Datasets:

quail

like 5

f004_14

f004

14

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

What time of day did Walter die?

Unanswerable

f004_15

f004

15

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

Where did the author go on April 3?

Factual

f004_16

f004

16

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

When did Walter die?

Temporal_order

f004_17

f004

17

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

Immediately after the end of this text, how does the author feel?

Subsequent_state

f004_18

f004

18

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

Martha is:

Unanswerable

f004_19

f004

19

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

At the funeral, the author thinks that:

Belief_states

f004_20

f004

20

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

Why did the author think Walter's death might be a joke?

Causality

f004_21

f004

21

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

The writer found out about Walter's death:

Temporal_order

f004_22

f004

22

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

The author believes that:

Belief_states

f004_23

f004

23

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

How did Walter die?

Factual

f004_24

f004

24

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

How is Martha feeling at the funeral?

Entity_properties

f004_25

f004

25

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

Why did the writer assume the package was a painting?

Causality

f004_26

f004

26

fiction

April 1, 2006 Walter died today. Found out this morning over breakfast. Suicide. Walter. I'm still trying to wrap my mind around it. Suicide. Walter wasn't suicidal. I know that, know it for a fact. But he is dead. Why? I am not foolish enough to suspect "foul play" as they say in the mystery stories. No one cares enough about a community college art teacher to murder him. But suicide? Something is wrong here. Very wrong. April 2, 2006 I didn't realize until this morning that yesterday was April Fools day. Some kind of sick joke? But that's not like Walter either. He was a little crazy, but not that kind of crazy. Still I keep half expecting to pick up my voice and hear his voice yell, "Gotcha!" But it is no joke. I know he is dead. (Later) Got a package today. From Walter. Scary considering what I wrote about expecting him to call. I can't express the chill I got when I saw his name on the label. A message from the dead. Surely it's not a good Omen. It's a painting. Or at least I think it is. The package is the right shape, and knowing Walter it seems likely, but...I haven't yet worked up the courage to open it yet. I'm afraid of what I might find. April 3, 2006 Went to the funeral today. Walter's wife, Martha, was in hysterics. Can't say I blame her. It was awkward being there seeing someone in the most vulnerable possible condition. I didn't know her that well. Walter and I rarely interacted outside of work, so I have very little knowledge of his personal life. Sylvia went up to her and hugged her even though she'd never met her before in her life. It must be something with women to be able to make that kind of spontaneous connection. I just shook her hand, and told her I was sorry. I don't make a habit of crying in public, but seeing her so shaken up brought tears to the edges of my eyes, and I did nothing to wipe them away. After five years of friendship it's the least Walter deserves of me. One other thing. The package. It's still sitting there in my study. Mocking me. That's how it feels anyway. Should I open it?

What is probably true about Martha?

Entity_properties

f005_0

f005

0

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

Why was the main character upset?

Causality

f005_1

f005

1

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

After he end of the story, who takes over the general store?

Subsequent_state

f005_2

f005

2

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

When did the children of New Jerusalem gather around Tommy?

Temporal_order

f005_3

f005

3

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

My Pa disappeared somewhere in the wilds

Temporal_order

f005_4

f005

4

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

People in Utah all believed Pa is an Ambassador for

Belief_states

f005_5

f005

5

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

How did the Saints come to run most of the general stores in New Jerusalem?

Unanswerable

f005_6

f005

6

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

The main character thought that

Belief_states

f005_7

f005

7

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

Who dissapeared?

Unanswerable

f005_8

f005

8

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

why my father told me we'd be going away for a while

Causality

f005_9

f005

9

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

What is probably true about father?

Entity_properties

f005_10

f005

10

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

Where does the main character believe James H Johnstone live?

Entity_properties

f005_11

f005

11

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

where was I born?

Factual

f005_12

f005

12

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

I was in new Jerusalem for

Event_duration

f005_13

f005

13

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

Who rode the weekly Zephyr speedball to the town?

Character_identity

f005_14

f005

14

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

after the end of this story, the narrator is:

Subsequent_state

f005_15

f005

15

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

How long was Pa gone for?

Event_duration

f005_16

f005

16

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

who was the Ambassador

Character_identity

f005_17

f005

17

fiction

My Pa disappeared somewhere in the wilds of 1975, when I was just fourteen years old. He was the Ambassador to 1975, but back home in 1898, in New Jerusalem, Utah, they all thought he was Ambassador to France. When he disappeared, Mama and I came back through the triple-bolted door that led from our apt in 1975 to our horsebarn in 1898. We returned to the dusty streets of New Jerusalem, and I had to keep on reminding myself that I was supposed to have been in France, and 'polly-voo' for my chums, and tell whoppers about the Eiffel Tower and the fancy bread and the snails and frogs we'd eaten. I was born in New Jerusalem, and raised there till I was ten. Then, one summer's day, my Pa sat me on his knee and told me we'd be going away for a while, that he had a new job. 'But what about the store?' I said, scandalised. My Pa's wonderful store, the only General Store in town not run by the Saints, was my second home. I'd spent my whole life crawling and then walking on the dusty wooden floors, checking stock and unpacking crates with waybills from exotic places like Salt Lake City and even San Francisco. Pa looked uncomfortable. 'Mr Johnstone is buying it.' My mouth dropped. James H Johnstone was as dandified a city-slicker as you'd ever hope to meet. He'd blown into town on the weekly Zephyr Speedball, and skinny Tommy Benson had hauled his three huge steamer trunks to the cowboy hotel. He'd tipped Tommy two dollars, in Wells-Fargo notes, and later, in the empty lot behind the smithy, all the kids in New Jerusalem had gathered 'round Tommy to goggle at the small fortune in queer, never-seen bills. 'Pa, no!' I said, without thinking. I knew that if my chums ordered their fathers around like that, they'd get a whipping, but my Pa almost never whipped me.

What did James H Johnstone tip Tommy Benson?

Factual

f006_0

f006

0

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Who was the hobo?

Unanswerable

f006_1

f006

1

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The businessman fidgeted with the gold band on his finger:

Temporal_order

f006_2

f006

2

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The businessman is:

Entity_properties

f006_3

f006

3

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Where was the narrator probably in this story?

Entity_properties

f006_4

f006

4

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Immediately after the end of this text, the Vietnamese woman is:

Subsequent_state

f006_5

f006

5

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The author believes that studying the rest of the passengers:

Belief_states

f006_6

f006

6

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

On the public transportation, the author thinks about:

Belief_states

f006_7

f006

7

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

What is true about the hobo?

Unanswerable

f006_8

f006

8

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The hobo pointed his finger:

Temporal_order

f006_9

f006

9

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

What is true about the author?

Factual

f006_10

f006

10

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

What did the author watch on public transportation?

Factual

f006_11

f006

11

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

How long was the narrator probably on the train?

Event_duration

f006_12

f006

12

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The author's ride on public transportation probably lasted:

Event_duration

f006_13

f006

13

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Why did the narrator like taking public transportation?

Causality

f006_14

f006

14

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

What is probably true about the author

Entity_properties

f006_15

f006

15

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Immediately after the end of this text, the author is:

Subsequent_state

f006_16

f006

16

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Why did the businessman fidget?

Causality

f006_17

f006

17

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Who fidgeted with his wedding ring?

Character_identity

f006_18

f006

18

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Who is the narrator?

Unanswerable

f006_19

f006

19

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

The businessman is:

Unanswerable

f006_20

f006

20

fiction

"They've got cameras everywhere, man. Not just in supermarkets and departments stores, they're also on your cell phones and your computers at home. And they never turn off. You think they do, but they don't. "They're always on, always watching you, sending them a continuous feed of your every move over satellite broadband connection. "They watch you fuck, they watch you shit, they watch when you pick your nose at the stop light or when you chew out the clerk at 7-11 over nothing or when you walk past the lady collecting for the women's shelter and you don't put anything in her jar. "They're even watching us right now," the hobo added and extended a grimy, gnarled digit to the small black orbs mounted at either end of the train car. There were some days when I loved taking public transportation, and other days when I didn't. On a good day, I liked to sit back and watch the show, study the rest of the passengers, read into their little ticks and mannerisms and body language, and try to guess at their back stories, giving them names and identities in my head. It was fun in a voyeuristic kind of way. And luckily, today was a good day. I watched the old Vietnamese woman with the cluster of plastic shopping bags gripped tightly in her hand like a cloud of tiny white bubbles. My eyes traced the deep lines grooving her face, and I wondered about the life that led her to this place. I watched the lonely businessman staring longingly across the aisle at the beautiful Mexican girl in the tight jeans standing with her back to him. He fidgeted with the gold band on his finger, and I couldn't tell if he was using it to remind himself of his commitment or if he was debating whether he should slyly slip it off and talk to her.

Who carried plastic shopping bags?

Character_identity

f007_0

f007

0

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who brought Mia to the hospital?

Entity_properties

f007_1

f007

1

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

When did the man go through Mia's pockets:

Temporal_order

f007_2

f007

2

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who was dropped off at the hospital?

Character_identity

f007_3

f007

3

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Why was Mia at the hospital?

Causality

f007_4

f007

4

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

How long was Mia probably in the hospital?

Event_duration

f007_5

f007

5

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who belived Mia have been drinking?

Belief_states

f007_6

f007

6

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

What was the main character thinking

Belief_states

f007_7

f007

7

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

When did narrator talk to a doctor?

Temporal_order

f007_8

f007

8

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Immediately after the end of this text, Mia feeling

Subsequent_state

f007_9

f007

9

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who is the man who brought Mia to the hospital?

Unanswerable

f007_10

f007

10

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

What is probably true about he nurse?

Event_duration

f007_11

f007

11

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who is the narrator?

Unanswerable

f007_12

f007

12

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

What is in Mia's pocket?

Factual

f007_13

f007

13

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Where is Mia

Factual

f007_14

f007

14

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

What probably happened to Mia?

Entity_properties

f007_15

f007

15

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

After the end of the story, Mia was:

Subsequent_state

f007_16

f007

16

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Why was Mia in the hospital?

Causality

f007_17

f007

17

fiction

THE HOSPITAL'S emergency room smelled like soap. The place was nearly empty when I carried Mia inside, just one couple and their kids sitting in a circle in the corner. The parents glanced up at us, then went back to praying quietly. The kids stared at the floor the whole time. I dropped Mia into a chair at the nurses' station and waited. Behind the glass wall in front of me, three nurses were talking about their various ex-husbands. It sounded like the same guy to me. I was still waiting for them to figure this out when one of them came over and asked, "What's the problem?" "No problem," I said. "I just want to drop her off." We both looked at Mia. A string of drool slowly slipped from her chin to her chest. "Has she been drinking?" the nurse asked. "I'm not really sure," I said. The nurse looked back at me. "You're not really sure? Now what does that mean?" "I don't know," I said. "I found her. I thought maybe I could leave her here." "Sure, we'll just have to fill out the paperwork for that," the nurse said. She smiled at the other nurses when she said it, and I couldn't tell if she was joking or not. She had me go through Mia's pockets, but all I could find was a piece of paper with an address written on it. Five Crossings. I couldn't find her ID anywhere. The nurse entered my name and address on a form, then took us down the hall to another room. What seemed like hours later, an old, red-faced doctor finally came in. He glanced at Mia and then washed his hands in the sink. "You the father or the boyfriend?" he asked. "Neither," I said. "I've only just met her." I couldn't take my eyes off the garbage can in the corner. It was full of bloody bandages. I wondered what had gone on in there before we'd arrived.

Who thought that the nurses had the same husband?

Character_identity

f008_0

f008

0

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

what happened to the slaves

Factual

f008_1

f008

1

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

who belives girls were raped

Belief_states

f008_2

f008

2

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

why were civilians and slaves drinking?

Causality

f008_3

f008

3

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

who sat outside of the arena

Character_identity

f008_4

f008

4

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

how long did the ceremony probably last?

Event_duration

f008_5

f008

5

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

Whose soldiers watched the games in silence?

Character_identity

f008_6

f008

6

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

What is probably true about women screaming

Entity_properties

f008_7

f008

7

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

The soldiers watched beautiful girls being raped

Temporal_order

f008_8

f008

8

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

Author believes that

Belief_states

f008_9

f008

9

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

How long did the event probably last?

Event_duration

f008_10

f008

10

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

what is an octagonal arena

Factual

f008_11

f008

11

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

why is it so hot?

Causality

f008_12

f008

12

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

what happens after the celebration

Subsequent_state

f008_13

f008

13

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

When was the arena build?

Temporal_order

f008_14

f008

14

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

who is the author

Unanswerable

f008_15

f008

15

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

why does this story probably occur?

Entity_properties

f008_16

f008

16

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

After the end of this story

Subsequent_state

f008_17

f008

17

fiction

It was hot. The smell of blood already hung heavy in the air. The white sands, imported from the far west mountains of limestone, sucked up the fire of the huge red sun. It was always hot in the south desert. Even in the deep of night the stones of Gazu Kadem kept the city warm. Now, at mid-day, it was at its hottest. A quarter of a million people at the arena didn't make it any cooler. The merchants, nobles, and the slaves lucky enough to attend had waited outside Dan Trex's arena for days. They knew the value of entertainment in such a dark world. They wore cowls to protect themselves from the sun as they waited. Entire businesses thrived on the forced mercantile of the captive audience. Food went for thrice its cost to those waiting near the entrance. Water went for five times as much. The arena was as old as the city, built in the days of the old empire for a king now long forgotten. The octagonal arena was a machine, an engine that built warriors out of the raw material of flesh, blood, and steel. Now, thousands of years later, it still served that purpose. The machine had built Dan Trex's army, half a million of the most ruthless and well trained soldiers to ever walk the planet. While one hundred and fifty thousand civilians and slaves got drunk, gambled, shat, fucked, and slept on the stone steps; one hundred thousand of his men sat in silence wearing black and bronze and watching him as Trex walked out into the arena alone and unhelmed. His soldiers watched the games in silence. They made not a sound when twelve of the most beautiful girls to walk on small bare feet were raped and flayed apart by dark priests in a ritual to Gazu Kadem's god-king, Danken Ovelde. They studied the three-horned desert bull as it gored five slaves. They watched the spear technique of four slave armies as they warred in a single great battle. They watched blades of silver spray fans of red blood into the air. They watched vital organs spill onto the white sands. They heard men and women scream as life left them. They watched and they made no sound.

Who is Dan Trex

Unanswerable

f009_0

f009

0

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Why did the author notice Barend?

Causality

f009_1

f009

1

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

What games did they play during kindergarten?

Unanswerable

f009_2

f009

2

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

The author believes that Barend's shadow:

Belief_states

f009_3

f009

3

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

What is probably true about the author?

Entity_properties

f009_4

f009

4

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Who is the most invisible character?

Character_identity

f009_5

f009

5

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

How long the narrator and Berand were probably friends?

Event_duration

f009_6

f009

6

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Barend become famous for burying bodies:

Temporal_order

f009_7

f009

7

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Barend is probably:

Unanswerable

f009_8

f009

8

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Why did the narrator and Berand remain friends?

Causality

f009_9

f009

9

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

Barend and the author are now:

Unanswerable

f009_10

f009

10

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

When did the author become friends with Barend?

Temporal_order

f009_11

f009

11

fiction

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid.

What color was the sky on the day they met?

Factual