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<!DOCTYPE html>\n<html lang="en">\n<head>\n <meta charset="UTF-8">\n <meta name="viewport" content="width=device-width, initial-scale=1.0">\n <style>\n @import url(\'https://fonts.googleapis.com/css2?family=DM+Sans:wght@500;700&family=Inter:wght@600&display=swap\');\n\n body {\n margin: 0;\n font-family: \'DM Sans\', sans-serif;\n }\n\n .header {\n display: flex;\n justify-content: space-between;\n align-items: center;\n padding: 20px;\n background-color: #fff;\n box-shadow: 0 2px 4px rgba(0, 0, 0, 0.1);\n }\n\n .header h1 {\n font-size: 16px;\n font-weight: 700;\n
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font-weight: 700;\n margin: 0;\n }\n\n .header nav {\n display: flex;\n align-items: center;\n }\n\n .header nav a {\n font-size: 14px;\n font-weight: 500;\n text-decoration: none;\n color: #000;\n margin-left: 20px;\n }\n\n @media (max-width: 768px) {\n .header nav {\n display: none;\n }\n }\n </style>\n</head>\n<body>\n <header class="header">\n <h1>Company Contact</h1>\n <nav>\n <a href="#">Lorem Ipsum</a>\n
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Ipsum</a>\n <a href="#">Lorem Ipsum</a>\n <a href="#">Lorem Ipsum</a>\n </nav>\n </header>\n</body>\n</html>
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previous Facebook Chat next GCS Directory By Harrison Chase © Copyright 2023, Harrison Chase. Last updated on Apr 25, 2023.
https://python.langchain.com/en/latest/modules/indexes/document_loaders/examples/figma.html
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.ipynb .pdf s3 File s3 File# This covers how to load document objects from an s3 file object. from langchain.document_loaders import S3FileLoader #!pip install boto3 loader = S3FileLoader("testing-hwc", "fake.docx") loader.load() [Document(page_content='Lorem ipsum dolor sit amet.', lookup_str='', metadata={'source': '/var/folders/y6/8_bzdg295ld6s1_97_12m4lr0000gn/T/tmpxvave6wl/fake.docx'}, lookup_index=0)] previous s3 Directory next Sitemap Loader By Harrison Chase © Copyright 2023, Harrison Chase. Last updated on Apr 25, 2023.
https://python.langchain.com/en/latest/modules/indexes/document_loaders/examples/s3_file.html
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.ipynb .pdf IMSDb IMSDb# This covers how to load IMSDb webpages into a document format that we can use downstream. from langchain.document_loaders import IMSDbLoader loader = IMSDbLoader("https://imsdb.com/scripts/BlacKkKlansman.html") data = loader.load() data
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[Document(page_content='\n\r\n\r\n\r\n\r\n BLACKKKLANSMAN\r\n \r\n \r\n \r\n \r\n Written by\r\n\r\n Charlie Wachtel & David Rabinowitz\r\n\r\n and\r\n\r\n Kevin Willmott & Spike Lee\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n FADE IN:\r\n
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FADE IN:\r\n \r\n SCENE FROM "GONE WITH THE WIND"\r\n \r\n Scarlett O\'Hara, played by Vivian Leigh, walks through the\r\n Thousands of injured Confederate Soldiers pulling back to\r\n reveal the Famous Shot of the tattered Confederate Flag in\r\n "Gone with the Wind" as The Max Stein Music Score swells from\r\n Dixie to Taps.\r\n \r\n BEAUREGARD- KLAN NARRATOR (O.S.)\r\n They say they may have lost the\r\n
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Battle but they didn\'t lose The War.\r\n Yes, Friends, We are under attack.\r\n \r\n CUT TO:\r\n \r\n A 1960\'S EDUCATIONAL STYLE FILM\r\n \r\n Shot on Grainy COLOR 16MM EKTACHROME Film, The NARRATOR\r\n BEAUREGARD, a Middle Aged but handsome, White Male, sits at a\r\n desk, a Confederate Flag on a stand beside him. Very\r\n Official. He
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him. Very\r\n Official. He is not a Southerner and speaks with articulation\r\n and intelligence.\r\n \r\n BEAUREGARD- KLAN NARRATOR\r\n You\'ve read about it in your Local\r\n Newspapers or seen it on The Evening\r\n News. That\'s right. We\'re living in\r\n an Era marked by the spread of\r\n Integration and Miscegenation.\r\n \r\n
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CUT TO:\r\n \r\n FOOTAGE OF THE LITTLE ROCK NINE\r\n \r\n being escorted into CENTRAL HIGH SCHOOL, Little Rock,\r\n Arkansas by The National Guard.\r\n \r\n BEAUREGARD- KLAN NARRATOR\r\n (V.O.)(CONT\'D)\r\n The Brown Decision forced upon us by\r\n The Jewish controlled Puppets on the\r\n
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Jewish controlled Puppets on the\r\n U.S. Supreme Court compelling White\r\n children to go to School with an\r\n Inferior Race is The Final Nail in a\r\n Black Coffin towards America becoming\r\n a Mongrel Nation.\r\n \r\n A QUICK SERIES OF IMAGES\r\n \r\n Segregation Signs. Antebellum Photos. Happy Slaves in Old\r\n Movies. Masters inspecting their Cotton and Tobacco with\r\n their Slaves in The Fields. Blacks shining Shoes and working\r\n as
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Shoes and working\r\n as Butlers, Porters and Maids.\r\n BEAUREGARD- KLAN NARRATOR (V.O.)\r\n (CONT\'D)\r\n We had a great way of Life before The\r\n Martin Luther Coon\'s of The World...\r\n \r\n CUT TO:\r\n \r\n The Billboard of Dr. Martin Luther King Jr. sitting in
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of Dr. Martin Luther King Jr. sitting in the\r\n front row of a Classroom it reads: Martin Luther King in a\r\n Communist Training School.\r\n \r\n BEAUREGARD- KLAN NARRATOR (CONT\'D)\r\n ...and their Army of Commies started\r\n their Civil Rights Assault on our\r\n Holy White Protestant Values.\r\n \r\n CLOSE - BOUREGARD - KLAN NARRATOR\r\n \r\n BEAUREGARD- KLAN
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BEAUREGARD- KLAN NARRATOR (CONT\'D)\r\n Do you really want your precious\r\n White Child going to School with\r\n Negroes?\r\n \r\n Footage of Black and White Children playing together,\r\n innocent.\r\n \r\n Beauregard now stands by a Large Screen and points at The\r\n Screen.\r\n \r\n BEAUREGARD-KLAN NARRATOR (CONT\'D)\r\n They are Lying, Dirty
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They are Lying, Dirty Monkeys...\r\n \r\n FOOTAGE and STILLS of Stereotype Blacks Coons, Bucks and\r\n shining Black Mammies. Black Soldiers in D. W. Griffith\'s\r\n "Birth of a Nation" pushing Whites around on the Street.\r\n \r\n CLOSE - BEAUREGARD\r\n \r\n BEAUREGARD- KLAN NARRATOR (CONT\'D)\r\n ...Stopping at nothing to gain\r\n Equality with The White Man.\r\n \r\n
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\r\n Images and Scientific charts of Blacks compared to Apes and\r\n Monkeys.\r\n \r\n CLOSE - BEAUREGARD - KLAN NARRATOR\r\n \r\n BEAUREGARD- KLAN NARRATOR (CONT\'D)\r\n ...Rapists, Murderers...Craving The\r\n Virgin, Pure Flesh of White Women.\r\n They are Super Predators...\r\n CUT TO:\r\n
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CUT TO:\r\n \r\n LYNCH, The MULATTO, lusting after our LILLIAN GISH in "Birth\r\n of a Nation." Other Lusting Images of Craving Black\r\n Beasts!!! SEXUAL PREDATORS!!!\r\n \r\n CUT TO:\r\n \r\n KING KONG on Empire State Building with Fay Wray in his hand.\r\n GUS in "Birth of a Nation" chasing a White Woman he wants to\r\n Rape.\r\n
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\r\n CUT TO:\r\n \r\n CLOSE - BEAUREGARD - KLAN NARRATOR\r\n \r\n A Stereotype illustration of Jews controlling Negroes.\r\n \r\n BEAUREGARD- KLAN NARRATOR (CONT\'D)\r\n ...and the Negro\'s insidious tactics\r\n under the tutelage of High Ranking\r\n
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of High Ranking\r\n Blood Sucking Jews! Using an Army of\r\n outside...\r\n \r\n Beauregard continues.\r\n \r\n CUT TO:\r\n \r\n BEAUREGARD-KLAN NARRATOR(CONT\'D)\r\n ...Northern Black Beast Agitators...\r\n \r\n Footage of The March on
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Footage of The March on Washington.\r\n \r\n CUT TO:\r\n \r\n CLOSE - BOUREGARD - KLAN NARRATOR.\r\n \r\n BOUREGARD- KLAN NARRATOR (CONT\'D)\r\n ...determined to overthrow The God\r\n Commanded and Biblically inspired\r\n Rule of The White Race.\r\n
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\r\n CUT TO:\r\n \r\n An image of an All-American White Nuclear Family.\r\n \r\n CUT TO:\r\n \r\n Bouregard gives his Final Words.\r\n \r\n BOUREGARD-KLAN
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BOUREGARD-KLAN NARRATOR (CONT\'D)\r\n It\'s an International... Jewish...\r\n Conspiracy.\r\n WE HEAR and end with the Corny Stinger of Music that goes\r\n with these Education and Propaganda Films!\r\n \r\n CUT TO:\r\n \r\n EXT. COLORADO SPRINGS AREA - DAY\r\n \r\n DRONE SHOT\r\n
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SHOT\r\n \r\n Superimposed: Early 70s\r\n \r\n An amazing contrast. The beautiful landscape of Colorado\r\n Springs, the City sits nestled within the rugged Mountain\r\n terrain. The majestic Pikes Peak, the jagged beauty of The\r\n Garden of the Gods, The plush Broadmoor Resort, The Will\r\n Rodgers Shrine of The Sun.\r\n \r\n \r\n EXT. COLORADO SPRINGS STREET - DAY\r\n \r\n RON STALLWORTH, Black, 21, Handsome, Intelligent, sporting a\r\n good
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sporting a\r\n good sized Afro, rebellious but straight laced by most 1970\'s\r\n standards.\r\n \r\n Ron stares at an Ad attached to a bulletin board.\r\n \r\n CLOSE - THE AD READS:\r\n \r\n JOIN THE COLORADO SPRINGS POLICE FORCE, MINORITIES ENCOURAGED\r\n TO APPLY! Ron rips the Ad from the board.\r\n \r\n EXT. COLORADO SPRINGS POLICE DEPT BUILDING. - DAY\r\n \r\n INT. OFFICE OF CHIEF BRIDGES - COLORADO SPRINGS POLICE DEPT -\r\n
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- COLORADO SPRINGS POLICE DEPT -\r\n DAY\r\n \r\n A drab, white-walled office. Ron sits across the table from\r\n The Assistant City Personnel Manager, MR. TURRENTINE, Black,\r\n 40\'s, business like but progressive and CHIEF BRIDGES, White,\r\n smart, 50\'s, in a Police Uniform, a Man ready for change.\r\n \r\n MR. TURRENTINE\r\n Why weren\'t you drafted into the\r\n Vietnam War?\r\n \r\n
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\r\n RON STALLWORTH\r\n I went to College.\r\n \r\n MR. TURRENTINE\r\n How do you feel about Vietnam?\r\n \r\n RON STALLWORTH\r\n I have mixed feelings.\r\n CHIEF BRIDGES\r\n Would you call yourself a Womanizer?\r\n
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Would you call yourself a Womanizer?\r\n RON STALLWORTH\r\n No Sir, I would not.\r\n \r\n MR. TURRENTINE\r\n Do you frequent Night Clubs?\r\n \r\n RON STALLWORTH\r\n No Sir.\r\n \r\n
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CHIEF BRIDGES\r\n Do you drink?\r\n \r\n RON STALLWORTH\r\n On Special occasions, Sir.\r\n \r\n MR. TURRENTINE\r\n Have you ever done any Drugs?\r\n \r\n RON STALLWORTH\r\n
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Only those prescribed by My Doctor,\r\n Sir.\r\n \r\n Turrentine looks at Chief Bridges.\r\n \r\n MR. TURRENTINE\r\n That\'s kind of rare these days for a\r\n young Hip Soul Brother like you.\r\n \r\n RON STALLWORTH\r\n I know but my Father was in The\r\n
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but my Father was in The\r\n Military and I was raised up the\r\n Right way, Sir.\r\n \r\n CHIEF BRIDGES\r\n How are you with people, generally?\r\n \r\n RON STALLWORTH\r\n Sir, they treat me right, I treat\r\n them right, like I already said I was\r\n
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raised...\r\n \r\n CHIEF BRIDGES\r\n ...Have you ever had any negative...\r\n \r\n Mr. Turrentine jumps in, impatient.\r\n \r\n MR. TURRENTINE\r\n ...What would you do if another Cop\r\n called you a Nigger?\r\n \r\n
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RON STALLWORTH\r\n Would that happen...\r\n \r\n MR. TURRENTINE\r\n ...Sheeeeeeettt!!!\r\n Bridges looks at him. Turrentine waits, Ron doesn\'t know how\r\n to respond, finally. Turrentine leans forward.\r\n \r\n MR. TURRENTINE (CONT\'D)\r\n There\'s never been a Black Cop in\r\n this City. If we
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this City. If we make you an Officer,\r\n you would, in effect, be the Jackie\r\n Robinson of the Colorado Springs\r\n Police force.\r\n \r\n Mr. Turrentine lets this sink in.\r\n \r\n MR. TURRENTINE (CONT\'D)\r\n And if you know anything about Jackie\r\n Robinson you know he had to take a\r\n lot of... guff... from his fellow\r\n
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his fellow\r\n Teammates, from Fans, other Teams,\r\n and The Press.\r\n \r\n RON STALLWORTH\r\n I know Jackie\'s Story, Sir.\r\n \r\n MR. TURRENTINE\r\n Good. So, knowing that, when someone\r\n calls you Nigger will you be able to\r\n turn the other Cheek?\r\n
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\r\n Ron evaluates the hard reality of the question. Decides.\r\n \r\n RON STALLWORTH\r\n If I need to, yes, Sir.\r\n \r\n MR. TURRENTINE\r\n Son, The Mayor and I think you might\r\n be The Man to open things up here.\r\n \r\n Ron looks at Chief Bridges.\r\n
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Bridges.\r\n \r\n CHIEF BRIDGES\r\n I\'ll have your back but I can only do\r\n so much. The Weight of this is on\r\n You...and You alone.\r\n \r\n Ron weighs The Journey ahead.\r\n \r\n OMITTED\r\n \r\n OMITTED\r\n
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\r\n INT. RECORDS ROOM - CSPD - DAY\r\n \r\n Ron sorts a file cabinet of records as OFFICER CLAY MULANEY,\r\n 60\'s, White, sits on a stool, reading a Magazine clearly\r\n looking at a Photo of something good.\r\n Ron looks at the Photo of the Actress Cybill Shepherd.\r\n \r\n RON STALLWORTH\r\n Cybill Shepherd. She was great in The\r\n Last Picture Show.\r\n
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\r\n OFFICER MULANEY\r\n Never saw it but what you think?\r\n \r\n RON STALLWORTH\r\n She\'s a very good Actress.\r\n \r\n OFFICER MULANEY\r\n Y\'know you want some of that.\r\n
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\r\n Ron ignores it.\r\n \r\n OFFICER MULANEY (CONT\'D)\r\n Truth be told when I see one of your\r\n kind with a White Woman it turns my\r\n Stomach.\r\n \r\n RON STALLWORTH\r\n Yeah. Why\'s that?\r\n \r\n
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OFFICER MULANEY\r\n He could only want one thing.\r\n \r\n RON STALLWORTH\r\n What would that be?\r\n \r\n OFFICER MULANEY\r\n You like acting dumb, Y\'know.\r\n \r\n
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RON STALLWORTH\r\n No, I just like my questions to be\r\n answered.\r\n \r\n A VOICE of UNIFORMED COP WHEATON calls from the other side of\r\n the Counter.\r\n \r\n WHEATON (O.S.)\r\n Hey! Anybody in there? Looking for a\r\n Toad here.\r\n \r\n Ron walks to the Counter to see The White and
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Ron walks to the Counter to see The White and sleep-deprived\r\n Cop impatiently leaning on his elbows.\r\n \r\n WHEATON (CONT\'D)\r\n Get me the record for this Toad named\r\n Tippy Birdsong.\r\n \r\n Ron pulls up the File for Tippy Birdsong. The Photo shows a\r\n Black Man in his twenties.\r\n WHEATON (CONT\'D)\r\n While you\'re at it, why
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While you\'re at it, why don\'t you\r\n grab another Toad... Steven Wilson.\r\n \r\n Ron pulls the File... another young Black Male, ANOTHER\r\n SEXUAL PREDATOR!\r\n \r\n INT. CSPD HALLWAY - DAY\r\n \r\n Chief Bridges strides down the hall with SGT. TRAPP a soft-\r\n spoken White Man in his 40\'s, they are discussing a File. Ron\r\n suddenly appears walking with them.\r\n \r\n
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RON STALLWORTH\r\n While I\'ve got you both here. Sirs,\r\n I\'d like to be an Undercover\r\n Detective.\r\n \r\n Chief Bridges and Sgt. Trapp both stop.\r\n \r\n CHIEF BRIDGES\r\n What Narcotics?\r\n \r\n RON
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RON STALLWORTH\r\n Whatever Department works, Sir.\r\n \r\n SGT. TRAPP\r\n You just joined The Force, Rookie.\r\n \r\n RON STALLWORTH\r\n I know, Sir but I think I could do\r\n some good there.\r\n \r\n SGT. TRAPP\r\n
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SGT. TRAPP\r\n Is that right?\r\n \r\n RON STALLWORTH\r\n Well, I\'m young. I think there\'s a\r\n niche for me. Get In where I can Fit\r\n In.\r\n \r\n SGT. TRAPP\r\n What do you think, Chief?\r\n \r\n Sgt. Trapp sees
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Sgt. Trapp sees the logic, looks to Chief Bridges, who stops,\r\n considering.\r\n \r\n CHIEF BRIDGES\r\n Think a lot of yourself, don\'t cha?\r\n \r\n RON STALLWORTH\r\n Just trying to be of help, Chief.\r\n Plus, I hate working in The Records\r\n room.\r\n Sgt. Trapp reacts knowing Ron
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Sgt. Trapp reacts knowing Ron shouldn\'t have said that about\r\n the Records Room. CHIEF BRIDGES looks at Ron, matter of fact.\r\n \r\n CHIEF BRIDGES\r\n Well, I think Records is a good place\r\n for you to start, Rookie.\r\n \r\n RON STALLWORTH\r\n Chief, want me clean shaven?\r\n \r\n
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\r\n CHIEF BRIDGES\r\n Keep it. I like the look.\r\n \r\n Chief Bridges walks off without another word. SGT. TRAPP\r\n gives a knowing look to Ron, who watches them walk away.\r\n \r\n INT. RECORDS ROOM - CSPD - DAY\r\n \r\n Ron behind the Counter. MASTER PATROLMAN ANDY LANDERS, White,\r\n Mid-30\'s, a regular guy but there is something dangerous\r\n there, steps up.\r\n
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\r\n LANDERS\r\n Need a File on a Toad.\r\n \r\n Ron doesn\'t respond.\r\n \r\n LANDERS (CONT\'D)\r\n You Deaf? I said I need info on a\r\n Toad.\r\n \r\n
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RON STALLWORTH\r\n No Toads here.\r\n \r\n LANDERS\r\n Excuse me?\r\n \r\n RON STALLWORTH\r\n I said, I don\'t have any Toads. I do\r\n have Human Beings and if you give me\r\n their names I can pull the Files.\r\n
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\r\n Landers scowls. Ron stares back at him, Eye to Eye.\r\n \r\n LANDERS\r\n Heard you think you Hot Shit but you\r\n ain\'t nuthin\' but a Cold Fart. Name\'s\r\n Maurice, Maurice Smalls...That\r\n respectful enough for you, Officer\r\n Toad.\r\n \r\n Ron pulls The File, throws it down on the Counter as
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The File, throws it down on the Counter as Landers\r\n snatches The File and storms off.\r\n INT. RON\'S APARTMENT - BEDROOM - MORNING\r\n \r\n As Ron sleeps, a phone rings. Ron snaps awake and grabs at\r\n the phone on the night table.\r\n \r\n RON STALLWORTH\r\n Hello.\r\n CHIEF BRIDGES (O.S.)\r\n It\'s Bridges. You sleeping?\r\n
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\r\n RON STALLWORTH\r\n Yes, Chief, I was. Just worked a\r\n Night Shift.\r\n \r\n CHIEF BRIDGES (O.S.)\r\n I changed my mind, you\'re gonna come\r\n in a little earlier today. We\'ve got\r\n an assignment for you. 12 Noon.\r\n Sharp. Narcotics Division. Wear\r\n
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Sharp. Narcotics Division. Wear\r\n Street clothes.\r\n \r\n RON STALLWORTH\r\n Yes Sir, see you then. Thank You.\r\n Thank You.\r\n \r\n Ron sits up in Bed, excited, thinking about the challenge\r\n ahead.\r\n \r\n INT. CSPD - NARCOTICS DIVISION - DAY\r\n \r\n Ron, dressed in Bell-Bottoms and a Hip Italian Knit
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dressed in Bell-Bottoms and a Hip Italian Knit Shirt,\r\n Marshmallow Shoes steps inside the Narcotics office, which is\r\n literally The Basement of The Station. He looks around at The\r\n Area Buzzing with Activity and sees\r\n \r\n ANGLE - UNDERCOVER COPS\r\n \r\n at their desks. Looking less like Cops and more like unkempt\r\n Hippies or Rock N\' Rollers.\r\n \r\n CLOSE - RON\r\n \r\n just stands there looking at all the activity.\r\n \r\n CLOSE -
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\r\n CLOSE - CHIEF BRIDGES\r\n \r\n waves Ron back to the rear of The Room for privacy.\r\n \r\n CLOSE - FLIP ZIMMERMAN\r\n \r\n FLIP\r\n Rookie, you\'re late.\r\n \r\n RON STALLWORTH\r\n Sorry, it won\'t happen again.\r\n
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again.\r\n \r\n Flip, late 30\'s, long hair, looks like anything but a Cop, he\r\n however is somewhat of a closed-off guy, all business, Ron\r\n sits across from him. Chief Bridges steps before them.\r\n CHIEF BRIDGES (CONT\'D)\r\n We\'ve got limited time so I\'ll be\r\n quick. That Black Radical Stokely\r\n Carmichael is giving a Speech Tonight\r\n at Bell\'s Nightingale.\r\n \r\n Ron is surprised at this.\r\n
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Ron is surprised at this.\r\n \r\n RON STALLWORTH\r\n The Nightclub?\r\n \r\n CHIEF BRIDGES\r\n No, Emmanuel Missionary Baptist\r\n Church!!!\r\n \r\n Flip just listens.\r\n \r\n CHIEF BRIDGES
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CHIEF BRIDGES (CONT\'D)\r\n Carmichael is a former High Muckity-\r\n Muck with The Black Panthers and as\r\n far as I\'m concerned, FBI Director J.\r\n Edgar Hoover was dead right when he\r\n said The Black Panthers are The\r\n Greatest Internal Threat to The\r\n Security of these United States. This\r\n Carmichael Joker, former Panther or\r\n not, they say he\'s a Damn Good\r\n
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Good\r\n Speaker and we don\'t want this\r\n Carmichael getting into The Minds of\r\n the Black People here in Colorado\r\n Springs and stirring them up.\r\n \r\n Ron\'s face cringes at Chief Bridges\'s words. He steps to Ron.\r\n \r\n CHIEF BRIDGES (CONT\'D)\r\n Ron, your assignment is to go to this\r\n Speech tonight and infiltrate these\r\n
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Bunch of Subversives and monitor The\r\n Audience reaction to Carmichael. You\r\n ready?\r\n \r\n Flip and Chief Bridges stare at Ron.\r\n \r\n RON STALLWORTH\r\n Born Ready.\r\n \r\n INT. NARCOTICS DIVISION - CSPD - NIGHT\r\n \r\n Ron stands, his shirt off, as Flip wires a Wireless\r\n
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off, as Flip wires a Wireless\r\n Transmitter and Microphone to his body. Another Narcotics\r\n Cop, JIMMY CREEK, 30\'s, observes the installation.\r\n \r\n RON STALLWORTH\r\n Any chance this thing Fucks Up?\r\n FLIP\r\n Fuck yeah.\r\n \r\n RON STALLWORTH\r\n
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Then what?\r\n \r\n JIMMY\r\n Just stick to The Game Plan.\r\n \r\n RON STALLWORTH\r\n Which is?\r\n \r\n FLIP\r\n Improvise. Like Jazz. This isn\'t some\r\n
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some\r\n Big Bust. We just want some Intel,\r\n that\'s it.\r\n \r\n JIMMY\r\n What happens if someone offers you a\r\n Marijuana Cigarette?\r\n \r\n RON STALLWORTH\r\n You mean a Joint?\r\n \r\n
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JIMMY\r\n Yeah.\r\n \r\n RON STALLWORTH\r\n "Soul Brother, I\'m already High on\r\n Life. Can you Dig It?"\r\n \r\n FLIP\r\n And if someone pulls a Gun on you?\r\n \r\n Ron
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\r\n Ron is caught off guard.\r\n \r\n RON STALLWORTH\r\n You expecting that?\r\n \r\n Flip pulls his Gun.\r\n \r\n FLIP\r\n Barrel of a 45\'s in your face, Finger\r\n on the Trigger, now what?\r\n \r\n
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\r\n RON STALLWORTH\r\n Blood, get that Gun out my face.\r\n Peace Love and Soul.\r\n \r\n FLIP\r\n Gun is still in your face.\r\n \r\n Ron gives Jimmy a wary look speaking to Flip.\r\n RON STALLWORTH\r\n I de-escalate.
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I de-escalate. Talk calmly, firmly.\r\n Find a way out of there, A-Sap.\r\n \r\n Jimmy nods, satisfied. Flip is finished with The Wiring. Ron\r\n takes a deep breath.\r\n \r\n FLIP\r\n Relax, we\'ll be outside, listening\r\n in.\r\n \r\n RON STALLWORTH\r\n
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RON STALLWORTH\r\n Can I order a Drink at The Bar?\r\n \r\n Flip steps away, no comment.\r\n \r\n JIMMY\r\n That\'s fine, just don\'t get Shit\r\n Faced.\r\n \r\n FLIP\r\n Got it?\r\n \r\n
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\r\n RON STALLWORTH\r\n I got it. I\'m gone.\r\n \r\n Jimmy laughs, Slaps Ron on the back.\r\n \r\n EXT. CITY STREET - OUTSKIRTS OF DOWNTOWN - NIGHT\r\n \r\n Ron pulls an unmarked Sedan to the curb. He gets out and\r\n looks around.\r\n \r\n A Crowded sidewalk overflows into The Street, filling a line\r\n that Bottlenecks into The Club with
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that Bottlenecks into The Club with the Sign: \r\n \r\n CLOSE SIGN - BELL\'S NIGHTINGALE\r\n \r\n ANGLE - TONIGHT: KWAME TURE SPEAKS\r\n \r\n Ron walks to the back of the line. He becomes an Every\r\n Brother slowly moving forward as People enter. As he moves\r\n forward he notices a striking Woman at the Front Door.\r\n \r\n ANGLE - PATRICE DUMAS\r\n \r\n Mid 20\'s, an Angela Davis Afro, she wears a Hip array of\r\n
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a Hip array of\r\n Militant wear, Black Leather Jacket, Love Beads but on her it\r\n looks fantastic. Ron is taken by her Beauty, he watches as\r\n she monitors the door, clearly in charge.\r\n \r\n RON STALLWORTH\r\n How are you doing, my Soul Sista?\r\n \r\n Patrice gives Ron a good look summing him up.\r\n PATRICE\r\n I\'m doing fine, my Brother. This is\r\n
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I\'m doing fine, my Brother. This is\r\n going to be an Amazing Night.\r\n \r\n RON STALLWORTH\r\n Indeed it is.\r\n \r\n PATRICE\r\n Have you heard Brother Kwame speak\r\n before?\r\n \r\n
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RON STALLWORTH\r\n Who?\r\n \r\n PATRICE\r\n Kwame Ture.\r\n \r\n RON STALLWORTH\r\n Actually, I haven\'t, I didn\'t know he\r\n changed his name.\r\n \r\n
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PATRICE\r\n Yes, after he moved to Africa. He\r\n took the names of Kwame Nkrumah of\r\n Ghana and his Mentor Sekou Toure of\r\n Guinea to honor The Great Leaders.\r\n \r\n RON STALLWORTH\r\n That\'s Heavy. Do you know how he got\r\n to Colorado Springs?\r\n \r\n
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\r\n PATRICE\r\n The Colorado College Black Student\r\n Union invited Brother Ture.\r\n \r\n RON STALLWORTH\r\n I can dig it. I can dig it. You with\r\n The Black Student Union?\r\n \r\n PATRICE\r\n I\'m
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I\'m The President.\r\n \r\n RON STALLWORTH\r\n Right On. Right On.\r\n \r\n INT. BELL\'S NIGHTINGALE - NIGHT\r\n \r\n The Club is PACKED, a Sea of Black Faces punctuated by an\r\n occasional White Face. Ron moves through The Crowd. He avoids\r\n direct Eye Contact, trying like Hell to act casual.\r\n \r\n Ron steps to The Bar and signals The BARTENDER JABBO,
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to The Bar and signals The BARTENDER JABBO, 60\'s,\r\n Black.\r\n RON STALLWORTH\r\n Rum and Coke with Lime.\r\n \r\n As Jabbo makes his Drink, something catches Ron\'s Eye.\r\n Patrice exits through a door with several Black Bodyguards.\r\n \r\n Ron observes as a Tall figure comes out from Backstage with\r\n Patrice, ODETTA and HAKEEM. The Tall figure hangs back\r\n covered by The Bodyguards.\r\n \r\n Ron on his feet,
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Ron on his feet, Black Fist in the air with The Crowd.\r\n Patrice on Stage with Kwame Ture with her Fist raised too.\r\n The Shouting and Chanting finally cease, as Patrice speaks.\r\n \r\n PATRICE\r\n The Black Student Union of Colorado\r\n College is honored to bring The\r\n Vanguard of Revolutionaries fighting\r\n for The Rights of Black People all\r\n over The World. Let\'s show some Black\r\n
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some Black\r\n Love to The One and Only, The Former\r\n Prime Minister of The Black Panther\r\n Party, The Brother Man with The Plan\r\n who\'s stickin\'it to the Man, put your\r\n Hands together my People... for Our\r\n Kwame Ture.\r\n \r\n PANDEMONIUM! As Kwame Ture walks onto a small raised stage\r\n with Patrice. The entire place rises to their Feet, Fists\r\n Raised, Clapping, Shouting "Ungawa Black Power!" Ron watches\r\n as Patrice and Kwame
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as Patrice and Kwame hug. Patrice sits on Stage with Odetta\r\n and Hakeem.\r\n \r\n Kwame soaks in the Crowd\'s reaction, until...\r\n \r\n KWAME TURE\r\n Thank you all for coming out tonight,\r\n My Beloved Sista\'s and Brotha\'s. I\r\n Thank you...\r\n \r\n CLOSE - KWAME TURE\r\n \r\n
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\r\n towering at Six Feet-Four with an infectious smile and\r\n Flawless Dark Skin, he\'s oozing Charisma out of every pore.\r\n He stands behind a small podium.\r\n \r\n KWAME TURE (CONT\'D)\r\n ...I\'m here to tell you this evening\r\n it is time for you to stop running\r\n away from being Black. You are\r\n College Students, you should think.\r\n KWAME TURE (CONT\'D)\r\n
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(CONT\'D)\r\n It is time for you to understand that\r\n you as The growing Intellectuals of\r\n this Country, you must define Beauty\r\n for Black People, Now that\'s Black\r\n Power.\r\n \r\n BLACK MASS\r\n BLACK POWER!!! BLACK POWER!!!\r\n \r\n The Black Students in The Audience are laser focused on him.\r\n \r\n
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\r\n KWAME TURE\r\n Is Beauty defined by someone with a\r\n Narrow Nose? Thin Lips? White Skin?\r\n You ain\'t got none of that. If your\r\n Lips are Thick, Bite them in. Hold\r\n your Nose! Don\'t drink Coffee because\r\n it makes you Black!\r\n \r\n The Audience laughs! Loving it.\r\n \r\n
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\r\n KWAME TURE (CONT\'D)\r\n Your Nose is Boss, your Lips are\r\n Thick, your skin is Black, you are\r\n Black and you are Beautiful!\r\n \r\n Everyone cheers including Ron!\r\n \r\n KWAME TURE (CONT\'D)\r\n We want to be like The White people\r\n that oppress us in this Country and\r\n since they
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since they hate us, we hate\r\n ourselves. You dig Tarzan? I remember\r\n that when I was a Boy I used to go\r\n see Tarzan Movies on Saturdays. I\r\n loved me some Jane too. Jane was A\r\n Fine White Woman. White Tarzan used\r\n to Beat up The Black Natives. I would\r\n sit there yelling "Kill The Beasts,\r\n Kill The Savages, Kill \'Em!" Actually\r\n I was saying: "Kill Me." It was
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I was saying: "Kill Me." It was as if\r\n a Jewish Boy watched Nazis taking\r\n Jews off to Concentration Camps and\r\n cheered them on. Today, I want The\r\n Chief to beat The Hell out of Tarzan\r\n and send him back to The Caves of\r\n Europe. But it takes time to become\r\n Free of The Lies and their shaming\r\n effect on Black Minds. It takes time\r\n to reject the most Important Lie:\r\n
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Lie:\r\n that Black People inherently can\'t do\r\n the same things White People can do\r\n unless White People help them.\r\n The Audience laughing, overwhelmed, shouting back support! A\r\n ROAR from The Crowd. Ron finds himself clapping along.\r\n \r\n RON STALLWORTH\r\n Right on!!! Right On!!!\r\n \r\n Ron looks around at everyone caught up in Kwame\'s spell.\r\n
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\r\n KWAME TURE (CONT\'D)\r\n If a White Man wants to Lynch Me,\r\n that\'s his Problem. If he\'s got The\r\n Power to Lynch Me, that\'s My Problem.\r\n Racism is not a question of Attitude;\r\n it\'s a question of Power.\r\n \r\n Ron is struck by the remark.\r\n \r\n
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KWAME TURE (CONT\'D)\r\n The vast majority of Negroes in this\r\n Country live in Captive Communities\r\n and must endure their conditions of\r\n Oppression because and only because\r\n they are Black and Powerless. Now We\r\n are being shot down like Dogs in the\r\n streets by White Racist Police. We\r\n can no longer accept this Oppression\r\n
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without retribution. The War in\r\n Vietnam is Illegal and Immoral. I\'d\r\n rather see a Brother Kill a Cop than\r\n Kill a Vietnamese. At least he\'s got\r\n a reason for Killing The Cop. When\r\n you Kill a Vietnamese you\'re a Hero\r\n and you don\'t even know why you\r\n Killed him. At least if you Kill a\r\n Cop you\'re doing it for a reason.\r\n
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a reason.\r\n \r\n Another Applause Break.\r\n \r\n CLOSE - RON\r\n \r\n Ron listens, challenged, torn.\r\n \r\n INT. BELL\'S NIGHTINGALE - NIGHT\r\n \r\n Kwame holds The Crowd in The Palm of his Hand. Members of the\r\n Audience who were sitting already are rising to their Feet...\r\n \r\n CLOSE - RON\r\n \r\n sits, claps
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\r\n sits, claps vigorously, as if forgetting he is Undercover...\r\n \r\n CLOSE - KWAME\r\n KWAME TURE (CONT\'D)\r\n In closing I know it\'s getting late,\r\n may I leave you Sista\'s and Brothers\r\n with these Last Words. "If I am not\r\n for myself, who will be? If I am for\r\n myself alone, who am I? If not now,\r\n when? And if not you, who?" We
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when? And if not you, who?" We need\r\n an Undying Love for Black People\r\n wherever We may be. Good Night and\r\n POWER TO THE PEOPLE, POWER TO THE\r\n PEOPLE.\r\n \r\n The BLACK MASS STANDS AS ONE WITH KWAME TURE.\r\n \r\n KWAME TURE AND BLACK MASS\r\n ALL POWER TO ALL THE PEOPLE\r\n ALL POWER TO ALL THE PEOPLE\r\n
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ALL POWER TO ALL THE PEOPLE\r\n ALL POWER TO ALL THE PEOPLE\r\n \r\n Caught up in the moment, Ron gathers himself, as if\r\n remembering why he is here. Kwame takes Patrice\'s Hand and\r\n raises it in Celebration and Unity!\r\n \r\n INT. BELL\'S NIGHTINGALE - NIGHT\r\n \r\n Ron moves down the Greeting Line for Kwame. He watches as\r\n Patrice stands near him. Kwame pulls her in close, whispers\r\n something in her ear. She smiles, a bit smitten.\r\n
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smitten.\r\n \r\n Ron watches as he finally reaches Kwame, shaking his hand.\r\n \r\n RON STALLWORTH\r\n Brother Ture, do you really think a\r\n War between The Black and White Race\r\n is inevitable?\r\n Kwame pulls Ron in close toward his face. Too close.\r\n \r\n INT. SURVEILLANCE CAR - BELL\'S NIGHTINGALE - NIGHT\r\n
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\r\n Flip and Jimmy wearing Headphones listening react to ear-\r\n splitting Audio feedback.\r\n \r\n INT. BELL\'S NIGHTINGALE - NIGHT\r\n \r\n Ron stands mid-grip with Kwame. Nerves pinballing. Kwame\r\n lowers his voice, looking around conspiratorially.\r\n \r\n KWAME TURE\r\n Brother, arm yourself. Get ready.\r\n The Revolution is coming. We
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The Revolution is coming. We must\r\n pick up a Gun and prepare\r\n ourselves...Trust me, it is coming.\r\n \r\n Kwame pulls back. Returns to his normal speaking voice.\r\n KWAME TURE (CONT\'D)\r\n Thank you for your support, Brother.\r\n \r\n EXT. BELL\'S NIGHTINGALE - FRONT ENTRANCE - NIGHT\r\n \r\n Ron is waiting outside as Patrice steps out, followed by\r\n
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