Datasets:

pszemraj

/

SQuALITY-v1.3-flat

like 2

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

What is the plot of the story?

107

Simon goes to his desk as Betty remarks that he is late. He tells her that he needs a vacation, but she asks him where the funds will come from and her weekly salary. Suddenly, the door knocks, and a man named Mr. Oyster comes in. Despite having never met before, he is impressed that Simon knows him and asks the other man if he believes in time travel. Betty says it is impossible, and Mr. Oyster questions her about why. Simon then asks why he came, to which the potential client responds that he wants them to hunt up some time travelers. He asks Betty some more about science fiction and explains that he is willing to gamble his fortune to investigate the presence of time travelers in the current era. Mr. Oyster further says that these time travelers will be at the Oktoberfest in Munich, which is considered the greatest festival globally. Simon says that he is not interested in taking up the case. Betty is surprised, and Mr. Oyster tries to offer him a substantial amount of money. Simon then tells them a story where he accepts Mr. Oyster’s offer. Simon thinks about how much fun he will have and a fake report to generate for Mr. Oyster. He then goes on to be suspicious about how five million people can appear to attend a festival in a remote part of southern Germany, especially considering the population of Munich is less than one million. There is no hotel space in Munch, so Simon must go to Bahnhof to apply for hotel service. It is suspicious how the five million attendees are accommodated for this festival. The circus-like tents represent the seven major brewers of the Munich area, and many people are going around. Simon finds a space at one of the tables; he notes that the crowd is made up of both tourists and Germans. A bald-headed person and he both drink beer. The bald man accidentally reveals that his pencil is Venusian and tells Simon that his dream is to sample each of the seven best beer brands. The man then introduces himself as Arth and tells Simon that he is from a strange location. Arth offers to take him to his hotel later, and Simon goes with him. Arth gives him a box of pills for his hangover, and the scene cuts to them drinking at the festival again. Simon feels that something is off and decides to go back to New York. He returns to the office, where Mr. Oyster tells him that Betty has just finished the receipt. They are both confused and say that he has only been gone for about three minutes. Mr. Oyster is furious and leaves, while Betty asks why he didn’t just take the money. Simon tells her that he experienced the trip three times and says that he will not be dealing with a fourth hangover on top of the three already-present ones.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

What is the plot of the story?

112

One day, Mr. Oyster comes to Simon’s office and tries to assign a mission of finding a time traveler in a huge festival, Oktoberfest, in Munich and bring back the secret of eternal youth. However, Simon refuses his request. While Mr. Oyster is confused about why Simon rejects such a large amount of money and a chance to go on a vacation, Simon tells him a story. In the story, Simon accepts Mr. Oyster’s request and goes to Oktoberfest. When he gets to Munich, he cannot find a hotel to stay in since there are too many people to be accommodated. While drinking in the big tent held by the local brewery, Simon meets a guy who wants to try all the beer. He then accompanies him to drink. When they get drunk, Simon tells the guy that he doesn’t have anywhere to stay, and the guy invites him to his place. While they talk in the guy’s place, the guy carelessly leaks information about where he comes from, which seems like a time traveler. On the following day, when the time traveler realizes what he did last night, he tells Simon not to move and goes into the bathroom. After he comes out, he gives Simon a pill and lets him go. When Simon takes the flight back to his office, the time seems to be reset to when he just left the office to catch the flight to Munich. Mr. Oyster thinks that Simon tries to ridicule him through his story, so he angrily leaves. Betty, Simon’s clerk, asks Simon why he didn’t want to accept the request, and Simon tells her that the story is what truly happened. Moreover, it has already happened three times, but they never believe him as they cannot sense the time reset. In the end, Betty cannot understand what Simon is trying to say, and Simon is also too tired to explain it. The only thing sure is that he will not make the whole trip again.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

What is the plot of the story?

109

This story follows Simon and Betty, his assistant, who are two investigators. As Simon nurses a headache and Betty laments over making enough for a week’s salary, a new client enters, an old man wearing an expensive suit. Identifying the old man by name - Mr. Oyster - he details his desire to investigate time travel. Insisting that time travel is possible and real, with all the paradoxes explained away, Mr. Oyster passionately hypothesizes that time travelers often congregate at events like Oktoberfest and propose for Simon and Betty to attend the festival and nab a time traveler. Simon expands on the latter’s desire as to him wanting the investigators to exhort from the time traveler some secret of eternal youth, and hence be willing to pay a premium rate of upwards of fifty thousand dollars. Despite this generous amount, Simon declines, and instead tells the pair a story. The story goes: he took a thousand dollars from Mr. Oyster as an advance and departed on the first flight out to Germany. When he arrived at the festival, Simon found an available space in a brewers tent. He sat down across a bald-headed man who appeared to be noting down the various beers being tried. Introducing himself as Arth, Simon and Arth end up traversing the rest of the festival’s breweries together, getting more and more inebriated with each one. After a while, both of them head back to Arth’s hotel and pass out. The next morning, Arth is surprised to find Simon and gives him a pill to help with Simon’s hangover. In the next scene, Simon finds them the next day back at the festival, nursing another mug of beer. With a terrible hangover and not remembering the details of the previous night, Simon says his goodbyes and heads to pick up his luggage, only to find it lost. He decided to head to the airport and fly out without it, found himself with a momentary bump with a ticketing error, and went directly to his office after landing. At the office, Simon is surprised to find Mr. Oyster there, surmising that he is eager to get the report. However, as Betty expresses that she just met Mr. Oyster that morning, he soon realizes that he somehow indeed time traveled. When Simon finished telling his story, Mr. Oyster is in disbelief and believes that he is being ridiculed and storms out of the office, leaving behind fifty dollars for the investigator's time. Betty comments that he is surprised he didn’t take the offer. Simon reveals that he did, actually, three times. It turns out that Mr. Oyster’s hypothesis on time travelers’ existence and their congregation at Oktoberfest was correct. However, these time travelers - like Arth - will immediately reset the track if the space-time continuum was threatened - like they did to Simon. Nursing several hangovers, Simon implores Betty to let it go.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

What is the plot of the story?

111

This story centers around two private investigators, Betty and Simon. Betty seems to be working under Simon, and asks Simon for her payment. They have a little disagreement, but it ends when a new client arrives. The client is Mr. Oyster, an old and rich man who is looking to find time travelers and is willing to pay handsomely. After the 3 of them go back and forth debating about the existence of time travel, Simon starts to tell a story about him going to Oktoberfest, and how an entanglement with a time traveler could go. The story starts with Simon arriving at the festival, and immediately becomes friends with a time traveler, Arth. After drinking together, they end up going to Arth’s hotel. When Simon wakes up, he is in a very futuristic room. When Arth notices him, he gives him a pill and then Simon wakes up in the Oktoberfest again. Arth tells him it is the day after, but Simon ends up going back to New York. When he gets there, he arrives not 10 minutes later after he left. After the story ends, he rejects Mr. Oyster’s proposal and it is revealed the story was real, and that Simon had in fact gone to the future with Arth, and had found time travelers.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Describe Oktoberfest in the story.

107

Oktoberfest, as described by Mr. Oyster, is held in Munich. It is the greatest festival the world has ever seen; each brewery opens a tremendous tent on the fairgrounds, holding five thousand customers apiece. There are millions of liters of beer, hundreds of thousands of barbecued chickens, oxen roasted over spits, millions of pairs of weisswurst sausage, and millions of pretzels. Since there are many people at Oktoberfest, it is perfect for strange people to blend in since nobody will notice. Oktoberfest is also mentioned to start on a Friday and continues for sixteen days. In Simon’s story, the seven major brewers of the Munich area are all represented by circus-like tents. Each tent contains benches and tables that can seat up to five thousand people. There is a tremendous bandstand in the tent's center, where the musicians are lederhosen-clad. The music is described to be Bavarian as well. It is described that there are many desperate waitresses as well, scrambling around and handing people masses of beer. In terms of people, it is extremely loud and crowded; tourists and German natives are all present and try to squeeze into the tents.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Describe Oktoberfest in the story.

112

Oktoberfest is an annual festival held in Munich, the biggest one that has ever been seen. Five million people attend annually. It originates from celebrating a wedding of some local princes about a century and a half ago. Since then, Bavarians have maintained such a tradition. The Munich breweries will have a special beer called Marzenbräu. Each brewery will set up a circus-like tent that allows five thousand customers to stay. Each tent contains benches and tables, and there will be a music band in each tent. A tremendous amount of beer, barbecued chicken, and pretzels will be provided. Foods like weisswurst, a special sausage, and roasted oxen will also be in plenty. The whole event usually lasts for sixteen days. People will drink beers and enjoy the food from one tent to another.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Describe Oktoberfest in the story.

109

Oktoberfest is a famed beer festival that takes place in Southern Germany, beginning on September 21st and running for sixteen consecutive days. As described by Mr. Oyster, its historical origins began as a celebration of the wedding of a local prince centuries ago, and have since continued as a great time. Each year, many Munich breweries will brew a special batch - Marzenbrau beer - and will erect tents that can hold up to five thousand people. In Simon’s own experience, Oktoberfest just like Mr. Oyster described. Simon marvels - and questions - at the fact that five million people come to attend Oktoberfest, when the population of Munich itself does not go over a million. Because of the large number of event attendees, Simon is unable to find hotel space in Munich and has to go to Bahnhof and be put on the waitlist for a room. He finds seven major brewers in the Munich area, arranged in circus-like tents as described, with Bavarian musicians playing. Alongside the mugs of beer, fellow festival go-ers are also enjoying platters of chicken, sausage, kraut and pretzels.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Describe Oktoberfest in the story.

111

Oktoberfest is described as the greatest festival in the world. It is said that over 5 million people attend the festival in southern Germany yearly, which Simon considers to be weird, as he wonders where those many people come from. The festival has different tents and is full of food and loud music where people get drunk and have a good time. The festival is also described as super packed, as Simon and Arth had a lot of trouble finding chairs in the tents.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Arth, and what are his characteristics?

107

Arth is a bald man at Oktoberfest. He is first introduced as a bald-headed drunk who sits across from Simon. They share a beer together and toast. After, Arth makes a note to write down the name engraved on his mug in a small notebook with a pencil. When Simon asks if he is German, Arth accidentally responds that his pencil is Venusian. Arth is very determined to fulfill his pilgrimage of trying every single beer at Oktoberfest, but he is disappointed that he will never make it. Simon asks him where he is from when they go to another tent, and Arth responds that he is from 2183 South St in New Albuquerque; it is situated right across Old Albuquerque. Arth also has a kind side to him, as he offers to take Simon to his hotel to rest for the night. He even offers Simon a box of pills to help with his hangover. When they go back to drinking again, he looks at Simon cautiously when the latter does not remember where he spent the night. Arth looks at Simon strangely as he goes back, even though he is initially portrayed as a friendly and kind bald man.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Arth, and what are his characteristics?

112

According to Simon's story, Arth is a time traveler that Simon meets in Oktoberfest. He is bald. He has a small notebook and a Venusian pencil in his pocket. He is from 2183 South Street, New Albuquerque. He is a vegetarian. He meets Simon, a detective who comes to Oktoberfest to search for time travelers, in a tent in Oktoberfest. He invites Simon to go to his place when he knows that Simon has no place to stay. He resets the time when he wakes up the following morning and realizes that he may leak information about his identity to Simon. He gives Simon a pill and sends him out after resetting the time.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Arth, and what are his characteristics?

109

Arth is a fellow Oktoberfest go-er that Simon meets at one the brewery tents, who is on a pilgrimage to try every beer from the seven best brands, but has only made it so far as the Lowenbrau beer. He and Simon set off together as a pair to try the rest of the beers. In making conversation, we find out that Arth often slips in what he says. For example, when writing down the beers he is trying, Simon inquires about the odd type of pencil he is using and assumes it is German, but Arth corrects him and says that it is Venusian. As an afterthought, Arth says that he should not have said that. Similarly, when Simon asks where Arth is from, Arth simply says ‘2183’ before correcting it to a supposed street address in New Albuquerque. After a couple more beers, Arth brings Simon back to his hotel room as Simon has yet to find one himself. The next morning, Arth expresses regret and stupidity towards himself for bringing Simon back and hands him a pill - supposedly aspirin - for Simon’s hangover. The next day, as Simon continues nursing his hangover, Arth details the memories of last night cautiously to Simon and they end up saying their goodbyes. Overall, Arth appears to marvel at Oktoberfest in an odd way. He also seems to be cautious - oftentimes slipping up with revealing too much or a certain information and regrettably having to correct it.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Arth, and what are his characteristics?

111

Arth is described as a bald man, who seems to be very drunk when Simon befriends him at the festival. Throughout the story, it becomes clearer and clearer that Arth is a time traveler. He said he is from 2183, probably referring to his year, as well as referring to his pen as being “venusian”. Arth is on a pilgrimage to complete the 7 tents within the festival, as he wanted to experience the greatest festival ever. He ends up taking Simon to the future with him, but when he realizes his mistake sends Simon back to the present using a pill.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Simon, and what are his characteristics?

107

Simon works with Betty investigating many cases at their office in New York. He initially has a terrible headache and has to take aspirin for his hangover. He is perceptive as well, knowing who Mr. Oyster is without having seen him before and informative about time travel. However, he does show a stubborn side when he refuses Mr. Oyster’s offer no matter how much money the other man offers him. Even though he could just create a false report for Mr. Oyster, he refuses to take the job. Simon later reveals to Betty that he has already experienced going to Oktoberfest three times and has brought nothing but multiple hangovers back. In the story he tells, Simon is very friendly towards Arth and tries to help him on his pilgrimage. He ends up getting extremely hungover and goes back to New York, which then resets the entire cycle of events again.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Simon, and what are his characteristics?

112

Simon is a detective who constantly searches for his aspirin bottle. He is weary and tired when Mr. Oyster comes to give a request on hunting a time traveler. He needs a vacation. In his story, he does not find a place to stay, so he leaves his bag in one of the hotels. After he goes into a tent to have some beers, he meets a time traveler in Oktoberfest without knowing the identity of the time traveler. He is invited to the time traveler’s home, and the next day, he is sent out after taking a pill. After leaving the time traveler’s house, he cannot find his bag in the hotel since there is no check receipt to show that his bag has been stored there. His flight ticket also has a weird, wrong date. When he gets back to the office, he realizes that he goes back to when he had just left to catch the flight. He tries to tell other people that he has the same experience as the story, but no one believes him.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Simon, and what are his characteristics?

109

Simon, the protagonist, is an investigator alongside his assistant, Betty. He is recruited by Mr. Oyster to further investigate and locate a time traveler in Oktoberfest, and exhort a time traveler’s secrets to eternal life in return for a generous sum. Initially described as someone looking to make money, it is surprising that he turns down the opportunity. However, it is revealed through the story that he did initially take the offer. Simon’s disbelief at Mr. Oyster’s insistence of time travelers is attributed as whilst on the plane, Simon plans to embellish and dream up the material in Mr. Oyster’s report. However, he soon begins to have suspicions about the feasibility of such time travelers, as facts like the vast number of people attending Oktoberfest and cost of expenditure in contrast to the location and timing of the festival do not appear to make sense to Simon. Simon is also described as friendly and open, as he instantly makes conversation with Arth and makes casual conversation with him about his time at Oktoberfest, where he’s from, etc. The two of them fall into an easy companionship and set off to try the rest of the beers together. He is also smart and pragmatic, choosing to cut his losses at Oktoberfest and head back home early. Whilst at the office in discovering that it was the same day as he had supposedly left for Oktoberfest, he demonstrates his intelligence in being able to suss out what had happened to him.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

Who is Simon, and what are his characteristics?

111

Simon is a private investigator. He seems to be a very pragmatic person, as he knew exactly what he needed to do in order to get his client happy and comfortable. He also knew how to manage Betty’s expectations, as she wanted him to pay him but he knew what to say in order to make her happy. He also learns from his mistakes, as he already tried to find a time traveler, but he refuses to try again because of the situation that he suffered the first time.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

How does the story Simon tells relate back to Mr. Oyster’s initial request to find time travelers?

107

The story that Simon tells relates back to Mr. Oyster’s initial request about time travelers because he is the one who time traveled. Although he calls it a funny story, the sequence of events he describes is all actual events he experiences. The entire purpose of Mr. Oyster’s request and his desire to spend a portion of his fortune is to find a time traveler and come to a conclusion that they exist. However, he fails to realize that the very person he is asking has time traveled. Since the events were repeated three times, Simon’s refusal now changes the flow of events in the near future to avoid a fourth hangover. Even though Mr. Oyster leaves angrily, Simon’s story serves as a true report of time traveling and fulfills Mr. Oyster’s request.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

How does the story Simon tells relate back to Mr. Oyster’s initial request to find time travelers?

112

Mr. Oyster’s initial request is to find the time traveler in the Oktoberfest in Munich and bring back the secret of eternal youth from them. On the other hand, Simon tells the story about what will happen after accepting the requests and going to Oktoberfest. Simon will not be able to find his accommodation in Munich as there will be too many people to be accommodated. Simon will meet a time traveler and have fun with him. Since they are both drunk, the time traveler will take Simon back to his place and leak some information about the future. On the following day, once the time traveler realizes what he did last night, he will reset the time to where Simon starts and send Simon back. When Simon is back, it will only be him remembering the whole thing. And if Simon tries to tell Mr. Oyster and his clerk about what happened, they will only consider him as ridiculing them since they do not believe the time has been reset. Therefore, the story Simon tells reveals that even if Simon accepts Mr. Oyster’s request and meets a time traveler, he will not be able to bring back the secret of eternal youth but only a severe hangover because the space-time continuum track is not allowed to be changed.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

How does the story Simon tells relate back to Mr. Oyster’s initial request to find time travelers?

109

Simon’s story relates back to Mr. Oyster’s initial request to find time travelers because it confirms Mr. Oyster’s theory: that time travelers exist and they do attend Oktoberfest. To us as readers, the meeting between Mr. Oyster and Simon and Betty in the beginning of the story marks the first time all three of them meet. However, Simon’s story tells us the opposite, that it is actually the second or third time Simon has met Mr. Oyster and completed his request, each time nursing a hangover. We find out through Simon that while Mr. Oyster was correct in his insistence at the existence of time travelers, he was wrong in thinking that time travelers would give up the secrets of eternal life and threaten the space-time continuum. In fact, we can see from the interactions between Simon and Arth that time travelers will do whatever it takes to reset the timeline and prevent the space-time continuum from being threatened. It is clear through Simon’s repeat experiences with the same meeting, same day, and same hangover that Simon had investigated a little too closely to the time travelers, and as a consequence, returned back to his office on a reset day, with only his hangover and change from the initial thousand dollars as the only witness to the alternate reality.

23942

UNBORN TOMORROW BY MACK REYNOLDS Unfortunately , there was only one thing he could bring back from the wonderful future ... and though he didn't want to ... nevertheless he did.... Illustrated by Freas Betty looked up from her magazine. She said mildly, "You're late." "Don't yell at me, I feel awful," Simon told her. He sat down at his desk, passed his tongue over his teeth in distaste, groaned, fumbled in a drawer for the aspirin bottle. He looked over at Betty and said, almost as though reciting, "What I need is a vacation." "What," Betty said, "are you going to use for money?" "Providence," Simon told her whilst fiddling with the aspirin bottle, "will provide." "Hm-m-m. But before providing vacations it'd be nice if Providence turned up a missing jewel deal, say. Something where you could deduce that actually the ruby ring had gone down the drain and was caught in the elbow. Something that would net about fifty dollars." Simon said, mournful of tone, "Fifty dollars? Why not make it five hundred?" "I'm not selfish," Betty said. "All I want is enough to pay me this week's salary." "Money," Simon said. "When you took this job you said it was the romance that appealed to you." "Hm-m-m. I didn't know most sleuthing amounted to snooping around department stores to check on the clerks knocking down." Simon said, enigmatically, "Now it comes." There was a knock. Betty bounced up with Olympic agility and had the door swinging wide before the knocking was quite completed. He was old, little and had bug eyes behind pince-nez glasses. His suit was cut in the style of yesteryear but when a suit costs two or three hundred dollars you still retain caste whatever the styling. Simon said unenthusiastically, "Good morning, Mr. Oyster." He indicated the client's chair. "Sit down, sir." The client fussed himself with Betty's assistance into the seat, bug-eyed Simon, said finally, "You know my name, that's pretty good. Never saw you before in my life. Stop fussing with me, young lady. Your ad in the phone book says you'll investigate anything." "Anything," Simon said. "Only one exception." "Excellent. Do you believe in time travel?" Simon said nothing. Across the room, where she had resumed her seat, Betty cleared her throat. When Simon continued to say nothing she ventured, "Time travel is impossible." "Why?" "Why?" "Yes, why?" Betty looked to her boss for assistance. None was forthcoming. There ought to be some very quick, positive, definite answer. She said, "Well, for one thing, paradox. Suppose you had a time machine and traveled back a hundred years or so and killed your own great-grandfather. Then how could you ever be born?" "Confound it if I know," the little fellow growled. "How?" Simon said, "Let's get to the point, what you wanted to see me about." "I want to hire you to hunt me up some time travelers," the old boy said. Betty was too far in now to maintain her proper role of silent secretary. "Time travelers," she said, not very intelligently. The potential client sat more erect, obviously with intent to hold the floor for a time. He removed the pince-nez glasses and pointed them at Betty. He said, "Have you read much science fiction, Miss?" "Some," Betty admitted. "Then you'll realize that there are a dozen explanations of the paradoxes of time travel. Every writer in the field worth his salt has explained them away. But to get on. It's my contention that within a century or so man will have solved the problems of immortality and eternal youth, and it's also my suspicion that he will eventually be able to travel in time. So convinced am I of these possibilities that I am willing to gamble a portion of my fortune to investigate the presence in our era of such time travelers." Simon seemed incapable of carrying the ball this morning, so Betty said, "But ... Mr. Oyster, if the future has developed time travel why don't we ever meet such travelers?" Simon put in a word. "The usual explanation, Betty, is that they can't afford to allow the space-time continuum track to be altered. If, say, a time traveler returned to a period of twenty-five years ago and shot Hitler, then all subsequent history would be changed. In that case, the time traveler himself might never be born. They have to tread mighty carefully." Mr. Oyster was pleased. "I didn't expect you to be so well informed on the subject, young man." Simon shrugged and fumbled again with the aspirin bottle. Mr. Oyster went on. "I've been considering the matter for some time and—" Simon held up a hand. "There's no use prolonging this. As I understand it, you're an elderly gentleman with a considerable fortune and you realize that thus far nobody has succeeded in taking it with him." Mr. Oyster returned his glasses to their perch, bug-eyed Simon, but then nodded. Simon said, "You want to hire me to find a time traveler and in some manner or other—any manner will do—exhort from him the secret of eternal life and youth, which you figure the future will have discovered. You're willing to pony up a part of this fortune of yours, if I can deliver a bona fide time traveler." "Right!" Betty had been looking from one to the other. Now she said, plaintively, "But where are you going to find one of these characters—especially if they're interested in keeping hid?" The old boy was the center again. "I told you I'd been considering it for some time. The Oktoberfest , that's where they'd be!" He seemed elated. Betty and Simon waited. "The Oktoberfest ," he repeated. "The greatest festival the world has ever seen, the carnival, feria , fiesta to beat them all. Every year it's held in Munich. Makes the New Orleans Mardi gras look like a quilting party." He began to swing into the spirit of his description. "It originally started in celebration of the wedding of some local prince a century and a half ago and the Bavarians had such a bang-up time they've been holding it every year since. The Munich breweries do up a special beer, Marzenbräu they call it, and each brewery opens a tremendous tent on the fair grounds which will hold five thousand customers apiece. Millions of liters of beer are put away, hundreds of thousands of barbecued chickens, a small herd of oxen are roasted whole over spits, millions of pair of weisswurst , a very special sausage, millions upon millions of pretzels—" "All right," Simon said. "We'll accept it. The Oktoberfest is one whale of a wingding." "Well," the old boy pursued, into his subject now, "that's where they'd be, places like the Oktoberfest . For one thing, a time traveler wouldn't be conspicuous. At a festival like this somebody with a strange accent, or who didn't know exactly how to wear his clothes correctly, or was off the ordinary in any of a dozen other ways, wouldn't be noticed. You could be a four-armed space traveler from Mars, and you still wouldn't be conspicuous at the Oktoberfest . People would figure they had D.T.'s." "But why would a time traveler want to go to a—" Betty began. "Why not! What better opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to speak the language, not knowing how to wear the clothes and not familiar with the city's layout." He took a deep breath. "No ma'am, you'd have to stick to some great event, both for the sake of actual interest and for protection against being unmasked." The old boy wound it up. "Well, that's the story. What are your rates? The Oktoberfest starts on Friday and continues for sixteen days. You can take the plane to Munich, spend a week there and—" Simon was shaking his head. "Not interested." As soon as Betty had got her jaw back into place, she glared unbelievingly at him. Mr. Oyster was taken aback himself. "See here, young man, I realize this isn't an ordinary assignment, however, as I said, I am willing to risk a considerable portion of my fortune—" "Sorry," Simon said. "Can't be done." "A hundred dollars a day plus expenses," Mr. Oyster said quietly. "I like the fact that you already seem to have some interest and knowledge of the matter. I liked the way you knew my name when I walked in the door; my picture doesn't appear often in the papers." "No go," Simon said, a sad quality in his voice. "A fifty thousand dollar bonus if you bring me a time traveler." "Out of the question," Simon said. "But why ?" Betty wailed. "Just for laughs," Simon told the two of them sourly, "suppose I tell you a funny story. It goes like this:" I got a thousand dollars from Mr. Oyster (Simon began) in the way of an advance, and leaving him with Betty who was making out a receipt, I hustled back to the apartment and packed a bag. Hell, I'd wanted a vacation anyway, this was a natural. On the way to Idlewild I stopped off at the Germany Information Offices for some tourist literature. It takes roughly three and a half hours to get to Gander from Idlewild. I spent the time planning the fun I was going to have. It takes roughly seven and a half hours from Gander to Shannon and I spent that time dreaming up material I could put into my reports to Mr. Oyster. I was going to have to give him some kind of report for his money. Time travel yet! What a laugh! Between Shannon and Munich a faint suspicion began to simmer in my mind. These statistics I read on the Oktoberfest in the Munich tourist pamphlets. Five million people attended annually. Where did five million people come from to attend an overgrown festival in comparatively remote Southern Germany? The tourist season is over before September 21st, first day of the gigantic beer bust. Nor could the Germans account for any such number. Munich itself has a population of less than a million, counting children. And those millions of gallons of beer, the hundreds of thousands of chickens, the herds of oxen. Who ponied up all the money for such expenditures? How could the average German, with his twenty-five dollars a week salary? In Munich there was no hotel space available. I went to the Bahnhof where they have a hotel service and applied. They put my name down, pocketed the husky bribe, showed me where I could check my bag, told me they'd do what they could, and to report back in a few hours. I had another suspicious twinge. If five million people attended this beer bout, how were they accommodated? The Theresienwiese , the fair ground, was only a few blocks away. I was stiff from the plane ride so I walked. There are seven major brewers in the Munich area, each of them represented by one of the circuslike tents that Mr. Oyster mentioned. Each tent contained benches and tables for about five thousand persons and from six to ten thousands pack themselves in, competing for room. In the center is a tremendous bandstand, the musicians all lederhosen clad, the music as Bavarian as any to be found in a Bavarian beer hall. Hundreds of peasant garbed fräuleins darted about the tables with quart sized earthenware mugs, platters of chicken, sausage, kraut and pretzels. I found a place finally at a table which had space for twenty-odd beer bibbers. Odd is right. As weird an assortment of Germans and foreign tourists as could have been dreamed up, ranging from a seventy- or eighty-year-old couple in Bavarian costume, to the bald-headed drunk across the table from me. A desperate waitress bearing six mugs of beer in each hand scurried past. They call them masses , by the way, not mugs. The bald-headed character and I both held up a finger and she slid two of the masses over to us and then hustled on. "Down the hatch," the other said, holding up his mass in toast. "To the ladies," I told him. Before sipping, I said, "You know, the tourist pamphlets say this stuff is eighteen per cent. That's nonsense. No beer is that strong." I took a long pull. He looked at me, waiting. I came up. "Mistaken," I admitted. A mass or two apiece later he looked carefully at the name engraved on his earthenware mug. "Löwenbräu," he said. He took a small notebook from his pocket and a pencil, noted down the word and returned the things. "That's a queer looking pencil you have there," I told him. "German?" "Venusian," he said. "Oops, sorry. Shouldn't have said that." I had never heard of the brand so I skipped it. "Next is the Hofbräu," he said. "Next what?" Baldy's conversation didn't seem to hang together very well. "My pilgrimage," he told me. "All my life I've been wanting to go back to an Oktoberfest and sample every one of the seven brands of the best beer the world has ever known. I'm only as far as Löwenbräu. I'm afraid I'll never make it." I finished my mass . "I'll help you," I told him. "Very noble endeavor. Name is Simon." "Arth," he said. "How could you help?" "I'm still fresh—comparatively. I'll navigate you around. There are seven beer tents. How many have you got through, so far?" "Two, counting this one," Arth said. I looked at him. "It's going to be a chore," I said. "You've already got a nice edge on." Outside, as we made our way to the next tent, the fair looked like every big State-Fair ever seen, except it was bigger. Games, souvenir stands, sausage stands, rides, side shows, and people, people, people. The Hofbräu tent was as overflowing as the last but we managed to find two seats. The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with the mugs and drank each other's health. "This is what I call a real beer bust," I said approvingly. Arth was waving to a waitress. As in the Löwenbräu tent, a full quart was the smallest amount obtainable. A beer later I said, "I don't know if you'll make it or not, Arth." "Make what?" "All seven tents." "Oh." A waitress was on her way by, mugs foaming over their rims. I gestured to her for refills. "Where are you from, Arth?" I asked him, in the way of making conversation. "2183." "2183 where?" He looked at me, closing one eye to focus better. "Oh," he said. "Well, 2183 South Street, ah, New Albuquerque." "New Albuquerque? Where's that?" Arth thought about it. Took another long pull at the beer. "Right across the way from old Albuquerque," he said finally. "Maybe we ought to be getting on to the Pschorrbräu tent." "Maybe we ought to eat something first," I said. "I'm beginning to feel this. We could get some of that barbecued ox." Arth closed his eyes in pain. "Vegetarian," he said. "Couldn't possibly eat meat. Barbarous. Ugh." "Well, we need some nourishment," I said. "There's supposed to be considerable nourishment in beer." That made sense. I yelled, " Fräulein! Zwei neu bier! " Somewhere along in here the fog rolled in. When it rolled out again, I found myself closing one eye the better to read the lettering on my earthenware mug. It read Augustinerbräu. Somehow we'd evidently navigated from one tent to another. Arth was saying, "Where's your hotel?" That seemed like a good question. I thought about it for a while. Finally I said, "Haven't got one. Town's jam packed. Left my bag at the Bahnhof. I don't think we'll ever make it, Arth. How many we got to go?" "Lost track," Arth said. "You can come home with me." We drank to that and the fog rolled in again. When the fog rolled out, it was daylight. Bright, glaring, awful daylight. I was sprawled, complete with clothes, on one of twin beds. On the other bed, also completely clothed, was Arth. That sun was too much. I stumbled up from the bed, staggered to the window and fumbled around for a blind or curtain. There was none. Behind me a voice said in horror, "Who ... how ... oh, Wodo , where'd you come from?" I got a quick impression, looking out the window, that the Germans were certainly the most modern, futuristic people in the world. But I couldn't stand the light. "Where's the shade," I moaned. Arth did something and the window went opaque. "That's quite a gadget," I groaned. "If I didn't feel so lousy, I'd appreciate it." Arth was sitting on the edge of the bed holding his bald head in his hands. "I remember now," he sorrowed. "You didn't have a hotel. What a stupidity. I'll be phased. Phased all the way down." "You haven't got a handful of aspirin, have you?" I asked him. "Just a minute," Arth said, staggering erect and heading for what undoubtedly was a bathroom. "Stay where you are. Don't move. Don't touch anything." "All right," I told him plaintively. "I'm clean. I won't mess up the place. All I've got is a hangover, not lice." Arth was gone. He came back in two or three minutes, box of pills in hand. "Here, take one of these." I took the pill, followed it with a glass of water. And went out like a light. Arth was shaking my arm. "Want another mass ?" The band was blaring, and five thousand half-swacked voices were roaring accompaniment. In Muenchen steht ein Hofbräuhaus! Eins, Zwei, G'sufa! At the G'sufa everybody upped with their king-size mugs and drank each other's health. My head was killing me. "This is where I came in, or something," I groaned. Arth said, "That was last night." He looked at me over the rim of his beer mug. Something, somewhere, was wrong. But I didn't care. I finished my mass and then remembered. "I've got to get my bag. Oh, my head. Where did we spend last night?" Arth said, and his voice sounded cautious, "At my hotel, don't you remember?" "Not very well," I admitted. "I feel lousy. I must have dimmed out. I've got to go to the Bahnhof and get my luggage." Arth didn't put up an argument on that. We said good-by and I could feel him watching after me as I pushed through the tables on the way out. At the Bahnhof they could do me no good. There were no hotel rooms available in Munich. The head was getting worse by the minute. The fact that they'd somehow managed to lose my bag didn't help. I worked on that project for at least a couple of hours. Not only wasn't the bag at the luggage checking station, but the attendant there evidently couldn't make heads nor tails of the check receipt. He didn't speak English and my high school German was inadequate, especially accompanied by a blockbusting hangover. I didn't get anywhere tearing my hair and complaining from one end of the Bahnhof to the other. I drew a blank on the bag. And the head was getting worse by the minute. I was bleeding to death through the eyes and instead of butterflies I had bats in my stomach. Believe me, nobody should drink a gallon or more of Marzenbräu. I decided the hell with it. I took a cab to the airport, presented my return ticket, told them I wanted to leave on the first obtainable plane to New York. I'd spent two days at the Oktoberfest , and I'd had it. I got more guff there. Something was wrong with the ticket, wrong date or some such. But they fixed that up. I never was clear on what was fouled up, some clerk's error, evidently. The trip back was as uninteresting as the one over. As the hangover began to wear off—a little—I was almost sorry I hadn't been able to stay. If I'd only been able to get a room I would have stayed, I told myself. From Idlewild, I came directly to the office rather than going to my apartment. I figured I might as well check in with Betty. I opened the door and there I found Mr. Oyster sitting in the chair he had been occupying four—or was it five—days before when I'd left. I'd lost track of the time. I said to him, "Glad you're here, sir. I can report. Ah, what was it you came for? Impatient to hear if I'd had any results?" My mind was spinning like a whirling dervish in a revolving door. I'd spent a wad of his money and had nothing I could think of to show for it; nothing but the last stages of a grand-daddy hangover. "Came for?" Mr. Oyster snorted. "I'm merely waiting for your girl to make out my receipt. I thought you had already left." "You'll miss your plane," Betty said. There was suddenly a double dip of ice cream in my stomach. I walked over to my desk and looked down at the calendar. Mr. Oyster was saying something to the effect that if I didn't leave today, it would have to be tomorrow, that he hadn't ponied up that thousand dollars advance for anything less than immediate service. Stuffing his receipt in his wallet, he fussed his way out the door. I said to Betty hopefully, "I suppose you haven't changed this calendar since I left." Betty said, "What's the matter with you? You look funny. How did your clothes get so mussed? You tore the top sheet off that calendar yourself, not half an hour ago, just before this marble-missing client came in." She added, irrelevantly, "Time travelers yet." I tried just once more. "Uh, when did you first see this Mr. Oyster?" "Never saw him before in my life," she said. "Not until he came in this morning." "This morning," I said weakly. While Betty stared at me as though it was me that needed candling by a head shrinker preparatory to being sent off to a pressure cooker, I fished in my pocket for my wallet, counted the contents and winced at the pathetic remains of the thousand. I said pleadingly, "Betty, listen, how long ago did I go out that door—on the way to the airport?" "You've been acting sick all morning. You went out that door about ten minutes ago, were gone about three minutes, and then came back." "See here," Mr. Oyster said (interrupting Simon's story), "did you say this was supposed to be amusing, young man? I don't find it so. In fact, I believe I am being ridiculed." Simon shrugged, put one hand to his forehead and said, "That's only the first chapter. There are two more." "I'm not interested in more," Mr. Oyster said. "I suppose your point was to show me how ridiculous the whole idea actually is. Very well, you've done it. Confound it. However, I suppose your time, even when spent in this manner, has some value. Here is fifty dollars. And good day, sir!" He slammed the door after him as he left. Simon winced at the noise, took the aspirin bottle from its drawer, took two, washed them down with water from the desk carafe. Betty looked at him admiringly. Came to her feet, crossed over and took up the fifty dollars. "Week's wages," she said. "I suppose that's one way of taking care of a crackpot. But I'm surprised you didn't take his money and enjoy that vacation you've been yearning about." "I did," Simon groaned. "Three times." Betty stared at him. "You mean—" Simon nodded, miserably. She said, "But Simon . Fifty thousand dollars bonus. If that story was true, you should have gone back again to Munich. If there was one time traveler, there might have been—" "I keep telling you," Simon said bitterly, "I went back there three times. There were hundreds of them. Probably thousands." He took a deep breath. "Listen, we're just going to have to forget about it. They're not going to stand for the space-time continuum track being altered. If something comes up that looks like it might result in the track being changed, they set you right back at the beginning and let things start—for you—all over again. They just can't allow anything to come back from the future and change the past." "You mean," Betty was suddenly furious at him, "you've given up! Why this is the biggest thing— Why the fifty thousand dollars is nothing. The future! Just think!" Simon said wearily, "There's just one thing you can bring back with you from the future, a hangover compounded of a gallon or so of Marzenbräu. What's more you can pile one on top of the other, and another on top of that!" He shuddered. "If you think I'm going to take another crack at this merry-go-round and pile a fourth hangover on the three I'm already nursing, all at once, you can think again." THE END

How does the story Simon tells relate back to Mr. Oyster’s initial request to find time travelers?

111

Simon’s story begins simply as a story of a trip to Germany to the Oktoberfest. Simon recounts his story of how he met a friend, Arth. In the end, we realize that in fact Arth was a time traveler, and that when Simon went to Arth’s hotel it was in fact the future. We learn that at the time of recounting the story to Mr. Oyster, Simon had already gone to the future with Arth.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What is the plot of the story?

107

Mr. Humphrey Fownes has been pickpocketed eleven times despite the weather being good. This is because he is an uncommonly preoccupied individual and has constantly been thinking about the weather for the entire day. The first person who pickpockets him is a bogus postman who jostles him while pretending to read a postal card. The next person who pickpockets him is a pretty girl who collides with him. The next people are two men who pretend to be in a heated argument. Humphrey continuously thinks about the weather outside; this allows the police to maintain tight surveillance of him. Lanfierre is one of the people in the orange car and thinks about Humphrey Fownes being unique. He tells Lieutenant MacBride that Fownes’ house sometimes shakes, which makes the other man frown. Lanfierre considers MacBride to be a barbarian because he is cynical and cannot appreciate the peculiar nature of Fownes. He goes on to tell him that the windows all close at the same time in the house. MacBride refuses to believe him and tells him to take a rest, but all of the windows close, and the house suddenly begins to shake. They continue to observe the man; Fownes goes into his house and begins to think about his dinner with Mrs. Deshazaway. The house begins to shake more, and he decides that repairs are a must. During his dinner, Mrs. Deshazaway explains how she will never marry again. The widow is a passionate woman, and she passionately tells him he forgot salt on his potatoes during the explanation of why they cannot marry because of the air. When she continues to refuse him, Fownes brings up the idea of leaving the dome city for freedom. She tells him that if they can leave, then she will let him call her by her first name. After the date, he goes to the library, where the old librarian tries to test him with old library cards. The story then cuts to a movement meeting, where the members discuss how the old society failed and the lack of a sound foreign policy. Fownes impatiently explains that he and his future wife must leave now, to which the leader explains that it is impossible because there is no sound foreign policy. When Fownes returns to the house, he finds MacBride in the doorway with dripping hair. MacBride yells that these are not optimum dome conditions, explaining that Lanfierre is in the upstairs bedroom. The entire dome air supply is going through his bedroom, and a strange black cloud appears. Fownes recognizes this as a Kansas twister and runs towards the next house for Mrs. Deshazaway. The dome glass has begun to fall, destroying the artificial sun and optimum temperature.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What is the plot of the story?

113

The story is set in a nameless domed city in the future: it has perfect temperature conditions, its citizens never leave the city's borders and must be conformists, i.e lack any signs of aberration. Mr. Humphrey Fownes is a rather eccentric citizen that caught the attention of the police lieutenants whose job is to maintain normality within the dome’s society. Lanfierre, Dome’s police lieutenant, has been following Fownes for months and is truly impressed by his queerness and eccentricity. At the beginning, together with lieutenant MacBride he collects personal information about Fownes, his parameters, the content of his pockets, etc. While sitting in a car parked near Fownes’ house, Lanfierre tells MacBride about the other strange things that he has witnessed while studying Fownes’ life, for example, that his house is shaking occasionally or that his windows always close at the same moment. MacBride is skeptical but unexpectedly all the windows actually slam shut in one second and the walls start wobbling. At the same time, Fownes is inside the house: after closing the windows he goes down to his closet mechanism that creates an illusion of a sunset with flowers, then adding the rain and wind - the things he believed ancients had. Using that mechanism, he wants to seduce Mrs. Deshazaway, a widow whose four ex-husbands died. During their supper, she states that she won’t marry Mr.Fownes but hints at changing her mind if he gets them both outside the dome. Later, he goes to a library meeting of people that criticize the existence of the dome but they cannot provide Fownes with any useful information regarding leaving the city and going outside. While Fownes is away, the police lieutenants decide to enter his house, and Lanfierre out of curiosity turns the wheel that switches the closet mechanism and opens the valve of the bootleg pipe connected to the dome air system. Walking back, Fownes sees his house shaking. Desperate, MacBride and Lanfierre ask him if they can stop the wind but Humphrey realizes that there is nothing they can do to stop the entire dome air supply from coming through his room. The wind blows off the roof and creates a twister. MacBride orders Humphrey to stop everything immediately, but Fownes leaves the shocked police and runs happily to Mrs. Deshazaway, screaming and asking for her hand, hoping the twister will get them to the outside world, just like it did in The Wonderful Wizard of Oz.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What is the plot of the story?

111

The story follows an eccentric man named Humphrey Fownes that lives inside of a domed city. As Fownes is walking around the neighborhood, it is revealed that he is being tracked by the police for his eccentric nature. The police sent undercover people to pickpocket him and steal anything they could find in his pockets. After this walk and while the police wait outside his car, it is revealed that Fownes built a machine that creates different environments inside his house. Fownes then meets with his neighbor and it is said that he is in love with her, and the environments created in his house are meant to replicate romantic scenarios and get her to marry him. After she says that she will only marry Fownes if they leave the dome together, he goes to the library to find ways to escape the dome. There, he meets with members of the Movement, a group of people that got together in order to protest the reality in which they lived. Here he finds an old book jacket of The Wizard of Oz, which had a twister on the front. After going home, he finds that his house is shaking and his machine is creating a storm of water and wind. He realizes that in his absence the police had entered and broken his machines. After rescuing the two policemen, the storm gets worse and worse and eventually turns into a twister. Fownes realizes that the twister is destroying the dome and eagerly calls to his neighbor to join him in following the twister outside the dome.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What is the plot of the story?

112

Humphrey Fownes has been pick-pocketed by the police disguised as the ordinary. He does not notice all the intended bumping because he is weirdly preoccupied with the question of the always optimum weather in the dome. The police target him because his house often shakes heavily, and he is considered a weird person. His house shakes because he connects pipes between the dome blower system and his cellar, letting the winds build up in his house, which causes the dancing of the house. He never notices the phenomenon of his home because it always happens when he is in the place and preoccupied with his plan of getting Mrs. Deshazaway, a widow, to marry him. He builds all this mechanism to create an illusion of imaginary ancient romance, hoping to get a slight chance to let Mrs. Deshazaway nod her head. But he constantly fails because she is so scared that the fifth man will die in the marriage with her. Nonetheless, when Humphrey tells her his plan of leaving the dome, she promises him that she will marry him if they can go and live somewhere else with fresher air. Humphrey goes to the Movement, an organization that wants to protest the lack of a sound foreign policy in the dome. This organization informs members of the goodness of living in the Open Country. Humphrey tries to know how to leave the dome through the Movement, but the leader disappoints him. When he returns home, he sees his house shaking. The two officials are in his place, and one of them turns on the wheel in the bedroom, which leads to the constant winds blowing from the blower system. The winds build up to a certain point that it becomes a twister, which eventually breaks the dome apart. Humphrey’s dream has come true. He runs away to find Mrs. Deshazaway because he can finally marry her.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Mrs. Deshazaway, and what are her characteristics?

107

Mrs. Agnes Deshazaway is a widow who had previously married four men. All of her four husbands died; she claims that she will never marry again. However, she is also considered to be a passionate woman who does everything passionately. Whether it be talking, cooking, dressing, everything about her is passionate. She also has uncontrollable dynamism, and Fownes remarks that he has never known anyone like her. Despite her passion, she is also self-conscious of what other people think of her, telling Fownes that there is a rumor that she is a cannibal. She blames her husbands’ deaths on the air and gets angry when Fownes says that he does not mind. Despite how reluctant she is to marry Fownes, Mrs. Deshazaway also has a hopeful side to her. She is quite attentive when Fownes tells her the possibility of leaving the dome, telling him that she will allow him to marry her if the both of them can leave.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Mrs. Deshazaway, and what are her characteristics?

113

Mrs. Deshazaway is a citizen of the domed city and a widow whose four ex-husbands died while being married to her. She’s the love interest of Mr. Humphrey Fownes - he tries to seduce her by making a mechanism that recreates the outside world and later by promising her to get them both outside the dome. She’s a passionate woman who doesn’t like when people gossip about her, fearing that if Humphrey marries her and dies the neighbors will resent her even more. She’s dreaming of going to the open world and breathing fresh air that will allow her new husband to live long

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Mrs. Deshazaway, and what are her characteristics?

111

Mrs. Deshazaway is Fownes' neighbor and love interest. They have supper every night together at her house. She is a widow of 4 husbands, who she believes all died due to the bad quality of air inside the dome. Because of this, she rejects Fownes’ various proposals, and ultimately says that they will only get married if Fownes finds a way to get them out of the dome. She is described as a very passionate and practical woman. She is a very smart woman and she knows of the love that Fownes has for her.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Mrs. Deshazaway, and what are her characteristics?

112

Mrs. Deshazaway is a widow who lost her four husbands: Andrew, Curt, Norman, and Alphonse. She is a passionate woman who talks, cooks, and does everything passionately. She is always energetic. She keeps refusing Humphrey Fownes's proposal, a man who falls in love with her ardently. All of her husbands died, and their deaths are blamed on her by the rumors. She believes the cause of their deaths is the bad air in the dome. But she told Humphrey that she refused him because of the ancient custom, which is a lie. The reason is the rumor, not the ancient traditions. She finds out about Humphrey's secret closet of the Master Mechanism, and she is afraid that the official will come to inspect her because of it. When Humphrey told her his plan of leaving the dome with her, she promised him that if he could make it comes true, she would marry him and let him call her "Agnes."

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Describe the setting of the story.

107

The story is set inside a dome city with an artificial sun and optimal weather conditions. Fownes first strolls down a quiet residential avenue lined with private houses. Although the weather is generally cloudless, there are light showers that make small geysers of shiny mist. His house is also noted to be located right next to Mrs. Deshazaway’s house. Inside of an orange car, Lanfierre and MacBride watch him. Fownes’ house has a porch and a bootleg pipe connected into the dome blower system. His downstairs closet contains the Master Mechanism. The illusion he sees is of a red sun setting brightly, marred by an occasional arcover that leaves the scent of ozone. There is a garden outside as well, and a gigantic moon hidden in a large area of the sky. Neon large roses are found in the garden, and their colors change from red to violet. Inside of his bedroom closet upstairs, there is a rainmaker. The outside world that Fownes describes to Mrs. Deshazaway, outside of the dome, is one with miles and miles of space. The real-estate monopoly has no control, and the windows blow across prairies. When Fownes goes to the library, the place is described as a shattered and depressing place. It is used very infrequently, filled with given over government publications and censored old books with holes in them. The librarian's desk has ancient library cards that are almost impossible to read.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Describe the setting of the story.

113

The story takes place in the future where people live in a domed city. It has perfect climate conditions and its citizens are required to have regulated, non-aberrative lives - this order is maintained by the police. The story starts from a short walk that Mr. Humphrey, an eccentric citizen, takes while coming back to his house. There he again looks at his mechanism, parts of which are connected to the water and air systems of the dome, that creates an illusion of a sunset, strong wind, or rain. He leaves for dinner with Mrs. Deshazaway, a widow with a bad reputation - Humphrey created the mechanism to seduce and marry her. Later, he goes to a meeting of some nonconformists in a library where they talk about the prehistory of the domed society. Walking back, he notices that his building is shaking and soon learns that while he was away the police decided to search his house and one of them switched on the mechanism letting all the dome air supply go through his bedroom. Realizing that nothing can be done and seeing his roof fly off, Humphrey runs to Mrs. Deshazaway, hoping that the appearing twister will take them outside the dome, to some unique new world, like it did in The Wonderful Wizard of Oz.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Describe the setting of the story.

111

The story is set in a dystopian city, where everything seems to be controlled perfectly, including the weather. The city is also inside of a large, glass dome that has robots that constantly fix it as pieces of class constantly fall onto the city below. Fownes’ home is located on a very quiet and residential street, but his house was everything but that. His home is described as an old and large house, with a machine that can change the environment of the house and constantly makes it shake. Part of the story also takes place in a library, which is old and unkempt.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Describe the setting of the story.

112

People live in the dome where the weather is always optimum, with 59 degrees and 47% humidity. Everyone who lives in the dome must be normal and not act weird. Otherwise, the officials will inspect the queerness and conduct some necessary actions to protect the normality in the dome. A sound foreign policy cannot be formed before, resulting in a confined dome society with no foreign policy. The dome citizens cannot go outside of the dome due to the lack of a sound foreign policy.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Humphrey Fownes, and what are his characteristics?

107

Humphrey Fownes is an interesting man who always seems to be preoccupied with the weather. Despite it being optimal conditions, he does not seem to notice anything around him even when he is being pickpocketed. He owns an assortment of machinery, capable of creating his ideal illusions and even affecting the weather outside. It is revealed that most of this is part of his plan to leave the dome. Fownes is a very persistent person as well, trying his very hardest to convince Mrs. Deshazaway to marry him even after she rejects his offer. He is stubborn, too, especially when the leader of The Movement explains that they cannot just leave the dome without a sound foreign policy. No matter what, he is determined to leave the dome and marry the widow. However, his plans seem to finally come together when MacBride and Lanfierre mess with the wheel in his house. When the dome begins to break, Fownes sees this as an opportunity and becomes excited at the thought of finally leaving this dome and living in the outside world with his future wife.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Humphrey Fownes, and what are his characteristics?

113

Humphrey Fownes is an eccentric citizen of a domed city. He’s in love with a widow, Mrs. Deshazaway, who has a peculiar reputation, and builds a complex mechanism, which can recreate wind, rain, and smells, in his closet to impress and seduce her. Police lieutenants are watching him because his queer, nonconforming behavior goes against the rules of the dome. He is happy to see a twister that is appearing near his house after the wind and rain mechanisms in his closet go out of control, not realizing its danger and meaning. Humphrey is silly, gullible, passionate, he is a dreamer who wants to get outside the dome and marry Mrs. Deshazaway.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Humphrey Fownes, and what are his characteristics?

111

Humphrey Fownes is the main character of the story. He is described as being very eccentric and preoccupied. He is always in his thoughts, but he is very smart as he was able to make a machine that harnesses water and wind from the city inside his home. He is motivated by his love for his neighbor, and is looking to find ways to get her to marry him. He seems very different from the other people of the city, which is why the police are investigating him. He also is a very determined individual, as even though he has been rejected many times by his neighbor, he continues pursuing her.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

Who is Humphrey Fownes, and what are his characteristics?

112

Humphrey Fownes is a weird man targeted by the officials in the dome. He never sees the weather that is different from the dome’s optimum one, but he admires it. He never perceives the roses and twisters, but he wants to see them in real life. He is weirdly attracted to April in ancient customs because it has thirty days. He wants to marry Mrs. Deshazaway, a widow refusing his proposal because of her four dead husbands. Humphrey is so uncommonly preoccupied that he cannot notice the change and nonnormality of his surroundings even when he has been pick-pocketed many times on the street. He is so weirdly passionate about ancient life that he often goes to the library to study them. He thinks the ancient people are strange as he digs into their lives and customs. Humphrey fiercely falls in love with Mrs. Deshazaway. He creates all the possible romantic settings he can imagine from the ancient documents to marry her. He is also a member of Movement, an organization that gathers people who want to leave the dome.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What are the features and significance of the Master Mechanism in the downstairs closet that Fownes owns?

107

The Master Mechanism in the downstairs closet is similar to a watch being inside of a great watch case. There is a profusion of wheels surrounding it, and the Mechanism itself is a miniature see-saw that goes back and forth 365-1/4 times an hour. The wheels are salvaged from grandfather’s clocks and music boxes, going around in graceful circles at a rate of 30 to 31 times an hour. However, there is one eccentric cam that goes between 28 and 29. Fownes also sets the time to seven o’clock on April 7th of any year. This Master Mechanism is significant because it is capable of showing the ideal illusion to Fownes. He uses this Mechanism to envision his ideal life outside of the dome, and it gives him the home that he hopes to see instead of the one that he is currently living inside of the dome. These illusions also motivate him to try and find a way to leave the dome with the widow. The Master Mechanism serves as a motivator for Fownes, and it allows him to envision his dreams into a form of reality.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What are the features and significance of the Master Mechanism in the downstairs closet that Fownes owns?

113

Humphrey Fownes has a complex Master Mechanism in his downstairs closet. It consists of various wheels surrounding a miniature see-saw and allows him to choose a date and a time of the day and experience the weather conditions at this very moment. Together with the bedroom wheels, he can create an illusion of a rainy, windy April evening, he can smell roses and listen to a romantic song about love. He wants to use this mechanism to make Mrs. Deshazaway, a passionate widow living next door, fall in love with him and get married. At the end of the story, when the police officer unknowingly switches the mechanism, making the wind and water work in the full-power mode, which soon makes the wind currents uncontrollable, this mechanism destroys Fownes’ roof and creates a twister that jeopardizes the infrastructure of the entire city and the dome’s integrity.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What are the features and significance of the Master Mechanism in the downstairs closet that Fownes owns?

111

The Master Mechanism is a machine inside of Fownes’ house. The machine was made by Fownes himself, and is made from wheels, gears and tubes. The machines allow Fownes to harness the water and wind from the city and create different environments inside of the house. Fownes made this machine in order to create romantic scenarios and get Mrs. Deshazaway to marry him. At the end, the two policemen destroy the machine and it ends up destroying Fownes’ home by creating a twister. This twister also ends up destroying the dome and allows Fownes and Mrs. Deshazaway a way out.

51609

A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.

What are the features and significance of the Master Mechanism in the downstairs closet that Fownes owns?

112

The closet is like a big watch case. Many wheels inside surround a miniature see-saw that goes back and forth 365-4/1 times an hour, the Master Mechanism. The wheels are old, coming from old grandfather’s clocks or music boxes and moving gracefully at the same speed, except for one that moves eccentrically slower than the others. This machine enables Fownes to create an illusion that depicts his imaginary ancient nature. In addition, this closet connects to a pipe in the bedroom, equipped with a wheel that adjusts the flow of winds from the dome blower system. So whenever he turns on the wheel in the bedroom upstairs, the winds will blow through the pipes towards the downstairs closet, building up the air pressure in the room. This connection between the wheel mechanism and the dome blower system is the cause of the house shaking, which eventually creates an artificial twister that breaks the dome, enabling Fownes to go outside of the dome, which has been his wish from the beginning of the story.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the plot of the story?

107

Alan is walking when he hears a sudden crash that hangs sharply in the air. He loses his footing and trips, realizing that there is a possibility of blaster fighting. He hurries to mark an X on a tree for his position and heads back to the clearing of the temporary camp site. This place is home to the only eleven humans, with Alan, on the planet of Waiamea. Once Alan returns to the site, he observes the killer robots and praises Pete for getting them to work. However, when the robots turn on him, he realizes that the robots must have been programmed to pick up human brain waves. He thinks back to Penny, a girl he married three weeks ago who will be arriving with the rest of the colonists tomorrow. This becomes his reason to live against the killer robots, and he observes the killer robots. He fires into the undergrowth and berates himself for not loading fresh cells in the morning as the robot gets louder. He is injured by one and cries out as he feels himself dying. As the robot comes towards him again, he understands what it means to live and forces himself to keep walking. Alan then hugs the bank as pure electricity arches over him, sliding slowly and away from the machine above. The robot trembles and suddenly falls; this gives Alan an opportunity to tackle it. The two struggle, but Alan takes a hunting knife out and jams it into the robot. He wonders how Pete managed to create these robots so perfectly. Suddenly, he hears an approaching robot and realizes that they communicate with each other even if one of them is jammed. Alan decides to run towards the camp because he realizes that’s where the brain of the robots is located. Shortly after running, he finds himself lost because the camp has not appeared in sight yet. He tries to think back to where the camp could be and narrowly misses getting blasted by one of the killer robots. When he fires the pocket blaster, it cancels out the radio transmission from the computer to the robot; Alan sees this as an opportunity to go towards the headquarters building. His blaster suddenly quits, but he manages to hurl a pile of dirt and insects at the robots. He goes into the room quickly as the robot continues to blast. The robot aims point blank at him as he hurls himself towards the red-clad safety switch. Everything then fades to black. When Alan wakes up again, there is a young man wearing a medical insignia telling him that he had hit the switch three days ago. Suddenly, his wife appears, and they hold each other tight.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the plot of the story?

110

The main character of the short story Survival Tactics Alan conducts a solo reconnaissance clearance mission on a new jungle planet of Waiamea for the life of colonizers. Upon landing, Alan and his eleven crew members set up a headquarters from which they monitor the technological equipment. The jungle does not allow Alan to relax, making his way through thick bushes of lianas, came under attack by a puma, but is rescued by a killer robot of dangerous living creatures built by scientist Pete. However, Alan soon realizes that predators and deadly insects are not the most challenging obstacle he will have to overcome. Killer robots hunt, guided by the mind impulses, posing a threat to all living beings, including humans. Suddenly, the robots start chasing after Alan, surrounded by the dark unknowns of the jungle. He flees, thinking about how in two days, a ship with refugees and his beautiful green-eyed wife Peggy will arrive on Waiamea. Alan understands that human lives are in great danger because of insensitively programmed robots that kill indiscriminately. The explorer manages to drown one of the robots in the mud and turn off its power system by climbing on it with a pocket knife. However, before he understands the tactics of subsequent actions, the robots in the area receive a notification of the loss of one of their brethren and attack the lost Alan. He successfully reaches the headquarters in the clearing and turns off the robots' power, but the electric volley manages to hit him. When Alan wakes up after a three-day coma, his colleagues and wife stand over his bed. They all thank him for his bravery and wit.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the plot of the story?

111

The story starts off with the main character Alan, exploring a jungle on an alien planet. After hearing blaster shots, he returns to his ship camp only to find that it has been captured by killer robots, and all of his friends have been killed by them. The robots were created by one of his crewmates, and they were made to help the humans hunt and fight against the alien animal species on the planet, but they went rogue and started killing humans. Alan tries to find ways to beat them, because a new ship of settlers is coming in a few days, including his wife. Alan gets in a fight with one of the robots, and manages to drown it in some mud. This fight hurt him very badly, but he realizes that he needs to reach his ship and shut off the robots from the main computer. He then tries to evade the robots in order to get into the ship, but he continues getting very badly hurt. Finally, he manages to shut them off, but as he does he passes out from all his wounds. When he wakes, the new settlers have arrived, and he gets to reconnect with his wife.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the plot of the story?

113

A small group of colonists landed on the planet Waiamea to explore the area and prepare the jungle for the arrival of other people, including women and children. While being on a walk in the jungle, Alan, one of the colonists that just landed, hears strange noises. After walking back, he realizes that the killer robots, that his friend was building and whose main goal was to pick up animals’ and dangerous predators’ brain activity and kill them, have been programmed in a wrong way, and now they are aiming at every living creature, including humans. He sees that the other colonists in the camp were already killed, and Alan himself is accidentally saved by a predator who attacks the robot aiming at him. The metal killers are now moving around the territory, guarding it, and trying to pick up somebody’s brain waves. Remembering his wife Peggy and everyone else who was going to land on the next day, Alan decides to at least try to fight the robots and prevent them from killing everybody on this approaching ship. He runs through the jungle, bruising his arms and legs, getting bitten by insects, and manages to temporarily disable the robot by half-drowning him in the river and stabbing his metal corpus with a knife. When he hears the other robots approaching the river he realizes that they must be connected by radio and, thus, are controlled by the main computer in the camp’s headquarters. He runs back to the camp, firing with his blaster which slows down the robots a little bit. Thinking about the importance of the human species and overcoming excruciating throbbing pain in his limbs, Alan gets to the camp. He runs out of blaster cells but makes his way to the computer room. With a robot aiming right at him Alan jumps towards the safety switch and instantly loses consciousness. Three days later Alan finally wakes up with agonizing pain. A medical worker happily informs him that the switch indeed was hit. Alan embraces his sobbing-laughing wife Peggy.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Who is Alan, and what are his traits?

107

Alan is one of the men who have arrived on Waiamea. He ventures around the jungle planet but goes on the run after a programming error with Pete’s robots. Alan is thirty years old, and he married a woman named Peggy three weeks earlier. Initially, he is very afraid of death and tries to protect himself from the robots. However, he does realize his love for Peggy and sees it as a motivation to continue living. He understands what it means to live for the first time in his life, and he becomes a lot more courageous. Instead of giving up, Alan chooses to find a way to defeat the robots. He also shows himself to be intelligent, figuring out that the robots are being controlled by radio transmissions via a computer in the headquarters building. Furthermore, he is capable of using his pocket blaster and knife to defeat one of the robots, even though it could instantly kill him with a single blast. Alan is very resilient as well; he is injured and continues to run around and fight against the robots. Even when the odds are against him, his desire to be with his wife gives him the strength to continue heading towards the headquarters building and flip off the switch.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Who is Alan, and what are his traits?

110

Alan is a thirty-year-old scientist and technician, who arrives on Waimea on a scout-ship with eleven colleagues. During his solo exploration, the reader learns about Alan's behavior, ingenuity, and will for survival. Although he faces numerous challenges, including attacks from carnivores, dangers of the jungle and its poisonous insects, as well as human-built robot exterminators, he perseveres. Alan's mission is to rid Waiamea of potential threats in the face of predators and other creatures to provide the planet with the safety of the life of the arriving colonizers. Throughout the story, the reader learns about the young and beautiful Peggy, Alan's wife, who should soon arrive on Waiamea. Alan, unconsciously in love with his wife, is motivated to stop the attack of robots at any cost, ensuring the safety of incoming people. His unwavering thirst for survival and endurance help the reader to recognize the weight of responsibility lying on Alan’s shoulders and empathize with the main character throughout his tedious and dangerous journey.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Who is Alan, and what are his traits?

111

Alan is the main character of the story, and is part of a scouting mission sent to a new planet to test if humans could live there. When the robots that were made to help them kill his crew, he has to find a way to shut them off while fighting them. Throughout the story Alan shows a lot of resilience and pain-tolerance. Even though he is very badly hurt by the robots, he continues fighting in order to save the incoming settlers and see his wife again. He is also very intelligent, using his knowledge to defeat a robot in a mud trap.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Who is Alan, and what are his traits?

113

Alan is one of the first 11 colonists that came to the jungle planet Waiamea to explore it and get prepared for the arrival of all the other people. When the killer robots murder his colleagues and become a real danger to every human who is going to step out in the jungle on the next day, he has to think and act quickly. Being fairly intelligent, Alan realizes all the risks, understands the basic working mechanisms of the robots, and even manages to destroy one of them by ensnaring the robot in a trap on a bank and disabling him with a knife. He also understands that the only solution to the problem is switching off the main camp computer that controls all the robots. He is very devoted, brave, and rational, too. Both his love for his wife and realization of his responsibility for the future of humanity push him forward and enable him to overcome pain and save everyone from being killed by robots.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What are the features of the killer robots?

107

The killer robots work by homing in on the mind of animals’ impulses. However, due to mass production, robots are also capable of picking up human brain waves. The robots are also capable of firing beams from its blaster, as one had dissolved a cat creature’s entire lower half when it clung onto the robot. The blaster aim is almost always perfect unless the robot’s radio wave or discharge circuit is interrupted. One of its features is also a pickup device. The robots can move around quietly, too, as their original purpose was to guard the campsite. When Alan continues to escape from them, it is revealed that the robots can communicate with each other and the camp computer. The communication works by using radio waves, but it is possible to interrupt these waves using a pocket blaster.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What are the features of the killer robots?

110

Killer robots are the invention of one of the scientists from Alan's team. Their fundamental feature is the elimination of the particularly dangerous living creatures to ensure the safe residence of people on an unknown planet. They respond to brain impulses and shoot towards a live target. Although the scientists believed that robots were programmed to kill only animals, birds, and insects that lived in the jungle and carried an immediate danger to humans, Alan understands from his own experience that robots are defective. Armed with electric blasters, small exterminators move on quiet tracks for better contact with the ground, the killer robots immediately becoming the main danger for people living there. When one of their fighters falls, they can communicate via radio transmitters. Wirelessly, the robots summon new robots to the battlefield for assistance. However, during the fight, Alan deduces that the robots need a few seconds to reset the sight and debug the direction of the shot. Moreover, Alan throws a handful of dirt with swarming insects at the robot, which confuses the robot's settings, making it adjust its aim in the direction of its primary target, winning Alan a few seconds to retreat and save the planet.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What are the features of the killer robots?

111

The killer robots are robots that were made by the exploration crew in order to have them hunt and kill the native animals of the planet. These robots don’t rely on a camera for vision, instead they sense live creatures using their heartbeats and other types of characteristics. They can also communicate with each other, which is how Alan was found by the other robots after defeating the first one. They hold large blasters and are controlled by the ship’s main computer. Alan was able to defeat them by shutting down the computer of the ship.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What are the features of the killer robots?

113

Alan’s colleague, Pete, has been assembling killer robots that would hunt animals by picking up their brain waves and quickly locating the animal. Apparently, he hasn’t excluded humans’ brain activity from the robots’ targets. Now, these metal killers are taught to kill all living flesh, including people. They have blaster barrels, move around on quiet treads, can communicate via radio, and are automatically controlled by the main camp computer. The radio transmission is disrupted by blaster static blanks which disables the robots for a few seconds. The only way to turn them off is to disconnect them from the computer or switch off the computer itself.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Describe the setting of the story.

107

The story is set on the jungle planet of Waiamea. There are tall moss-shrouded trees and wrist-thick vines that hang similar to a monstrous tree-bound octopus. Fitful little plants grow straggly in the shadows of the mossy trunks, and the sun is blue. The campsite that Alan goes to houses power supplies, one central computer, and sleeping quarters. There are also a variety of animals that live on the planet. Some of these animals include feline creatures and insects attracted by the scent of blood. The planet also has a double moon when it becomes night time. When Alan escapes from the robot, he ends up in a stream of water and mud. As he runs towards the headquarters building, there is a small insect pile that he takes advantage of against the robot. Inside of the headquarters building, there is a red-clad safety switch mounted beside the computer. During Alan’s recovery, he is in a white room with a white light hanging over him.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Describe the setting of the story.

110

The action of the story takes place on the jungle planet Waimea. Upon the arrival of the research ship, scientist Alan finds himself in the depths of the dark vines. Alan looks around at the shadows entwined with vines, listening to the quiet rustle and faint crackling of the branches of life in the jungle. As he made his way into the tropical forest at noon, the sun filtered through the branches. As the planet approached evening, the shadows were long and gloomy. As the planet's double moon is visible, Alan sees how the jungle flashed bright blue and then hazes in the blink of an eye. The twin moons cast pale shadows, faintly conveying what was under Alan's feet. He stumbled over hidden debris, and sharp-edged growths tore at his face and clothes while insects attracted by blood clung to his pants and shirt. His arm slipped into something sticky that spread over his forearm, causing him to scream in agony. Black spots scraped off the branches and vines, but the rest slowly spread over his arm, painfully, like hot burning acid. Retreating, Alan stumbled upon the bank of a stream in the dim light of the moons. The banks were loose and muddy. The jungle growing along the edges of the water seemed to be one shaggy whole, complementing the picture with the unknown. As Alan flees from the attacking robots, he notices stars in the distance as a sign that a campsite is nearby. After about fifty yards of grass, there was the headquarters building. Alan wakes up in a bright white room, surrounded by familiar faces.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Describe the setting of the story.

111

The story is located on a planet that humans want to settle on. The planet has a very large jungle, filled with very tall trees and insects. The planet is full of these insects, with Alan using them to his advantage and distracting a Robot. The jungle has a large clearing, which is where the exploration party landed their ship, and where the robots seem to be clustered. The jungle also has a lot of bushes and ferns that have sharp edges, and hurt Alan.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

Describe the setting of the story.

113

The story is set in the future where people are moving to another planet called Waiamea. It’s covered in jungle forest and that’s where Alan - one of the first 11 colonists that already landed - is when he hears some strange blaster noise. After noticing the killing robots at the camp and realizing what situation he is in, Alan runs through the jungle while being chased by a robot and ends up on a stream bank where he manages to disable the metal killer. Then he tries to get back to the camp where he can turn off the main computer controlling these robots. He overcomes different jungle obstacles and fires at robots while trying to get to the computer room. Finally, he jumps towards the switch right before losing consciousness. At the end, three days later, Alan wakes up in a hospital-like white room where he finally hugs his crying wife Peggy after learning from the doctor that he did hit the switch and, thus, the robots are not a danger anymore.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the significance of Alan’s realization that he must continue to live?

107

Alan’s realization that he must continue to live makes him become a man at thirty. Not only does it fill him with determination, but it is also what fuels him to stop the robots and end up saving everybody. He declares that no law says he has to flame-out at this age, so he continues to work his way through the jungle and against the robots. Without this realization, he would not have been motivated to use his pocket blaster against the robots and knife. Alan would also not have lived long enough to figure out the control of the robots as the computer in the headquarters building. This, itself, also lets him actually choose to go back to the area at the risk of death to find the safety button. Finally, his will to live lets him put aside his fear and goes to push the button, which ends up saving everybody.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the significance of Alan’s realization that he must continue to live?

110

For Alan, nothing is more important than to continue his struggle throughout the work. The researcher faces insurmountable obstacles such as fights with a puma, a sticky unknown that burns through his skin, escape from killer robots, and the difficulty of making his way through the thick jungle. Although the reader points out that it takes traits like perseverance, bravery, strength, and endurance to survive in the relentless tropical forest, Alan’s character is not the only condition keeping him motivated. The main character realizes that the overwhelming responsibility lies on his shoulders, realizing that the lives of children and women depend on his actions and tactics. Furthermore, Alan obtains a second wind when reminiscing about his loving wife Peggy; he shares that Peggy has brought light into his dark world, giving him the willpower to push through and fight for a better future. Even at the end, when his strength leaves his body, he decides to fight through the pain and stop the inevitable nightmare, clearing the jungle out of killer robots.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the significance of Alan’s realization that he must continue to live?

111

Before reaching the ship, Alan fought that he was going to die, and that he wasn’t going to be able to shut off the killer robots. He accepts this death, but just as the robot was going to kill him he thinks about his wife. He realizes that if he dies, the robots would kill the settlers when they arrive. This pushes him to continue fighting, and when he does the defeats the robots and saves the settlers.

24966

SURVIVAL TACTICS By AL SEVCIK ILLUSTRATOR NOVICK The robots were built to serve Man; to do his work, see to his comforts, make smooth his way. Then the robots figured out an additional service—putting Man out of his misery. There was a sudden crash that hung sharply in the air, as if a tree had been hit by lightning some distance away. Then another. Alan stopped, puzzled. Two more blasts, quickly together, and the sound of a scream faintly. Frowning, worrying about the sounds, Alan momentarily forgot to watch his step until his foot suddenly plunged into an ant hill, throwing him to the jungle floor. "Damn!" He cursed again, for the tenth time, and stood uncertainly in the dimness. From tall, moss-shrouded trees, wrist-thick vines hung quietly, scraping the spongy ground like the tentacles of some monstrous tree-bound octopus. Fitful little plants grew straggly in the shadows of the mossy trunks, forming a dense underbrush that made walking difficult. At midday some few of the blue sun's rays filtered through to the jungle floor, but now, late afternoon on the planet, the shadows were long and gloomy. Alan peered around him at the vine-draped shadows, listening to the soft rustlings and faint twig-snappings of life in the jungle. Two short, popping sounds echoed across the stillness, drowned out almost immediately and silenced by an explosive crash. Alan started, "Blaster fighting! But it can't be!" Suddenly anxious, he slashed a hurried X in one of the trees to mark his position then turned to follow a line of similar marks back through the jungle. He tried to run, but vines blocked his way and woody shrubs caught at his legs, tripping him and holding him back. Then, through the trees he saw the clearing of the camp site, the temporary home for the scout ship and the eleven men who, with Alan, were the only humans on the jungle planet, Waiamea. Stepping through the low shrubbery at the edge of the site, he looked across the open area to the two temporary structures, the camp headquarters where the power supplies and the computer were; and the sleeping quarters. Beyond, nose high, stood the silver scout ship that had brought the advance exploratory party of scientists and technicians to Waiamea three days before. Except for a few of the killer robots rolling slowly around the camp site on their quiet treads, there was no one about. "So, they've finally got those things working." Alan smiled slightly. "Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who can build a robot that hunts by homing in on animals' mind impulses ..." He stepped forward just as a roar of blue flame dissolved the branches of a tree, barely above his head. Without pausing to think, Alan leaped back, and fell sprawling over a bush just as one of the robots rolled silently up from the right, lowering its blaster barrel to aim directly at his head. Alan froze. "My God, Pete built those things wrong!" Suddenly a screeching whirlwind of claws and teeth hurled itself from the smoldering branches and crashed against the robot, clawing insanely at the antenna and blaster barrel. With an awkward jerk the robot swung around and fired its blaster, completely dissolving the lower half of the cat creature which had clung across the barrel. But the back pressure of the cat's body overloaded the discharge circuits. The robot started to shake, then clicked sharply as an overload relay snapped and shorted the blaster cells. The killer turned and rolled back towards the camp, leaving Alan alone. Shakily, Alan crawled a few feet back into the undergrowth where he could lie and watch the camp, but not himself be seen. Though visibility didn't make any difference to the robots, he felt safer, somehow, hidden. He knew now what the shooting sounds had been and why there hadn't been anyone around the camp site. A charred blob lying in the grass of the clearing confirmed his hypothesis. His stomach felt sick. "I suppose," he muttered to himself, "that Pete assembled these robots in a batch and then activated them all at once, probably never living to realize that they're tuned to pick up human brain waves, too. Damn! Damn!" His eyes blurred and he slammed his fist into the soft earth. When he raised his eyes again the jungle was perceptibly darker. Stealthy rustlings in the shadows grew louder with the setting sun. Branches snapped unaccountably in the trees overhead and every now and then leaves or a twig fell softly to the ground, close to where he lay. Reaching into his jacket, Alan fingered his pocket blaster. He pulled it out and held it in his right hand. "This pop gun wouldn't even singe a robot, but it just might stop one of those pumas." They said the blast with your name on it would find you anywhere. This looked like Alan's blast. Slowly Alan looked around, sizing up his situation. Behind him the dark jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to spend the night. On the other hand, I certainly can't get to the camp with a pack of mind-activated mechanical killers running around. If I can just hold out until morning, when the big ship arrives ... The big ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his forehead. Peggy, arriving tomorrow with the other colonists, the wives and kids! The metal killers, tuned to blast any living flesh, would murder them the instant they stepped from the ship! A pretty girl, Peggy, the girl he'd married just three weeks ago. He still couldn't believe it. It was crazy, he supposed, to marry a girl and then take off for an unknown planet, with her to follow, to try to create a home in a jungle clearing. Crazy maybe, but Peggy and her green eyes that changed color with the light, with her soft brown hair, and her happy smile, had ended thirty years of loneliness and had, at last, given him a reason for living. "Not to be killed!" Alan unclenched his fists and wiped his palms, bloody where his fingernails had dug into the flesh. There was a slight creak above him like the protesting of a branch too heavily laden. Blaster ready, Alan rolled over onto his back. In the movement, his elbow struck the top of a small earthy mound and he was instantly engulfed in a swarm of locust-like insects that beat disgustingly against his eyes and mouth. "Fagh!" Waving his arms before his face he jumped up and backwards, away from the bugs. As he did so, a dark shapeless thing plopped from the trees onto the spot where he had been lying stretched out. Then, like an ambient fungus, it slithered off into the jungle undergrowth. For a split second the jungle stood frozen in a brilliant blue flash, followed by the sharp report of a blaster. Then another. Alan whirled, startled. The planet's double moon had risen and he could see a robot rolling slowly across the clearing in his general direction, blasting indiscriminately at whatever mind impulses came within its pickup range, birds, insects, anything. Six or seven others also left the camp headquarters area and headed for the jungle, each to a slightly different spot. Apparently the robot hadn't sensed him yet, but Alan didn't know what the effective range of its pickup devices was. He began to slide back into the jungle. Minutes later, looking back he saw that the machine, though several hundred yards away, had altered its course and was now headed directly for him. His stomach tightened. Panic. The dank, musty smell of the jungle seemed for an instant to thicken and choke in his throat. Then he thought of the big ship landing in the morning, settling down slowly after a lonely two-week voyage. He thought of a brown-haired girl crowding with the others to the gangway, eager to embrace the new planet, and the next instant a charred nothing, unrecognizable, the victim of a design error or a misplaced wire in a machine. "I have to try," he said aloud. "I have to try." He moved into the blackness. Powerful as a small tank, the killer robot was equipped to crush, slash, and burn its way through undergrowth. Nevertheless, it was slowed by the larger trees and the thick, clinging vines, and Alan found that he could manage to keep ahead of it, barely out of blaster range. Only, the robot didn't get tired. Alan did. The twin moons cast pale, deceptive shadows that wavered and danced across the jungle floor, hiding debris that tripped him and often sent him sprawling into the dark. Sharp-edged growths tore at his face and clothes, and insects attracted by the blood matted against his pants and shirt. Behind, the robot crashed imperturbably after him, lighting the night with fitful blaster flashes as some winged or legged life came within its range. There was movement also, in the darkness beside him, scrapings and rustlings and an occasional low, throaty sound like an angry cat. Alan's fingers tensed on his pocket blaster. Swift shadowy forms moved quickly in the shrubs and the growling became suddenly louder. He fired twice, blindly, into the undergrowth. Sharp screams punctuated the electric blue discharge as a pack of small feline creatures leaped snarling and clawing back into the night. Mentally, Alan tried to figure the charge remaining in his blaster. There wouldn't be much. "Enough for a few more shots, maybe. Why the devil didn't I load in fresh cells this morning!" The robot crashed on, louder now, gaining on the tired human. Legs aching and bruised, stinging from insect bites, Alan tried to force himself to run holding his hands in front of him like a child in the dark. His foot tripped on a barely visible insect hill and a winged swarm exploded around him. Startled, Alan jerked sideways, crashing his head against a tree. He clutched at the bark for a second, dazed, then his knees buckled. His blaster fell into the shadows. The robot crashed loudly behind him now. Without stopping to think, Alan fumbled along the ground after his gun, straining his eyes in the darkness. He found it just a couple of feet to one side, against the base of a small bush. Just as his fingers closed upon the barrel his other hand slipped into something sticky that splashed over his forearm. He screamed in pain and leaped back, trying frantically to wipe the clinging, burning blackness off his arm. Patches of black scraped off onto branches and vines, but the rest spread slowly over his arm as agonizing as hot acid, or as flesh being ripped away layer by layer. Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle spasms shot from his shoulder across his back and chest. Tears streamed across his cheeks. A blue arc slashed at the trees a mere hundred yards behind. He screamed at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, Peggy!" He stepped into emptiness. Coolness. Wet. Slowly, washed by the water, the pain began to fall away. He wanted to lie there forever in the dark, cool, wetness. For ever, and ever, and ... The air thundered. In the dim light he could see the banks of the stream, higher than a man, muddy and loose. Growing right to the edge of the banks, the jungle reached out with hairy, disjointed arms as if to snag even the dirty little stream that passed so timidly through its domain. Alan, lying in the mud of the stream bed, felt the earth shake as the heavy little robot rolled slowly and inexorably towards him. "The Lord High Executioner," he thought, "in battle dress." He tried to stand but his legs were almost too weak and his arm felt numb. "I'll drown him," he said aloud. "I'll drown the Lord High Executioner." He laughed. Then his mind cleared. He remembered where he was. Alan trembled. For the first time in his life he understood what it was to live, because for the first time he realized that he would sometime die. In other times and circumstances he might put it off for a while, for months or years, but eventually, as now, he would have to watch, still and helpless, while death came creeping. Then, at thirty, Alan became a man. "Dammit, no law says I have to flame-out now !" He forced himself to rise, forced his legs to stand, struggling painfully in the shin-deep ooze. He worked his way to the bank and began to dig frenziedly, chest high, about two feet below the edge. His arm where the black thing had been was swollen and tender, but he forced his hands to dig, dig, dig, cursing and crying to hide the pain, and biting his lips, ignoring the salty taste of blood. The soft earth crumbled under his hands until he had a small cave about three feet deep in the bank. Beyond that the soil was held too tightly by the roots from above and he had to stop. The air crackled blue and a tree crashed heavily past Alan into the stream. Above him on the bank, silhouetting against the moons, the killer robot stopped and its blaster swivelled slowly down. Frantically, Alan hugged the bank as a shaft of pure electricity arced over him, sliced into the water, and exploded in a cloud of steam. The robot shook for a second, its blaster muzzle lifted erratically and for an instant it seemed almost out of control, then it quieted and the muzzle again pointed down. Pressing with all his might, Alan slid slowly along the bank inches at a time, away from the machine above. Its muzzle turned to follow him but the edge of the bank blocked its aim. Grinding forward a couple of feet, slightly overhanging the bank, the robot fired again. For a split second Alan seemed engulfed in flame; the heat of hell singed his head and back, and mud boiled in the bank by his arm. Again the robot trembled. It jerked forward a foot and its blaster swung slightly away. But only for a moment. Then the gun swung back again. Suddenly, as if sensing something wrong, its tracks slammed into reverse. It stood poised for a second, its treads spinning crazily as the earth collapsed underneath it, where Alan had dug, then it fell with a heavy splash into the mud, ten feet from where Alan stood. Without hesitation Alan threw himself across the blaster housing, frantically locking his arms around the barrel as the robot's treads churned furiously in the sticky mud, causing it to buck and plunge like a Brahma bull. The treads stopped and the blaster jerked upwards wrenching Alan's arms, then slammed down. Then the whole housing whirled around and around, tilting alternately up and down like a steel-skinned water monster trying to dislodge a tenacious crab, while Alan, arms and legs wrapped tightly around the blaster barrel and housing, pressed fiercely against the robot's metal skin. Slowly, trying to anticipate and shift his weight with the spinning plunges, Alan worked his hand down to his right hip. He fumbled for the sheath clipped to his belt, found it, and extracted a stubby hunting knife. Sweat and blood in his eyes, hardly able to move on the wildly swinging turret, he felt down the sides to the thin crack between the revolving housing and the stationary portion of the robot. With a quick prayer he jammed in the knife blade—and was whipped headlong into the mud as the turret literally snapped to a stop. The earth, jungle and moons spun in a pinwheeled blur, slowed, and settled to their proper places. Standing in the sticky, sweet-smelling ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood quiet in the shadowy light except for an occasional, almost spasmodic jerk of its blaster barrel. For the first time that night Alan allowed himself a slight smile. "A blade in the old gear box, eh? How does that feel, boy?" He turned. "Well, I'd better get out of here before the knife slips or the monster cooks up some more tricks with whatever it's got for a brain." Digging little footholds in the soft bank, he climbed up and stood once again in the rustling jungle darkness. "I wonder," he thought, "how Pete could cram enough brain into one of those things to make it hunt and track so perfectly." He tried to visualize the computing circuits needed for the operation of its tracking mechanism alone. "There just isn't room for the electronics. You'd need a computer as big as the one at camp headquarters." In the distance the sky blazed as a blaster roared in the jungle. Then Alan heard the approaching robot, crunching and snapping its way through the undergrowth like an onrushing forest fire. He froze. "Good Lord! They communicate with each other! The one I jammed must be calling others to help." He began to move along the bank, away from the crashing sounds. Suddenly he stopped, his eyes widened. "Of course! Radio! I'll bet anything they're automatically controlled by the camp computer. That's where their brain is!" He paused. "Then, if that were put out of commission ..." He jerked away from the bank and half ran, half pulled himself through the undergrowth towards the camp. Trees exploded to his left as another robot fired in his direction, too far away to be effective but churning towards him through the blackness. Alan changed direction slightly to follow a line between the two robots coming up from either side, behind him. His eyes were well accustomed to the dark now, and he managed to dodge most of the shadowy vines and branches before they could snag or trip him. Even so, he stumbled in the wiry underbrush and his legs were a mass of stinging slashes from ankle to thigh. The crashing rumble of the killer robots shook the night behind him, nearer sometimes, then falling slightly back, but following constantly, more unshakable than bloodhounds because a man can sometimes cover a scent, but no man can stop his thoughts. Intermittently, like photographers' strobes, blue flashes would light the jungle about him. Then, for seconds afterwards his eyes would see dancing streaks of yellow and sharp multi-colored pinwheels that alternately shrunk and expanded as if in a surrealist's nightmare. Alan would have to pause and squeeze his eyelids tight shut before he could see again, and the robots would move a little closer. To his right the trees silhouetted briefly against brilliance as a third robot slowly moved up in the distance. Without thinking, Alan turned slightly to the left, then froze in momentary panic. "I should be at the camp now. Damn, what direction am I going?" He tried to think back, to visualize the twists and turns he'd taken in the jungle. "All I need is to get lost." He pictured the camp computer with no one to stop it, automatically sending its robots in wider and wider forays, slowly wiping every trace of life from the planet. Technologically advanced machines doing the job for which they were built, completely, thoroughly, without feeling, and without human masters to separate sense from futility. Finally parts would wear out, circuits would short, and one by one the killers would crunch to a halt. A few birds would still fly then, but a unique animal life, rare in the universe, would exist no more. And the bones of children, eager girls, and their men would also lie, beside a rusty hulk, beneath the alien sun. "Peggy!" As if in answer, a tree beside him breathed fire, then exploded. In the brief flash of the blaster shot, Alan saw the steel glint of a robot only a hundred yards away, much nearer than he had thought. "Thank heaven for trees!" He stepped back, felt his foot catch in something, clutched futilely at some leaves and fell heavily. Pain danced up his leg as he grabbed his ankle. Quickly he felt the throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain tears from his eyes and looked up—into a robot's blaster, jutting out of the foliage, thirty yards away. Instinctively, in one motion Alan grabbed his pocket blaster and fired. To his amazement the robot jerked back, its gun wobbled and started to tilt away. Then, getting itself under control, it swung back again to face Alan. He fired again, and again the robot reacted. It seemed familiar somehow. Then he remembered the robot on the river bank, jiggling and swaying for seconds after each shot. "Of course!" He cursed himself for missing the obvious. "The blaster static blanks out radio transmission from the computer for a few seconds. They even do it to themselves!" Firing intermittently, he pulled himself upright and hobbled ahead through the bush. The robot shook spasmodically with each shot, its gun tilted upward at an awkward angle. Then, unexpectedly, Alan saw stars, real stars brilliant in the night sky, and half dragging his swelling leg he stumbled out of the jungle into the camp clearing. Ahead, across fifty yards of grass stood the headquarters building, housing the robot-controlling computer. Still firing at short intervals he started across the clearing, gritting his teeth at every step. Straining every muscle in spite of the agonizing pain, Alan forced himself to a limping run across the uneven ground, carefully avoiding the insect hills that jutted up through the grass. From the corner of his eye he saw another of the robots standing shakily in the dark edge of the jungle waiting, it seemed, for his small blaster to run dry. "Be damned! You can't win now!" Alan yelled between blaster shots, almost irrational from the pain that ripped jaggedly through his leg. Then it happened. A few feet from the building's door his blaster quit. A click. A faint hiss when he frantically jerked the trigger again and again, and the spent cells released themselves from the device, falling in the grass at his feet. He dropped the useless gun. "No!" He threw himself on the ground as a new robot suddenly appeared around the edge of the building a few feet away, aimed, and fired. Air burned over Alan's back and ozone tingled in his nostrils. Blinding itself for a few seconds with its own blaster static, the robot paused momentarily, jiggling in place. In this instant, Alan jammed his hands into an insect hill and hurled the pile of dirt and insects directly at the robot's antenna. In a flash, hundreds of the winged things erupted angrily from the hole in a swarming cloud, each part of which was a speck of life transmitting mental energy to the robot's pickup devices. Confused by the sudden dispersion of mind impulses, the robot fired erratically as Alan crouched and raced painfully for the door. It fired again, closer, as he fumbled with the lock release. Jagged bits of plastic and stone ripped past him, torn loose by the blast. Frantically, Alan slammed open the door as the robot, sensing him strongly now, aimed point blank. He saw nothing, his mind thought of nothing but the red-clad safety switch mounted beside the computer. Time stopped. There was nothing else in the world. He half-jumped, half-fell towards it, slowly, in tenths of seconds that seemed measured out in years. The universe went black. Later. Brilliance pressed upon his eyes. Then pain returned, a multi-hurting thing that crawled through his body and dragged ragged tentacles across his brain. He moaned. A voice spoke hollowly in the distance. "He's waking. Call his wife." Alan opened his eyes in a white room; a white light hung over his head. Beside him, looking down with a rueful smile, stood a young man wearing space medical insignia. "Yes," he acknowledged the question in Alan's eyes, "you hit the switch. That was three days ago. When you're up again we'd all like to thank you." Suddenly a sobbing-laughing green-eyed girl was pressed tightly against him. Neither of them spoke. They couldn't. There was too much to say. THE END

What is the significance of Alan’s realization that he must continue to live?

113

As one of the first colonists of the planet, Alan realizes that he must continue to live to save his beloved wife and all the other people traveling with her on the ship right now because they are the only humans left in this world. When pain clouds his rational judgment, and he cannot walk anymore, the feelings of love and responsibility enable him to move further. He disables one robot and, after all, switches off the computer that controls all the other ones. Even though his body is in agonizing pain, his realization makes him move forward and practically save everyone who is to land on the planet on the next day, save humanity in a sense.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the plot of the story?

109

On a seemingly normal flight from San Francisco to Los Angeles sits our protagonist, on his way to complete a printing order. In his initial musings, we find out that his curiosity and intuition about his fellow passengers come out of his extrasensory ability to see inside objects and human beings. The protagonist is also revealed to be able to manipulate time by stopping clocks, which he uses to his benefit with early wake-up calls. Despite his unique abilities, he laments that it renders largely useless and mundane as it often ruins surprises like Christmas gifts, requires a bit of guessing, and fails to work as gimmicks in manipulating games like Vegas slot machines. And so with his seemingly useless but curious gaze, the protagonist ponders about his seat-mate’s purse, Amos Magaffey the purchasing agent, and rifling through luggages and identifying his own. All of sudden, his musings are halted by the discovery of a bomb in one of the luggages, with a countdown timer ticking with 10 minutes or less. The flight is still 40 minutes away from its destination and so with great effort and increasing suspicion from his seat-mate, the protagonist uses his ability to stop the ticking bomb. The flight lands safely with the bomb remaining inactivated, but the protgaonist now worries between alerting authorities - which may cast suspicion upon himself - or follow the luggage and identify who picks it up. With no one initially picking up the luggage with the bomb - the little red bag - it is delivered by the flight attendant to the rear room. Soon, a young lady arrives to pick it up. It is then that the protagonist hurries over to her in hopes of warning her of the ticking time bomb. It turns out that the likely culprit of planting the bomb is the young lady’s - Julia Claremont - husband, whose motives are unknown but nevertheless unhinged. Armed with this information and a false story about the bag’s suspicion, the pair decides to approach an airport policeman and inform them of the bomb. However, as they return to where they left their bags, they find that both his and Julia’s luggages have been stolen by a strange man entering his grey vehicle. Turning to the airport policeman in reporting this stolen luggage, they are interrupted by an explosion in a grey vehicle. Shocked and somber, Julia and the protagonist inform the policeman that they no longer wish to report the stolen luggage, and the two begin to walk away from the airport.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the plot of the story?

113

The protagonist and narrator of the story is a man who long ago discovered that he had an extraordinary ability: sensing the contents of different objects, like boxes and bags, and moving light things, like feathers or a watch balance wheel, without touching them. He got in trouble for naively using his gift in the fourth grade and has kept quiet about it ever since. At the beginning of the story, he is on a plane from San Francisco to Los Angeles for a business meeting with an amusement chain owner. After studying the passengers around him, checking the window view, and mentally looking through the purse of a woman next to him, he decides to find his suitcase in the luggage compartment of the plane. The narrator is going through the content of other people’s suitcases when he feels something resembling a bomb. It seems to be inside a small woman’s bag and is about to go off in ten minutes, but the plane is supposed to land only in forty. Anxious and hectic, he refuses the cup of coffee from a stewardess and decides that he has to stop the clock mechanism, at least for the duration of the flight. He does it every morning with his alarm, so it doesn’t seem impossible. After temporarily stopping it, his thoughts race ahead to the landing, realizing that he wouldn’t be able to control the mechanism forever or tell the truth to the police. But his thinking process is disturbed by turbulence - he realizes that the balance wheel is moving again. After some tugging, pulling, and shoving, it finally becomes immovable. When the plane lands, the protagonist goes to the baggage claim and tries to find the owner of the bag. After picking up his suitcase and watching how the claim employees take the bag with the bomb to the storage room, he finally sees a blond woman called Julia Claremont - he saw her on the flight - approaching the counter. He convinces her to put the bag down and pretends that he is speaking to someone in a telephone booth while deactivating the mechanism once again. When she asks for an explanation, he invites her to an airport coffee shop and tells her everything. At the end of his monologue, she starts crying and says that her husband Joe probably put it in her bag after she had finished packing the day before. That trip was Joe’s idea, but she doesn’t know why her husband would do something like that. They go back to the gate to realize that the bags they had left there are gone. The protagonist sees the thief throw their bags into his car’s rear seat and rapidly drive off. When they are ready to go to the police office to file a report, a loud explosion occurs somewhere near the airport. Julia and the narrator don’t report luggage theft and walk away.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the plot of the story?

107

The protagonist finishes reading the Chronicle an hour into his flight when he sees a sea of clouds where the San Joaquin Valley should be. He observes a few passengers and sees a familiar blonde from the gate. He thinks about the printing order in Los Angeles and begins exploring the old lady’s purse next to them. The protagonist's powers allow him to explore the inside of anything, but he remarks that it is not any fun because all he does is feel the shapes and guess. He goes through the lady’s belongings and becomes disappointed when nothing is of interest. The scene cuts to the fourth-grade protagonist eating lunch with Miss Winters for a minor infraction. Miss Winters leaves for a moment and tells the protagonist to erase the blackboard. She cannot find her favorite mechanical pencil when she comes back, and the protagonist probes her purse to find it. He generally keeps quiet about their special gift but can move certain objects. The old lady wakes up again, and the protagonist begins to think about securing a printing deal with Amos Magaffey. He probes through belongings and finds a bomb in a woman’s bag. He begins to panic and thinks about what to do when a stewardess offers him a tray full of food; the protagonist cannot bring himself to accept it. The lady next to him is concerned, but he insists that he is okay and asks for a cup of coffee. The protagonist has temporarily stopped the timer, and he thinks about what will happen once the luggage begins to move because the timer will start again. As he concentrates, the old woman notices again and asks if he is sleeping. Once the plane stops, the protagonist leaves and observes the baggage being transported from the plane to find the bag with the bomb. Once the protagonist claims his baggage, he waits to see who will claim the bag with the bomb. Although he should be meeting with Amos Magaffey, he knows that he will be unable to live with himself if he lets the bomb explode. The blonde from earlier appears to claim her bag, and the protagonist stops her by saying that he has something important to tell her. He manages to stop the bomb timer again by pretending to dial a number in the telephone booth. He and the woman then go grab a coffee, where he explains the situation; she is horrified to realize that her husband Joe is the one who put the bomb in. She introduces herself as Julia Claremont, and the both of them pay the tab to leave. They realize that their bags are stolen by the dumpy man from earlier in the lobby. The redcap tells them to tell the policeman, while a loud explosion suddenly happens. The two of them decide to forego their luggage because of the bomb and walk down the street arm in arm.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the plot of the story?

112

A man with extrasensory ability finds a bomb on the plane. He doesn’t want to tell the stewardess that there is a bomb because he cannot explain how he knows it without exposing his ability. His unwillingness to reveal his ability also originates from his childhood memory that his teacher doubts him as a thief when he tells her where her pencil is. During the whole flight, he uses his ability to move the wheel in the bomb not to let it count down to explosion. After the plane lands, he goes to pick up his baggage. When he grabs his bag, he also sees the one with a bomb in the baggage claim area in the airport. He waits and hesitates to tell the truth to the airport officer. When he sees the baggage claim attendant trying to move the bag with the bomb to the rear room in the airport, he almost tells the truth, but he sees a woman come and try to find her bag. After the woman takes the bag, he approaches the woman, tells her to put the bag away, and goes to grab a coffee with her. He explains everything to her, including his extrasensory ability. The woman is startled. When they decide to tell the police to deactivate the bomb and walk out of the coffee shop, they see a thief grab both of their baggage and drive away. The police come and try to help them, but they all hear a massive explosion sound. They tell the police not to report the property stolen, and they leave.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Who is Julia Claremont and what happens to her in the story?

109

Julia Claremont is a young blonde in the plane that initially peaks the protagonist's interest with her attractive profile, who later is identified as the owner of the little red bag that houses the ticking bomb. Flying from San Francisco to Los Angeles to visit her sister on her husband’s suggestion, she is the first person that the protagonist reveals his extrasensory abilities to. Despite the extraordinary tale, Claremont believes him and reveals herself that the likely culprit of the bomb to be her husband. Under the guise of putting in books for her sister to read, she surmises that her husband likely used that opportunity to plant the bomb. However, she is unable to identify the motives of her husband or more likely, she would rather not to. Despite this shock, Claremont and the protagonist devise a somewhat likely story to alert the airport policeman of her suspicious of a bomb in her luggage in order to quickly deactivate it as well as divert attention from how the protgaonist was able to sense it. On their way over to where they left their bags, they noticed them to be stolen and identified a dumpy man as the thief, heading over to his grey vehicle to take off with them. As they approach an airport policeman to report this theft instead, they are interrupted by an explosion - the bomb having gone off. Seemingly on the same page, Claremont turns to the policeman as she retracts her desire to report the theft - with the protagonist doing the same - and turns to walk away, leaving the mayhem of the explosion at the airport behind them.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Who is Julia Claremont and what happens to her in the story?

113

The narrator feels that there is a bomb in the luggage compartment of the plane he is on, and Julia Claremont is one of the passengers of this flight. She is visiting her sister after her husband Joe suggested it some time ago. After leaving the plane, she tries to call her sister, and it takes a while before she can go to the baggage claim. After picking up her bag, the narrator convinces her to put it down and, after some time, invites Julia to a cafe. He tells her about his gift and that there is a bomb in her bag. She cries and realizes that after she had finished packing, her husband said he would put some books in her bag as a gift to the sister. She understands that he must’ve put the bomb in her luggage, but she doesn’t know why. They walk back to the airport lobby and see that their suitcases got stolen. The protagonist chases the thief, but the man throws the bags into his car and quickly leaves. When they approach a police officer ready to file a report, a loud explosion somewhere near the airport shatters the air, apparently killing the thief and wrecking his car. They quickly lose the desire to report the theft and walk away from the airport.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Who is Julia Claremont and what happens to her in the story?

107

Julia Claremont is one of the people the protagonist first sees at the gate. The original purpose of her trip is to visit her sister. Before leaving, her husband Joe packs some books that they have finished reading for her sister. However, he also manages to sneak a bomb inside of her bag for unknown reasons. The protagonist describes her as blonde and shapely, giving a privileged view of a trim ankle and calf. She is also described to stare moodily across the aisle and out the window. Later, when Julia comes to claim her bag, the protagonist hurriedly follows her. She is initially annoyed and then confused, continuously asking “Why?” in response to what he says. He also notices that her eyes are blue and brown-flecked. Later, she is horrified to discover what happened and begins to bawl. She has no idea why her husband would do this, and the two of them come up with a plan to tell the police why there is a bomb in her bag. Julia also explains that she arrived at the baggage claim late because of a call from her sister. Once the bag is stolen, she sees this as an opportunity to leave with the protagonist before the blame can be pinned on them.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Who is Julia Claremont and what happens to her in the story?

112

Julia Claremont owns the red bag that contains a bomb inside. When she picks up her baggage, the protagonist comes to tell her to put away her bag. When she learns the truth from the protagonist in the coffee shop, she is startled and troubled. She realizes that her husband put the bomb in her baggage. She tries to call her sister when she arrives at the airport because her sister is supposed to pick her up, so she picks her luggage up later than other people. When she and the protagonist decide to tell the police about the bomb, they find a man who steals the pieces of baggage. They cannot catch up with the thief. When the police come to help them, they refuse to report the case because they hear the explosion. She leaves with the protagonist.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q3. Why is the protagonist reluctant to reveal his extraordinary ability?

109

The protagonist finds out about his extraordinary ability at an early age and quickly finds out that it is better to keep this information to himself. One incident that drove this message home occured in the fourth grade with his teacher, Miss Winters. At the time, the protagonist was sentenced to eat lunch with her as a minor punishment. After the lunch period was over, Miss Winters found herself looking for her favorite mechanical pencil, asking the class if anyone had seen it while casting a suspicious eye at the protagonist. Aiming to maintain his innocence and help out his teacher, the protagonist used his ability to find the pencil - in Miss Winters’ purse all along - and let her know. Instead, he was rewarded with a note sent home. Ever since then, he found it to be safer to keep his ability a secret. Despite his curiosities about other potential extraordinary individuals, he recognizes that revealing any information gained from his ability would only cast suspicion upon himself from the authorities. For example, had the protagonist immediately alerted a flight attendant or the authorities about a bomb in one of the luggages the moment he discovered it on the plane, intrusive questions about how he knew or suspicions about him being the one to plant it were highly likely to arise.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q3. Why is the protagonist reluctant to reveal his extraordinary ability?

113

After using his gift in primary school and getting a stinging note for that, the protagonist decides to keep quiet about his ability. Even when he has to deal with a bomb he is still reluctant to share his secret because he thinks that his life would change forever and people would never trust him again since he would be considered a prying man. He doesn’t believe that his gift can be used for anything meaningful, and ruining his life by revealing his ability definitely doesn’t seem sensible to him.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q3. Why is the protagonist reluctant to reveal his extraordinary ability?

107

The protagonist is reluctant to reveal his extraordinary ability because it will make him look suspicious. He has learned to keep quiet about it in the past because it will only cast disbelief on him. The incident with his fourth-grade teacher’s mechanical pencil only made it seem like he had purposely hidden it in her purse. He has also thought about making money with the ability before, but it is not very useful because he can only feel around objects and guess what they are. Even though the protagonist feels panicked about the bomb, he knows that he cannot outright report it because nobody is aware of his ability. If he does, they will only cast suspicion on him for being the one who initially put it in there. Even when he thinks about calling ahead and convincing the authorities that he can stop the clock, there is no use. The protagonist knows that everybody will see him as a man who cannot be trusted once the secret is out and has prying eyes.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q3. Why is the protagonist reluctant to reveal his extraordinary ability?

112

The protagonist is reluctant to reveal his extrasensory ability because of his childhood experience. He learns the wisdom of not disclosing his power in the fourth grade when his teacher suspects him as a thief after he tells her where her pencil is. He used to believe that many other people have supernatural abilities like him, but the truth remains questionable. He does not want to reveal his ability because he believes that people will not believe him. Even if people believe him, his life will change, and he will become suspected of a prying person who always peeks at others’ privacy.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q4. Describe the setting(s) of the story. Why is it important?

109

This story has two settings: first, on an airplane from San Francisco to Los Angeles and second, at the Los Angeles airport in the baggage claim and arrivals terminal. The first setting - on the airplane mid flight - is highly important to the story because it is here that the protagonist discovered the bomb in the luggage. Not only that, he discovers that bomb is on a countdown with 10 minutes remaining before detonation while the flight still has 40 minutes before arrival. It is due to this fact that the protagonist utilizes his time manipulation ability to stop the clock successfully. In the second setting, the tensions in this story continue to rise. Despite the protagonist successfully stopping the clock in the air, it appears to continue on the ground. With both the anticipation of watching to see who picks up the little red bag and dodging suspicions from the airport policeman and workers, we can imagine the hectic and panicked energy that sometimes appears in baggage claims. Additionally, an airport is filled with many people arriving and departing, which adds to the pressure the protagonist is facing in dealing with deactivating the bomb before anyone gets hurt.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q4. Describe the setting(s) of the story. Why is it important?

113

The first part of the story is happening on a plane that is flying from San Francisco to Los Angeles. When the protagonist finds the bomb in one of the bags in the luggage compartment, the plane is somewhere above the mountain range north of Los Angeles - even in theory, it is impossible to land because there are no airports around this area. He stops the clock mechanism, using his extraordinary ability. After the landing, the story continues in the building of the airport, where the protagonist finds the owner of the bag with the bomb - Julia Claremont. He tells her about the bomb and how he sensed it during the flight. She cries and tells him that her husband put it in her bag after she had finished packing. They go back to the lobby and see that their suitcases got stolen. The protagonist tries to chase the thief, but the man quickly drives off with the bags. When they decide to file a report, something explodes loudly near the airport, and Julia, together with the protagonist, walks away, refusing to report the theft.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q4. Describe the setting(s) of the story. Why is it important?

107

The story first begins on a plane from San Francisco to Los Angeles. The protagonist first expects to see San Joaquin Valley, but he is greeted by a sea of clouds instead. He sits next to an old woman on the plane. A little north of Bakersfield, he finds that one of the bags on the plane contains a bomb. It is forty minutes from Burbank to Lockheed Air Terminal, and there would be no place to land the plane any time soon. Once the protagonist gets off the plane, he heads to the baggage claim at the airport for his bag. When Julia gets her bag, he leads her to a telephone booth to make the fake call. Then, they leave their bags in the lobby and go to a coffee shop. The airport policeman is across the street from the parking lot. The setting of the plane is important because it is where the protagonist first discovers the bomb. Without his extraordinary ability to feel around any enclosed object, he would not be able to detect and temporarily stop the bomb’s timer before it was too late. This is also significant because the plane would have exploded had he not found it. The airport is important too because that is where he meets Julia. He would not have figured out who the bag belonged to and the entire story without waiting at the airport.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

Q4. Describe the setting(s) of the story. Why is it important?

112

The story's setting is in an ordinary world where no extrasensory ability is found or known. This setting is essential because the protagonist has the extrasensory ability, which allows him to see the insides of things and move some very light objects with his mind. However, since the world does not know the existence of the ability, he cannot tell anyone about it because if he tells people the truth, people either do not believe him or see him as a freak. Furthermore, since he cannot tell anyone his ability, neither can he tell people about what he finds in any bags, like a bomb, because he cannot explain how he knows what is inside of things that do not belong to him. Therefore, this inability to reveal his extrasensory ability drives the story to progress.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the relationship between the protagonist and authority figures like the airport policeman?

109

The protagonist’s relationship with authority figures - like the airport policeman in this story - is a double edged sword. On one hand, it is figures like the policeman who are the right figure to report his suspicions towards. They are the ones equipped with the knowledge and resources on how to deal with the bomb in the little red bag. More importantly, informing them is the right thing to do and would save the lives of everyone else at the airport. On the other hand, however, we can see that the protagonist has revealed that authority figures in the past often choose to cast suspicion upon him rather than appreciate the usefulness of the knowledge that comes about his ability. If the protagonist were to approach the policeman in a suspicious manner or reveal too much information about his know-how of the bomb, it is likely that they will suspect him to be the culprit and probe him on something he is unable to explain, and hence arrest him. The protagonist has to carefully consider the implications of either decision and try to optimize both the safety of others around him and his own. The protagonist chooses to inform the policeman of a suspicious baggage situation through the luggage’s owner, Julia Clarmeont, which would deflect any suspicion on himself. However, the bomb detonates before they are able to follow through with it.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the relationship between the protagonist and authority figures like the airport policeman?

113

Throughout the entire story, the protagonist tries to avoid any interaction with the police because he is afraid that they will either consider him the bomber or force him to reveal his ability, thus, changing his life for the worse. Even when Julia and the protagonist were ready to file a theft report, he quickly left after hearing the explosion. Possibly, he thought that he would be under suspicion and wasn’t sure that the police would believe the real story even after he revealed his secret.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the relationship between the protagonist and authority figures like the airport policeman?

107

The protagonist and the authority figures share a fairly neutral relationship. On the plane, he first speaks to the stewardess by rejecting her food offer. The stewardess also later brings him a cup of coffee and takes the crushed cup away. At the baggage claim, the attendant continues to stare at the protagonist as he stares back. He is bored of his job and confused why the protagonist would ask about bags that are not claimed. He wants to tell the airport policeman that there is a bomb in one of the luggage, but he does not because he sees the clerk begin to move the unclaimed piece of luggage inside. The policeman remains unaware of the bomb. Later, when he and Julia speak to the policeman about a stolen bag, the policeman is sympathetic. As the bomb goes off, the policeman tells them that he cannot make them report the stolen bags after the two of them do not want their pieces of luggage anymore.

60747

Nuts to wild talents! Mine was no satisfaction, never earned me a penny—and now it had me fighting for my life in ... THE LITTLE RED BAG By JERRY SOHL [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] About an hour out of San Francisco on the flight to Los Angeles, I made the discovery. I had finished reading the Chronicle , folded and put it beside me, turned and looked out the window, expecting to see the San Joaquin Valley but finding only a sea of clouds instead. So I returned my attention to the inside of the plane, to the overstuffed gray-haired woman asleep beside me, to the backs of heads in seats before me, across the aisle to other heads, and down to the blonde. I had seen her in the concourse and at the gate, a shapely thing. Now she had crossed her legs and I was privileged to view a trim ankle and calf, and her profile as she stared moodily across the aisle and out a window where there was nothing to see. I slid my eyes past her to others. A crossword-puzzle worker, a togetherness-type-magazine reader. Inventory completed, I went back to looking at the clouds, knowing I should be thinking about the printing order I was going to Los Angeles for, and not wanting to. So I started going through the purse of the woman next to me. Perhaps that sounds bad. It wasn't. I'd been doing it for years and nobody ever complained. It started when I was a kid, this business of being able to explore the insides of things like purses and sealed boxes and locked drawers and—well, human beings. But human beings aren't worth the trouble. It's like swimming through spaghetti. And I've got to stay away from electric wires. They hurt. Now don't ask me how they hurt. Maybe you think it's fun. For the most part, it really isn't. I always knew what was in Christmas presents before I unwrapped them, and therefore Christmas was always spoiled for me as a kid. I can't feel the color of anything, just its consistency. An apple senses about the same as a potato, except for the core and the stem. I can't even tell if there's writing on a piece of paper. So you see it isn't much. Just the feel of shapes, the hardnesses and softnesses. But I've learned to become pretty good at guessing. Like this woman next to me. She had a short, cylindrical metal object in her purse with waxlike stuff inside it—a lipstick. A round, hard object with dust inside—a compact. Handkerchief, chewing gum, a small book, probably an address book, money in a change purse—a few bills and coins. Not much else. I was a little disappointed. I've run across a gun or two in my time. But I never say anything. I learned the wisdom of keeping my mouth shut in the fourth grade when Miss Winters, a stern, white-haired disciplinarian, ordered me to eat my sack lunch in the classroom with her instead of outside with some of the other kids. This was the punishment for some minor infraction. Lunchtime was nearly over and we'd both finished eating; she said she'd be gone for a few moments and that I was to erase the blackboard during her absence, which I dutifully did. Class had hardly resumed when she started looking around the desk for her favorite mechanical pencil, asking if any of us had seen it, and looking straight at me. I didn't want her to think I had taken it while she was out of the room, so I probed the contents of her purse, which she always kept in the upper right drawer of her desk. "It's in your purse," I blurted out. I was sent home with a stinging note. Since then I've kept quiet. At one time I assumed everybody was able to sense. I've known better for years. Still, I wonder how many other people are as close-mouthed about their special gift as I am about mine. I used to think that some day I'd make a lot of money out of it, but how? I can't read thoughts. I can't even be sure what some of the things I sense in probing really are. But I've learned to move things. Ever so little. A piece of paper. A feather. Once I stopped one of those little glass-enclosed light or heat-powered devices with vanes you see now and then in a jeweler's window. And I can stop clocks. Take this morning, for example. I had set my alarm for five-thirty because I had to catch the seven o'clock plane at San Francisco International Airport. This being earlier than I usually get up, it seems all I did during the night was feel my way past the escapement and balance wheel to see where the notch for the alarm was. The last time I did it there was just the merest fraction of an inch between the pawl and the notch. So I sighed and moved to the balance wheel and its delicate ribbon of spiraling steel. I hung onto the wheel, exerting influence to decrease the restoring torque. The wheel slowed down until there was no more ticking. It took quite a bit of effort, as it always does, but I did it, as I usually do. I can't stand the alarm. When I first learned to do this, I thought I had it made. I even went to Las Vegas to try my hand, so to speak, with the ratchets and pawls and cams and springs on the slot machines. But there's nothing delicate about a slot machine, and the spring tensions are too strong. I dropped quite a lot of nickels before I finally gave up. So I'm stuck with a talent I've found little real use for. Except that it amuses me. Sometimes. Not like this time on the plane. The woman beside me stirred, sat up suddenly and looked across me out the window. "Where are we?" she asked in a surprised voice. I told her we were probably a little north of Bakersfield. She said, "Oh," glanced at her wristwatch and sank back again. Soon the stewardesses would bring coffee and doughnuts around, so I contented myself with looking at the clouds and trying to think about Amos Magaffey, who was purchasing agent for a Los Angeles amusement chain, and how I was going to convince him our printing prices were maybe a little higher but the quality and service were better. My mind wandered below where I was sitting, idly moving from one piece of luggage to another, looking for my beat-up suitcase. I went through slips and slippers, lingerie and laundry, a jig saw puzzle and a ukulele. I never did find my suitcase because I found the bomb first. The bomb was in a small bag—a woman's bag judging by the soft, flimsy things you'd never find in a man's—and I didn't know it was a bomb right away. I thought it was just a clock, one of those small, quiet alarms. I was going to pass it by and go on, but what held me was that something was taped to it. By the feel, I knew it must be electrician's tape. Interested and curious, I explored the clock more closely, found two wires. One went to a battery and the other to hard round cylinders taped together. The hairs stood up at the base of my neck when I suddenly realized what it was. The clock's balance wheel was rocking merrily. Quickly I went up past the train of gears to the alarm wheel. If this was anything like my own alarm clock, this one had something like ten minutes to go. It was forty minutes to Burbank and Lockheed Air Terminal. My mind was churning when I turned from the window to look around at the unconcerned passengers, the woman at my side asleep again. I thought: Which one of these.... No, none of them would know it was there. I glanced out the window again; clouds were still in the way. We'd be leaving the valley for the mountain range north of Los Angeles soon, if we hadn't left it already. No place to land the plane there. But of course that had been the plan! My heart was beating in jackhammer rhythm; my mouth was dry and my mind was numb. Tell somebody about the bomb before it's too late! No, they'd think I put it there. Besides, what good would it do? There would be panic and they'd never get the plane down in time—if they believed me. "Sir." My head jerked around. The stewardess stood in the aisle, smiling, extending a tray to me, a brown plastic tray bearing a small paper cup of tomato juice, a cup of coffee, a cellophane-wrapped doughnut, paper spoon, sugar and dehydrated cream envelopes, and a napkin. I goggled at her, managed to croak, "No, thanks." She gave me an odd look and moved along. My seatmate had accepted hers and was tearing at the cellophane. I couldn't bear to watch her. I closed my eyes, forced my mind back to the luggage compartment, spent a frantic moment before I found the bag again. I had to stop that balance wheel, just as I stopped my alarm clock every morning. I tried to close everything off—the throb of engines, the rush of air, the woman sipping coffee noisily beside me—and I went into the clock and surrounded the seesawing wheel. When it went forward, I pulled it back; when it went back, I pulled it forward. I struggled with it, and it was like trying to work with greasy hands, and I was afraid I wasn't going to be able to stop it. Then, little by little, it started to slow its beat. But I could not afford to relax. I pushed and pulled and didn't dare release my hold until it came to a dead stop. "Anything the matter?" My eyelids flew open and I looked into the eyes of the woman next to me. There was sugar from the doughnut around her mouth and she was still chewing. "No," I said, letting out my breath. "I'm all right." "You were moaning, it sounded like. And you kept moving your head back and forth." "Must have been dreaming," I said as I rang for the stewardess. When she came I told her I'd take some of that coffee now. No, nothing else, just coffee. I didn't tell her how much I needed it. I sat there clammy with sweat until she returned. Coffee never tasted so good. All right, so I had stopped the bomb's timer. My mind raced ahead to the landing. When they unloaded the luggage, the balance wheel would start again. I wouldn't be able to stay with it, keeping it still. I considered telling the authorities as soon as we landed, or maybe calling in ahead, but wouldn't that just bring suspicion, questions. Maybe I could convince them I could stop a clock—but not before the bomb exploded. And then what? My secret would be out and my life would be changed. I'd be a man not to be trusted, a prying man, a man literally with gimlet eyes. Mountain crags jutted through the clouds. We were in the range north of the city. Here and there were clear spots and I could see roads below, but there were also clouds far above us. It was very beautiful, but it was also very bumpy, and we started to slip and slide. To my horror I found that the balance wheel was rocking again. Closing my eyes and gritting my teeth, I forced my senses to the wheel, tugging and pulling and shoving and pushing until it finally stopped. A jab in the shoulder. I jumped, startled. "Your cup," my seat partner said, pointing. I looked down at the coffee cup I had crushed in my hands. Then I looked up into the eyes of the stewardess. I handed it to her. She took it without a word and went away. "Were you really asleep that time?" "Not really," I said. I was tempted to tell the woman I was subject to fits, but I didn't. It was only a few minutes to landing, but they became the longest minutes of my life as time after time I stopped the rocking wheel when the plane dipped and bumped to a landing. Leaving the apron with the other passengers, I tried to walk as unconcernedly as they through the exit gate. I would have liked walking through the terminal and out the entrance and away, but I could not. I had my suitcase to get, for one thing. The damned bomb was the other. So I strolled out into the concourse again to look at the plane and watch the baggagemen at work, transferring the luggage to two airfield carts. They weren't as careful as I would have been. It was impossible to tell from this distance just which bag contained the bomb; I could hardly identify my own scarred suitcase. The assortment of bags—a strange conglomeration of sizes and colors—was packed in some places six deep, and it rolled toward the gate where I was standing. I didn't know whether to stay or run, imagining the balance wheel now happily rocking again. The load went past me down a ramp to the front of the air terminal where the luggage was unloaded and placed in a long rack. I went with it. There was a flurry of ticket matching, hands grabbing for suitcases, and a general exodus on the part of my fellow passengers, too fast to determine who had got the one with the bomb. Now all that was left was the attendant and I had two bags—my own battered veteran of years, and a fine new red overnight case, small enough to be the one. I lit a cigarette, reached out. Inside were a woman's things and—a clock. The escapement was clicking vigorously. I didn't moan this time. I just closed my eyes, stretched toward and grabbed the balance wheel I was getting to know like my own. I entered into a union with it so strong that after I had reduced it to immobility, it was like waking when I opened my eyes. The baggage claim attendant was staring at me. For only a moment I stared back. Then I quickly reached for my baggage check and presented it to him. His hand hovered over the handle of the little red bag and I was ready to yell at him. But then, matching numbers on the tags with his eyes, his hand grasped the handle of my own suitcase and pushed it toward me. "Thanks," I said, taking it. I glanced ever so casually toward the remaining bag. "One left over, eh?" "Yeah." He was so bored I was tempted to tell him what was in it. But he was eying me with a "well-why-don't-you-get-along?" look. I said, "What happens if nobody claims it?" "Take it inside. Why?" He was getting too curious. "Oh, I just wondered, that's all." I stepped on my cigarette and walked toward the air terminal entrance and put my suitcase on the stone steps there. A redcap came hurrying over. "Cab?" I shook my head. "Just waiting." Just waiting for somebody to pick up a bomb. I lit another cigarette and glanced now and then toward the baggage claim area. The red bag was still there. All sorts of theories ran through my head as to why it should still be there, and none satisfied me. I should not have been there, that much I knew; I should be with a man named Amos Magaffey on Sixth Street at ten o'clock, discussing something very mundane, the matter of a printing order. But what could I do? If I left the airport, the attendant would eventually take the bag inside and there would be an explosion, and I wouldn't be able to live with myself. No. I had to stay to keep the balance wheel stationary until—until what? A man in tan gabardine, wearing a police cap and badge, walked out of the entrance to stand on the stone steps beside me while he put on a pair of dark glasses. A member of the airport police detail. I could tell him. I could take him down to the little red bag and explain the whole thing. Then it would be his baby and I would be off on my own business. But he moved on down the steps, nodded at the redcap, and started across the street to the parking area. I could have called to him, "Hey, officer, let me tell you about a bomb in a little red bag." But I didn't. I didn't because I caught a movement at the baggage claim counter out of the side of my eye. The attendant had picked up the bag and was walking with it up the ramp to the rear of the air terminal. Picking up my own suitcase, I went inside in time to see him enter through a side door and deposit the bag on the scales at the airline desk and say something to the clerk. The clerk nodded and moved the bag to the rear room. I could visualize the balance wheel once again rocking like crazy. How many minutes—or seconds—were left? I was sweating when I moved to the counter, and it wasn't because of the sunshine I'd been soaking in. I had to get as close to the bag as I could if I was going to stop the clock again. "Can I help you?" the clerk asked. "No. I'm waiting for someone." I turned my back to him, put down my suitcase, leaned against the counter and reached out for the wheel. I found I could reach the device, but it was far away. When I tried to dampen it, the wheel escaped my grasp. "Do you have my suitcase?" I blinked my eyes open and looked around. The blonde in the plane stood there looking very fresh and bright and unconcerned. In her right hand she had a green baggage claim check. The clerk took it, nodded, and in a moment brought out the overnight case and set it on the scales. The girl thanked him, picked it up, glanced at me indifferently, and then started for the entrance with it. "Just a moment," I found myself saying, grabbing my bag and hurrying after her. At her side and a little ahead of her, I said, "Listen to me." She looked annoyed and increased her stride toward the door. "It's a matter of life or death," I said. I wanted to wrest the bag from her and hurl it out through the doorway into the street, but I restrained myself. She stopped and stared. I noticed a short, fat man in a rumpled suitcoat and unpressed pants staring, too. Ignoring him, I said, "Please put the bag down. Over there." I indicated a spot beside a telephone booth where it would be out of the way. She didn't move. She just said, "Why?" "For God's sake!" I took the case. She offered no resistance. I put her bag and mine next to the booth. When I turned around she was standing there looking at me as if I had gone out of my mind. Her eyes were blue and brown-flecked, very pretty eyes, and my thought at the moment was, I'm glad the bomb didn't go off; these eyes wouldn't be looking at me or anything else right now if it had. "I've got to talk to you. It's very important." The girl said, "Why?" I was beginning to think it was the only word she knew. At the same time I was wondering why anyone would want to kill someone so lovely. "I'll explain in a moment. Please stand right here while I make a telephone call." I moved toward the phone booth, paused and said, "And don't ask me why." She gave me a speculative look. I must not have seemed a complete idiot because she said, "All right, but—" I didn't listen for the rest. I went into the booth, closed the door, pretended to drop a coin and dial a number. But all the time I was in there, I was reaching out through the glass for the clock. At this range it wasn't difficult to stop the balance wheel. Just the same, when I came out I was wringing wet. "Now will you please tell me what this is all about?" she said stiffly. "Gladly. Let me buy you a cup of coffee and I'll explain." She glanced at the bags. I told her they'd be all right. We followed the short, fat man into the coffee shop. Over coffee I explained it all to her, how I had this extrasensory ability, how she was the first person I had ever revealed it to, and how I had discovered what was in her overnight bag. During the telling, her untouched coffee grew a skin, her face grew pale, her eyes grew less curious and more troubled. There were tears there when I finished. I asked her who put the bomb in her bag. "Joe did," she said in a toneless voice, not looking at me any more but staring vacantly across the room. "Joe put it there." Behind her eyes she was reliving some recent scene. "Who is Joe?" "My husband." I thought she was going to really bawl, but she got control again. "This trip was his idea, my coming down here to visit my sister." Her smile was bleak. "I see now why he wanted to put in those books. I'd finished packing and was in the bathroom. He said he'd put in some books we'd both finished reading—for my sister. That's when he must have put the—put it in there." I said gently, "Why would he want to do a thing like that?" "I don't know." She shook her head. "I just don't know." And she was close to bawling again. Then she recovered and said, "I'm not sure I want to know." I admired her for saying it. Joe must have been crazy. "It's all right now?" she asked. I nodded. "As long as we don't move it." I told her I didn't know how much more time there was, that I'd been thinking it over and that the only way out seemed to be to tell the airport policeman. After I explained it to her, the girl—she said her name was Julia Claremont—agreed to tell him she thought there was a bomb in her bag, that she had noticed a ticking and had become worried because she knew she hadn't packed a clock. It wasn't good, but it would have to do. "We've got to get it deactivated," I said, watching the fat man pay for his coffee and leave. "The sooner the better." I finished my coffee in one gulp and went to pay the bill with her. I asked her why she didn't claim the bag at the same time the other people had. She said she had called her sister and the phone was busy for a long while. "She was supposed to meet me, and when she wasn't here, I got worried. She said she isn't feeling well and asked me to take a cab." She smiled a little. It was a bright, cheery thing. I had the feeling it was all for me. "That's where I was going when you caught up with me." It had become a very nice day. But the bottom dropped out of it again when we reached the lobby. The two bags weren't there. I ran to the entrance and nearly collided with the redcap. "See anybody go out of here with a little red bag and an old battered suitcase?" "Bag? Suitcase?" he mumbled. Then he became excited. "Why, a man just stepped out of here—" He turned to look down the street. "That's him." The dumpy man I'd seen was walking off; Julia's bag in his right hand, mine in his left. He seemed in no hurry. "Hey!" I shouted, starting toward him. The man turned, took one look at me, and started to run. He came abreast an old gray, mud-spattered coupe, ran around, opened the door and threw both bags into the rear seat as he got in. The car was a hundred feet away and gathering speed by the time I reached where it had been parked. I watched it for a moment, then walked back to the entranceway where Julia was standing with the redcap, who said, "That man steal them suitcases?" "That he did," I said. Just then the airport policeman started across the street from the parking lot. Redcap said, "Better tell him about it." The policeman was sympathetic and concerned. He said, "We'd better get over to the office." But we never left the spot because an explosion some blocks distant shattered the air. Julia's hand grasped my arm. Hard. "Jets," the redcap said, eying the sky. "I don't know," the policeman said. "Didn't sound much like a jet to me." We stood there. I could visualize the wreckage of an old gray coupe in the middle of a street, but I couldn't visualize the driver. That was all right. I didn't want to see him. I didn't know what Julia was thinking. She said, "About those bags," and looked at me. The officer said, "Yes, miss?" "I—I don't care about mine. I didn't have much of anything in it." "I feel the same way," I said. "Would it be all right if we didn't bother to report it?" "Well," the policeman said, "I can't make you report it." "I'd rather not then," Julia said. She turned to me. "I'd like some air. Can't we walk a little?" "Sure," I said. We started down the street, her arm in mine, as the air began to fill with the distant sounds of sirens.

What is the relationship between the protagonist and authority figures like the airport policeman?

112

The protagonist holds the worry about the explosion of the bomb, but he cannot tell the airport authority about it because he cannot explain how he knows it. Meanwhile, the airport authority works as they usually do without knowing the bomb's existence. They can see the protagonist constantly hovering around the place and looking worrisome and anxious. Still, the only thought they have is probably to regard the protagonist as a strange person that needs help. When the protagonist’s baggage is stolen, the policeman comes and asks if he needs help. After hearing the explosive sound, the protagonist tells the policeman he does not want to report the case. The policeman allows him to do so.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the plot of the story?

111

The story starts off with the main character, Rikud, watching space from a viewport that is located on what seems to be a spaceship. Rikud is part of a group of men that live on the spaceship under a strict set of unspoken rules. Rikud then connects with other characters named Chuls and Crifer while getting a bath of health-rays, an example of the high technology in the ship. After the stars in the viewport start changing, Rikud doubts the way of living that the men have taken. He starts to doubt the fact that they have a set span of years, and that they have to live separately from the women (even though he doesn't know what women are). When the view of the viewport changes to “gardens”, Rikud begins to question more and more, and ends up finding the machine room for the ship, as well as a control center that has another viewport. Unsuccessfully convincing the others to go outside with him, Rikud becomes enraged and breaks the machine room of the ship. After realizing that Rikud has messed up the buzzers that control the actions of the people, they begin to hurt Rikud and chase him through the ship. Rikud ends up opening the door that leads outside from the control room, and they discover a new world where they can live freely with the women.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the plot of the story?

107

Rikud has come to watch the great changeless sweep of space for a week. The steady whining of the world that he has heard for all twenty-five years of his life have grown. Space looks different to him today because the stars are not as bright, and there is more darkness except for one very bright star that has set itself apart. Old Chuls approaches him and chides him for staring at stars when he is almost ready to foster children in five years. Rikud is nervous because no other man has these thoughts about who the Calculator will select as their mate. Chuls says that it is time for his bath in the health-rays, and Rikud goes with him. When they get to the health-ray area, Rikud feels the urge to see the stars again. The machine tells him fifteen minutes under the tub. Crifer, who is in the tube on his left, brings satisfaction to Rikud through his lame foot because it is proof that the world is not perfect. Crifer tells Rikud that he has been reading about astronomy lately in the library and stars. When Rikud tells him that the stars are changing, Crifer offers that variability may contribute. He later goes to see the stars again, observing how they make his eyes hurt and are paler than before. Rikud then sees a new shape appear in the form of a big sphere. He tries to get Chuls to see it too when the old man tells him it is time to eat, but Chuls sees and hears nothing. After a while, Rikud becomes fascinated with the gardens in the viewport. The view does not change for an entire week, and Crifer also agrees that the view looks like a garden. When he brings the conversation back to the stars appearing and disappearing, Crifer once again brings up variable. Rikud believes he has a bigger purpose in life; he decides to investigate the door at the back of the library while Crifer reads another book on astronomy. He sees another door that explains how this ship is a self-sustaining world, but Rikud cannot understand the words. He then has a traumatizing experience about going out to the garden because it is completely foreign to him. Three or four days later, Rikud feels comfortable enough to tell Crifer about what happened. He tries to convince Chuls too and grabs his blouse. Others in the crowd copy Rikud grabbing Chul’s blouse, but a buzzer goes off and it is time for them to retire. Rikud then decides to break the buzzer, and everybody hates him. Nobody wants to go out with him, and they all decide to begin attacking him for breaking the buzzer. He tries to escape them, and all of them end up going into the garden. The story cuts to them realizing how beautiful it is outside, and the women begin to appear from the ship as well.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the plot of the story?

109

This story follows Rikud who lives aboard a ship that is self-sustaining and separated by men and women. He first encounters a unique feeling when he looks through the viewport and notices that the space around him has changed. The stars in particular, previously speckled and scattered, have now been replaced by a singular bright star. While undergoing his bath in the health rays, Rikud laments his life on the ship. Noting the lack of authority - the closest being the automated buzzer - he ponders the perfectness of life around him and realizes he is assured by Crifer’s limp because it demonstrated that not everything was perfect. When talking to him, Crifer reveals that he has begun reading again in lieu of the normal evening activity of chatting to other ship passengers. In return, Rikud reveals that the stars in the viewport are changing and Crifer suggests that it may be due to variability - a concept newly introduced in his book on astronomy. While Rikud and Crifer contemplate the meaning of variability and the connection between the concepts, Chuls interrupts by denouncing variability as a contradictory term. Once the buzzer sounds again, they all continue with their daily routine. As Rikud looks again at the star, he finds that the landscape has changed to reveal a sphere with brown and green, just like the garden aboard the ship. Despite the hesitant acknowledgment and adamant denial from Crifer and Chuls respectively, they are unable to explain why the garden is in the viewpoint. Continuing with his exploration, Rikud enters through a set of doors no man has gone through. As he enters through each door, he receives warnings from the buzzer and encounters stranger noises. By the time he attempts to reach the third, Rikud is overwhelmed with a sense of fear and runs back. In explaining his discovery, Rikud begins to hold Chul’s blouse and sets off a chain of reactions with the other men as they begin to mimic his unfamiliar but exciting activity. However, once the buzzer sounds again, the men forget their behavior. Frustrated with the buzzing, Rikud finds a metal rod and smashes all the machinery on board - destroying the buzzer and the machines that provided the ship with light, food, and water. Disrupted by their routine and lifeline to the buzzer, Crifer and the other men begin to riot against Rikud, chasing and beating him. In running away from them, Rikud finds himself at the third door and while uncertain about the potential of life beyond the door, he chooses to open it to reveal the garden and the blue-white globe. Through the door reveals fresh air, plants, and running water. Rikud and the others step out and bask in this strange but comforting new landscape, and as the women on the ship stepped off as well, Rikud noted a sense of contentedness in a world away from the buzzer and the machines.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the plot of the story?

113

The story talks about a distant future where people left Earth long ago and now are living on a spaceship that is traveling through space. The ship is divided into two parts: male and female. People of two different sexes meet when they turn 30 after the so-called calculator defines their future partner. Everyone on the ship lives by the buzzer - a sound that signifies the beginning or the end of any daily activity. They do not understand the concepts of change, world, space, authority, just living with the same schedule. They do not understand sickness since now they can take a bath in the health rays that provide them with immunity. Rikud is a 25-year-old inhabitant who enjoys looking at the viewport that shows the changing stars. Sometimes he chats with Chuls, a 90-year-old fellow inhabitant of the ship, who doesn't show any traits of nonconformity and is satisfied with his regulated schedule. We meet him at the very beginning when he joins Rikud who stands near the viewport gazing at the stars. Together they go to the health rays’ room. While waiting for the procedure to be over, Rikud thinks about different arbitrary notions, like authority, history, human will. In the same room lies Crifer, another inhabitant of the ship. He’s short and has a lame foot which reminds Rikud of the world’s imperfection. Crifer says that he found an interesting book about astronomy during his visit to the reading room. Rikud says that stars may be changing and Crifer claims that the book mentioned their variability, Chuls protests but their conversation ends quickly. Later, Rikud, during his visits to the viewport, witnesses a rapid change in the stars, their form, location, and even experiences a novel feeling of pain while looking at one of them without breaks. Amazed, Rikud stands there and asks Chuls about the differences in the viewport and in the sound of the engines, which, as Rikud noticed, had become quieter, but the old man gives an unsatisfying answer. Later, apparently after landing, Rikud sees a huge garden in the viewport and this image doesn’t change for a whole week. While visiting the reading room with Crifer, Rikud decides to open the door that he finds there. It leads to a room where he hears a voice saying something about unauthorized visitors. The next room is full of wires, gears, and cogs. The third one has a small viewport showing the same garden from a different side. When no one believes him later, infuriated, Rikud comes back and destroys the wired room, which he suspects to be the buzzer. Now it doesn’t go off and the food mechanism is not working, leaving the ship's inhabitants confused and hungry. They become angry and try to chase Rikud. The sense of danger forces Rikud to open the little viewport from the third room and finally leave the ship. Everybody goes out into the world and finally sees the garden.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the setting of the story?

111

The story is located in space, inside of a large spaceship. The ship has a viewport that looks outside of the ship, and is where Rikad spends most of his time. The ship also seems to have high tech, showcased in the med room. Here is where the men go to stay healthy by being showered under health rays. The ship also has a library, which is where Crifer and Rikud read about astronomy and stars, and where Rikud started to doubt more and more about their lifestyle. The ship then arrives at a planet, full of lush greenery, making Rikud more and more suspicious of the changing view. After exploring the back of the room Rikud finds a series of rooms. These rooms include both a machinery room that is full of gears and tubes as well as a control room that has a smaller viewport. The story ends in the new planet, after Rikud opened the door that led outside, knowing that they would be able to survive after he compared the new planet to the gardens that the ship had.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the setting of the story?

107

The story is set on a self-sustaining ship. Rikud starts off observing the space sky from the viewport. Inside of the ship, there is a health-ray bath area; people lie naked under the ray tubes. It is also impossible for people to injure themselves; for example, Rikud was cushioned by something soft when he hurled himself at the wall. There is a library too, but nobody reads anymore so it is covered in dust. There is also a dusty table and a door at the back. Outside of the viewport, a garden soon appears. It is larger than the entire world, with plants that Rikud has never seen before. Later, Rikud confronts Chuls in a room where other people gather as well. There is also a sleeping area for them to rest when the buzzer goes off. The buzzer dictates their entire life. Rikud later goes to a room full of machinery, with cogs and gears that constantly spin. There is also a bright metal rod that he tugs free from the wires that hold it in place. The women’s quarters are located on the ship too, but they are separated from the men. Once they go outside, the air is more fresh than any air Rikud has breathed before. There is also a blue-white globe on the horizon. The water does not flow from machines either, and there are plants everywhere.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the setting of the story?

109

This story takes place on the inside of a ship that is described to be self-sustaining, with food, water, healthy heat lamps and social interaction all provided and guided by a buzzer. On this ship, the characters are led by a routine in which the buzzer will sound a buzz and the next step in the daily routine will commence. The daily routine occurs in a set number of rooms whereby the ship inhabitants eat, sleep, lay amongst the healthy lamp rays, chat amongst each other after dinner, etc. The only doors on this ship are between the men and women, and for rooms like the library or sleeping quarters - besides the ones that Rikud discovers that leads to the machinery room and the outside world. However, the ship itself is a perfect world, where inhabitants are protected from injury. The ship continues its journey and maintains its automation until the supposed journey ends a thousand years from the occurrence of the story - or until its inhabitants find something better. The ship floats amongst space and houses a viewport in which characters like Rikud are able to look outside the ship and into the vastness of space and its stars. By the end of the story, the setting transitions to the outside of the ship with the lush greenery, fresh air and water.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the setting of the story?

113

The story is set in the distant future where people live on a big spaceship cruising through space. The ship is divided into two parts: the male and female sections, the readers follow the life of the male character, Rikud, a twenty-five-year-old man who enjoys thinking about life and looking at the viewport where we find him at the beginning of the story. Then together with the other ship inhabitant Chuls, an old man who doesn’t like thought-provoking ideas, Rikud goes to the health rays room where they get the required scheduled dose of immunity, and we also meet another character - Crifer, a short limping man who occasionally likes reading in the reading room. Rikud gets back to the viewport a few times, noticing how the stars change their form and then surprisingly disappear just to be replaced by an image of a garden - this puzzles him. Later, in the reading room with Crifer, Rikud opens a mysterious doof, leading to a room with a voice that prohibits his unauthorized presence. The next room turns out to be full of wires, cogs, and gears - apparently, it’s the buzzer - the sound system that controls the ship’s inhabitants’ daily life. The last room was a tunnel with a small viewport at the end. When no one believes Rikud, he comes back, upset and angry, and breaks the mechanism in the second room, turning off the buzzer and the food system. Hungry and violent, people chase Rikud who runs back to the small viewport door he found and opens it, leaving the craft. Now everybody was in a large garden, apparently, on some new planet their craft landed on.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the significance of "variability" in the story?

111

Variability is a big part of the story. The inhabitants of the ship have always lived the same routine, the same life, and when things start to change they don’t know how to react. First, when the view of the ship starts to change, Rikud doesn’t understand what it means, and begins to think about the meaning of change. These thoughts are enhanced when Crifer told him that he had been reading Astronomy, and that stars are variable. When the ship lands on the new planet, and Rikud begins to explore, he starts to think about the variability of doors, and the meaning of going through doors and how it relates to the viewport. In the end, the change from having the buzzers to not knowing how to act is what sparks the violence of the men towards Rikud. This is due to the fact that he changed their routine, and having never experienced it, they don’t know how to react to change.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the significance of "variability" in the story?

107

Variability signifies the change to the lifestyle on the self-sustaining ship. When Crifer brings up the variability of the stars, Chuls is quick to refute the idea and says that nothing is variable. In the story, variability exists when Rikuld begins to notice the sweep of space and the stars. While the others are perfectly content with their lives and believe that they will not leave the ship, Rikuld differentiates from the rest. He wants to explore the greater world and does not believe that their only function is to live on the ship, conceive children, and eventually grow to die. The variability that is he believes he has a greater purpose, and this differentiates him from the rest. It also motivates him to see the world that the ship has landed in once the landscape does not change for a week.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the significance of "variability" in the story?

109

The concept of variability is significant because it exists in contrast to the world that is presented in the story. The ship, the routine, and the characters that follow the routine are not variable. Everything is premeditated and controlled, with no room for change. However, the changing landscape outside the viewport and Crifer’s base understanding of the astronomy book introduces this idea of variability, which Rikud in particular latches onto as the potential answer for the dissonance he is experiencing. The stars, the sphere, and the garden that they see - could it be due to variability? As the story progresses, Rikud begins to better understand the meaning of variability and finds that many concepts around him are in fact variable, like Crifer’s feelings towards him.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

What is the significance of "variability" in the story?

113

The story describes the life of people of the future: they live on a big spaceship with a regulated daily schedule consisting of health ray procedures, eating, and limited free time. No one questions the limits of their world, so no one understands the phenomenon of change as it has never occurred in their lives on the craft. Rikud, a young inhabitant of the ship, analyzes the changing views of the stars and tries to explain them. His friend, Crifer, tells him about the stars’ feature called variability that he read about in an old astronomy book. They both do not really understand this concept, neither don’t they understand change, but Rikud needs to rationalize why stars become brighter and change form. His attempts are also hindered by Chuls, an old man who actively claims that both change and variability are useless terms with no real meaning. When the views change again, and the image of a garden replaces the stars, Rikud is even more puzzled. Crifer mentions the variability of stars again, explaining their disappearance, and Rikud starts thinking about the concept of change. He uses the word variable to label everything that is not functioning normally or is unknown to him, including doors, the rooms he finds near the reading room, and people. The term both serves as a stepping stone to an understanding of changes and as an independent notion that explains the differences in behavior, environment, etc. After all, seeking the explanation of change and variability, Rikud opens the viewport-door and enables the others to step outside and see the garden that their craft landed in.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the relationship between Rikud and Chuls

111

At the beginning of the story, the relationship between Rikud and Chuls seemed like a mentor-mentee or like a father-son relationship. Rikud was a young forward-thinker, and Chuls was an older man who had already lived a lot and tried to guide Rikud on how he should live. As the story progresses more, Rikud seems to stray from Chuls’ guidance and tries to figure out what to think on his own. When Rikud tries to explain his reasoning, Chuls doesn’t understand because he has lived so much time inside of the ship and its routine that he can’t seem to doubt it. This led to Rikud getting mildly violent at Chuls because he couldn’t understand why Chuls didn’t believe him.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the relationship between Rikud and Chuls

107

Initially, Chuls is very dismissive of Rikud’s ideas. He does not listen to Rikud much, instead telling him to take a health-ray bath and eat. Chuls is content with how he lives, but he does care for Rikud when he tells him to eat. Rikud, on the other hand, does not like that Chuls is content with how he lives his life. He is angry that Chuls is so dismissive of his ideas and thinks that all the other man cares about is eating. When Rikud asks Chuls to come to see the garden, he refuses and thinks about eating again. Rikud is furious and grabs him by the shirt; everybody else copies this action. Although Chuls is not as angry as Crifer when Rikud breaks the machine, he is sad because he does not have a purpose of living by the buzzer’s announcement.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the relationship between Rikud and Chuls

109

The relationship between Rikud and Chuls is antagonistic. Rikud is presented as the wild card who sees the changing star, who begins to question the routine aboard the ship and who ultimately incites new and unfamiliar behaviors and feelings amongst the other men on the ship. On the other hand, Chuls is an old man who follows the rule without question and content with the life he lives. For example, when Rikud and Crifer begin to discuss the word “variability” and the potential of the changing stars being variable, Chuls quickly shuts down this idea by adamantly declaring that the word itself is a contradiction - and that they should go eat. When looking at the changed landscape of the star through the viewport, Rikud and Crifer begin to question why the garden is in the viewport, but Chuls simply says that it is the viewport. Therein lies the tension between these two characters, with Rikud constantly questioning and probing and Chuls remaining steadfast in his routine and knowledge of the world.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the relationship between Rikud and Chuls

113

Rikud and Chuls are two inhabitants of the same spaceship where people now live while traveling to their new home. Rikud is a young curious man, he thinks about the future and the past and sometimes thinks outside the box. Chuls, on the other hand, is an old man who got used to the same regular daily schedule that everybody lives by. He is not seeking answers and has no urge to understand the world or see anything beyond the walls of the spaceship. When Rikud notices the changes in the viewport he tries to find an explanation and define the term ‘change’. Bur Chuls is consciously ignoring anything that reminds him of change, he can see the same view, though the stars changed their size and location, hear the same engine sound, though in reality, it became quieter. Rikud even becomes angry for the first time, grabbing Chuls’ blouse when the man doesn’t believe that Rikud found some new rooms with another viewport. Admitting this would mean admitting the reality of change and Chuls can’t do that. When Rikud breaks the buzzer, the sound mechanism that controls the ship’s inhabitants’ daily life, Chuls cannot realize that eating is possible without it, again showing how dependent he is on the ship’s regulated way of life.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the significance of the viewport in the story?

111

The viewport is one of the most important parts of the story. Rikud goes to the viewport in order to get a break from his routine life inside the ship. The changing stars that he could see through the viewport is what inspired Rikud to think more about the changes going on around him and to explore hhhhhhhe ship. Ultimately it is the viewport that showed him the possibility of a new life on the planet. The viewport essentially lead Rikud to breaking the engine room and to opening the door of the ship.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the significance of the viewport in the story?

107

The viewport that Rikud looks through initially shows a great changeless sweep of space. He believes that there is a greater purpose for him in the world, even if he has spent his entire life on the ship. There is a bright star that Rikuld sees through it, and it bothers him nonstop. When he looks through the viewport again, he sees that the bright central star has become a blue-tinged globe of light. This is extremely significant because what Rikud is observing is actually the ship’s landing on a new planet. This motivates him to investigate further, and he finds that the scenery has not changed for a week after a garden begins to enter the viewport’s field of vision. The viewport also serves as a reason for Rikud to break the ship’s buzzer announcement system; this stops everybody from living their pre-programmed way of life and to leave the ship for the more mysterious world outside. Without the viewport, Rikud would have never noticed the changes in space and as they eventually land on the planet.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the significance of the viewport in the story?

109

The viewport in this story is the only portal in which characters in this story are able to look beyond their perfect, constructed world aboard the ship. It is the only window into what exists outside of the ship, and throughout the story, we can see that it is where change and a variability in landscape is seen. It is significant because what Rikud sees through the viewport is what begins to create dissonance in his relationship with the world around him. It is only when he begins to notice the change in the stars, the appearance of a sphere with blue and green, and a bright light that he further questions why the men live on the ship and not outside. Additionally, it is significant because the viewport is one-dimensional in that all information is one-way. Whatever Rikud and the other men see through the viewport can only be explained by them, and so they have no way of knowing if it is true or not. As seen in the story, many times the other men are reluctant to even wonder what it is or simply shrug and move on.

51296

The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.

Describe the significance of the viewport in the story?

113

The story talks about our distant future. Humans left Earth long ago and now live on a spaceship that has been traveling through space for centuries. Everyone on the ship lives by the buzzer - a sound that signifies the beginning or the end of any daily activity: eating, sleeping, free time. They do not understand the concepts of change, space, because their life is limited to the rooms of the ship. The main character, Rikud, is a young man who enjoys looking at the viewport - it allows him to see the stars surrounding the ship and the cosmic blackness. He spends some time every day contemplating the view and notices when the stars change in size and location, disappearing from the view. This observation makes him think about variability and change, what these terms mean. When sometime later Rikud sees an unchanging image of a garden instead of cosmos in the viewport, he starts questioning the space he’s so long lived in. His attempt to rationalize this makes him more curious, and soon he finds another viewport that also looks like a door to the outer world. A different angle of view surprises him since he has always thought that there’s only one possible viewpoint on this ship. After days of chaotic thoughts and revelations, after breaking the buzzer and causing the inhabitants’ anger, Rikud finally opens the small viewport and sets foot in the garden, allowing everyone else to leave the ship, too.