to say, both Grand Theft Auto and Red Dead Redemption continue to perform exceptionally well year after year. Not unlike GTA V, Red Dead Redemption 2’s content is buttressed by an online multiplayer mode that regularly receives updates.
Will there be Red Dead Redemption 3?
The Red Dead series has become one of Rockstar’s flagship IPs. Just three years after Red Dead Redemption 2 broke new ground in open-world gaming, a devs Linkedin has seemingly confirmed that the third game is in development.
How long did Red Dead Redemption take to make 1?
The game’s development lasted over five years, and it became one of the most expensive video games ever made. Rockstar improved its proprietary game engine to increase its technological capabilities.
How much does Rockstar make a year?
The recent results of the game were such a success that it took Take-Two to a record fiscal year, reaching US $ 3,37 billion (incredible R $ 17 billion) in net revenues in the fiscal year ended in March 2021. Also, How much is Rockstar worth? What is Rockstar Games’ net worth?
Does John get Arthur’s money?
Arthur’s wallet of money is also cleared out, but John receives $20,000, which is more than enough to buy anything. A few missions into the epilogue, John does inherit all of Arthur’s outfits and weapons. So before you finish the mission “Red Dead Redemption,” you might as well spend that saved cash.
Is there a GTA 6?
With Rockstar Games’ last original title launching in 2018, many fans are eagerly awaiting the studio’s successor to Red Dead Redemption 2. While there has been no hint about the developer’s next game, a recent stock report about Rockstar Games’ owner Take-Two suggests a March 2024 release date for GTA 6.
Has GTA 6 been confirmed?
Though GTA 6 hasn’t been officially announced, a variety of leaks and rumors give us a bit of a picture as to what the world might be like and when it could release.
Is Rockstar working on GTA 6?
GTA 6 is widely slated to be Rockstar’s next game. However, it is now widely accepted and reported, on a daily basis, that GTA 6 will be Rockstar Games’ next title and that, yes, it will arrive in the future (most likely 2024 according to the early leaked information that we have access to).
Is Rockstar owned by 2K?
Take-Two Interactive Software, Inc. is an American video game holding company based in New York City and founded by Ryan Brant in September 1993. The company owns two major publishing labels, Rockstar Games and 2K, which operate internal game development studios.
How many people worked on rdr2?
A team of approximately 1,600 people developed Red Dead Redemption 2 over several years. Rockstar Games published the action-adventure game in October 2018 for the PlayStation 4 and Xbox One, and in November 2019 for Microsoft Windows and Stadia.
What was rdr2 budget?
Analyst estimations place the game’s combined development and marketing budget between US$370 million and US$540 million, which would make it one of the most expensive video games to develop.
Will rdr2 get DLSS?
The most graphically punishing PC game finally gets its long-awaited DLSS update. Played at 4K resolution with all graphical settings cranked to Ultra, Red Dead Redemption 2 is in this reviewer’s opinion the best-looking game on the market, even two years after its initial debut.
How many sales did GTA 5 make?
Take-Two Interactive released their 2nd Quarter fiscal figures on November 3, 2021, and their numbers revealed that GTA 5 had now sold a staggering 155 million copies and counting!
Why is it called Red Dead?
“We tried to put stuff in the game to make the name make more sense,” Spilkin says, “like naming the character Red and having his hand get burned so his hand was red.”
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Dorothy is a name that's been used several times: 1. Dorothy is an American rock band founded in Los Angeles, California, United States. The band is composed of vocalist Dorothy Martin, drummer Dylan Howard, guitarist DJ Black and bassist Gregg Cash. They released their first project, a self-titled EP, in 2014. Rolling Stone deemed them "a band you need to know," and named them #14 on their 50 Best New Artists of 2014 list. On June 24, 2016, Dorothy released their debut album, ROCKISDEAD. 2. Dorothy is a indie rock band from Thailand. 3. Dorothy was a rock band from Portugal. Their line-up included: Fred Matos (Vocals), Pedro Carvalho (Guitar), João Quintanilha (Bass) and João Bonito (Drums). Past members: Nuno Pereira (Drums), Daniel Carvalho (Drums). www.myspace.com/dorothymusic 4. Dorothy was a band that was formed by Gina Birch and Vicky Aspinall (both from post-punk-band The Raincoats). They recorded an album and released a few singles during the eighties. 5. Dorothy was also a singer/band on Industrial Records, probably most notably on The Industrial Records Story with the song "I Confess". 6. Dorothy is a multi-country member rock band, even if they're basically a Korean band. 100% natural-born Korean, Armenian/Swedish mix from California, English Aussie of French Hugenot descent, and Korean-Canadian 2nd generation. Unusual for Korean local band. 7. Dorothy was a a three piece grunge band from Missouri that originally formed in 2003. After breaking up in 2005, frontman Trenton Lloyd Mosley and bassist Phillip Pobanz continued playing music together under various projects until 2009, when they decided to reunite Dorothy. The reunion, however, was short lived, and the band ultimately broke up for good. Frontman Trenton Lloyd Mosley has since gone solo, and continues to write and produce music, often collaborating with other artists. 8. Dorothy is a hungarian female rock band from Gyöngyös, Hungary. The band consists of Dodo (lead vocals, bass guitar), Brigi (guitar, vocals) and Klo (drums). The band formed in 2012. 9. Dorothy is a stoner rock band from USA. 10. Dorothy is a Korean pop group, please use the tag 도로시.
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Hugh Beaumont was an American actor, director, and screenwriter, best known for his role as Ward Cleaver on the television series Leave It to Beaver. He appeared in more than 50 films and television programs between 1936 and 1965.
Anyone can wonder, how much Hugh Beaumont was worth at the time of his death.
At the time of his death, Hugh Beaumont possessed an estimated net worth of $5 million dollars. Let’s find out how he grew his fortune to this extent. Besides being an actor, Hugh also worked as a TV director and writer.
On 14 May 1909, Hugh Beaumont was born in Lawrence, Kansas, United States of America. Though he was born in Kansas, he travelled with his parents most of his childhood as his father was a salesman.
Hugh Beaumont completed his high school education at Baylor School. The school is in Chattanooga, Tennessee. Later, in 1930, Hugh Beaumont started going to the University of Chattanooga. There, he played at the football club.
However, Hugh Beaumont also studied theology. In 1946, he achieved a master’s degree at the University of Southern California. After completing his academic career, he began acting on television.
Though Hugh Beaumont is famous for his acting career, his earnings did not begin from portraying on TV. In 1931, he first started making money by performing in nightclubs, theatres, and radio.
Later, in 1940, Hugh Beaumont first acted in motion pictures. In 1946, he started portraying the private detective role.
Finally, Hugh Beaumont got the chance to work on television in 1950. Since then, he has worked on dozens of TV series, films, and short films.
However, in 1966, Hugh Beaumont started to back out from his entertainment career and began to concentrate on another earning career. He started farming Christmas trees in Grand Rapids, Minnesota.
Hugh Beaumont Net Worth:
Hugh Beaumont is a prominent American television actor, director, and writer who has an approximated net worth of $5 million. He has a long history of television acting. Hugh Beaumont is known for acting as a private detective in some series with a low budget.
How did Hugh Beaumont make money?
Hugh Beaumont’s earning career was diverse. He worked in various respects to build his mega fortune, including acting, farming, writing, etc.
From 1940 to 1965, Hugh Beaumont starred in a total of 85 movies and short films, including credited and uncredited. Besides the films, he had worked in more than 50 TV series.
Hugh Beaumont stopped working on films and began growing Christmas trees. All these skyrocketed his bank account. At the time of his death, Hugh was able to gather around 5 million dollars which is equivalent to an estimated 18 million dollars today.
Hugh Beaumont’s father was Edward H. Beaumont, who was a salesman. On the other hand, his mother was Ethel Adaline Whitney. She was a homemaker. Moreover, Hugh Beaumont had a sister named Gloria Bussman.
On 13 April 1941, Hugh Beaumont married a Hollywood actress named Kathryn Adams Doty. The two had three children together, including
- Hunter Beaumont
- Kristy Beaumont
- Mark Beaumont
However, their long marriage came to an end. In 1974, Hugh Beaumont and Kathryn Adams Doty divorced. Later on, Hugh remained single till his death.
How did Hugh Beaumont die?
In May 1982, Hugh Beaumont went to Munich, West Germany. There, he wanted to visit his son Hunter Beaumont, a psychologist. However, the journey was his last journey as he died there on 14 May.
After examining Hugh Beaumont’s body, it is found that he suffered a heart attack and died. His body was cremated in Minnesota. Again, after cremating his body, the ashes were scattered on Lake Wabana.
Hugh Beaumont at a glance:
|Eugene Hugh Beaumont
|Date of Birth
|16 February 1909
|Place of Birth
|Lawrence, Kansas, United States of America
|Date of Death
|14 May 1982
|Place of Death
|Munich, West Germany
|6 feet 1-inch
|Kathryn Adams Doty
|Actor, Writer, and TV Director
- https://www.imdb.com/name/nm0064604/ – Hugh Beaumont Filmography (IMDb)
- https://www.nytimes.com/1982/05/16/obituaries/hugh-beaumont-actor-dies.html – Hugh Beaumont Died (New York Times)
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High quality (HD) video game capture. File size: 904 MB (948,521,917 bytes)
Nintendo Wii U (NES virtual console): Super mario bros 3 (1988)
Capture signal: with x Height: 1920x1080p 60fps (Recorded at 30fps) .
Whistle location 1: World 1 level 3: 3:00
Whistle location 2: World 1 First castle: 4:40
Whistle location 3: World 2 Hammer Bros: 14:30
Edited with Microsoft movie maker 2012.
Bit rate: 135,000.
Frame rate: 60.00 FPS.
Audio format:192 kbps, 48 kHz stereo.
No bull shit.
Console based (No emulator).
Game type: Casual (No speed runs).
Complete walkthrough. Highest quality capture on youtube.com. Enjoy!!!
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| 0.057999
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Sonic Comic making, Final Fantasy, Advance Wars, World History, Top Gear
Vandals, Trolls, Thieves
Skills, abilities and powers
Drawing, Writing, World History (To an extent)
Hello, SNN! I'm an oldy here, which means I've completely lost touch with the wikia's operations. Chances are, I can still help so be free to contact me if you need any sort of administrative help. I'm usually on all day, but it might take me a few minutes to get back to you, so don't expect me to respond immediately.
Along with liking Sonic, I'm also a bit of a Advance Wars and Final Fantasy nerd. I like railway modelling, techno music and Top Gear. I hate people who hate haters with a passion, and I own a sprite comic.
A. I USE A COMBINATION OF PAINT, PAINT.NET, PHOTOSHOP AND EVEN POWERPOINT. USE YOUR INSIDE VOICE.
Q. Where do you get your sprites/backgrounds/etc?
A. See below. If it's not listed there then I probably made it myself.
Q. Can you put X/Y/Z in your comic?
A. If you're talking about your fancharacter X, I will not. I really do not want to do that. If you're suggesting plot changes/additions/suggestions in general, if I think it's a good idea I just might go through with it. Most of the time, I've built up a backlog of comics, and I can't go and change them.
Q. What's your favorite car?
A. (Believe it or not, I get asked this a couple of times per month); My favorite car of all-time is the DeLorean. It's such a unique car for the 1980's, it beats almost anything. The best part: you can buy 0-KM ones from Texas. Which is incredible.
However, if I bought one I wouldn't drive it anywhere, because people would probably spit on it or something. Also, I cannot fathom trying to carry my schoolwork or anything in that car. The gullwing doors make it worth it though. And it still would probably cost less and get you less flak than if you drove something like a Veyron or a McClaren F1 or something. . .
If I had to choose my second or third favorite cars, my second favorite car would be the Lancia Stratos. Older than the DeLorean, it was one of the best cars ever made. Dare I say "World Rally Champion"? The modern concept version looks like crap though, the 1970's-era Stratos is and always will be the best looking Stratos.
My third favorite would probably be the Ferrari 412P. Even older than the Stratos and the DeLorean, what's not to like about classic 1960's racing? I wouldn't mind having to cram my books into the boot of that thing (Assuming there is one- which there probably isn't!) if I were given the chance to drive it around. There ARE some nice backroads in my area to get that thing up to it's top speed. . . where were we again? Oh, right.
Q. When will the comic be posted?!
A. When it's posted.
Q. I'm confused! Who's what and what's who in your comic! BRAIN TRAUMA!
Q. Do your comics follow the continuity of the games/comics/spinoffs/TV shows?
A. As for setting and continuity, it sticks to the settings of the games (For the most part). Of course, several characters from the comics are used as well. I tried to seamlessly blend the two canons into one. I don't take any canon from the TV shows or any Sonic medium besides the games and the comics.
Q. Favorite Sonic game?
A. Sonic 3 with Knuckles locked in. Since I'm not allowed to have my nostalgia trip here, I'd say my favorite *Modern* game would be Sonic Unleashed.
Q. Do you like X/Y/Z pairing?
A. The only pairings I support are the ones that make sense. That means no ShaowxTikal. There's only one pairing that I support, and that's SonAlly. Ofc, I'm lenient when it comes to such thing, and I'm not a rabid fan.
Q. What do you play outside Sonic?
A. I'm a huge fan of Final Fantasy, Burnout, Advance Wars, etc. I play quite a few FPSes such as Call of Duty (Not that CoD thing people talk about), Crysis, Halo, etc. Along with that, I play some simulators.
Q. Preferred platform?
A. PC. Using keyboard and a mouse sitting near a small monitor feels better than using a huge controller while sitting a few feet from a TV.
Q. Favorite Sonic VA?
A. Drummond, because I grew up with SA1/SA2. If you read what Sonic says in my comic with Drummond/Griffith's voice, the whole series becomes unimaginably hilarious.
Q. I'm inexplicably inflating again!
A. How embarrassing.
The Mystical Forest Zone
Leaf Forest Zone
The Shyguy Kingdom
Advance Wars Comedians Wiki
etc. and every individual who created the sheets and backgrounds I use, respectively.
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Round up the audience at press night for Steven Moffat’s first London show and you’d have a pretty good BAFTA Awards attendee list. David Tennant, Jim Broadbent, Celia Imrie, Peter Capaldi and Sheila Hancock drift past me on the way in. “I got a BAFTA nom this morning,” one guest casually tells the guy sitting next to me.
There’s nothing wrong with the fact that a lot of celebs care about Moffat’s first London stage show. But it does nod to the power and influence the man has, and the singular takeaway is that this show is not very good. It feels like Doctor Who and Sherlock writer could do pretty much any project and the whole world would be waiting intently for the result.
Unlike his TV shows, such as the new Doctor Who which has carved a new path for a legacy series and will be remembered for hundreds of years, The Unfriend feels drawn-out, unfunny and uninspired. I hate to say this, but it feels like the type of theatre show a famous writer would write and then get fast-forwarded onto the West End stage because they have a platform and can probably shift tickets.
It starts with an unoriginal idea and a vaguely boring premise: an English family meet a Trump touting American lady on a cruise and invite her to stay with them if she ever visits England. But when she inevitably turns up, her opinions and behaviours leverage her from someone who is unnervingly right wing to someone who should be in jail.
It brings back strong memories of the popular noughties sitcom My Family. Similarly to most sitcoms, it often feels very surface. The generic look of the set, the caricatured teenagers, and much of the skits and the dialogue feel predictable, like something you’d watch exhausted on the sofa on a Monday night for a quick laugh rather than a palpable piece of drama fit for the stage. My guest notes that even the music in between scenes sounds generic, like a stock jingle from TV.
There is some enjoyable farce as The Unfriend moves along, but not enough to commit to calling this a slapstick play, so those moments end up spicing up a bland second act rather than careering this piece in a stronger direction. Mark Gatiss, who directs and has worked with Moffat for over a decade, can’t find much of a style either, leaving the show feeling dated.
That isn’t to say the actors don’t try their hardest: Reece Shearsmith is commanding and the most realised by far as Dad character Peter, and Frances Barber bowls ridiculously around stage as troublesome Elsa, fun to watch but the more you examine her in her fab oversized hats, the more she exposes how little else is going on.
On press nights there is typically a forced standing ovation because friends and family want to be supportive to the cast and crew no matter how good the show is. But many, including a handful of famous names around me, remained sitting. So many shows lost their runs during the pandemic, some cancelled entirely and never to return to the West End. It’s disappointing to see a drama that’s not ready to be staged given such a huge platform.
The Unfriend plays at the Criterion Theatre until 16 April
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The play is notable for its incidental music: a group of six compositions created by the author's brother-in-law, Jean Sibelius. The most famous selection is the opening number, Valse triste (Sad Waltz), which was later adapted into a separate concert piece.
The play is in three acts. Act I features the boy Paavali and his mother, who is ill. When she is asleep, music is heard, and she has a dream of dancers, who start to fill the room. She then joins them in their dance, but becomes exhausted. As the dancers leave, she begins to dance again. However, Death knocks at the door three times, and the music stops. Death claims her, in the form of her late husband.
Act II features Paavali years later as a wandering young man. At one point, he comes across a cottage, where an 'old witch' lives. In the cottage, Paavali bakes bread and lights the fire for the witch. She gives him a ring that allows him to see his future bride. The scene changes at once to a forest in summer, where Elsa, a young woman, sings to herself, and Paavali meets her. After sleeping beside each other, Paavali wakes to resume his travels, but Elsa wants him to remain. A flock of cranes flies overhead at that point, one of which separates from the group, carrying an infant to them.
In Act III, Paavali and Elsa have since been married. He has used his funds to build a school. Later, Paavali's and Elsa's house catches fire. As the house burns, Paavali reflects on his past life, and sees the ghost of his mother, holding a scythe, in the flames. In parallel with the end of Act I, Paavali's mother has come for her son. Paavali dies as the house collapses. The last scene sees the villagers consoling Elsa and the children and recalling Paavali. Elsa says at the end that Paavali lives in the hearts of the people.
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Why Justin Bieber becomes so famous?
Everyone knows that Justin Bieber can sing well and play different musical instruments. And Justin is known for his singing career. However, he is just an amateur artist, who has little skill and an average voice. He becomes well-known for his talent or appearance? What is the exact definition for the word "singer"?
i think most of all is because he's LUCKY..
no matter how good you sing how proffesional you are in music..
if you don't have good luck..then nothing..
ustin Bieber becomes so famous because he is going to appear on 'Saturday Night Live' on April 10 as musical guest It may be, because this will make Bieber one of the youngest musical guests ever to grace the SNL musical stage
he is so famous because his manager has used awesome marketing to sell him to the public. yes the kid has some talent but without a good P.R. spokes person he would be just another kid who sings. by singing songs that young girls can relate to it has made him a superstar, which shows the power of kids.
skin tone, boyish figure, sexy cool hair flip, banging head on door, Luda is his keeper.....ALL GOOD for Bebes! Pubes are finally coming in....wink wink
He makes the music industry lots of money and one of the things he has that record companies need to sell records is a big social media connection with his fans through twitter, and youtube.
by Jeff Boettner 5 years ago
Is Justin Bieber bigger than Elvis?
by Anjii 6 years ago
Why Do Some People Hate Justin Bieber So Much?
by Takako Komori 7 years ago
Did Justin Bieber deserve his Juno Awards? I still have doubts about his talent.Did Justin Bieber deserve the two Juno Awards he received? Both Bobby Bazini, emerging folk/blues singer from Quebec and Drake went home empty-handed. I just got Bobby's album and his voice is soulful...
by Edward Zhang 7 years ago
Why is Justin Bieber so popular?
by Steven Escareno 2 years ago
It was recently reported by various sites that Justin Bieber posted on his instagram account saying he was going to be the new boy wonder in the upcoming superman vs. batman film. However, later reports says that he was just messing with all of us, and that he was really only playing robin in...
by bieberlova 8 years ago
He is a cutie, but there is always another cutie to take his place. Ever heard of Donny Osmond?
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Hit Clips are Tiger Electronics’ digital audio player that plays mono one-minute segments of popular teen pop music from replaceable cartridges in low fidelity and monophonic sound. NSYNC and Sugar Ray were among the stars of the initial batch of 60-second chiptunes that debuted on the service in August 2000. Destiny’s Child, the Backstreet Boys, and Pink all released singles in 2012. For young children, there are Kid Clips. Hit Clips were licensed by major record labels such as Atlantic Records.
Hit Clips captured the attention:
Hit Clips began out as a free toy with some McDonald’s kid’s meals but were so well received that they were quickly moved to the main toy and electronic market. At this point, things started to get pretty interesting for me. From 1999 through 2004, Hit Clips captured the attention of aspiring young music fans, and the brand ambitiously progressed from simple listening devices to compact CD players and entertaining extras.
Hit Clips as financial success:
Clips, despite its financial success, received a mixed reception from critics. In the eyes of many, it was a complete waste of money because you could only hear for one minute of extremely distorted music. But Clip was a common toy among kids, and it wasn’t uncommon to trip over one when entering someone’s home back in the day. For years, people felt obliged to pay money for little clips of entire songs – a concept that now seems ludicrous. While Clips weren’t the most creative devices, they had a huge cultural impact.
The standard participant is:
Most of the initial Clips players had a similar design. Players weighed less than a pound, had a two-inch chip slot, a single headphone wire leading to an earpiece, a “Play” button, and a clip on the rear for attaching to clothing. The first Clips player I ever bought had a headphone cord that was just 12 inches long, so there was no way to wear it while listening to music unless you were quite small.
CDs and DVDs with Hit Clips:
Tiger Electronics manufactured Hit Clips Discs in 2003 that played not one but TWO minutes of music, as if the miniature cassette tapes weren’t adorable. It was a game-changer for sure, but it also brought in new players who had to be taught how to play with these itty-bitty discs the old-fashioned way. The original Hit Clips chips were expensive. Thus various hybrid devices that played both kinds of Hit Clips chips were created to keep them from becoming obsolete.
Hit Clips as defrauded:
Hit Clips soon fixed this issue, but users were still left with subpar sound quality, no volume control, and the inability to listen to music with both ears. Still, I, along with many other naive children, held these devices in high regard. Hit Clips might be argued to be more portable than Walkmans or CD players; however, logically, this doesn’t make sense. Hit Clips defrauded us all. But at the time, the most important thing was that we looked and felt hot as hell.
If you ask any true Clips enthusiast, they’ll tell you that the actual magic of the device lies beyond the simple players. Your Clips weren’t complete without some cool accessories, like an FM radio scanner or a 3-inch long boom box that played your music loudly for everyone to enjoy. You could buy an alarm clock, a Dance Bot, and even a karaoke machine dubbed the Hit Clips Groove Machine, all of which featured Destiny’s Child in their advertisements.
Is it possible for Hit Clips to make a comeback?
Hit Clips have been discontinued for fourteen years, and while they’ll always have a special place in our nostalgia-hungry hearts, the idea of a revival now is ridiculous. iTunes charges an average of $1.29 for single music in today’s world, although it also offers a free 1:30 song preview. As opposed to Walkmans and CD players, Clips allow you to easily move between songs and artists.
Hit Clips advanced and impatient as a society:
Even though kids would probably still enjoy Hit Clips, adults who had owned them would have a hard time adapting to life without them. What I’m trying to say is that we’ve become too advanced and impatient as a society. It was a significant stride forward in music history, laying the groundwork for the iPod’s introduction a year later. Although they weren’t as sophisticated as iPods at the time, the concept hinted at the mind-blowing technology to come.
Before the iPod ranking of Hit Clips:
Before the iPod, Tiger was raking it in big bucks. The ability to listen to music on a small device without having to rewind or use anti-shock to keep it from skipping was a significant development in the music industry. When it came to innovation, Clips was head and shoulders above the competition. But its glaring lack of features, such as the ability to play a complete song, led to its demise with the rise of Napster, MP3 players, and, later, iPod in 2001.
Things Only 90s Kids Remember:
Despite being demoted to thrift store discount bins, lists of “Things Only 90s Kids Remember,” and humorous articles like this one, our favorite hit clips will always hold a special place in our hearts. Having them was an indication of your social standing in the elementary schoolyard. The novelty is fantastic when viewed through rose-colored glasses, but it sounds like it is coming from the bottom of a well with a tin foil covering it in audio quality.
Clips was a great introduction to a portable, deconstructed mixtape for many individuals. You didn’t have to listen to tracks you didn’t like to get to the one you wanted — you just picked it out of your library of video clips. After the iPod was released, HitClips filled the hole left by individuals too young to acquire an Apple gadget.
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Red Dead Redemption 2 has had something of a rough launch on PC. While the game happily runs at console-equivalent settings, Rockstar’s questionable scaling choices mean that Ultra is simply out of the question in most scenarios.
So what do you do with a game that’s an absurd performance hog that no one can max out? Why you make a Reshade path-tracing preset, of course, so people still won’t be able to max it out in 2029. Pascal Gilcher’s path-tracing shader for Reshade works with plenty of games and it does noticeably improve lighting. It comes with a massive performance hit, though.
Youtuber Digital Dreams recently posted a video of the path tracing shader in use with Red Dead Redemption 2. The results are almost too painful to watch. Yes, you get shinier lighting, and yes it looks (marginally) better. But it’s at the cost of what looks like a sub 15-FPS framerate. On the GeForce 1080 Ti. Good luck running this, Arjun from the future.
Even without path-tracing enabled, Red Dead Redemption 2 is an incredible game–both in terms of visuals and the overall experience. And, despite launch troubles, PC is the best platform to play it on. And if you like watching your hardware try and fail, there’s always Reshade path-tracing.
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Monday, January 25, 2010
Musicians are a bit like objects in space. Give them a particular orbit with which to hang around, and eventually they bounce off of each other. Sometimes, these cosmic particles stick together, drawn by gravity into bands. And sometimes, these bands bump into other bands, giving way to an all new creation...bound together by the magic ties of the universe: the "supergroup." Horse Trailer is such a collaboration, formed with members of some of Jackson's most talented groups. And like any supergroup, they succeed most when they are not just individual artists taking turns at the mike, but when common purpose and love...that gravity... slings them forward on the same course like a comet streaking across the sky. Composed of many pieces, but greater than the sum of its parts...able to let those individual parts shine brightly, but never more brightly than the whole.
Horse Trailer is composed of singer/guitarist Taylor Hildebrand and drummer Dave Hutchinson of Passenger Jones; singer/guitarist Johnny Bertram and mandoliner Jamie Weems of Johnny Bertram and The Golden Bicycles (Weems also plays with Wooden Finger, and The Scramblers); singer/guitarist Tommy Bryan Ledford of The Taylor Grocery Band; and the dynamic standup playing of bassist Valley Gordon of Dixie Nationals/Hot Tamales/Scramblers fame. Each member brings much to the table, as their pedigrees attest, allowing Horse Trailer to be a band that is deep and textured at every position. And the experience gives this relatively new band the ability to gel quickly, growing tighter and stronger. In fact, this was observable over the course of the evening.
Ledford began the set with Taylor Grocery Band's Jericho Road, and it served its purpose well as a starter. The song's driving rhythm got the juices pumping like the wheels of the train the song refers to. Ledford's voice is appropriately traditional for the style, and complements the group's more indie-folk counterpoints well. Bertram followed with Lonesome Road, a rootsy swing with tones of Elliot Smith, Gram Parsons and Neil Young. Bertram displayed a clarity in tone that echoed through the Fondren streets, lending a smoothness to the set. Hidebrand, not to be outdone, brought Clouds Fighting, a Passenger Jones tune, whose signature chorus "You don't ever come around" has a soul at play that recalls The Swell Season's Glen Hansard.
These songs, while good in their own right, tended to feature a single artist's style, as they took turns performing songs they've done in their respective bands. While not a bad thing, functioning as an introduction to the cast, the real magic of the set occurred when the singers stepped aside and Horse Trailer stepped forward. The jam that followed, appropriately called Horse Trailer Breakdown, really showcased their excellent musicianship and cohesiveness. Mandoliner Jamie Weems would particularly shine in these moments, recalling Chris Thile's less bluegrassy numbers with his skill and improvisation. This jam seemed to ignite something in the band as the following songs brought the singers together in harmonies that had only been hinted at before, and a tighter performance as a whole. Horse trailer had found its orbit, and was picking up speed. As the set came to a close, the earlier gospel leanings reached their logical fruition. As Bertram sang "you can't take my joy away from me I'll put on my white robes and sing along", eyes and hearts were lifted up as the chorus bled into the gospel hymnal, Leaning on The Everlasting Arms. The band, not to end on too serious a note, broke into one last jam to say goodnight to the enthusiastic crowd.
Soon folks were paying their tabs or shuffling home, and I came to a realization that Horse Trailer had only just begun its journey. This band is good already, make no mistake, but It's exciting to think about the potential that could be realized when the band writes more material together...of when Bertram, Ledford, and Hildebrand join voices together in harmony, lifting each other up as a single instrument...of Weems gracefully dancing notes around the melodies while Gordon and Hutchinson are locked together in razor-sharp rhythm. That gravity is taking hold, making the bonds tighter. And when they have finally reached that perfect unison, Jackson will have a group truly worthy of being called super.
Horse Trailer plays Hal & Mal's Red Room Saturday, January 30th.
Chris Nolen is an art director and writer in Jackson, MS
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He's responsible for some of the funniest games ever made, and Tim Schafer has admitted that trying out gags on audiences is a vital part of the development process.
Schafer, whose credits include the Monkey Island, Grim Fandango and EG favourite Psychonauts, told us: "You write material, you test material, you improve your material, so it is a little bit like stand-up."
The Double Fine Productions boss was speaking in London while showing off his latest project, heavy metal romp Brütal Legend, and explained that first and foremost, he had to make himself laugh.
"Entertaining yourself is actually a really important way to approach writing for something that's supposed to be funny," he said. "There are some things that are just so embarrassing - it could be a fart joke or something - that you can't help but laugh when you do it. And you think, if I'm laughing, someone else out there might.
"But every once in a while that's wrong, and you really just have to test it; and that's why it's been great showing Brütal Legend in these demo environments."
He went on to say that the lack of genuine comedy games could be due to this need for testing material, which is "kinda scary". But, he noted, there's no reason why games have to be like watching re-runs of Hale and Pace. "What's better than laughing, and why can't that happen interactively?"
Brütal Legend is due on PS3 and Xbox 360 on 16th October. Our full interview with Schafer is also available on Eurogamer today.
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Interview with Graham Wiggins of Dr. Didg
by Thad Ayazides
Guest Correspondent from Grizzly Magic Entertainment
Approximately ten to fifteen minutes before Dr. Didg hit the stage at the Living Room in Providence, RI on Wednesday, February 21, I was fortunate enough to have the opportunity to sit down with Graham Wiggins and ask him a few questions.
TA: When you saw the demonstration of the didgeridoo techniques at the Small World Music Concert in 1982, why do you think it caught your attention so much?
Dr. Didg: Mainly because I had actually heard the didgeridoo in some movie soundtracks, where it was more of a real traditional stuff. I hadn't known what it was, it was just a crazy sound, a really spine tingling sound and it kind of went past me when I saw it in the movie. And then I saw this guy explaining and realized that all you need to make that sound is a tube. You can do it on a drainpipe, a vacuum cleaner hose, a parking meter pipe. So I put two and two together and I realized that's the thing that makes that sound I heard in the movie, because his (the demonstrator) playing was fairly basic.
TA: May I ask what movie it was?
Dr. Didg: Walkabout, and also The Last Wave, both had some didgeridoo in them and both cool movies too.
TA: What did you learn from the aboriginal masters and how has it changed your own personal sound?
Dr. Didg: A variety of things. I had to learn a whole different way of holding my mouth and producing the sound on the instrument in order to imitate their style. And in the end, I've gone back to playing in the style that I've developed myself. But I can more or less move towards the more traditional approach at different times which has given me a greater spectrum of sounds that I can make. But also it was philosophically important just on a musical level because I discovered that for them the circular breathing is not something that's primarily to do with keeping a note going for a long time. Their songs are only thirty seconds long, and so you can almost play that long with one breath. For them circular breathing is how you create the rhythm, the basic in and out cycle of the breath, the circular breathing cycle creates the rhythmic phrasing of the music, and thats opened things up for me too. Seeing the phrasing as a form of articulation rather than as a bagpipe to keep the sound moving.
TA: Besides the all night jam session at Glastonbury in 1993 when you ran out of material and decided to just improvise was there anything or anyone else that influenced you to use the didgeridoo in a more improvised manner?
Dr. Didg: I don't know, it was mainly that night that brought it out, because the general music culture in England is fairly negatively oriented towards improvisation, and most of the bands I know there they all write their own stuff, they don't play covers, they don't take long solos, they don't jam. They are high on originality, and having your own style and having your own thing, but they don't jam. So I was really afraid to do that because I thought that they would say, ahhhh he's wanking, as they would say in England. So we ran out of stuff to play and we started jamming and we discovered that it slipped under their radar because I was improvising loops that ended up sounding like dance music, and they didn't mind that it went on and on with the same riff forever because a lot of transy dance music goes on for fifteen, twenty minutes without a huge amount of...
TA: They couldn't tell the difference.
Dr. Didg: Yeah
TA: Who would you say influenced you the most in western hemisphere music?
Dr. Didg: Jerry Garcia, and after that John Coltrane.
TA: How did you ever come about meeting Mickey Hart and being invited to play with the Dead in 1993?
Dr. Didg: Mostly that came about through the fact that Mickey Hart was releasing his solo stuff on Ryko disc, who were also releasing my albums so I had some connections through the record company. Although there's a funny story because before Ryko bought my old label, I was trying to get in touch with Mickey and tell him what I was doing with the didgeridoo because I thought he would be interested. And I went to see the Grateful Dead in London and brought a CD of my first band Outback with a letter and put it in an envelope and during the setbreak I went down front and chucked it on stage. It had 'Mickey' written on it. And the thing went arcing, spinning, spinning, spinning, and then went WHAM!, straight into Jerry's speaker cone. I'm sitting there going, "OH SHIT!!" It's got my name and address on it and it just hit his speakers, the only speaker on stage that didn't have a grill over it, and I just whammed right into it. And then some roadie comes out and picks it up and puts it up on Mickey's drum riser and Jerry comes out to play and I'm waiting for some kind of...
TA: This was before the unabomber day's.
Dr. Didg: Yeah.
Dr. Didg: And it was alright it must be a fucking strong speaker because nobody noticed, but I was sweating. But I don't think realistically that chucking the CD on stage got through to Mickey, it was when the record company told him about me, which actually got things rolling.
TA: Tell me about who you are currently playing with?
Dr. Didg: Well I got a new band since I moved to America. We got Scott Eisenberg on drums, and Todd Wright on guitar and they've been playing with me since a year ago now, last January of 2000. And just a couple of weeks ago we added Brad Chirmin on the bass and its quite an exciting time now. A lot of last year we were just trying to get out on the road, and do gigs, and spread the word. The guys were playing a lot of repoitoire that I used to play in England, basically trying to do the thing I do, and since the end of last year we've started moving on to what the next thing is going to be with this band, and particularly since we brought in the bass, because its opened up all kinds of new possibilities in terms of how I use the sound in different approaches to improvising. And its quite an exciting time now, because each gig we do there's new ideas developing. We tape it, and drive to the next gig, listen to last gig, and talk about new ideas.
TA: Where is Dr. Didg most popular?
Dr. Didg: As far as I can tell, on the west coast, California. We sold a lot of records there and when we play out there we get a big response.
TA: How about Australia? What would they or do they think of your band's music down there?
Dr. Didg: Well my first band Outback I had some very good reviews from Australia, even to the extent of saying why can't make music like this here. With Dr. Didg I haven't specifically heard any reactions, only that sales have been fairly small. I had an interesting experience with the aborigines because when I went to live with them, I was introduced around town and this antropologist who was there would say, "Oh this is Graham, he has come over from England and he plays the didgeridoo." And they would look at me like yeah right, and I would get out my didgeridoo and I would play my hottest licks for them. And then they would be like yeah, well you can play but what are you doing? They didn't get it, musically. What am I getting at, and why am I making these sounds, and for them they never used the didgeridoo alone, the only reason they play it is to accompany singers, and if they play it alone they are playing the accompaniment to a song, and everybody who was there would understand it in that context. They know what the song is, and say oh yeah, you did the right part. And then I played them a tape I made with Outback, and they loved it. They're suddenly hearing me do my thing with guitar and drums...
TA: They understood it a little bit better.
Dr. Didg: Yeah they saw it in context. And in fact demanded copies of it because I ended up having a bootleg of my album handed out around this village. Because I hadn't thought, I didn't go to Australia with stacks of my tape to sell to the aborigines, it was the last thing I would think of. I had like one or two copies to play for people if they're interested.
TA: The Horning's Hideout show with String Cheese last summer is gaining quite a bit of notoriety around here as having been a really special event. For those of us who were not there, could you tell us what that was like.
Dr. Didg: That was pretty wild. They had invited us to play at their festival and they said specifically, we want you to come with your didgeridoo and we're gonna have this third set where we're gonna do this whole big production deal with giant flaming portals of fire, and all kinds of costumes, and giant mushrooms. And I figured they were gonna have me play for maybe twenty minutes, as this thing started and then they would do their set. But instead they kept playing, and they kept wanting me to be there, and its the only time where I had been playing a set and I had to get up and go to the bathroom twice in the set. Everytime I got up to go, they're like "No, no don't go. Play some more!" They had invited Todd, our guitarist, to come up and he was having a fantastic time. And then the magic thing that happened during all this great jamming, but then they brought up DJ Harry who started taking samples of the band and playing them back. And Tye North, the bassplayer from Leftover Salmon took over on the bass, and Jamie Janover started playing percussion. And then String Cheese, without me noticing, gradually left. And left me, and Todd, and Tye North, and Jamie, and DJ Harry just going for it, and we looked around and said, "What happened to the band? It's just us now." And we looked to see the guys from String Cheese were out in the front rows of the audience dancing and shaking hands with people. Never expected that. Like I said, I thought we would do a little introduction to things and they actually let us, by the end, take the show over for twenty minutes, so it was magical.
TA: Finally, what would you like to see as the future of the didgeridoo as far as becoming more involved in western hemisphere music?
Dr. Didg: Well, my whole thing with the didgeridoo is I see it as a rhythm instrument, and that's certainly what I push in my own music. There's a whole lot to be developed there in terms of playing techniques, and making it an equal partner with all of the other instruments in the band. And the tendency for a lot of people who start to use the didgeridoo is treat it kind of as a sound effect, and you like to give a big drone in the background and be a bench on which everybody else plays on top of. I would like to see the didgeridoo as being like a funk based, that it's right in there with the guitar, drums, and horn section, funkin it, as a fully equal partner. And that's what happens when you hear us play, I hope, and I think there are other ways to do that, that people could develop. I feel a little worried that this is becoming this cliche that western people come with the didgeridoo and want to transe out to it. Just have long notes, and slowly evolving things which actually has nothing to do with what the aborigines do with it, but thats what a lot of people find in it, and its become kind of like a cliche. I'd like to hear more people funking out on it.
Thanks to Grizzly Magic Entertainment and to Anna Pikul for the black and white photos.
Dr. Didg will be performing at the Scholz Beer Garten in Austin, TX on Saturday, March 17 as part of the JamBase Showcase for the South By Southwest Music Festival.
Check out all of Dr. Didg's Tour Dates!
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1. The IPTV Revolution: A New Era in Television Streaming
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Transcript: Dancing in Digital Dimensions: Next gen choreography with Harrison Hall
Up Next: Ep 11 - Harrison Hall
Courtney Ammenhauser: The Sydney Opera House acknowledges the Gadigal People, traditional custodians of Tubowgule, the land on which the Opera House stands. We honour the long Gadigal history of `gathering and storytelling and acknowledge the strength and resilience of First Nations people and communities past and present.
Harrison Hall: I think the power of dance is in its sensations, is in its feelings, its ideas and its imagery. So it's okay to not understand. Just being okay, to sit and experience those things and maybe be open to where that will take you thinking, there's a gateway there.
Courtney Ammenhauser: Hey, I'm Courtney Ammenhauser, and this is Up Next -- your ticket to the most exciting artists and performers coming through the Sydney Opera House doors. Join me backstage where I'm going to be chatting to a spectacular lineup of artists; up and comers who are making waves on one of the most iconic stages in the world. The Opera House is celebrating its first 50 years. So, in every episode of this podcast, we showcase someone exciting who we think will transform the next 50 years of arts and culture.
Courtney Ammenhauser: Harrison Hall is a dancer and choreographer but I think it's fair to say his work is a bit strange, which is a compliment, because he pushes the boundary of what those artforms mean. Think: drones filming dancers in motion capture body suits. Think: live performance transposed into video game avatars for people watching on the other side of the world. Think: dancers that don't all look like ballerinas. On July 13, a showcase of Harrison's work will feature in the Opera House's Digital Festival Outlines, alongside a lineup of artists and technologists who are rethinking the future of performance. Harrison will present screenings of two performances and discuss his approach to experimental dance. Speaking of which, that's what this episode of Up Next is all about. Let's get into it.
Courtney Ammenhauser: Harrison, I want to start our chat back at the beginning. When you were a kid, because you had a lot of energy to burn, right?
Harrison Hall: Yep.
Courtney Ammenhauser: Your mum thought maybe a trampoline will fix it. Maybe that'll, you know, get it out.
Harrison Hall: Yeah. She threw me on a trampoline and then the next stage was she took me to martial arts and she was like, "This would be a great bit of discipline," you know? And next door to the martial arts place, there was a dance school. And I just loved kind of leaving that martial arts place, and I'd just be like, peering through the windows and, yeah, getting drawn to music and dance. And then, yeah, then I got sucked up into that world.
Courtney Ammenhauser: So what was the first type of dance that you started doing?
Harrison Hall: So, I was doing a lot of funk and then, you know, a bit of like, tap as well. You know, the classic kind of forms that you do in a rural town, I guess. And then, yeah, the teachers, as usual, this is quite a common thing in dance, they'll say, "Oh, this is great, you're getting rhythm, you're getting movement, but you need technique."
Courtney Ammenhauser: And what does that mean?
Harrison Hall: That means ballet.
Courtney Ammenhauser: Ballet, baby!
Harrison Hall: Yeah, yeah. So then I was on the ballet train.
Courtney Ammenhauser: You then went on to a performing arts high school, and then you kept studying ballet as well.
Harrison Hall: Yeah. I got into this performing arts high school and this was VCAS, this really amazing school in Melbourne where it’s half-day dance half-day school, so yeah, really great for dancers. And it’s quite broad. And then I got wrapped into, you know, a big ballet school – I went to the Australian Ballet School – which is, you know, an amazing but intense place. And I think in that time, I think in my second year, third year, I was already starting to contact contemporary companies and start to think or start to question what more could I experience in this dance journey.
Courtney Ammenhauser: Totally.
Harrison Hall: I think it’s pretty clear that ballet is the pursuit of perfection. It’s an amazing form but for a lot of people like myself and many other people – only a very few select people are close to this ideal and have what seems to be a fulfilling and rewarding time in that industry. So yeah, I thought I don’t really see myself in this. And then secondly I started to have more chats with people who were in ballet and I really worried that, you know, the creative things I was interested in or the open more abstract ideas or narratives that I was seeing in my world weren’t really represented in that form. I think it was pretty clear that ballet is the pursuit of perfection. And, you know, it's an amazing thing and it captures what, you know, a whole lot of people think is valuable in the same way that Usain Bolt may have, you know, by being faster, harder, stronger, you know, by running in a 100 metres sprint. But yeah, I think for me, I was ready for something new, something more.
Courtney Ammenhauser: Yeah.
Harrison Hall: I grew my hair. I went in, basically attached myself to this Butoh performer, Yumi Umiumare. She became my mentor. We toured Japan and I just did like a whole lot of weird shit, honestly, for like a year and a bit. And then, you know, started to find where I kind of sat more in the middle of those.
Courtney Ammenhauser: Yeah. Can you run me through some of the experimental ways you've put on a dance performance?
Harrison Hall: Yeah. So I've made a parkour and bike show for dance. I've made an underground rave style dance that featured the Gabber dance to, like, obviously rave music. I've spent a lot of time in the kind of like 3D animation world, you know, like very kind of dismantled experiences of yeah, dancing, music, performance and integrative technology. We'll have dancers with motion capture who are being streamed into a live online game while there's a band elsewhere that's being streamed into that space and an online game. I've made performances with people with different abilities, people with wheelchairs and yeah, move them on crazy journeys through theatres. I've made shows that had live bands from Taiwan join and motion capture dances and projection and a whole lot of technologies. Yeah, a lot of stuff.
Courtney Ammenhauser: So good.
Harrison Hall: And also some of the most amazing and profound experiences I've had working with people have been people who live with disability. And I remember there was a blind dancer who wanted to understand the movement more. So he came and put his hands on me and we kind of went for a ride and we danced and moved together. And just to watch the kind of elation and, that reciprocity, that feeling that we kind of shared together was like, yeah, incredible. Like, those are the memories that I'll really, like, hold onto in my career I think. Particularly around technology, actually, people living with disabilities have more experience and expertise than, you know, than I have actually. I did this work running machine with a bunch of amazing creatives from Australia and Japan and Hiwa Kazuhiko, they're an amazing performer who experiences life through a wheelchair. And yeah, we kind of started to really just collaborate and think about how these types of understandings of works could actually feed into the experiences for all audiences. I did a bit of research recently and we're working with a person that's vision impaired and you know, I try to explain them, "Oh yeah, so my works like, you know, making motion capture and doing dancing" and like, like highly visual things and then, you know. Essentially it was like, "Oh, but how can people with vision impairment access this work?" So we're actually going into a bit of research where we're now working out ways that we can send motion capture dancers information into software and it can output a sound. So you can actually create these really creative, interesting ways and think about reconceptualize the way that you make art or the kinds of experiences that are possible from those, yeah, those experiences.
Courtney Ammenhauser: Amazing. I'm keen to talk to you about BONANZA!
Harrison Hall: Oh, yeah.
Courtney Ammenhauser: I was pretty mesmerised when I was watching the trailer for it on YouTube. Your head kind of is bouncing around all over the place. There's limbs everywhere. It was also filmed by a drone, right?
Harrison Hall: Yeah. So this is a complex project, but I'll try and explain it.
Courtney Ammenhauser: Please.
Harrison Hall: Essentially, it starts off with a video work where I'm dancing and then I'm wearing different greenscreen suits, so different parts of my body are kind of moving around. That's the first section. Then it goes into a second section where I'm cut out. So the background is greenscreen and I'm in a digital world, and then in the next world it's back to this original space that we filmed in, but they're 3D avatars of me in that space doing like impossible choreography, flying around, you know, breaking limbs and doing just like a whole bunch of stuff in the form of like a K-Pop music video. So, yeah. What's it all about? Great question.
Courtney Ammenhauser: Took the words right out of my mouth.
Harrison Hall: Yeah. For that, like, you know, that was totally like a meditation in the depths of lockdowns, a lot of people were stuck at home able to see this, you know? Like, made people think that, like, good quality artistic work could be made digitally in lockdown.
Courtney Ammenhauser: Yeah. And you want to make art that feels real when you consume it from home. And I love that.
Harrison Hall: Yeah. Awesome. Yeah, I totally agree. So the screen is not the best place for the body, or for dance generally. It's definitely good live, but working out how we could kind of give an audience more access to the body through this certain environment. So that was the challenge. That was the thing we chipped away at lots, if that makes sense.
Courtney Ammenhauser: Do you think about dance differently now than when you started out?
Harrison Hall: Yeah, when I first started it was a bit more self focussed, I guess. It was about needing to get good to be able to have a career. So it was very, yeah, very competition based focussed on going forward and getting better and rising and you know, competing with other people to get the role. Whereas yeah, the works that I make now are much more focussed on collaboration and working together, often hiding myself in digital material or as the choreographer so I can, you know, have other dancers rise up because these days I feel like watching myself or thinking of myself dancing as much is just like a cringe. So creative ways I hide myself in the digital.
Courtney Ammenhauser: Sneaky.
Harrison Hall: Yeah, yeah, yeah. I think the things that were interesting to me were building community and collaborating with people and yeah, working as a team to make amazing things happen.
Courtney Ammenhauser: Harrison, when you look back over your career, what do you think will make you proud?
Harrison Hall: Hmm. It's definitely changed over the years. When I was younger, when I was like, maybe like I'd say up to like my mid, early, mid twenties, it would have been like, you know, accolades I got in terms of like, awards or whatever this is.
Courtney Ammenhauser: Yeah.
Harrison Hall: But I think, I think, yeah, as I've gone on the most amazing moments that I've had when, you know, young people come up and say, "Wow, that was amazing. You know, I'm so inspired, I want to go and do something like this," or, you know, yeah. For people that have come up and said, "Wow, that was really magic, I was just like in awe," or "I felt wonder." I don't know. I think just creating senses of wonder, making people feel like the impossible is real. I think those things and as you know, as kind of baseline as that is and all the nuance, sophisticated ways that we go, the laborious, crazy ways we go to do that, those are the kind of things that like, I aspire. And yeah, I'm sure as I get older that will increase, it'll be more about legacy and not in that my name needs to be anywhere and more so that, you know, these types of forms will continue to grow, and these types of interests, you know, the values of dance and embodiment are still in the artistic sphere in a really strong and potent way.
Courtney Ammenhauser: They say, "Do the thing you love and you'll never work a day in your life," right? It's not always true, though. And sometimes we turn to the thing that we love in our profession, and then our passion can fade away. I'm interested to know, do you like getting on a dance floor at a party?
Harrison Hall: Oh, yeah, I love that, because it's really different to what I do on a day to day basis. But you know, realistically, as an artist working in today's society, my job is not just dancing around in a room, closing my eyes. It is doing heaps of emails. It's, you know, being on the phone to heaps of people, and yeah.
Courtney Ammenhauser: I think some people are afraid to see contemporary dance because they think that there's something that they're perhaps not getting.
Harrison Hall: Mmm.
Courtney Ammenhauser: Or they might think that there's some kind of meaning that's clear to more sophisticated audiences and not them, maybe. What would you say to those people?
Harrison Hall: I think it's okay to not understand. It's okay to just sit in sensation. It's great to just be awash with feelings, images, ideas. It can be polarising, and that's often the artist's point. So maybe if they put that on, you know, one day in primary school in year six as part of personal development, then maybe that stigma would be gone.
Courtney Ammenhauser: Can you give me a guide like what to watch for? Or should we be trying to connect dots or process meaning at some point?
Harrison Hall: I think the best and first thing is just remove meaning. No story. And just kind of sit. Watch. Maybe let your resistance drop. And try not to be too worried about not getting it or understanding. I think the power of dance is in its sensations, is in its feelings, its ideas and its imagery. So just being okay to sit and experience those things. And maybe be open to where that will take your thinking. There's a gateway there. And, you know, the people I work with, we really try and bring a lot of art forms together and try and open up that accessibility bandwidth, if it makes sense. And that's why, yeah, we'll bring in like live music and people might not have rocked up for the dance show, right? They'll be rocking up for the live game engine streaming that we're doing or the music. And then what the hope is that they'll be like, "Wow, Oh my God, dance. I've never seen it before, but I had all these great experiences and that was really cool." Or is being like, "Wow, gaming, that's sick."
Courtney Ammenhauser: The Opera House is a classic venue for contemporary dance, but when you put on a show here, you did something this place has never seen before. Can you tell me about your show DOKU with Lu Yang?
Harrison Hall: Yeah. So it was simultaneously split between Sydney Opera House, the Utzon room, with a beautiful view over the water and the West Kowloon Space in Hong Kong. So we had a dancer in Sydney and a dancer in Hong Kong that were in a virtual game space dancing with each other. So an audience in each could experience a live dancer, but then you're also getting this collaborative idea, this kind of like, stream dancing video game, like, hyper world. Yeah, it was, it's pretty, pretty amazing. Pretty. Yeah. Tight visuals.
Courtney Ammenhauser: Hell yeah. That sounds so cool. And you're about to take part in Outlines, The Opera House's digital performance season. Can you give me a taste of what you'll be talking about?
Harrison Hall: For Outlines I'm presenting a work, or a few things actually. It's a bit of like a suite is a work called Maelstrom, it's a collaboration between me and Luca Dante, and this is really like wild kind of physics simulations on these digital bodies that are like breaking them apart and melting them and creating all this, like, beautiful skin choreography, essentially. And then there's another work in there called Flesh Cache, which is kind of like a game ride through, a fly through of the Body Crysis series of works that we've been doing. So that's all, yeah, it's a collaboration with Sam Mcgilp and NAXS in Taiwan, and it's all the avatars and digital materials, but like in this gamified way through this performance. And then at the end is going to be a really great interview where, yeah, I'll be chatting to Matt Cornell who's another digital dance person and we'll be doing some really fun, real time avatar streaming stuff. So that's going to be really fun and probably a little bit unhinged and fruity.
Courtney Ammenhauser: Fruity, I like it.
Harrison Hall: Yeah, yeah. But no, yeah, it's going to be great. I'm really looking forward to it.
Courtney Ammenhauser: On this podcast, we like to ask guests who they think is going to be someone really big in their field, someone that you might have your eye on, or maybe not just in your field as well, just someone who you think is a star on the rise. Is there anyone that comes to mind for you?
Harrison Hall: It depends what scale, But I mean, you know, like Bhenji Ra is an amazing performer, Vogue, Voguer in the scene that's going to do, you know, is doing amazing things is already huge but is only going to get bigger. Taiga Kita-leong, who performed in the Sydney Opera House, is an amazing, amazing dancer that is going to blow up on so many levels. Yeah. So that's on the, like, kind of dance space. I think, yeah, in terms of 3D animation, if you haven't seen them already, Luca Dante and Henry Lai-Pyne are amazing, amazing 3D digital artists that I absolutely adore and think are incredible. Yeah, they're just a few. I mean, there's heaps. The beauty about my job is that I'm just surrounded and awestruck by, like, so many talented people, like, all the time. So, yeah, it's kind of been blown away all the time and then having to, like, calm that down, to be functional, to work with them. That's the issue.
Courtney Ammenhauser: You're like "Oh my God I love your work."
Harrison Hall: Yeah just like, Oh, God, stop.
Courtney Ammenhauser: Well, thank you for sharing those. Definitely some people to keep an eye on.
Harrison Hall: Sure.
Courtney Ammenhauser: And thanks for coming on the podcast today Harrison. It's been great to have you here.
Harrison Hall: Thanks for being here in this warm studio.
Courtney Ammenhauser: I know, it's steamy.
Harrison Hall: Cheers.
Courtney Ammenhauser: That was dancer/choreographer Harrison Hall. You can catch Harrison on July 13 at Outlines the Opera Houses’ digital performance season.
I'm Courtney Ammenhauser and this has been Up Next, a podcast from the Sydney Opera House.
From Audiocraft the show is produced by Marcus Costello.
From Sydney Opera House, Head of Digital Programming is Stuart Buchanan. And the Digital Programming coordinator is Georgia D'Sousa.
The Up Next music is by Milan Ring.
Subscribe wherever you listen to podcasts.
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SATOKO SHIBATA『Wankoro Meter/My Town Event』7inch
Price: ¥1,800 + tax
Satoko Shibata continues her vigorous live and writing activities, as well as appearing in TV dramas and being very active on all fronts. The long-awaited release is a 7inch EP (& distribution)! The sound of the album has been completely supervised by the artist herself, from the analogue mastering & to the cutting.
The lead track 'Wankolometer' has already established itself as a killer tune at live shows. We have to release it this year, the Year of the Dog! The song was presented to the public with a mysterious sense of mission: "I have to release it this year, the year of the dog! The lyrics and rhymes are filled with Shibata's sense of language, and the looped sound accelerates with each repetition. A strong dance tune with "Minna no Uta"-like ease of understanding and irresistible beat pleasure that will make even children dance! Sepaktakraw no Okugi" is the fruit of Shibata's thought: "A 7inch EP coupling has to have a weird song in it, doesn't it! The fruit of this idea. Full of Asian taste, it's a sickening and supremely pleasant aerial speciality. The weird sound makes the song sway and your body sway, the space twists and turns, and your brain goes psychedelic. But what's being sung about, well, you'll have to listen to it to find out. Festival, festival, festival! A song that the town council president should take the lead in dancing to.
- SIDE A:
- 1. ワンコロメーター (Wankoro Meter)
- SIDE B:
- 1. セパタクローの奥義 (My Town Event)
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After watching The Suicide Squad, I kept wondering why there weren’t that many R-rated comic book movies. Turns out there are quite a bit. Enough to, say, fill a whole top ten 😃
Why aren’t there more though? The graphic potential of an R-rating may seem exciting to rabid fans like you and me, but it effectively means less seats which means less dollars. Sure, Deadpool opened big but Iron Man 3, Black Panther, and Captain Marvel opened bigger. The corporate IP game is all about reigning supreme at the box office with the widest possible appeal, which the PG-13 rating ensures. Studios, then, are less and less willing to risk the potential for massive profit when it comes to their billion-dollar superhero franchises.
But every once in a while we get Logan or The Suicide Squad. These ten below are ready to queue up right now and satisfy those mature cravings that the PG-13 superhero can’t fulfill. You might notice some glaring omissions (sorry Snyder fans) but HEY, THIS IS MY LIST NOT YOURS.
This is the hard-R comic book terrain so far and it may point to where studios can go next.
10. The Punisher
I liked The Punisher! It’s the “dark and gritty” superhero before Nolan’s Dark Knight trilogy established the whole template. Once upon a time, Thomas Jane was on the rise of becoming the next big action star. A memorable turn in Deep Blue Sea brought this into consideration (this right here is his Stallone Cliffhanger moment), and 2004’s The Punisher gave some compelling evidence. Sadly, a sequel fell apart and Jane went on to do very, very different things. What the movie lacks in polish and overall quality, it more than makes up for as a hardcore revenge B-movie. The Punisher was basically Thomas Jane’s Death Wish and that’s why I love it. Because Jane isn’t making his bid for Bruce Wayne; he’s going full Charles Bronson. The film could have been better, but as the first R-rated superhero movie I got to see in theaters, The Punisher set the bar.
There’s a very dark alternate timeline where this movie was never greenlit and the only cinematic legacy of the character existed in X-Men Origins: Wolverine. Thankfully, 20th Century Fox came to their senses. Ryan Reynolds had been itching for his superhero franchise and he found it in Wade Wilson – a perfect match of both actor and character like an outrageously twisted love story in and of itself. The role is decidedly less action-oriented, instead packing on the sarcasm and the wise-assery, which is Reynolds’ forte. The whole tone of the movie is molded around the character’s comedic sensibilities INCLUDING the marketing, and that’s what made this such a must-see for audiences. The Deadpool movies have sort of lost steam for me, but I can’t deny the crowd-pleasing spectacle in watching the merc with a mouth get his due justice on screen.
Dredd is the R-rated comic book adaptation that never had its day in court. It didn’t help that Gareth Evans’ The Raid had its wide release that same year, and both movies had the same “fight your way to the top” premise. Karl Urban and Olivia Thirlby are the grim-faced buddy cop pairing I never knew I needed, one a tortured and breathtakingly violent career lawman, the other a rookie psychic in for the training day of her life. I would have killed to see these two firefight their way through an entire city block. It’s a crime that a sequel never materialized. Dredd is a hyperviolent action romp to the tune of a survival horror video game. It was one of the first Blu-rays I ever bought and the 4K upgrade made it that much sweeter, ESPECIALLY those slow-mo sequences. Criterion when???
7. Blade II
In my mind, the Wesley Snipes superhero saga was a two-parter. Blade II was directed by none other than Guillermo del Toro. It’s slightly shocking how little of del Toro’s stylistic flourishes are present in this movie, but it’s quite clear how much the filmmaker was swooning over his leading man. I’m hardly accusing del Toro of being timid here. We’re treated to some truly grotesque vampire imagery. Del Toro’s camera is resolute and unflinching to this gory and horrific world full of mutated bloodsuckers. (The reapers are essentially a precursor to del Toro’s FX series, The Strain.) Admittedly, some of the effects are as dated as the burly brawl in The Matrix Reloaded, but that doesn’t mean Snipes doesn’t get to whip an insane amount of ass. There’s a tunnel scene that’s Resident Evil inspired, and a martial arts extravaganza of a finale that dazzles to this day. Cue the club music and hand me my Mountain Dew Code Red.
6. Birds of Prey
Cathy Yan’s Birds of Prey has more in common with Pulp Fiction than anything DC had done prior. (Fox Force Five would’ve been a great alternate title imo.) Not to mention that BoP has an incredible ensemble and boasts some wicked stunts that had the action-junkie in me spinning. Ewan McGregor and Chris Messina and deliciously sadistic, and both Jurnee Smollett and Mary Elizabeth Winstead are whirlwind additions to Harley’s entourage. BoP severs any and all connection to the 2016 Suicide Squad, reintroducing the Brooklynite court jester as a shotgun blast full of energy. There’s a version of Harley that could’ve easily aped Heath Ledger’s Joker, which seems like what the 2016 movie was trying to do. Writer Christina Hodson and star Margot Robbie gun it in the opposite direction. Harley is unreliable, she’s formidable, she’s human, brazenly funny, and all over the fucking place. Moreover, she’s finally set free.
In my mind, Constantine takes place in the same dark alleys as Blade. That’s the superhero crossover I was pleading for in 2005. Keanu Reeves has never been cooler as the doomed chain-smoking warlock, though he’s less a direct translation from the comics than he is a hard-boiled noir figure with a comic book flourish. Fans might’ve been annoyed; I was enthralled. Exorcisms, Satan bibles, Reeves deadpanning the Almighty, and the holiest of shotguns blasting demons back to Hell; I don’t know why more people didn’t show up for this thing. It’s The Exorcist meets Hellboy with the moody existential despair of Blade Runner. Reeves and Rachel Weisz traversing the strange and occult is a premise that should have gotten more replay, like an extension of The X-Files in film form. As an R-rated superhero movie, Constantine brought the supernatural edge to distinguish itself from the capes and spandex.
4. The Suicide Squad
The Suicide Squad satisfied a bloodlust I didn’t realize I was yearning for from DC. It seems like everybody these days are getting their own spinoffs or limited series. (Granted, one of the characters already has.) It’s refreshing, then, to come across a comic book movie that does not hesitate to kill off its own ensemble. Writer-director James Gunn pulls no punches, starting fresh and delivering the R-rated goods worthy of this rotten wild bunch. What surprised me the most was how much heart this movie had. That no matter how broken, or how profane and reprehensible these characters are, they’re capable of achieving something good. Just ONE good thing though, because everything else they do is kinda fucked up. A lot of civilians die in their crossfire, and the body count is piled on by exceedingly over-the-top kills. The Suicide Squad ultimately isn’t bold enough to be the anti-superhero movie that Warner Bros. was selling. To be fair, Gunn comes close. The final minutes plays like a parody of The Avengers. You get the sense that Task Force X is only saving the city because it’s funny to piss off Amanda Waller, and possibly use the good deed as collateral for their freedom. Saving the world shouldn’t be such twisted fun. James Gunn makes it a goddamn riot.
3. The Crow
In film class you learn about German expressionism via 1930s Dracula, or 1920s The Cabinet of Dr. Caligari – the use of highly stylized sets to emphasize character or mood. Turns out I already had that education with Alex Proyas’ The Crow without even knowing it. The Crow is unbearably gothic, “dark” without the need for grittiness or realism. Detroit is rendered as a bleak hellscape stuck in a never-ending downpour; buildings and interiors are black as pitch, and a pivotal showdown takes place in a cathedral plucked right out of a Tim Burton movie. The Crow also had a pretty killer soundtrack. The movie, sadly, bears an un-washable stain. Every frame is supercharged with star Brandon Lee’s memory, who died in a tragic on-set accident. For all intents and purposes, The Crow was my R-rated Batman where the hero wasn’t putting bad guys behind bars; he wanted to kill those responsible. (If you’re paying attention, you’ll spot some precursors to The Dark Knight.) If Bruce Wayne was the brooding do-gooder in a PG-13 superhero world, then Eric Draven was the nihilistic avenging angel for the emo and downtrodden and Hot Topic dwellers. Revenge is so much better in eyeliner and wrist cuffs.
Blade to this day has the most kinetic opening I’ve ever experienced, one that puts the entire MCU to shame. The movie featured a black lead, was the first Marvel Comics property to get the big budget cinematic treatment, AND was an R-rated blend of action-fantasy-horror. Now THAT’S a risk. If you never heard of Marvel at the time, then this was a hell of an introduction. Blade doesn’t get the credit it deserves for putting this whole modern superhero thing on the map, really. For my money, Stephen Norrington’s movie is the better movie over Guillermo del Toro’s Blade II because Norrington matched the sheer verve, intensity, and swagger of his leading man. Wesley Snipes is iconic as the day-walking vampire. He owns every stride, every affectation, every badass line. (“Some motherfucker’s always tryna ice skate uphill” is one of the best line reads of all time.) Blade popularized club music as an action aesthetic long before The Matrix made it a trade (along with wearing shades at night) and made the superhero gig an ass-whooping good time. No offense to Mahershala Ali but he’s got some big shoes to fill.
Logan is the R-rated comic book movie to end all R-rated comic book movies. The character of Wolverine transcends from a mutant with claws who said “bub” all the time to an aged-out gun-slinging antihero in the vein of Clint Eastwood. It’s so bittersweet to finally get a violent and bloody X-Men movie, but at the end of Logan’s tragic journey. If superhero movies go on forever in sequels and crossovers, then director James Mangold made a quiet spectacle out of a definitive ending chapter. Five years later, this is STILL Hugh Jackman’s best performance; a washed-up portrait of a man on the brink, an epic poem of a life sustained by violence, and the futility of masculine rage. I could’ve ridden in that truck with Jackman, Dafne Keen, and Patrick Stewart ‘til the end of time. All stories come to an end eventually, and Logan is the lowering of the grave, a brutal swan song, and a powerful eulogy. “There are no more guns in the valley…” I cry every damn time.
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The lore for Counter-Strike: Global Offensive is a mixed bag, and players are wondering if it could be tied with Valve’s landmark Half-Life series.
CSGO and Half-Life are undeniably connected. They both use the same engines, share several map assets, and involve shooting a whole bunch of bad dudes. But the connections might not stop there. Valve famously uses the Half-Life universe as the basis for the Portal series, but CSGO could also take place in the same reality.
Here are all the connections between CSGO and Half-Life, both in-game and out.
CSGO and Half-Life collide
The two series’ ties begin with the original Half-Life. Valve’s first big release was built on the GoldSrc engine, a heavily modified version of the Quake framework. Valve’s changes made the system extremely mod-friendly, which resulted in a ton of games being built on top of it. The most famous of these titles is the original Counter-Strike. Not 1.6, not Source, and not Global Offensive — just Counter-Strike.
Because they shared the same engine, Counter-Strike borrowed a ton of assets and textures from Half-Life 1. This included the models for Black Mesa scientists and Hazardous Environment Combat Unit soldiers. Some of the original maps even took place in Black Mesa or the surrounding areas. The maps that didn’t still used containers or textures from the base game.
Further revisions of the game pushed the similarities even further. The physical copy of Counter-Strike 1.6 was officially named Half-Life: Counter-Strike. Valve even chose to market the game as the “Half-Life Multiplayer Experience.”
The similarities didn’t end when Valve switched Counter-Strike over to the Source engine. Every physical copy of Half-Life 2 came bundled with Counter-Strike: Source. This is part of why Garry’s Mod requires so many textures from that game. Gmod assumes that anyone who has Half-Life 2 also has CS: Source.
CSGO’s lore separates it from Half-Life
While the original Counter-Strike series is undoubtedly connected to Half-Life, Global Offensive appears to break from that tradition. Valve has attempted to create original lore for CSGO that’s completely separate from the Half-Life timeline.
Most of this comes in the flavor text for gun skins or operation missions. Riptide agent skins reveal a little bit more about the world of CSGO, but it’s still not enough to create a full story.
While there have been attempts to build up CSGO’s own lore, none of it excludes the series from Half-Life. Several other Valve games, including the Portal series, take place in an alternate version of the Half-Life world.
Maybe CSGO takes place in a world where HECU forces successfully prevented the events of Half-Life. Alternatively, it could take place between Half-Life and its first sequel. Concept art from 2016 and Operation Shatter Web even take inspiration from Half-Life 2’s Combine.
While they might not be directly connected anymore, the two series still share the same DNA.
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Hollywood actors are not all American, and even if some are from England, Scotland or Ireland, they can sometimes have trouble making themselves understood because of their accents. A study from Preply named the most misunderstood star right now, and you’d be surprised.
Tom Hardy, the most incomprehensible actor
Actor Tom Hardy topped the poll. As a reminder, he was the main character the poison as well as Mad Max: Fury Road. Behind the latter, we find sofia Vergara, Arnold Schwarzenegger, Sean Connery, Johnny Depp etc Jackie Chan. Find out where the inspiration for Ban’s voice in the film came from The Dark Knight RisesIt happens here.
The panel consisted of more than 1,200 Americans and even had a ranking of the most popular accents:
- 50% for Scottish accent
- 17% for English Pronunciation
- 17% for Irish accent
- 10% for South African accent
Additionally, 57% of viewers activate subtitles to better understand actors of these nationalities. 74% of Gen Z do.
Therefore, we find TV series in this classification, understandably:
- Peaky Blinders
- Derry Girls
- Power play
- Downton Abbey
- Squid game
On the platform side SVOD, In terms of subtitling quality, it ranks first, surprisingly. netflix, And then Amazon Prime And then Hulu.
Wannabe twitter trailblazer. Troublemaker. Freelance beer evangelist. Amateur pop culture nerd.
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The Boston based producer, SCRVP, has taken a classic track and pumped some new more energy into it, something I thought couldn’t be done. SCRVPS remix of Skrillex and MUST DIE!‘s track, “VIPS” comes intact with high energy bass music influences. SCRVP covers blends a lot of genres with this new remix, mainly moombahton, bass house and jersey house with a little bit of trap influence thrown in there to spice it up as well. This remix will surely make a name for itself in clubs and festivals in no time.
The track starts with the original songs “VIPs in the back” vocal chop over some of the original songs synths. SCRVP quickly introduces dubstep influenced screech bass over some thumping kicks to bring in the bass heavy drop. He switches up the beat to create a hip gyrating moombahton feel, but quickly switches back to more of a trap slash bass house styled track. This track blends the various genres very nicely and will have the VIPs in the back ragin face. Take a listen to the new remix below:
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Amitabh Bachchan has been a part of the industry for around five decades with more than 150 films. He has worked with many directors including Yash Chopra. Amitabh Bachchan and Yash Chopra have given many hits. Read to know about them.
Amitabh Bachchan and Yash Chopra’s first venture together was Deewaar in 1975. It tells the story of two brothers who fall on different sides of the law, with one being a criminal and other a police offer. The film also stars Shashi Kapoor, Nirupa Roy, Neetu Singh and Parveen Babi. Deewaar is considered as a ground-breaking cinematic masterpiece. It received several accolades along with being a super-hit at the box office. The film had several remakes in South Indian Cinema.
Amitabh Bachchan, Raakhee, Shashi Kapoor, Waheeda Rehman, Rishi Kapoor, Neetu Singh and Simi Garewal stars in Kabhie Kabhie. Directed by Yash Chopra it is a romantic drama film of 1976. It tells the love story of generations and how a chain of events brings together old lovers as friends. Kabhie Kabhie had a chartbuster album with evergreen songs.
Trishul is a revenge drama film directed by Yash Chopra. It stars Amitabh Bachchan, Sanjeev Kumar, Shashi Kapoor, Raakhee, Hema Malini and Poonam Dhillon with others. An engineer visiting a town has a brief affair with a local girl and walks off, leaving her with a child. The son grows up to avenge his deserted mother. Trishul was a super-hit at the box office, being one of the top grosser of 1978.
Released in 1979, Kaala Patthar stars Amitabh Bachchan, Shashi Kapoor, Shatrughan Sinha, Raakhee, Parveen Babi, Neetu Singh, Sanjeev Kumar and Prem Chopra. The film was critically acclaimed and received a cult status. It is an action drama film helmed by Yash Chopra. Inspired by a true mining tragedy, Kaala Patthar is about people from all walks of life showing courage and character to fight the forces of nature.
Yash Chopra directed the romantic film, Silsila in 1981. It stars Amitabh Bachchan, Jaya Bachchan, Rekha, Shashi Kapoor and Sanjeev Kumar. The soundtrack of the film is still popular with super-hit songs. The film marks Yash’s consecutive fifth film with Amitabh. Silsila is a love story, thwarted by society's demands, which reappears as adultery but can it survive in the face of society? It was Amitabh and Rekha’s last film together.
Amitabh Bachchan and Yash Chopra reunited for after 23 years for Veer-Zaara in 2004. It stars Shah Rukh Khan and Preity Zinta in the titular roles with Rani Mukerji and others in supporting roles. The movie was a blockbuster at the box office and received several accolades. Veer-Zaara marks Amitabh and Yash’s last film together.
Get the latest entertainment news from India & around the world. Now follow your favourite television celebs and telly updates. Republic World is your one-stop destination for trending Bollywood news. Tune in today to stay updated with all the latest news and headlines from the world of entertainment.
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Fortnite Where Is Vault
Add your pals by means of Epic Games accounts on the Fortnite Battle Royale foyer menu. Many upcoming video games appear ready to choose expertise of the style’s recognition and maybe that we might add Cod Black Ops 4 to that directory. There are video games for young children and adults, ones you probable can play alone killing away free time and ones for the entire family. 1000's of gaming classes can be found to entertain people who visit to kill time. Retailers can be limited in the number of titles they stock; sport rental sites have lists that run in hundreds. While a lawsuit in opposition t Netease over Guidelines of Survival and Knives Out could need some fulfillment given the titles' semi-real browsing settings and direct PUBG parallels (they even borrow the frying pan and "winner winner hen dinner"), Fortnite is not so obvious. The foundations are a bit more stringent this time around -- movies want to be between one and five mins, use royalty free audio, and own sufficient creativity and originality to catch Epic's consideration -- however the bounty is good-looking. You'll get an hour to examine your whole constructing and procedures before the deadly storm begins shrinking during the top of the line five minutes of the match. However because of this card's solely move does require two Vitality cards, and its retreat cost moreover requires two Vitality playing cards, this card is common at best, but it is totally price a look when deck constructing. When a fan puts out a recreation, they're simply telling you what they prefer. There are additionally the free online jigsaw puzzles that are interesting to strive in your spare time.
Epic Fortnite Revenue
The backlash was prompt and so effective that Sony felt compelled to probably not say the rest about it in an official remark. It's all about realization, understanding where stuff's at," he says. "It's so funny because of folks think you're taking it too severely, however it is really a bit more army than individuals assume. I really suppose that PUBG Cell is a awesome sport and i might get a bit heat for this, however I have had extra fun gambling this than the Xbox One version. I take benefit of fortnite hack for mac, However it helps for all contraptions similar to Mac OS, Xbox 360, Xbox one, PS4, Cell and Laptop too. In partnership with our associates at Sony, Fortnite Battle Royale will help Cross Play and Cross Progression between PlayStation 4, Pc, Mac, iOS and in the end Android. This will load avid gamers into the basic Battle Royale map, even though with a few key distinctions. Some gamers were unable as well Fortnite at all. You must set your internet so that it is capable of read the relationship and unlock it, in every other case it could be blocked and you won't have the capacity to play. Fortnite is set in modern Earth, where the sudden look of a worldwide storm causes 98% of the world's population to disappear, and zombie-like creatures rise to attack the remainder. So as to provide well-nigh the most fulfilling event when playing Fortnite on Laptop, we put forward a better system specs.
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What a horrible person.
At the time, the religious leader had written on Twitter:
[Image via Glynn County Detention Center.]
Zac Efron is looking foooiiinnne!
What's new, right?
The actor posed with a group of fans who were at a special screening for his movie New Year's Eve in Tokyo, Japan.
Are you waving at us? Can you see us? Um, Hi! Hi! HI!!!!
We're SOOO happy you're looking like your old self again. Here's hoping we get a New Year's Eve kiss from YOU this year!
[Image via Getty Images.]
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This review assumes you've read the first book, Ao Oni. If you haven't, be aware that I include major spoilers for that book.
Ao Oni: Vengeance takes place only a week after the events of the first book. Shun is the only one who remembers what happened. He has completely stopped going to school, instead choosing to focus on the next version of his game while keeping an eye out for any signs that someone else has been snared by the Jailhouse. He asks Hiroshi to make sure no one else enters the house, but it's already too late: two of their classmates have gone inside and met horrible fates. Takuro, with Takeshi and Mika in tow, goes as well. Hiroshi finds the building's European architecture too interesting to resist (yes, really) and ends up trapped inside the building with all the others.
As in the various versions of the game, the overall setup feels familiar, but there are enough differences to keep it from feeling like a rehash of the first book. Shun and Anna are safe at Shun's home, desperately trying to help the group trapped in the Jailhouse using the knowledge Shun gained from his time there. Meanwhile, the situation in the Jailhouse initially plays out similar to the way it did in the first book, but quickly goes a different route.
Parts of this book were almost more gory than I could take. The very beginning was particularly awful, and I wasn't sure my stomach was going to be up to the task if the whole book turned out to be like that. It seemed like the Oni was more inclined to savor its kills this time around, although thankfully the gory bits weren't all as lovingly detailed as the book's first scene.
It may sound like I hated this, but I actually thought it was better than the first book, even if I wasn't fond of the increase in the level of gore. I had worried that this book would basically be the first book with slightly different deaths. Up to a certain point, I suppose it was: Takeshi was still a scared kid hiding in a closet, Mika was still too desperate to be loved and needed to see Takuro for who he really was, and Takuro still sucked. The overall level of tension was better than in the first book, however, and the parts of the house and story that no longer matched up with the first book's Jailhouse had me on the edge of my seat, wondering whether any of the characters would manage to make it out this time around.
I found that I liked Hiroshi a little more this time around. The bits from his POV helped, as did the fact that, this time around, he didn't spend a good chunk of the story staring at a fellow classmate's severed head like it was no big deal. I wasn't as thrilled about Kuroda's attempts to humanize Takuro, however. I don't care what Takuro's father was like, or what Takuro told himself about how he needed to approach life, or how he felt after he realized he'd betrayed maybe the only person in the world who actually cared about him. The fact of the matter was that he bullied a classmate to the point where the kid committed suicide and then, instead of feeling any sort of guilt or horror, proceeded to bully another classmate the same way. Takuro's sudden change of heart and ability to empathize with his victims was unconvincing.
"time travel + reality manipulation + ghostly vengeance"
explanation for the series' events was weird and messy, and I still don't understand why Shun, who knew his game was connected to the horrors at the Jailhouse and possibly even causing it all, created an updated version of his game. Hiroshi would have had a much easier time if Shun hadn't gone and changed things around. Even so, I enjoyed this entry in the series and plan on reading the next book. From the sounds of things, Takeshi might be its focus. Here's hoping at least one of the remaining books features Mika successfully cutting herself free from the emotional hold that Takuro has over her.
An afterword written by the author, a character guide, textless color illustrations, one scene from the book included at the very beginning in manga form, and several illustrations throughout.
(Original review posted on A Library Girl's Familiar Diversions.)
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In today's rapidly evolving world of streaming television services, finding the right provider that suits your preferences can be quite the challenge. Two major contenders in this arena are DIRECTV Stream and YouTube TV. Both offer a plethora of channels and features, catering to a diverse audience. In this article, we'll delve deep into the features, benefits, and drawbacks of each service to determine who emerges as the real winner in the battle of DIRECTV Stream vs. YouTube TV.
DIRECTV Stream: Unveiling the Experience
DIRECTV Stream has garnered significant attention due to its rich selection of channels and innovative features. This streaming service offers a wide range of entertainment, from live TV to on-demand content. It's a solid option for those who want a cable-like experience without the hassle of traditional cable subscriptions.
Channel Lineup and Variety
One of the most appealing aspects of DIRECTV Stream is its extensive channel lineup. With a diverse range of channels spanning sports, news, entertainment, and more, there's something for everyone. From local networks to premium channels, the selection is impressive and caters to various tastes.
User Interface and Experience
DIRECTV Stream's user interface is intuitive and user-friendly, making navigation a breeze. The platform's design emphasizes simplicity without compromising on functionality. This ensures that users can easily find their favorite shows, explore new content, and manage their subscriptions effortlessly.
Cloud DVR and On-Demand Library
The cloud DVR feature of DIRECTV Stream is a standout offering. It allows users to record and store their favorite shows for later viewing, eliminating the fear of missing out on live broadcasts. Additionally, the platform boasts an extensive on-demand library, providing access to a wide array of content whenever you please.
YouTube TV: Redefining Streaming
YouTube TV, a service offered by the tech giant Google, has rapidly risen to prominence with its unique approach to streaming television. Blending the familiarity of YouTube with live TV, it brings a fresh perspective to the world of entertainment.
Simplicity and Accessibility
YouTube TV's strength lies in its simplicity. With an interface reminiscent of the classic YouTube layout, users familiar with the platform will feel right at home. The service is accessible across various devices, from smartphones to smart TVs, ensuring you never miss a moment of your favorite content.
Unlimited Cloud DVR
One of YouTube TV's standout features is its unlimited cloud DVR storage. This means you can record as many shows as you want without worrying about running out of space. The recordings are stored for up to nine months, giving you ample time to catch up on anything you might have missed.
Originals and Content Diversity
YouTube TV not only offers live TV channels but also provides access to YouTube Originals. These exclusive shows and movies add a unique dimension to the platform's content library. Additionally, YouTube TV's wide range of channels caters to sports enthusiasts, news followers, and entertainment buffs alike.
The Real Winner: Which One Should You Choose?
Choosing between DIRECTV Stream and YouTube TV ultimately depends on your preferences and priorities. If you value an extensive channel lineup and a cable-like experience, DIRECTV Stream might be your go-to choice. On the other hand, if simplicity, unlimited DVR storage, and access to YouTube Originals are more appealing, YouTube TV could be the winner in your eyes.
Frequently Asked Questions
Q: Does DIRECTV Stream offer a free trial period for new users?
Yes, DIRECTV Stream usually provides a free trial period, allowing users to explore its features before committing to a subscription.
Q: Can I access YouTube Originals with a standard YouTube account?
No, YouTube Originals are exclusive to YouTube Premium and YouTube TV subscribers, offering an additional incentive to opt for these services.
Q: Are local channels available on both DIRECTV Stream and YouTube TV?
Yes, both services offer access to local channels, ensuring you can stay updated with regional news and events.
Q: Can I switch between plans or cancel my subscription easily?
Both DIRECTV Stream and YouTube TV offer flexible subscription options, allowing users to switch plans or cancel their subscription without long-term commitments.
Q: Are there any limitations on simultaneous streaming?
DIRECTV Stream allows multiple streams based on your subscription plan, while YouTube TV supports up to three simultaneous streams.
Q: What internet speed is recommended for seamless streaming on these platforms?
For optimal streaming quality, a minimum internet speed of 10 Mbps is recommended. However, higher speeds will ensure a smoother experience, especially when multiple devices are connected.
In the ongoing debate of DIRECTV Stream vs. YouTube TV, there's no one-size-fits-all answer. Both services bring their unique strengths to the table, catering to diverse entertainment preferences. Whether you opt for DIRECTV Stream's comprehensive channel lineup or YouTube TV's simplicity and access to exclusive content, rest assured that you'll be embarking on an enhanced streaming experience.
Remember, the "real winner" ultimately depends on your viewing habits, preferences, and what you value most in a streaming service. Take the time to assess your needs and priorities, and you're sure to make a choice that brings entertainment joy to your screen.
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BEYOND THE LIGHTS is the story of Noni Jean, a hot new award-winning artist who is primed for superstardom. But not all is what it seems,and the pressures cause Noni to nearly fall apart - until she meets Kaz Nicol, a promising young cop and aspiring politician who's been assigned to her detail. Drawn to each other, Noni and Kaz fall fast and hard, despite the protests of those around them to put their career ambitions ahead of their romance. But can Kaz's love give Noni the courage to find her own voice and break free to become the artist she was meant to be?
A talented young musician on the brink of super stardom struggles with the pressure of her new-found success.
Director: Gina Prince-Bythewood
Casting: Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Richard Colson Baker, Danny Glover, Darryl Stephens, Elaine Tan, Isaac Keys, Tyler Christopher, Benito Martinez and others
Producer: Stephanie Allain, Reggie Rock Bythewood, Ryan Kavanaugh, Amar’e Stoudemire
Cinematography: Tami Reiker
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Like most people, DJs and producers have specific songs tied to events throughout their lives. In Crate Expectations, we extract a playlist from their memories to tell their story. This week's subject is Samo Sound Boy, the LA producer, DJ and live artist, as well as co-founder of the Body High label alongside DJDS (DJ Dodger Stadium) collaborator and longtime pal Jerome LOL. Samo will be appearing this weekend at TomorrowWorld's Mythical Frames stage, Sunday, September 27. Here he tells us about some of his most treasured tracks, as well as a new heater he's gearing up to drop at the massive Atlanta festival in a few short days.
THUMP: What's the first song you ever loved?
Samo Sound Boy: "Do The Bartman," by Bart Simpson, my original hero and favorite artist.
What are the first two songs you ever mixed together?
I had both of these on vinyl and would practice mixing them together for hours on end. I never got sick of them either which is a testament to how classic both songs are.
What's your worst guilty pleasure song?
I'm not even guilty about this one, it just clearly sounds like they made it on drugs at 4AM in one take.
What song have you had on repeat in the last month?
I love what Four Tet does with his Percussions alias. This is exactly the type of stuff I really love to play when I DJ.
Which track of your own do you like the most?
I feel like I'm chasing a sort of warped new wave sound with a lot of my own productions and this is where I finally got close to having something sound like a Depeche Mode cassette dropped in the ocean.
What's the last song you want to hear before the lights go on?
What's a song you're excited to play at TomorrowWorld this year?
This is Jerome and I's new DJDS single.
Samo Sound Boy plays TomorrowWorld's Mythical Frames stage Sunday, September 27, 1:00PM-2:30. Follow him on Twitter.
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Director: David Anspaugh
Cast: Sean Astin, Jon Favreau, Ned Beatty, Greta Lind
Keywords: dyslexia, motivation, college football, notre dame fighting irish, football movie
Creator: Angelo Pizzo
Description: Rudy is a movie starring Sean Astin, Jon Favreau, and Ned Beatty. Rudy has always been told that he was too small to play college football. But he is determined to overcome the odds and fulfill his dream of playing for Notre Dame.
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Chadwick Boseman Stars in James Brown Movie “GET ON UP” Opening In Theaters TODAY!
Without seeing the new James Brown Movie (which starts today) I'm predicting that Chadwick Boseman is a "Hands-Down" "Shoe-In" for an Academy Award! How can I say that without even having seen the entire movie? I saw video of how Boseman perfected James Brown and ESPECIALLY HIS DANCE MOVES... and I'm of the opinion that ANYONE who can perfect James Brown's DANCE MOVES...deserves 100 Oscars!!!
COMPARING CHADWICK BOSEMAN'S MOVES TO THAT OF THE KING OF SOUL - JAMES BROWN
CLICK THIS BUTTON TO SEE DANCE MOVES
HOW "GET ON UP" GOT DONE!
AN INTERVIEW WITH CHADWICK BOSEMAN:
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In addition to those offerings, Disney's adaptation of Edgar Rice Burroughs' John Carter was featured at the expo, in order to give fans and media a first real look at the live-action/CGI blockbuster.
First, check out the synopsis for John Carter and then we'll get into the details of the D23 presentation:
Civil War vet John Carter (Taylor Kitsch) is transplanted to Mars, where he discovers a lush, wildly diverse planet whose main inhabitants are 12-foot tall green barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter Dejah Thoris (Lynn Collins), Princess of Helium, who is in desperate need of a savior.
According to Superhero Hype, the breakdown of footage shown during the panel included the following:
- John Carter (Kitsch) waking up on Mars disoriented. He stumbles to high ground and discovers a rock with mysterious markings on it. The rock is filled with eggs that then hatch baby Thark aliens (the tall green aliens).
- Thark riders approach John Carter, who doesn't notice the presence of Thark alien Tars Tarkas (Willem Dafoe) at first. Freaked out, Carter jumps away, discovering that Mars' lower gravity gives him abilities he never dreamed of (that big leap seen in the John Carter teaser trailer).
- The riders attack Carter, who hides behind cover. Tars Tarkas calms his brethren down, and drops the weapons clutched in his four arms to approach Carter peacefully. The pair manage a brief first encounter.
- Tars Tarkas requests to see Carter's mega-leap again, and Carter uses the request to jump the alien hordes and grab some of Tarkas' discarded weapons. The rest of the Thark riders pull their guns and Tarkas shields John Carter from the oncoming onslaught. Cut to black as Tarkas screams.
- John Carter held captive by the Tharks. He uses his newfound strength to pull his chains loose, but is confronted by a dog-lizard alien who stands guard over him. Carter leaps from platform to platform, but the dog/lizard can run as fast as he can leap, making the scene a sci-fi-style chase sequence.
- A meeting between Carter and Dejah Thoris (Collins) in the princess's bed chamber. Carter implores her not to marry the man she is betrothed to (for political reasons) and she questions why she shouldn't. Carter starts to speak but something (reportedly a wedding band on his own hand) stops him. Dejah pulls out a pendant that Carter presumably had on him when coming to Mars, and she tells him that all he needs to do in order to return home is recite a series of sounds. Carter repeats the chant and the pendant glows, just as guards storm the door. Dejah says the last of the chant, the guards break in, but Carter is nowhere to be found.
- John Carter and Tarkas are in a gladiator arena. Tarkas is injured and Carter is chained to a rock that even his newfound strength can't overcome. The Tharks are the ones running the arena and they release a huge white ape into the arena (see pic above). The ape has two legs and four arms and its vision is apparently limited as it sniffs the air and picks up Tarkas' scent. Carter redirects the beast's attention by banging his chains against the ground. A bored-looking Thark leader casually commands that that "the other one" be released into the arena to up the carnage. Cut to black.
In attendance at the John Carter panel were cast members Lynn Collins, Taylor Kitsch, and Willem Dafoe, along with director Andrew Stanton (WALL•E, Finding Nemo). Stanton would later joke backstage to Superhero Hype that he initially thought that a live-action film would take less time to make than an animated one; however, such was not the case with John Carter:
"I assumed that live-action would move faster than animation and was used to being on films that could last up to four years. This is just a few months shy of that by the end of my time with it. It's actually way more familiar than I thought it would be."
Kitsch agreed with that sentiment, claiming that it was strange to finally be seeing the end result of all the work he put in in front of green screens and people outfitted in motion-capture suits - the actual, fully-realized world of John Carter on Mars:
"You feel like you're sharing in some kind of journey that we all undertook...It's an exciting time to finally share all this."
For more from the cast, be sure to head over to Superhero Hype.
John Carter will be in 2D, 3D and 3D IMAX theaters on March 9, 2012.
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Introduction: Homemade Singing ATMEGA128
After experimenting with 8 octave tone generator,
Now, I'm continuing on creating a singing ATMEGA128
Let's get started, no more delay....
Step 1: Prepare All the Parts Needed...
Let's prepare the part we need,
2. The board itself, I created my own PCB for it
5 ATMEGA8 debugger
after the part is ready, let's build the code .
Step 2: Let's Build the Code
Let's build the code for the singing atmega 128
I used this function to make it singing :
Step 3: Enjoy the Video
Let's enjoy the video, ATMEGA128 singing for us....
Participated in the
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Bears went for their hibernation and its time for the rabbit to overtake their planet. one of them havent gone to sleep,took ..
Choose how many of you will play and then you are ready to go in a tank battle. if there is more of you playing, keep in mind..
Sequel of this upgrading game is here. here youcan upgrade pretty much anything... starting with this game itself, its music ..
The evil mega corporation took over the reins of your game. and they want you to pay for winning. and until you fulfill this,..
Play as humans to fight waves of raybots or you can play as the robot maker and build new robots for humans to fight. the bes..
Choose your robot and start this retro shooting platform game. you landed in enemy territory, where you must escape from by s..
In this game you are trying to protect your castle with three friends, each of whom has a different offensive characteristics..
Here you became a random numbers selector, and your almost random selection determines the direction of this game. and that i..
Man against nature .. so this game could be described, where it comes to surviving in the inhospitable nature. how long will ..
Vertix.io,is a multiplayer pixel shooting game. select a character, pick a username, and enter the battlefield. the goal is s..
You control a tank and shoot down both opponents and obstacles. this lets you upgrade your tank while you try to survive as l..
You are a detective in big debt and you need a new mission fast! good thing skye came into your office and have a mission for..
Shoot aliens while avoiding to shoot yourself in this orbital shooter! remember that you can not fire too many shots at once..
Discover a new world while you learn to control your ghost abilities. unlock a multitude of shapes and discover their strengt..
Another classic retro platform game where you must defeat the evil wizard, rescue the princess and collect 3 coins in each le..
Envimeria is a country ruled by the king labuzar, who holds the 9 powerful crystals. the others want to dominate this country..
You are part of the s.t.a.n.d project. you have the ability to slow down time as you shoot while standing still. kill your en..
Mrs. donut has been kidnapped. help mr. donut to rescue his wife in this cartoonish game! track down the criminal, avoid all ..
Your girlfriend has been kidnapped by aliens. defeat them and get her back. here you have to go through, jump through a count..
Destroy each of your opponents, locate bombs as needed, collect coins and bonuses. choose your robot and place the bombs so t..
The giant t-rexs back and he is more powerful than ever. armed with a machine gun he returns and continues in a murderous fre..
Walk through dark corridors full of enemies who will try to shoot you down, and you only have a limited lighted space around ..
Wings.io is an awesome airplane shooting game. your simple mission in this mass mutliplayer online game is to shoot down enem..
You are locked in the cage and there is no way out. the only way to survive is to destroy crates that are falling from above ..
You are playinf the us president and are trying to protect his defense line against a really diversed kinds of enemies. colle..
Fight your space enemies using your gun which you can upgrade throughout the game. collect points and get 30 enemies in each ..
Aliens kidnapped your heros girlfriend. he gets on his alien horse and start his adventure in the dangerous rescue of his lov..
Jump, shoot, blow stuff up and dodge the other squares as you collect all the crystals they drop to advance to the next of 49..
In this game your task is to defeat the big boss monstrum in each of the levels. it started by scientists wanted to create th..
One day the soldiers of a cat kingdom came to their cool cat king and told him that his kingdom is under attacked and he is t..
This a 2 player game. control with the arrow keys and wasd keys. try to hit the other player in the right spot to gain points.
Youve been stranded along with our little astronaut on an asteroid inhabited by small intrusive creatures that are trying to ..
In this game you are trying to defend your nectar flower against all different kinds of enemy bugs. shoot everything that tri..
Welcome to cursed kingdom, which has long been plagued by black magic and destruction, raids of creatures who are constantly ..
In this game you play as rody the hero is going to clean up this town from crime. you have a limited time to do so. pick one ..
In this game you are a necromancer, who enjoys destruction of human buildings. as the assistants he uses the forest goblins w..
Its time for dinosaurus robots war, it is up to you to assemble these dinosaurs. unfortunately they come by piece in boxes an..
You are playing hero called pedro and his girlfriend juan. you are trying to resist a zombie attacks using variety of guns wh..
You play an agent who shoots everything and everyone who stands in his way. collect weapons, lives, use everything you meet a..
This game is featuring characters from the animation tv show, the amazing world of gumball. help gumball, darwin, anais, an..
They came with war. our only hope is our new invention. the nuke gun. protect your land from invaders. fire back enemies, fig..
Be the hero of childrens skirmishes in this game where you control a bunch of kids who are trying to defend themselves agains..
Another game where you can relieve your allergy to this arrogant presidential candidate. get into a fist fight with him and d..
You are an undead gardener willing to destroy human armies. use death seeds to grow bone trees which can pierce enemies ar tu..
Jump, dive and swing! simple rules of this game accompany you throughout rounds, where you bat the bats and other creatures. ..
Dynamons are small creatures, which you have to take care of. dynamons like fighting among themselves. travel with them aroun..
In this game you fall straight down to the hell. along the way you must avoid all the pitfalls, including flying monsters. to..
Kill all the enemies. spread your strength so nothing comes through your soldiers. buy new forces, which are then more able t..
Explore nuclear wastelands in search of your robo-dog friend! shooting game filled with different types of weapons, upgrade..
Your town was invaded by aliens and your house was destroyed. you do not let it go and take on the way to revenge. along the ..
In this action zombie shooter game, survive, shoot and explore the union city. if you will play "survivor mode", you will hav..
Quietly and unobtrusively, infiltrate into a huge complex, which is guarded by security cameras, security guards or lasers. t..
Fight against new and better opponents. controls: move - arrow, spacebar - action key, r - reload.
Shoot all enemies and survive as long as possible. after each of your death, you can visit the shop and buy new weapons, armo..
In this game, embark on a mysterious world full of hostile creatures. the game takes place in a diverse and beautiful world. ..
See all Mario bross games with legendary gaming persons.
All parts of legendary zombie killing game. Buy and upgrade your car or truck and kill them all.
Don't forget Sift heads has more then 10 parts and they are ready to fight all enemies in expensive graphic and story.
Snail Bob is still on the way. His dramatic stories take your heart. Does he come to the End ?
Games which are similar to Angry birds style. Shoot and hit enemies by cannon and save friends.
Tycoon games are one from the best types of online strategic games. Build your own railroad, hotel, resort, nightclub or building.
Great strategic online game from Middleages time. Millions of players around the world. Fight with them and be great king of your land.
You have to build city in game Shadow kings. Your mission is to develop the economy of city. Attention, you will be under attack of enemy units!
Zombie games take place in modern day-styled game worlds. Zombie outbreaks are normally the product of scientific experiments gone wrong.
Cooking games are usually aimed at children, especially girls. These educational games teach girls how to read and follow recipes.
Hotel games are strategic time management games that allow the players to manage their own hotel. Usually the player is in charge of purchasing in-game properties.
Math games are extremely educational puzzle games that teach children how to solve mathematical problems. They are available for children of all ages.
Sniper games are first-person shooter games that rely on a player's reflexes. They can be rather complicated to beat and oftentimes rely on strategic thinking.
Educational games can encompass any number of game categories. They are usually aimed at younger children who are playing games for the first time.
Select vehicle and ride. Famous Uphill rush series presents latest part of fantastic ride.
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You want to go to your casino. Well-developed body is stronger a lot of your friends, family members or co-workers to go with you. And you want to stay longer compared to what a traditional day trip goes relating to. Instead of making everyone head into the casino on the own, include the skill to book an online casino charter shuttle. This can be the easiest and most cost efficient way to acquire a group people today who to the casino to accomplish a turbo charge.
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The porn parody genre continues to be a popular genre as just about every property has been given the treatment.
“But what about Futurama? I haven’t seen a female version of Bender and Fry getting it on.”
Oh Dear Reader, prepare to have your mind blown…
WoodRocket.com has announced an upcoming photo set that takes the popular characters from the series and… well…. you know….
This is disturbing on so many levels, but probably not as disturbing as the Adventure Time cosplay adventure…
Yup. That’s a thing… apparently. Now for those who are about to go nuts, neither one of these features any sex acts. The Futurama “parody” does show off some naughty bits, but the Adventure Time is more of a “comedy” routine with no nudity. It’s all very weird, but also a thing that continues to happen in pop culture.
Though the WoodRocket.com stuff veers off into the truly bizarre, other companies continue to release their porn parodies taking characters from pop culture and allowing fans to see what happens when clothes come off. Vivid.com recently released the X-Men XXX: An Axel Braun Parody, which seems to have missed out on the best possible title – XXX-Men… but they probably know better, and that’s probably why I’m not making a million dollars a year coming up with great titles for naughty movies.
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Ryan Murphy is the creative mind behind Fox's Scream Queens, American Horror Story
as well as Nip/Tuck
However in a new interview with Entertainment Weekly
, Murphy has accused WB Television Network of being "relentlessly homophobic" while he was working with them for his show Popular
"They never got me and they kept trying to turn me into something else," Murphy stated. "And they were very homophobic even though they would have gay characters on the air."
"They would give me notes like, 'The Mary Cherry character, like, could she be less gay?' It was very relentlessly homophobic. It was rough and I didn't have a good experience with the studio and everybody."
Murphy has admitted that the situation was a valuable learning experience for him.
"It was a really important experience for me because what I learned is follow your gut, listen to your voice, and if they don't want your voice, they don't want you."
The WB Television Network ran Joss Whedon's Buffy The Vampire Slayer
for five years which featured popular LGBT characters Willow and Tara but the pair weren't shown in any sexual situations until the show was moved to UPN in 2001 for it's sixth and seventh seasons.
You can read the full interview with Ryan Murphy over at Entertainment Weekly
The world’s hottest maths teacher Pietro Boselli goes totally nude in jaw-dropping new shoot
‘Scream’s Nico Tortorella and internet star Kyle Krieger reveal why their relationship ended
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A MAST nod to Anders Gustafsson & Erik Zaring for their mind bending game, Dream Machine.
Who or what inspired your characters?
Erik: Initially, during development of chapter 1-2 of the Dream machine, we took inspiration from Polanski's The Neighbor, Svankmajer, Dave McKean and Polish poster art. As the chapters progressed we incorporated a lot of other ideas, both visual and story, from films and artists such as Kubrick's 2001, Otto Dix, Star Trek, Enter the Void by Gaspar Noe etc etc... I could ramble on for some time about all the love and care invested The Dream machine over the years but I'll stop my self and wrap this up saying that we like the idea to leave something behind. Something more than just ones and zeroes in the cloud. All characters and some of the sets from the game is occasionally exhibited at galleries and that is something that still makes us all fuzzy and warm on the inside.Where did you draw inspiration for the story of The Dream Machine?
Anders: I read a lot about John C Lily and his experiments using LSD and ketamine. He had this beautiful notion that he was visiting an alternate reality during his drug-induced hallucinations, a place with a coherent geography. He started drawing maps of what he had encountered once he regained consciousness, noting down things like landmarks, geographical features and coastlines. He thought that if he had enough map pieces and then spliced them together, he would be able to slowly chart this new reality. To me, that idea just sounded so naïve and beautiful and fun. I had to make something of it. In our game we approach dreams in a similar way.
The style of the game is something new and creative, what or who influenced your design?
Anders: I haven’t worked a lot with hand-built assets before. That’s more my partner in crime Erik’s bag. We struggled a lot in the beginning trying to establish the mood and tone for the game. I remember we looked a lot at Polanski’s Apartment-trilogy, polish film poster art and Cronenberg movies for inspiration. The game revolves around a pregnant couple that moves into a strange apartment building, so Rosemary’s Baby seemed like an obvious starting point. But it wasn’t until we rediscovered The Tenant that things started to click. There’s something about the universe in The Tenant that we really liked. It’s dark and dirty in a very European way. Moldy and dank and old – a movie you can smell. As a viewer you get caught up in the main characters feverish mind set in a way that makes you feel more like an accomplice than an observer. The strange involvement you feel watching movies like The Tenant and Peeping Tom is something we try to frame in some fashion.
How did the concept of the project initially start?
Erik: Me and Anders have a background in traditional 2D and Stop-mo animation and when we started our collaboration in 2008 there were only a handful of other games (Samorost, Neverhood, Dark eye) that used physical sets and characters for the visuals. As I recall it, I tried to convince Anders that it would be a really great idea to make an adventure game out of clay and cardboard and I even made some tiny mock sets, using Super Sculpey, that finally won him over.
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Dreamtech Gaming Casino Slots
Dreamtech Gaming is a software provider for the online casino industry, offering a wide range of slot games and other casino products. The company was founded in 2016 and is based in Malta.
Dreamtech Gaming is known for creating high-quality slot games with engaging gameplay mechanics, unique themes, and impressive graphics. Some of their most popular slot games include Ice and Fire, Legendary Tales, and Blood Wolf Legend.
In addition to slots, Dreamtech Gaming also offers other casino products such as table games and live dealer games. The company’s games are available on various online casino platforms and are licensed by several regulatory bodies, including the UK Gambling Commission and the Malta Gaming Authority.
Dreamtech Gaming is committed to providing a fair and transparent gaming experience for players, and the company is dedicated to responsible gaming practices. The company’s games are regularly audited for fairness, and the company uses state-of-the-art security measures to protect players’ personal and financial information.
Overall, Dreamtech Gaming is a respected and innovative player in the online casino industry, and its games have earned a reputation for being both entertaining and fair.
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| 0.267286
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Books have acted as rich source material for theatre, movies, and television for decades. From Harry Potter to Game of Thrones, often visual media give fans an opportunity to finally see their favorite fictional worlds come to life. It's a thrill for anyone to see their most beloved characters come alive in a translation from text to image. However, book adaptations are as unevenly received as they are numerous, and critics rarely offer the final word on whether or not a book adaptation is "good." Even if most mainstream critics adore a movie based on a book, for example, there will undoubtedly be countless fans disappointed with the various inaccuracies and idiosyncrasies within that adaptation. For television shows, this process of determination becomes even more complicated, as the quality of adaptation can vary from season to season or even episode to episode.
The Handmaid's Tale, Hulu's bold new take on the iconic novel of the same name penned by Margaret Atwood in 1985, has been positively received by critics and fans alike. The book, which has a rich scholarly and political history as one of the most important feminist works of our time, has been long overdue for a successful adaptation. Luckily, so far, Hulu has provided just that: The Handmaid's Tale conveys the dire political stakes at play in the original novel, while successfully updating the circumstances for 2017. The series follows Offred/June (Elisabeth Moss), a Handmaiden who has been conscripted into sexual slavery for a prominent family in the dystopia Gilead. One of the few fertile women left in their ex-American society, June is expected to bear a child for her Commander and his disillusioned wife (Yvonne Strahovski). June tries to cope with her new circumstances, despite the loss of her daughter and husband, and reminisces on the events leading up to her enlistment as a Handmaiden.
The series is, for the most part, a stellar example of well-made, politically relevant storytelling. Unlike the original novel, the show works to incorporate multiple characters of color and underscore the dire circumstances at work for gay men and lesbians in Gilead. In many ways, the show also pulls fewer political punches than the book. With direct references to extremist religious groups like the Westboro Baptist Church and skilfully-placed modern nods to things like Tinder, the series successfully sells the terrifying possibility of Gilead.
That's not to discount the importance of the book, however, which occupies syllabi from high school to grad school for a reason. The captivating-yet-horrifying reality Atwood presents in her novel, aside from its salience, contains fascinating characters and a rich backstory. The show teases out and embellished many of these elements -- with varied success. Now, with a season two on the horizon and season one about to close, it's unclear whether the show will be able to shoulder the magnitude of Atwood's work for another season.
As happens with any adaptation, there are some noticeable differences between the book and the show. Some of these creative liberties build on the story, as with the show's modern touches and character-centric episodes. Other changes, however, detract from the novel's potential original intentions. For instance, June's illicit relationship with Nick, her Commander's driver, has been significantly played up and romanticized, though the book depicts it with equal parts mystique and ambivalence. In addition, the Commander and his Wife have been aged down for maximum hotness -- an especially befuddling move, since those two are the show's chief antagonists (so far).
Perhaps the show's biggest departure from the book, however, is a more general manipulation of its pacing. Given that the original novel barely pushes 300 pages and the show's first season consists of ten hour-long episodes, the Hulu original displays some growing pains. The show focuses more intently on June's past, particularly her family (though it notably leaves out her radical second-wave mother), and embellishes some of the book's more minor characters. The Commander's Wife and June's husband have both been afforded their own episodes, in a move that has so far strengthened the series. However, certain characters receive short shrift. June herself has been pepped up, made palatably feisty, despite the original character's simultaneous shock and resignation. June's dear friend Ofglen/Emily meets an unkind fate by the show's second episode -- something that doesn't occur in the book until the final twenty pages. In some respects, it seems TV sensationalism outranks the show's duty to the original source material. Sex and action are easy ways to get viewers emotionally invested in your story. So far that combo is working for The Handmaid's Tale, but is that really for the best?
With twelve episodes left to go after tonight -- possibly more, if a third season gets green-lit -- it's hard to see where else the show has to go. Many key plot points from the novel have already been exhausted, and it's hard to imagine the show borrowing from its source material for much longer. While that could be a passable reality for other shows (it's worked okay on Game of Thrones, for instance), the stakes here are arguably too high. If The Handmaid's Tale is left floundering with only brand-new screenwriting to determine June's fate, its writers could make some key missteps and undercut the importance of the show's intended message.
Because not only is The Handmaid's Tale an incredibly important work of literature, particularly for women, it's also a purposefully ambivalent and dark story. Much of the novel relies on mood and vignettes, rather than discrete sensational plot points, to move forward. That makes it a difficult work to translate to television, especially given the murky nature of its protagonist's fate. That very ambiguity, however, is one of the book's key strengths, as it serves to amplify June's hopelessness and desperation. To see the show end with June finding asylum, while potentially cathartic to fans, would be an inherent disservice to the book. It's difficult to imagine the series ending any other way, though, with the way this season's been progressing. Given that the show has done so well with the story's politics thus far, it's scary to think about how far it has to fall in the next season.
In a perfect world, The Handmaid's Tale could find a way to continue on forever. The series does great things both on-screen and behind-the-scenes, like hiring unsung female directing greats like Reed Morano (Kill Your Darlings, Lemonade) and Floria Sigismondi (The Runaways, Daredevil) to direct multiple episodes. Its political message could not be more relevant or skilfully crafted. Its visuals are beyond stunning. A show like The Handmaid's Tale could be more than just a miniseries -- but The Handmaid's Tale itself might not be the right show for the job.
Given the fraught nature of book adaptation and the iconic nature of the novel The Handmaid's Tale, Hulu may have been better off cutting its losses instead of green-lighting another season of the serial adaptation. Money talks, but this source material deserves more than an overwrought, too-long page-to-screen translation, and that might be just where season two is headed. As the show's first season prepares to wrap up later on in June, it's hard to imagine what bits of the novel will be left to work with for season two -- leaving us to wonder if the show should even continue that far in the first place.
A new episode of The Handmaid's Tale premieres every Wednesday on Hulu.
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Battlemats suitable for playing Frostgrave
Frostgrave is a fantasy skirmish tabletop game that takes place in the ruins of Frozen City. The player can choose a wizard from one of the schools of magic.
While a single game of Frostgrave can take about an hour or two, you can play scenario-driven campaigns. You can have limitless adventures.
Choose a wizard, hire more than a dozen henchmen and discover the treasures of a fallen empire!
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| 0.040278
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I made the fatal mistake as to start with Madoka magica as my first ever anime, . I loved it even tho i was 9 at the time . 😕😖🙃😝😅 im actually watching Fairy tail right now, Season 1 ep 19 ~ Dakota, kota
If ever Japan decides to rehash/remake popular western stuff...
My parents both know what anime/manga is but they don't obsess over it like me XD the only one who hates anime is my brother he is always like get A life stop wasting your time.then I am like whatever >:( he can be super mean sometimes
14 Characters Unleash Their Badass Halves In Stunning Graphics Part 1 (By Wizyakuza)
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Pragmatic Play Slot Online
Pragmatic Play produces a variety of slots, including jackpot slots, fixed payline games, and adjacent ways-to-win games. The company also designs games for three-reel and five-reel casinos. Its slots have attracted players worldwide. The company also produces some licensed brands. Besides promoting its products aggressively, the company also conducts tournaments, which help players to win big prizes.
While playing slot, players should know how to determine the odds of winning. Generally, you can divide the odds of winning into three categories: The return to player (RTP), the total bet, and the total number of coins won. The higher the RTP, the higher the payout. When playing slot machines online, remember that you must pay attention to the RTP, or Return To Player, statistics, and know the odds of a win.
Pragmatic Play is a prominent iGaming developer that is known for creating high-quality slots. Their games have good graphics and fast-paced gameplay. Moreover, they are licensed by the UKGC and the MGA. These licenses make the software available in many countries, including the US. Its games have been audited by leading testing laboratories. As a result, the company enjoys an excellent reputation in the industry.
Besides slot machines, online judi slot is also popular with many players. With the emergence of mobile devices and the Internet, slot games are quickly becoming a popular form of gambling. The slot machine game is known as nilai trauhan, and is based on the systems of logaritma, pola sama, and permaianna.
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Friday Jul 01, 2022
Elizabeth Olsen has recently confessed that she still hasn't seen herself in her latest Marvel blockbuster Doctor Strange in the Multiverse of Madness.
In her new interview with Jimmy Fallon, the actress revealed that she had missed her chance to watch the super hit movie as the host congratulated her on the grand success of the film.
Directed by Sam Raimi, the film was unlike any other Marvel production and ended up stealing millions of hearts as it nearly reached a box office grand total of USD 1 billion.
On being told the glaring profit of the film, Olsen remarked, "That’s a wild number. I don’t know what to equate it to." While she disclosed that she still hadn't watched the film, Fallon asked her if she was one of those actors who avoided their own performances.
To which Olsen replied, "I wish. No, I’m not one of those. I’m like one of those people who wants to study something so I can figure out how to make it better," per ET Canada.
She then mentioned how during the premiere of the film she had a terrible cold and added, "I didn’t want to sit through it."
The actress explained how things turned out after, "And so I asked them to send a copy so I could watch it, and it had my name on it, it had the time that I was watching it, and I didn’t want to watch it like that." Fallon elaborated that Olsen was referring to the watermarks studios plaster to prevent illegal sales. At the time, Olsen quipped, "Could you imagine if I did do that?"
As for her return as Scarlet Witch, Olsen confessed, "They don’t tell me anything about my fate," and added, "I should come back."
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Most have probably never heard of Zombi. But the few who have know how truly amazing this duo's music is. The best way I can describe them as is Rush without Alex Lifeson and more focus on synthesizers. It is these synthesizers, along with A.E. Paterra's pounding drums, that make Surface to Air a breath of fresh air. Here's the album broken down track by track:
1. Challenger Deep - The album begins with the usual Zombi sound. Some drum fills over a repeating synthesizer. But then the focus switches to Steve Moore's ever present and highly distinguishable bass. I find his bass tone to be very similar to that of Chris Squire (Yes). The song continues with some very impressive drum fills while Steve Moore does some improvising on the bass with that ever present synthesizer in the background. The song then shifts into an almost ambient sound with several layers of synthesizer playing all at once.
2. Digitalis - Starts off with some very heavy synthesizer which gives it an 80s feel. Meanwhile, A.E. Paterra shows off some of his high-hat skills in the vein of Stewart Copeland (The Police). Unlike Challenger Deep, this song sticks with the ambient vibe for the entire track. Slightly less impressive than Challenger Deep, but some great synth playing from Steve Moore.
3. Legacy - The beginning of Legacy sounds like a mix between an 80s new wave band and Iron Maiden. The 80s coming from the synth, and the Maiden coming from the drums and bass. The song has, as usual, a repeating synth line while A.E. Paterra and Steve Moore show off their skills as a rhythm section. Occasionally Steve Moore jumps in with a synth solo.
4. Surface To Air - A very creepy sci-fi intro starts off Surface To Air. Then it shifts into some of the heaviest synth you'll ever hear. Then immediately shifts right back into the creepy sci-fi sound. A.E. Paterra's drums truly shine on this track. Eventually, the song transforms into an ambient, all synth soundscape. This continues until Paterra's drums come in and truly help this song build its way to an epic ending.
5. Night Rhythms - The longest track on Surface To Air, clocking in at 18:34. The song begins with some atmospheric synth and a choir singing along faintly in the background. This shifts into a very creepy section of the song in which A.E. Paterra plays very tribally while Steve Moore plays some very low and distorted notes on the synth. Then Steve adds a layer of strings. Then comes one of the more surprising sections on the album. A choir takes center stage! This is probably the closest well ever get to hearing vocals on a Zombi album. The rest of the song continues down the standard Zombi path, with impressive synth playing and pounding yet sophisticated drumming. Ultimately, a great closer to an amazing album!
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